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his interest to analyze the relationship between self-representation and reality, since self-portraits often do not aim at the mere faithful reproduction of objectively identifiable traits, but, being intentional constructions, they can be allegorical, idealizing, critical, symbolic, psychological, satirical, philosophical, reflective.
131:
should not be confused. Categorization is the process by which ideas and objects are recognized, differentiated, and classified, and consists of organizing the objects of a given universe into groups or categories, with a specific purpose. It is a fundamental mechanism for reason, communication, and
250:
Self-portraiture as a theoretical field attempts to answer several questions in modern times, from the most basic: what is a self-portrait? Or, why over the centuries has the number and quantity of works dedicated to it grown? Or why selfies have become a global phenomenon? It is also the object of
276:
Researchers still investigate self-portraits because they unfold many aspects of the artist's personal life and perception of himself and his relationships with his social environment, his peers, his time, culture and history, question artistic language, communication, poetics and style (visual or
258:(1936) that studies of the subject gained momentum. Benkard features 500 images and Goldscheider 263. But they don't do any further analysis. It was only in 1955 with Michelangelo Masciotta that an in-depth reflection of self-portraiture appeared.
204:
For a long time, self-portraits were included as small details in larger works, usually works of a religious nature, but from the
Renaissance onwards they began to appear in a more striking way, to soon gain full independence in autonomous works.
350:, as mentioned above. However, its spectrum, that is, its range of characteristics, properties and position, has been rapidly, in recent decades, expanding, spreading and being the subject of several other areas of knowledge, such as:
163:, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self". The self-portrait showing the artist's face or entire body appeared much later, with documented examples in
635:
Enenkel, Karl & Liebregts, Peter. "Introduction". In: Enenkel, Karl; Jong-Crane, Betsy de; Liebregts, Peter (eds.). Modelling the
Individual. Biography and Portrait in the Renaissance. Rodopi, 1998, pp.
617:
Reynolds, Anna & Peter, Lucy. "Producing and collecting portraits of artists". In: Reynolds, Anna; Peter, Lucy; Clayton, Martin (eds.). Portrait of the Artist. Royal
Collection Trust, 2016, pp. 9-12
608:
Reynolds, Anna & Peter, Lucy. "Producing and collecting portraits of artists". In: Reynolds, Anna; Peter, Lucy; Clayton, Martin (eds.). Portrait of the Artist. Royal
Collection Trust, 2016, pp. 9-12
178:
the practice began to gain momentum, following the growing appreciation of the question of authorship in the study of artistic works, and an appreciable number of self-portraits of scribes and copyists
194:, the interest in personal representation experienced an explosive growth, with particular emphasis on the author himself, both in the visual arts and in literature. According to Teresa Ferreira.
85:
Culture of the Selfie is an in-depth art-historical overview of self-portraiture, using a set of theories from visual studies, narratology, media studies, psychotherapy, and political principles.
327:
are most recognized. On the other hand, there are millions of self-portraits produced by unrecognized characters in the field of art who, no matter how brilliant they are, do not enter the
273:. The renowned historian, in 1926, recognizes the painter's face when comparing certain characters present in the work as an unequivocal self-portrait of the artist, and makes an analysis.
821:. The Sixteenth Century Journal, Volume 26, NumbeAn Anthropology of " self ": pondering on the use of the self-portrait in contemporary photography.r 4. University of Chicago Press
159:
Self-portraiture has a long history. In
Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the
865:
626:
Ferreira, Teresa Pinto da Rocha Jorge. Autorretratos na Poesia
Portuguesa do Século XX. Doutorado. Universidade Nova de Lisboa, 2019, pp. 23-27 (in portuguese)
254:
The self-portrature as an academic study only emerged in the twentieth century. In fact, it was with the monograph of Ernst
Benkard (1927) and, later, that of
487:
285:
works. Another focus of the research is to analyze the changes in the understanding of the meaning of the self-portrait over the centuries and its reception.
106:
production, however, if we look at the contemporary literature, we will see that the universe of academic studies, mainly, is focused on several disciplines.
120:
produced a great number. Rare is the artist, these days, who has not been seduced by self-representation. Self-portraiture has become very common.
232:
851:, in Ursula Renz (ed.), Self-Knowledge: A History, OXFORD PHILOSOPHICAL CONCEPTS (New York, 2017; online edn, Oxford Academic, 16 Feb. 2017),
76:
Ana
Peraica wrote, about self-portraiture today, in view of the prolification of the production of self-portraits, particularly the so-called
710:
Caro, M. A. The native as image: art history, nationalism, and decolonizing aesthetics. Thesis. Universiteit van
Amsterdam, 2010, pp. 155-157
556:
384:
197:
The advent of new technologies today, especially since the 1980s, has had an extraordinary impact on the practice of self-portraiture.
460:
102:
has been known since the seventeenth century. Although, when we refer to self-portraiture almost simultaneously, we are remitted to
719:
Haifeng, Xuan. Modes of
Painting in the Self-Portraits of Marlene Dumas. Master. University of the Witwatersrand, 2012, pp. 25-27
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301:. From the 19th century to the 21st century there was a great development of devices capable of producing photographs.
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In the visual arts, it is easy to notice the growth of artists' representations as the very theme of their creations.
73:
as an artistic practice, as a specific field of study, self-portraiture is recent, but it has been expanding rapidly.
109:
It is possible that self-portraiture has accompanied the emergence of the individual's perception in modern society.
399:
140:
19:
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It's not something to be surprised about. Before this time it was not possible for artists to use this resource.
94:. Studies emerge from various areas, such as Philosophy. Language development is dynamic and a reality. The term
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Five Hundred Self Portraits from Antique Times to the Present Day in Sculpture, Painting, Drawing and Engraving
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98:, for example, only emerged in the 1980s. But the term, according to the Oxford English Dictionary,
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An Anthropology of " self ": pondering on the use of the self-portrait in contemporary photography
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Currently, almost everyone has the possibility of having a portable device capable of producing a
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Renaissance Self-Portraiture. The Visual Construction of Identity and Social Status os the Artist
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that studies the history, means of production, circulation, reception, forms, and meanings of
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Peraica, Ana. Culture of the Selfie : Self-Representation in Contemporary Visual Culture
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literary), and intertwine the public and the private. Personhood and impersonality, being
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cognition. This is, by the way, because the term "selfie" only appears in the 1980s.
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The Art of Reflection: Women Artists' Self-Portraiture in the Twentieh Century
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Irony and the Ethics of Self-Portraiture in Montaigne's De la praesumption
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804:"Serial self-portrait: A technique to monitor changes in self-concept"
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Interview and Introduction with J. Hall: Self-Portrait and Philosophy
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201:, photographic self-portraits, have become common around the world.
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934:. Liverpool: National Museums & Galleries on Merseyside, 1994
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The origins of photography date back to the discoveries of the
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675:. Vienna; London Phaidon Press; George Allen & Unwin Ltd
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Self-portraiture initially emerged as a phenomenon within the
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was the first to develop a series of works. Centuries later,
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Very rare, in this period, works such as that undertaken by
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https://doi.org/10.1093/acprof:oso/9780190226411.003.0025
793:. Volume 34, Issue 4, 2007, Pages 331-339, ISSN 0197-4556
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How Cindy Sherman Redefined Self-Portraiture (7 Artworks)
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Rules of Art: Genesis and Structure of the Literary Field
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The Moment of Self-Portraiture in German Renaissance Art
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Face to Face: Tree Centuries of Artists' Self-Portrature
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their books and parchments, mostly anonymous, survive.
836:. IRIS Institutional Research Information System, 2017
224:, the largest pictorial collection of self-portraits.
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On the development of individualism in society, see
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Self-Portraiture: The Uses of Academic Autobiography
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International Journal of Creative Research Thoughts
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966:Thomson, Duncan (2001-01-01). "self-portraiture".
701:. Chicago : University of Chicago Press, 1982
559:Albrecht Dürer and the Moment of Self-Portraiture.
786:Beyond the face: Art therapy and self-portraiture
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647:Por uma História da Autorretratística no Brasil
208:Attention to self-portraiture is recent in the
855:, accessed 2 June 2024. Oxford Academic: 2017.
461:Swartz, David L. - Bourdieu’s Concept of Field
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90:Self-portraiture does not only encompass the
955:. Chicago: University of Chicago Press, 1996
649:. Niterói: Unilasalle, 2004. (in portuguese)
514:self-portraiture (Oxford English Dictionary)
385:List of self-portraits in the Uffizi Gallery
962:. Los Angeles: Yale University Press, 1998
941:. London: Columbia University Press, 1996
770:highlights this phenomenon (check entry:
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429:– 1960 oil painting by Norman Rockwell
920:. Firenze: Galeria degli Uffizi, 2005
587:. Firenze: Galeria degli Uffizi, 2005
186:Throughout the Renaissance, with the
980:10.1093/acref/9780198662037.001.0001
757:. The Collector. Access in 19/5/2024
475:The Significance of Self-Portraiture
968:The Oxford Companion to Western Art
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946:Autorritratti dal XIV al XX Seculo
686:Autorritratti dal XIV al XX Seculo
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948:. Electa Editrice, Milano, 1955.
155:working at the easel to the left.
400:Female self-portrait in painting
338:The Spectrum of self-portraiture
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69:and becoming popular from the
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913:. London: Phaidon Press, 1995
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289:Photographic self-portraiture
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573:Self-portraits by Rembrandt
405:Self-portraits by Rembrandt
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911:Five Hundred Self-Portrats
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881:"The Sociology of Selfies"
583:Bonafoux, Pascal et alii.
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791:The Arts in Psychotherapy
699:Meanig in the Visual Arts
151:, painted in 1656, shows
741:Andy Warhol (Christie's)
972:Oxford University Press
958:Woods-Marsden, Joanna.
546:Essays on Individualism
478:. Accessed in 12/5/2024
463:. Accessed in 12/5/2024
243:, 1556, Lancut Museum,
927:. Genève: Skira, 1984.
783:Alter-Müri, Simone B.
671:Goldscheider, Ludwig.
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267:Allegory of Prudence
237:Sofonisba Anguissola
190:valorization of the
937:Meskimmon, Marsha.
368:Social Anthropology
256:Ludwig Goldscheider
220:, exhibited in the
169:Classical Antiquity
16:Field of art theory
830:Caputo, Annalisa.
802:Judy A. Glaister,
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447:Bourdieu, Pierre.
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951:Koerner, Joseph.
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67:Antiquity
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