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Sarah Tyson Hallowell

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40: 301: 164: 286: 539:: Auxiliary Hospital Number 26), according to the online "Forum Histoire 1914–1918". It was listed in French records as HA n° 26 Moret-sur-Loing - Asile de vieillards - 40 lits - SSBM - Fonctionne du (2 août 1914 au ?) According to U.S. Department of State Records from the Paris Embassy between 1904 and 1924, the hospital opened in August 1914 and was active throughout the war. 201:(Society of Friends) faith, but by the time of their marriage Caleb "had left the meeting". Mary was then "read out of meeting for marrying out of unity," meaning that she was temporarily or permanently disowned by the faith. Their children continued to have the influence of the Friends through their families. 454:
as an agent. She returned to the United States to "keep in touch with America's wonderful school of landscape painters" in Chicago, Philadelphia, Pittsburgh, Boston and New York. Whereas, in France, American painters often concentrated on portraits and figure paintings. She also included the works of
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of 1893 in Chicago. Initially she had applied for the position of chief. At that point she had a decade organizing large exhibitions and developing important relationships within the art community. Hallowell had powerful social and political backers by that time who lobbied for the role for her.
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and volunteered at the local hospital. They established a center in their home for crocheting clothing for soldiers and refugees. Injured soldiers and local residents assisted in making the clothing. Their efforts, which continued after the war, were supported by donations from their cousin, T.
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The Hallowells had six children born between 1841 and 1854. Listed chronologically, they are: Francis Perot, Morris Lewis, Lewis Morris, Sara Tyson, Marshall Tyson, and Elizabeth Tyson. Even though the family were Quakers, three of her brothers, Morris, Francis and Lewis, fought in the
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Sarah Tyson Hallowell. Passport issued July 8, 1918. Passport Applications, January 2, 1906–March 31, 1925. NARA Microfilm Publication M1490, 2740 rolls. General Records of the Department of State, Record Group 59. National Archives, Washington,
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Hallowell was responsible for collecting 19th-century European art and identifying candidates for painting of wall murals by women artists. Working predominantly from Paris and at the request of Berthe Palmer, Hallowell identified
360:. Although some recent sources credit Hallowell with helping to found the Palette Club of Chicago, which was first called the Bohemian Art Club, there are no contemporaneous references to support this. She was also a member of the 1190:
Carolyn Kinder Carr; National Museum of American Art (U.S.); National Portrait Gallery (Smithsonian Institution) (March 1993). "Prejudice and Pride: Preparing and Presenting American Art at the 1893 World's Columbian Exposition".
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Although she was an otherwise a "strong candidate" she was not made chief. Author Carolyn Kinder Carr said, "As newspaper accounts of the day made clear, her gender rendered her ineligible for this high-profile job."
334:, and other Barbizon and European schooled artists. In 1878 she organized the Inter-State Industrial Exposition of Chicago. She popularized Impressionist art in the city with exhibition of the works of 319:
At the age of 20 she moved with her mother to Chicago and developed a career as a modern art exhibition organizer. In 1870, she lived with four of her five siblings in her mother's house.
255:. Mary, her mother, and her niece Harrier were members of the Paris, France chapter of the Daughters of the American Revolution. John Hallowell (died 1706), a 785: 427:
Hallowell, who met Rodin in the early 1890s when arranging for art works for the exposition, was to become his "best American friend" in the 19th century.
190:, and Mary Morris Tyson Hallowell, who were married on June 11, 1840. Caleb Hallowell was a merchant in Philadelphia, who was born in 1815 and died of 155:. During World War I she and her niece Harriet Hallowell (1873–1943) volunteered at a small hospital. She lived in France until her death in 1924. 322:
Hallowell traveled to European art centers to arrange for works of art for the Inter-State Industrial Expositions in Chicago and worked with
1189: 372:, stated that she was the first woman in exhibition management. She was said to have been among a group of women who were students of the 384: 1066:"Sara Hallowell Unique in the Art World: What She Has Done for American Artists Abroad in Her Singular Capacity as a Paris Jury of One." 248: 151:(1849–1918) to organize the murals for the women's pavilion for the fair. She then moved to Paris, where she served as agent for the 1332: 373: 1248: 1225: 1202: 1169: 1092: 1047: 966: 909: 877: 656: 252: 244: 1317: 1132: 1000: 936: 761: 734: 702: 628: 222: 1147: 812: 20: 535:
Because the war was so close to their home, a small hospital was set up in Moret-sur-Loing, "Hôpital Aux No. 26" (
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She lived in Paris with her mother and niece. Around the turn of the century they also lived in the small town of
400: 144: 39: 1337: 597: 409: 48: 1322: 143:. She curated a number of major exhibitions in Chicago, arranged the loan exhibition of French Art at the 243:, who was a Quaker active in social and political causes. She descended through her mother's lineage from 1065: 437:
No woman, perhaps, is better or more happily known to the world's foremost artists than Sara Hallowell.
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Oxford lists her year of birth as 1947. Sarah Harowell gave her year of birth as 1946 on her Passport.
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Hallowell worked in Paris and Chicago as an "influential" adviser and organizer of art exhibits.
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The Historical Society of Pennsylvania. April 2004. pp. 1, 3, 13, 14. Retrieved August 17, 2014.
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Hallowell was one of the agents and then assistant chief of the Department of Fine Arts for the
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soldiers and with others raised funds for the care of the sick and wounded Union troops for the
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In 1894 Hallowell moved to Paris and lived in Europe thereafter. She worked primarily for the
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The Historical Society of Pennsylvania. April 2004. pp. 13, 14. Retrieved August 17, 2014.
8: 331: 135:(December 7, 1846 – July 19, 1924) was an American art curator in the years between the 214: 206: 136: 1244: 1237: 1221: 1198: 1165: 1128: 1088: 1043: 996: 962: 932: 905: 873: 757: 730: 698: 652: 624: 233: 826: 1124:
Quaker Aesthetics: Reflections on a Quaker Ethic in American Design and Consumption
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Quaker Aesthetics: Reflections on a Quaker Ethic in American Design and Consumption
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Quaker Aesthetics: Reflections on a Quaker Ethic in American Design and Consumption
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Quaker Aesthetics: Reflections on a Quaker Ethic in American Design and Consumption
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Quaker Aesthetics: Reflections on a Quaker Ethic in American Design and Consumption
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Quaker Aesthetics: Reflections on a Quaker Ethic in American Design and Consumption
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Quaker Aesthetics: Reflections on a Quaker Ethic in American Design and Consumption
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Sarah Tyson Hallowell died July 19, 1924, in Moret-sur-Loing, where she is buried.
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Hallowell's nephew was the American artist George Hawley Hallowell (1872-1926) of
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She stopped working for the Art Institute of Chicago when World War I broke out.
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who came to the United States from Ireland and settled in Pennsylvania. He was a
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Oxford Reference. (From The Grove Encyclopedia). Retrieved August 18, 2014.
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Lineage Book - National Society of the Daughters of the American Revolution
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Erica E. Hirshler; Helene Barbara Weinberg; Christopher Riopelle (2006).
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in 1858. Her mother was born in 1820 and died in 1913 in Moret, France.
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of Pennsylvania member. Based her relationship to Marshall, she was
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on December 7, 1846. Her parents were Caleb W. Hallowell, of the
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Revisiting the white city: American art at the 1893 World's Fair
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Carolyn Kinder Carr (January 1, 2001). "Sara Tyson Hallowell".
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Carolyn Kinder Carr (January 1, 2001). "Sara Tyson Hallowell".
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St. George and the Dragon, after Carpaccio, 1899-1900 Drawing
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Women Building Chicago 1790-1990: A Biographical Dictionary
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Women Building Chicago 1790-1990: A Biographical Dictionary
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She was an agent for art collectors in Chicago, including
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World's Columbian Exposition. Retrieved August 17, 2014.
680:. Friends' Intelligencer Association. 1913. p. 286. 395:, 1893, The National Portrait Gallery, Washington, D.C. 19:
For the article about the 19th century journalist, see
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Eve's Daughter/Modern Woman: A Mural by Mary Cassatt
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Eve's Daughter/Modern Woman: A Mural by Mary Cassatt
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Eve's Daughter/Modern Woman: A Mural by Mary Cassatt
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Eve's Daughter/Modern Woman: A Mural by Mary Cassatt
861: 859: 831:. Press of Pierpont, Siviter & Company. p.  571:. Daughters of the American Revolution. p. 143. 1260:"Sara Hallowell Brings 'Modern Art' to the Midwest" 1159: 984: 982: 980: 978: 646: 637: 1236: 1031: 718: 716: 714: 612: 610: 608: 606: 485:Sarah and her niece Harriet lived in Moret during 1127:. University of Pennsylvania Press. p. 367. 995:. University of Pennsylvania Press. p. 272. 945: 931:. University of Pennsylvania Press. p. 361. 886: 856: 800:. Harvard Art Museums. Retrieved August 17, 2014. 756:. University of Pennsylvania Press. p. 277. 729:. University of Pennsylvania Press. p. 275. 697:. University of Pennsylvania Press. p. 360. 623:. University of Pennsylvania Press. p. 358. 1294: 1121:Emma Jones Lapsansky; Anne A. Verplanck (2003). 1114: 989:Emma Jones Lapsansky; Anne A. Verplanck (2003). 975: 961:. University of Illinois Press. pp. 60–61. 925:Emma Jones Lapsansky; Anne A. Verplanck (2003). 918: 788:Chicago History Fair. Retrieved August 18, 2014. 781: 779: 777: 775: 773: 750:Emma Jones Lapsansky; Anne A. Verplanck (2003). 743: 723:Emma Jones Lapsansky; Anne A. Verplanck (2003). 691:Emma Jones Lapsansky; Anne A. Verplanck (2003). 617:Emma Jones Lapsansky; Anne A. Verplanck (2003). 849:Directory of the Chapters, Officers and Members 711: 603: 1257: 1164:. Indiana University Press. pp. 341–343. 670: 668: 416:, who became one of her friends in the 1890s. 1080: 1071:December 31, 1905. Retrieved August 18, 2014. 954: 897: 865: 846:Daughters of the American Revolution (1895). 825:Daughters of the American Revolution (1895). 770: 565:Daughters of the American Revolution (1908). 1087:. University of Illinois Press. p. 70. 904:. University of Illinois Press. p. 16. 872:. University of Illinois Press. p. 11. 560: 558: 556: 424:was one of the works selected by Hallowell. 370:Sara T. Hallowell: Forsaking Plain for Fancy 119:to the United States, volunteer work during 1029: 665: 379: 1141: 808: 806: 580: 578: 38: 553: 490:Morris Perot in Pennsylvania and others. 259:from England, was her father's ancestor. 651:. Indiana University Press. p. 10. 593: 591: 383: 162: 1212:S. T. (Sarah Tyson) Hallowell (1998) . 1111:. Fort Wayne Indiana. October 30, 1894. 803: 575: 197:Mary and Caleb were both born into the 1295: 1148:Perot Family Papers - Collection 1886. 1061: 1059: 813:Perot Family Papers - Collection 1886. 374:School of the Art Institute of Chicago 588: 253:Daughters of the American Revolution 1056: 13: 1182: 1038:. Yale University Press. pp.  520: 480: 470:, which is located six miles from 14: 1349: 311:Garden of the artist at Vetheuil 299: 284: 21:Sarah Catherine Fraley Hallowell 1153: 1101: 1074: 1023: 1009: 839: 818: 791: 529: 270: 178:Sarah Tyson Hallowell was born 1333:American expatriates in France 684: 353:in the 1890 Inter-State show. 1: 1239:Americans in Paris, 1860-1900 1218:The Annual American Catalogue 1197:. National Portrait Gallery. 786:Chicago Women History Topics. 546: 158: 99:American expatriate in France 1266:(2). Art Quarterly: 150–164. 401:World's Columbian Exposition 147:in Chicago, and worked with 145:World's Columbian Exposition 45:Mademoiselle Sarah Hallowell 7: 501: 172:Mary Morris Tyson Hallowell 10: 1354: 1042:, 346, 399–400, 406, 407. 1034:Rodin: The Shape of Genius 70:Philadelphia, Pennsylvania 18: 430: 262: 111: 103: 95: 77: 55: 49:Mary Fairchild MacMonnies 37: 30: 1318:People from Philadelphia 513: 493: 452:Art Institute of Chicago 380:World's Exposition, 1893 366:Art Institute of Chicago 294:, "Les Danseuses mauves" 153:Art Institute of Chicago 1258:John D. Kysela (1964). 1279:Cite journal requires 1220:. Publishers ́Weekly. 1081:Sally Webster (2004). 955:Sally Webster (2004). 898:Sally Webster (2004). 866:Sally Webster (2004). 677:Friends' Intelligencer 439: 396: 328:James McNeill Whistler 278:Impressionism examples 175: 1338:American art curators 455:French artists, like 435: 393:Sarah Tyson Hallowell 387: 351:Pierre-Auguste Renoir 324:William Merritt Chase 166: 129:Sarah Tyson Hallowell 32:Sarah Tyson Hallowell 1243:. National Gallery. 1030:Ruth Butler (1993). 245:Christopher Marshall 239:Her grandfather was 133:Sara Tyson Hallowell 107:American art curator 16:American art curator 1323:People from Chicago 362:Antiquarian Society 332:John Singer Sargent 249:Committee of Safety 223:Sanitary Commission 397: 176: 1250:978-1-85709-301-8 1227:978-0-300-07754-4 1204:978-0-937311-01-1 1171:978-0-253-33852-5 1094:978-0-252-02906-6 1049:978-0-300-06498-8 968:978-0-252-02906-6 911:978-0-252-02906-6 879:978-0-252-02906-6 658:978-0-253-33852-5 422:Elizabeth Gardner 234:Harriet Hallowell 225:in Philadelphia. 126: 125: 1345: 1328:American Quakers 1313:Hallowell family 1288: 1282: 1277: 1275: 1267: 1254: 1242: 1231: 1208: 1176: 1175: 1157: 1151: 1145: 1139: 1138: 1118: 1112: 1105: 1099: 1098: 1078: 1072: 1063: 1054: 1053: 1037: 1027: 1021: 1013: 1007: 1006: 986: 973: 972: 952: 943: 942: 922: 916: 915: 895: 884: 883: 863: 854: 853: 843: 837: 836: 822: 816: 810: 801: 795: 789: 783: 768: 767: 747: 741: 740: 720: 709: 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Index

Sarah Catherine Fraley Hallowell

Mary Fairchild MacMonnies
Philadelphia, Pennsylvania
Moret-sur-Loing
Impressionism
World War I
Civil War
World War I
World's Columbian Exposition
Bertha Palmer
Art Institute of Chicago

Anders Zorn
Philadelphia
Pennsylvania
Hallowell Family
tuberculosis
Quaker
Civil War
Union Army
Civil War
Union Army
Sanitary Commission
Boston
Harriet Hallowell
Elisha Tyson
Christopher Marshall
Committee of Safety
Daughters of the American Revolution

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