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1057:, Vishniac juxtaposed photos to tell stories, and wrote captions that were not supported by the material. In the final spread of the book, for example, there is a photo of a man peering through a metal door; on the opposite page a small boy points with his finger to his eye. Vishiniac's caption reads: "The father is hiding from the Endecy (members of the National Democratic Party). His son signals him that they are approaching. Warsaw, 1935–1938." At the front of the book, additional commentary reads: "The pogromshchiki" (pogrom lynch mob) "are coming. But the iron door was no protection." Benton's research found that the photos were from different rolls of film, taken in different towns, so the scene described in the book "almost certainly did not happen".
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492:(JDC) in Central Europe to photograph Jewish communities in Eastern Europe as part of a fund-raising drive to help support these poor communities. Vishniac developed and printed these pictures in his darkroom in his Berlin apartment. Further trips to Eastern Europe were undertaken between 1935 and 1938, again at the behest of the JDC. Vishniac used both a
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groups, going about their daily lives: very often studying (generally religious texts), walking (many times through harsh weather), and sometimes just sitting; staring. The scenes are dramatic: "There is barely a hint of a smile on any of the faces. The eyes peer at us suspiciously from behind ancient
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Roman
Vishniac did not just want to preserve the memories of the Jews; he actively fought to increase awareness in the West of the worsening situation in Eastern Europe. "Through his photographs, he sought to alert the rest of the world to the horrors ", Mitgang. In late 1938, for example, he sneaked
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Steichen, Edward; Steichen, Edward, 1879–1973, (organizer.); Sandburg, Carl, 1878–1967, (writer of foreword.); Norman, Dorothy, 1905–1997, (writer of added text.); Lionni, Leo, 1910–1999, (book designer.); Mason, Jerry, (editor.); Stoller, Ezra, (photographer.); Museum of Modern Art (New York, N.Y.)
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Vishniac's photographs from the 1930s are all of a very distinct style; they are all focused on achieving the same end: capturing the unique culture of Jewish ghettos in
Eastern Europe, especially the religious and impoverished. His published pictures largely center on these people, usually in small
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These pictures, all in black and white, were done with available light or sometimes a lantern, yet they are "amazingly crisp with surprising depth of field". Indeed, "There is a grainy realism to
Vishniac's photographic style. We can almost finger the coarse textures of coats and shawls; the layers
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feasting and other living creatures in full animation. Skillfully and patiently, he would stalk insects or other such creatures for hours in the suburbs around New York City. Before beginning the hunt, he would lie for over an hour in the grass, rubbing himself with proximate flora to make himself
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While touring Europe, Vishniac posed as a traveling fabric salesman, seeking aid where he could and bribing anyone who got in his way. During his touring of
Eastern Europe (1935–1939), he was often arrested by police for taking these pictures, sometimes because he was thought to be spying. Later,
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There has been criticism of
Vishniac's work, focusing on the lack of diversity of his subjects in his work from Eastern Europe and quality of his composition. It has been argued that he should have also photographed wealthier Jews, in addition to the poor Jews in ghettos. Thornton criticized his
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Vishniac claimed that he had taken 16,000 photos in this period, every one a candid shot, but the veracity of these claims has been challenged by research by Maya Benton, a curator at the
International Center of Photography. To photograph small villages in these mountains, Vishniac claimed he
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but the
Vishniac family lived there because Solomon Vishniac, Roman's father, was a wealthy manufacturer of umbrellas, and his mother, Manya, was the daughter of affluent diamond dealers. Vishniac also had a sister, Katja. During the summer months, the Vishniac family left Moscow, as it became
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of fabric worn by the people seem more related to tree bark than to the well-pressed wool suit worn by an occasional elegant passerby." Vishniac is known to have exaggerated in composing the captions of his photographs, and in some cases he may have fabricated the stories behind them.
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308:, published in 1983, made him famous and is one of the most detailed pictorial documentations of Jewish culture in Eastern Europe in the 1930s. Vishniac was also remembered for his humanism and respect for life, sentiments that can be seen in all aspects of his work.
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After
Vishniac's death, many photos came to light depicting life in Berlin taken between 1920 and 1939. Some of these negatives were found at the end of rolls of film devoted to scientific work. An exhibition of Vishniac's Berlin photos was mounted at the
567:, but he could not yet speak any English and thus had a difficult time. He managed to do some portraiture work with mostly foreign clients; but business was poor. It was during this time, in 1942, that he took one of his most celebrated portraits, that of
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Vishniac associated much of his work with religion, though not specifically
Judaism. "Nature, God, or whatever you want to call the creator of the Universe comes through the microscope clearly and strongly," he remarked in his laboratory one day.
855:(52 kilograms) by his estimate, on his back, up steep roads, trekking many miles. Vishniac captured thousands of impoverished Jews on film, "... to preserve — in pictures, at least — a world that might soon cease to exist".
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is not just for Jews, but for every living thing." He probably believed in God or some similar concept, but he was non-denominational and did not adhere strictly to the principles of any religion. He even clashed with
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Of the 16,000 photographs taken in
Eastern Europe by Vishniac, only 2,000 reached America. Most of these negatives were carefully hidden by Vishniac and his family; others were smuggled in by Vishniac's good friend
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In 2013, Vishniac's daughter Mara (Vishniac) Kohn donated to the International Center of Photography the images and accompanying documents comprising ICP's "Roman Vishniac Rediscovered" traveling exhibition.
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1401:; includes photographs by R. Vishniac, A. Kacyzna, M. Kipnis and others. First edition of the earliest and most comprehensive graphic pictorial history of Jewish life at the beginning of the Nazi era.
1075:– to photograph "not the fullness of Eastern European Jewish life but its most needy, vulnerable corners for a fund-raising project" – had led to his overemphasizing poor, religious communities in
1865:"The Concerns of Roman Vishniac" circulated around the US by ICP. This exhibit was probably a continuation of the last one at the Jewish Museum; however, it is listed as a separate production in
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photographs for their unprofessional qualities, citing "errors of focus and accidents of design, as when an unexplained third leg and foot protrudes from the long coat of a hurrying scholar."
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In 1946, Vishniac divorced Luta, and the next year he married Edith Ernst, an old family friend. A few years later, he gave up portraiture and went on to do freelance work in the field of
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1185:(from his work in Berlin) and metamorphosis. Despite his aptitude and accomplishments in the field, most of his work in biology was secondary to his photography: Vishniac studied the
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Vishniac was known for having great respect for all living creatures. Whenever possible, he returned a specimen to its location at the time of capture. and one time " his bathtub to
1150:'s cheek pouch. Vishniac invented new methods for light-interruption photography and color photomicroscopy. His method of colorization, (developed in the 1960s and early 1970s) uses
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During his life, Vishniac was the subject and creator of many films and documentaries; the most celebrated of which was the Living Biology series. This consisted of seven films on
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In October 2018, Kohn donated the Vishniac archive of an estimated 30,000 items, including photo negatives, prints, documents and other memorabilia that had been housed at ICP to
862:(visible in some of his work) if there was insufficient light, keeping his back to a wall for support, and holding his breath. The Rolleiflex was used mostly for outdoor scenes.
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1071:, has said that he felt disquiet while compiling the text, since so much information was unsubstantiated. Benton also suggested that the terms of Vishniac's commission from the
882:. After photographing the "filthy barracks", as he described it, for two days, he escaped by jumping from the second floor at night and creeping away, avoiding broken glass and
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1364:"stressing the spiritual side of the subjects' lives and ... it did not include any of the pictures took to emphasize the economic struggle in which the Jews were engaged."
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in one well-known instance: The religious Jews he met on his trek around Europe would not let themselves be photographed, quoting the Bible and its prohibition of making of
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1131:. Vishniac's work in photomicroscopy was, and is, highly regarded in the field. For three consecutive years, beginning in 1952, he won the Best-of-the-Show Award of the
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One of Roman Vishniac's most famous endeavors in the field of photomicroscopy was his revolutionary photographs from the inside of a firefly's eye, behind 4,600 tiny
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Roman Vishniac always had strong ties with his ancestry, especially the Jewish aspect of it, "From earliest childhood, my main interest was my ancestors". He was a
374:'s leg at 150 times magnification. Young Vishniac used this microscope extensively, viewing and photographing everything he could find, from dead insects to animal
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Fisher, Craig. Roman's Legions: A multi-media presentation of how Dr. Vishniac makes the invisible visible, produced by Craig Fisher of the Fisher Film Group.
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camera in his photography. In 1939, his wife and children moved to Sweden to stay with Luta's parents, away from hostile Germany. He met his parents in
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1119:. On the subject of Vishniac's skill in photomicroscopy, Halsman said he was, "a special kind of genius". He worked with all sorts of specimens, from
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to New York City in 1940, arriving on New Year's Eve. Vishniac tried to get a job but failed: "For me, it was a time of distraction and fear." He was
3393:"His Vanished (or Manipulated?) World, Roman Vishniac Show at International Center of Photography," by Ken Johnson, The New York Times, April 4, 2013
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and in 1961 was promoted to "professor of biological education". In his seventies and eighties, Vishniac became "Chevron Professor of Creativity" at
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393:; from ten to seventeen, he attended a private school at which he earned a gold medal for scholarship. Beginning in 1914, he spent six years at the
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to the U.S. with his family. His father stayed behind and spent the war hidden in France; his mother died from cancer in 1941 while still in Nice.
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1234:. He had even trained himself to hold his breath for up to two minutes, so that he could take his time and not disturb slowly exposing images.
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Once in the United States, Vishniac tried desperately to earn sympathy for impoverished Jews in Eastern Europe. When his work was exhibited at
1111:). He specialized in photographing living insects and had a talent for arranging the moving specimens in "just the right poses", according to
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for weeks until he could return them to their pond". In accordance with this philosophy, he photographed almost exclusively living subjects.
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and Vishniac was considered a "stateless person". After three months, as a result of his wife's efforts and aid from the JDC, he obtained a
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803:(JDC) as part of a fundraising initiative, but Vishniac had a personal interest in this subject matter. He traveled back and forth from
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Title: "Roman Vishniac Rediscovered"; Retrospective exhibition of Vishniac's entire body of work including previously unseen work.
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I sewed some of the negatives into my clothing when I came to the United States in 1940. Most of them were left with my father in
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2325:"Vanished no more: Giant of photography Roman Vishniac finds a home at The Magnes - The Magnes Collection of Jewish Art and Life"
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291:. Vishniac was very interested in history, especially that of his ancestors, and strongly attached to his Jewish roots; he was a
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3343:"An Archive of Archives: Roman Vishniac's Exhibition History | New York, 1971-72 - The Magnes Collection of Jewish Art and Life"
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with his wife Edith, teaching, photographing, reading and collecting artifacts. Items in his collection included a 14th-century
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and his results were eventually independently duplicated. In spite of this, he went on to take a three-year course in medicine.
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Vishniac's subjects varied throughout his life. At times, he would focus on documenting everyday life, as in Berlin, and later
646:(where he taught courses on topics such as the philosophy of photography). During this time he lived on the Upper West Side of
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and photography, and his room was filled with "plants, insects, fish and small animals". On his seventh birthday, he got a
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3424:"Roman Vishniac Rediscovered". Edited by Maya Benton International Center of Photography, New York 2015, DelMonico Books
1285:) of a store in Berlin selling devices for separating Jews and non-Jews by skull shape was used by him to criticize the
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2566:"Vishniac Photographs Breathe Life into Memories of Children from a Vanished World - Spertus Museum - Absolutearts.com"
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Levin, Eric. "A fateful photo from the Holocaust leads photographer and subject to an emotional reunion in the Bronx"
2372:. Editors: Mara Vishniac Kohn, James Howard Fraser and Aubrey Pomerance. Published by Nicolaische Verlagsbuchhandlung.
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453:. Roman followed them and, shortly after arriving, married Luta (Leah) Bagg, who gave birth to two children, Mara and
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2990:. Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation.
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Vishniac's daughter, Mara, as a young girl, poses in front of a store selling devices for differentiating between
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2113:— A contemporary of Vishniac's, who photographed similar subjects. He was murdered in a Ukrainian pogrom in 1941.
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by Roman Vishniac. This is one of the best-known examples of his 1940s portraiture work. Taken in Princeton, NJ.
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smell less artificial. He would then gracefully swoop close to his prey and patiently frame the scene with an
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exhibition that was seen by 9 million visitors, accompanied by a catalogue which has never been out of print.
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1946:
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from his grandmother, to which he promptly hooked up a camera, and by which he photographed the muscles in a
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University of South Carolina Newsfilm Library Collection of Roman Vishniac's Scientific Imaging: 100 images
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when published, these photographs made him popular enough for his work to be showcased as one-man shows at
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In addition to the candid photography for which he is best known, Vishniac worked heavily in the field of
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Title: "Roman Vishniac's Berlin"; exhibiting 90 images in Berlin, some never before seen by the public.
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at the time), asking her to visit the exhibit, but she did not. He also sent some of his photographs to
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1970:
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Vishniac's photographs from this period are widely commended and on permanent display in many museums.
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Even when he grew older, Vishniac was very active. In 1957, he was appointed research associate at the
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2814:"From Generation to Generation: A Photo-Documentary on Orthodox Jewish Communities living in America"
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When photographic curator Maya Benton began to catalog Vishniac's negatives for the archive of the
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April 23, 1984 v21 p74(2). Retrieved January 3, 2006, from InfoTrac Web InfoTrac OneFile A3233313.
1820:"The Concerns of Roman Vishniac"; The first comprehensive showing of Vishniac's work, produced by
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of an organism primarily to better photograph it. Besides experimenting with the metamorphosis of
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Vishniac's photographs have had a profound effect on Holocaust literature and have illustrated
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Newhouse, Alana. A Closer Reading of Roman Vishniac – NYTimes.com www.nytimes.com 2010/04/04.
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For a more complete list of publications by and about Roman Vishniac, see pages 94 and 95 of
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According to the site, the text originally "appeared in Kodak International Review – No. 9".
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Webpage of Ephraim Vishniac, Roman's grandson, detailing the family tree of the Vishniacs'.
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Similarly, Benton discovered negatives that showed the unsmiling little girl depicted in
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Vishniac is best known for his dramatic photographs of poor and pious Jews in cities and
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November 25, 1983; ProQuest Historical Newspapers The New York Times (1851–2002) pg. C1.
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reactions, spawning multicellular life. As a philosopher, he "developed principles of
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2923:, Sept 1984 v48 p92(1). Accessed January 3, 2006, from InfoTrac Web: OneFile A3409487
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Work of photographer Roman Vishniac remembered in special illustrated program at UCSB
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Building Blocks of Life: Proteins, Vitamins, and Hormones Seen Through the Microscope
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The exhibition of Roman Vishniac's photos at Amsterdam Jewish Historical Museum, 2014
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Jan 1984 v14 p130(2). Accessed January 3, 2006, from InfoTrac Web: OneFile A3071101.
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674:, general philosophy and religion in science, specifically Jewish topics, ecology,
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2214:"Vanished no more: Giant of photography Roman Vishniac finds a home at The Magnes"
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and over a peddler's tray, from crowded schoolrooms and desolate street corners."
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in 1920: both in Berlin. As a biologist and philosopher in 1950, he hypothesized
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Prepared with the cooperation of the National Audubon Society; Published by N.
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Roman Vishniac remembered UJA Federation of Hamilton accessed April 18, 2010
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until 2018, when Vishniac's daughter, Mara Vishniac Kohn, donated it to The
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Edited by James Howard Fraser, Mara Vishniac Kohn and Aubrey Pomerance for
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and Jewish ghettos, celebrity portraits, and microscopic biology. His book
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photographs, "among photography's finest documents of a time and place."'
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selected three of Vishniac's Eastern European photographs; of boys at a
3365:"Roman Vishniac Archive - The Magnes Collection of Jewish Art and Life"
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2134:. International Center of Photography. February 9, 2012. Archived from
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photographer, best known for capturing on film the culture of Jews in
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existed for thousands of years before the camera had been invented."
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For this work, Roman Vishniac has received the Memorial Award of the
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of Eastern Europe. He was commissioned to take these pictures by the
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Vishniac traveled to Paris in late summer 1940, and was arrested by
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3244:"Roman Vishniac Rediscovered - International Center of Photography"
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2934:"Detailed Review Summary of Flowers on the Wall by Miriam Nerlove"
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Mitgang, Herbert (October 2, 1983). "Testament to a Lost People".
2543:. Berkeley and Los Angeles: University of California Press, 1999.
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One-man show of photographs of impoverished Eastern European Jews
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When using a Leica for indoor shots, Vishniac sometimes brought a
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2720:"Roman Vishniac, 92, a Biologist And Photographer of Jews, Dies"
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Spider, Egg and Microcosm: Three Men and Three Worlds of Science
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to write a novel based on the story of the girl in the picture.
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Living with the memory of hardship, Vishniac was, "an absolute
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and a strong sympathizer with Jews who had suffered because of
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showcased 31 images of the life and character of these people
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Roman Vishniac Archive at International Center of Photography
2034:— Originally commissioned Vishniac's trips to Eastern Europe.
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Vishniac is notable for his photographs of insects mating,
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Roman Vishniac won international acclaim for his photos of
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Edited by Kohn, Mara Vishniac and Flacks, Miriam Hartman.
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carried heavy equipment (Leica, Rolleiflex, movie camera,
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A day of pleasure; stories of a boy growing up in Warsaw.
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October 31, 1971. Proquest Historical Newspapers pg. D25
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February 2, 1943; ProQuest Historical Newspapers pg. 21.
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The Concerns of Roman Vishhniac: Man, Nature and Science
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A Day of Pleasure: Stories of a Boy Growing Up in Warsaw
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Includes gallery of 31 of Roman Vishniac's photographs.
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Murray, Schumach. "Vishniac's Lost World Of the Jews".
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about the Jewish ghettos and Holocaust. In the case of
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Vishniac was a versatile photographer, an accomplished
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Emigrants from the Russian Empire to the United States
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University at Albany, The State University of New York
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between 1935 and 1938 as well as working for the JDC.
2755:. International Center of Photography. Archived from
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camera such as was used by Vishniac in Eastern Europe
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in 1952; and the Grand Prize for Art in Photography,
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Vishniac received Honorary Doctoral degrees from the
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The family of man : the photographic exhibition
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Die Farshvundene Velt: Idishe shtet, Idishe mentshn.
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1644:Biographical note by Mara Vishniac Kohn, edited by
878:near the border, where Jews awaited deportation to
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3547:Russian State University for the Humanities alumni
3272:"Berlin's pre-war Jewish life captured at exhibit"
2501:Weiner, Jonathan (circa 1981). "Field of Vision".
350:, and grew up in Moscow. To live in this city was
2421:A Photographer of a Vanished World and his Family
1388:*The Vanished World: Jewish Cities, Jewish People
1161:In the field of biology, Vishniac specialized in
1067:Michael di Capua, who edited Vishniac's text for
898:in 2005, and a book of the photos was published.
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2346:To Give them Light: The Legacy of Roman Vishniac
2083:— Grandson of Roman, son of Wolf, editor of the
1684:Edited by Mara Vishniac Kohn and Hartman Flacks
1640:To Give them Light: The Legacy of Roman Vishniac
1158:and may greatly improve the detail of an image.
935:, 1938 by Roman Vishniac, one of his most famous
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260:. A major archive of his work was housed at the
2706:The Vanished World: A limited edition portfolio
2344:Kohn, Mara Vishniac, Biographical Note (1992).
1091:Vishniac's daughter Mara, through the eye of a
1082:
441:In 1918, Vishniac's immediate family moved to
3169:. Farrar, Straus and Giroux. September 1983.
890:in Geneva to prove the existence such camps.
432:Recalcitrance, Berlin, 1926 by Roman Vishniac
3527:Emigrants from the Russian Empire to Germany
3208:International Center of Photography (2010).
2541:Roman Vishniac: Children of a Vanished World
2038:The Magnes Collection of Jewish Art and Life
2032:American Jewish Joint Distribution Committee
1987:The Magnes Collection of Jewish Art and Life
801:American Jewish Joint Distribution Committee
490:American Jewish Joint Distribution Committee
317:The Magnes Collection of Jewish Art and Life
244:; August 19, 1897 – January 22, 1990) was a
3407:"Dr. Vishniac and the Beauty of the Real".
3190:. School of Art, Arizona State University.
2903:Thornton, Gene. "The Two Roman Vishniacs".
2899:
2897:
2880:
2878:
2778:
2776:
2774:
2617:
2615:
2613:
2611:
2535:
2533:
2531:
2529:
2472:Special Exhibition: Roman Vishniac's Berlin
1906:Roman Vishniac Children of a Vanished World
1095:: an achievement in photography and biology
693:Vishniac, c. 1981 by Daniel J. Krellenstein
399:Russian State University for the Humanities
355:uncomfortably hot, and they retreated to a
3017:) CS1 maint: numeric names: authors list (
2818:National Museum of American Jewish History
2708:. Roslyn Heights, NY: Witkin-Berley, 1977.
2660:
2658:
2656:
2654:
2652:
2650:
2648:
2623:"Roman Vishniac, (Photography, Biography)"
1802:One-man show; "Through the Looking Glass"
1397:; title, text and captions in English and
1256:
1117:American Society of Magazine Photographers
984:American Society of Magazine Photographers
395:Shanyavsky Moscow City People's University
38:
3502:American people of Russian-Jewish descent
3013:CS1 maint: multiple names: authors list (
2794:
2792:
2560:
2558:
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2336:
2334:
519:in Indre-et-Loire. This occurred because
401:) in Moscow. At the institute he studied
3113:
3090:
2894:
2875:
2771:
2718:Shepard, Richard F. (January 23, 1990).
2608:
2526:
2364:
2362:
2348:. New York: Simon & Schuster, 1993.
2288:
2286:
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2282:
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2007:
1260:
1086:
938:
923:
763:
688:
629:
563:, speaking at least German, Russian and
542:
477:). In Berlin he often gave lectures on
427:
266:Magnes Collection of Jewish Art and Life
3497:Case Western Reserve University faculty
3400:Kinkead, Eugene. "The Tiny Landscape".
3282:from the original on September 30, 2007
2910:
2884:Fenyvesi, Charles. "A vanished world".
2811:
2805:
2717:
2682:Dr. Vishniac and the Beauty of the Real
2645:
2590:
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2252:
2250:
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2165:
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2161:
2159:
2157:
2155:
2153:
1313:. Vishniac's famous response was, "the
1269:and Non-Aryan head shapes. Berlin, 1933
975:, the drama of the photograph inspired
362:As a child, Vishniac was fascinated by
336:Vishniac was born in his grandparents'
3464:
3418:. Grossman Publishers, New York. 1974.
3159:
2859:. Jewish Museum Berlin. Archived from
2789:
2553:
2510:
2484:
2461:
2413:
2393:
2375:
2331:
2296:. Grossman Publishers, New York. 1974.
2211:
1886:"Man, Nature, and Science, 1930–1985"
321:University of California at Berkeley's
3269:
3241:International Center of Photography.
3230:Publications: Roman Vishniac's Berlin
3185:
3032:"The saved faces of Roman Vishniac".
2836:
2359:
2307:"International Center of Photography"
1955:Musée d'Art et d'Histoire du Judaïsme
1000:International Photographic Exhibition
994:in the visual arts category in 1984;
678:, photography and general science at
601:, for which he was politely thanked.
587:Teachers College, Columbia University
2674:
2627:The Columbia Electronic Encyclopedia
2583:
2448:Interview with Maya Benton from the
2231:
2180:"A Closer Reading of Roman Vishniac"
2150:
1959:Museum of the History of Polish Jews
1747:
1742:and the Library of Congress archive.
1216:
998:was deemed "most impressive" at the
486:anti-Semitism was growing in Germany
3487:20th-century American photographers
3139:Online Catalogue. Control #79000366
3114:Vishniac, Roman (January 1, 1957).
3091:Vishniac, Roman (January 1, 1956).
2311:International Center of Photography
2205:
2027:International Center of Photography
1943:International Center of Photography
1908:; Mara Vishniac Kohn guest speaker
1881:International Center of Photography
1723:International Center of Photography
1666:International Center of Photography
1660:Roman Vishniac: The Platinum Prints
1154:to penetrate certain formations of
1133:Biological Photographic Association
1051:International Center of Photography
1025:(1938), of children and a woman in
841:International Center of Photography
686:and at various other institutions.
640:Albert Einstein College of Medicine
613:. In the photographer's own words,
571:. He arrived at Einstein's home in
488:, Vishniac was commissioned by the
389:Until the age of ten, Vishniac was
262:International Center of Photography
13:
3383:
2053:— Technique pioneered by Vishniac.
1991:University of California, Berkeley
1904:50 of Vishniac's photographs from
1443:This Living Earth (Nature Program)
1146:of the circulating blood inside a
279:, an art collector and teacher of
270:University of California, Berkeley
172:1922–1973, Mara Vishniac 1926–2018
14:
3573:
3428:
3270:Marsh, Sarah (November 4, 2005).
2594:UCSB Arts & Lectures (2000).
2212:Hickey, John (November 2, 2018).
2178:Newhouse, Alana (March 2, 2010).
968:
3537:20th-century American biologists
3532:Scientists from New York (state)
3522:Photographers from New York City
2368:Jüdisches Museum Berlin (2005).
2044:
2020:
1053:, she noticed that, in his book
886:. These photos were sent to the
451:uprisings against the Bolsheviks
207:
134:
3562:20th-century Russian biologists
3440:Interview with Roman's grandson
3357:
3335:
3294:
3263:
3235:
3222:
3202:
3179:
3142:
3130:
3107:
3084:
3062:
3044:
3025:
2976:
2951:
2926:
2849:
2800:Polish Jews: A Pictorial Record
2745:
2711:
2698:
2437:
1623:by Darilyn Rowan, published at
1355:Polish Jews: A Pictorial Record
1327:
684:Case Western Reserve University
531:that allowed him to escape via
457:. In his free time, he studied
154:
130:
3414:ICP Library of Photographers.
3074:. Accessed February 25, 2006.
2450:U.S. Holocaust Memorial Museum
2317:
2299:
2292:ICP Library of Photographers.
2124:
759:
634:Roman and Edith Vishniac, 1977
555:The Vishniac family fled from
409:, experimenting with inducing
359:a few miles outside the city.
1:
3322:"Roman Vishniac Rediscovered"
3300:Goethe-Institut Los Angeles.
3260:. Accessed November 23, 2015.
3219:. Accessed February 15, 2010.
3156:. Accessed February 25, 2006.
3059:. Accessed February 25, 2006.
3053:Digital Collections Program.
2684:. Accessed December 9, 2005.
2598:. Accessed October 18, 2005.
2470:Jewish Museum Berlin (2005).
2117:
1947:Museum of Art Fort Lauderdale
1062:The Only Flowers of her Youth
996:The Only Flowers of her Youth
973:The Only Flowers of her Youth
929:The Only Flowers of her Youth
843:and other such institutions.
784:In Central and Eastern Europe
742:Rhode Island School of Design
625:
331:
16:Russian-American photographer
3445:The Howard Greenberg Gallery
3304:. Accessed August 16, 2008.
3034:U.S. News & World Report
2481:. Accessed February 14, 2012
2427:. Accessed January 1, 2006.
2132:"The Roman Vishniac Archive"
1967:Museum of Fine Arts, Houston
1680:Children of a Vanished World
1584:ICP Library of Photographers
1547:The Concerned Photographer 2
1241:, doing famous portraits of
1040:
788:
725:; the animal world; and the
473:, and did some photography (
326:
85:New York City, United States
7:
2802:. New York: Schocken, 1976.
2519:"Studies in Misery Shown".
2184:The New York Times Magazine
2003:
1717:Roman Vishniac Rediscovered
1249:. He was also a pioneer in
1083:Photomicroscopy and biology
735:National Science Foundation
680:City University of New York
538:
352:a right granted to few Jews
242:Рома́н Соломо́нович Вишня́к
10:
3578:
3557:Jewish American scientists
3409:Kodak International Review
3308:February 20, 2009, at the
3068:Farber's Rarities (2003).
3040:(5): 11. February 5, 1990.
2602:November 20, 2004, at the
2477:December 22, 2014, at the
2431:February 25, 2009, at the
1971:Contemporary Jewish Museum
1767:
1721:Edited by Maya Benton for
1463:Mushrooms (Nature Program)
1347:
1115:, former president of the
992:National Jewish Book Award
775:, 1937 by Roman Vishniac.
729:world. It was funded by a
511:'s police and interned at
3552:Documentary photographers
3232:. Accessed March 9, 2006.
2857:"Roman Vishniac's Berlin"
2812:Mendoza, Bernard (2003).
2753:"Who was Roman Vishniac?"
2073:, died in 1973 during an
2060:
1925:Goethe-Institut, New York
1845:New Jersey Public Library
1300:filled with tragedy. His
1193:, he also researched the
951:
837:Jewish Museum in New York
750:California College of Art
436:
241:
176:
165:
109:
98:
90:
74:
49:
37:
30:
23:
1951:Jewish Historical Museum
1625:Arizona State University
1289:of German anti-Semites.
1211:rationalistic philosophy
901:
769:Entrance to the Ghetto,
752:, before his death from
32:Роман Соломонович Вишняк
31:
3302:Roman Vishniac’s Berlin
3186:Rowan, Darilyn (1985).
3148:Find in a Library with
2667:New York Times Magazine
2370:Roman Vishniac's Berlin
2056:Documentary photography
1841:Corcoran Gallery of Art
1697:Roman Vishniac's Berlin
1533:Charles Scribner's Sons
1257:Religion and philosophy
1105:interference microscopy
746:Columbia College of Art
417:, a species of aquatic
3228:Jewish Museum Berlin.
2919:. "A vanished world".
2629:. 2003. Archived from
2455:June 12, 2012, at the
2446:Voices on Antisemitism
2017:
1562:; In cooperation with
1368:Abraham Joshua Heschel
1270:
1251:time-lapse photography
1096:
944:
936:
780:
694:
635:
623:
552:
465:. Vishniac researched
433:
289:time-lapse photography
193:(granddaughter-in-law)
3507:Russian photographers
3078:July 8, 2006, at the
2419:Kohn, Mara Vishniac.
2086:Astrophysical Journal
2011:
1513:Isaac Bashevis Singer
1422:; The three men were
1264:
1090:
942:
927:
896:Jewish Museum, Berlin
767:
756:on January 22, 1990.
692:
633:
615:
589:in 1943, he wrote to
573:Princeton, New Jersey
546:
431:
3512:Soviet photographers
3250:on November 20, 2015
3056:Di farshvundene velt
2863:on December 22, 2014
2824:on November 25, 2005
2570:www.absolutearts.com
2327:. November 24, 2018.
1995:New York, 1971-72]"
1921:Jewish Museum Berlin
1703:Jewish Museum Berlin
1031:Museum of Modern Art
777:Gelatin silver print
463:University of Berlin
191:Ilene Busch-Vishniac
133: 1918;
44:Roman Vishniac, 1977
3482:American biologists
3404:July 2 and 9, 1955.
3345:. September 1, 2020
3137:Library of Congress
2963:Jewish Book Council
2759:on January 26, 2012
2695:(November 9, 2001).
2693:Library of Congress
2012:Later model of the
1843:, Washington D.C.;
1835:Art Gallery of the
1779:Columbia University
1552:Grossman Publishers
1395:Raphael Abramovitch
1203:polyphyletic origin
1175:circulatory systems
1163:marine microbiology
833:Columbia University
3367:. December 6, 2021
3215:July 16, 2012, at
3006:has generic name (
2921:Modern Photography
2724:The New York Times
2406:"Roman Vishniac".
2018:
1271:
1179:unicellular plants
1097:
945:
937:
918:The New York Times
781:
695:
662:, various antique
636:
553:
434:
3542:Jewish biologists
3175:978-0-374-28247-9
3093:This living earth
3051:McGill University
2408:Current Biography
2386:Vishniac, Roman.
2138:on March 27, 2012
2107:— Founder of ICP.
2001:
2000:
1945:, New York City,
1815:The Jewish Museum
1775:Teacher's College
1748:Major exhibitions
1730:
1729:
1230:equipped with an
1217:Other photography
1144:Boston University
1035:The Family of Man
1008:New York Coliseum
888:League of Nations
591:Eleanor Roosevelt
547:1942 portrait of
346:, in the town of
200:
199:
94:Russian, American
3569:
3377:
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3374:
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3333:
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3318:
3312:
3298:
3292:
3291:
3289:
3287:
3267:
3261:
3259:
3257:
3255:
3246:. Archived from
3239:
3233:
3226:
3220:
3206:
3200:
3199:
3183:
3177:
3167:A Vanished World
3165:Roman Vishniac.
3163:
3157:
3146:
3140:
3134:
3128:
3127:
3118:. N. Doubleday.
3111:
3105:
3104:
3088:
3082:
3071:A Vanished World
3066:
3060:
3048:
3042:
3041:
3029:
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3011:
3005:
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2999:
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2974:
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2955:
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2944:
2930:
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2917:Keppler, Herbert
2914:
2908:
2901:
2892:
2882:
2873:
2872:
2870:
2868:
2853:
2847:
2840:
2834:
2833:
2831:
2829:
2820:. Archived from
2809:
2803:
2798:Roman Vishniac.
2796:
2787:
2780:
2769:
2768:
2766:
2764:
2749:
2743:
2742:
2740:
2738:
2715:
2709:
2702:
2696:
2678:
2672:
2662:
2643:
2642:
2640:
2638:
2633:on March 2, 2007
2619:
2606:
2592:
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2524:
2517:
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2209:
2203:
2202:
2200:
2198:
2175:
2148:
2147:
2145:
2143:
2128:
2067:Wolf V. Vishniac
1973:, San Francisco
1883:, New York City
1781:, New York City
1752:
1751:
1598:A Vanished World
1447:Published by N.
1332:
1331:
1113:Philippe Halsman
1103:, (specifically
1077:A Vanished World
1069:A Vanished World
1055:A Vanished World
1029:(1937), for the
988:A Vanished World
909:casement windows
619:Clermont-Ferrand
517:deportation camp
407:Nikolai Koltzoff
344:Saint Petersburg
323:library system.
319:, a unit of the
306:A Vanished World
246:Russian-American
243:
239:
238:
235:
234:
231:
228:
225:
222:
219:
216:
213:
170:Wolf V. Vishniac
158:
156:
138:
136:
132:
120:Luta (Leah) Bagg
81:
78:January 22, 1990
59:
57:
42:
21:
20:
3577:
3576:
3572:
3571:
3570:
3568:
3567:
3566:
3462:
3461:
3431:
3386:
3384:Further reading
3381:
3380:
3370:
3368:
3363:
3362:
3358:
3348:
3346:
3341:
3340:
3336:
3326:
3324:
3320:
3319:
3315:
3310:Wayback Machine
3299:
3295:
3285:
3283:
3268:
3264:
3253:
3251:
3242:
3240:
3236:
3227:
3223:
3210:Past Exhibition
3207:
3203:
3184:
3180:
3164:
3160:
3147:
3143:
3135:
3131:
3112:
3108:
3089:
3085:
3080:Wayback Machine
3067:
3063:
3049:
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2750:
2746:
2736:
2734:
2716:
2712:
2703:
2699:
2680:Vogt, Richard.
2679:
2675:
2663:
2646:
2636:
2634:
2621:
2620:
2609:
2604:Wayback Machine
2593:
2584:
2574:
2572:
2564:
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2527:
2518:
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2500:
2485:
2479:Wayback Machine
2469:
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2457:Wayback Machine
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2433:Wayback Machine
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2129:
2125:
2120:
2063:
2047:
2023:
2006:
1932:
1855:, Los Angeles;
1750:
1627:School of Art.
1560:Michael Edelson
1330:
1259:
1243:Albert Einstein
1219:
1213:" in the '50s.
1152:polarized light
1101:photomicroscopy
1085:
1043:
1015:Edward Steichen
960:places his pre-
958:Edward Steichen
954:
904:
872:internment camp
791:
786:
762:
660:Japanese swords
644:Pratt Institute
628:
580:photomicroscopy
569:Albert Einstein
549:Albert Einstein
541:
513:Camp du Ruchard
459:Far Eastern Art
439:
423:chaos in Russia
334:
329:
295:later in life.
285:photomicroscopy
210:
206:
196:
186:
161:
160:
157: 1947)
152:
148:
140:
137: 1946)
128:
124:
121:
86:
83:
79:
70:
61:
60:August 19, 1897
55:
53:
45:
33:
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17:
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5:
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3509:
3504:
3499:
3494:
3489:
3484:
3479:
3474:
3460:
3459:
3454:
3451:Every Vishniac
3448:
3442:
3437:
3430:
3429:External links
3427:
3426:
3425:
3422:
3419:
3416:Roman Vishniac
3412:
3405:
3402:The New Yorker
3398:
3395:
3390:
3385:
3382:
3379:
3378:
3356:
3334:
3313:
3293:
3262:
3234:
3221:
3201:
3188:Roman Vishniac
3178:
3158:
3141:
3129:
3106:
3083:
3061:
3043:
3024:
3004:|author6=
2975:
2959:"Past Winners"
2950:
2938:allreaders.com
2925:
2909:
2905:New York Times
2893:
2874:
2848:
2844:People Weekly,
2835:
2804:
2788:
2784:New York Times
2770:
2744:
2710:
2697:
2673:
2644:
2607:
2582:
2552:
2525:
2521:New York Times
2509:
2483:
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2412:
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2374:
2358:
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2316:
2298:
2294:Roman Vishniac
2230:
2204:
2149:
2122:
2121:
2119:
2116:
2115:
2114:
2108:
2102:
2090:
2081:Ethan Vishniac
2078:
2071:microbiologist
2062:
2059:
2058:
2057:
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1899:Spertus Museum
1896:
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1889:
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2109:
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2099:
2098:Time Magazine
2094:
2093:Mark Vishniak
2091:
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2015:
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1983:2020–present
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1287:pseudoscience
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467:endocrinology
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447:anti-Semitism
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411:metamorphosis
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99:Occupation(s)
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41:
36:
29:
22:
19:
3415:
3408:
3401:
3369:. Retrieved
3359:
3347:. Retrieved
3337:
3325:. Retrieved
3316:
3296:
3286:February 20,
3284:. Retrieved
3275:
3265:
3254:November 23,
3252:. Retrieved
3248:the original
3237:
3224:
3204:
3187:
3181:
3166:
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3144:
3132:
3115:
3109:
3092:
3086:
3070:
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3055:
3046:
3037:
3033:
3027:
2986:
2978:
2966:. Retrieved
2962:
2953:
2943:February 20,
2941:. Retrieved
2937:
2928:
2912:
2904:
2885:
2867:February 14,
2865:. Retrieved
2861:the original
2851:
2843:
2838:
2828:September 3,
2826:. Retrieved
2822:the original
2817:
2807:
2799:
2783:
2763:February 14,
2761:. Retrieved
2757:the original
2747:
2737:February 20,
2735:. Retrieved
2723:
2713:
2705:
2704:Ciano, Bob.
2700:
2685:
2676:
2665:
2635:. Retrieved
2631:the original
2626:
2575:February 20,
2573:. Retrieved
2569:
2540:
2520:
2502:
2445:
2439:
2415:
2407:
2387:
2369:
2345:
2319:
2310:
2301:
2293:
2221:. Retrieved
2217:
2207:
2195:. Retrieved
2183:
2140:. Retrieved
2136:the original
2126:
2105:Cornell Capa
2096:
2084:
1937:
1915:
1905:
1893:
1875:
1866:
1830:
1809:
1791:
1769:
1737:
1733:
1716:
1711:
1696:
1691:
1679:
1674:
1659:
1654:
1639:
1634:
1618:
1613:
1602:Foreword by
1597:
1592:
1577:
1572:
1556:Cornell Capa
1554:; Edited by
1546:
1541:
1526:
1521:
1506:
1501:
1493:Soil biology
1487:Drawings by
1483:Living Earth
1482:
1477:
1462:
1457:
1442:
1437:
1413:
1408:
1387:
1386:
1383:
1377:
1363:
1359:
1354:
1349:
1328:Publications
1319:
1295:
1291:
1282:
1272:
1247:Marc Chagall
1236:
1220:
1160:
1137:
1098:
1076:
1068:
1066:
1061:
1059:
1054:
1048:
1044:
1012:
995:
990:has won the
987:
981:
972:
966:
955:
946:
928:
916:
905:
892:
864:
857:
851:), 115
845:
829:
794:
792:
768:
754:colon cancer
739:
699:cell biology
696:
637:
616:
603:
584:
577:
561:multilingual
554:
525:Soviet Union
506:
484:In 1935, as
483:
474:
440:
391:homeschooled
388:
361:
356:
337:
335:
314:
310:
305:
299:
297:
274:
202:
201:
80:(1990-01-22)
18:
3477:1990 deaths
3472:1897 births
3278:. Reuters.
2968:January 25,
2887:Smithsonian
2637:October 18,
2223:December 5,
2077:expedition.
2045:Photography
1817:, New York
1799:, New York
1797:IBM Gallery
1604:Elie Wiesel
1511:Written by
1491:; Subject:
1489:Louise Katz
1366:; Essay by
1360:Polish Jews
1239:portraiture
1207:biochemical
1199:chromosomes
1129:amino acids
884:barbed wire
760:Photography
721:; ecology;
676:numismatics
672:Russian art
664:microscopes
449:spurred by
445:because of
281:art history
240:; Russian:
147:Edith Ernst
91:Nationality
3466:Categories
3371:January 4,
3349:January 4,
3124:B0007EE29E
3101:B0007F2CP4
2118:References
2051:Time-lapse
2014:Rolleiflex
1901:, Chicago
1558:, text by
1393:Edited by
1195:morphology
1167:physiology
969:many books
711:embryology
656:tapestries
654:, Chinese
626:Later life
595:First Lady
498:Rolleiflex
479:naturalism
419:salamander
368:microscope
332:Early life
187:(grandson)
56:1897-08-19
3116:Mushrooms
2996:cite book
2732:0362-4331
2197:April 18,
2192:0362-4331
2142:April 18,
2075:Antarctic
1957:, Paris,
1938:2013–2016
1916:2005–2007
1849:Fair Lawn
1831:1972–1973
1758:Location
1469:Doubleday
1449:Doubleday
1140:ommatidia
1125:fireflies
1041:Criticism
986:in 1956.
962:Holocaust
825:Lithuania
796:shtetlach
789:1935–1939
733:from the
727:microbial
715:evolution
648:Manhattan
475:see right
372:cockroach
327:Biography
301:shtetlach
277:biologist
177:Relatives
104:biologist
3517:Zionists
3327:July 16,
3306:Archived
3280:Archived
3276:Redorbit
3213:Archived
3196:17397600
3152:(2006).
3150:WorldCat
3076:Archived
2984:(1955).
2600:Archived
2507:. pg 37.
2475:Archived
2453:Archived
2429:Archived
2004:See also
1428:Romanoff
1322:tadpoles
1302:humanism
1298:optimist
1223:sea bass
1171:ciliates
1121:protozoa
1013:In 1955
773:, Poland
748:and the
719:genetics
668:Oriental
609:through
539:New York
384:protozoa
348:Pavlovsk
342:outside
166:Children
64:Pavlovsk
3411:– No. 9
2691:at the
2410:(1967).
2069:— Son,
1861:Phoenix
1764:Source
1664:of the
1582:of the
1399:Yiddish
1344:Source
1275:Zionist
1191:axolotl
1187:anatomy
1148:hamster
1093:firefly
1004:Lucerne
876:Germany
868:Zbaszyn
849:tripods
817:Romania
809:ghettos
807:to the
707:systems
565:Yiddish
461:at the
415:axolotl
403:zoology
364:biology
293:Zionist
268:at the
256:before
250:Central
159:
151:
139:
127:
123:
110:Spouses
3194:
3173:
3122:
3099:
2730:
2671:pg 47.
2547:
2504:Moment
2352:
2190:
2061:People
1963:Warsaw
1839:; The
1761:Notes
1341:Notes
1338:Title
1165:, the
1027:Lublin
1023:Slonim
1019:Cheder
952:Impact
933:Warsaw
880:Poland
853:pounds
839:, the
835:, the
813:Poland
805:Berlin
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