155:
186:
142:
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to Europe and the United States. Somada ware is a style invented by Somada
Kiyosuke in the 1670s, and is characterized by a regular pattern made of a combination of lacquer, finely cut shellfish, gold leaf and silver leaf. Shibayama ware is a style invented by Shibayama Senzo in the 1770s,
304:
is a term used only for the technique or work of inlaying thin layers of pearl shells. In Japan, the technique of embedding the mother of pearl of shellfish in lacquer is called
673:
technique using a large amount of gold was so expensive that the customers were limited to royalty and nobility, and after 1690, it was exported through private trade.
626:, and was very popular in Europe, as the mother-of-pearl covering the items contributed to their status as a unique luxury. The Japanese referred to these goods as "
706:
works of a number of famous Edo period craftsmen are still celebrated, namely those of Tōshichi
Ikushima, Chōbei Aogai, and the Somada brothers.
667:. Until the 1690s, the Dutch East India Company monopolized the export of Japanese lacquerware throughout Europe, but the lacquerware using
150:-style writing box, Nagasaki, 1800–1850, wood covered with black lacquer and inlaid with flowers in under-painted mother-of-pearl shell.
780:
873:
482:
originated in Egypt around 3500 BC, and the technique spread along the
Mediterranean coast. There is a theory that the technique of
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is a
Japanese term for one of the decorative techniques used in traditional crafts and woodwork. It refers to a method of inserting
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17:
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characterized by the inlay of various materials such as shellfish, gold, silver, ivory, coral, tortoise shell, and ceramics.
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into pre-carved settings, while thinner pieces may be pressed into a very thick coating of lacquer, or applied using an
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109:
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work for export markets soon became significant again. The Somada style and
Shibayama style lacquerware using the
81:
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and private traders. The lacquerware exported during the Edo period put more emphasis on artistic expression by
66:
915:
88:
640:
meaning "Southern
Barbarians", a term borrowed from the Chinese and, in 16th century Japan, meaning any
920:
95:
758:
228:, Design of minute patterns in mother-of-pearl inlay, Somada school characterized by a combination of
930:
171:
775:
652:
154:
77:
55:
585:
62:
651:, many pieces of Japanese lacquerware were exported to royalty and nobility in Europe through
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on bronze mirrors, which was a treasure of craftsmanship in this period. Bronze mirrors with
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8:
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185:
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is widespread in Japan today, and is made for many applications, modern and classic.
677:
619:
605:
574:
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102:
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202:
909:
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601:
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497:
413:, the thinner shell pieces are usually made using a template and a special
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lacquer backs have been excavated from Tang tombs in
Shanxian County and
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is produced, with all techniques classed under three main categories:
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technique became popular and were exported in large quantities from
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via
Portuguese and Spanish in response to the request of the
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Methods of application are varied. Thick shell pieces may be
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The term may also be used for similar traditional work from
310:, while the technique of embedding metal or ivory is called
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was introduced from the Tang dynasty into Japan during the
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techniques, Edo period, 19th century, Tokyo
National Museum
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attracted
European people, and were exported through the
496:, and the former theory is now widely accepted. By the
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lacquer sprinkled with metal powder as a decoration.
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to China, and another theory that it started in the
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555:had been used in combination with Japanese various
69:. Unsourced material may be challenged and removed.
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771:"Lacquered Comb Box Inlaid with Mother-of-pearl"
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488:in the East was introduced from Persia in the
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264:into a carved surface of lacquer or wood. The
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444:and lacquering to produce different effects.
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386:(the thinnest application of shell pieces).
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588:, many Japanese lacquerware decorated with
440:and then lacquered over. Other methods use
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129:Learn how and when to remove this message
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30:For the title of Javanese nobility, see
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820:Kiyomizu Sannenzaka Museum Masterpieces
354:, or for modern work done in the West.
14:
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500:, the technique, known in Chinese as
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727:Mother-of-pearl carving in Bethlehem
67:adding citations to reliable sources
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213:shell inlays, Tokyo National Museum
24:
614:was often used in the creation of
195:writing box with "Eight Bridges" (
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380:(using much thinner pieces), and
164:paper box with "wheels in flow" (
661:using gold powder lavishly than
395:, the shell is often cut with a
209:, 18th century. The flowers are
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859:Urushi once attracted the world
783:from the original on 2020-02-21
680:to foreign trade in the 1850s,
54:needs additional citations for
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539:, where it is referred to as
941:Traditional art of East Asia
452:is especially combined with
374:(using thick shell pieces),
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874:蒔絵や螺鈿の技法美 世界に広めた漆器類 歴博で特集展.
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362:There are many ways that
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27:Japanese decorative craft
926:Japanese art terminology
776:National Museum of Korea
653:Dutch East India Company
358:Techniques of production
818:Masayuki Murata (2020)
759:Encyclopædia Britannica
529:The basic technique of
476:The basic technique of
407:before application. In
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618:-style items, such as
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18:Raden (Japanese craft)
842:p.24. Me no Me, 2017
563:techniques since the
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916:Japanese lacquerware
822:(清水三年坂美術館名品選) p.71.
63:improve this article
32:Priyayi § Raden
634:lacquerware", with
346:), or countries in
178:, 11–12th century,
547:Chinese characters
283:means 'shell' and
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921:Japanese woodwork
879:. 20 January 2021
861:urushi-joboji.com
838:Masayuki Murata.
828:978-4-9908614-1-4
807:The Asahi Shimbun
620:chests of drawers
545:, using the same
172:National Treasure
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16:(Redirected from
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931:Seashells in art
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888:Yūji Yamashita.
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785:. Retrieved
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602:Nanban trade
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565:Heian period
549:. In Japan,
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498:Tang dynasty
475:
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442:acid washing
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426:usugai raden
410:usugai raden
388:
361:
336:najeonchilgi
327:
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192:maki-e raden
176:Heian period
167:katawaguruma
161:maki-e raden
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92:
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61:Please help
56:verification
53:
36:
722:Damascening
624:coffee cups
537:Nara period
494:Yin dynasty
420:Kenma raden
203:Ogata Kōrin
119:August 2022
910:Categories
787:2024-07-10
738:References
676:After the
649:Edo period
397:scroll saw
207:Edo period
198:Yatsuhashi
170:) design,
89:newspapers
642:foreigner
580:From the
147:Shibayama
781:Archived
716:See also
694:Yokohama
616:European
438:adhesive
405:rubstone
350:such as
890:明治の細密工芸
647:In the
584:to the
532:luodian
520:Luoyang
515:luodian
509:luodian
503:luodian
472:History
371:atsugai
352:Vietnam
332:called
211:abalone
189:Inlaid
158:Inlaid
103:scholar
78:"Raden"
896:
846:
840:明治工芸入門
826:
756:Raden.
670:maki-e
658:maki-e
637:Nanban
630:Nanban
591:maki-e
567:, but
559:maki-e
466:silver
456:maki-e
434:inlaid
377:usugai
105:
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84:
76:
732:Nacre
709:Raden
703:raden
689:raden
683:raden
664:raden
611:Raden
597:raden
570:raden
552:raden
542:raden
485:raden
479:raden
449:Raden
415:punch
383:kenma
365:raden
330:Korea
313:zōgan
307:raden
301:Raden
266:kanji
262:nacre
247:Raden
237:makie
231:raden
110:JSTOR
96:books
894:ISBN
844:ISBN
824:ISBN
700:The
622:and
594:and
462:gold
401:file
343:螺鈿漆器
268:for
234:and
224:Inrō
82:news
464:or
403:or
389:In
286:den
65:by
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866:^
796:^
779:.
773:.
746:^
608:.
577:.
526:.
522:,
460:–
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320:象嵌
271:ra
255:螺鈿
174:,
809:.
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340:(
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293:鈿
290:(
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278:螺
275:(
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