1125:
1000:
910:
646:
1140:
634:
1097:
1054:
898:
809:
1027:
954:
553:
544:
981:
939:
966:
833:
1853:
740:
1078:
1015:
1042:
860:
927:
884:
848:
872:
487:
478:
1066:
1867:
27:
1839:
821:
2114:
1881:
460:. It depicts abstracted blue Japanese irises in bloom, and their green foliage, creating a rhythmically repeating but varying pattern across the panels. The similarities of some blooms indicate that a stencil was used. The work shows influence of Tawaraya, and it is representative of the Rinpa school. It is inspired by an episode in the Heian-period text
378:
Sōken died in 1687, and the elder brother took over the family business, leaving Kōrin and Kenzan free to enjoy a considerable inheritance. After this, Kōrin led a very active social life, but his spending ran him into financial difficulties the following years, partly due to loans made to feudal
420:
Kōrin died famous but impoverished on June 2, 1716, at the age of 59. His grave is located at the Myōken-ji temple in Kyoto. His chief pupils were
Tatebayashi Kagei, Watanabe Shikō and Fukae Rōshu, but the present knowledge and appreciation of his work are largely due to the early efforts of his
714:
publications on Kōrin's works and were not copied by his followers, which suggests they were not well known. A journal article in 1907 is the first known publication about them, and their first public display came in a 200th-anniversary exhibition of Kōrin's work in 1915.
698:
painted by Kōrin using ink and color on gold-foiled paper. A late masterpiece, completed probably circa 1712–1716 in his atelier in Kyoto, it is considered his crowning achievement. The simple, stylized composition of the work depicts a patterned flowing river with a
1686:
614:, the god of wind. Later, Sakai Hōitsu, another prominent member of the Rinpa school, painted his own version of the work. All three versions of the work were displayed together for the first time in seventy-five years in 2015, at the
379:
lords. This forced him to pawn some of his treasured possessions. A letter sent by him to a pawnbroker in 1694 regarding "one writing box with deer by Kōetsu" and "one
Shigaraki ware water jar with lacquer lid" survives.
1124:
411:
In 1709, he moved back to Kyoto. He built a house with an atelier on
Shinmachi street in 1712 and lived there the last five years of his life. His masterpieces from that last period, such as the
1102:
666:
screens became a symbol of the Rinpa tradition, but both sides of the screens have since been separated to protect them from damage. They are now part of the collection of the
999:
335:(1761–1828), who replicated many of his paintings and popularized his work, organizing the first exhibition of Kōrin's paintings at the hundredth anniversary of his death.
1139:
656:
The screens measure 421.6 by 464.8 centimetres (166 in × 183 in) each. At some point Hōitsu owned them, and in fact he painted one of his most famous works,
926:
562:
The screens were made using ink and color on gold-foiled paper and measure 163.7 by 352.4 centimetres (64.4 in × 138.7 in) each. They have been held by the
1114:
909:
226:
351:, catered to the aristocratic women of the city. His father, Ogata Sōken (1621–1687), who was a noted calligrapher in the style of Kōetsu and patron of
1096:
768:
503:
297:
196:
2032:
832:
938:
645:
598:
is a pair of two-folded screens made using ink and color on gold-foiled paper. It is a replica of an original work by
Tawaraya which depicts
494:
Each screen measures 150.9 by 338.8 centimetres (59.4 in × 133.4 in). They were probably made for the Nijō family, and were presented to the
1107:
1368:
396:
are generally dated to this period. During this time, he also had the opportunity to study the ink paintings of medieval monk painters
363:
and painter in his own right, with whom he collaborated frequently. Kōrin studied under
Yamamoto Soken (active ca. 1683–1706) of the
1661:
965:
2149:
2144:
498:
Buddhist temple in Kyoto, where they were held for over 200 years. They were sold by the temple in 1913, and are now held by the
2055:
319:
He is also credited with reviving and consolidating the Rinpa school of
Japanese painting, fifty years after its foundation by
767:, where they are displayed for one month per year in late winter, the season when the plum blossoms bloom. It is listed as a
724:, the work is notable for its plum flowers depicted using pigment only, without any outline, now a popular technique known as
633:
2184:
2179:
2169:
2013:
1971:
1946:
1911:
658:
671:
216:
1981:
585:
211:
2174:
75:
1026:
456:
made circa 1701–1705, using ink and color on gold-foiled paper. The screens are among the first works of Kōrin as a
2164:
57:
1053:
780:
2154:
897:
1325:
980:
808:
367:, Kano Tsunenobu (1636–1713) and Sumiyoshi Gukei (1631–1705), but his biggest influences were his predecessors
360:
347:
into a wealthy merchant family, dedicated to the design and sale of fine textiles. The family business, named
1808:
304:(1663–1743). Also a prolific designer, he worked with a variety of decorative and practical objects, such as
2118:
2189:
678:
502:, where they are exhibited occasionally (last time, from April 12 to May 14, 2017). They are listed as a
413:
382:
Kōrin established himself as an artist only late in life. In 1701, he was awarded the honorific title of
292:
203:
509:
Kōrin made a similar work about five to twelve years later, another pair of six-panel screens, known as
1990:
1938:
1903:
579:"Korin: National Treasure Irises of the Nezu Museum and Eight-Bridge of the Metropolitan Museum of Art"
563:
1014:
953:
703:
on the left and a red plum tree on the right. The plum blossoms indicate the scene occurs in spring.
386:("Bridge of the Dharma"), the third highest rank awarded to Buddhist artists, and in 1704 he moved to
2159:
2043:
1503:
1041:
2054:
Hayakawa, Yasuhiro; Shirono, Seiji; Miura, Sadatoshi; Matsushima, Tomohide; Uchida, Tokugo (2007).
2005:
859:
511:
1358:
1635:"National Treasure Irises of the Nezu Museum and Eight-Bridge of the Metropolitan Museum of Art"
1963:
1552:
390:, where lucrative commissions were more readily available. His early masterpieces, such as his
404:(c. 1504 – c. 1589). These are seen as important influences in his work from that period, the
2194:
1577:
667:
615:
1065:
847:
2139:
2134:
528:, including the depiction of an angular bridge that sweeps diagonally across both screens.
167:
1077:
368:
355:, introduced his sons to the arts. Kōrin was the second son of Sōken. His younger brother
320:
45:
8:
820:
775:
397:
372:
324:
1872:
1607:
607:
130:
1238:
577:
screens were displayed together for the first time in almost a century in 2012 at the
2078:
2070:
2019:
2009:
1967:
1942:
1907:
760:
252:
49:
1478:
759:
in the mid-1950s. Along with the rest of Okada's collection, it is now owned by the
524:. It is a more explicit reference to the "Yatsuhashi (Eight Bridges)" episode from
462:
1999:
1957:
1932:
1897:
883:
422:
332:
1886:
1852:
992:
871:
695:
552:
495:
453:
172:
1711:
739:
543:
364:
2128:
2074:
1363:
915:
756:
567:
434:
401:
392:
305:
286:
191:
89:
2023:
1738:
1456:
1454:
1844:
1634:
1253:
752:
356:
328:
301:
272:
240:
53:
1925:
706:
No documentation exists from before the 20th century on the commission or
1858:
1581:
1556:
1451:
720:
700:
499:
300:), and his paintings on ceramics and lacquerware produced by his brother
260:
1372:. Vol. 15 (11th ed.). Cambridge University Press. p. 913.
1277:
1265:
2033:"Historiography and Iconography in Ogata Korin's Iris and Plum Screens"
711:
707:
1578:"Special Exhibition: Irises and Mountain Stream in Summer and Autumn"
331:, means "school of rin". In particular he had a lasting influence on
264:
41:
2056:"Non-Destructive Analysis of a Painting, National Treasure in Japan"
774:
Sometime in the early 18th century, Kōrin painted a notable copy of
1357:
1983:
Bridge of Dreams: the Mary Griggs Burke collection of
Japanese art
797:
611:
449:
280:
2098:
Irises and Red and White Plum
Blossoms. Secret of Korin's Designs
747:
Each screen measures 156.5 × 172.5 centimetres (61.6 × 67.9 in).
486:
477:
268:
93:
670:, where they are exhibited occasionally. They are listed as an
2113:
1089:
603:
599:
2053:
1866:
1744:
1259:
1441:
1439:
1437:
1435:
1214:
1212:
1210:
764:
344:
327:(c. 1570 – c. 1640). In fact the term "Rinpa", coined in the
126:
98:
1405:
1403:
1197:
1195:
1193:
2042:(16). Kyushu Institute of Technology: 39–91. Archived from
2069:. JCPDS-International Centre for Diffraction Data: 57–63.
1980:
1789:
1767:
1765:
1460:
1432:
1283:
1271:
1207:
1400:
1190:
662:, in the back of these screens. The monumental two-sided
387:
352:
1726:
1422:
1420:
1418:
1388:
1777:
1762:
1530:
1518:
1301:
1289:
1899:
Designing Nature: The Rinpa
Aesthetic in Japanese Art
1750:
1415:
1376:
259:; 1658 – June 2, 1716) was a Japanese landscape
1834:
1706:
1704:
1629:
1627:
1625:
602:, the god of lightning, thunder and storms in the
1701:
1602:
1600:
1598:
417:screens, are thought to have been painted there.
36:contains too many pictures for its overall length
2126:
1681:
1679:
1473:
1471:
1469:
1130:Square dish, design of poet watching wild geese
425:, who brought about a revival of Kōrin's style.
1656:
1654:
1652:
1622:
1145:Square dish with courtier gazing at a waterfall
1998:Nussbaum, Louis-Frédéric; Roth, Käthe (2005).
1595:
1547:
1545:
684:
591:
517:
440:
1676:
1466:
570:since 1953, and were last displayed in 2013.
1997:
1649:
1218:
1165:"Ogata Kōrin hitsu Baika Zu Byōbu ni tsuite"
710:of the screens. They receive mention in no
2096:
1689:. National Institutes for Cultural Heritage
1542:
1409:
1307:
1201:
1233:
1231:
1229:
1227:
2030:
1895:
1795:
1783:
1771:
1732:
1536:
1524:
1445:
1351:
1349:
1347:
1345:
1343:
1320:
1318:
1316:
1295:
76:Learn how and when to remove this message
1498:
1496:
40:Relevant discussion may be found on the
1930:
1426:
1394:
1382:
1355:
1224:
2127:
1955:
1756:
1608:"Irises at Yatsuhashi (Eight Bridges)"
1504:"RINPA: The Aesthetics of the Capital"
1340:
1313:
1493:
659:Flowering Plants of Summer and Autumn
1356:Strange, Edward Fairbrother (1911).
620:Rinpa: The Aesthetics of the Capital
141:June 2, 1716 (aged 57–58)
50:indiscriminate collections of images
20:
1479:"Korin's Residence (reconstructed)"
13:
1326:"33. Ogata Korin (1658–1716) 尾形光琳"
16:Japanese visual artist (1658–1716)
14:
2206:
2106:
2031:Daugherty, Cynthia (March 2003).
932:Ducks and Snow-Covered Pine Trees
2112:
1879:
1865:
1851:
1837:
1171:(『國華』), issue 201, p. 569 (1907)
1138:
1123:
1095:
1076:
1064:
1052:
1040:
1025:
1013:
1005:Portrait of Nakamura Kuranosuke
998:
979:
964:
952:
937:
925:
908:
896:
882:
870:
858:
846:
831:
819:
807:
751:belonged for a long time to the
738:
644:
632:
551:
542:
485:
476:
58:Manual of Style on use of images
25:
1801:
1570:
1461:Metropolitan Museum of Art 2000
1284:Metropolitan Museum of Art 2000
1272:Metropolitan Museum of Art 2000
1157:
581:exhibition at the Nezu Museum.
2150:18th-century Japanese painters
2145:17th-century Japanese painters
1103:Writing Box with Eight Bridges
944:The Thirty-Six Immortal Poets
271:, and textile designer of the
223:Writing Box with Eight Bridges
1:
1712:"Red and White Plum Blossoms"
1178:
1132:(Important Cultural Property)
1007:(Important Cultural Property)
973:(Important Cultural Property)
919:(Important Cultural Property)
840:(Important Cultural Property)
52:or adjusting images that are
2185:17th-century textile artists
2180:18th-century textile artists
2170:Japanese lacquerware artists
1610:. Metropolitan Museum of Art
1183:
338:
278:Kōrin is best known for his
7:
1934:Japanese Lacquer, 1600–1900
1896:Carpenter, John T. (2012).
838:Black Pines and Maple Tree
749:Red and White Plum Blossoms
733:Red and White Plum Blossoms
679:Red and White Plum Blossoms
672:Important Cultural Property
414:Red and White Plum Blossoms
293:Red and White Plum Blossoms
217:Important Cultural Property
204:Red and White Plum Blossoms
10:
2211:
2063:Advances in X-ray Analysis
1991:Metropolitan Museum of Art
1939:Metropolitan Museum of Art
1904:Metropolitan Museum of Art
1830:
1687:"Wind God and Thunder God"
1662:"Wind God and Thunder God"
986:Flowering Plants in Autumn
787:
769:National Treasure of Japan
718:In addition to the use of
564:Metropolitan Museum of Art
504:National Treasure of Japan
87:
1920:Randall, Doanda. (1960).
1813:Google Arts & Culture
903:Cranes, Pines, and Bamboo
814:Cranes, Pines, and Bamboo
685:
592:
518:
441:
421:brother Kenzan and later
284:folding screens, such as
256:
236:
181:
157:
149:
144:Kyoto, Tokugawa shogunate
137:
119:
114:
107:
2175:Japanese textile artists
2006:Harvard University Press
1959:Japan: The Cycle of Life
1931:Pekarik, Andrew (1980).
1219:Nussbaum & Roth 2005
1150:
755:, but were purchased by
627:Wind God and Thunder God
586:Wind God and Thunder God
428:
212:Wind God and Thunder God
2165:History of art in Japan
1664:. Tokyo National Museum
1506:. Kyoto National Museum
1369:Encyclopædia Britannica
691:is a pair of two-panel
447:is a pair of six-panel
56:in accordance with the
2155:Botanical illustrators
1964:Kodansha International
1956:Nikoru, C. W. (1997).
946:(Important Art Object)
408:painting for example.
2049:on December 23, 2016.
1809:"Waves of Matsushima"
1241:. Columbia University
1020:The Empress Akikonomu
971:Bamboo and plum tree
668:Tokyo National Museum
616:Kyoto National Museum
2121:at Wikimedia Commons
2084:on December 20, 2016
1745:Hayakawa et al. 2007
1359:"Kōrin, Ogata"
1260:Hayakawa et al. 2007
1047:The Immortal Qin Qao
535:Irises at Yatsuhashi
512:Irises at Yatsuhashi
46:improve this article
2100:, Nezu Museum, 2015
1714:. MOA Museum of Art
1481:. MOA Museum of Art
865:Waves at Matsushima
781:Waves at Matsushima
207:(National Treasure)
2190:Artists from Kyoto
2001:Japan encyclopedia
1873:Visual arts portal
1032:The Tales of Ise,
726:Kōrin Plum Flowers
651:Sōtatsu's original
608:Japanese mythology
343:Kōrin was born in
298:National Treasures
131:Tokugawa shogunate
2117:Media related to
2040:Ningen Kagaku Hen
2015:978-0-674-01753-5
1973:978-4-7700-2088-8
1948:978-0-87099-247-6
1924:New York: Crown.
1913:978-1-58839-471-2
1798:, pp. 39–40.
1448:, pp. 25–26.
1397:, pp. 57–59.
1163:「尾形光琳筆 梅花図屏風に就て」
1133:
1118:
1115:National Treasure
1059:Cormorant Fishing
1008:
974:
947:
920:
841:
761:MOA Museum of Art
359:was a celebrated
312:writing boxes or
296:(both registered
246:
245:
227:National Treasure
197:National Treasure
86:
85:
78:
2202:
2160:Buddhist artists
2116:
2101:
2093:
2091:
2089:
2083:
2077:. Archived from
2060:
2050:
2048:
2037:
2027:
1994:
1988:
1977:
1952:
1917:
1889:
1884:
1883:
1882:
1875:
1870:
1869:
1861:
1856:
1855:
1847:
1842:
1841:
1840:
1824:
1823:
1821:
1819:
1805:
1799:
1793:
1787:
1781:
1775:
1769:
1760:
1754:
1748:
1742:
1736:
1730:
1724:
1723:
1721:
1719:
1708:
1699:
1698:
1696:
1694:
1683:
1674:
1673:
1671:
1669:
1658:
1647:
1646:
1644:
1642:
1631:
1620:
1619:
1617:
1615:
1604:
1593:
1592:
1590:
1588:
1574:
1568:
1567:
1565:
1563:
1549:
1540:
1534:
1528:
1522:
1516:
1515:
1513:
1511:
1500:
1491:
1490:
1488:
1486:
1475:
1464:
1458:
1449:
1443:
1430:
1424:
1413:
1410:Nezu Museum 2015
1407:
1398:
1392:
1386:
1380:
1374:
1373:
1361:
1353:
1338:
1337:
1335:
1333:
1322:
1311:
1308:Nezu Museum 2015
1305:
1299:
1293:
1287:
1281:
1275:
1269:
1263:
1257:
1251:
1250:
1248:
1246:
1235:
1222:
1216:
1205:
1202:Nezu Museum 2015
1199:
1172:
1161:
1142:
1131:
1127:
1112:
1111:
1099:
1080:
1071:Tiger and Bamboo
1068:
1056:
1044:
1029:
1017:
1006:
1002:
983:
972:
968:
956:
945:
941:
929:
918:
912:
900:
886:
874:
862:
853:The Poet Bo Juyi
850:
839:
835:
823:
811:
776:Tawaraya Sōtatsu
742:
690:
688:
687:
648:
636:
606:religion and in
597:
595:
594:
555:
546:
526:The Tales of Ise
523:
521:
520:
489:
480:
463:The Tales of Ise
446:
444:
443:
400:(1420–1506) and
373:Tawaraya Sōtatsu
325:Tawaraya Sōtatsu
323:(1558–1637) and
316:medicine cases.
258:
184:
105:
104:
81:
74:
70:
67:
61:
54:sandwiching text
29:
28:
21:
2210:
2209:
2205:
2204:
2203:
2201:
2200:
2199:
2125:
2124:
2109:
2104:
2087:
2085:
2081:
2058:
2046:
2035:
2016:
1993:Libraries, 2000
1986:
1974:
1949:
1914:
1885:
1880:
1878:
1871:
1864:
1857:
1850:
1843:
1838:
1836:
1833:
1828:
1827:
1817:
1815:
1807:
1806:
1802:
1794:
1790:
1782:
1778:
1770:
1763:
1755:
1751:
1743:
1739:
1731:
1727:
1717:
1715:
1710:
1709:
1702:
1692:
1690:
1685:
1684:
1677:
1667:
1665:
1660:
1659:
1650:
1640:
1638:
1633:
1632:
1623:
1613:
1611:
1606:
1605:
1596:
1586:
1584:
1576:
1575:
1571:
1561:
1559:
1551:
1550:
1543:
1535:
1531:
1523:
1519:
1509:
1507:
1502:
1501:
1494:
1484:
1482:
1477:
1476:
1467:
1459:
1452:
1444:
1433:
1425:
1416:
1408:
1401:
1393:
1389:
1381:
1377:
1354:
1341:
1331:
1329:
1324:
1323:
1314:
1306:
1302:
1294:
1290:
1282:
1278:
1270:
1266:
1258:
1254:
1244:
1242:
1237:
1236:
1225:
1217:
1208:
1200:
1191:
1186:
1181:
1176:
1175:
1162:
1158:
1153:
1146:
1143:
1134:
1128:
1119:
1105:
1100:
1084:
1081:
1072:
1069:
1060:
1057:
1048:
1045:
1036:
1030:
1021:
1018:
1009:
1003:
993:Hanging scrolls
987:
984:
975:
969:
960:
957:
948:
942:
933:
930:
921:
913:
904:
901:
890:
887:
878:
875:
866:
863:
854:
851:
842:
836:
827:
824:
815:
812:
803:
801:folding screens
792:
790:
743:
701:white plum tree
696:folding screens
682:
652:
649:
640:
639:Kōrin's version
637:
589:
560:
559:
558:
557:
556:
548:
547:
538:
537:
515:
490:
481:
454:folding screens
438:
431:
341:
232:
182:
177:
145:
142:
133:
124:
110:
103:
82:
71:
65:
62:
39:
30:
26:
17:
12:
11:
5:
2208:
2198:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2162:
2157:
2152:
2147:
2142:
2137:
2123:
2122:
2108:
2107:External links
2105:
2103:
2102:
2094:
2051:
2028:
2014:
1995:
1978:
1972:
1953:
1947:
1928:
1918:
1912:
1892:
1891:
1890:
1887:History portal
1876:
1862:
1848:
1832:
1829:
1826:
1825:
1800:
1796:Daugherty 2003
1788:
1784:Daugherty 2003
1776:
1772:Daugherty 2003
1761:
1759:, p. 291.
1749:
1737:
1735:, p. 146.
1733:Carpenter 2012
1725:
1700:
1675:
1648:
1621:
1594:
1569:
1541:
1537:Daugherty 2003
1529:
1525:Carpenter 2012
1517:
1492:
1465:
1463:, p. 312.
1450:
1446:Carpenter 2012
1431:
1414:
1399:
1387:
1375:
1364:Chisholm, Hugh
1339:
1312:
1300:
1296:Carpenter 2012
1288:
1286:, p. 310.
1276:
1274:, p. 189.
1264:
1252:
1223:
1221:, p. 561.
1206:
1204:, p. vii.
1188:
1187:
1185:
1182:
1180:
1177:
1174:
1173:
1155:
1154:
1152:
1149:
1148:
1147:
1144:
1137:
1135:
1129:
1122:
1120:
1101:
1094:
1092:
1086:
1085:
1082:
1075:
1073:
1070:
1063:
1061:
1058:
1051:
1049:
1046:
1039:
1037:
1031:
1024:
1022:
1019:
1012:
1010:
1004:
997:
995:
989:
988:
985:
978:
976:
970:
963:
961:
958:
951:
949:
943:
936:
934:
931:
924:
922:
914:
907:
905:
902:
895:
892:
891:
888:
881:
879:
876:
869:
867:
864:
857:
855:
852:
845:
843:
837:
830:
828:
826:Autumn Grasses
825:
818:
816:
813:
806:
794:
789:
786:
745:
744:
737:
735:
654:
653:
650:
643:
641:
638:
631:
629:
550:
549:
541:
540:
539:
533:
532:
531:
530:
496:Nishi Honganji
492:
491:
484:
482:
475:
473:
430:
427:
369:Hon'ami Kōetsu
340:
337:
321:Hon'ami Kōetsu
244:
243:
238:
234:
233:
231:
230:
220:
208:
200:
187:
185:
179:
178:
176:
175:
173:Textile design
170:
165:
161:
159:
158:Known for
155:
154:
151:
147:
146:
143:
139:
135:
134:
125:
121:
117:
116:
112:
111:
108:
84:
83:
33:
31:
24:
15:
9:
6:
4:
3:
2:
2207:
2196:
2193:
2191:
2188:
2186:
2183:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2161:
2158:
2156:
2153:
2151:
2148:
2146:
2143:
2141:
2138:
2136:
2133:
2132:
2130:
2120:
2115:
2111:
2110:
2099:
2095:
2088:September 16,
2080:
2076:
2072:
2068:
2064:
2057:
2052:
2045:
2041:
2034:
2029:
2025:
2021:
2017:
2011:
2007:
2004:. Cambridge:
2003:
2002:
1996:
1992:
1985:
1984:
1979:
1975:
1969:
1965:
1961:
1960:
1954:
1950:
1944:
1940:
1936:
1935:
1929:
1927:
1923:
1919:
1915:
1909:
1905:
1901:
1900:
1894:
1893:
1888:
1877:
1874:
1868:
1863:
1860:
1854:
1849:
1846:
1835:
1814:
1810:
1804:
1797:
1792:
1786:, p. 43.
1785:
1780:
1774:, p. 39.
1773:
1768:
1766:
1758:
1753:
1747:, p. 58.
1746:
1741:
1734:
1729:
1718:September 27,
1713:
1707:
1705:
1693:September 17,
1688:
1682:
1680:
1668:September 17,
1663:
1657:
1655:
1653:
1641:September 20,
1637:. Nezu Museum
1636:
1630:
1628:
1626:
1614:September 20,
1609:
1603:
1601:
1599:
1587:September 17,
1583:
1579:
1573:
1562:September 16,
1558:
1554:
1548:
1546:
1539:, p. 42.
1538:
1533:
1527:, p. 23.
1526:
1521:
1510:September 17,
1505:
1499:
1497:
1485:September 20,
1480:
1474:
1472:
1470:
1462:
1457:
1455:
1447:
1442:
1440:
1438:
1436:
1429:, p. 59.
1428:
1423:
1421:
1419:
1412:, p. iv.
1411:
1406:
1404:
1396:
1391:
1385:, p. 57.
1384:
1379:
1371:
1370:
1365:
1360:
1352:
1350:
1348:
1346:
1344:
1332:September 21,
1327:
1321:
1319:
1317:
1309:
1304:
1298:, p. 26.
1297:
1292:
1285:
1280:
1273:
1268:
1262:, p. 57.
1261:
1256:
1245:September 16,
1240:
1234:
1232:
1230:
1228:
1220:
1215:
1213:
1211:
1203:
1198:
1196:
1194:
1189:
1170:
1166:
1160:
1156:
1141:
1136:
1126:
1121:
1116:
1109:
1104:
1098:
1093:
1091:
1088:
1087:
1079:
1074:
1067:
1062:
1055:
1050:
1043:
1038:
1035:
1028:
1023:
1016:
1011:
1001:
996:
994:
991:
990:
982:
977:
967:
962:
955:
950:
940:
935:
928:
923:
917:
916:Tai Gong Wang
911:
906:
899:
894:
893:
885:
880:
873:
868:
861:
856:
849:
844:
834:
829:
822:
817:
810:
805:
804:
802:
800:
799:
793:
785:
783:
782:
777:
772:
770:
766:
762:
758:
757:Mokichi Okada
754:
750:
741:
736:
734:
731:
730:
729:
727:
723:
722:
716:
713:
709:
704:
702:
697:
694:
681:
680:
675:
673:
669:
665:
661:
660:
647:
642:
635:
630:
628:
625:
624:
623:
621:
617:
613:
609:
605:
601:
588:
587:
582:
580:
576:
571:
569:
568:New York City
565:
554:
545:
536:
529:
527:
514:
513:
507:
505:
501:
497:
488:
483:
479:
474:
472:
469:
468:
467:
465:
464:
459:
455:
452:
451:
437:
436:
426:
424:
418:
416:
415:
409:
407:
403:
402:Sesson Shukei
399:
395:
394:
389:
385:
380:
376:
374:
370:
366:
362:
358:
354:
350:
346:
336:
334:
330:
326:
322:
317:
315:
311:
307:
303:
299:
295:
294:
289:
288:
283:
282:
276:
274:
270:
266:
262:
254:
250:
242:
239:
235:
228:
224:
221:
218:
214:
213:
209:
206:
205:
201:
198:
194:
193:
189:
188:
186:
180:
174:
171:
169:
166:
163:
162:
160:
156:
152:
148:
140:
136:
132:
128:
122:
118:
113:
106:
101:
100:
95:
91:
90:Japanese name
80:
77:
69:
59:
55:
51:
47:
43:
37:
34:This article
32:
23:
22:
19:
2195:Rinpa school
2097:
2086:. Retrieved
2079:the original
2066:
2062:
2044:the original
2039:
2000:
1982:
1958:
1937:. New York:
1933:
1926:OCLC 1487440
1921:
1902:. New York:
1898:
1845:Japan portal
1816:. Retrieved
1812:
1803:
1791:
1779:
1752:
1740:
1728:
1716:. Retrieved
1691:. Retrieved
1666:. Retrieved
1639:. Retrieved
1612:. Retrieved
1585:. Retrieved
1572:
1560:. Retrieved
1532:
1520:
1508:. Retrieved
1483:. Retrieved
1427:Pekarik 1980
1395:Pekarik 1980
1390:
1383:Pekarik 1980
1378:
1367:
1330:. Retrieved
1310:, p. v.
1303:
1291:
1279:
1267:
1255:
1243:. Retrieved
1168:
1164:
1159:
1033:
796:
795:
791:
779:
773:
753:Tsugaru clan
748:
746:
732:
725:
719:
717:
705:
692:
677:
676:
663:
657:
655:
626:
619:
584:
583:
578:
574:
572:
561:
534:
525:
510:
508:
493:
470:
461:
457:
448:
433:
432:
423:Sakai Hōitsu
419:
412:
410:
405:
391:
383:
381:
377:
348:
342:
333:Sakai Hōitsu
329:Meiji period
318:
313:
309:
291:
285:
279:
277:
273:Rinpa School
248:
247:
241:Rinpa school
222:
210:
202:
190:
183:Notable work
97:
72:
63:
48:by removing
35:
18:
2140:1716 deaths
2135:1658 births
2119:Ogata Korin
1859:Arts portal
1818:January 26,
1757:Nikoru 1997
1582:Nezu Museum
1557:Nezu Museum
1106: [
959:Rough Waves
721:tarashikomi
618:exhibition
593:紙本金地著色風神雷神図
500:Nezu Museum
406:Rough Waves
398:Sesshū Tōyō
365:Kanō school
353:Noh theater
349:Karigane-ya
261:illustrator
249:Ogata Kōrin
168:Lacquerware
150:Nationality
109:Ogata Kōrin
2129:Categories
1179:References
1034:Yatsuhashi
712:Edo-period
708:provenance
686:紙本金地著色紅白梅図
442:紙本金地著色燕子花図
306:round fans
2075:1097-0002
1328:. kaikodo
1184:Citations
778:'s work,
339:Biography
265:lacquerer
66:June 2022
44:. Please
42:talk page
2024:58053128
1553:"Irises"
1239:"Irises"
253:Japanese
237:Movement
164:Painting
153:Japanese
88:In this
1831:Sources
1366:(ed.).
788:Gallery
269:painter
94:surname
2073:
2022:
2012:
1970:
1945:
1922:Kōrin.
1910:
1090:Crafts
889:Cranes
877:Cranes
610:, and
604:Shinto
600:Raijin
575:Irises
471:Irises
458:hokkyō
435:Irises
393:Irises
384:hokkyō
361:potter
357:Kenzan
302:Kenzan
287:Irises
192:Irises
92:, the
2082:(PDF)
2059:(PDF)
2047:(PDF)
2036:(PDF)
1987:(PDF)
1362:. In
1169:Kokka
1167:, in
1151:Notes
1110:]
1083:Hotei
798:Byōbu
765:Atami
693:byōbu
664:byōbu
612:Fūjin
573:Both
519:八橋図屏風
450:byōbu
429:Works
345:Kyoto
310:makie
281:byōbu
127:Kyoto
115:尾形 光琳
99:Ogata
2090:2017
2071:ISSN
2020:OCLC
2010:ISBN
1968:ISBN
1943:ISBN
1908:ISBN
1820:2024
1720:2017
1695:2017
1670:2017
1643:2017
1616:2017
1589:2017
1564:2017
1512:2017
1487:2017
1334:2017
1247:2017
371:and
314:inrō
290:and
257:尾形光琳
138:Died
123:1658
120:Born
763:in
566:in
388:Edo
96:is
2131::
2067:50
2065:.
2061:.
2038:.
2018:.
2008:.
1989:,
1966:.
1962:.
1941:.
1906:.
1811:.
1764:^
1703:^
1678:^
1651:^
1624:^
1597:^
1580:.
1555:.
1544:^
1495:^
1468:^
1453:^
1434:^
1417:^
1402:^
1342:^
1315:^
1226:^
1209:^
1192:^
1108:ja
784:.
771:.
728:.
674:.
622:.
506:.
466:.
375:.
308:,
275:.
267:,
263:,
255::
129:,
2092:.
2026:.
1976:.
1951:.
1916:.
1822:.
1722:.
1697:.
1672:.
1645:.
1618:.
1591:.
1566:.
1514:.
1489:.
1336:.
1249:.
1117:)
1113:(
689:)
683:(
596:)
590:(
522:)
516:(
445:)
439:(
251:(
229:)
225:(
219:)
215:(
199:)
195:(
102:.
79:)
73:(
68:)
64:(
60:.
38:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.