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era (1688–1704) by Ogata Kōrin and his younger brother Ogata Kenzan, sons of a prosperous Kyoto textile merchant. Kōrin's innovation was to depict nature as an abstract using numerous color and hue gradations, and mixing colors on the surface to achieve eccentric effects, as well as liberal use of
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style flourished in Kyōto, Nara, and Ōsaka, i.e., the political and cultural triangle of ancient Japan. Kyōto and Ōsaka were also two of the most important cities of the Nanga (南画 "Southern painting"), also known as
Bunjinga (文人画 "literati painting") school's style; Nanga painting was therefore
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for the remainder of its history. Kōrin collaborated with Kenzan in painting designs and calligraphy on his brother's pottery. Kenzan remained as a potter in Kyoto until after Kōrin's death in 1716 when he began to paint professionally. Other Rinpa artists active in this period were
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artist whose family had been one of Ogata Kōrin’s sponsors. Sakai published a series of 100 woodcut prints based on paintings by Kōrin, and his painting
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genre as Kōetsu, but pioneered a new technique with bold outlines and striking color schemes. One of his most famous works are the folding screens
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816:, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on this school (see index)
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186:
212:. Sōtatsu also specialized in making decorated paper with gold or silver backgrounds, to which Kōetsu assisted by adding calligraphy.
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Le Japon
Artistique: Japanese Floral Pattern Design of the Art Nouveau Era. From the Collection of the Museum of Fine Arts, Boston
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artists worked in various formats, notably screens, fans and hanging scrolls, woodblock printed books, lacquerware, ceramics, and
235:, as did Kōetsu himself. However, Kōetsu was less concerned with swords as opposed to painting, calligraphy, lacquerwork, and the
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His collaborator, Tawaraya Sōtatsu, maintained an atelier in Kyoto and produced commercial paintings such as decorative fans and
824:, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), for material on Rinpa see pages 55–84
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Korin: National
Treasure Irises of the Nezu Museum and Eight-Bridge of The Metropolitan Museum of Art (2012, April 21 - May 20)
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482:
Sakai had numerous students who carried the movement forward into the late 19th century, when it was incorporated into the
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Both artists came from families of cultural significance; Kōetsu came from a family of swordsmiths who had served the
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style involves simple natural subjects such as birds, plants and flowers, with the background filled in with
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The term "Rinpa" is an abbreviation consisting of the last syllable from "Kōrin" with the word for school
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Hon'ami Kōetsu founded an artistic community of craftsmen supported by wealthy merchant patrons of the
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Chinese
Painters in Nagasaki: Style and Artistic Contaminatio during the Tokugawa Period (1603–1868)
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favored arts which followed classical traditions, and Kōetsu obliged by producing numerous works of
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473:, first published in 1806. This was followed by an original work by Sakai Hoitsu called the
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tea bowls.) His own painting style was flamboyant, recalling the aristocratic style of the
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8:
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Suzuki Kiitsu: Standard-bearer of the Edo Rimpa School (2016, September 10 - October 30)
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Designing Nature: The Rinpa
Aesthetic in Japanese Art (2012-2013, May 26 - January 13)
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61:
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Kenzan and his tradition: The lives and times of Koetsu, Sotatsu, Korin, and Kenzan
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Japanese
Lacquer, 1600-1900: Selections from the Charles A. Greenfield collection
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76:(d. c.1643). Roughly fifty years later, the style was consolidated by brothers
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Rimpa: Outstanding Works of the Korin School (1972, October 10 - December 3)
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Subject matter and style were often borrowed from Heian period traditions of
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in northeastern Kyoto in 1615. Both the affluent merchant town elite and the
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painted on the back of Kōrin’s "Wind and
Thunder Gods screen" is now at the
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563:. Emphasis on refined design and technique became more pronounced as the
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27:
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RINPA: The
Aesthetics of the Capital (2015, October 10 - November 23)
111:. Previously, the style was referred to variously as the Kōetsu school
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Bridge of dreams: the Mary Griggs Burke collection of
Japanese art
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Edo
Painting: Sotatsu and Korin (Heibonsha Survey of Japanese Art)
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artists were anthologized in small paperback booklets such as the
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school painter, 18th century, six-screen ink and gold on paper.
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was strong throughout the early modern period, and even today
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Sōtatsu: Making Waves (2015-2016, October 24 - January 31)
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Treasures by Rinpa Masters (2008, October 7 - November 16)
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exposed to the influence of Rinpa painting and vice versa.
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382:. A dramatic composition, it established the direction of
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developments. The stereotypical standard painting in the
500:-style designs are popular. One later artist of note is
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The Art of Edo Rimpa (2017, September 16 - November 7)
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paintings were used on the sliding doors and walls (
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Rinpa Masterworks of the Japanese Decorative School
231:shōguns. Kōetsu's father evaluated swords for the
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759:. Transatlantic Arts (1967). ASIN: B0006BPM10
794:. The Japan Society (1971). ASIN B0000EEBUB
60:is one of the major historical schools of
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26:
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747:Ming Qing Studies 2015, Pages 175–236.
544:flower-and-bird paintings, as well as
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418:was revived in 19th century Edo by
252:Sōtatsu also pursued the classical
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64:. It was created in 17th century
801:. London: Thames and Hudson Ltd.
281:temple in Kyoto and "Matsushima"
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191:old Kyoto aristocratic families
766:. Art Media Resources (1972).
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1:
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559:. This technique is known as
462:(The Korin Picture Album) by
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797:Stanley-Baker, Joan (1984).
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356:Red and White Plum Blossoms
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310:Red and White Plum Blossoms
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780:. Chronicle Books (2010).
734:Marco, Meccarelli. 2015.
664:Metropolitan Museum of Art
374:c. 1714–15, is now at the
335:school was revived in the
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687:Arthur M. Sackler Gallery
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428:Summer and Autumn Grasses
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342:precious substances like
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307:Portion of Ogata Kōrin's
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219:and the great warlords,
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711:Idemitsu Museum of Arts
538:Muromachi ink paintings
452:Paintings of the early
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227:, in addition to the
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699:Suntory Museum of Art
675:Kyoto National Museum
641:Tokyo National Museum
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579:Notable Rinpa artists
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447:Tokyo National Museum
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260:Wind and Thunder Gods
237:Japanese tea ceremony
171:Portion of Sōtatsu's
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239:(he created several
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225:Toyotomi Hideyoshi
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389:Tatebayashi Kagei
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62:Japanese painting
16:(Redirected from
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621:Exhibitions
595:Ogata Kōrin
561:gold ground
549:Kanō school
467: [
424:Kanō school
401:Fukae Roshu
203:lacquerware
199:calligraphy
78:Ogata Kōrin
832:Categories
722:References
540:, Chinese
459:Korin Gafu
233:Maeda clan
187:Takagamine
34:, unknown
557:gold leaf
476:Oson Gafu
279:Kennin-ji
242:Raku ware
122:Kōetsu-ha
741:Archived
534:yamato-e
255:Yamato-e
229:Ashikaga
195:ceramics
185:sect at
183:Buddhist
180:Nichiren
485:Nihonga
338:Genroku
291:at the
163:History
105:rendaku
784:
770:
526:fusuma
517:kimono
103:(with
715:Tokyo
703:Tokyo
679:Kyoto
657:Tokyo
645:Tokyo
633:Tokyo
572:Rinpa
565:Rinpa
553:Rinpa
521:Rinpa
513:Rinpa
508:Style
498:Rinpa
494:Rinpa
471:]
454:Rinpa
416:Rinpa
384:Rinpa
348:pearl
333:Rinpa
266:風神雷神図
148:宗達光琳派
132:光悦光琳派
66:Kyoto
55:Rinpa
43:Rinpa
36:Rinpa
782:ISBN
768:ISBN
570:The
434:夏秋草図
403:and
363:紅白梅図
346:and
344:gold
331:The
317:紅白梅図
223:and
201:and
378:in
277:at
116:光悦派
68:by
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469:ja
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286:松島
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98:ha
95:,
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49:琳派
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