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style arriving in the
Iberian peninsula. In his writing he was generally contemptuous of Spanish composers, and lavish in his praise of Italians (which may partially account for the abuse heaped on him by Spanish critics). He discusses the previous theoretical treatises of
164:: an impossibly detailed and absurd compilation of nonsense. Other writers in the 18th and 19th centuries have called it "monstrous." However the treatise contains passages which give insight into the compositional practices of the time.
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were made to be broken, and should be abandoned as soon as a composer had learned his craft: paradoxically, even in the 21st century, no style of composition is taught in a more rigorous, rule-based way than the
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While the treatise shows that he possessed considerable compositional skill, no music by Cerone has survived and he is not known to have published any. He died in Naples.
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El melopeo y maestro: tractado de música theorica y pratica; en que se pone por extenso; lo que uno para hazerse perfecto musico ha menester saber
128:. In 1603 he returned to Naples, where he was a priest and singer until his death. It was in Naples that he wrote his two most famous treatises.
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Cerone was musically conservative, and his conservatism in this influential treatise doubtless had some effect on the delay of the
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achieved considerable notoriety, and was sufficiently famous as late as 1803 to be lampooned by the
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and others; he describes in detail how a composer can achieve expressive intensity when writing
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Barton Hudson: "Pietro Cerone", Grove Music Online, ed. L. Macy (Accessed
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New York, W.W. Norton & Co, 1950. Contains a portion of
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Le regole più necessarie per l'introduzione del canto fermo
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16:Italian music theorist, singer and priest
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32:This article includes a list of general
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202:canzonettas
161:Don Quixote
94:Renaissance
51:introducing
364:Categories
268:References
239:polyphonic
230:Palestrina
226:strambotti
218:ricercares
152:El melopeo
34:references
206:canticles
198:frottolas
194:madrigals
178:Vicentino
142:plainsong
132:Writings
126:Victoria
114:Sardinia
356:(IMSLP)
352:at the
343:at the
222:tientos
174:Zarlino
169:Baroque
122:Spanish
106:Bergamo
47:improve
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214:psalms
190:motets
186:masses
110:Naples
36:, but
248:Notes
210:hymns
118:Spain
310:ISBN
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100:Life
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