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The inscription above the ground floor archer reads: "CUM LAPIDES VIVI PACIS CONPAGE LIGANTUR INQUE PARES NUMEROS OMNIA CONVENIENT CLARET OPUS DOMINI, TOTAM QUI CONSTRUIT AULAM EFFECTUSQUE PIIS DAT STUDIIS HOMINUM QUORUM PERFECTUI DECORIS STRUCTURA MANEBIT SI PERFECTA AUCTOR PROTEGAT ATQUE REGAT SIC
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161:. Nothing more is known of him. The building he designed has a simple exterior and a complex interior, with a double shell octagonal dome resting on heavy piers, a two-story elevation, and elaborate revetment and decoration.
299:
335:. The upper gallery of the chapel was the royal space, with a special throne area for the king, then emperor, which let onto the liturgical space of the church and onto the atrium outside as well.
184:
placed the tomb of
Charlemagne in the chapel and paid homage to his remains. The original tomb was probably a sepulchral niche, afterwards known as the "Karlsmemorie", but destroyed in 1788.
350:, rooms at one or more levels above, and one or more towers. These overlook the atrium of the church. The addition of a westwork to churches is one of the Carolingian contributions to
283:
and
Ravenna), as well as newly carved materials. The bronze decoration is of extraordinarily high quality, especially the doors with lions heads and the interior railings, with their
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130:. The building is a centrally planned, domed chapel. The east end had a square apse, and was originally flanked by two basilican structures, now lost but known through
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597:
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122:
began the construction of the
Palatine Chapel around 792, along with the building of the rest of the palace structures. It was consecrated in 805 by
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there. Holy Roman
Emperors continued to be crowned in the Palatine Chapel until 1531. In 1000, in what was most likely a symbolic exhibition,
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134:. The chapel was entered through a monumental atrium, to the west. The plan and decoration of the building combines elements of
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Insignem hanc dignitatis aulam
Karolus caesar magnus instituit; egregius Odo magister explevit, Metensi fotus in urbe quiescit
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bearing crowns and standing around the base of the dome. Above the main altar, and facing the royal throne, is an image of
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The Grove
Encyclopedia of Medieval Art and Architecture. Edited by: Colum P. Hourihane. "Carolingian metalwork" OUP 2013
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with a gallery overhead encircling the central octagonal dome. The plan and decoration owe much to the sixth-century
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The bronze doors symbolize the
Carolingian Renaissance in metalwork, on a scale not seen since the Roman Empire.
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236:
and requested "mosaic, marbles, and other materials from floors and walls" in Rome and
Ravenna, for his palace.
998:
782:. Lutz Fenske, Caspar Ehlers, Max-Planck-Institut für Geschichte. Göttingen: Vandenhoeck & Ruprecht. 2007.
271:
building. Multi-coloured marble veneer is used to create a sumptuous interior. The chapel makes use of ancient
525:
779:
Deutsche Königspfalzen = Beiträge zu ihrer historischen und archäologischen
Erforschung / 8 Places of power
66:. Although the palace itself no longer exists, the chapel was preserved and now forms the central part of
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232:. Indeed, Charlemagne visited Ravenna three times, the first in 787. In that year he wrote to
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Ottonian
Imperial Art and Portraiture: The Artistic Patronage of Otto III and Henry II
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DEUS HOC TUTUM STABILI FUNDAMINE TEMPLUM QUOD PRINCEPS CAROLUS CONDIDIT ESSE VELIT".
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59:
838:
Bayer, Clemens M. M. (2014). "Das Grab Karls des Grossen". In Pohle, Frank (ed.).
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The dome was decorated originally with a fresco, and later with mosaic. In the
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78:. The chapel held the remains of Charlemagne. Later it was appropriated by the
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146:, and opulent materials as the expression of a new royal house, ruled by
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323:. The original mosaic was reproduced in the 19th century with the same
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The Origins of Medieval Architecture: Building in Europe: A.D 600-900
722:, https://jstor.org/stable/community.23508527. Accessed 17 Aug. 2024.
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As part of Aachen Cathedral, the chapel is designated as a
966:. New Haven, CT: Yale University Press. pp. 108–119.
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as the original. It depicts the twenty-four elders of the
216:
with Charlemagne's palace chapel highlighted in the center
204:
Detail of barred window of Palatine Chapel (exterior view)
842:(in German). Dresden: Sandstein Verlag. pp. 382–91.
1123:
Religious buildings and structures completed in the 800s
865:(4th ed.). New Haven, CT: Yale University Press.
267:, and its plan simplifies the complex geometry of the
653:
History of medieval Arabic and Western European domes
346:
comprising the western facade including the entrance
858:
82:and coronations were held there from 936 to 1531.
1093:Roman Catholic churches in North Rhine-Westphalia
714:Odo von Metz (German architect, active 795-804).
1069:
74:'s major landmark and a central monument of the
1032:, inː Sacred Destinations (online travel guide)
374:seating arrangements on individual oak chairs
196:Sunlit dome of the Palatine Chapel at noonday
311:The Aachen Royal complex (English subtitles)
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619:Wheel chandelier, daylight from below
591:architectural detail of bell in tower
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631:artistic drawing of wheel chandelier
342:The main entrance is dominated by a
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24:
1098:Buildings and structures in Aachen
115:Sunset view of the Palatine Chapel
54:chapel and remaining component of
27:Church building in Aachen, Germany
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1103:Roman Catholic chapels in Germany
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937:Medieval Germany: An Encyclopedia
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915:Gould, Andrew (8 January 2013).
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603:Wheel chandelier attributed to
467:front 3/4 view of lectern eagle
962:McClendon, Charles B. (2005).
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716:Palatine Chapel of Charlemagne
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939:. New York, NY: Garland Pub.
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857:Conant, Kenneth J. (1994) .
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531:World War II memorial plaque
401:detail of marble-clad pillar
275:, conceivably from Ravenna (
259:, practices rather than the
239:The construction, including
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1113:Church buildings with domes
935:Jeep, John M., ed. (2001).
643:Aachen penny of Charlemagne
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319:period, it was replaced by
251:in the dome, reflects late
153:The architect responsible,
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455:side view of lectern eagle
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495:bronze-clad central doors
220:There is a sixteen-sided
48:Palatine Chapel in Aachen
18:Palatine Chapel in Aachen
1088:Carolingian architecture
892:. Farnham, UK: Ashgate.
888:Garrison, Eliza (2012).
648:Carolingian architecture
997:. World Heritage List.
607:, night view from above
279:claimed they were from
76:Carolingian Renaissance
810:: CS1 maint: others (
507:bronze-clad crypt door
425:lights and details of
413:detail of inlaid floor
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226:Basilica of San Vitale
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105:Throne of Charlemagne
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1023:of Aachen Cathedral
605:Frederick Barbarossa
261:Byzantine techniques
107:in the palace chapel
1054:50.7747°N 6.08444°E
1050: /
917:"Marble Revetments"
90:World Heritage Site
1118:805 establishments
1108:Octagonal churches
991:"Aachen Cathedral"
658:Symbolism of domes
519:marble-clad column
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170:Holy Roman Emperor
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946:978-0-8240-7644-3
899:978-0-7546-6968-5
849:978-3-95498-092-5
789:978-3-525-35600-5
333:Christ in Majesty
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247:and an octagonal
126:in honour of the
16:(Redirected from
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386:view up the
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287:columns and
263:employed at
245:groin vaults
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168:, the first
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124:Pope Leo III
118:
84:
47:
45:
1057: /
1025:(in German)
718:. 792-805.
703:Conant 1994
692:UNESCO 1992
682:, p. 1
555:Marble wall
325:iconography
155:Odo of Metz
148:Charlemagne
132:archaeology
128:Virgin Mary
120:Charlemagne
56:Charlemagne
1072:Categories
1042:50°46′29″N
982:2004023967
908:2011013779
832:References
755:Bayer 2014
732:Gould 2013
579:main altar
543:Pipe organ
329:Apocalypse
265:San Vitale
222:ambulatory
1045:6°05′04″E
806:cite book
798:160076176
680:Jeep 2001
664:Footnotes
348:vestibule
291:scrolls.
188:Structure
140:Byzantine
136:Classical
80:Ottonians
999:Archived
955:00061780
881:78149801
637:See also
481:badalone
427:chapiter
344:westwork
289:acanthus
182:Otto III
70:. It is
441:lectern
361:Gallery
317:Baroque
277:Einhard
269:Ravenna
230:Ravenna
172:of the
164:In 936
96:History
64:Germany
1005:15 May
995:UNESCO
980:
970:
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943:
926:15 May
906:
896:
879:
869:
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321:stucco
273:spolia
241:barrel
166:Otto I
87:UNESCO
72:Aachen
50:is an
720:JSTOR
255:, or
253:Roman
1007:2015
978:LCCN
968:ISBN
951:LCCN
941:ISBN
928:2015
904:LCCN
894:ISBN
877:LCCN
867:ISBN
844:ISBN
812:link
794:OCLC
784:ISBN
388:nave
281:Rome
243:and
142:and
46:The
58:'s
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808:}}
804:{{
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672:^
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20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
