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New Palace, Potsdam

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425: 1122: 490:. The three-story façade had already begun to rise around unfinished interiors, as construction had steadily been underway, with 220 metre east and west façades. Between the pilasters, what appears to be brick is actually a painted effect, leaving only the King's south wing with exposed brick. Repointing the mortar of the joints proved to be an arduous and expensive task, therefore Frederick had the brick covered in stucco and painted in such a way that even tourists today are fooled by the deceptive finish. Over 400 sandstone statues and figures adorn the palace and auxiliary buildings, created by many notable sculptors, namely 730: 89: 575: 64: 738: 47: 1429: 96: 71: 598:. At the center of the building are two banqueting halls on the ground floor and another two on the first, with royal apartments adjoining, including anteroom painting galleries. Instead of a main staircase, four small staircases give access to the apartments. A vestibule serves as the central entrance from the courtyard, with a ceiling painting of 686:
The Upper Gallery within the palace is situated to the south of the Marble Hall and is directly above the Marble Gallery on the ground floor. The ceiling is painted in hues of rose, antique yellow and white, accented with heavy gilt ornamentation. The ever-popular Neoclassicism of Europe at the time
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The New Palace, lying at the western end of the Sanssouci royal park, is located on a main axial avenue. At the time of its construction, the palace was located in an expansive baroque park area. Today, the area of the palace park within proximity to the New Palace is laid out simply with pathways,
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For the King, the New Palace was not a principal residence, but a display for the reception of important royals and dignitaries. Of the over 200 rooms, four principal gathering rooms and a theater were available for royal functions, balls and state occasions. During his occasional stays at the
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in the Netherlands. The majority of the furnishings were discovered by the Dutch in the 1970s, still in their original packing crates, and returned to Potsdam. Because of this, and because it escaped bombing in the Second World War, the palace today looks much as it did in 1918.
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saw renovation and restoration within the palace being carried out with the installation of steam heating, bathrooms in state apartments and electrification of the chandeliers which Frederick the Great had collected from across Europe. In 1890 the so called "Tip of
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above, holding a plaque with Frederick's initials. The theatre lacks a royal box in which a king may view a performance. Instead, Frederick would sit among his guests in the third row of seating from the stage. The semi-circular seat rows ascend as in a classical
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and as a banqueting hall. Rising over two floors, the hall overlooks the eastern parterres and the axial vista leading to Sanssouci. The richly gilt, curved ceiling rises into the attic area under the great copper dome. The painting in the center of this ceiling,
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After the death of Frederick the Great in 1786, the New Palace fell into disuse and was rarely occupied as a residence or entertainment venue. However, starting in 1859 it became the summer residence of the German Crown Prince, Frederick William, later
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can be seen in the roundels positioned above and on the doors. Six large Italian Baroque paintings hang opposite the windows of the gallery. All that remains of the original furnishings are three marble
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and semi-precious stones, which were enriched in the 19th century. Part of the design of the Groto Hall is a marble floor depicting marine animals and plants and an 1806 ceiling painting,
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palace, Frederick occupied a suite of rooms at the southern end of the building, composed of two antechambers, a study, a concert room, a dining salon and a bedroom, among others.While
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The New Palace was built as a summer residence for the royal family between 1763 and 1769 using four architects: Johann Gottfried Büring, Heinrich Ludwig Manger, Carl von Gontard, and
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and the Picture Gallery in the Sanssouci royal park.After disagreements over the design of the palace, in 1764 the design of the palace was totally vested in the architect
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in the Netherlands. This is the reason why the furniture in the upper rooms formerly lived in by Wilhelm II and his consort Empress Augusta Viktoria comes from elsewhere.
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Paul Sigel, Silke Dähmlow, Frank Seehausen und Lucas Elmenhorst, Architekturführer Potsdam - Architectural Guide, Dietrich Reimer Verlag, Berlin 2006,
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Wie friderizianisch war das friderizianische Zeremoniell? Raumdisposition und Möblierung ausgewählter europäischer Schlösser am Ende des Ancien Régime.
1762: 621:, the painting has replaced an earlier work. Niches around the room contain statuary and fountains, with cut crystal chandeliers hung in the arches. 170: 1831: 1470: 1146: 828: 88: 1846: 605:
On the ground floor behind the vestibule is the Grotto Hall, attributed to Carl von Gontard, with walls encrusted with shells, stones,
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Paper presented at an international conference on 2 June 2012, ed. by Henriette Graf and Nadja Geißler (Friedrich300 – Colloquien, 6)
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The theatre located in the south wing was designed by Johann Christian Hoppenhaupt. The stage is framed by gilt palm trees, with
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Situated directly over the Grotto Hall is the Marble Hall, the largest of the festival halls, which was used variously as a
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Beiträge des fünften Colloquiums in der Reihe "Friedrich300", 30 September to 1 October 2011, ed. by Michael Kaiser and
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at the end of the war. Much of its furniture had been removed and taken to the residence of the exiled Wilhelm II at
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gifted it to Kaiser Wilhelm II. Until 1918, the palace remained the preferred residence of Wilhelm II and the
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Das Neue Palais König Friedrichs des Großen. Funktion, Nutzung, Raumdisposition und Möblierung, 1763–1784.
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that was already taking hold of Europe at the time as the preference of many monarchs. Architect
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and the abdication of Wilhelm II, the New Palace became a museum and remained such until the
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allowed 34 train wagons of furniture from the palace to be sent to the exiled Wilhelm II at
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holding the crown of Prussia. The adjoining wings have matching gilded eagle crowned
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Streidt, Gert; Frahm, Klaus (1996). Leuthäuser, Gabriele; Feierabend, Peter (eds.).
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and decoration, with some deviations. The King preferred Rococo and Baroque to the
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Verwandtenbesuch. Das Neue Palais als Bühne dynastischer Selbstinszenierung.
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and the kitchens. The main palace building is crowned by a dome with the
1621: 1309: 1245: 723: 562: 521:. The palace was the preferred residence of Frederick and his empress, 829:"How did the tip of Mount Kilimanjaro end up in Potsdam's New Palace?" 1703: 997: 699: 463: 347: 708: 644: 591: 558: 466:, Frederick the Great had the New Palace built in varying forms of 409:) and was completed in 1769. It is considered to be the last great 633: 443: 410: 394: 390: 156: 146: 718:
After the revolution of 1918, which overthrew the monarchy, the
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Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg
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Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg
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The Marmorgalerie adjoins the Grotto Room, containing red
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Since 1990, the New Palace has been part of the UNESCO
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The building of the palace commenced at the end of the
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Friedrich der Große und die Dynastie der Hohenzollern.
557:. Some of the palace's treasures were looted by the 454:, an excess of splendor in marble, stone and gilt. 1536:Prussian National Monument for the Liberation Wars 920:. Könemann Verlagsgesellschaft mbH, Cologne 1996. 918:Potsdam. Die Schlösser und Gärten der Hohenzollern 385:) is a palace situated on the western side of the 1161: 1793: 707:. The theatre opened on 18 July 1768 with an 1147: 974: 960: 1802:1769 establishments in the Holy Roman Empire 859: 95: 70: 1154: 1140: 967: 953: 909:Stiftung Preußische Schlösser und Gärten: 615:Venus and Amor, the Three Graces and Putti 794:List of castles in Berlin and Brandenburg 736: 728: 691:console tables and upholstered settees. 573: 423: 1315:Memorial to the Murdered Jews of Europe 799:Palaces and Parks of Potsdam and Berlin 776:Palaces and Parks of Potsdam and Berlin 14: 1794: 765: 715:. The theatre remains in current use. 1135: 948: 778:". 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Index

New Palace (Potsdam)

New Palace, Potsdam is located in Germany
New Palace, Potsdam is located in Brandenburg
Palace
Baroque
Rococo
Potsdam
Germany
Coordinates
52°24′N 13°01′E / 52.40°N 13.01°E / 52.40; 13.01
Frederick the Great
Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg
Johann Gottfried Büring
Heinrich Ludwig Manger
de
Carl von Gontard
www.spsg.de/en/palaces-gardens/object/new-palace/
UNESCO World Heritage Site
session
532
Europe and North America
German
Sanssouci park
Potsdam
Germany
Seven Years' War
Frederick the Great
Prussian
Baroque

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