1185:. Vladek's English is fluent, but his phrasing is often non-native, showing the influence of Yiddish (and possibly also of Polish). For example, he asks Art, "But, tell me, how is it by you? How is going the comics business?" Later, describing his internment, he tells Art, "very day we prayed ... I was very religious, and it wasn't else to do". The passages where he is shown in Europe speaking Yiddish or Polish are in standard English, without the idiosyncratic phrasings Spiegelman records from their English-language conversations. Spiegelman does not show other Holocaust survivors (Vladek's second wife Mala, their friends, and Art's therapist Paul Pavel) using Yiddish-influenced constructions.
299:
1337:
1008:
1229:
1477:
1103:. This describes the relation of the children of survivors with the survivors themselves. While these children have not had their parents' experiences, they grow up with their parents' memories—the memory of another's memory—until the stories become so powerful that for these children they become memories in their own right. The children's proximity creates a "deep personal connection" with the memory, though separated from it by "generational distance". In the field of psychology, this is called
868:
2207:
9052:
9045:
566:
527:
9335:
2219:
8376:
1317:
humanoid bodies. Spiegelman wanted to get away from the rendering of the characters in the original "Maus", in which oversized cats towered over the Jewish mice, an approach which
Spiegelman says, "tells you how to feel, tells you how to think". He preferred to let the reader make independent moral judgments. He drew the cat-Nazis the same size as the mouse-Jews, and dropped the stereotypical villainous expressions.
664:
558:". After finishing the strip, Spiegelman visited his father to show him the finished work, which he had based in part on an anecdote he had heard about his father's Auschwitz experience. His father gave him further background information, which piqued Spiegelman's interest. Spiegelman recorded a series of interviews over four days with his father, which was to provide the basis of the longer
1722:
416:. Art is presented as angry and full of self-pity. He deals with his own traumas and those inherited from his parents by seeking psychiatric help, which continued after the book was completed. He has a strained relationship with his father, Vladek, by whom he feels dominated. At first, he displays little sympathy for his father's hardships, but he shows more as the narrative unfolds.
1829:] as the most compelling of any [Holocaust] depiction, perhaps because only the caricatured quality of comic art is equal to the seeming unreality of an experience beyond all reason". Michael Rothberg opined: "By situating a nonfictional story in a highly mediated, unreal, 'comic' space, Spiegelman captures the hyperintensity of Auschwitz".
44:
1453:, that are said to have brought the term "graphic novel" and the idea of comics for adults into mainstream consciousness. It was credited with changing the public's perception of what comics could be at a time when, in the English-speaking world, they were considered to be for children, and strongly associated with superheroes. Initially, critics of
1083:, the characters seem to be mice and cats only in their predator/prey relationship. In every respect other than their heads and tails, they act and speak as ordinary humans. Further complicating the animal metaphor, Anja is ironically shown to be afraid of mice, while other characters appear with pet dogs and cats, and the Nazis with attack dogs.
1079:, the two wear mouse masks. Spiegelman's perceptions of the animal metaphor seem to have evolved over the book's making—in the original publication of the first volume, his self-portrait showed a mouse head on a human body, but by the time the second volume arrived, his self-portrait had become that of a man wearing a mouse mask. In
1046:
revealed ... Healthy emotions tell every independent young man and every honorable youth that the dirty and filth-covered vermin, the greatest bacteria carrier in the animal kingdom, cannot be the ideal type of animal ... Away with Jewish brutalization of the people! Down with Mickey Mouse! Wear the
Swastika Cross!"
1495: ... would respond to seeing a carefully researched work based closely on my father's memories of life in Hitler's Europe and in the death camps classified as fiction". An editor responded, "Let's go out to Spiegelman's house and if a giant mouse answers the door, we'll move it to the nonfiction side of the list!" The
1148:" as he says. When she berates him, a victim of antisemitism, for his attitude, he replies, "It's not even to compare, the schwartsers and the Jews!" Spiegelman gradually deconstructs the animal metaphor throughout the book, especially in the second volume, showing where the lines cannot be drawn between races of humans.
1260:
Ostensibly about the
Holocaust, the story entwines with the frame tale of Art interviewing and interacting with his father. Art's "Prisoner on the Hell Planet" is also encompassed by the frame, and stands in visual and thematic contrast with the rest of the book as the characters are in human form in
446:
Also a Polish Jew who has survived the
Holocaust, Anja (1912–1968) is Art's mother and Vladek's first wife. Nervous, compliant and clinging, she has her first nervous breakdown after giving birth to her first son. She sometimes told Art about the Holocaust while he was growing up, although his father
254:
In Rego Park in 1958, a young Art
Spiegelman is skating with his friends when he falls down and hurts himself, but his friends keep going. When he returns home, he finds his father Vladek, who asks him why he is upset, and Art proceeds to tell him that his friends left him behind. His father responds
1308:
among its 1,500 black-and-white panels. The art has high contrast, with heavy black areas and thick black borders balanced against areas of white and wide white margins. There is little gray in the shading. In the narrative present, the pages are arranged in eight-panel grids; in the narrative past,
1283:
is becoming for him, he says to his wife: "In real life you'd never have let me talk this long without interrupting". When a prisoner whom the Nazis believe to be a Jew claims to be German, Spiegelman has difficulty deciding whether to present this character as a cat or a mouse. Throughout the book,
772:
was difficult for critics and reviewers to classify, and also for booksellers, who needed to know on which shelves to place it. Though
Pantheon pushed for the term "graphic novel", Spiegelman was not comfortable with this, as many book-length comics were being referred to as "graphic novels" whether
487:
Vladek and Anja
Spiegelman. An aunt poisoned his parents' first son Richieu to avoid capture by the Nazis, four years before Spiegelman's birth. He and his parents emigrated to the United States in 1951. During his youth his mother occasionally talked about Auschwitz, but his father did not want him
2312:
Zev ben
Abraham. His Polish name was Wladislaw ("Wladislaw" and "Wladec" are the spellings Spiegelman provides; the standard Polish spellings for these names are "Władysław" and "Władek"), of which "Wladec" is a diminutive. "Vladek" is the Russian version of this name, which was picked up when the
1180:
Vladek spoke
Yiddish and Polish. He also learned English, German, and French while still in Poland. His knowledge of languages helps him several times during the story, both before and during his imprisonment. Vladek's recounting of the Holocaust, first to American soldiers, then to his son, is in
393:
The war ends, the camp survivors are freed and Vladek and Anja reunite. The book closes with Vladek turning over in his bed as he finishes his story and telling Art, "I'm tired from talking, Richieu, and it's enough stories for now". The final image is of Vladek and Anja's tombstone—Vladek died in
352:
Art asks after Anja's diaries, which Vladek tells him were her account of her
Holocaust experiences and the only record of what happened to her after her separation from Vladek at Auschwitz and which Vladek says she had wanted Art to read. Vladek comes to admit that he burned them after she killed
1794:
Literary critic Walter Ben Michaels found Spiegelman's racial divisions "counterfactual". Spiegelman depicts Europeans as different animal species based on Nazi conceptions of race, but all Americans, both black and white, as dogs—with the exception of the Jews, who remain unassimilated mice. To
1062:
In making people of each ethnicity look alike, Spiegelman hoped to show the absurdity of dividing people along such lines. Spiegelman has stated that "these metaphors ... are meant to self-destruct" and "reveal the inanity of the notion itself". Animals signified the characters' roles in the
914:
was a best-seller and was taught in schools. The Polish translation encountered difficulties; as early as 1987, when Spiegelman planned a research visit to Poland, the Polish consulate official who approved his visa questioned him about the Poles' depiction as pigs, and pointed out how serious an
1240:
Spiegelman's perceived audacity in using the Holocaust as his subject was compounded by his telling the story in comics. The prevailing view in the English-speaking world held comics as inherently trivial, thus degrading Spiegelman's subject matter, especially as he used animal heads in place of
1058:
may risk reinforcing racist labels, but Spiegelman uses the idea to create anonymity for the characters. According to art historian Andrea Liss, this may paradoxically enable the reader to identify with the characters as human, preventing the reader from observing racial characteristics based on
993:
that included Vladek's broken language, which Zmora Bitan had refused to do. Marilyn Reizbaum saw this as highlighting a difference between the self-image of the Israeli Jew as a fearless defender of the homeland, and that of the American Jew as a feeble victim, something that one Israeli writer
593:
comics. He moved back to New York from San Francisco in 1975, which he admitted to his father only in 1977, by which time he had decided to work on a "very long comic book". He began another series of interviews with his father in 1978, and visited Auschwitz in 1979. He serialized the story in a
360:
have appeared in a collected edition. Art is overcome with the unexpected attention the book receives and finds himself "totally blocked". Art talks about the book with his psychiatrist Paul Pavel, a Czech Holocaust survivor. Pavel suggests that, as those who perished in the camps can never tell
344:
In Sosnowiec, Vladek and Anja move from one hiding place to the next, making occasional contact with other Jews in hiding. Vladek disguises himself as an ethnic Pole and hunts for provisions. The couple arrange with smugglers to escape to Hungary, but it is a trick—the Gestapo arrest them on the
1749:
and others saw Spiegelman's use of animals as potentially reinforcing stereotypes. Pekar was also disdainful of Spiegelman's overwhelmingly negative portrayal of his father, calling him disingenuous and hypocritical for such a portrayal in a book that presents itself as objective. Comics critic
1316:
in such a manner, but after initial sketches he decided to use a pared-down style, one little removed from his pencil sketches, which he found more direct and immediate. Characters are rendered in a minimalist way: animal heads with dots for eyes and slashes for eyebrows and mouths, sitting on
1127:
Spiegelman displays his sense of guilt in many ways. He suffers anguish over his dead brother, Richieu, who perished in the Holocaust, and whom he feels he can never live up to. The eighth chapter, made after the publication and unexpected success of the first volume, opens with a guilt-ridden
1053:
as ethnic Poles by tying pig masks to their faces, with the strings showing at the back. Vladek's disguise was more convincing than Anja's—"you could see she was more Jewish", Vladek says. Spiegelman shows this Jewishness by having her tail hang out of her disguise. This literalization of the
424:
Vladek (1906–1982) is a Polish Jew who survived the Holocaust and then moved to the U.S. in the early 1950s. Speaking broken English, he is presented as intelligent and resourceful, pious and moral, but also egocentric, insensitive, neurotic, stubborn and sometimes absurdly miserly—traits that
1780:, a point of which the Jewish Spiegelman was unlikely to be ignorant. Critics such as Obst and Pekar have said that the portrayal of Poles is unbalanced—that, while some Poles are seen as helping Jews, they are often shown doing so for self-serving reasons. In the late 1990s, an objector to
1135:
success was built. He is told by his psychiatrist that his father feels guilt for having survived and for outliving his first son, and that some of Art's guilt may spring from painting his father in such an unflattering way. As he had not lived in the camps himself, he finds it difficult to
629:
movement that had flourished in the late 1960s and early 1970s also seemed moribund. The public perception of comic books was as adolescent power fantasies, inherently incapable of mature artistic or literary expression. Most discussion focused on comics as a genre rather than as a medium.
562:. Spiegelman followed up with extensive research, reading survivors' accounts and talking to friends and family who had also survived. He got detailed information about Sosnowiec from a series of Polish pamphlets published after the war which detailed what happened to the Jews by region.
1045:
along with early American animated films, abundant with racial caricatures. Spiegelman derived the mouse as symbol for the Jew from Nazi propaganda, emphasized in a quote from a German newspaper in the 1930s that prefaces the second volume: "Mickey Mouse is the most miserable idea ever
1287:
Spiegelman started taking down his interviews with Vladek on paper, but quickly switched to a tape recorder, face-to-face or over the phone. Spiegelman often condensed Vladek's words, and occasionally added to the dialogue or synthesized multiple retellings into a single portrayal.
650:. The term was used partly to rise above the low cultural status that comics had in the English-speaking world, and partly because the term "comic book" was being used to refer to short-form periodicals, leaving no accepted vocabulary with which to talk about book-form comics.
378:—the process by which prisoners were selected for further labor or execution. Despite the danger, Anja and Vladek exchange occasional messages. As the war progresses and the German front is pushed back, the prisoners are marched from Auschwitz in occupied Poland to
1295:
approach and settled on a linear narrative he thought would be better at "getting things across". He strove to present how the book was recorded and organized as an integral part of the book itself, expressing the "sense of an interview shaped by a relationship".
258:
As an adult, Art visits his father, from whom he has become estranged. Vladek has remarried a woman named Mala since the suicide of Art's mother Anja in 1968. Art asks Vladek to recount his Holocaust experiences. Vladek tells of his time in the Polish city of
196:
A three-page strip also called "Maus" that he made in 1972 gave Spiegelman an opportunity to interview his father about his life during World War II. The recorded interviews became the basis for the book, which Spiegelman began in 1978. He serialized
1114:
Art tried to keep his father's story chronological, because otherwise he would "never keep it straight". His mother Anja's memories are conspicuously absent from the narrative, given her suicide and Vladek's destruction of her diaries. Hirsch sees
1436:
Spiegelman's work as cartoonist and editor had long been known and respected in the comics community, but the media attention after the first volume's publication in 1986 was unexpected. Hundreds of overwhelmingly positive reviews appeared, and
1011:
In making people of each ethnicity look alike, Spiegelman hoped to show the absurdity of dividing people along such lines. Spiegelman has stated that "these metaphors ... are meant to self-destruct" and "reveal the insanity of the notion
1744:
objected that the animal metaphor was "doubly dehumanizing", reinforcing the Nazi belief that the atrocities were perpetrated by one species on another, when they were actually done by humans against humans. Comics writer and critic
470:(born 1955) is married to Art. She is French and converted to Judaism to please Art's father. Spiegelman struggles with whether he should present her as a Jewish mouse, a French frog, or some other animal—in the end, he uses a mouse.
1284:
Spiegelman incorporates and highlights banal details from his father's tales, sometimes humorous or ironic, giving a lightness and humanity to the story which "helps carry the weight of the unbearable historical realities".
1016:
Spiegelman, like many of his critics, has expressed concern that "eality is too much for comics ... so much has to be left out or distorted", admitting that his presentation of the story may not be accurate. He takes a
189:. Much of the story revolves around Spiegelman's troubled relationship with his father and the absence of his mother, who died by suicide when Spiegelman was 20. Her grief-stricken husband destroyed her written accounts of
1025:"feeds on itself", telling the story of how the story was made. It examines the choices Spiegelman made in the retelling of his father's memories, and the artistic choices he had to make. For example, when his French wife
945:
s offices. Bikont's response was to don a pig mask and wave to the protesters from the office windows. The magazine-sized Japanese translation was the only authorized edition with larger pages. Long-standing plans for an
9113:
1652:, and schools have frequently used it as course material in a range of fields, including literature, history, dysfunctional family psychology, language arts, and social studies. The volume of academic work published on
9375:
437:
Mala (1917–2007) is Vladek's second wife. Vladek makes her feel that she can never live up to Anja. Though she too is a survivor and speaks with Art throughout the book, Art makes no attempt to learn of her Holocaust
1631:
held the No. 1 and No. 2 ranks on Amazon at different times during the day, and also appeared as a best seller on Barnes & Noble's top 100 list and Bookshop's index of best-selling books. Student activist group
341:. The remnants of Vladek and Anja's family are taken away. Srodula is cleared of its Jews, except for a group Vladek hides with in another bunker. When the Germans depart, the group splits up and leaves the ghetto.
9490:
773:
or not they had novelistic qualities. He suspected the term's use was an attempt to validate the comics form, rather than to describe the content of the books. Spiegelman later came to accept the term, and with
313:
magazines Art contributed to. Mala had tried to hide it, but Vladek finds and reads it. In "Prisoner on the Hell Planet", Art is traumatized by his mother's suicide three months after his release from the
1032:
The book portrays humans with the heads and tails of different species of animals; Jews are drawn as mice and other Germans and Poles as cats and pigs, among others. Spiegelman took advantage of the way
2317:
as it was deemed the easiest spelling for English speakers to pronounce correctly. The German version of his name was "Wilhelm" (or "Wolf" for short), and he became William when he moved to the U.S.
1545:
at seventh place on their list of best non-fiction books from between 1923 and 2005, and fourth on their list of top graphic novels. Praise for the book also came from contemporaries such as
554:
members chasing African-American mice. Instead, he turned to the Holocaust and depicted Nazi cats persecuting Jewish mice in a strip he titled "Maus". The tale was narrated to a mouse named "
985:
in place of his original police hat, but appended a note to the volume voicing his objection to this "intrusion". This version of the first volume appeared in 1990 from the publishing house
4731:
337:
and not die in the gas chamber. In Srodula, many Jews build bunkers to hide from the Germans. Vladek's bunker is discovered and he is placed into a "ghetto inside the ghetto" surrounded by
890:
had been translated into about 30 languages. Three translations were particularly important to Spiegelman: French, as his wife was French, and because of his respect for the sophisticated
544:, which inspired other underground cartoonists to produce more personal and revealing work. The same year, Green asked Spiegelman to contribute a three-page strip for the first issue of
818:. It also has interviews with Spiegelman's wife and children, sketches, photographs, family trees, assorted artwork, and a DVD with video, audio, photos, and an interactive version of
459:
to live with an aunt, somewhere they believed he would be safer than he was with them. He did not survive. Richieu is portrayed as an ideal child whom Art can never hope to live up to.
7466:
989:. It had an indifferent or negative reception, and the publisher did not release the second volume. Another Israeli publisher put out both volumes, with a new translation by poet
7992:
8366:
1970:
9470:
1144:
Spiegelman parodies the Nazis' vision of racial divisions; Vladek's racism is also put on display when he becomes upset that Françoise would pick up a black hitchhiker, a "
8364:
7839:
1245:
have been a staple of comics, and while they have a traditional reputation as children's fare, the underground had long made use of them in adult stories, for example in
4764:
4676:
4881:
1666:, which deals with the problems Spiegelman faced in presenting his father's story. Marianne Hirsch wrote an influential essay on post-memory entitled "Family Pictures:
247:
neighborhood of Queens in New York City in 1978–79. The story Vladek tells unfolds in the narrative past, which begins in the mid-1930s, and continues until the end of
4929:
271:
after giving birth to their first son Richieu, and the couple go to a sanitarium in Nazi-occupied Czechoslovakia for her to recover. After they return, political and
7967:
4649:
1847:, a remix of Spiegelman's book but with all animal heads replaced with cat heads. The book reproduced every page and line of dialogue from the French translation of
800:, a collection which contained the original comics, Vladek's taped transcripts, filmed interviews, sketches, and other background material. The CD-ROM was based on
8898:
8088:
1168:
who run the camps are Poles, and Anja and Vladek are tricked by Polish smugglers into the hands of the Nazis. Anja and Vladek hear stories that Poles continue to
1151:
The Germans are depicted with little difference between them, but there is great variety among the Poles and Jews who dominate the story. Sometimes Jews and the
322:
me, Mommy, and left me here to take the rap!" Though it brings back painful memories, Vladek admits that dealing with the issue in such a way was for the best.
429:
hitchhiker, whom he fears will rob them. He shows little insight into his own racist comments about others in comparison to his treatment during the Holocaust.
333:
to stay with an aunt for safety. As more Jews are sent from the ghettos to Auschwitz, the aunt poisons herself, her children and Richieu to death to escape the
7592:
8365:
7892:
1328:. It was reproduced at the same size it was drawn, unlike his other work, which was usually drawn larger and shrunk down, which hides defects in the art.
177:
that begins in 1978 in New York City, Spiegelman talks with his father Vladek about his Holocaust experiences, gathering material and information for the
4571:
8421:
1312:
Spiegelman rendered the original three-page "Maus" and "Prisoner on the Hell Planet" in highly detailed, expressive styles. Spiegelman planned to draw
7917:
4712:
9286:
7812:
6318:
Pustz, Matthew J (2007). "I Gave It All Up to Draw Comics: Autobiographical (And Other) Tales About Creating Comic Books". In Klaehn, Jeffery (ed.).
1067:
Françoise is a mouse because of her identification with her husband, who identifies with the Holocaust victims. When asked what animal he would make
1740:
According to writer Arie Kaplan, some Holocaust survivors objected to Spiegelman making a comic book out of their tragedy. Literary critics such as
9545:
7757:
1611:
from the curriculum over concerns including profanity, violence, and nudity. The decision led to a backlash and attracted attention the day before
1392:
fairly directly", and praised Gray's work for using a cartoon-based storytelling vocabulary, rather than an illustration-based one. Justin Green's
1119:
in part as an attempt to reconstruct her memory. Vladek keeps her memory alive with the pictures on his desk, "like a shrine", according to Mala.
7035:
950:
translation have yet to come to fruition. A Russian law passed in December 2014 prohibiting the display of Nazi propaganda led to the removal of
255:
in broken English, "Friends? Your friends? If you lock them together in a room with no food for a week, then you could see what it is, friends!"
4623:
1441:
became the center of new attention focused on comics. It was considered one of the "Big Three" book-form comics from around 1986–87, along with
9500:
8440:
5759:
Complete Biographical Encyclopedia of Pulitzer Prize Winners, 1917–2000: Journalists, Writers and Composers on Their Ways to the Coveted Awards
8719:
9530:
1169:
1694:
tended to be approached as Holocaust history or from a film or literary perspective. In 2003, Deborah Geis edited a collection of essays on
1487:
proved difficult to classify to a genre, and has been called biography, fiction, autobiography, history, and memoir. Spiegelman petitioned
8891:
4745:
814:, with further background material, including filmed footage of Vladek. The centerpiece of the book is a Spiegelman interview conducted by
4792:
1164:
Spiegelman shows numerous instances of Poles who risked themselves to aid Jews, and also shows antisemitism as being rife among them. The
714:
as a small insert; a new chapter appeared in each issue until the magazine came to an end in 1991. Every chapter but the last appeared in
8907:
6527:
Schuldiner, Michael (2011). "The Second-Generation Holocaust Nonsurvivor: Third-Degree Metalepsis and Creative Block in Art Spiegelman's
2039:
1504:
7737:
550:, which Green edited. Spiegelman wanted to do a strip about racism, and at first considered focusing on African Americans, with cats as
9515:
9495:
9365:
8002:
7401:
7784:
1965:
267:
to become a manufacturer. Vladek begs Art not to include this in the book and Art reluctantly agrees. Anja suffers a breakdown due to
8836:
8710:
8466:
7476:
4602:"A Tennessee school board removed the graphic novel 'Maus', about the Holocaust, from curriculum due to language and nudity concerns"
6965:
4962:
1291:
Spiegelman worried about the effect that his organizing of Vladek's story would have on its authenticity. In the end, he eschewed a
9460:
9455:
9450:
9445:
9380:
8515:
7515:
5682:
5549:
4989:
4836:
1128:
Spiegelman (now in human form, with a strapped-on mouse mask) atop a pile of corpses—the corpses of the six million Jews upon whom
8178:
788:. Pantheon later collected the two volumes into soft- and hardcover two-volume boxed sets and single-volume editions. In 1994 the
9430:
8884:
8157:
8136:
1182:
7849:
5967:
2290:
Spelled "Rysio" in Polish. "Richieu" is Spiegelman's misspelling, as he had not previously seen his brother's name written down.
1253:, which comics critic Joseph Witek asserts shows that the genre could "open up the way to a paradoxical narrative realism" that
9520:
8843:
8766:
7942:
1394:
1352:
Spiegelman has published articles promoting a greater knowledge of his medium's history. Chief among his early influences were
609:
were big business with a diversity of genres in the 1940s and 1950s, but had reached a low ebb by the late 1970s. By the time
540:
447:
did not want him to know about it. She killed herself by slitting her wrists in a bathtub in May 1968 and left no suicide note.
162:
as memoir, biography, history, fiction, autobiography, or a mix of genres. In 1992 it became the first graphic novel to win a
9540:
9525:
9131:
8450:
8317:
8285:
8262:
8239:
8216:
6874:
6851:
6832:
6808:
6785:
6755:
6732:
6705:
6682:
6659:
6624:
6596:
6569:
6544:
6517:
6494:
6471:
6448:
6425:
6406:
6383:
6358:
6331:
6308:
6285:
6262:
6237:
6218:
6195:
6166:
6131:
6104:
6081:
6058:
5998:
5975:
5952:
5925:
5902:
5879:
5856:
5823:
5800:
5770:
5736:
5713:
5690:
5667:
5642:
5619:
5582:
5557:
5530:
5505:
4889:
499:. Shortly after he got out, his mother died by suicide. Spiegelman's father was not happy with his son's involvement in the
902:. The publishers of the German edition had to convince the German culture ministry of the work's serious intent to have the
231:
was one of the first books in graphic novel format to receive significant academic attention in the English-speaking world.
9435:
9385:
958:
due to the swastika appearing on the book's cover. Now the book is widely available again, with a slightly modified cover.
288:
158:
techniques, and represents Jews as mice and other Germans and Poles as cats and pigs respectively. Critics have classified
7975:
4911:
1764:
Commentators such as Peter Obst and Lawrence Weschler expressed concern over the Poles' depiction as pigs, which reviewer
9510:
9420:
9405:
8483:
8052:
7645:
4863:
804:, a Macintosh and Apple IIGS application that has since become obsolete. In 2011 Pantheon Books published a companion to
8019:
589:
book of quotations, and dedicated it to his mother. He spent the rest of the 1970s building his reputation making short
302:"Prisoner on the Hell Planet" (1973), an early, expressionistic strip about Spiegelman's mother's suicide, reprinted in
9410:
9390:
8731:
6021:
4694:
1898:
6481:
Russell, Vanessa (2008). "The Mild-Mannered Reporter: How Clark Kent Surpassed Superman". In Ndalianis, Angela (ed.).
4283:
534:
Spiegelman became a key figure in the underground comix movement of the 1970s, both as cartoonist and editor. In 1972
9505:
9425:
7788:
7665:
4793:"Tennessee school board bans Holocaust graphic novel 'Maus' – author Art Spiegelman condemns the move as 'Orwellian'"
2253:
1818:
understanding of the relationship between the German "cats" and Jewish "mice", or the notion that there is something
1615:, and was covered by media in the United States, Europe, Asia, and Africa. Spiegelman called the decision baffling, "
7866:
7614:
9485:
9370:
9101:
7685:
4948:
4601:
2299:
Born Itzhak Avraham ben Zev; his name was changed to Arthur Isadore when he immigrated with his parents to the U.S.
181:
project he is preparing. In the narrative past, Spiegelman depicts these experiences, from the years leading up to
7493:
365:: "Every word is like an unnecessary stain on silence and nothingness", but then realizes, "on the other hand, he
9550:
8208:
6800:
6747:
6588:
6398:
6123:
5815:
5792:
5728:
5611:
2326:
Born Andzia Zylberberg, with the Hebrew name Hannah. Her name became Anna when she and Vladek arrived in the U.S.
492:
8328:
8274:
Form, Function, Fiction: Text and Image in the Comics Narratives of Winsor McCay, Art Spiegelman, and Chris Ware
7900:
6894:
5168:
5166:
455:
Richieu Spiegelman (1937–1943) is Vladek and Anja's first-born son. During the war, Vladek and Anja sent him to
6350:
5206:
3986:
1491:
to move it from "fiction" to "non-fiction" on the newspaper's bestseller list, saying, "I shudder to think how
969:. Based on Vladek's memory, Spiegelman portrayed one of the minor characters as a member of the Nazi-installed
379:
193:. The book uses a minimalist drawing style and displays innovation in its pacing, structure, and page layouts.
7161:
McGlothlin, Erin Heather (May 2003). "No Time Like the Present: Narrative and Time in Art Spiegelman's Maus".
7036:"Considering MAUS. Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust by Deborah R. Geis (ed.)"
1279:
Spiegelman blurs the line between the frame and the world, such as when neurotically trying to deal with what
9465:
9440:
9395:
8703:
6697:
6463:
6096:
5634:
5163:
4818:
915:
insult it was. Publishers and commentators refused to deal with the book for fear of protests and boycotts.
491:
Spiegelman developed an interest in comics early and began drawing professionally at 16. He spent a month in
147:
4732:"États-Unis: jugé "vulgaire et inapproprié", "Maus", le roman graphique sur l'Holocauste, banni d'une école"
1368:". Though he acknowledged Eisner's early work as an influence, he denied that Eisner's first graphic novel,
372:
Vladek tells of his hardship in the camps, of starvation and abuse, of his resourcefulness, of avoiding the
9480:
9475:
9360:
8508:
8023:
7925:
6997:
Chute, Hillary (Summer 2006). ""The Shadow of a past Time": History and Graphic Representation in "Maus"".
6440:
6158:
4864:"'Maus' is an Amazon bestseller after Tennessee school ban – author Art Spiegelman compares board to Putin"
2241:
1893:
1398:(1972) inspired Spiegelman to include autobiographical elements in his comics. Spiegelman stated, "without
1095:, Spiegelman's life is "dominated by memories that are not his own". His work is one not of memory but of
743:. Spiegelman was relieved that the book's publication preceded the theatrical release of the animated film
570:
346:
190:
7548:
6176:
McGlothlin, Erin Heather (2006). "'In Auschwitz We Didn't Wear Watches': Marking Time in Art Spiegelman's
329:
to Srodula and march them back to Sosnowiec to work. The family splits up—Vladek and Anja send Richieu to
9355:
8254:
7946:
5917:
5574:
1941:
1157:
councils are shown complying with the occupiers; some trick other Jews into capture, while others act as
1037:
depicted Jews as vermin, though he was first struck by the metaphor after attending a presentation where
907:
146:, serialized from 1980 to 1991. It depicts Spiegelman interviewing his father about his experiences as a
7767:
7570:
1535:
at seventh place on their list of "The New Classics: Books – The 100 Best Reads from 1983 to 2008", and
9415:
9400:
9325:
8815:
8546:
7694:
6777:
5990:
5894:
2236:
2197:
2179:
1242:
864:, Spiegelman refused to "compromise with fascism" by allowing publication of his work in South Africa.
764:
The book found a large audience, partly because of its distribution through bookstores rather than the
7051:
898:. Poland was the setting for most of the book, and Polish was the language of his parents and his own
8434:
8400:
8277:
7822:
7374:
6561:
6375:
6254:
6073:
5935:
Kannenberg, Gene Jr. (2001). "'I Looked Just Like Rudolph Valentino': Identity and Representation in
5659:
1917:
1612:
1165:
1050:
986:
857:
778:
535:
507:
it damaged their already-strained relationship "beyond repair". Around this time, Spiegelman read in
383:
9094:
8696:
8578:
7536:
Hays, Matthew (October 8, 2011). "Of Maus and man: Art Spiegelman revisits his Holocaust classic".
7379:
6973:
6046:
5871:
2277:
1936:
1662:
1657:
1365:
1336:
1104:
186:
6250:
Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love
9535:
8963:
8956:
8501:
6674:
6647:
6536:
6187:
1449:
1029:, Spiegelman's character frets over whether to depict her as a frog, a mouse, or another animal.
853:
7792:
8808:
8478:
6861:
Young, James E. (2006). "The Arts of Jewish Memory in a Postmodern Age". In Rüsen, Jörn (ed.).
5848:
5838:
5522:
2247:
1856:
581:#1 about his mother's suicide called "Prisoner on the Hell Planet". The same year, he edited a
361:
their stories, "maybe it's better not to have any more stories". Art replies with a quote from
8876:
6369:
6050:
5754:
1627:
rising to No. 1. On January 30, 2022, it was the No. 1 overall for books. On January 31,
1461:
intended praise when saying of the book, "Art Spiegelman doesn't draw comic books". After its
526:
8653:
8614:
8291:
8068:
7413:
7068:
5844:
5834:
4713:"Maus banned in Tennessee: Tennessee school board bans Holocaust-themed graphic novel 'Maus'"
2004:
1600:
1145:
1034:
1026:
891:
834:
268:
203:
102:
24:
7425:
6669:
Tan, Ed (2001). "The Telling Face in Comic Strip and Graphic Novel". In Baetens, Jan (ed.).
6274:
Ethical Diversions: The Post-Holocaust Narratives of Pynchon, Abish, DeLillo, and Spiegelman
4912:"'Maus' Hits No. 1 On Amazon Best Sellers List After Being Banned By Tennessee School Board"
1761:
s] moral underpinnings", and played "directly into [the Nazis'] racist vision".
1499:
eventually acquiesced. The Pulitzer committee sidestepped the issue by giving the completed
309:
During one of Art's visits, he finds that a friend of Mala's has sent the couple one of the
9304:
9187:
9124:
8978:
8787:
8599:
8396:
7997:
7817:
7762:
7448:
7320:
6934:
6797:
Comic Books as History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar
6210:
5497:
2211:
1711:
1690:
who were familiar with comics, largely because of the lack of an academic comics tradition—
1527:
1466:
1266:
1158:
774:
754:
520:
315:
8459:
6651:
6641:
8:
9292:
9282:
9276:
8829:
8773:
8759:
8639:
8539:
8119:
8114:
7357:
7316:
7282:
7145:
7114:
6930:
6509:
6486:
4765:"Tennessee school board's removal of Holocaust book 'Maus' draws international attention"
4650:"Tennessee school board's removal of Holocaust book 'Maus' draws international attention"
2174:
2034:
1582:
1384:
1370:
1136:
understand or visualize this "separate universe", and feels inadequate in portraying it.
1108:
955:
646:
606:
7720:
7324:
6938:
6533:
Unfinalized Moments: Essays in the Development of Contemporary Jewish American Narrative
6418:
Migrations of Memory: Postmemory in Twentieth Century Ethnic American Women's Literature
5300:
685:
Please expand the article to include this information. Further details may exist on the
9192:
9007:
8986:
8942:
8927:
8801:
8794:
7619:
7597:
7575:
7553:
7538:
7498:
7352:
7307:
7277:
7249:
7178:
7140:
7109:
7022:
7014:
6921:
6770:
6717:
5785:
5723:
Fathers, Michael (2007). "Art Mimics Life in the Death Camps". In Witek, Joseph (ed.).
5542:
4695:"Defense of 'Maus' erupts online after McMinn County schools remove it from curriculum"
4677:"Defense of 'Maus' erupts online after McMinn County schools remove it from curriculum"
1633:
1515:
1424:
727:
484:
292:
280:
174:
8670:
8161:
8140:
7950:
467:
425:
greatly annoy his family. He displays racist attitudes, as when Françoise picks up an
298:
208:
9106:
9088:
8864:
8632:
8313:
8281:
8258:
8235:
8212:
7703:
7443:
7417:
7361:
7350:
Surridge, Matthew (July 2001). "When Extravagant Fantasies Become Drab Experiences".
7338:
7286:
7207:
7182:
7149:
7118:
7088:
7043:
7026:
6985:
6952:
6870:
6847:
6842:
Wood, Monica (1997). "Maus: A Survivor's Tale, Volumes I and II, by Art Spiegelman".
6828:
6804:
6781:
6765:
6751:
6728:
6701:
6678:
6655:
6620:
6592:
6565:
6540:
6513:
6490:
6467:
6444:
6421:
6402:
6379:
6354:
6327:
6304:
6281:
6258:
6233:
6214:
6191:
6162:
6127:
6100:
6077:
6054:
6033:
6017:
5994:
5971:
5948:
5921:
5898:
5875:
5852:
5819:
5796:
5766:
5762:
5732:
5709:
5686:
5663:
5638:
5615:
5578:
5553:
5526:
5501:
5343:
4572:"What we know about the removal of Holocaust book 'Maus' by a Tennessee school board"
3982:
2093:
1852:
1788:
1715:
1683:
1521:
1361:
626:
426:
310:
244:
8042:
7253:
7227:
5889:
Horowitz, Sara R. (1997). "Art Spiegelman". In Shatzky, Joel; Taub, Michael (eds.).
5216:
5172:
4963:"Youth-Led Group To Give Out Hundreds Of Copies Of 'Beloved,' 'Maus' Amid Book Bans"
4949:"'Maus' is back on best seller lists after its ban from a Tennessee school district"
207:, an avant-garde comics and graphics magazine published by Spiegelman and his wife,
9166:
9033:
8934:
8780:
8676:
8251:
Considering Maus: Approaches to Art Spiegelman's "Survivor's tale" of the Holocaust
8044:
7520:
7328:
7241:
7232:
7170:
7006:
6977:
6942:
6323:
6008:
Baym, Nina; Klinkowitz, Jerome; Krupat, Arnold; Wallace, Patricia B., eds. (2007).
5492:
Abell, Catharine (2012). "Comics and Genre". In Meskin, Aaron; Cook, Roy T (eds.).
4930:"Explained: Why Pulitzer Prize-winning novel 'Maus' topped Amazon best-seller list"
2928:
2231:
1799:
seems to gloss over the racial inequality that has plagued the history of the U.S.
1675:
1656:
far surpasses that of any other work of comics. One of the earliest such works was
1620:
1325:
1320:
Spiegelman wanted the artwork to have a diary feel to it, and so drew the pages on
1059:
facial traits, while reminding readers that racist classification is ever present.
1007:
830:
750:
745:
496:
326:
20:
6070:
The Belated Witness: Literature, Testimony, and the Question of Holocaust Survival
3398:
2313:
area in which Vladek lived was controlled by Russia. This spelling was chosen for
9259:
9235:
9223:
9217:
9183:
9020:
9000:
8993:
8470:
8444:
8304:
8097:
7896:
7875:
7670:
6899:
6822:
6636:
6555:
6248:
6181:
5745:
5653:
5605:
5568:
5516:
2336:
1988:
1577:
1537:
1353:
1092:
962:
947:
922:
895:
789:
284:
8422:"'Maus' author Art Spiegelman shares the story behind his Pulitzer-winning work"
8295:
7107:
Jannequin, Jean-Paul (April 1990). "Druillet and Spiegelman Take Grand Prizes".
1309:
Spiegelman found himself "violating the grid constantly" with his page layouts.
9298:
9229:
9211:
9199:
9154:
8752:
8745:
8738:
8646:
8606:
8524:
8072:
7010:
6866:
6724:
5404:
4769:
2309:
1679:
1587:
1462:
1415:
1411:
1345:
1341:
1305:
1233:
1203:
1055:
899:
784:
Pantheon collected the last five chapters in 1991 in a second volume subtitled
732:
516:
512:
362:
163:
143:
86:
60:
8409:
6437:
Sounds of Defiance: the Holocaust, Multilingualism, and the Problem of English
3227:
2754:
260:
9349:
9339:
9253:
9080:
9070:
8921:
8688:
8381:
8027:
7421:
7365:
7342:
7290:
7211:
7153:
7122:
7092:
7047:
6989:
6956:
6230:
Teaching Graphic Novels: Practical Strategies for the Secondary ELA Classroom
6183:
Second-Generation Holocaust Literature: Legacies of Survival and Perpetration
2223:
1741:
1546:
1250:
1228:
1042:
1018:
970:
849:
815:
765:
637:
614:
546:
248:
155:
151:
139:
5361:
5194:
3435:
3433:
1787:
s depiction of Poles interrupted a presentation by Spiegelman at Montreal's
9241:
9205:
9051:
9044:
9027:
8967:
8454:
7971:
7921:
7844:
7649:
7298:
7268:
6818:
6616:
6013:
5780:
3671:
2072:
2052:
1815:
1751:
1746:
1726:
1246:
1076:
1068:
990:
916:
872:
838:
781:
in the early 2000s to include "graphic novel" as a category in bookstores.
555:
551:
413:
276:
272:
182:
7245:
7174:
6981:
6155:
Against the Unspeakable: Complicity, the Holocaust, and Slavery in America
5316:
5067:
3495:
1825:
Scholar Paul Buhle asserted: "More than a few readers have described [
867:
8949:
8417:
7441:
Wizard staff (June 2009). "100 Greatest Graphic Novels of our Lifetime".
7192:"Memory in Comics: Testimonial, Autobiographical and Historical Space in
3430:
1550:
1379:
1357:
641:
590:
586:
582:
338:
243:
of the narrative present, Spiegelman interviews his father Vladek in the
240:
170:
9491:
Harvey Award winners for Best Graphic Album of Previously Published Work
9376:
AngoulĂŞme International Comics Festival Best Foreign Album award winners
8384:
was created from a revision of this article dated 23 June 2005
7191:
7018:
6694:
Testimony After Catastrophe: Narrating the Traumas of Political Violence
1772:
called "a calculated insult". Jewish culture views pigs and pork as non-
1476:
594:
comics and graphics magazine he and his wife Mouly began in 1980 called
263:
and how he came to marry into Anja's wealthy family in 1937 and move to
43:
9142:
9136:
8850:
8585:
8553:
8333:
7840:"Art Spiegelman warns of 'dangerous' outcome as Russian shops ban Maus"
7131:
5591:
4491:
3794:
3518:
1807:
1765:
1569:
1492:
1321:
1262:
1038:
978:
504:
480:
409:
7494:"After a Quarter-Century, an Author Looks Back at His Holocaust Comic"
4323:
3655:
3211:
215:. A collected volume of the first six chapters that appeared in 1986,
9247:
9148:
9013:
8822:
8592:
7333:
7302:
6947:
6916:
6277:
5944:
4463:
4383:
3502:
1616:
1604:
1273:
1236:, similar to those shown here, conflicted with readers' expectations.
1207:
1196:
to the English word "mouse", and also reminiscent of the German verb
1072:
861:
801:
686:
622:
618:
565:
456:
330:
264:
3585:
2651:
2119:
Maus: un survivant raconte - Et c'est là que mes ennuis ont commencé
1736:
s use of animals, and the negative depiction of Spiegelman's father.
1202:, which means "to speak like a Jew" and refers to the way Jews from
8973:
8020:"All Past National Book Critics Circle Award Winners and Finalists"
6583:: Recalling the Genocide Through Cartoon". In Witek, Joseph (ed.).
6300:
6093:
Trespassing Through Shadows: Memory, Photography, and the Holocaust
5705:
4819:"School Board in Tennessee Bans Teaching of Holocaust Novel 'Maus'"
4624:"Tennessee school board bans Holocaust-themed graphic novel 'Maus'"
2599:
1754:
argued that Spiegelman's animal metaphor threatened "to erode [
1704:: Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust
1592:
1519:
called it the fourth greatest comics work of the 20th century, and
1443:
1153:
974:
903:
810:
9334:
8329:"Past and Present: How Maus changed the way we think about comics"
8017:
6297:
Comics, Manga, and Graphic Novels: A History of Graphic Narratives
5410:
5310:
5095:
3778:
3290:
3274:
2977:
2218:
8493:
7471:
7228:"Art Spiegelman's Maus: A Survivor's Tale: A Bibliographic Essay"
6557:
Haunting Legacies: Violent Histories and Transgenerational Trauma
5914:
The Holocaust of Texts: Genocide, Literature, and Personification
5891:
Contemporary Jewish-American Novelists: A Bio-Critical Sourcebook
5416:
4840:
4627:
4367:
2840:
2838:
2809:
2807:
2459:
1802:
Scholar Bart Beaty disagrees with claims from other critics that
1773:
1465:
win, it won greater acceptance and interest among academics. The
1419:
1292:
1269:
1193:
1064:
878:
set up a publishing house in 2001 to publish a Polish edition of
508:
503:
subculture. Spiegelman said that when he bought himself a German
334:
6345:, and Representations of the Holocaust". In Baetens, Jan (ed.).
5700:
Fagan, Bryan D.; Fagan, Jody Condit (2011). "Medium or Genre?".
5544:
Comics and the City: Urban Space in Print, Picture, and Sequence
5440:
5428:
4447:
3382:
2553:
2352:
1855:, had the Belgian publisher destroy all copies under charges of
1670:, Mourning, and Post-Memory", later expanded into a book called
663:
8906:
6643:
The Oxford Companion to Twentieth-Century Literature in English
5111:
4138:
4136:
2419:
2417:
2415:
2413:
982:
797:
721:
Spiegelman struggled to find a publisher for a book edition of
500:
387:
291:, and he is dropped off on the other side of the border in the
5392:
4990:"Students protest book bans by distributing 'Maus,' 'Beloved'"
3318:
2835:
2804:
1721:
1640:
and other challenged books to students in Texas and Virginia.
1525:
placed it first on their list of 100 Greatest Graphic Novels.
6744:
The Rise of the American Comics Artist: Creators and Contexts
6120:
The Rise of the American Comics Artist: Creators and Contexts
5464:
5349:
3464:
1457:
showed a reluctance to include comics in literary discourse.
1216:
841:: "The Jews are undoubtedly a race, but they are not human".
6772:
Call It English: The Languages of Jewish American Literature
6719:
Faster than a Speeding Bullet: The Rise of the Graphic Novel
5239:
5237:
4339:
4133:
3995:
2727:
2725:
2410:
1648:
A cottage industry of academic research has built up around
295:. He sneaks across the border and reunites with his family.
239:
Most of the book weaves in and out of two timelines. In the
7993:"Balloonless | Art Spiegelman and Hillary Chute's MetaMaus"
6368:
Reizbaum, Marilyn (2000). Silberstein, Laurence Jay (ed.).
6007:
5339:
5200:
5007:
4796:
4551:
3934:
3922:
3630:
3628:
3546:
3088:
2819:
2794:
2792:
1791:
with persistent abuse and was removed from the auditorium.
1714:, and studies of it have made significant contributions to
749:
by three months, as he believed that the film, produced by
479:
Art Spiegelman was born on February 15, 1948, in Sweden to
7893:"Urhunden: Satir och iransk kvinnoskildring fĂĄr seriepris"
7807:
7755:
7516:"Art Spiegelman's Genre-Defying Holocaust Work, Revisited"
6824:
Reading Comics: How Graphic Novels Work and What They Mean
6460:
Traumatic Realism: The Demands of Holocaust Representation
6341:
Reibmann, James E. (2001). "Fredric Wertham, Spiegelman's
5570:
Picturing the Beast: Animals, Identity, and Representation
5382:
5380:
5182:
4497:
4247:
3563:
3561:
3252:
3250:
2965:
2894:
2892:
2667:
1576:
is cited as a primary influence on graphic novels such as
318:, and in the end depicts himself behind bars saying, "You
283:. Vladek is captured at the front and forced to work as a
221:, brought the book mainstream attention; a second volume,
7741:
5264:
5234:
4479:
4223:
4121:
3874:
3862:
3850:
3838:
3534:
3476:
3184:
3172:
2998:
2996:
2744:
2742:
2740:
2722:
2639:
2504:
2502:
1572:
to "try to do comics that had a 'serious' tone to them".
852:
obtained the rights to publish the initial volume in the
356:
The story jumps to 1986, after the first six chapters of
9316:* indicates award given to widow in year after his death
8230:
and the Graphic Narrative". In Ryan, Marie-Laure (ed.).
4034:
4024:
4022:
3814:
3744:
3742:
3625:
3613:
3015:
3013:
3011:
2789:
2779:
2777:
2710:
2574:
2572:
2514:
2379:
2377:
2375:
2373:
2371:
8774:
Breakdowns: Portrait of the Artist as a Young %@*!
7402:"Imagetext, or, Why Art Spiegelman Doesn't Draw Comics"
6844:
12 Multicultural Novels: Reading and Teacher Strategies
5377:
5222:
4355:
4311:
4148:
4046:
3910:
3703:
3645:
3643:
3558:
3346:
3247:
3148:
3032:
3030:
3028:
2889:
2627:
1975:
Maus: un survivant raconte - Mon père saigne l'histoire
386:, where the hardships only increase and Vladek catches
353:
herself. Art is enraged and calls Vladek a "murderer".
5607:
The Comics of Chris Ware: Drawing Is a Way of Thinking
5151:
5139:
5055:
5019:
4882:"Sales soar for 'Maus' after its banning in Tennessee"
4837:"Sales soar for 'Maus' after its banning in Tennessee"
4527:
4235:
4111:
4109:
3454:
3452:
3334:
3126:
3124:
3049:
3047:
3045:
2993:
2879:
2877:
2737:
2499:
2449:
2447:
613:
began serialization, the "Big Two" comics publishers,
9323:
8232:
Narrative Across Media: The Languages of Storytelling
5868:
Family Frames: Photography, Narrative, and Postmemory
5655:
Graphic Women: Life Narrative and Contemporary Comics
5288:
5276:
5254:
5252:
5217:
Obst & , "A Commentary on Maus by Art Spiegelman"
5173:
Obst & , "A Commentary on Maus by Art Spiegelman"
5043:
5031:
4746:"US school board bans Holocaust graphic novel 'Maus'"
4515:
4259:
4213:
4211:
4196:
4184:
4160:
4094:
4082:
4070:
4019:
4007:
3958:
3946:
3898:
3886:
3826:
3766:
3739:
3358:
3306:
3262:
3160:
3059:
3008:
2774:
2700:
2698:
2683:
2589:
2587:
2569:
2531:
2529:
2368:
2195:
2077:
Best Graphic Album of Previously Published Material (
1672:
Family Frames: Photography, Narrative, and Postmemory
644:
popularized the term with the publication in 1978 of
519:. The discussions in those fanzines about making the
9471:
Eisner Award winners for Best Graphic Album: Reprint
8066:
7612:
6034:"'Twas the Night Before Christmas: Art Spiegelman's
5452:
5422:
5326:
5127:
4539:
4411:
4271:
4172:
4058:
3754:
3727:
3640:
3201:
3199:
3111:
3109:
3107:
3105:
3103:
3078:
3076:
3074:
3025:
2904:
2862:
2541:
2434:
2432:
2400:
2398:
2396:
2394:
2392:
1674:. Academics far outside the field of comics such as
1636:
then announced plans in February 2022 to distribute
1170:
drive off and even kill returning Jews after the war
1054:
genocidal stereotypes that drove the Nazis to their
894:
tradition; German, given the book's background; and
735:
published the first six chapters in a volume called
8203:Banita, Georgiana; Konstantinou, Lee, eds. (2023).
7915:
7782:
7738:"'MetaMaus': The Story Behind Spiegelman's Classic"
5840:
In the Studio: Visits With Contemporary Cartoonists
5753:Fischer, Heinz Dietrich; Fischer, Erika J. (2002).
5446:
5434:
4503:
4106:
3601:
3449:
3418:
3121:
3042:
2955:
2953:
2951:
2916:
2874:
2615:
2487:
2444:
9114:American Heritage Picture History of the Civil War
8234:. University of Nebraska Press. pp. 180–193.
8202:
6769:
6716:
6635:
6032:
5784:
5541:
5249:
4208:
3691:
3573:
3370:
2850:
2695:
2584:
2526:
1553:. Spiegelman turned down numerous offers to have
1181:English, which became his daily language when he
777:publisher Chris Oliveros successfully lobbied the
768:comic shops where comic books were normally sold.
530:From the original, more detailed 1972 "Maus" strip
19:This article is about the book. For the tank, see
8412:. BBC Archive. April 1, 1992 – via YouTube.
7756:The Daily Free Press staff (September 28, 2000).
7718:
7695:"Times Book Prizes 1992 : Fiction : On
5631:After the End: Representations of Post-Apocalypse
5398:
5083:
3715:
3196:
3100:
3071:
2475:
2429:
2389:
710:appeared in December 1980 in the second issue of
9347:
8430:Audio and transcript excerpt from 1987 interview
8306:Maus: A Memoir of the Holocaust: Teacher's Guide
8155:
8134:
7646:"Conversational Euro-Comics: Bart Beaty On Katz"
5470:
5367:
5355:
3136:
2948:
349:, where they are separated until after the war.
8205:Artful Breakdowns: The Comics of Art Spiegelman
5912:Hungerford, Amy (2003). "Surviving Rego Park".
5787:The Art of the Comic Book: An Aesthetic History
2114:AngoulĂŞme International Comics Festival Awards
345:train (as Hungary is invaded) and take them to
8718:
8410:"1992: Art Spiegelman on the CREATION of MAUS"
6611:Spiegelman, Art (2011). Chute, Hillary (ed.).
6141:Mandel, Naomi (2006). "The Story of my Death:
5752:
5539:
4473:
4301:
2971:
1966:AngoulĂŞme International Comics Festival Awards
1513:ranked highly on comics and literature lists.
977:descendant objected and threatened to sue for
938:s publication and burned the book in front of
908:laws prohibiting the display of Nazi symbolism
829:to his brother Richieu and his first daughter
538:produced the semi-autobiographical comic book
8892:
8704:
8509:
8464:: Working Through the Trauma of the Holocaust
6741:
5518:Documentary Graphic Novels and Social Realism
4599:
4305:
927:, set up his own publishing house to publish
7440:
6764:
5987:From Krakow to Krypton: Jews and Comic Books
5964:Masters of the Comic Book Universe Revealed!
4563:
4485:
4001:
3412:
2281:pronounced similarly to and meaning "mouse".
1838:
1406:". Among the graphic artists who influenced
1304:The story is text-driven, with few wordless
1197:
920:
844:
373:
227:, collected the remaining chapters in 1991.
8908:Pulitzer Prize Special Citations and Awards
8018:National Book Critics Circle staff (2012).
7406:ImageTexT: Interdisciplinary Comics Studies
6207:The Art of Comics: A Philosophical Approach
6118:". In Williams, Paul; Lyons, James (eds.).
6114:Loman, Andrew (2010). "The Canonization of
6010:The Norton Anthology of American Literature
5676:
5604:Ball, David M.; Kuhlman, Martha B. (2010).
5603:
5594:(September 10, 1987). "Paws and Whiskers".
5494:The Art of Comics: A Philosophical Approach
4617:
4615:
4557:
3221:
3190:
3178:
1770:The Norton Anthology of American Literature
1686:took part in the discourse. Few approached
931:in Polish in 2001. Demonstrators protested
8899:
8885:
8711:
8697:
8516:
8502:
8326:
8271:
7890:
7160:
7129:
6610:
6526:
6205:Meskin, Aaron; Cook, Roy T., eds. (2012).
6204:
6175:
5934:
5911:
5812:Alternative Comics: An Emerging Literature
5699:
5386:
5013:
4730:AFP, Sudouest fr avec (January 28, 2022).
4253:
4229:
4127:
3976:
3880:
3868:
3856:
3844:
3634:
3540:
3528:
3512:
3482:
3470:
3443:
3237:
3094:
2934:
2844:
2813:
2798:
2731:
2716:
2657:
2645:
2520:
2423:
287:. After his release, he finds Germany has
42:
8837:Jimmy Corrigan, the Smartest Kid on Earth
8115:"When Controversy Ralls the Comics World"
7332:
7106:
7069:"Jewish Fathers and Sons in Spiegelman's
6946:
6914:
6885:
5371:
3709:
1862:
981:. Spiegelman redrew the character with a
761:and wished to avoid comparisons with it.
577:In 1973, Spiegelman produced a strip for
8392:, and does not reflect subsequent edits.
8375:
8312:. Vancouver Holocaust Education Centre.
8226:Ewert, Jeanne (2004). "Art Spiegelman's
7990:
7940:
7864:
7464:
7372:
7349:
6633:
6457:
6367:
6340:
6294:
5888:
5809:
5683:Continuum International Publishing Group
5677:Duncan, Randy; Smith, Matthew J (2009).
5550:Continuum International Publishing Group
5294:
5228:
5176:
5073:
4612:
4521:
4457:
4333:
4297:
4142:
4040:
3981:. New York: Pantheon Books. p. 14.
3677:
3665:
3661:
3567:
3552:
3508:
3439:
3352:
3256:
3154:
2898:
2633:
2609:
2508:
1720:
1619:", and "daffily myopic". The ban led to
1475:
1335:
1227:
1006:
866:
564:
525:
325:In 1943, the Nazis move the Jews of the
297:
9546:Graphic novels set in the United States
8160:(in French). Tout en BD. Archived from
8139:(in French). Tout en BD. Archived from
7991:Mozzocco, J. Caleb (December 1, 2011).
7837:
7785:"Complete List of Eisner Award Winners"
7692:
7666:"Breakfast with the FT: Art Spiegelman"
7613:New York Times staff (March 11, 1987).
7590:
7569:Langer, Lawrence L (December 6, 1998).
7373:Weschler, Lawrence (July–August 2001).
6893:Arnold, Andrew D. (September 7, 2001).
6480:
6392:
6153:and the Image of the Speaking Corpse".
6030:
5832:
5722:
5458:
5411:National Book Critics Circle staff 2012
5311:National Book Critics Circle staff 2012
5077:
4595:
4593:
4393:
4361:
4329:
4052:
3940:
3928:
3916:
3458:
3392:
3364:
3340:
3324:
3217:
3002:
2983:
2764:
2748:
2469:
2383:
2362:
1925:/Joel H. Cavior Book Award for Fiction
1431:
1099:, a term she coined after encountering
994:disparaged as "the diaspora sickness".
9348:
8844:Julius Knipl, Real Estate Photographer
8302:
8176:
8086:
7965:
7568:
7491:
7189:
7130:Kannenberg, Gene Jr. (February 1999).
7066:
6915:Bolhafner, J. Stephen (October 1991).
6892:
6714:
6579:Smith, Graham (2007). "From Mickey to
6553:
6227:
6140:
6067:
5984:
5961:
5865:
5779:
5628:
5157:
5145:
5061:
5025:
4946:
4861:
4790:
4784:
4762:
4647:
4621:
4570:Guzman, Francisco (January 27, 2022).
4569:
4533:
4509:
4442:
4433:
4420:
4373:
4349:
4289:
4265:
4241:
4028:
4013:
3832:
3820:
3800:
3788:
3784:
3772:
3748:
3524:
3408:
3376:
3328:
3312:
3300:
3296:
3284:
3280:
3268:
3166:
3065:
3019:
2987:
2938:
2910:
2868:
2825:
2783:
2768:
2689:
2605:
2578:
2563:
2547:
2481:
2453:
2404:
2040:Special Awards and Citations – Letters
1660:'s 1988 "Of Mice and Memory" from the
1469:staged an exhibition on the making of
1395:Binky Brown Meets the Holy Virgin Mary
1348:were an early influence on Spiegelman.
954:from Russian bookstores leading up to
679:and the Mickey Mouse quote that opens
653:
541:Binky Brown Meets the Holy Virgin Mary
9501:Graphic novels about Jews and Judaism
8880:
8692:
8497:
8416:
8225:
8112:
8087:Silver, Alexandra (August 30, 2011).
7968:"High Art, Hit Movies and Manifestos"
7735:
7721:"Nominierungen/Preisträger seit 1984"
7643:
7615:"Awards for Books With Jewish Themes"
7399:
7297:
7267:
7033:
6996:
6963:
6863:Meaning and Representation in History
6860:
6794:
6742:Williams, Paul; Lyons, James (2010).
6691:
6578:
6503:
6483:The Contemporary Comic Book Superhero
6434:
6317:
6272:Orbán, Katalin (2005). "Mauschwitz".
6271:
6113:
5651:
5566:
5540:Ahrens, Jörn; Meteling, Arno (2010).
5514:
5491:
5338:Weekly newspaper founded in 1941, in
5322:
5306:
5282:
5270:
5258:
5243:
5212:
5188:
5133:
5121:
5117:
5105:
5101:
5049:
5037:
4987:
4874:
4855:
4816:
4687:
4545:
4425:
4406:
4389:
4377:
4345:
4317:
4293:
4277:
4217:
4202:
4190:
4178:
4166:
4154:
4100:
4088:
4076:
4064:
3964:
3952:
3904:
3892:
3808:
3804:
3733:
3685:
3649:
3619:
3607:
3595:
3591:
3424:
3404:
3241:
3233:
3205:
3130:
3115:
3082:
3053:
3036:
2942:
2883:
2760:
2661:
2621:
2559:
2493:
2465:
2358:
2276:
1822:about Germans killing Jewish people.
860:'s cultural boycott in opposition to
731:review of the serial in August 1986,
621:, dominated the industry with mostly
449:
397:
394:1982, before the book was completed.
201:from 1980 until 1991 as an insert in
9531:Race-related controversies in comics
8248:
7663:
7546:
7535:
7513:
7225:
6846:. Walch Publishing. pp. 81–94.
6841:
6817:
6415:
6246:
6090:
5702:Comic Book Collections for Libraries
5590:
5089:
4947:Andrew, Scottie (January 31, 2022).
4843:. Associated Press. January 28, 2022
4674:
4590:
4469:
4453:
4438:
4429:
4415:
4115:
3760:
3721:
3697:
3681:
3579:
3388:
3142:
2959:
2922:
2856:
2704:
2677:
2673:
2593:
2535:
2438:
1851:. The French publisher of the book,
1810:perspective. Rather, he argues that
910:. Reception in Germany was positive—
657:
418:
185:to his parents' liberation from the
8490:- a British Library sound recording
8327:Steinhauer, Jillian (May 3, 2023).
8053:American Council for Polish Culture
7941:Johnston, Ian (December 28, 2001).
7758:"Cartoonist Sued for $ 1.5 Million"
7693:Colbert, James (November 8, 1992).
7492:Garner, Dwight (October 12, 2011).
6668:
6395:Comic Books: How the Industry Works
4763:Wegner, Rachel (January 27, 2022).
4729:
4648:Wegner, Rachel (January 27, 2022).
3496:"Major russian bookshop "Bookvoed""
2829:
2023:National Book Critics Circle Award
1710:is considered an important work of
1599:In 2022, the board of trustees for
1324:with a fountain pen and typewriter
640:" was beginning to gain currency.
224:Maus II: And Here My Troubles Began
13:
8732:A.D.: New Orleans After the Deluge
8523:
8362:
8195:
8158:"Le festival BD: Le palmarès 1988"
8137:"Le festival BD: Le palmarès 1993"
7891:Hammarlund, Ola (August 8, 2007).
7838:Gambino, Lauren (April 28, 2015).
7591:McGrath, Charles (July 11, 2004).
7514:Franklin, Ruth (October 5, 2011).
7467:"Katz a-t-il défiguré Maus ?"
7465:Couvreur, Daniel (March 5, 2012).
6043:History and Memory After Auschwitz
4888:. January 28, 2022. Archived from
4622:Gorman, Steve (January 28, 2022).
4600:Chris Boyette (January 28, 2022).
1899:National Book Critics Circle Award
1063:story rather than their races—the
961:A few panels were changed for the
636:came to prominence when the term "
461:
440:
431:
14:
9562:
9516:Obscenity controversies in comics
9496:Books about Jewish Polish history
9366:American Book Award-winning works
8593:Lynd Ward: Six Novels in Woodcuts
8435:Art Spiegelman and the Making of
8343:
8177:Tzadka, Saul (February 2, 2012).
7966:Morman, Todd (January 29, 2003).
7789:San Diego Comic-Con International
7664:Blau, Rosie (November 29, 2008).
6531:". In Royal, Derek Parker (ed.).
4817:Gross, Jenny (January 27, 2022).
2254:Stereotypes of Jews in literature
402:
9333:
9102:The Defeat of the Spanish Armada
9050:
9043:
8374:
8089:"All-TIME 100 Nonfiction Books:
7226:Park, Hye Su (January 1, 2011).
6232:. Maupin House Publishing, Inc.
5332:
4981:
4955:
4940:
4922:
4904:
4862:Mangan, Dan (January 28, 2022).
4829:
4810:
4791:Mangan, Dan (January 26, 2022).
4756:
4738:
4723:
4705:
4668:
4641:
4399:
3970:
2217:
2205:
1557:adapted for film or television.
662:
601:
573:in 1979 as part of his research.
493:Binghamton State Mental Hospital
218:Maus I: My Father Bleeds History
113:Vol. 1 No. 2 – Vol. 2 No. 3
9461:Graphic novels set in the 1980s
9456:Graphic novels set in the 1970s
9451:Graphic novels set in the 1940s
9446:Graphic novels set in the 1930s
9381:Autobiographical graphic novels
8209:University of Mississippi Press
7943:"On Spiegelman's Maus I and II"
7865:Grossman, Lev (March 6, 2009).
7736:Conan, Neal (October 5, 2011).
6801:University Press of Mississippi
6748:University Press of Mississippi
6589:University Press of Mississippi
6320:Inside the World of Comic Books
6124:University Press of Mississippi
5816:University Press of Mississippi
5793:University Press of Mississippi
5729:University Press of Mississippi
5612:University Press of Mississippi
4498:Entertainment Weekly staff 2008
3488:
2329:
2320:
2302:
2293:
2284:
1002:
275:tensions build until Vladek is
16:Graphic novel by Art Spiegelman
9431:Comics set during World War II
8272:Kannenberg, Eugene P. (2002).
8249:Geis, Deborah R., ed. (2007).
8069:"Special Awards and Citations"
7547:Kois, Dan (December 2, 2011).
7067:Gordon, Andrew (Spring 2004).
5479:
2308:Born Zev Spiegelman, with the
2266:
677:The Past Hangs Over the Future
511:about such graphic artists as
1:
9521:Pantheon Books graphic novels
9287:Graduate School of Journalism
9121:George Washington, Vols. I-IV
8113:Smith, Russ (July 30, 1999).
8067:Pulitzer Prize staff (2012).
7644:Beaty, Bart (March 7, 2012).
7457:
6698:Northwestern University Press
6634:Stringer, Jenny, ed. (1996).
6585:Art Spiegelman: Conversations
6506:Adult Comics: An Introduction
6464:University of Minnesota Press
6097:University of Minnesota Press
5725:Art Spiegelman: Conversations
5635:University of Minnesota Press
2346:
2020:National Book Critics Circle
1549:and literary writers such as
1331:
474:
382:within the Reich and then to
48:Cover of the first volume of
9541:Graphic novels set in Europe
9526:Pulitzer Prize-winning works
8024:National Book Critics Circle
7916:Harvey Awards staff (1992).
7783:Eisner Awards staff (2012).
6999:Twentieth Century Literature
6441:University of Nebraska Press
6435:Rosen, Alan Charles (2005).
6159:University of Virginia Press
2242:Ethnic stereotypes in comics
2057:Best Graphic Album—Reprint (
1894:National Book Critics Circle
1607:voted unanimously to remove
571:Auschwitz concentration camp
7:
9436:Comics set in New York City
9386:Biographical graphic novels
8255:University of Alabama Press
7947:Vancouver Island University
7918:"1992 Harvey Award Winners"
7636:
7475:(in French). Archived from
6247:Moss, Joshua Louis (2017).
6068:Levine, Michael G. (2006).
5918:University of Chicago Press
5575:Manchester University Press
2191:
2149:Awards and nominations for
1868:Awards and nominations for
1643:
1175:
856:in 1986. In support of the
234:
154:survivor. The work employs
10:
9567:
9511:Non-fiction graphic novels
9421:Comics about the Holocaust
9406:Comics about mice and rats
8816:In the Shadow of No Towers
8767:The Beauty Supply District
8720:Comics from Pantheon Books
8547:In the Shadow of No Towers
8475:Responses to the Holocaust
8443:November 28, 2015, at the
7719:Comic Salon staff (2012).
7571:"A Fable Of The Holocaust"
7011:10.1215/0041462X-2006-3001
6778:Princeton University Press
6458:Rothberg, Michael (2000).
6031:LaCapra, Dominick (1998).
5991:Jewish Publication Society
5939:". In Baetens, Jan (ed.).
5895:Greenwood Publishing Group
5810:Hatfield, Charles (2005).
4474:Fischer & Fischer 2002
4302:Ahrens & Meteling 2010
2972:Fischer & Fischer 2002
2180:National Jewish Book Award
1768:saw as an ethnic slur and
1374:(1978), had any impact on
1299:
786:And Here My Troubles Began
681:And Here my Troubles Began
18:
9411:Comics about Nazi Germany
9391:Books about the Holocaust
9314:
9269:
9176:
9059:
9041:
8914:
8726:
8663:
8624:
8570:
8531:
8469:January 20, 2018, at the
8278:University of Connecticut
8156:Tout en BD staff (1998).
8135:Tout en BD staff (1993).
7867:"Top Ten Graphic Novels:
7813:"The New Classics: Books"
6692:Weine, Stevan J. (2006).
6562:Columbia University Press
6554:Schwab, Gabriele (2010).
6393:Rhoades, Shirrel (2008).
6376:New York University Press
6371:Mapping Jewish Identities
6295:Petersen, Robert (2010).
6255:University of Texas Press
6074:Stanford University Press
5866:Hirsch, Marianne (1997).
5660:Columbia University Press
5652:Chute, Hillary L (2010).
5423:Pulitzer Prize staff 2012
5327:New York Times staff 1987
4419:For "autobiography", see
4412:New York Times staff 1987
4306:Williams & Lyons 2010
2170:
2165:
2162:
2159:
2156:
2128:
2110:
2088:
2068:
2048:
2030:
2016:
2000:
1984:
1961:
1932:
1918:American Jewish Committee
1908:
1889:
1884:
1881:
1878:
1875:
1843:produced a book entitled
1832:
1725:Comics writer and critic
1613:Holocaust Remembrance Day
1241:recognizably human ones.
1139:
1086:
1049:Jewish characters try to
997:
906:appear on the cover, per
858:African National Congress
845:International publication
779:Book Industry Study Group
117:
109:
97:
92:
82:
74:
66:
56:
41:
34:
9506:McMinn County, Tennessee
9426:Comics by Art Spiegelman
8331:. Books & the Arts.
7723:(in German). Comic Salon
6974:Oral History Association
6715:Weiner, Stephen (2003).
6047:Cornell University Press
5872:Harvard University Press
5484:
5447:Harvey Awards staff 1992
5435:Eisner Awards staff 2012
3977:Spiegelman, Art (1997).
2259:
2099:Book Prize for Fiction (
1505:Special Award in Letters
1223:
1122:
1105:transgenerational trauma
741:My Father Bleeds History
523:in comics inspired him.
187:Nazi concentration camps
118:Date of publication
9486:Fictional mice and rats
9371:American graphic novels
8957:St. Louis Post-Dispatch
8303:Miller, Frieda (1998).
7811:staff (June 27, 2008).
7034:Frahm, Ole (May 2004).
6675:Leuven University Press
6648:Oxford University Press
6537:Purdue University Press
6416:Rice, Maria J. (2007).
6353:Press. pp. 23–30.
6188:Camden House Publishing
5945:Leuven University Press
4558:Ball & Kuhlman 2010
3222:Duncan & Smith 2009
3191:Duncan & Smith 2009
3179:Duncan & Smith 2009
1450:The Dark Knight Returns
882:in the face of protest.
737:Maus: A Survivor's Tale
281:Nazi invasion of Poland
142:by American cartoonist
135:Maus: A Survivor's Tale
9551:Anthropomorphic comics
9190:. A special award for
8479:University of Virginia
8370:
8350:Listen to this article
7549:"The Making of 'Maus'"
7400:Witek, Joseph (2004).
6964:Brown, Joshua (1988).
6895:"Lemons into Lemonade"
6886:Journals and magazines
6795:Witek, Joseph (1989).
6228:Monnin, Katie (2010).
5833:Hignite, Todd (2007).
5629:Berger, James (1999).
5399:Comic Salon staff 2012
5014:Meskin & Cook 2012
4734:– via Sud Ouest.
3238:Fagan & Fagan 2011
2248:Mickey au Camp de Gurs
2005:Max & Moritz Prize
1863:Awards and nominations
1839:
1737:
1560:Early installments of
1481:
1388:as having "influenced
1349:
1237:
1198:
1075:. When Art visits his
1071:, Spiegelman suggests
1013:
921:
883:
673:is missing information
574:
531:
374:
306:
211:, who also appears in
23:. For other uses, see
8484:Spiegelman discusses
8420:(February 11, 2022).
8369:
7686:registration required
7414:University of Florida
7246:10.1353/sho.2011.0038
7175:10.1353/nar.2003.0007
7040:Image & Narrative
6607:Vol. 15, Spring 1987)
6504:Sabin, Roger (1993).
6211:John Wiley & Sons
6091:Liss, Andrea (1998).
5985:Kaplan, Arie (2008).
5962:Kaplan, Arie (2006).
5845:Yale University Press
5746:Independent on Sunday
5567:Baker, Steve (1993).
5498:John Wiley & Sons
5471:Tout en BD staff 1993
5368:Tout en BD staff 1998
5356:Tout en BD staff 1998
4405:For "biography", see
2272:From the German word
1947:(Christian Testimony)
1724:
1601:McMinn County Schools
1479:
1414:, who had made early
1339:
1231:
1035:Nazi propaganda films
1010:
892:Franco-Belgian comics
870:
825:Spiegelman dedicated
775:Drawn & Quarterly
706:The first chapter of
568:
529:
408:Art (born 1948) is a
301:
269:postpartum depression
132:, often published as
25:Maus (disambiguation)
9466:Eisner Award winners
9441:Comics set in Poland
9396:Comics about animals
9305:Joseph Pulitzer, Jr.
9188:Oscar Hammerstein II
9149:Theodor Seuss Geisel
9125:James Thomas Flexner
9085:Old Road to Paradise
8979:The Kansas City Star
8788:The Cardboard Valise
8600:The Narrative Corpse
8401:More spoken articles
7998:Comic Book Resources
7818:Entertainment Weekly
7809:Entertainment Weekly
7770:on February 26, 2014
7763:The Daily Free Press
7449:Wizard Entertainment
7428:on November 29, 2014
7190:Merino, Ana (2010).
6966:"Of Mice and Memory"
6917:"Art for Art's Sake"
6869:. pp. 239–254.
6605:Oral History Journal
6510:Taylor & Francis
6489:. pp. 216–232.
6487:Taylor & Francis
5968:Chicago Review Press
5897:. pp. 400–408.
5731:. pp. 122–125.
5515:Adams, Jeff (2008).
5191:, pp. 142, 160.
5076:, pp. 139–140;
2847:, pp. 291, 294.
2816:, pp. 291, 293.
2339:by Marilyn Reizbaum.
2237:Birds' Head Haggadah
2117:Best Foreign Album (
1712:Holocaust literature
1528:Entertainment Weekly
1467:Museum of Modern Art
1432:Reception and legacy
1402:, there would be no
1267:German Expressionist
1232:Spiegelman's use of
1206:spoke German—a word
755:Amblin Entertainment
607:American comic books
521:Great American Novel
93:Original publication
9481:Fiction set in 1979
9476:Fiction set in 1978
9361:1991 graphic novels
9293:Frank D. Fackenthal
9283:Columbia University
9277:William Allen White
8964:Cyrus L. Sulzberger
8830:The Jew of New York
8640:Legal Action Comics
8164:on February 7, 2012
8120:Jewish World Review
8005:on December 4, 2011
7953:on January 22, 2012
7825:on January 27, 2012
7650:The Comics Reporter
7479:on November 2, 2013
7358:Fantagraphics Books
7325:1983Natur.302..784D
7317:Fantagraphics Books
7303:"Blood and Thunder"
7283:Fantagraphics Books
7275:and Other Topics".
7146:Fantagraphics Books
7115:Fantagraphics Books
6982:10.1093/ohr/16.1.91
6970:Oral History Review
6939:1990Natur.348..280C
6931:Fantagraphics Books
6161:. pp. 99–130.
5679:The Power of Comics
5273:, pp. 200–201.
5246:, pp. 223–224.
4936:. January 31, 2022.
4918:. January 31, 2022.
4892:on January 29, 2022
4886:WNYT NewsChannel 13
4719:. January 28, 2022.
4701:. January 28, 2022.
4424:For "history", see
4410:For "fiction", see
4145:, pp. 207–208.
3943:, pp. 166–167.
3931:, pp. 167–168.
3622:, pp. 221–223.
3598:, pp. 112–114.
3531:, pp. 152–153.
3473:, pp. 122–124.
3446:, pp. 122–125.
2426:, pp. 100–101.
2175:Jewish Book Council
2153:
1953:Témoignage chrétien
1951:Prix RĂ©sistance by
1937:Témoignage chrétien
1872:
1857:copyright violation
1663:Oral History Review
1568:inspired the young
1480:Spiegelman in 2007.
1410:, Spiegelman cited
1385:Little Orphan Annie
1371:A Contract with God
1214:but, distantly, to
1109:generational trauma
1051:pass themselves off
1027:converts to Judaism
919:, a journalist for
725:, but after a rave
654:Publication history
647:A Contract with God
569:Spiegelman visited
485:Holocaust survivors
293:German protectorate
9356:1980 comics debuts
9030:(2020, posthumous)
9008:Richard Lee Strout
9001:Gannett Newspapers
8987:The New York Times
8943:The New York Times
8928:William O. Dapping
8795:Chicken with Plums
8371:
8143:on October 5, 2011
8049:by Art Spiegelman"
7620:The New York Times
7598:The New York Times
7576:The New York Times
7554:The New York Times
7539:The Globe and Mail
7499:The New York Times
7353:The Comics Journal
7308:The Comics Journal
7278:The Comics Journal
7271:(December 1986). "
7141:The Comics Journal
7110:The Comics Journal
7054:on January 4, 2019
6922:The Comics Journal
6766:Wirth-Nesher, Hana
6677:. pp. 31–46.
6591:. pp. 84–94.
6539:. pp. 69–80.
6326:. pp. 61–81.
6280:. pp. 35–74.
6190:. pp. 66–90.
5947:. pp. 79–89.
5920:. pp. 73–96.
5215:, pp. 32–33;
4988:Alfonseca, Kiara.
4969:. February 2, 2022
4934:The Indian Express
4823:The New York Times
4437:For "memoir", see
4392:, pp. 39–40;
3555:, p. 135–136.
2937:, pp. 76–77;
2148:
1971:Best Foreign Album
1867:
1840:La Cinquième Couch
1837:Belgian publisher
1814:problematizes the
1738:
1634:Voters of Tomorrow
1516:The Comics Journal
1489:The New York Times
1482:
1459:The New York Times
1425:Passionate Journey
1350:
1272:style inspired by
1238:
1014:
884:
757:, was inspired by
575:
532:
488:to know about it.
451:Richieu Spiegelman
398:Primary characters
307:
9416:Comics about pigs
9401:Comics about dogs
9321:
9320:
9107:Garrett Mattingly
9089:Margaret Widdemer
8874:
8873:
8865:Read Yourself Raw
8686:
8685:
8633:Garbage Pail Kids
8488:with Paul Gravett
8460:Art Spiegelman's
8367:
8319:978-1-895754-29-2
8287:978-0-493-69522-8
8264:978-0-8173-5435-0
8241:978-0-8032-8993-2
8218:978-1-4968-3750-9
8179:"Maus: Revisited"
8045:"A Commentary on
7928:on March 15, 2016
7903:on April 13, 2019
7795:on April 27, 2011
7704:Los Angeles Times
6876:978-1-57181-776-1
6853:978-0-8251-2901-8
6834:978-0-7867-2157-3
6827:. Da Capo Press.
6810:978-0-87805-406-0
6787:978-0-691-13844-2
6757:978-1-60473-792-9
6734:978-1-56163-368-5
6707:978-0-8101-2300-7
6684:978-90-5867-109-7
6671:The Graphic Novel
6661:978-0-19-212271-1
6626:978-0-670-91683-2
6598:978-1-934110-12-6
6571:978-0-231-52635-7
6546:978-1-55753-584-9
6519:978-0-415-04419-6
6496:978-0-415-99176-6
6473:978-0-8166-3459-0
6450:978-0-8032-3962-3
6427:978-0-549-69539-4
6408:978-0-8204-8892-9
6385:978-0-8147-9769-3
6360:978-90-5867-109-7
6351:Leuven University
6347:The Graphic Novel
6333:978-1-55164-296-3
6310:978-0-313-36330-6
6287:978-0-415-97167-6
6264:978-1-4773-1283-4
6239:978-1-934338-40-7
6220:978-1-4443-3464-7
6197:978-1-57113-352-6
6168:978-0-8139-2581-3
6133:978-1-60473-792-9
6106:978-0-8166-3060-8
6083:978-0-8047-5555-9
6060:978-0-8014-8496-4
6000:978-0-8276-0843-6
5977:978-1-55652-633-6
5954:978-90-5867-109-7
5941:The Graphic Novel
5927:978-0-226-36076-8
5904:978-0-313-29462-4
5881:978-0-674-29265-9
5858:978-0-300-13387-5
5825:978-1-57806-719-0
5802:978-0-87805-758-0
5772:978-3-598-30186-5
5763:Walter de Gruyter
5755:"Spiegelman, Art"
5738:978-1-934110-12-6
5715:978-1-59884-511-2
5692:978-0-8264-2936-0
5669:978-0-231-15062-0
5644:978-0-8166-2932-9
5621:978-1-60473-442-3
5584:978-0-7190-3378-0
5559:978-0-8264-4019-8
5532:978-3-03911-362-0
5507:978-1-4443-3464-7
5346:against the Nazis
5344:French resistance
5108:, pp. 32–33.
4486:Wizard staff 2009
4320:, pp. 94–95.
4157:, pp. 25–26.
4002:Wirth-Nesher 2006
3979:The Complete Maus
3413:Wirth-Nesher 2006
3244:, pp. 68–84.
3097:, pp. 22–24.
2189:
2188:
2146:
2145:
2094:Los Angeles Times
1789:McGill University
1752:R. C. Harvey
1716:Holocaust studies
1684:Terrence Des Pres
1564:that appeared in
1362:Bernard Krigstein
1344:such as those by
806:The Complete Maus
794:The Complete Maus
704:
703:
627:underground comix
579:Short Order Comix
497:nervous breakdown
420:Vladek Spiegelman
311:underground comix
289:annexed Sosnowiec
183:World War II
175:narrative present
125:
124:
98:Published in
9558:
9338:
9337:
9329:
9167:Edmund S. Morgan
9054:
9047:
9034:Darnella Frazier
8935:Edmonton Journal
8901:
8894:
8887:
8878:
8877:
8781:Building Stories
8713:
8706:
8699:
8690:
8689:
8677:Nadja Spiegelman
8571:Editor/co-editor
8554:Jack and the Box
8518:
8511:
8504:
8495:
8494:
8429:
8413:
8391:
8389:
8378:
8377:
8368:
8358:
8356:
8351:
8338:
8323:
8311:
8299:
8268:
8245:
8222:
8190:
8188:
8186:
8173:
8171:
8169:
8152:
8150:
8148:
8131:
8129:
8127:
8109:
8107:
8105:
8083:
8081:
8079:
8063:
8061:
8059:
8039:
8037:
8035:
8030:on April 8, 2014
8026:. Archived from
8014:
8012:
8010:
8001:. Archived from
7987:
7985:
7983:
7974:. Archived from
7962:
7960:
7958:
7949:. Archived from
7937:
7935:
7933:
7924:. Archived from
7912:
7910:
7908:
7899:. Archived from
7887:
7885:
7883:
7861:
7859:
7857:
7848:. Archived from
7834:
7832:
7830:
7821:. Archived from
7804:
7802:
7800:
7791:. Archived from
7779:
7777:
7775:
7766:. Archived from
7752:
7750:
7748:
7732:
7730:
7728:
7715:
7713:
7711:
7689:
7682:
7680:
7678:
7660:
7658:
7656:
7631:
7629:
7627:
7609:
7607:
7605:
7587:
7585:
7583:
7565:
7563:
7561:
7543:
7532:
7530:
7528:
7521:The New Republic
7510:
7508:
7506:
7488:
7486:
7484:
7452:
7437:
7435:
7433:
7424:. Archived from
7396:
7394:
7392:
7369:
7346:
7336:
7334:10.1038/302784a0
7294:
7264:
7262:
7260:
7222:
7220:
7218:
7186:
7157:
7126:
7103:
7101:
7099:
7063:
7061:
7059:
7050:. Archived from
7030:
6993:
6960:
6950:
6948:10.1038/348280d0
6911:
6909:
6907:
6880:
6857:
6838:
6814:
6791:
6775:
6761:
6738:
6722:
6711:
6688:
6665:
6639:
6630:
6602:
6575:
6550:
6523:
6500:
6477:
6454:
6431:
6412:
6389:
6364:
6337:
6324:Black Rose Books
6314:
6291:
6268:
6243:
6224:
6201:
6172:
6137:
6110:
6087:
6064:
6040:
6027:
6004:
5981:
5958:
5931:
5908:
5885:
5862:
5835:"Art Spiegelman"
5829:
5806:
5790:
5776:
5742:
5719:
5696:
5673:
5648:
5625:
5599:
5588:
5563:
5547:
5536:
5511:
5474:
5468:
5462:
5456:
5450:
5444:
5438:
5432:
5426:
5420:
5414:
5408:
5402:
5396:
5390:
5384:
5375:
5365:
5359:
5353:
5347:
5336:
5330:
5320:
5314:
5304:
5298:
5292:
5286:
5280:
5274:
5268:
5262:
5256:
5247:
5241:
5232:
5226:
5220:
5210:
5204:
5201:Baym et al. 2007
5198:
5192:
5186:
5180:
5170:
5161:
5155:
5149:
5143:
5137:
5131:
5125:
5115:
5109:
5099:
5093:
5087:
5081:
5071:
5065:
5059:
5053:
5047:
5041:
5035:
5029:
5023:
5017:
5011:
5005:
5004:
5002:
5000:
4985:
4979:
4978:
4976:
4974:
4959:
4953:
4952:
4944:
4938:
4937:
4926:
4920:
4919:
4908:
4902:
4901:
4899:
4897:
4878:
4872:
4871:
4859:
4853:
4852:
4850:
4848:
4833:
4827:
4826:
4814:
4808:
4807:
4805:
4803:
4788:
4782:
4781:
4779:
4777:
4760:
4754:
4753:
4750:The Jakarta Post
4742:
4736:
4735:
4727:
4721:
4720:
4709:
4703:
4702:
4691:
4685:
4684:
4672:
4666:
4665:
4663:
4661:
4645:
4639:
4638:
4636:
4634:
4619:
4610:
4609:
4597:
4588:
4587:
4585:
4583:
4567:
4561:
4555:
4549:
4543:
4537:
4531:
4525:
4519:
4513:
4507:
4501:
4495:
4489:
4483:
4477:
4467:
4461:
4451:
4445:
4403:
4397:
4387:
4381:
4371:
4365:
4359:
4353:
4343:
4337:
4327:
4321:
4315:
4309:
4287:
4281:
4275:
4269:
4263:
4257:
4251:
4245:
4239:
4233:
4227:
4221:
4215:
4206:
4200:
4194:
4188:
4182:
4176:
4170:
4164:
4158:
4152:
4146:
4140:
4131:
4125:
4119:
4113:
4104:
4098:
4092:
4086:
4080:
4074:
4068:
4062:
4056:
4050:
4044:
4038:
4032:
4026:
4017:
4011:
4005:
3999:
3993:
3992:
3974:
3968:
3962:
3956:
3950:
3944:
3938:
3932:
3926:
3920:
3914:
3908:
3902:
3896:
3890:
3884:
3878:
3872:
3866:
3860:
3854:
3848:
3842:
3836:
3830:
3824:
3823:, p. 33–34.
3818:
3812:
3798:
3792:
3782:
3776:
3770:
3764:
3758:
3752:
3746:
3737:
3731:
3725:
3719:
3713:
3707:
3701:
3695:
3689:
3675:
3669:
3659:
3653:
3647:
3638:
3632:
3623:
3617:
3611:
3605:
3599:
3589:
3583:
3577:
3571:
3565:
3556:
3550:
3544:
3538:
3532:
3522:
3516:
3506:
3500:
3499:
3492:
3486:
3480:
3474:
3468:
3462:
3456:
3447:
3437:
3428:
3422:
3416:
3402:
3396:
3386:
3380:
3374:
3368:
3362:
3356:
3350:
3344:
3338:
3332:
3322:
3316:
3310:
3304:
3294:
3288:
3278:
3272:
3266:
3260:
3254:
3245:
3231:
3225:
3215:
3209:
3203:
3194:
3188:
3182:
3176:
3170:
3164:
3158:
3152:
3146:
3140:
3134:
3128:
3119:
3113:
3098:
3092:
3086:
3080:
3069:
3063:
3057:
3051:
3040:
3034:
3023:
3017:
3006:
3000:
2991:
2981:
2975:
2969:
2963:
2957:
2946:
2932:
2926:
2920:
2914:
2908:
2902:
2896:
2887:
2881:
2872:
2866:
2860:
2854:
2848:
2842:
2833:
2823:
2817:
2811:
2802:
2796:
2787:
2781:
2772:
2758:
2752:
2746:
2735:
2729:
2720:
2714:
2708:
2702:
2693:
2687:
2681:
2671:
2665:
2655:
2649:
2643:
2637:
2631:
2625:
2619:
2613:
2603:
2597:
2591:
2582:
2576:
2567:
2557:
2551:
2545:
2539:
2533:
2524:
2518:
2512:
2506:
2497:
2491:
2485:
2479:
2473:
2463:
2457:
2451:
2442:
2436:
2427:
2421:
2408:
2402:
2387:
2381:
2366:
2356:
2340:
2335:Translated from
2333:
2327:
2324:
2318:
2306:
2300:
2297:
2291:
2288:
2282:
2280:
2270:
2232:Anthropomorphism
2222:
2221:
2210:
2209:
2208:
2201:
2154:
2147:
1945:
1873:
1866:
1842:
1786:
1760:
1735:
1676:Dominick LaCapra
1326:correction fluid
1201:
1188:The German word
1183:moved to America
1134:
1041:showed films of
944:
937:
926:
837:is a quote from
751:Steven Spielberg
746:An American Tail
699:
696:
690:
666:
658:
495:in 1968 after a
427:African-American
377:
327:Sosnowiec Ghetto
279:just before the
173:timeline in the
46:
32:
31:
21:Panzer VIII Maus
9566:
9565:
9561:
9560:
9559:
9557:
9556:
9555:
9346:
9345:
9344:
9332:
9324:
9322:
9317:
9310:
9265:
9260:Aretha Franklin
9236:Thelonious Monk
9224:George Gershwin
9218:William Schuman
9184:Richard Rodgers
9172:
9095:Kenneth Roberts
9055:
9049:
9048:
9039:
9021:Capital Gazette
8994:Walter Lippmann
8910:
8905:
8875:
8870:
8722:
8717:
8687:
8682:
8671:Françoise Mouly
8659:
8620:
8610:(comics editor)
8566:
8527:
8522:
8471:Wayback Machine
8451:Teacher's guide
8445:Wayback Machine
8408:
8405:
8404:
8393:
8387:
8385:
8382:This audio file
8379:
8372:
8363:
8360:
8354:
8353:
8349:
8346:
8341:
8320:
8309:
8288:
8265:
8242:
8219:
8198:
8196:Further reading
8193:
8184:
8182:
8167:
8165:
8146:
8144:
8125:
8123:
8103:
8101:
8077:
8075:
8073:Pulitzer Prizes
8057:
8055:
8033:
8031:
8008:
8006:
7981:
7979:
7978:on May 16, 2013
7956:
7954:
7931:
7929:
7906:
7904:
7881:
7879:
7855:
7853:
7852:on June 2, 2015
7828:
7826:
7798:
7796:
7773:
7771:
7746:
7744:
7726:
7724:
7709:
7707:
7683:
7676:
7674:
7671:Financial Times
7654:
7652:
7639:
7634:
7625:
7623:
7603:
7601:
7581:
7579:
7559:
7557:
7526:
7524:
7504:
7502:
7482:
7480:
7460:
7455:
7431:
7429:
7390:
7388:
7258:
7256:
7216:
7214:
7097:
7095:
7057:
7055:
6905:
6903:
6888:
6883:
6877:
6854:
6835:
6811:
6788:
6758:
6735:
6708:
6685:
6662:
6637:"Graphic novel"
6627:
6603:(Originally in
6599:
6572:
6547:
6520:
6497:
6474:
6451:
6428:
6409:
6386:
6361:
6334:
6311:
6288:
6265:
6240:
6221:
6198:
6169:
6134:
6107:
6084:
6061:
6024:
6012:. Vol. E.
6001:
5978:
5955:
5928:
5905:
5882:
5859:
5826:
5803:
5773:
5765:. p. 230.
5743:(Originally in
5739:
5716:
5693:
5670:
5645:
5622:
5589:(attributed to
5585:
5560:
5533:
5508:
5487:
5482:
5477:
5469:
5465:
5457:
5453:
5445:
5441:
5433:
5429:
5421:
5417:
5409:
5405:
5397:
5393:
5387:Hammarlund 2007
5385:
5378:
5366:
5362:
5354:
5350:
5337:
5333:
5321:
5317:
5305:
5301:
5293:
5289:
5281:
5277:
5269:
5265:
5257:
5250:
5242:
5235:
5227:
5223:
5211:
5207:
5203:, p. 3091.
5199:
5195:
5187:
5183:
5171:
5164:
5156:
5152:
5144:
5140:
5132:
5128:
5116:
5112:
5100:
5096:
5088:
5084:
5072:
5068:
5060:
5056:
5048:
5044:
5036:
5032:
5024:
5020:
5016:, p. xxiv.
5012:
5008:
4998:
4996:
4986:
4982:
4972:
4970:
4961:
4960:
4956:
4945:
4941:
4928:
4927:
4923:
4910:
4909:
4905:
4895:
4893:
4880:
4879:
4875:
4860:
4856:
4846:
4844:
4835:
4834:
4830:
4815:
4811:
4801:
4799:
4789:
4785:
4775:
4773:
4761:
4757:
4744:
4743:
4739:
4728:
4724:
4711:
4710:
4706:
4693:
4692:
4688:
4675:Fronczek, Mel.
4673:
4669:
4659:
4657:
4646:
4642:
4632:
4630:
4620:
4613:
4598:
4591:
4581:
4579:
4568:
4564:
4556:
4552:
4544:
4540:
4532:
4528:
4520:
4516:
4508:
4504:
4496:
4492:
4484:
4480:
4468:
4464:
4452:
4448:
4436:
4423:
4418:
4409:
4404:
4400:
4388:
4384:
4376:, p. 118;
4372:
4368:
4360:
4356:
4344:
4340:
4332:, p. 223;
4328:
4324:
4316:
4312:
4300:, p. 262;
4296:, p. 246;
4292:, p. 172;
4288:
4284:
4276:
4272:
4264:
4260:
4254:Spiegelman 2011
4252:
4248:
4240:
4236:
4230:Kannenberg 2001
4228:
4224:
4216:
4209:
4201:
4197:
4189:
4185:
4177:
4173:
4165:
4161:
4153:
4149:
4141:
4134:
4128:Kannenberg 2001
4126:
4122:
4114:
4107:
4099:
4095:
4087:
4083:
4075:
4071:
4063:
4059:
4051:
4047:
4039:
4035:
4027:
4020:
4012:
4008:
4000:
3996:
3989:
3975:
3971:
3963:
3959:
3951:
3947:
3939:
3935:
3927:
3923:
3919:, pp. 161.
3915:
3911:
3903:
3899:
3891:
3887:
3881:Schuldiner 2011
3879:
3875:
3869:Schuldiner 2011
3867:
3863:
3857:Schuldiner 2011
3855:
3851:
3845:Kannenberg 2001
3843:
3839:
3831:
3827:
3819:
3815:
3799:
3795:
3783:
3779:
3771:
3767:
3759:
3755:
3747:
3740:
3732:
3728:
3720:
3716:
3708:
3704:
3696:
3692:
3676:
3672:
3664:, p. 210;
3660:
3656:
3648:
3641:
3635:Hungerford 2003
3633:
3626:
3618:
3614:
3606:
3602:
3594:, p. 250;
3590:
3586:
3578:
3574:
3566:
3559:
3551:
3547:
3541:Spiegelman 2011
3539:
3535:
3529:Spiegelman 2011
3523:
3519:
3513:Spiegelman 2011
3507:
3503:
3494:
3493:
3489:
3483:Spiegelman 2011
3481:
3477:
3471:Spiegelman 2011
3469:
3465:
3457:
3450:
3444:Spiegelman 2011
3438:
3431:
3423:
3419:
3403:
3399:
3387:
3383:
3375:
3371:
3363:
3359:
3351:
3347:
3339:
3335:
3323:
3319:
3311:
3307:
3299:, p. 118;
3295:
3291:
3283:, p. 171;
3279:
3275:
3267:
3263:
3255:
3248:
3232:
3228:
3220:, p. 221;
3216:
3212:
3204:
3197:
3189:
3185:
3177:
3173:
3169:, pp. 5–6.
3165:
3161:
3153:
3149:
3141:
3137:
3129:
3122:
3114:
3101:
3095:Spiegelman 2011
3093:
3089:
3081:
3072:
3064:
3060:
3052:
3043:
3035:
3026:
3018:
3009:
3001:
2994:
2986:, p. 122;
2982:
2978:
2970:
2966:
2958:
2949:
2935:Schuldiner 2011
2933:
2929:
2921:
2917:
2909:
2905:
2897:
2890:
2882:
2875:
2867:
2863:
2855:
2851:
2845:Spiegelman 2011
2843:
2836:
2824:
2820:
2814:Spiegelman 2011
2812:
2805:
2799:Spiegelman 2011
2797:
2790:
2782:
2775:
2767:, p. 123;
2763:, p. 250;
2759:
2755:
2747:
2738:
2732:Spiegelman 2011
2730:
2723:
2717:Spiegelman 2011
2715:
2711:
2703:
2696:
2688:
2684:
2672:
2668:
2658:McGlothlin 2006
2656:
2652:
2646:McGlothlin 2003
2644:
2640:
2632:
2628:
2620:
2616:
2604:
2600:
2592:
2585:
2577:
2570:
2562:, p. 100;
2558:
2554:
2546:
2542:
2534:
2527:
2521:Spiegelman 2011
2519:
2515:
2507:
2500:
2492:
2488:
2480:
2476:
2468:, p. 250;
2464:
2460:
2452:
2445:
2437:
2430:
2424:Kannenberg 1999
2422:
2411:
2403:
2390:
2382:
2369:
2357:
2353:
2349:
2344:
2343:
2334:
2330:
2325:
2321:
2307:
2303:
2298:
2294:
2289:
2285:
2278:[maĘŠĚŻs]
2271:
2267:
2262:
2228:
2216:
2206:
2204:
2196:
2194:
2135:Foreign Album (
2132:Urhunden Prize
1939:
1916:
1865:
1835:
1784:
1758:
1733:
1646:
1578:Marjane Satrapi
1434:
1416:wordless novels
1382:'s comic strip
1354:Harvey Kurtzman
1334:
1302:
1243:Talking animals
1234:cartoon animals
1226:
1210:related not to
1178:
1161:for the Nazis.
1142:
1132:
1125:
1093:Marianne Hirsch
1089:
1005:
1000:
942:
935:
923:Gazeta Wyborcza
847:
790:Voyager Company
700:
694:
691:
684:
667:
656:
604:
517:wordless novels
477:
464:
463:Françoise Mouly
452:
443:
442:Anja Spiegelman
434:
433:Mala Spiegelman
421:
405:
400:
316:mental hospital
285:prisoner of war
237:
209:Françoise Mouly
52:
28:
17:
12:
11:
5:
9564:
9554:
9553:
9548:
9543:
9538:
9536:Raw (magazine)
9533:
9528:
9523:
9518:
9513:
9508:
9503:
9498:
9493:
9488:
9483:
9478:
9473:
9468:
9463:
9458:
9453:
9448:
9443:
9438:
9433:
9428:
9423:
9418:
9413:
9408:
9403:
9398:
9393:
9388:
9383:
9378:
9373:
9368:
9363:
9358:
9343:
9342:
9319:
9318:
9315:
9312:
9311:
9309:
9308:
9302:
9299:John Hohenberg
9296:
9290:
9280:
9273:
9271:
9267:
9266:
9264:
9263:
9257:
9251:
9245:
9239:
9233:
9230:Duke Ellington
9227:
9221:
9215:
9212:Milton Babbitt
9209:
9203:
9200:Roger Sessions
9197:
9180:
9178:
9174:
9173:
9171:
9170:
9164:
9155:Art Spiegelman
9152:
9146:
9140:
9128:
9118:
9110:
9098:
9092:
9074:
9063:
9061:
9057:
9056:
9042:
9040:
9038:
9037:
9031:
9025:
9017:
9011:
9005:
8997:
8991:
8983:
8971:
8961:
8953:
8947:
8939:
8931:
8925:
8918:
8916:
8912:
8911:
8904:
8903:
8896:
8889:
8881:
8872:
8871:
8869:
8868:
8861:
8854:
8847:
8840:
8833:
8826:
8819:
8812:
8805:
8798:
8791:
8784:
8777:
8770:
8763:
8756:
8753:Asterios Polyp
8749:
8746:Amy and Jordan
8742:
8739:Alias the Cat!
8735:
8727:
8724:
8723:
8716:
8715:
8708:
8701:
8693:
8684:
8683:
8681:
8680:
8674:
8667:
8665:
8661:
8660:
8658:
8657:
8654:The Wild Party
8650:
8647:Wacky Packages
8643:
8636:
8628:
8626:
8622:
8621:
8619:
8618:
8611:
8607:The New Yorker
8603:
8596:
8589:
8582:
8574:
8572:
8568:
8567:
8565:
8564:
8557:
8550:
8543:
8535:
8533:
8529:
8528:
8525:Art Spiegelman
8521:
8520:
8513:
8506:
8498:
8492:
8491:
8481:
8457:
8448:
8431:
8414:
8394:
8380:
8373:
8361:
8348:
8347:
8345:
8344:External links
8342:
8340:
8339:
8324:
8318:
8300:
8286:
8269:
8263:
8246:
8240:
8223:
8217:
8199:
8197:
8194:
8192:
8191:
8174:
8153:
8132:
8110:
8084:
8064:
8040:
8015:
7988:
7963:
7938:
7913:
7895:(in Swedish).
7888:
7862:
7835:
7805:
7780:
7753:
7733:
7716:
7690:
7661:
7640:
7638:
7635:
7633:
7632:
7610:
7588:
7566:
7544:
7533:
7511:
7489:
7461:
7459:
7456:
7454:
7453:
7438:
7397:
7370:
7347:
7301:(April 1990).
7295:
7265:
7240:(2): 146–164.
7223:
7200:TransAtlantica
7187:
7169:(2): 177–198.
7158:
7127:
7104:
7064:
7031:
7005:(2): 199–230.
6994:
6961:
6912:
6889:
6887:
6884:
6882:
6881:
6875:
6867:Berghahn Books
6858:
6852:
6839:
6833:
6815:
6809:
6792:
6786:
6762:
6756:
6739:
6733:
6725:NBM Publishing
6712:
6706:
6689:
6683:
6666:
6660:
6631:
6625:
6608:
6597:
6576:
6570:
6551:
6545:
6524:
6518:
6501:
6495:
6478:
6472:
6455:
6449:
6432:
6426:
6413:
6407:
6390:
6384:
6365:
6359:
6338:
6332:
6315:
6309:
6292:
6286:
6269:
6263:
6244:
6238:
6225:
6219:
6202:
6196:
6173:
6167:
6138:
6132:
6111:
6105:
6088:
6082:
6065:
6059:
6028:
6023:978-0393927436
6022:
6005:
5999:
5982:
5976:
5959:
5953:
5932:
5926:
5909:
5903:
5886:
5880:
5863:
5857:
5830:
5824:
5807:
5801:
5777:
5771:
5750:
5749:on 1992-03-22)
5737:
5720:
5714:
5697:
5691:
5674:
5668:
5649:
5643:
5626:
5620:
5601:
5583:
5564:
5558:
5537:
5531:
5512:
5506:
5488:
5486:
5483:
5481:
5478:
5476:
5475:
5463:
5451:
5439:
5427:
5415:
5403:
5391:
5376:
5372:Jannequin 1990
5360:
5348:
5331:
5315:
5299:
5287:
5285:, p. 201.
5275:
5263:
5248:
5233:
5221:
5205:
5193:
5181:
5162:
5160:, p. 244.
5150:
5148:, p. 243.
5138:
5126:
5120:, p. 56;
5110:
5104:, p. 55;
5094:
5082:
5080:, p. 221.
5066:
5064:, p. 119.
5054:
5052:, p. 218.
5042:
5040:, p. 217.
5030:
5028:, p. 121.
5018:
5006:
4980:
4954:
4939:
4921:
4903:
4873:
4854:
4828:
4809:
4783:
4770:The Tennessean
4755:
4737:
4722:
4717:Daily Maverick
4704:
4686:
4681:The Tennessean
4667:
4654:The Tennessean
4640:
4611:
4589:
4576:The Tennessean
4562:
4560:, p. xii.
4550:
4538:
4536:, p. 118.
4526:
4514:
4502:
4490:
4478:
4472:, p. 54;
4462:
4460:, p. 405.
4446:
4398:
4396:, p. 219.
4382:
4366:
4364:, p. 223.
4354:
4338:
4336:, p. 406.
4322:
4310:
4282:
4270:
4258:
4256:, p. 196.
4246:
4244:, p. 172.
4234:
4222:
4207:
4205:, p. 112.
4195:
4193:, p. 104.
4183:
4171:
4169:, p. 172.
4159:
4147:
4132:
4120:
4105:
4103:, p. 100.
4093:
4091:, p. 111.
4081:
4079:, p. 110.
4069:
4057:
4055:, p. 221.
4045:
4043:, p. 208.
4033:
4018:
4006:
4004:, p. 168.
3994:
3987:
3969:
3967:, p. 166.
3957:
3955:, p. 165.
3945:
3933:
3921:
3909:
3907:, p. 225.
3897:
3895:, p. 224.
3885:
3873:
3861:
3849:
3837:
3825:
3813:
3807:, p. 27;
3793:
3791:, p. 231.
3787:, p. 17;
3777:
3765:
3763:, p. 283.
3753:
3738:
3726:
3714:
3710:Bolhafner 1991
3702:
3690:
3684:, p. 53;
3680:, p. 25;
3670:
3668:, p. 140.
3654:
3652:, p. 106.
3639:
3624:
3612:
3600:
3584:
3572:
3570:, p. 139.
3557:
3545:
3543:, p. 153.
3533:
3517:
3515:, p. 154.
3501:
3487:
3485:, p. 152.
3475:
3463:
3448:
3429:
3417:
3415:, p. 169.
3411:, p. 26;
3407:, p. 94;
3397:
3395:, p. 156.
3391:, p. 55;
3381:
3369:
3357:
3355:, p. 403.
3345:
3343:, p. 220.
3333:
3317:
3315:, p. 115.
3305:
3303:, p. 172.
3289:
3287:, p. 118.
3273:
3271:, p. 113.
3261:
3259:, p. 222.
3246:
3226:
3210:
3195:
3183:
3171:
3159:
3157:, p. 221.
3147:
3135:
3120:
3099:
3087:
3070:
3068:, p. 140.
3058:
3041:
3039:, p. 103.
3024:
3022:, p. 171.
3007:
3005:, p. 125.
2992:
2976:
2964:
2947:
2945:, p. 180.
2941:, p. 27;
2927:
2925:, p. 194.
2915:
2903:
2901:, p. 214.
2888:
2873:
2861:
2849:
2834:
2818:
2803:
2788:
2786:, p. 242.
2773:
2753:
2751:, p. 124.
2736:
2734:, p. 292.
2721:
2709:
2694:
2692:, p. 118.
2682:
2666:
2664:, p. 172.
2660:, p. 85;
2650:
2648:, p. 177.
2638:
2636:, p. 217.
2626:
2614:
2612:, p. 211.
2608:, p. 34;
2598:
2583:
2581:, p. 114.
2568:
2552:
2540:
2525:
2513:
2498:
2486:
2474:
2472:, p. 123.
2458:
2443:
2428:
2409:
2388:
2386:, p. 122.
2367:
2365:, p. 154.
2361:, p. 98;
2350:
2348:
2345:
2342:
2341:
2328:
2319:
2301:
2292:
2283:
2264:
2263:
2261:
2258:
2257:
2256:
2251:
2244:
2239:
2234:
2227:
2226:
2214:
2193:
2190:
2187:
2186:
2183:
2182:for Biography
2177:
2172:
2168:
2167:
2164:
2161:
2158:
2144:
2143:
2140:
2133:
2130:
2126:
2125:
2122:
2115:
2112:
2108:
2107:
2104:
2097:
2090:
2086:
2085:
2082:
2075:
2070:
2066:
2065:
2062:
2055:
2050:
2046:
2045:
2042:
2037:
2035:Pulitzer Prize
2032:
2028:
2027:
2024:
2021:
2018:
2014:
2013:
2010:
2009:Special Prize
2007:
2002:
1998:
1997:
1994:
1993:Foreign Album
1991:
1989:Urhunden Prize
1986:
1982:
1981:
1978:
1968:
1963:
1959:
1958:
1955:
1949:
1934:
1930:
1929:
1926:
1920:
1910:
1906:
1905:
1902:
1901:for Biography
1896:
1891:
1887:
1886:
1883:
1880:
1877:
1864:
1861:
1834:
1831:
1816:essentialistic
1680:Linda Hutcheon
1645:
1642:
1588:Alison Bechdel
1463:Pulitzer Prize
1433:
1430:
1412:Frans Masereel
1346:Frans Masereel
1342:woodcut novels
1333:
1330:
1301:
1298:
1225:
1222:
1208:etymologically
1204:Eastern Europe
1177:
1174:
1141:
1138:
1124:
1121:
1088:
1085:
1056:Final Solution
1043:minstrel shows
1004:
1001:
999:
996:
846:
843:
739:and subtitled
733:Pantheon Books
728:New York Times
702:
701:
670:
668:
661:
655:
652:
603:
600:
513:Frans Masereel
476:
473:
472:
471:
465:
462:
460:
453:
450:
448:
444:
441:
439:
435:
432:
430:
422:
419:
417:
406:
404:Art Spiegelman
403:
399:
396:
363:Samuel Beckett
236:
233:
164:Pulitzer Prize
144:Art Spiegelman
123:
122:
119:
115:
114:
111:
107:
106:
99:
95:
94:
90:
89:
87:Pantheon Books
84:
80:
79:
76:
72:
71:
68:
64:
63:
61:Art Spiegelman
58:
54:
53:
47:
39:
38:
15:
9:
6:
4:
3:
2:
9563:
9552:
9549:
9547:
9544:
9542:
9539:
9537:
9534:
9532:
9529:
9527:
9524:
9522:
9519:
9517:
9514:
9512:
9509:
9507:
9504:
9502:
9499:
9497:
9494:
9492:
9489:
9487:
9484:
9482:
9479:
9477:
9474:
9472:
9469:
9467:
9464:
9462:
9459:
9457:
9454:
9452:
9449:
9447:
9444:
9442:
9439:
9437:
9434:
9432:
9429:
9427:
9424:
9422:
9419:
9417:
9414:
9412:
9409:
9407:
9404:
9402:
9399:
9397:
9394:
9392:
9389:
9387:
9384:
9382:
9379:
9377:
9374:
9372:
9369:
9367:
9364:
9362:
9359:
9357:
9354:
9353:
9351:
9341:
9336:
9331:
9330:
9327:
9313:
9306:
9303:
9300:
9297:
9294:
9291:
9288:
9284:
9281:
9278:
9275:
9274:
9272:
9268:
9261:
9258:
9255:
9254:Hank Williams
9252:
9249:
9246:
9243:
9240:
9237:
9234:
9231:
9228:
9225:
9222:
9219:
9216:
9213:
9210:
9207:
9204:
9201:
9198:
9195:
9194:
9189:
9185:
9182:
9181:
9179:
9175:
9168:
9165:
9162:
9161:
9156:
9153:
9150:
9147:
9144:
9141:
9138:
9134:
9133:
9129:
9126:
9122:
9119:
9116:
9115:
9111:
9108:
9104:
9103:
9099:
9096:
9093:
9090:
9086:
9082:
9081:Carl Sandburg
9078:
9075:
9072:
9071:Sara Teasdale
9068:
9065:
9064:
9062:
9058:
9053:
9046:
9035:
9032:
9029:
9026:
9023:
9022:
9018:
9015:
9012:
9009:
9006:
9003:
9002:
8998:
8995:
8992:
8989:
8988:
8984:
8981:
8980:
8975:
8972:
8969:
8965:
8962:
8959:
8958:
8954:
8951:
8948:
8945:
8944:
8940:
8937:
8936:
8932:
8929:
8926:
8923:
8922:Frank I. Cobb
8920:
8919:
8917:
8913:
8909:
8902:
8897:
8895:
8890:
8888:
8883:
8882:
8879:
8867:
8866:
8862:
8860:
8859:
8855:
8853:
8852:
8848:
8846:
8845:
8841:
8839:
8838:
8834:
8832:
8831:
8827:
8825:
8824:
8820:
8818:
8817:
8813:
8811:
8810:
8806:
8804:
8803:
8799:
8797:
8796:
8792:
8790:
8789:
8785:
8783:
8782:
8778:
8776:
8775:
8771:
8769:
8768:
8764:
8762:
8761:
8757:
8755:
8754:
8750:
8748:
8747:
8743:
8741:
8740:
8736:
8734:
8733:
8729:
8728:
8725:
8721:
8714:
8709:
8707:
8702:
8700:
8695:
8694:
8691:
8678:
8675:
8672:
8669:
8668:
8666:
8662:
8656:
8655:
8651:
8649:
8648:
8644:
8642:
8641:
8637:
8635:
8634:
8630:
8629:
8627:
8623:
8617:
8616:
8612:
8609:
8608:
8604:
8602:
8601:
8597:
8595:
8594:
8590:
8588:
8587:
8583:
8581:
8580:
8576:
8575:
8573:
8569:
8563:
8562:
8558:
8556:
8555:
8551:
8549:
8548:
8544:
8542:
8541:
8537:
8536:
8534:
8530:
8526:
8519:
8514:
8512:
8507:
8505:
8500:
8499:
8496:
8489:
8487:
8482:
8480:
8476:
8472:
8468:
8465:
8463:
8458:
8456:
8452:
8449:
8447:(broken link)
8446:
8442:
8439:
8438:
8432:
8427:
8423:
8419:
8415:
8411:
8407:
8406:
8402:
8398:
8383:
8336:
8335:
8330:
8325:
8321:
8315:
8308:
8307:
8301:
8297:
8293:
8289:
8283:
8279:
8275:
8270:
8266:
8260:
8256:
8252:
8247:
8243:
8237:
8233:
8229:
8224:
8220:
8214:
8210:
8206:
8201:
8200:
8180:
8175:
8163:
8159:
8154:
8142:
8138:
8133:
8122:
8121:
8116:
8111:
8100:
8099:
8094:
8092:
8085:
8074:
8070:
8065:
8054:
8050:
8048:
8043:Obst, Peter.
8041:
8029:
8025:
8021:
8016:
8004:
8000:
7999:
7994:
7989:
7977:
7973:
7969:
7964:
7952:
7948:
7944:
7939:
7927:
7923:
7922:Harvey Awards
7919:
7914:
7902:
7898:
7894:
7889:
7878:
7877:
7872:
7870:
7863:
7851:
7847:
7846:
7841:
7836:
7824:
7820:
7819:
7814:
7810:
7806:
7794:
7790:
7786:
7781:
7769:
7765:
7764:
7759:
7754:
7743:
7739:
7734:
7722:
7717:
7706:
7705:
7700:
7698:
7691:
7687:
7673:
7672:
7667:
7662:
7651:
7647:
7642:
7641:
7622:
7621:
7616:
7611:
7600:
7599:
7594:
7593:"Not Funnies"
7589:
7578:
7577:
7572:
7567:
7556:
7555:
7550:
7545:
7541:
7540:
7534:
7523:
7522:
7517:
7512:
7501:
7500:
7495:
7490:
7478:
7474:
7473:
7468:
7463:
7462:
7450:
7446:
7445:
7439:
7427:
7423:
7419:
7415:
7411:
7407:
7403:
7398:
7386:
7382:
7381:
7380:Lingua Franca
7376:
7375:"Pig Perplex"
7371:
7367:
7363:
7359:
7355:
7354:
7348:
7344:
7340:
7335:
7330:
7326:
7322:
7318:
7314:
7310:
7309:
7304:
7300:
7299:Pekar, Harvey
7296:
7292:
7288:
7284:
7280:
7279:
7274:
7270:
7269:Pekar, Harvey
7266:
7255:
7251:
7247:
7243:
7239:
7235:
7234:
7229:
7224:
7213:
7209:
7205:
7201:
7197:
7195:
7188:
7184:
7180:
7176:
7172:
7168:
7164:
7159:
7155:
7151:
7147:
7143:
7142:
7137:
7133:
7128:
7124:
7120:
7116:
7112:
7111:
7105:
7094:
7090:
7086:
7082:
7078:
7076:
7072:
7065:
7053:
7049:
7045:
7041:
7037:
7032:
7028:
7024:
7020:
7016:
7012:
7008:
7004:
7000:
6995:
6991:
6987:
6983:
6979:
6975:
6971:
6967:
6962:
6958:
6954:
6949:
6944:
6940:
6936:
6932:
6928:
6924:
6923:
6918:
6913:
6902:
6901:
6896:
6891:
6890:
6878:
6872:
6868:
6864:
6859:
6855:
6849:
6845:
6840:
6836:
6830:
6826:
6825:
6820:
6819:Wolk, Douglas
6816:
6812:
6806:
6802:
6798:
6793:
6789:
6783:
6779:
6774:
6773:
6767:
6763:
6759:
6753:
6749:
6745:
6740:
6736:
6730:
6726:
6721:
6720:
6713:
6709:
6703:
6699:
6695:
6690:
6686:
6680:
6676:
6672:
6667:
6663:
6657:
6653:
6649:
6645:
6644:
6638:
6632:
6628:
6622:
6618:
6614:
6609:
6606:
6600:
6594:
6590:
6586:
6582:
6577:
6573:
6567:
6563:
6559:
6558:
6552:
6548:
6542:
6538:
6534:
6530:
6525:
6521:
6515:
6511:
6507:
6502:
6498:
6492:
6488:
6484:
6479:
6475:
6469:
6465:
6461:
6456:
6452:
6446:
6442:
6438:
6433:
6429:
6423:
6419:
6414:
6410:
6404:
6400:
6396:
6391:
6387:
6381:
6377:
6373:
6372:
6366:
6362:
6356:
6352:
6348:
6344:
6339:
6335:
6329:
6325:
6321:
6316:
6312:
6306:
6302:
6298:
6293:
6289:
6283:
6279:
6275:
6270:
6266:
6260:
6256:
6252:
6251:
6245:
6241:
6235:
6231:
6226:
6222:
6216:
6212:
6208:
6203:
6199:
6193:
6189:
6185:
6184:
6179:
6174:
6170:
6164:
6160:
6156:
6152:
6148:
6144:
6139:
6135:
6129:
6125:
6121:
6117:
6112:
6108:
6102:
6098:
6094:
6089:
6085:
6079:
6075:
6071:
6066:
6062:
6056:
6052:
6048:
6044:
6039:
6037:
6029:
6025:
6019:
6015:
6011:
6006:
6002:
5996:
5992:
5988:
5983:
5979:
5973:
5969:
5965:
5960:
5956:
5950:
5946:
5942:
5938:
5933:
5929:
5923:
5919:
5915:
5910:
5906:
5900:
5896:
5892:
5887:
5883:
5877:
5873:
5869:
5864:
5860:
5854:
5850:
5846:
5842:
5841:
5836:
5831:
5827:
5821:
5817:
5813:
5808:
5804:
5798:
5794:
5789:
5788:
5782:
5781:Harvey, R. C.
5778:
5774:
5768:
5764:
5760:
5756:
5751:
5748:
5747:
5740:
5734:
5730:
5726:
5721:
5717:
5711:
5708:. p. 3.
5707:
5703:
5698:
5694:
5688:
5684:
5680:
5675:
5671:
5665:
5661:
5657:
5656:
5650:
5646:
5640:
5636:
5632:
5627:
5623:
5617:
5613:
5609:
5608:
5602:
5597:
5593:
5586:
5580:
5576:
5572:
5571:
5565:
5561:
5555:
5551:
5546:
5545:
5538:
5534:
5528:
5524:
5520:
5519:
5513:
5509:
5503:
5499:
5495:
5490:
5489:
5472:
5467:
5460:
5455:
5448:
5443:
5436:
5431:
5424:
5419:
5412:
5407:
5400:
5395:
5388:
5383:
5381:
5374:, p. 19.
5373:
5369:
5364:
5357:
5352:
5345:
5342:, to promote
5341:
5335:
5328:
5324:
5319:
5312:
5308:
5303:
5296:
5295:Couvreur 2012
5291:
5284:
5279:
5272:
5267:
5260:
5255:
5253:
5245:
5240:
5238:
5231:, p. 37.
5230:
5229:Surridge 2001
5225:
5218:
5214:
5209:
5202:
5197:
5190:
5185:
5178:
5177:Weschler 2001
5174:
5169:
5167:
5159:
5154:
5147:
5142:
5136:, p. 57.
5135:
5130:
5124:, p. 32.
5123:
5119:
5114:
5107:
5103:
5098:
5091:
5086:
5079:
5075:
5074:Hatfield 2005
5070:
5063:
5058:
5051:
5046:
5039:
5034:
5027:
5022:
5015:
5010:
4995:
4991:
4984:
4968:
4964:
4958:
4950:
4943:
4935:
4931:
4925:
4917:
4913:
4907:
4891:
4887:
4883:
4877:
4869:
4865:
4858:
4842:
4838:
4832:
4824:
4820:
4813:
4798:
4794:
4787:
4772:
4771:
4766:
4759:
4751:
4747:
4741:
4733:
4726:
4718:
4714:
4708:
4700:
4696:
4690:
4682:
4678:
4671:
4655:
4651:
4644:
4629:
4625:
4618:
4616:
4607:
4603:
4596:
4594:
4577:
4573:
4566:
4559:
4554:
4548:, p. 73.
4547:
4542:
4535:
4530:
4523:
4522:Grossman 2009
4518:
4511:
4506:
4499:
4494:
4487:
4482:
4475:
4471:
4466:
4459:
4458:Horowitz 1997
4455:
4450:
4444:
4440:
4435:
4431:
4427:
4422:
4417:
4413:
4408:
4402:
4395:
4391:
4386:
4380:, p. 25.
4379:
4375:
4370:
4363:
4358:
4351:
4347:
4342:
4335:
4334:Horowitz 1997
4331:
4326:
4319:
4314:
4307:
4304:, p. 1;
4303:
4299:
4298:Stringer 1996
4295:
4291:
4286:
4280:, p. 94.
4279:
4274:
4268:, p. 36.
4267:
4262:
4255:
4250:
4243:
4238:
4232:, p. 28.
4231:
4226:
4219:
4214:
4212:
4204:
4199:
4192:
4187:
4181:, p. 26.
4180:
4175:
4168:
4163:
4156:
4151:
4144:
4143:Rothberg 2000
4139:
4137:
4130:, p. 85.
4129:
4124:
4118:, p. 54.
4117:
4112:
4110:
4102:
4097:
4090:
4085:
4078:
4073:
4067:, p. 97.
4066:
4061:
4054:
4049:
4042:
4041:Rothberg 2000
4037:
4031:, p. 22.
4030:
4025:
4023:
4016:, p. 21.
4015:
4010:
4003:
3998:
3990:
3984:
3980:
3973:
3966:
3961:
3954:
3949:
3942:
3937:
3930:
3925:
3918:
3913:
3906:
3901:
3894:
3889:
3883:, p. 75.
3882:
3877:
3871:, p. 70.
3870:
3865:
3859:, p. 69.
3858:
3853:
3847:, p. 86.
3846:
3841:
3835:, p. 37.
3834:
3829:
3822:
3817:
3810:
3806:
3802:
3797:
3790:
3786:
3781:
3775:, p. 26.
3774:
3769:
3762:
3757:
3751:, p. 27.
3750:
3745:
3743:
3736:, p. 70.
3735:
3730:
3723:
3718:
3712:, p. 96.
3711:
3706:
3700:, p. 53.
3699:
3694:
3688:, p. 55.
3687:
3683:
3679:
3678:Reibmann 2001
3674:
3667:
3666:Hatfield 2005
3663:
3662:Rothberg 2000
3658:
3651:
3646:
3644:
3637:, p. 87.
3636:
3631:
3629:
3621:
3616:
3610:, p. 69.
3609:
3604:
3597:
3593:
3588:
3582:, p. 87.
3581:
3576:
3569:
3568:Reizbaum 2000
3564:
3562:
3554:
3553:Reizbaum 2000
3549:
3542:
3537:
3530:
3526:
3521:
3514:
3510:
3509:Mozzocco 2011
3505:
3497:
3491:
3484:
3479:
3472:
3467:
3460:
3455:
3453:
3445:
3441:
3440:Weschler 2001
3436:
3434:
3427:, p. 93.
3426:
3421:
3414:
3410:
3406:
3401:
3394:
3390:
3385:
3378:
3373:
3367:, p. 57.
3366:
3361:
3354:
3353:Horowitz 1997
3349:
3342:
3337:
3330:
3327:, p. 2;
3326:
3321:
3314:
3309:
3302:
3298:
3293:
3286:
3282:
3277:
3270:
3265:
3258:
3257:Petersen 2010
3253:
3251:
3243:
3240:, p. 3;
3239:
3235:
3230:
3223:
3219:
3214:
3207:
3202:
3200:
3193:, p. 91.
3192:
3187:
3181:, p. 68.
3180:
3175:
3168:
3163:
3156:
3155:Petersen 2010
3151:
3144:
3139:
3133:, p. 98.
3132:
3127:
3125:
3117:
3112:
3110:
3108:
3106:
3104:
3096:
3091:
3084:
3079:
3077:
3075:
3067:
3062:
3056:, p. 18.
3055:
3050:
3048:
3046:
3038:
3033:
3031:
3029:
3021:
3016:
3014:
3012:
3004:
2999:
2997:
2990:, p. 36.
2989:
2985:
2980:
2973:
2968:
2961:
2956:
2954:
2952:
2944:
2940:
2936:
2931:
2924:
2919:
2913:, p. 35.
2912:
2907:
2900:
2899:Rothberg 2000
2895:
2893:
2886:, p. 56.
2885:
2880:
2878:
2871:, p. 35.
2870:
2865:
2859:, p. 18.
2858:
2853:
2846:
2841:
2839:
2832:, p. 39.
2831:
2827:
2822:
2815:
2810:
2808:
2801:, p. 16.
2800:
2795:
2793:
2785:
2780:
2778:
2771:, p. 29.
2770:
2766:
2762:
2757:
2750:
2745:
2743:
2741:
2733:
2728:
2726:
2719:, p. 17.
2718:
2713:
2707:, p. 85.
2706:
2701:
2699:
2691:
2686:
2680:, p. 88.
2679:
2675:
2670:
2663:
2659:
2654:
2647:
2642:
2635:
2634:Rothberg 2000
2630:
2624:, p. 29.
2623:
2618:
2611:
2610:Rothberg 2000
2607:
2602:
2596:, p. 84.
2595:
2590:
2588:
2580:
2575:
2573:
2566:, p. 38.
2565:
2561:
2556:
2550:, p. 36.
2549:
2544:
2538:, p. 83.
2537:
2532:
2530:
2523:, p. 18.
2522:
2517:
2511:, p. 26.
2510:
2509:Reibmann 2001
2505:
2503:
2496:, p. 54.
2495:
2490:
2483:
2478:
2471:
2467:
2462:
2456:, p. 29.
2455:
2450:
2448:
2441:, p. 55.
2440:
2435:
2433:
2425:
2420:
2418:
2416:
2414:
2406:
2401:
2399:
2397:
2395:
2393:
2385:
2380:
2378:
2376:
2374:
2372:
2364:
2360:
2355:
2351:
2338:
2332:
2323:
2316:
2311:
2305:
2296:
2287:
2279:
2275:
2269:
2265:
2255:
2252:
2250:
2249:
2245:
2243:
2240:
2238:
2235:
2233:
2230:
2229:
2225:
2220:
2215:
2213:
2212:United States
2203:
2202:
2199:
2184:
2181:
2178:
2176:
2173:
2169:
2160:Organization
2155:
2152:
2141:
2138:
2134:
2131:
2127:
2123:
2120:
2116:
2113:
2109:
2105:
2102:
2098:
2096:
2095:
2091:
2087:
2083:
2080:
2076:
2074:
2071:
2067:
2063:
2060:
2056:
2054:
2051:
2047:
2043:
2041:
2038:
2036:
2033:
2029:
2025:
2022:
2019:
2015:
2011:
2008:
2006:
2003:
1999:
1995:
1992:
1990:
1987:
1983:
1979:
1976:
1972:
1969:
1967:
1964:
1960:
1956:
1954:
1950:
1948:
1943:
1938:
1935:
1931:
1927:
1924:
1923:Present Tense
1921:
1919:
1914:
1913:Present Tense
1911:
1907:
1903:
1900:
1897:
1895:
1892:
1888:
1879:Organization
1874:
1871:
1860:
1858:
1854:
1850:
1846:
1841:
1830:
1828:
1823:
1821:
1817:
1813:
1809:
1805:
1800:
1798:
1792:
1790:
1783:
1779:
1775:
1771:
1767:
1762:
1757:
1753:
1748:
1743:
1742:Hillel Halkin
1732:
1728:
1723:
1719:
1717:
1713:
1709:
1705:
1701:
1697:
1693:
1689:
1685:
1681:
1677:
1673:
1669:
1665:
1664:
1659:
1655:
1651:
1641:
1639:
1635:
1630:
1626:
1622:
1618:
1614:
1610:
1606:
1602:
1597:
1595:
1594:
1589:
1585:
1584:
1579:
1575:
1571:
1567:
1563:
1558:
1556:
1552:
1548:
1547:Jules Feiffer
1544:
1540:
1539:
1534:
1530:
1529:
1524:
1523:
1518:
1517:
1512:
1508:
1506:
1502:
1498:
1494:
1490:
1486:
1478:
1474:
1472:
1468:
1464:
1460:
1456:
1452:
1451:
1446:
1445:
1440:
1429:
1427:
1426:
1421:
1417:
1413:
1409:
1405:
1401:
1397:
1396:
1391:
1387:
1386:
1381:
1377:
1373:
1372:
1367:
1363:
1359:
1355:
1347:
1343:
1338:
1329:
1327:
1323:
1318:
1315:
1310:
1307:
1297:
1294:
1289:
1285:
1282:
1277:
1275:
1271:
1268:
1264:
1258:
1256:
1252:
1251:Fritz the Cat
1248:
1244:
1235:
1230:
1221:
1219:
1218:
1213:
1209:
1205:
1200:
1195:
1191:
1186:
1184:
1173:
1171:
1167:
1162:
1160:
1159:ghetto police
1156:
1155:
1149:
1147:
1137:
1131:
1120:
1118:
1112:
1110:
1106:
1102:
1098:
1094:
1084:
1082:
1078:
1074:
1070:
1066:
1060:
1057:
1052:
1047:
1044:
1040:
1036:
1030:
1028:
1024:
1020:
1009:
995:
992:
988:
984:
980:
976:
972:
971:Jewish Police
968:
964:
959:
957:
953:
949:
941:
934:
930:
925:
924:
918:
913:
909:
905:
901:
900:mother tongue
897:
893:
889:
881:
877:
874:
869:
865:
863:
859:
855:
851:
850:Penguin Books
842:
840:
836:
833:. The book's
832:
828:
823:
821:
817:
816:Hillary Chute
813:
812:
807:
803:
799:
795:
791:
787:
782:
780:
776:
771:
767:
766:direct market
762:
760:
756:
752:
748:
747:
742:
738:
734:
730:
729:
724:
719:
717:
713:
709:
698:
688:
682:
678:
674:
671:This article
669:
665:
660:
659:
651:
649:
648:
643:
639:
638:graphic novel
635:
631:
628:
624:
620:
616:
612:
608:
602:Comics medium
599:
597:
592:
588:
584:
580:
572:
567:
563:
561:
557:
553:
549:
548:
547:Funny Aminals
543:
542:
537:
528:
524:
522:
518:
515:who had made
514:
510:
506:
502:
498:
494:
489:
486:
482:
469:
466:
458:
454:
445:
436:
428:
423:
415:
411:
407:
401:
395:
391:
389:
385:
381:
376:
370:
368:
364:
359:
354:
350:
348:
342:
340:
336:
332:
328:
323:
321:
317:
312:
305:
300:
296:
294:
290:
286:
282:
278:
274:
270:
266:
262:
256:
252:
250:
249:the Holocaust
246:
242:
232:
230:
226:
225:
220:
219:
214:
210:
206:
205:
200:
194:
192:
188:
184:
180:
176:
172:
167:
165:
161:
157:
153:
149:
145:
141:
140:graphic novel
137:
136:
131:
130:
120:
116:
112:
108:
105:
104:
100:
96:
91:
88:
85:
81:
77:
73:
69:
65:
62:
59:
55:
51:
45:
40:
37:
33:
30:
26:
22:
9242:Ray Bradbury
9206:Scott Joplin
9191:
9159:
9158:
9130:
9120:
9112:
9100:
9084:
9077:Corn Huskers
9076:
9066:
9028:Ida B. Wells
9019:
8999:
8985:
8977:
8968:Arthur Krock
8955:
8941:
8933:
8863:
8857:
8856:
8849:
8842:
8835:
8828:
8821:
8814:
8807:
8800:
8793:
8786:
8779:
8772:
8765:
8758:
8751:
8744:
8737:
8730:
8652:
8645:
8638:
8631:
8613:
8605:
8598:
8591:
8584:
8577:
8560:
8559:
8552:
8545:
8538:
8485:
8474:
8461:
8455:Random House
8436:
8425:
8418:Gross, Terry
8332:
8305:
8273:
8250:
8231:
8227:
8204:
8183:. Retrieved
8166:. Retrieved
8162:the original
8145:. Retrieved
8141:the original
8126:February 19,
8124:. Retrieved
8118:
8102:. Retrieved
8096:
8090:
8076:. Retrieved
8056:. Retrieved
8046:
8032:. Retrieved
8028:the original
8007:. Retrieved
8003:the original
7996:
7980:. Retrieved
7976:the original
7972:IndyWeek.com
7957:February 29,
7955:. Retrieved
7951:the original
7930:. Retrieved
7926:the original
7905:. Retrieved
7901:the original
7880:. Retrieved
7874:
7868:
7854:. Retrieved
7850:the original
7845:The Guardian
7843:
7827:. Retrieved
7823:the original
7816:
7808:
7797:. Retrieved
7793:the original
7774:February 19,
7772:. Retrieved
7768:the original
7761:
7745:. Retrieved
7725:. Retrieved
7708:. Retrieved
7702:
7696:
7675:. Retrieved
7669:
7653:. Retrieved
7624:. Retrieved
7618:
7602:. Retrieved
7596:
7580:. Retrieved
7574:
7558:. Retrieved
7552:
7537:
7525:. Retrieved
7519:
7503:. Retrieved
7497:
7481:. Retrieved
7477:the original
7470:
7442:
7430:. Retrieved
7426:the original
7409:
7405:
7389:. Retrieved
7384:
7378:
7351:
7312:
7306:
7276:
7272:
7257:. Retrieved
7237:
7231:
7215:. Retrieved
7203:
7199:
7193:
7166:
7162:
7139:
7135:
7134:(ed.). "#4:
7108:
7096:. Retrieved
7084:
7080:
7074:
7070:
7056:. Retrieved
7052:the original
7039:
7002:
6998:
6969:
6926:
6920:
6906:February 19,
6904:. Retrieved
6898:
6862:
6843:
6823:
6796:
6771:
6743:
6718:
6693:
6670:
6642:
6617:Viking Press
6612:
6604:
6584:
6580:
6556:
6532:
6528:
6505:
6482:
6459:
6436:
6417:
6394:
6370:
6346:
6342:
6319:
6296:
6273:
6249:
6229:
6206:
6182:
6177:
6154:
6150:
6146:
6142:
6119:
6115:
6092:
6069:
6042:
6035:
6014:W. W. Norton
6009:
5986:
5963:
5940:
5936:
5913:
5890:
5867:
5839:
5811:
5786:
5758:
5744:
5724:
5701:
5678:
5654:
5630:
5606:
5596:The Listener
5595:
5569:
5543:
5517:
5493:
5466:
5459:Colbert 1992
5454:
5442:
5430:
5418:
5406:
5394:
5363:
5351:
5334:
5318:
5302:
5290:
5278:
5266:
5224:
5208:
5196:
5184:
5153:
5141:
5129:
5113:
5097:
5085:
5078:Russell 2008
5069:
5057:
5045:
5033:
5021:
5009:
4999:February 22,
4997:. Retrieved
4993:
4983:
4973:February 22,
4971:. Retrieved
4966:
4957:
4942:
4933:
4924:
4915:
4906:
4894:. Retrieved
4890:the original
4885:
4876:
4867:
4857:
4845:. Retrieved
4831:
4822:
4812:
4800:. Retrieved
4786:
4774:. Retrieved
4768:
4758:
4749:
4740:
4725:
4716:
4707:
4698:
4689:
4683:. Nashville.
4680:
4670:
4658:. Retrieved
4653:
4643:
4631:. Retrieved
4605:
4580:. Retrieved
4575:
4565:
4553:
4541:
4529:
4517:
4505:
4493:
4481:
4465:
4449:
4401:
4394:Rhoades 2008
4385:
4369:
4362:Russell 2008
4357:
4341:
4330:Russell 2008
4325:
4313:
4308:, p. 7.
4285:
4273:
4261:
4249:
4237:
4225:
4198:
4186:
4174:
4162:
4150:
4123:
4096:
4084:
4072:
4060:
4053:Russell 2008
4048:
4036:
4009:
3997:
3978:
3972:
3960:
3948:
3941:LaCapra 1998
3936:
3929:LaCapra 1998
3924:
3917:LaCapra 1998
3912:
3900:
3888:
3876:
3864:
3852:
3840:
3828:
3816:
3796:
3780:
3768:
3756:
3729:
3717:
3705:
3693:
3673:
3657:
3615:
3603:
3587:
3575:
3548:
3536:
3520:
3504:
3490:
3478:
3466:
3459:Gambino 2015
3420:
3400:
3393:LaCapra 1998
3384:
3372:
3365:Hignite 2007
3360:
3348:
3341:Rhoades 2008
3336:
3325:McGrath 2004
3320:
3308:
3292:
3276:
3264:
3229:
3224:, p. 1.
3218:Russell 2008
3213:
3186:
3174:
3162:
3150:
3138:
3090:
3061:
3003:Fathers 2007
2984:Fathers 2007
2979:
2967:
2930:
2918:
2906:
2864:
2852:
2821:
2765:Fathers 2007
2756:
2749:Fathers 2007
2712:
2685:
2669:
2653:
2641:
2629:
2617:
2601:
2555:
2543:
2516:
2489:
2477:
2470:Fathers 2007
2461:
2384:Fathers 2007
2363:LaCapra 1998
2354:
2331:
2322:
2314:
2304:
2295:
2286:
2273:
2268:
2246:
2150:
2136:
2118:
2100:
2092:
2078:
2073:Harvey Award
2058:
2053:Eisner Award
1974:
1952:
1946:
1922:
1912:
1869:
1848:
1844:
1836:
1826:
1824:
1819:
1811:
1803:
1801:
1796:
1793:
1781:
1777:
1769:
1763:
1755:
1747:Harvey Pekar
1739:
1730:
1729:objected to
1727:Harvey Pekar
1707:
1703:
1700:Considering
1699:
1695:
1691:
1687:
1671:
1667:
1661:
1658:Joshua Brown
1653:
1649:
1647:
1637:
1628:
1624:
1608:
1598:
1591:
1581:
1573:
1565:
1561:
1559:
1554:
1542:
1536:
1532:
1526:
1520:
1514:
1510:
1509:
1500:
1496:
1488:
1484:
1483:
1473:in 1991–92.
1470:
1458:
1454:
1448:
1442:
1438:
1435:
1423:
1407:
1403:
1399:
1393:
1389:
1383:
1375:
1369:
1351:
1319:
1313:
1311:
1303:
1290:
1286:
1280:
1278:
1259:
1254:
1247:Robert Crumb
1239:
1215:
1211:
1189:
1187:
1179:
1163:
1152:
1150:
1143:
1129:
1126:
1116:
1113:
1100:
1096:
1090:
1080:
1077:psychiatrist
1069:Israeli Jews
1061:
1048:
1031:
1022:
1015:
1003:Presentation
991:Yehuda Vizan
966:
960:
951:
939:
932:
928:
917:Piotr Bikont
911:
887:
885:
879:
875:
873:Piotr Bikont
854:Commonwealth
848:
839:Adolf Hitler
826:
824:
819:
809:
805:
793:
785:
783:
769:
763:
758:
744:
740:
736:
726:
722:
720:
715:
711:
707:
705:
692:
680:
676:
672:
645:
633:
632:
625:titles. The
610:
605:
595:
583:pornographic
578:
576:
559:
552:Ku Klux Klan
545:
539:
536:Justin Green
533:
490:
478:
414:intellectual
392:
371:
366:
357:
355:
351:
343:
324:
319:
308:
303:
273:anti-Semitic
257:
253:
238:
228:
223:
222:
217:
216:
212:
202:
198:
195:
178:
168:
159:
134:
133:
128:
127:
126:
101:
49:
35:
29:
8950:Byron Price
8168:January 31,
8147:January 31,
8078:January 31,
8034:January 31,
7932:January 31,
7829:January 27,
7799:January 31,
7727:January 31,
7710:January 31,
7626:January 30,
7560:January 27,
7527:January 30,
7217:February 1,
7132:Groth, Gary
7098:February 1,
7073:and Roth's
7058:January 30,
6049:. pp.
5847:. pp.
5592:Kohn, Marek
5480:Works cited
5158:Harvey 1996
5146:Harvey 1996
5062:Kaplan 2006
5026:Monnin 2010
4896:January 30,
4847:February 5,
4841:Fox 44 Waco
4802:January 28,
4776:January 28,
4660:January 28,
4656:. Nashville
4633:January 28,
4582:January 31,
4578:. Nashville
4534:Kaplan 2006
4510:Silver 2011
4443:Garner 2011
4434:Garner 2011
4421:Merino 2010
4374:Kaplan 2006
4350:Langer 1998
4290:Kaplan 2008
4266:Weiner 2003
4242:Kaplan 2008
4029:Levine 2006
4014:Levine 2006
3833:Schwab 2010
3821:Hirsch 1997
3801:Merino 2010
3789:Berger 1999
3785:Levine 2006
3773:Hirsch 1997
3749:Hirsch 1997
3525:Tzadka 2012
3409:Hirsch 1997
3377:Garner 2011
3329:Morman 2003
3313:Kaplan 2006
3301:Kaplan 2008
3297:Kaplan 2006
3285:Kaplan 2006
3281:Kaplan 2008
3269:Kaplan 2006
3167:Weiner 2003
3066:Kaplan 2008
3020:Kaplan 2008
2988:Weiner 2003
2939:Hirsch 1997
2911:Levine 2006
2869:Hirsch 1997
2826:Gordon 2004
2784:Harvey 1996
2769:Levine 2006
2690:Mandel 2006
2606:Levine 2006
2579:Kaplan 2006
2564:Levine 2006
2548:Levine 2006
2482:Merino 2010
2454:Levine 2006
2405:Gordon 2004
2310:Hebrew name
1940: [
1806:presents a
1551:Umberto Eco
1400:Binky Brown
1380:Harold Gray
1378:. He cited
1366:Master Race
1358:Will Eisner
1257:exploited.
987:Zmora Bitan
965:edition of
956:Victory Day
871:Journalist
642:Will Eisner
591:avant-garde
587:psychedelic
481:Polish Jews
438:experience.
380:Gross-Rosen
375:selektionen
339:barbed wire
261:Częstochowa
9350:Categories
9143:E.B. White
9137:Alex Haley
9067:Love Songs
8915:Journalism
8851:La Perdida
8760:Black Hole
8679:(daughter)
8586:Little Lit
8540:Breakdowns
8397:Audio help
8388:2005-06-23
8334:The Nation
7856:August 23,
7582:August 28,
7458:Newspapers
6976:: 91–109.
6972:(Spring).
6650:. p.
6399:Peter Lang
5523:Peter Lang
5323:Brown 1988
5307:Brown 1988
5283:Chute 2006
5271:Chute 2006
5259:Beaty 2012
5244:Loman 2010
5213:Pekar 1990
5189:Baker 1993
5134:Pekar 1986
5122:Pekar 1990
5118:Pekar 1986
5106:Pekar 1990
5102:Pekar 1986
5050:Loman 2010
5038:Loman 2010
4546:Pustz 2007
4426:Brown 1988
4407:Brown 1988
4390:Orbán 2005
4378:Weine 2006
4346:Witek 2004
4318:Witek 1989
4294:Sabin 1993
4278:Witek 1989
4218:Frahm 2004
4203:Witek 1989
4191:Witek 1989
4179:Weine 2006
4167:Adams 2008
4155:Weine 2006
4101:Witek 2004
4089:Witek 1989
4077:Witek 1989
4065:Witek 1989
3988:0679406417
3965:Rosen 2005
3953:Rosen 2005
3905:Loman 2010
3893:Loman 2010
3809:Brown 1988
3805:Weine 2006
3734:Pustz 2007
3686:Pekar 1986
3650:Witek 1989
3620:Loman 2010
3608:Pustz 2007
3596:Witek 1989
3592:Young 2006
3425:Smith 2007
3405:Witek 1989
3242:Abell 2012
3234:Witek 2004
3206:Witek 2004
3131:Witek 1989
3116:Brown 1988
3083:Conan 2011
3054:Chute 2010
3037:Witek 1989
2943:Adams 2008
2884:Pekar 1986
2761:Young 2006
2662:Adams 2008
2622:Weine 2006
2560:Witek 1989
2494:Pekar 1986
2466:Young 2006
2359:Witek 1989
2347:References
2026:Nominated
1904:Nominated
1853:Flammarion
1808:fatalistic
1795:Michaels,
1766:Marek Kohn
1583:Persepolis
1570:Chris Ware
1493:David Duke
1332:Influences
1322:stationery
1146:schwartser
1097:postmemory
1073:porcupines
1039:Ken Jacobs
1021:approach;
1019:postmodern
505:Volkswagen
475:Background
410:cartoonist
241:frame tale
171:frame-tale
156:postmodern
148:Polish Jew
75:Page count
9248:Bob Dylan
9193:Oklahoma!
9014:Herb Caen
8823:Ice Haven
8802:Epileptic
8296:304791620
8181:. Alondon
8104:April 16,
7907:April 27,
7882:April 16,
7677:April 18,
7655:April 17,
7432:April 16,
7422:1549-6732
7366:0194-7869
7360:: 36–37.
7343:0194-7869
7319:: 27–34.
7291:0194-7869
7285:: 54–57.
7212:1765-2766
7183:146408018
7163:Narrative
7154:0194-7869
7123:0194-7869
7093:1549-6732
7081:ImageText
7075:Patrimony
7048:1780-678X
7027:160818029
6990:0094-0798
6957:0194-7869
6933:: 96–99.
6278:Routledge
5090:Park 2011
4470:Liss 1998
4454:Ruth 2011
4439:Ruth 2011
4430:Ruth 2011
4416:Ruth 2011
4116:Liss 1998
3761:Wolk 2008
3722:Hays 2011
3698:Liss 1998
3682:Liss 1998
3580:Wood 1997
3389:Liss 1998
3143:Blau 2008
2960:Kois 2011
2923:Moss 2017
2857:Rice 2007
2705:Wood 1997
2678:Wood 1997
2674:Kois 2011
2594:Wood 1997
2536:Wood 1997
2439:Liss 1998
1623:sales of
1617:Orwellian
1605:Tennessee
1507:in 1992.
1340:Wordless
1274:Lynd Ward
1199:mauscheln
886:By 2011,
862:apartheid
808:entitled
802:HyperCard
792:released
695:July 2024
687:talk page
623:superhero
619:DC Comics
468:Françoise
457:Zawiercie
347:Auschwitz
331:Zawiercie
265:Sosnowiec
251:in 1945.
245:Rego Park
191:Auschwitz
152:Holocaust
121:1980–1991
83:Publisher
78:296 pages
9285:and the
9279:* (1944)
8974:Max Kase
8924:* (1924)
8467:Archived
8441:Archived
8433:(video)
8399: ·
8292:ProQuest
7897:Urhunden
7637:Websites
7505:June 12,
7483:June 15,
7259:March 1,
7254:54749234
7019:20479765
6821:(2008).
6768:(2006).
6613:MetaMAUS
6301:ABC-CLIO
5783:(1996).
5706:ABC-CLIO
4994:ABC News
4967:HuffPost
4916:HuffPost
2830:Tan 2001
2192:See also
2151:MetaMaus
1915:magazine
1644:Critique
1603:in east
1593:Fun Home
1444:Watchmen
1428:(1919).
1422:such as
1420:woodcuts
1176:Language
1154:Judenrat
1012:itself".
904:swastika
835:epigraph
811:MetaMaus
509:fanzines
320:murdered
235:Synopsis
9270:Service
9060:Letters
8386: (
8357:minutes
8185:May 18,
8058:May 16,
8009:May 18,
7982:June 7,
7697:Maus II
7604:June 7,
7472:Le Soir
7447:(212).
7391:May 15,
7356:(235).
7321:Bibcode
7315:(135).
7281:(113).
7144:(210).
7113:(121).
6935:Bibcode
6929:(145).
6051:139–179
4628:Reuters
2198:Portals
2166:Result
2137:Maus II
2101:Maus II
2079:Maus II
2059:Maus II
1885:Result
1820:natural
1778:unclean
1698:called
1531:listed
1300:Artwork
1293:Joycean
1270:woodcut
1263:surreal
1194:cognate
1065:gentile
975:Israeli
412:and an
335:Gestapo
277:drafted
169:In the
138:, is a
57:Creator
9340:Comics
9326:Portal
9307:(1985)
9301:(1976)
9295:(1948)
9289:(1947)
9262:(2019)
9256:(2010)
9250:(2008)
9244:(2007)
9238:(2006)
9232:(1999)
9226:(1998)
9220:(1985)
9214:(1982)
9208:(1976)
9202:(1974)
9196:(1944)
9169:(2006)
9163:(1992)
9151:(1984)
9145:(1978)
9139:(1977)
9127:(1973)
9117:(1961)
9109:(1960)
9097:(1957)
9091:(1919)
9073:(1918)
9036:(2021)
9024:(2019)
9016:(1996)
9010:(1978)
9004:(1964)
8996:(1958)
8990:(1953)
8982:(1952)
8970:(1951)
8960:(1947)
8952:(1944)
8946:(1941)
8938:(1938)
8930:(1930)
8809:Habibi
8673:(wife)
8664:Family
8579:Arcade
8532:Comics
8316:
8294:
8284:
8261:
8238:
8215:
7747:May 8,
7444:Wizard
7420:
7364:
7341:
7289:
7252:
7233:Shofar
7210:
7181:
7152:
7121:
7117:: 19.
7091:
7046:
7025:
7017:
6988:
6955:
6873:
6850:
6831:
6807:
6784:
6754:
6731:
6704:
6681:
6658:
6623:
6595:
6568:
6543:
6516:
6493:
6470:
6447:
6424:
6405:
6382:
6357:
6330:
6307:
6284:
6261:
6236:
6217:
6194:
6165:
6130:
6103:
6080:
6057:
6020:
5997:
5974:
5951:
5924:
5901:
5878:
5855:
5822:
5799:
5769:
5735:
5712:
5689:
5666:
5641:
5618:
5581:
5556:
5529:
5504:
4951:. CNN.
3985:
2337:Hebrew
2224:Comics
2163:Award
1882:Award
1833:Parody
1774:kosher
1682:, and
1621:Amazon
1522:Wizard
1360:, and
1306:panels
1140:Racism
1087:Memory
998:Themes
983:fedora
963:Hebrew
948:Arabic
940:Gazeta
896:Polish
876:(left)
798:CD-ROM
675:about
615:Marvel
556:Mickey
501:hippie
388:typhus
384:Dachau
110:Issues
9132:Roots
8625:Other
8473:. In
8310:(PDF)
7412:(1).
7250:S2CID
7206:(1).
7179:S2CID
7087:(1).
7042:(8).
7023:S2CID
7015:JSTOR
6151:Shoah
6143:Night
5849:40–61
5598:: 25.
5485:Books
4699:Yahoo
2260:Notes
2171:2011
2157:Year
2129:1993
2111:1993
2089:1992
2069:1992
2049:1992
2031:1992
2017:1991
2001:1990
1985:1988
1962:1988
1944:]
1933:1988
1909:1987
1890:1986
1876:Year
1785:'
1776:, or
1759:'
1734:'
1497:Times
1224:Style
1217:Moses
1166:kapos
1133:'
1123:Guilt
979:libel
973:. An
943:'
936:'
831:Nadja
369:it".
9186:and
9177:Arts
9160:Maus
9157:for
8858:Maus
8561:Maus
8486:Maus
8462:MAUS
8437:Maus
8314:ISBN
8282:ISBN
8259:ISBN
8236:ISBN
8228:Maus
8213:ISBN
8187:2012
8170:2012
8149:2012
8128:2014
8106:2012
8098:Time
8091:Maus
8080:2012
8060:2012
8047:Maus
8036:2012
8011:2012
7984:2012
7959:2012
7934:2012
7909:2012
7884:2012
7876:Time
7869:Maus
7858:2015
7831:2012
7801:2012
7776:2014
7749:2012
7729:2012
7712:2012
7679:2012
7657:2012
7628:2012
7606:2012
7584:2012
7562:2012
7529:2012
7507:2012
7485:2012
7434:2012
7418:ISSN
7393:2012
7362:ISSN
7339:ISSN
7287:ISSN
7273:Maus
7261:2012
7219:2012
7208:ISSN
7204:2010
7194:Maus
7150:ISSN
7136:Maus
7119:ISSN
7100:2012
7089:ISSN
7071:Maus
7060:2012
7044:ISSN
6986:ISSN
6953:ISSN
6908:2014
6900:Time
6871:ISBN
6848:ISBN
6829:ISBN
6805:ISBN
6782:ISBN
6752:ISBN
6729:ISBN
6702:ISBN
6679:ISBN
6656:ISBN
6621:ISBN
6593:ISBN
6581:Maus
6566:ISBN
6541:ISBN
6529:Maus
6514:ISBN
6491:ISBN
6468:ISBN
6445:ISBN
6422:ISBN
6403:ISBN
6380:ISBN
6355:ISBN
6343:Maus
6328:ISBN
6305:ISBN
6282:ISBN
6259:ISBN
6234:ISBN
6215:ISBN
6192:ISBN
6178:Maus
6163:ISBN
6147:Maus
6128:ISBN
6116:Maus
6101:ISBN
6078:ISBN
6055:ISBN
6036:Maus
6018:ISBN
5995:ISBN
5972:ISBN
5949:ISBN
5937:Maus
5922:ISBN
5899:ISBN
5876:ISBN
5853:ISBN
5820:ISBN
5797:ISBN
5767:ISBN
5733:ISBN
5710:ISBN
5687:ISBN
5664:ISBN
5639:ISBN
5616:ISBN
5579:ISBN
5554:ISBN
5527:ISBN
5502:ISBN
5340:Lyon
5001:2024
4975:2024
4898:2022
4868:CNBC
4849:2022
4804:2022
4797:CNBC
4778:2022
4662:2022
4635:2022
4584:2022
3983:ISBN
2315:Maus
2274:Maus
2185:Won
2142:Won
2124:Won
2106:Won
2084:Won
2064:Won
2044:Won
2012:Won
1996:Won
1980:Won
1957:Won
1928:Won
1870:Maus
1849:Maus
1845:Katz
1827:Maus
1812:Maus
1804:Maus
1797:Maus
1782:Maus
1756:Maus
1731:Maus
1708:Maus
1702:Maus
1696:Maus
1692:Maus
1688:Maus
1668:Maus
1654:Maus
1650:Maus
1638:Maus
1629:Maus
1625:Maus
1609:Maus
1586:and
1574:Maus
1562:Maus
1555:Maus
1543:Maus
1541:put
1538:Time
1533:Maus
1511:Maus
1501:Maus
1485:Maus
1471:Maus
1455:Maus
1447:and
1439:Maus
1408:Maus
1404:Maus
1390:Maus
1376:Maus
1364:'s "
1314:Maus
1281:Maus
1255:Maus
1212:Maus
1190:Maus
1130:Maus
1117:Maus
1101:Maus
1081:Maus
1023:Maus
967:Maus
952:Maus
933:Maus
929:Maus
912:Maus
888:Maus
880:Maus
827:Maus
820:Maus
770:Maus
759:Maus
723:Maus
708:Maus
634:Maus
617:and
611:Maus
560:Maus
483:and
367:said
358:Maus
304:Maus
229:Maus
213:Maus
199:Maus
179:Maus
160:Maus
150:and
129:Maus
70:1991
67:Date
50:Maus
36:Maus
9135:by
9123:by
9105:by
9087:by
9079:by
9069:by
8615:Raw
8453:at
8426:NPR
7742:NPR
7387:(5)
7329:doi
7313:302
7242:doi
7171:doi
7138:".
7007:doi
6978:doi
6943:doi
6927:348
6652:262
6180:".
4606:CNN
2061:).
1706:.
1590:'s
1580:'s
1566:Raw
1418:in
1249:'s
1192:is
1107:or
1091:To
796:on
753:'s
716:Raw
712:Raw
596:Raw
204:Raw
103:Raw
9352::
8477:,
8424:.
8290:.
8280:.
8276:.
8257:.
8253:.
8211:.
8207:.
8117:.
8095:.
8071:.
8051:.
8022:.
7995:.
7970:.
7945:.
7920:.
7873:.
7842:.
7815:.
7787:.
7760:.
7740:.
7701:.
7668:.
7648:.
7617:.
7595:.
7573:.
7551:.
7518:.
7496:.
7469:.
7416:.
7408:.
7404:.
7385:11
7383:.
7377:.
7337:.
7327:.
7311:.
7305:.
7248:.
7238:29
7236:.
7230:.
7202:.
7198:.
7177:.
7167:11
7165:.
7148:.
7083:.
7079:.
7038:.
7021:.
7013:.
7003:52
7001:.
6984:.
6968:.
6951:.
6941:.
6925:.
6919:.
6897:.
6865:.
6803:.
6799:.
6780:.
6776:.
6750:.
6746:.
6727:.
6723:.
6700:.
6696:.
6673:.
6654:.
6646:.
6640:.
6619:.
6615:.
6587:.
6564:.
6560:.
6535:.
6512:.
6508:.
6485:.
6466:.
6462:.
6443:.
6439:.
6420:.
6401:.
6397:.
6378:.
6374:.
6349:.
6322:.
6303:.
6299:.
6276:.
6257:.
6253:.
6213:.
6209:.
6186:.
6157:.
6149:,
6145:,
6126:.
6122:.
6099:.
6095:.
6076:.
6072:.
6053:.
6045:.
6041:.
6016:.
5993:.
5989:.
5970:.
5966:.
5943:.
5916:.
5893:.
5874:.
5870:.
5851:.
5843:.
5837:.
5818:.
5814:.
5795:.
5791:.
5761:.
5757:.
5727:.
5704:.
5685:.
5681:.
5662:.
5658:.
5637:.
5633:.
5614:.
5610:.
5577:.
5573:.
5552:.
5548:.
5525:.
5521:.
5500:.
5496:.
5379:^
5370:;
5325:;
5309:;
5251:^
5236:^
5175:;
5165:^
4992:.
4965:.
4932:.
4914:.
4884:.
4866:.
4839:.
4821:.
4795:.
4767:.
4748:.
4715:.
4697:.
4679:.
4652:.
4626:.
4614:^
4604:.
4592:^
4574:.
4456:;
4441:;
4432:;
4428:;
4414:;
4348:;
4210:^
4135:^
4108:^
4021:^
3803:;
3741:^
3642:^
3627:^
3560:^
3527:;
3511:;
3451:^
3442:;
3432:^
3249:^
3236:;
3198:^
3123:^
3102:^
3073:^
3044:^
3027:^
3010:^
2995:^
2950:^
2891:^
2876:^
2837:^
2828:;
2806:^
2791:^
2776:^
2739:^
2724:^
2697:^
2676:;
2586:^
2571:^
2528:^
2501:^
2446:^
2431:^
2412:^
2391:^
2370:^
2139:)
2121:)
2103:)
2081:)
1977:)
1942:fr
1859:.
1718:.
1678:,
1596:.
1503:a
1356:,
1276:.
1265:,
1261:a
1220:.
1172:.
1111:.
822:.
718:.
598:.
585:,
390:.
166:.
9328::
9083:/
8976:/
8966:/
8900:e
8893:t
8886:v
8712:e
8705:t
8698:v
8517:e
8510:t
8503:v
8428:.
8403:)
8395:(
8390:)
8359:)
8355:2
8352:(
8337:.
8322:.
8298:.
8267:.
8244:.
8221:.
8189:.
8172:.
8151:.
8130:.
8108:.
8093:"
8082:.
8062:.
8038:.
8013:.
7986:.
7961:.
7936:.
7911:.
7886:.
7871:"
7860:.
7833:.
7803:.
7778:.
7751:.
7731:.
7714:.
7699:"
7688:)
7684:(
7681:.
7659:.
7630:.
7608:.
7586:.
7564:.
7542:.
7531:.
7509:.
7487:.
7451:.
7436:.
7410:1
7395:.
7368:.
7345:.
7331::
7323::
7293:.
7263:.
7244::
7221:.
7196:"
7185:.
7173::
7156:.
7125:.
7102:.
7085:1
7077:"
7062:.
7029:.
7009::
6992:.
6980::
6959:.
6945::
6937::
6910:.
6879:.
6856:.
6837:.
6813:.
6790:.
6760:.
6737:.
6710:.
6687:.
6664:.
6629:.
6601:.
6574:.
6549:.
6522:.
6499:.
6476:.
6453:.
6430:.
6411:.
6388:.
6363:.
6336:.
6313:.
6290:.
6267:.
6242:.
6223:.
6200:.
6171:.
6136:.
6109:.
6086:.
6063:.
6038:"
6026:.
6003:.
5980:.
5957:.
5930:.
5907:.
5884:.
5861:.
5828:.
5805:.
5775:.
5741:.
5718:.
5695:.
5672:.
5647:.
5624:.
5600:)
5587:.
5562:.
5535:.
5510:.
5473:.
5461:.
5449:.
5437:.
5425:.
5413:.
5401:.
5389:.
5358:.
5329:.
5313:.
5297:.
5261:.
5219:.
5179:.
5092:.
5003:.
4977:.
4900:.
4870:.
4851:.
4825:.
4806:.
4780:.
4752:.
4664:.
4637:.
4608:.
4586:.
4524:.
4512:.
4500:.
4488:.
4476:.
4352:.
4220:.
3991:.
3811:.
3724:.
3498:.
3461:.
3379:.
3331:.
3208:.
3145:.
3118:.
3085:.
2974:.
2962:.
2484:.
2407:.
2200::
1973:(
697:)
693:(
689:.
683:.
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_cover.jpg)