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his mother's suicide, Mouly felt the urge to contact him. An eight-hour phone call led to a deepening of their relationship. Spiegelman followed her to France when she had to return to fulfill obligations in her architecture course. After returning to the United States, when Mouly ran into visa problems in 1977, the couple solved them by getting married, first at City Hall, and then again after Mouly converted to
Judaism to please Spiegelman's father. Beginning in 1978 Mouly and Spiegelman made yearly trips to Europe to explore the comics scene, and brought back European comics to show to their circle of friends.
33:
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256:. She excelled as a student, and her parents planned to have her study medicine and follow her father into plastic surgery. She spent vacation time assisting and observing her father at work. She was troubled with the ethics of plastic surgery, though, which she said "exploits insecurity to such a high degree".
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on
September 11, 2001, Mouly put together a cover in two black inks of different density—a black cover overlaid with a black silhouette of the two towers. Mouly gave credit for the cover to Spiegelman, who had suggested the silhouette to Mouly's idea of an all-black cover. In 2012, Mouly and daughter
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magazine in 1992, and hired Mouly for the art editor position. Mouly and Brown met the following March, in 1993. She proposed the magazine return to its roots by having artists as featured contributors, an increase in the visuals in the magazine, such as photographs and more illustrations, and covers
356:. The printer botched the printing of the book—30% of the print run was unusable. The remaining copies had poor distribution and sales. The experience motivated Mouly to gain control over the printing process, and to find a way to get such marginal material to sympathetic readers. She took courses in
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introduced Mouly and
Spiegelman when Spiegelman was visiting, but they did not immediately develop a mutual interest. Spiegelman moved permanently back to New York later in the year. Occasionally the two ran across each other. After reading Spiegelman's 1973 strip "Prisoner on the Hell Planet", about
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was evident in each issue: tipped-in plates, bubblegum cards, and torn covers were part of the aesthetic of the magazine, accomplished by hand by Mouly, Spiegelman, and friends at gatherings after the printing of a new issue. Mouly was also hands-on when dealing with contributors, suggesting ideas
482:
appeared in July 1980. Its production values resulted in a $ 3.50 cover price, several times the going prices for comics, either mainstream or underground. Among the comics it contained was the only strip Mouly herself was to produce, "Industry News and Review No. 6", an autobiographical strip in
211:
As editor and publisher, Mouly has had considerable influence on the rise in production values in the
English-language comics world since the early 1980s. She has played a role in providing outlets to new and foreign cartoonists, and in promoting comics as a serious artform and as an educational
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Mouly grew disenchanted with the lack of creative freedom a career in architecture would present her. Her family life had grown stressful, and her parents divorced in 1974. The same year, she broke off her studies and worked as a cleaner in a hotel to save money for traveling to New York.
690:. Mouly researched the role comics could play in promoting literacy in young children, and encouraged publishers to publish comics for children. Disappointed by publishers' lack of response, from 2008 she self-published a line of easy readers called
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After becoming parents, Mouly and
Spiegelman realized how difficult it was at the end of the 20th century to find comics in English appropriate for children. In 2000 Mouly responded with the Raw Junior imprint, beginning with the anthology series
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was "a singular mixture of visual diversity and thematic unity". Each issue contained a broad variety of styles linked by a common theme, be it urban despair, suicide, or a vision of
America through foreign eyes. The best-known work to run in
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had a strong critical reception, and also sold surprisingly well. It was not without its critics, who charged it with being highbrow and elitist, or claimed it to be a one-man
Spiegelman show. Pioneer underground cartoonist
263:. The events led to Mouly's mother and sisters fleeing Paris. Her father stayed to be available to his patients, and Mouly stayed as his assistant. She developed sympathies with the anarchists, and read the weekly radical
304:
With no concrete plans, Mouly arrived in New York
September 2, 1974, with $ 200 in the midst of a severe economic downturn. She familiarized herself with the New York avant-garde art and film worlds, and had a part in
427:, but agreed on New Year's Eve 1979 to co-edit. The magazine was to provide an outlet for the kinds of comics that had difficulty finding a publisher in the US, in particular younger cartoonists who fit neither the
1981:
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Mouly has had a deep impact on the publishing practices of the comics world, though her name is not well known due to the behind-the-scenes nature of her work and the prominence of her
599:, which was no longer a small, hands-on operation, nor was it something they still thought necessary, as the artists then had a range of publishing outlets that had not existed when
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1908:
412:. More ambitious projects included art objects such as the Zippy-Scope, a cardboard device with to watch a comic strip rolled up on a film spool, featuring Griffth's character
180:; born 24 October 1955) is a French-born American designer, editor and publisher. She is best known as co-founder, co-editor, and publisher of the comics and graphics magazine
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which she contemplates her late-1970s anxieties and thoughts of suicide. Other strips in the eclectic anthology included an example of the early 20th-century newspaper strip
1940:
595:, perhaps toward a neuroscience degree. She abandoned this plan in 1991 when she gave birth to son Dashiell. In 1991, Mouly and Spiegelman published the final issue of
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and changes—an approach anathema to the editor-adverse underground spirit, but artists welcomed her input as in the end she did not interfere with their autonomy.
423:
Having in this way honed her publishing skills, Mouly's ambition turned to magazine publication. Spiegelman was at first reluctant, jaded from his experience at
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in central France, where she has said she was expelled "twenty-four or twenty-five times because [she] was trying to drag everyone to demonstrations".
1848:
1752:"'I was very well-hidden in plain sight': Françoise Mouly defined The New Yorker and the graphic arts, though is best known as Mrs. Art Spiegelman"
702:, and promotes the books to teachers and librarians for their educational value. The imprint provides support materials for teachers tied into the
1989:
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Mouly became immersed in
Spiegelman's personal theories of comics, and helped him prepare the lecture "Language of the Comics" delivered at the
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404:, who brought a design sense to everyday objects. Raw Books began by publishing postcards and prints by artists such as underground cartoonist
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and traveled widely in Europe, took a two-and-a-half-month van trip with friends in 1972 that reached
Afghanistan, and made a solo trip to
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Mouly's father was disappointed when, upon Mouly's return to Paris, she chose to forgo medicine to study architecture at the
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From a young age Mouly had a love of reading, including novels, illustrated fairytale collections, comics magazines such as
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364:, and bought an Addressograph-Multigraph Multilith printing press for her loft. During this period, she also worked as a
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Mouly's approach was hands-on, and she gave great attention to every step of the printing process. The physicality of
237:. Her father was a plastic surgeon who in 1951 developed, with Charles Dufourmentel, the Dufourmentel-Mouly method of
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Mouly was born in 1955 in Paris, France, the second of three daughters to Josée and Roger Mouly. She grew up in the
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In the midst of a commercial and artistic fallow period in the American comics industry, the lavishly-printed,
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1871:"Carle Honors Recognize Jerry Pinkney, Henrietta Smith, Françoise Mouly, Perri Klass, and Brian Gallagher"
726:
associate publisher Peggy Burns called Mouly "one of the most influential people in comics for 30 years."
394:, a name settled on in part because of its small-operation feel, and part because it was reminiscent of
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was corrugated cardboard pasted with stickers of the book's main character. By the end of the decade,
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and assembling models for a Japanese architectural company, while struggling to improve her English.
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bestowed on her the Richard Gangel Art Director Award. At the ninth Carle Honors Awards in 2014 the
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627:. Mouly brought a large number of cartoonists and artists to the periodical's interiors, including
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2012:
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350:. She assisted in the putting together the lavish collection of Spiegelman's experimental strips
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516:, which ran as an insert for the duration of the magazine from the December 1980 second issue.
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706:. In 2014 Toon Books launched an imprint called Toon Graphics aimed at readers eight and up.
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269:. She brought her radical leftist politics with her when her parents sent her in 1970 to the
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1972:
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came in a smaller, longer format with a changed emphasis on narrative rather than graphics.
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Mouly divided her time between publishing and parenthood following the birth of daughter
541:, intended to remain free of editorial intrusion and stay true to comics' lowbrow roots.
352:
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722:, sexism has also played a role in minimizing the acknowledgment she receives. In 2013,
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560:. Mouly brought a similar production sensibility to these books to what she brought to
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in 1987. Researching books for Sue Coe motivated her to take up science courses at
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Duncan, Randy (2010). "Underground and Adult Comics". In Booker, M. Keith (ed.).
783:. Mouly's daughter Nadja interviewed her and Mouly's mother Josée for the memoir
357:
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While looking for comics from which to practice reading English, she came across
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in 1975 and worked at odd jobs, including selling cigarettes and magazines in
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In Love with Art: Françoise Mouly's Adventures in Comics with Art Spiegelman
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In Love with Art: Françoise Mouly's Adventures in Comics with Art Spiegelman
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In Love with Art: Françoise Mouly's Adventures in Comics with Art Spiegelman
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1611:"To New Yorker with Love (Françoise Mouly and the politics of cover art)"
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magazine. Mouly worked from an aesthetic inspired in part by the Russian
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nor the underground mold, and European cartoonists who did not fit the
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In 1989 Mouly and Spiegelman were recognized for their design work on
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granted Mouly the Bridge Award for promoting children's literature.
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In 2011, the French government recognized Mouly as a Knight of the
2222:
745:. In 1991, Mouly and Spiegelman were recognized for their work on
2004:
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285:
1659:"A Memoir by the Daughter of Art Spiegelman and Françoise Mouly"
860:
639:. The magazine's circulation doubled during Mouly's time there.
1849:"New Yorker's Magazine Covers Shift From Polite to Provocative"
436:
246:
212:
tool. The French government decorated Mouly as a Knight of the
63:
16:
French-born American editor, designer and publisher (born 1955)
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1909:"Art Spiegelman and Francoise Mouly: The Literature Of Comics"
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59:
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678:, as well as children's book artists and writers such as
416:. Some projects were more commercial, such as the annual
292:, during which she was robbed of her passport and money.
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Jeet Heer published a biography of Mouly in 2013 titled
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420:, whose advertising revenue financed much of Raw Books.
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magazine from San Francisco co-published by New Yorker
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548:books throughout the 1980s by cartoonists such as
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718:-winning husband. To comics critic and historian
580:itself. The three issues of the second volume of
2247:
1794:Santoni-Rugiu, Paolo; Sykes, Philip J. (2007).
623:in the topical style of the magazine's founder
572:had begun co-publishing Raw Books' output, and
1942:The Toon Treasury of Classic Children's Comics
1639:Encyclopedia of Comic Books and Graphic Novels
1052:Grand Comics Database. Retrieved May 27, 2021.
811:Metamaus: A Look Inside a Modern Classic, Maus
755:The TOON Treasury of Classic Children's Comics
2020:
1918:"New Yorker Covers You Weren't Meant to See"
1729:From Krakow to Krypton: Jews and Comic Books
1706:Masters of the Comic Book Universe Revealed!
743:Special Award for Excellence in Presentation
1774:"Toon Books Adds Imprint for Older Readers"
791:'s American Ingenuity Award for Education.
2027:
2013:
1933:Comics: Philosophy and Practice conference
806:
759:Eisner Award for Best Publication for Kids
749:when they were given the Harvey Award for
31:
785:I'm Supposed to Protect You from All This
278:École nationale supérieure des Beaux-Arts
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1979:
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1534:"2015 American Ingenuity Award Winners"
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787:. In 2015, Mouly was the recipient of
704:Common Core State Standards Initiative
194:, and since 1993 as the art editor of
2336:French emigrants to the United States
2008:
1935:. University of Chicago. May 7, 2015.
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1380:
774:Eric Carle Museum of Picture Book Art
663:Raw Junior: Little Lit and Toon Books
175:
1906:
1869:Staino, Rocco (September 25, 2014).
1847:Somaiya, Ravi (September 28, 2014).
1825:54th Annual of American Illustration
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1657:Gordon, Emily Fox (August 2, 2016).
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674:, with a roster of cartoonists from
535:responded in 1981 with the magazine
280:. She lived with a boyfriend in the
1982:"Learning to Take Comics Seriously"
1750:Kingston, Ann (September 2, 2013).
299:
13:
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768:(as her father had been), and the
497:by contemporary French cartoonist
14:
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2104:Lynd Ward: Six Novels in Woodcuts
1975:(in French). Who's Who in France.
1926:"Françoise Mouly on Blown Covers"
1907:Reid, Calvin (October 16, 2000).
1890:
1609:Chong, W. H. (November 7, 2013).
694:, by artists such as Spiegelman,
631:contributors such as Coe, Crumb,
606:
259:At thirteen, Mouly witnessed the
200:. Mouly is married to cartoonist
186:(1980–1991), as the publisher of
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2221:
2209:
1772:Alverson, Brigid (May 2, 2014).
651:edited a collection of rejected
501:. To comics academic Jeet Heer,
2331:Knights of the Legion of Honour
2301:American women magazine editors
2286:Jewish American comics creators
1980:Oelbaum, Jed (April 20, 2015).
1526:
1043:
338:. Avant-garde filmmaker friend
2266:Comic book publishers (people)
1916:Colombo, Jorge (May 7, 2012).
1642:. ABC-CLIO. pp. 647–655.
1559:
867:Santoni-Rugiu & Sykes 2007
815:. New York: Pantheon. p.
800:
709:
216:in 2001, and as Knight of the
204:, and is the mother of writer
1:
1897:Lambiek Comiclopedia article.
1540:. Smithsonian. Archived from
794:
418:Streets of SoHo Map and Guide
313:. She settled into a loft in
228:
2291:French female comics artists
1797:A History of Plastic Surgery
1485:Society of Illustrators 2013
1050:"Françoise Mouly (b. 1955),"
735:Hardboiled Defective Stories
603:first saw the light of day.
576:had picked up publishing of
375:
362:Bedford–Stuyvesant, Brooklyn
348:Collective for Living Cinema
250:, and comics albums such as
235:17th arrondissement of Paris
223:
7:
2351:21st-century American women
2341:People from SoHo, Manhattan
757:was nominated for the 2010
10:
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2346:21st-century American Jews
2058:In the Shadow of No Towers
1733:Jewish Publication Society
486:Dream of the Rarebit Fiend
379:
2296:American magazine editors
2174:
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1973:"Roger Mouly (1921–2007)"
1567:Acheson, Charles (2014).
1244:, pp. 71–72, 74–75;
753:. Mouly and Spiegelman's
261:May 1968 events in France
214:Order of Arts and Letters
149:Order of Arts and Letters
143:
124:
113:
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2276:20th-century French Jews
1260:, pp. 71–72, 74–75.
807:Spiegelman, Art (2011).
564:: the cover to Panter's
544:Raw Books published ten
392:Raw Books & Graphics
2306:French magazine editors
1820:Society of Illustrators
1569:"Review of Jeet Heer's
770:Society of Illustrators
311:Pandering to the Masses
290:vernacular architecture
2311:American women editors
1875:School Library Journal
737:, which was given the
493:, and an excerpt from
2321:Jewish French artists
1959:on September 12, 2015
1727:Kaplan, Arie (2008).
1704:Kaplan, Arie (2006).
1587:University of Florida
724:Drawn & Quarterly
616:became the editor of
408:and Dutch cartoonist
390:In 1978, she founded
386:Raw (comics magazine)
319:Grand Central Station
288:in 1974 to study the
153:French Knight of the
147:French Knight of the
2316:French women editors
2111:The Narrative Corpse
1911:. Publishers Weekly.
1710:Chicago Review Press
1538:Smithsonian Magazine
789:Smithsonian Magazine
2281:Converts to Judaism
2151:Legal Action Comics
1802:Springer Publishing
1679:Heer, Jeet (2013).
1544:on October 12, 2018
136:Dashiell Spiegelman
1992:on August 27, 2015
1854:The New York Times
1664:The New York Times
905:, pp. 18, 20.
688:Barbara McClintock
271:Lycée Jeanne D'Arc
2197:
2196:
2144:Garbage Pail Kids
1839:978-0-06-227578-3
1811:978-3-540-46240-8
1779:Publishers Weekly
1742:978-0-8276-0843-6
1719:978-1-55652-633-6
1696:978-1-77056-351-3
1687:Coach House Books
1649:978-0-313-35747-3
1623:on March 14, 2014
1395:, pp. 98–99.
1347:, pp. 12–13.
1311:, pp. 77–78.
1284:, pp. 63–64.
1272:, pp. 71–72.
1220:, pp. 67–68.
1208:, pp. 61–62.
1160:, pp. 68–69.
1124:, pp. 55–56.
1112:, pp. 53–54.
1100:, pp. 52–53.
1088:, pp. 51–52.
1028:, pp. 45–47.
1016:, pp. 43–44.
1004:, pp. 47–48.
980:, pp. 28–30.
944:, pp. 25–26.
932:, pp. 21–23.
917:, pp. 20–21.
893:, pp. 17–18.
881:, pp. 16–17.
826:978-0-375-42394-9
644:terrorist attacks
414:Zippy the Pinhead
332:underground comix
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300:Move to New York
239:breast reduction
218:Legion of Honour
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132:Nadja Spiegelman
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716:Pulitzer Prize
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680:Maurice Sendak
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655:covers called
619:The New Yorker
610:
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593:Hunter College
570:Pantheon Books
558:Jerry Moriarty
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1994:. Retrieved
1990:the original
1961:. Retrieved
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1777:
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1621:the original
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1542:the original
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1509:Acheson 2014
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2256:1955 births
2240:Visual arts
1880:October 13,
1860:October 13,
1785:October 13,
1763:October 10,
1560:Works cited
1548:October 12,
1521:Gordon 2016
1497:Staino 2014
1246:Duncan 2010
1194:Kaplan 2008
1182:Kaplan 2006
710:Recognition
625:Harold Ross
550:Gary Panter
442:Heavy Metal
71:Occupations
2250:Categories
2190:(daughter)
2097:Little Lit
2051:Breakdowns
1996:August 30,
1963:August 30,
1902:Toon Books
1381:Chong 2013
795:References
700:Rutu Modan
692:Toon Books
671:Little Lit
653:New Yorker
642:After the
637:Chris Ware
614:Tina Brown
353:Breakdowns
340:Ken Jacobs
229:Early life
192:Toon Books
108:Toon Books
49:1955-10-24
2216:Biography
1757:Maclean's
1627:March 14,
1595:1549-6732
1578:ImageTexT
1461:Heer 2013
1449:Heer 2013
1420:Heer 2013
1408:Heer 2013
1393:Heer 2013
1369:Heer 2013
1345:Heer 2013
1333:Heer 2013
1321:Heer 2013
1309:Heer 2013
1297:Heer 2013
1282:Heer 2013
1270:Heer 2013
1258:Heer 2013
1242:Heer 2013
1230:Heer 2013
1218:Heer 2013
1206:Heer 2013
1170:Heer 2013
1158:Heer 2013
1146:Heer 2013
1134:Heer 2013
1122:Heer 2013
1110:Heer 2013
1098:Heer 2013
1086:Heer 2013
1074:Heer 2013
1062:Heer 2013
1038:Heer 2013
1026:Heer 2013
1014:Heer 2013
1002:Heer 2013
990:Heer 2013
978:Heer 2013
966:Heer 2013
954:Heer 2013
942:Heer 2013
930:Heer 2013
915:Heer 2013
903:Heer 2013
891:Heer 2013
879:Heer 2013
855:Heer 2013
843:Heer 2013
720:Jeet Heer
495:Manhattan
429:superhero
382:Raw Books
376:Raw Books
366:colourist
224:Biography
220:in 2011.
188:Raw Books
120:(m. 1977)
104:Raw Books
77:Publisher
1822:(2013).
1670:July 18,
1600:July 18,
546:One Shot
125:Children
86:colorist
83:designer
2202:Portals
1986:Good Is
1929:(video)
554:Sue Coe
471:⁄
457:⁄
286:Algeria
173:French:
2228:Comics
2184:(wife)
2175:Family
2090:Arcade
2043:Comics
1949:
1836:
1808:
1739:
1716:
1693:
1646:
1616:Crieky
1593:
823:
698:, and
686:, and
635:, and
556:, and
538:Weirdo
445:fans.
437:sci-fi
425:Arcade
327:Arcade
253:Tintin
247:Pilote
157:(2011)
151:(2001)
144:Awards
114:Spouse
80:editor
64:France
2136:Other
1585:(4).
649:Nadja
589:Nadja
566:Jimbo
435:-and-
330:, an
60:Paris
2072:Maus
1998:2015
1965:2015
1947:ISBN
1882:2014
1862:2014
1834:ISBN
1806:ISBN
1787:2014
1765:2013
1737:ISBN
1714:ISBN
1691:ISBN
1672:2018
1644:ISBN
1629:2014
1602:2018
1591:ISSN
1550:2018
821:ISBN
513:Maus
384:and
368:for
315:SoHo
190:and
162:(2x)
43:Born
2126:Raw
817:292
747:Raw
676:Raw
629:Raw
601:Raw
597:Raw
582:Raw
578:Raw
562:Raw
528:Raw
521:Raw
508:Raw
503:Raw
489:by
479:Raw
433:sex
397:Mad
360:in
183:Raw
99:Raw
2252::
1984:.
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1581:.
1575:.
1536:.
1427:^
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