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20:
234:") on a card is different, so the quantity and difficulty of the engraving is far greater than found in a modern set of cards (and, equally, rapid play must have been very difficult as there are no numbers depicted on the cards). Engraved sets of cards are few; they must have been much more expensive than those made in
150:
Apart from comparisons with paintings, the start of his period of activity can only be dated to before 1446 by a dated print by his presumed pupil, referred to as the "Master of 1446". The fact that by then he already had a mature pupil suggests that the Master himself had been active for many years
214:
library. It has been suggested that he painted elements of these miniatures. It is generally thought that both sets derive from a common manuscript model-book of the sort painters are known to have maintained, though this does not rule out his involvement, or that of his workshop, in the painting.
302:
Some of his presumed pupils have also been given names by art historians, such as the "Master of the
Nuremberg Passion", the "Master of 1446", and the "Master of the Banderoles". If the Master also practiced as a painter, whether on panel or in manuscript illuminations, no identification of any of
282:
had begun around the turn of the century, and were extremely popular by the start of the Master of the
Playing Cards' career, but were then almost all very crudely executed. Playing cards and religious images were the vast majority of the production. Although he comes very early in the history of
294:
After him came a series of other significant engravers who had trained as either an artist or a goldsmith, and after woodcuts became widely used for illustrating printed books, their quality also improved. The Master's other works are mostly religious and some are relatively large for very early
238:, which can be printed in much greater numbers before the matrix wears out. Interestingly and unusually, some of the cards are composed of different little plates, one per pip, which were presumably held together in a frame for printing. Possibly the Master was in Mainz and was influenced by
246:. Despite this, the majority of the pips are unique, and although they appear rather jumbled as groups, when looked at individually it is apparent that many are very fine studies of their subjects. Despite the very few impressions surviving, some cards exist in two
118:– a flowering plant native to the region – very frequently appears in the engravings. Although the theory proposed by Leo Baer to identify the Master as Witz has not been widely accepted, the Master does appear to have been trained as an artist rather than a
122:
like many other early engravers. His prints show an engraving technique closely related to drawing, with forms conceived in three dimensions and delicately modeled; other engravers were usually trained either as armourers or as goldsmiths, such as
496:
Max
Geisberg: Das älteste gestochene deutsche Kartenspiel vom Meister der Spielkarten, Studien zur deutschen Kunstgeschichte, Heitz, Straßburg 1905 - The standard work on the cards, in which all are reproduced.
340:. Geschichte und kritischer Katalog des deutschen, niederländischen und französischen Kupferstichs im XV. Jahrhundert (Vienna: Gesellschaft für vervielfältigende Kunst, 1908-1934): vol. I, pp. 63-207
110:
It has long been recognised that the Master's style was closely related to that of paintings from south-western
Germany and Switzerland in the period 1430–1450, by artists of whom the best known is
287:, the Master of the Playing Cards is certainly not the inventor of the technique. He is however considered the first significant artist to use either printmaking technique. The art historian
1592:
299:
devotional books. As with most early printmakers, many of his designs survive only in copies by others, and many have not survived at all.
131:, and their works display a different set of stylistic conventions. The Master's shading is mostly done using parallel vertical lines, and
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Alan
Shestack; Fifteenth century Engravings of Northern Europe;1967, National Gallery of Art, Washington (Catalogue), LOC 67-29080
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785:
585:
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in five suits from which he takes his name. The majority of the set survives in unique impressions, most of which are in the
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of 1452–3 and other illuminations made in Mainz between then and 1482, including at least one illuminated copy of the
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Various attempts to identify him have not been generally accepted, so he remains known only through his 106
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There are similar repetitions in many other manuscripts and other works of art, mostly but not all German.
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Many of Master's engravings, especially the cards, contain compositional elements that also occur in the
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75:, from the 1430s to the 1450s, who has been called "the first personality in the history of engraving."
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357:, Arthur M. Hind,p 20-21, Houghton Mifflin Co. 1923 (in USA), reprinted Dover Publications, 1963
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The Master of the playing cards: an early engraver and his relationship to traditional media
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A Hyatt Mayor, Prints and People, Metropolitan Museum of Art/Princeton, 1971, nos 115-117.
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Playing Cards and
Manuscripts: Some Widely Disseminated Fifteenth Century Model Sheets
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for ÂŁ243,200 (about $ 450,000). The print is now part of the print collection at the
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Prints done by the Master very rarely appear on the market, but on 20 September 2006
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Hellmut
Lehmann-Haupt, Gutenberg and the Master of the Playing Cards, 1966 (Yale)
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NB: Twenty-nine of the cards, and other prints, are illustrated on
Commons at
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190:. This is a "multiple-plate card", where each animal is on a separate small
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Dorothy Miner, The Great Bible of Mainz, 500th
Anniversary, Washington 1952
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A History of
Engraving & Etching From the 15th Century to the Year 1914
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engravings; these were intended mainly for insertion as illustrations into
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Some Manuscript Sources for the Playing Card Master's Number Cards
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with border decorations including motifs from the cards - MS 007
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520:, In: The Art Bulletin 64, Dec. 1982, p. 587-600,
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characterised his style as "incisive and individual".
375:"Master of the Playing Cards - The Queen of Flowers"
250:, and some in different versions, all catalogued by
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Master of the Playing Cards, A Poet Reading, 1430s,
449:
194:plate, several of which are reused on other cards.
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542:Two cards from The Museum of Fine Arts, Boston.
422:, In: The Art Bulletin 56. March 1974, p.12-30,
71:, active in southwestern Germany – probably in
438:See Van Buren & Edmunds op cit for a table
1593:Worshipful Company of Makers of Playing Cards
579:
182:from the playing cards. The central climbing
27:from the playing cards, a "single-plate card"
550:by a student of the Master of Playing cards
230:– so five suits in total. Each symbol (or "
222:for Northern European cards of the period:
186:also appears in an illuminated copy of the
1588:Saga Arashiyama Museum of Arts and Culture
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572:
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546:by the Master of the Playing Cards, and
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137:
30:
18:
1878:The Card Sharp with the Ace of Diamonds
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303:his works has been generally accepted.
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1531:International Skat Players Association
350:
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1632:Blackstone's Card Trick Without Cards
1615:
567:
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1913:Violin and Playing Cards on a Table
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441:
418:Anne H. van Buren, Sheila Edmunds:
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226:, birds, deer, beasts of prey, and
59:. He was a German (or conceivably
13:
1583:Musée Français de la Carte à Jouer
1569:International Playing-Card Society
1257:United States Playing Card Company
355:A History of Engraving and Etching
14:
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531:
509:, 1979, Dissertation, Yale; UMI (
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16:German engraver (fl. 1430s-1450s)
1554:Fournier Museum of Playing Cards
1549:Cary Collection of Playing Cards
158:London auctioned a print titled
96:Bibliothèque nationale de France
1871:Card Players in a Rich Interior
513:), Dissertation Services, 2002
456:. Dover Publications. p.
432:
331:
1:
1772:The Phantom of the Card Table
1559:German Doppelkopf Association
1227:NĂĽrnberger-Spielkarten-Verlag
485:
306:
1991:Patience and solitaire games
1885:Cardplayers in a Sunlit Room
1717:The Expert at the Card Table
381:. Metropolitan Museum of Art
7:
2009:Tarot and Tarock card games
1973:Non trick-taking card games
1454:Richard Valentine Pitchford
1424:Master of the Playing Cards
82:, which include the set of
41:Master of the Playing Cards
10:
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2060:Playing card manufacturers
1564:German Playing Card Museum
164:Metropolitan Museum of Art
114:. In addition, the Alpine
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448:Hind, Arthur M. (1963).
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1982:Trick-taking card games
1521:German Skat Association
1299:Bielefelder Spielkarten
218:The cards have typical
144:National Gallery of Art
49:Meister der Spielkarten
2040:15th-century engravers
1906:Still Life with a Poem
1109:Guru (circular whirls)
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210:, which is now in the
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67:, and probably also a
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1964:Historical card games
1945:Play Your Cards Right
1662:Twenty-One Card Trick
1637:The Circus Card Trick
1399:Johann Kaspar Hechtel
725:Archaeology awareness
719:Ambraser Hofjagdspiel
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1728:History of cardistry
1212:J.O. Ă–berg & Son
735:Flemish Hunting Deck
544:"The Queen of Stags"
258:Place in printmaking
212:Princeton University
204:Giant Bible of Mainz
129:Israhel van Meckenem
88:Kupferstich-Kabinett
1922:Film and television
1864:The Card Players II
1622:The Acme of Control
1899:Dogs Playing Poker
1464:Johann Georg Rauch
1252:U.S. Games Systems
614:Playing card suits
554:Schoyen collection
289:Arthur Mayger Hind
274:
240:Johannes Gutenberg
196:
148:
146:, Washington, D.C.
55:in the history of
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1647:Out of This World
1642:The Four Burglars
1603:Card manipulation
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740:Hamas most wanted
697:Curse of Scotland
548:"Five of Flowers"
280:old master prints
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1850:The Bezique Game
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1694:Cards in the hat
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1575:The Playing-Card
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1379:Thierry Depaulis
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51:) was the first
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2021:}}
2018:Occult tarot
2015:{{
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2006:{{
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1843:The Acrobats
1841:
1770:
1738:One-way deck
1715:
1679:Card marking
1657:Spelling Bee
1573:
1469:Juan Tamariz
1423:
1374:Dan and Dave
1364:Derren Brown
1359:David Blaine
1294:Aspioti-ELKA
1242:Ravensburger
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605:52-card deck
517:
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471:. Retrieved
451:
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383:. Retrieved
378:
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275:
272:(circa 1440)
266:
244:movable type
217:
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179:
159:
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125:Master E. S.
109:
77:
53:major master
40:
38:
24:
1930:Card Sharks
1820:Trick decks
1711:Double lift
1652:Rising Card
1434:Anton Moser
1429:John McLeod
1414:René Lavand
1369:Lewis Cohen
1349:Hubert Auer
1324:Waddingtons
1319:Lewis Cohen
1202:F.X. Schmid
998:Other suits
786:Other packs
762:Politicards
538:More images
180:9 of Beasts
112:Konrad Witz
57:printmaking
35:Virgin Mary
2034:Categories
1810:Spoke card
1759:mechanic's
1754:magician's
1745:and grips
1684:Card sharp
1498:Groups and
1484:Dai Vernon
1354:Bryan Berg
1177:Cartamundi
1158:and brands
1141:of Strings
1077:Portuguese
928:Court card
888:Tarot pack
858:uta-garuta
486:Literature
408:0691003262
338:Lehrs, Max
307:References
297:manuscript
200:miniatures
156:Christie's
80:engravings
25:3 of Birds
1836:Paintings
1793:Gilbreath
1783:Shuffling
1749:gambler's
1608:cardistry
1404:Ricky Jay
1344:Lee Asher
1304:C.L. WĂĽst
1187:Dal Negro
1105:Japanese
974:Nicknames
788:and decks
702:Beer card
603:Standard
526:0004-3079
428:0004-3079
252:Max Lehrs
135:is rare.
120:goldsmith
1419:Ed Marlo
1222:Nintendo
1192:Fournier
950:Pip card
867:Kvitlech
851:kabufuda
837:hanafuda
730:Charruan
637:Diamonds
511:ProQuest
385:29 March
228:wild men
116:cyclamen
94:and the
65:engraver
1706:Cutting
1314:Dondorf
1287:Defunct
1278:Grimaud
1273:Bicycle
1237:Piatnik
1217:Modiano
1139:Myriads
1073:Spanish
1069:Italian
1067:Latin (
1032:Shields
989:Unicode
883:Russian
821:ganjapa
814:Ganjifa
803:Chinese
277:Woodcut
236:woodcut
224:flowers
202:of the
92:Dresden
69:painter
1940:(1896)
1798:Zarrow
1764:Tenkai
1616:Tricks
1266:Brands
1207:Gemaco
1101:Swords
1096:Batons
1053:Acorns
1014:Leaves
1006:German
933:knight
918:Banner
901:Zi pai
894:Tujeon
873:Polish
830:Karuta
797:As-Nas
632:Hearts
627:Spades
618:French
524:
473:3 July
464:
426:
406:
361:
285:prints
248:states
192:copper
73:Alsace
45:German
2000:Poker
1743:Palms
1247:Trefl
1182:Copag
1091:Coins
1058:Bells
1037:Roses
1024:Swiss
984:Talon
969:Joker
955:deuce
943:Unter
923:Blank
911:Cards
680:Queen
651:Ranks
642:Clubs
220:suits
170:Cards
106:Style
100:Paris
61:Swiss
1788:faro
1606:and
1508:Skat
1129:Cash
1086:Cups
961:Weli
938:Ober
692:Jack
675:King
556:- a
522:ISSN
475:2014
462:ISBN
424:ISSN
404:ISBN
387:2017
359:ISBN
184:bear
178:The
39:The
23:The
658:Ace
242:'s
232:pip
127:or
98:in
90:in
2036::
460:.
458:21
395:^
377:.
345:^
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63:)
47::
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620:)
616:(
587:e
580:t
573:v
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389:.
43:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.