1531:. Fearing this style would discourage viewers, it was decided to combine fictional characters into the plot. Bondarev wrote the live action scenes; Kurganov was responsible for the historical parts, featuring the leaders and generals. The latter sections were intentionally filmed in black-and-white, to resemble old footage. The script introduced many little-known details about the Soviet-German War's history, that were rarely discussed publicly: notably, General
31:
2142:– a token to the Brezhnev Era softer view of him, Still, his character did not occupy a central role as it had done in the films produced during his reign. Ozerov later claimed that he never included the controversial figure in the script, and had to shoot the Stalin scenes secretly, at night. He told interviewer
1730:
were dug to resemble the wartime fortifications. Ozerov supervised the set from a specially-built tower, using a handkerchief to signal the engineers when to detonate the charges. On one occasion, the director absentmindedly blew his nose, and "one and half tons of TNT went off". The outdoor photography for
2107:
Documentary' period" – the era of the
Stalinist epics. Even the splitting of the plot to three lines – leaders' meetings, "huge battle scenes" and parts featuring common people – was a return to that style. Lisa A. Kirshenbaum assessed that in comparison to more sincere Great Patriotic War films, like
1836:
reported that the
Communist Party instructed all its members to purchase tickets. 56.1 million people watched the first, of which 56 million returned after the intermission for the second. Those figures were lower than expected, as popular pictures about the war which did not enjoy such promotion had
2106:
into Soviet cinema, during which "a new conservatism and sharpened censure molded the cinematic image of the war into conventional patterns." Mira and
Antonin Liehm also noted that with its focus on the politicians and generals rather than ordinary people, it was "almost reminiscent of the 'Artistic
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when discussing the genre of war films in the same magazine. Denise
Youngblood wrote that this was no coincidence. Eventually, the series was never selected to appear on the official lists of the greatest World War II films, which were compiled on every fifth Victory anniversary. Lazar Lazarev wrote
1859:
were released together in 1,341 prints. They had an audience of 28 million, reaching the 11th place for 1972. Denise J. Youngblood wrote that, considering the "unprecedented" public relations campaign the film received and the forced attendance of viewers, the last part's success of drawing only 28
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where art director
Alexander Myaghkov was free to use live explosives. The combat scenes in the first two parts were shot there, in the summer of 1967. 3,000 troops, 100 tanks, 18 military aircraft and hundreds of artillery pieces were used to recreate the Battle of Kursk; 30 kilometers of trenches
595:, Hitler murders her and commits suicide. At the Reichstag, Dorozhkin is killed in the fighting. The Victory Banner is unfurled on the dome. The Berlin garrison surrenders unconditionally. Outside the Reichstag, Vasiliev, Orlov, Yartsev, and an immense crowd of Red Army soldiers celebrate victory.
1799:
and
Yepishev. After the screening ended, the generals headed for the exit without saying a word. Ozerov asked for their opinion; Grechko answered, "I will not say a word to you!" and left the room. The film had to be edited four times before it was authorized for public screening on 1969, together
2003:
as foremost among Soviet "monumental films, which, with the expenditure of immense amounts of money, brought... history to the screen." It is still acclaimed for this reason; Lars Karl wrote "it was a gigantic work... The cinematic monumentality was to prove the Soviet Union's might." Denise J.
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was completed in late 1968. A special screening was made to
Shtemenko, who had only two comments to make: first, a scene showing a soldier entertaining local girls in his tank had to be removed; Second, when seeing the actor portraying him with major general ranks, he claimed he was already a
1462:
was convened. They decided to commission "a monumental epic" which would demonstrate the importance of the Soviet role in the war. Ozerov, who shared the establishment's sentiments and for whom "it was unbearable, as a veteran, to watch those
Western films", was chosen to direct it.
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Denise J. Youngblood stated that the films – depicting the protagonists as human and imperfect – were still influenced by the
Khrushchev Thaw's artistic freedom, writing that: "It is, however, important to stress that Ozerov was far from a 'tool' of war cult propaganda...
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Children
Theater. Olyalin had received several offers to appear in other films, but the theater managers dispersed of them, fearing he would leave them. One of the theater employees told Olyalin of Ozerov's offer. He claimed he was sick and then boarded a plane to Moscow.
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Ralf Schenk noted that one detail, which explained its popularity with the East German audience, was the portrayal of the German enemy, which was seen as capable and, to a certain degree, honorable; in earlier Soviet films this was largely not the case. And chiefly, the
398:. Lukin's regiment crosses it, presumably as the division's vanguard; unbeknownst to them, they are merely a ploy to mislead the enemy. The regiment is cut off without reinforcements and wiped out. Lukin is killed. Tzvetaev leads the survivors back to their lines.
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A major obstacle facing the producers was that most of the Soviet leadership took part in the war; Many high-ranking officers and politicians were portrayed in the films with their wartime ranks, and the actors depicting them had to receive the models' blessing.
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as an effort to rehabilitate Stalin, and declined. After Nekrasov's and Simonov's refusal, Yuri Bondarev and Oscar Kurganov were tasked with writing the script. Originally, the series was supposed to be a purely historical, documentary-like trilogy called
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conspirators were presented as heroes, providing positive Germans to identify with beside the communist resistance; in East Germany they were always depicted as aristocratic opportunists who turned on Hitler only when their own status was in peril.
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Lars Karl claimed that the Red Army liberated Europe, "and therefore, the USSR had a right to have a say in its matters." He noted that Roosevelt and Churchill are depicted as "paper tigers" who are keen to reach a settlement with Hitler; in the
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million moviegoers was "almost pitiable". She attributed this, partially, to the "grandiose scale" of the films, which made it hard to maintain the interest of the audience. Youngblood concluded that the series was a "relative failure".
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recounted that upon seeing Zaqariadze in the Stalin costume – that was made by the dead premier's own personal tailor, who was contacted by the studio for this purpose – General Shtemenko instinctively stood to attention and saluted.
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noted that "virtually all means were made available... for Ozerov"; Lars Karl estimated the project's budget was equivalent to US$ 40 million. The director was also closely supervised – the series had to meet the approval of General
1772:. Ozerov, accompanied by a crew of some 2000 people, cordoned off a part of the area and used an old, abandoned cathedral to substitute for the Reichstag. The hoisting of the Victory Banner was shot atop the Haus der Technik in the
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declared in its policy guidelines that "each young citizen of our country should watch this picture already during his time at school"; it became part of the curriculum, and pupils have watched it in mandatory showings. The
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Grigory Filaev called the films an "encyclopedia of myths", and claimed that they spread the falsehood according to which Stalin ordered Kiev to be captured before the eve of the 26th Anniversary of the October Revolution.
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In the 1960s, both the Soviet government and military command were dismayed and disgruntled by several Western films about World War II which made no reference to the Red Army's participation in it, most prominently
2227:
presents the civilian population in Berlin welcoming the Red Army; German author Jörg von Mettke wrote the scene in which the German women flirt with the soldiers "might have happened, but it was mostly otherwise."
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2098:. The Brezhnev administration supported a return to a more conservative style, presenting the war as a noble, ideological struggle once more. In an essay on the series, Dr. Lars Karl wrote: "In this context,
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Ozerov asked Marshal Georgy Zhukov to be the films' chief military consultant. However, Zhukov had little political influence at the time, and the establishment did not approve of him. Eventually, General
1503:...was forced down from above, from the Ideological Departments". From the very beginning, it was made clear that the films should not deal with the darker chapters of World War II, such as the defense of
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549:. The Soviets capture a teenage sniper; they send him to his mother. Vasilev's tank crushes into a house. The crew has a pleasant meal with the owner's family. The Soviets and the Poles storm the
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was irritated by Yuri Leghkov, who depicted him in the first two parts. He demanded Ozerov would replace him with someone else, complaining the actor was constantly bothering him with questions.
1470:, the commemoration of the Second World War was awarded unprecedented importance. Historian Nina Tumarkina described it as "the cult of the Great Patriotic War": its memory, molded according to
1742:, since the marshes in Belarus – the location of the 1944 battles depicted in the film – were being drained. The Italian parts were shot in Rome, while the Yalta Conference was filmed in the
2240:, claimed that the phrase "I will not trade a Field Marshal for a soldier", that is strongly associated with Yakov's story, was never uttered by her grandfather and is "just a quote from
318:, delaying the enemy. The battalion of Lieutenant Colonel Lukin – led by officers Tzvetaev, Orlov, and Maximov – participates in the battle, as well as the tank of Lieutenant Vasiliev.
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took the role. In spite of this, Ozerov consulted with Zhukov unofficially, and the Marshal provided him with the draft of his memoirs. There were other consultants, as well: Generals
2068:
a "hollow, spectacular, monumental display." The Liehms judged it "entirely sterile". Already in 1974, the British writer Ivan Butler described it as "a stranded whale of a film."
1686:
150 tanks 2,000 artillery pieces and 5,000 extras, mostly Soviet soldiers, were involved in the making of all the five parts of the series. The producers searched in vain for real
537:, Stalin notifies Churchill and Roosevelt that he knows of their secret dealings with the enemy. Saying that trust is the most important thing, he tears apart the picture showing
2187:... All other versions only elaborated on this theme." He characterized this view as one that allowed "a number of unpleasant facts" to be "repressed from mass consciousness".
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1474:, was to serve as a unifying narrative; reverence towards the sacrifices made became the core of a new Soviet patriotism. Denise J. Youngblood described
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1851:, distributed in 1,476 prints, had 35.8 million viewers, making it to the third place on the 1971 box office. Finally, the two concluding films, The
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lieutenant general at the time. Ozerov answered that according to their material, he was not. The aforementioned scene does not appear in the film.
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decides to strike in Belarus. Orlov leads his soldiers in a charge to rescue nurse Zoia, who insisted on evacuating the wounded from a battlefield.
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1903:
sold more than 400 million tickets worldwide. In the English-speaking world, a shorter, 118-minutes long version was disseminated under the title
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Yuri Pomerantsev was cast as Vlasov after an assistant-director saw him in theater. He had difficulties finding any material on the character.
1609:
Ozerov lengthily dwelt on the question who would be cast as Zhukov, until the Marshal himself aided him, telling he thought about the star of
1418:, he swore that one day "he would tell the story of the great army that fought in the war". After demobilization, he became a director in the
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reached the first place at the Soviet box office for 1970. Together, they are also the 31st and the 32nd highest-grossing Soviet films ever.
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were released together in 2,202 prints on 7 May 1970 (including more than 200 prints in 70 mm), two days before the 25th anniversary of
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The script of the first two parts was completed by the end of 1966, and the producers began preparing to commence filming shortly after.
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When hearing about the German proposal regarding Yakov, Stalin rejects it, saying he will not trade a Field Marshal for a soldier. The
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that his film should be considered as one of the best dealing with the theme of the Great Patriotic War, along the likes of the 1964
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in Kursk, but the old battlefield was littered with unexploded ordnance. Therefore, a special set was constructed in the vicinity of
453:
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1919:
3747:
Wyzwolenie (1968–1975) Jurija Ozierowa jako prezentacja oficjalnej wersji historii II wojny światowej w kinematografii radzieckiej
1776:. Indoor fighting was filmed in Mosfilm's studios, and the U-Bahn scene took place in Moscow's metro – where Myaghkov rebuilt the
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However, the series was not seen as an artistic achievement. Ozerov declared in the February 1971 issue of the Soviet magazine
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was presented for the first time in Soviet cinema. Vlasov's was an uncredited role, referred to only as "the General" on set.
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is a much better film than critics allowed". German author Christoph Dieckmann wrote that "Despite of all the propaganda,
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enabled filmmakers to depict the war as a personal, inglorious experience of the individual participants – with films as
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The Second World War was always a crucial topic for Soviet filmmakers. Immediately after the war, propaganda epics like
337:. Meanwhile, in Kursk, the Germans advance. Maximov flees, but finally turns back and chooses to be shot when captured.
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2134:, Eastern Bloc films rarely depicted Stalin, if at all. Scenes featuring him were edited out from many older pictures.
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wrote that the film's depiction of Battle of Kursk was "completely false" and the German casualties were exaggerated.
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presented it as an heroic, collective effort of the people that was brilliantly led by Stalin. After his death, the
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in June 1971. The series was endorsed also by the East German government. The East Berlin premiere was attended by
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The films are a dramatized account of the liberation of the Soviet Union's territory and the subsequent defeat of
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1718:– models that were developed after the war – can be clearly seen in the film, painted as German or Soviet tanks.
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as the "Brezhnev era's canonical war film", writing that it was "clearly designed to buttress the war cult."
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Ozerov, Bondarev, Cinematographer Igor Slabnevich and Art Director Alexander Myaghkov were all awarded the
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lauded Ozerov for portraying the German side "with due consideration" for details. Karl-Heinz Janßen from
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was reluctant to portray Hitler. He had already appeared as such in three other films and feared becoming
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Foreign film studios were invited to take part in the production, beside Mosfilm: The East German company
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1999:
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was anachronistic: he is depicted meeting General Vlasov on 5 July 1943. He died on 14 April 1943.
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2207:; in reality, the Soviets were notified about them beforehand. Karl added that no mention of the
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1670:. Diez's wife, Martha, played the old woman who served coffee to Tzvetaev in Berlin. The Italian
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480:, but fails. Churchill is pleased to hear of this, fearing a peace would leave Europe to Stalin.
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2290:[Cinema Chronicler of the Great War] (in Russian). Petrovskyi Vedomosti. Archived from
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and Oscar Kurganov. The series was a Soviet-Polish-East German-Italian-Yugoslav co-production.
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44:
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1511:, but only with the Red Army's unbroken string of victories from the Battle of Kursk onwards.
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when he was conscripted into the Red Army in 1939. Ozerov later told his wife that during the
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1956:'s Silver Medal in 1977. The series was submitted by the Soviet Union as a candidate for the
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1993:
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presented Stalin as the Supreme Commander, his first major appearance on screen since the
1922:, and Yuri Ozerov received a special prize of the Czechoslovak-Soviet Friendship Society.
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on the war's history: "The dominant understanding of the war is shown in the film epic
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The scenes in Berlin were mostly shot in the city itself. East German Foreign Minister
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1550:. Zespół Filmowy Start, the first Polish studio to participate in the co-production of
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In Berlin, Lieutenant Yartsev's infantry and Tzvetaev's battery fight their way in the
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is spoken of as the Polish border already during 1944 – although the USSR annexed the
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is an anti-war film, a memento mori to the uncountable lives sacrificed for victory."
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that the "State Secretary for Cinematography almost had a seizure when he found out."
2126:
Stalin's return was another important trait: during the Thaw, in the aftermath of the
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2903:[Enterprise Implementation Film Film Groups] (in Polish). Filmpolsky.pl. 1998
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In accordance with government endorsement, the Soviet press excessively promoted the
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Soviet critic Rostislav Yurenev "praised the meticulously recreated battle scenes".
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568:. When Hitler orders the tunnels flooded, Tzvetaev drowns while rescuing civilians.
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3263:. Sofia Press Agency (November 1975). Volume XXIV, no. 11. ISSN 0204-8868. p. 21.
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neighbourhood. The 20 July 1944 assassination attempt was filmed in the original
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Stalin informs his allies that a Soviet offensive will take place soon after the
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commits all his forces to a final assault, bringing the Soviets close to defeat.
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The Living and the Dead: The Rise and Fall of the Cult of World War II in Russia
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Filming also took place in Poland. The scenes in Warsaw were shot in the city's
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383:'s orders. In Warsaw, the Polish Resistance bombs a German cinema. Mussolini is
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1454:'s rise to power, a meeting of senior officials from the Ministry of Defence,
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and shot in wide-format NIKFI process (70 mm). The script was written by
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imminent German offensive in Kursk, they launch a preemptive artillery strike
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2038:. Two months later, the important author Semion Freilikh completely ignored
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as a communication operator for negotiations about German surrender. In the
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1976:, and war veterans published columns praising its authenticity. The Soviet
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Histories of the Aftermath: The Legacies of the Second World War in Europe
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2013:
1941:
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A more important pre-release viewing had to be held for Defense Minister
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dealings when they assemble in the Yalta Conference, a month before the
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tanks: eventually, replicas of 10 Tigers and 8 Panthers (converted from
1499:. Lazar Lazarev, a member of the Soviet Filmmakers' Association, wrote "
4336:
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3714:"The Fetters of Victory: How the War Provides Russia With Its Identity"
3347:
Competition Winners] (in Russian). akter.kulichki.com. October 1983
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Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
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Kudryavtsev, Sergei (1998). Svoe Kino. Dubl-D. OCLC 42657018. p. 375.
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The series was distributed in 115 countries around the world. In the
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The Most Important Art: Soviet and Eastern European Film After 1945
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cited it as correcting the "falsification of history" presented in
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On Stalin's orders, the Soviet High Command plans its offensive on
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tanks respectively) were manufactured in a Soviet tank factory in
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Russian, German, English, Polish, Italian, French, Serbo-Croatian
133:
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100 великих отечественных кинофильмов (100 Great Homeland Films)
1987:
The films were noted for the scales of the production: Mira and
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Rückwarts immer: deutsches Erinnern, Erzählungen und Reportagen
1804:. The two had their world premiere in July 1969, during the VI
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was selected to appear in the sensitive role of Joseph Stalin.
434:
3431:. Berkeley: University of California Press. pp. 312–314.
3600:. A. S. Barnes & Co. Inc and Tantivy Press. p. 146.
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Russian Popular Culture: Entertainment and Society Since 1900
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was a return to the style of the propagandistic films before
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137:
3116:"Wolfsschanze": Hitlers Machtzentrale im Zweiten Weltkrieg
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between its release in November 1970 until the opening of
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Work on the series commenced in 1966. German film scholar
259:) is a film series released in 1970 and 1971, directed by
2102:
held special importance": he regarded it as ushering the
2025:
was a "colossal film series... A cenotaph of celluloid."
2599:[The Battle of Berlin in the Soviet monumental epic
2361:. Washington D.C.: New Academia Publishing. p. 94.
2211:
is made. Polish author Łukasz Jasina commented that the
440:
After concluding that the Belarus marshes are passable,
3831:[Galina Dzhugashvili: I Still Miss My Father].
3319:. All-Union Institute of Cinema Research. p. 242.
3274:
Kulturelle Zusammenarbeit, DDR-UdSSR in den 70er Jahren
2921:
All the specified details appear in the films' credits.
2593:"Die Schlacht um Berlin im sowjetischen Monumentalepos
2466:[The Last Battle is the Hardest] (in Russian).
1948:. The films won the Best Film Award at the 1972 Tiflis
416:
3095:[Deliverance] (in Polish). Filmpolsky.pl. 1998
1630:
For the character of Tzvetaev, Ozerov chose the young
278:, focusing on five major Eastern Front campaigns: the
3773:
Pravda o Velikoi Otechestvennoi voine: Sbornik statei
3456:
3276:. Staatsverlag der DDR (1979). OCLC 123205791. p. 58.
1768:
had authorized the producers to use the ruins of the
1450:
about the fall of Berlin. In late 1965, a year after
3824:
3686:
2995:[Strong Spirit] (in Russian). Bulwar Gordona
2901:"Przedsiębiorstwo Realizacji Filmów Zespoły Filmowe"
2715:
2642:Великая оболганная война-2 (The Great War Slander-2)
2433:[Liberation – Pictures of a Great Victory].
2123:
conformed to the "Cult of the Great Patriotic War".
3828:Галина Джугашвили: "Мне до сих пор не хватает отца"
3371:[Liberation] (in Russian). Russiancinema.ru
2359:
Moscow Believes in Tears: Russians and Their Movies
2179:saw the series as a succinct representation of the
3795:
3398:
3180:
2717:
2607:(in German). Zeitgeschichte Online. Archived from
2494:
2195:, Stalin informs both that he knows of the covert
1556:Przedsiębiorstwo Realizacji Filmów-Zespoły Filmowe
499:crosses it, saying they are happy to return home.
4010:
3627:
3538:
3489:
2851::They Stormed the Reichstag with Intervals].
2724:. Lawrence: University Press of Kansas. pp.
2720:Russian War Films: On the Cinema Front, 1914–2005
2639:
2529:Frank Biess, Robert G. Moeller (editors) (2010).
2459:
1918:was screened outside the competition in the 1970
444:demands that the main effort be directed towards
346:The Soviet counter-offensive is launched in Kursk
4359:
502:
3935:A 2011 television interview with Dilara Ozerova
3929:A 2005 television interview with Dilara Ozerova
3749:. Lublin: Instytut Europy Środkowo-Wschodniej.
3138:
2804:
1867:, it sold a total of 7 million tickets. In the
1554:, was closed at April 1968. It was replaced by
4658:Films about the Soviet Union in the Stalin era
3661:
3567:
3178:
3013:
2988:
2953:
2675:
2492:
2327:
1887:'s leadership, and the state film distributor
529:Zhukov rejects Stavka's order to take Berlin,
356:urges to send in the strategic reserve, which
4125:
3996:
3744:
3452:
3450:
3448:
3340:Победители конкурса журнала "Советский экран"
3285:
2356:
2283:
1522:, were offered to write the script. Both saw
4603:Cultural depictions of Franklin D. Roosevelt
3630:The Legacy of the Siege of Leningrad 1941–45
3141:Wie im Westen, nur anders: Medien in der DDR
2800:
2798:
2796:
2794:
2792:
2790:
2757:
2755:
2753:
2751:
2749:
2747:
2745:
3711:
3632:. Cambridge University Press. p. 180.
3399:Afanaseev, Yuri; Yutkevich, Sergei (1986).
2966:(in Russian). Vakhtangov.ru. Archived from
2784:(available on the book's official website).
2761:
2428:
2390:
1896:often held screenings at culture evenings.
556:
4132:
4118:
4003:
3989:
3445:
3068:
2930:
2844:"Освобождение":Рейхстаг штурмовали частями
2635:
2633:
2631:
2629:
2590:
2524:
2522:
2520:
2518:
2008:the "most grandiose Soviet WWII picture".
478:tries to assassinate Hitler and take power
29:
3403:. Great Soviet Encyclopedia. p. 157.
3113:
2811:[The Man Who Took Europe Twice].
2787:
2742:
2424:
2422:
2420:
2418:
2416:
2386:
2384:
2382:
2380:
2378:
2323:
2321:
2319:
2317:
2315:
2313:
2311:
2309:
1899:According to official Soviet statistics,
306:
4613:Cultural depictions of Winston Churchill
4608:Cultural depictions of Eleanor Roosevelt
3825:Svarzevich, Vladimir (9 November 2005).
3789:
3483:
2960:[Ulyanov, Fall of the Curtain].
2711:
2709:
2707:
2705:
2703:
2701:
2699:
2431:"Befreiung – Bilder eines großen Sieges"
2279:
2277:
2275:
2273:
2271:
2269:
2267:
2265:
2263:
2261:
1920:Karlovy Vary International Film Festival
1681:
363:
4618:Cultural depictions of Benito Mussolini
4588:Cultural depictions of Heinrich Himmler
3770:
3314:
3290:[Paul and Paula for Everyone].
3118:. Christoph Links Verlag. p. 179.
3073:. Iskustvo Press, Moscow. p. 218.
2982:
2947:
2935:. Iskustvo Press, Moscow. p. 208.
2915:
2669:
2640:Aleksander Diukov; et al. (2008).
2626:
2515:
2437:(in German). Filmdienst. Archived from
1800:with the already finished second part,
405:, stealthily redeploying their forces.
4598:Cultural depictions of Joseph Goebbels
4543:Cultural depictions of Josip Broz Tito
4360:
3925:on Mosfilm's official YouTube channel.
3691:. Christoph Links Verlag. p. 53.
3593:
3539:Karl-Heinz Janßen (23 February 1973).
3418:
3416:
3414:
3412:
3410:
3210:
3208:
3187:. Cambridge University Press. p.
3165:
3163:
3161:
3020:[There is Such A Profession].
2586:
2584:
2582:
2580:
2578:
2460:Antonina Kriukova (17 February 2001).
2413:
2375:
2306:
2244:". Yakov Dzhugashvili's appearance in
2219:only after the war. Russian historian
2170:
4593:Cultural depictions of Hermann Göring
4113:
3984:
3800:[1945: Fall into the Abyss].
3490:uncredited author (18 January 1971).
3235:
3233:
2836:
2834:
2696:
2453:
2258:
1964:, but was not accepted as a nominee.
979:
314:After the Soviets are alerted to the
182:445 minutes (remastered 2002 version)
4578:Cultural depictions of Georgy Zhukov
4573:Cultural depictions of Joseph Stalin
4538:War films set in Partisan Yugoslavia
3532:
3279:
2064:was released, David Robinson called
1967:
575:'s company is selected to hoist the
4583:Cultural depictions of Adolf Hitler
4468:Eastern Front of World War II films
3543:[Memorial from Celluloid].
3457:J. Youngblood, Denise (June 2001).
3407:
3205:
3158:
2808:Человек, который дважды брал Европу
2805:Matizen, Victor (16 October 2001).
2575:
2395:[The Empire Strikes Back].
448:and insists until Stalin approves.
13:
3230:
2831:
1931:State Committee for Cinematography
1837:much larger audiences. Yet still,
1627:was called to substitute Leghkov.
1548:Dino de Laurentiis Cinematografica
583:. A Soviet officer is assigned to
154:Dino de Laurentiis Cinematografica
14:
4739:
4533:Films scored by Aram Khachaturian
4523:Films about the German Resistance
3881:Direction of the Main Blow part I
3796:Jörg R. von Mettke (6 May 1985).
3272:Ilse Heller, Hans-Thomas Krause.
2334:[Memoirs of an Old Man].
1514:At first, two prominent authors,
1436:was planning an American-Russian
4628:Films about the Battle of Berlin
4458:Russian-language war drama films
4257:Moscow Does Not Believe in Tears
3775:. Izd-vo "Aleteiia". p. 2.
3666:. Berg Publishers. p. 150.
3014:Yakushev, Yuri (February 2008).
2989:Gordon, Dmitry (9 August 2005).
2954:Kichin, Valery (28 March 2007).
2881:(in Polish). Filmpolsky.pl. 1998
1954:Polish-Soviet Friendship Society
1885:Socialist Unity Party of Germany
1529:The Liberation of Europe 1943–45
1287:
603:
3818:
3764:
3738:
3705:
3680:
3655:
3646:
3621:
3587:
3561:
3401:Кино: энциклопедический словарь
3392:
3383:
3359:
3331:
3308:
3266:
3254:
3172:
3132:
3107:
3085:
3062:
3040:
3007:
2924:
2893:
2867:
2463:Последний бой, он трудный самый
2119:, the "heroic, if not kitschy"
1978:Cinema: Encyclopedic Dictionary
1933:'s official publication, chose
1816:
4418:Russian historical drama films
3288:"Paul und Paula für jedermann"
3286:Marion Hartig (3 April 2006).
3069:Ozerov, Yuri; Bondarev, Yuri.
3050:. Internet Movie Cars Database
2931:Ozerov, Yuri; Bondarev, Yuri.
2486:
2350:
2205:actual negotiations took place
1935:The Direction of the Main Blow
1721:It was considered to film the
1481:
968:as Divisional Commander Gromov
531:fearing an attack on his flank
344:break out of an encirclement.
1:
4638:Films set in the Soviet Union
4473:Films directed by Yuri Ozerov
4403:Soviet historical drama films
4225:They Fought for Their Country
3798:"1945: Absturz ins Bodenlose"
3687:Christoph Dieckamann (2005).
3570:World Cinema: A Short History
2716:Denise J. Youngblood (2007).
2393:"Das Imperium schlägt zurück"
2251:
2217:eastern territories of Poland
1865:People's Republic of Bulgaria
1402:
1397:
1061:Claus Schenk von Stauffenberg
999:as sapper Bruno Fermella (I)/
476:. A group of German officers
333:'s offer to exchange him for
4633:Films about the 20 July plot
4453:1970s Russian-language films
4388:1970s historical drama films
3024:(in Russian). Archived from
2815:(in Russian). Archived from
1811:
1178:Albrecht Mertz von Quirnheim
524:negotiate with the Americans
510:Stalin orders to hasten the
170:IV, V : 5 November 1971
7:
4498:Yugoslav multilingual films
4463:1970s German-language films
3664:A History of Russian Cinema
3494:[Greatest Battle].
2284:Bukin, Alexei (June 2005).
2071:
1925:The readers of the journal
1916:The Fire Bulge/Breakthrough
1871:, 4 million people watched
1783:
1438:international co-production
541:and Wolff. Zhukov's forces
10:
4744:
4568:Russian World War II films
4563:Italian World War II films
4503:Russian multilingual films
4493:Italian multilingual films
4149:Best Foreign Language Film
3712:Gudkov, Lev (3 May 2005).
3628:Kirshenbaum, Lisa (2006).
3464:American Historical Review
2877:[Film Home Team].
2537:. Berghan Books. pp.
2391:Ralf Schenk (6 May 2005).
2287:КИНОЛЕТОПИСЬ ВЕЛИКОЙ ВОЙНЫ
1958:Best Foreign Language Film
1952:, and Ozerov received the
1944:in 1972 for their work on
1937:as the best film of 1971.
1869:German Democratic Republic
1849:Direction of the Main Blow
1600:
419:Direction of the Main Blow
4713:Soviet World War II films
4663:Films about Fascist Italy
4558:Polish World War II films
4553:German World War II films
4488:Polish multilingual films
4483:Soviet multilingual films
4478:German multilingual films
4155:
4019:
3315:various, authors (1972).
3071:Освобождение (киноэпопея)
2933:Освобождение (киноэпопея)
2331:Записки пожилого человека
1910:
1391:Hughe Knatchbull-Hugessen
1356:
1305:Franklin Delano Roosevelt
757:Yuri Kamorny as Vasiliev.
463:
424:
232:
212:
196:
174:
160:
124:
114:
106:
98:
90:
72:
64:
50:
40:
28:
23:
4678:Films about Nazi Germany
4548:Films partially in color
4398:1970s multilingual films
4193:The Dawns Here Are Quiet
3827:
3541:"Ehrenmal aus Zelluloid"
3367:
3339:
3239:Razzakov, Fedor (2008).
3222:30 November 2012 at the
3139:Stefan Zahlmann (2010).
3016:
2991:
2956:
2855:(in Russian). 5 May 2007
2843:
2807:
2462:
2330:
2286:
1278:Georg-Michael Wagner as
1189:Carl Friedrich Goerdeler
927:Aleksander Barushnoi as
913:Ioseb Gugichaishvili as
892:Gennadi Khrashenikov as
821:Aleksander Afanasiev as
456:to attack all railways.
373:Allied landing in Sicily
4703:Films shot in Lithuania
4433:1970s war romance films
4423:Russian war drama films
4265:O Sport, You Are Peace!
4075:O Sport, You Are Peace!
3950:'s photographs archive.
3771:Sokolov, Boris (1998).
3662:Birgit Beumers (2009).
3568:David Robinson (1973).
3179:Richard Stites (1992).
3114:Neumärker, Uwe (2012).
2766:. Moscow: Veche Press.
2676:Viktor Suvorov (2007).
2591:Karl, Lars (May 2005).
2493:Tumarkin, Nina (1995).
2328:Lazarev, Lazar (2001).
2051:, "a modern version of
1950:All-Union Film Festival
1727:Pereiaslav-Khmelnytskyi
1472:official historiography
1264:Hans-Hartmut Krüger as
1243:Joseph (Sepp) Klose as
1208:Fritz-Ernst Fechner as
1124:Hans-Ulrich Lauffer as
1069:as old woman in Berlin.
868:Panteleimon Ponomarenko
748:as Konev (films III-V).
645:Russian Liberation Army
598:
450:Panteleimon Ponomarenko
301:
284:Lower Dnieper Offensive
102:Igor Slabnevich (70 mm)
4408:Soviet war drama films
4177:The Brothers Karamazov
3745:Łukasz Jasina (2007).
3241:Gibelʹ sovetskogo kino
2875:"Zespół Filmowy Start"
2357:Louis Menashe (2010).
2035:The Alive and the Dead
1588:National People's Army
1582:, Polish Army Colonel
1196:Ernst John von Freyend
1155:Hans-Edgar Stecher as
1007:Gerd Michael Henneberg
934:Elizaveta Alexeeva as
807:Konstantin Zabelin as
785:Konstantin Rokossovsky
665:as Chuikov's signaler.
512:Vistula-Oder offensive
292:Vistula–Oder Offensive
256:
248:
180:477 minutes (original)
141:ZF-Start (films I, II)
18:1970 Soviet Union film
4698:Films shot in Ukraine
4393:1970s war drama films
3594:Butler, Ivan (1974).
3214:Kudryavtsev, Sergei.
2678:The Shadow of Victory
2116:The Cranes Are Flying
1706:. Beside those, many
1682:Principal photography
1668:"a slave to one role"
1347:Maciej Nowakowski as
942:Nikolai Yeremenko Sr.
828:Grigory Mikhaylov as
798:Vladislav Strzhelchik
773:Sergei Kharchenko as
409:. The Allied leaders
407:The city is liberated
188:Part III: 122 minutes
4693:Films shot in Poland
4688:Films shot in Warsaw
4683:Films shot in Berlin
4653:Films set in Ukraine
4648:Films set in Belarus
3905:The Battle of Berlin
3017:Есть такая профессия
2762:Igor Muskyi (2007).
2662:28 July 2019 at the
2429:Ralf Schenk (2005).
2181:Soviet official view
2043:in his memoirs that
1806:Moscow Film Festival
1416:Battle of Königsberg
1301:Stanisław Jaśkiewicz
1148:Wilfried Ortmann as
1067:Martha Beschort-Diez
906:Yuri Pomernatzev as
768:Aleksandr Vasilevsky
505:The Battle of Berlin
472:. Afterwards, they
454:Belarusian partisans
35:Original film poster
4723:1970s Italian films
4673:Films set in Tehran
4668:Films set in Crimea
4528:Films set in Berlin
4241:White Bim Black Ear
4067:Soldiers of Freedom
2970:on 29 November 2010
2171:Historical accuracy
2104:Brezhnev Stagnation
2095:Ballad of a Soldier
1991:cited it alongside
1962:46th Academy Awards
1619:received the role.
1568:Alexander Rodimtsev
1460:Ministry of Finance
1456:Ministry of Culture
1434:Metro-Goldwyn-Mayer
1340:Tadeusz Schmidt as
1323:Wieńczysław Gliński
1171:Erwin von Witzleben
960:Victor Emmanuel III
866:Alexei Glazyrin as
835:Leonid Dovlatov as
766:Evgeny Burenkov as
458:Operation Bagration
396:reaches the Dnieper
391:and his commandos.
379:is arrested on the
288:Operation Bagration
276:Great Patriotic War
190:Part IV: 79 minutes
186:Part II: 85 minutes
4728:1970s German films
4718:1970s Soviet films
4708:Films shot in Rome
4643:Films set in Minsk
4428:Russian epic films
4011:Films directed by
3941:Stills related to
3524:has generic name (
3459:"A War Remembered"
2680:. Stahlker Press.
2567:has generic name (
2234:Yakov Dzhugashvili
2209:Stalin-Hitler Pact
2079:The Fall of Berlin
2054:The Fall of Berlin
2004:Youngblood called
1662:East German actor
1652:Bukhuti Zaqariadze
1634:, an actor of the
1516:Konstantin Simonov
1349:Alexander Zawadzki
1335:Franciszek Pieczka
1201:Rolf Ripperger as
1194:Manfred Bendik as
1162:Werner Wieland as
1157:Werner von Haeften
1150:Friedrich Olbricht
1110:Fred Alexander as
1031:Erich von Manstein
980:East German actors
974:as General Telegin
958:Georgi Tusuzov as
915:Yakov Dzhugashvili
899:Gogi Kharabdze as
861:Vyacheslav Molotov
823:Dmitry Lelyushenko
814:Klion Protasov as
790:Dimitry Franko as
683:Kliment Voroshilov
679:Nikolay Bogolyubov
669:Bukhuti Zaqariadze
516:relieve the Allies
358:repels the Germans
350:Erich von Manstein
342:Yugoslav partisans
327:Yakov Dzhugashvili
192:Part V: 71 minutes
184:Part I: 88 minutes
4518:Films set in 1945
4513:Films set in 1944
4508:Films set in 1943
4438:East German films
4413:Soviet epic films
4355:
4354:
4209:The Ferocious One
4141:Soviet submission
4107:
4106:
4024:Arena of the Bold
3969:on Kino-Teatr.ru.
3834:Argumenty i Fakty
3782:978-5-89329-102-5
3756:978-83-60695-09-8
3607:978-0-498-01395-9
3579:978-0-413-29190-5
3217:Soviet Box Office
3143:. Panama Verlag.
2963:Rossiskaya Gazeta
2651:978-5-699-25622-8
2548:978-1-84545-732-7
2336:magazines.russ.ru
2128:XX Party Congress
2060:A year after the
1968:Critical response
1894:Free German Youth
1592:Job von Witzleben
1580:Vladimir Alexeyev
1432:, though in 1967
1410:was a student at
1311:Daniel Olbrychski
1236:Herbert Körbs as
1215:Willi Schrade as
1187:Max Bernhardt as
1169:Otto Dierichs as
1051:Günther von Kluge
972:Pyotr Shcherbakov
966:Vladimir Samoilov
936:Eleanor Roosevelt
922:Winston Churchill
859:Viktor Baikov as
719:Anatoly Kuznetsov
591:, after marrying
470:march on Bobruisk
431:Normandy landings
220:
219:
168:III: 31 July 1971
166:I, II: 7 May 1970
110:Ekaterina Karpova
94:Artyom Karapetian
68:Lidia Kanareikina
4735:
4448:Avala Film films
4161:Ivan's Childhood
4134:
4127:
4120:
4111:
4110:
4083:Battle of Moscow
4059:Visions of Eight
4005:
3998:
3991:
3982:
3981:
3919:
3917:The Last Assault
3907:
3895:
3883:
3871:
3859:
3847:
3846:
3844:
3842:
3822:
3816:
3815:
3813:
3811:
3793:
3787:
3786:
3768:
3762:
3760:
3742:
3736:
3735:
3733:
3731:
3726:on 10 March 2016
3722:. Archived from
3709:
3703:
3702:
3684:
3678:
3677:
3659:
3653:
3650:
3644:
3643:
3625:
3619:
3618:
3616:
3614:
3591:
3585:
3583:
3572:. Eyre Methuen.
3565:
3559:
3558:
3556:
3554:
3536:
3530:
3529:
3523:
3519:
3517:
3509:
3507:
3505:
3492:"Großes Gefecht"
3487:
3481:
3480:
3478:
3476:
3467:. Archived from
3454:
3443:
3442:
3425:Antonin J. Liehm
3420:
3405:
3404:
3396:
3390:
3387:
3381:
3380:
3378:
3376:
3363:
3357:
3356:
3354:
3352:
3335:
3329:
3328:
3312:
3306:
3305:
3303:
3301:
3293:Der Tagesspiegel
3283:
3277:
3270:
3264:
3258:
3252:
3237:
3228:
3212:
3203:
3202:
3186:
3176:
3170:
3167:
3156:
3154:
3136:
3130:
3129:
3111:
3105:
3104:
3102:
3100:
3093:"Oswobozdienije"
3089:
3083:
3082:
3066:
3060:
3059:
3057:
3055:
3044:
3038:
3037:
3035:
3033:
3011:
3005:
3004:
3002:
3000:
2986:
2980:
2979:
2977:
2975:
2957:Ульянов. Занавес
2951:
2945:
2944:
2928:
2922:
2919:
2913:
2912:
2910:
2908:
2897:
2891:
2890:
2888:
2886:
2871:
2865:
2864:
2862:
2860:
2838:
2829:
2828:
2826:
2824:
2819:on 12 March 2012
2802:
2785:
2777:
2759:
2740:
2739:
2723:
2713:
2694:
2689:
2673:
2667:
2655:
2637:
2624:
2623:
2621:
2619:
2613:
2606:
2588:
2573:
2572:
2566:
2562:
2560:
2552:
2536:
2526:
2513:
2512:
2500:
2490:
2484:
2483:
2481:
2479:
2474:on 17 April 2013
2470:. Archived from
2457:
2451:
2450:
2448:
2446:
2441:on 28 March 2012
2426:
2411:
2410:
2408:
2406:
2398:Berliner Zeitung
2388:
2373:
2372:
2354:
2348:
2347:
2345:
2343:
2325:
2304:
2303:
2301:
2299:
2294:on 16 March 2012
2281:
2193:Battle of Berlin
2175:The sociologist
2132:De-Stalinization
2089:Ivan's Childhood
1989:Antonín J. Liehm
1905:The Great Battle
1857:The Last Assault
1853:Battle of Berlin
1676:Benito Mussolini
1584:Zbigniew Załuski
1564:Sergei Shtemenko
1546:and the Italian
1372:Erno Bertoli as
1367:Benito Mussolini
1329:Ignacy Machowski
1325:as 'Blacksmith'.
1231:Otto Ernst Remer
1229:Hinrich Köhn as
1132:Erich Gerberding
1103:Joachim Pape as
1091:Heinrich Himmler
1089:Erich Thiede as
951:Yulia Dioshi as
901:Meliton Kantaria
878:Stepan Neustroev
874:Vladimir Korenev
852:Lev Polyakov as
847:Pavel Rotmistrov
837:Sergei Galadzhev
816:Sergei Shtemenko
738:Yuri Leghkov as
663:Leonid Kuravlyov
657:Ivan Mykolaychuk
635:Viktor Avdyushko
629:Boris Seidenberg
617:Larisa Golubkina
559:The Last Assault
335:Friedrich Paulus
323:KZ Sachsenhausen
296:Battle of Berlin
234:
85:Boris Seidenberg
81:Larisa Golubkina
33:
21:
20:
4743:
4742:
4738:
4737:
4736:
4734:
4733:
4732:
4358:
4357:
4356:
4351:
4289:Wartime Romance
4249:Autumn Marathon
4151:
4138:
4108:
4103:
4098:Angels of Death
4015:
4009:
3915:
3903:
3891:
3879:
3867:
3855:
3851:
3850:
3840:
3838:
3829:
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3472:
3455:
3446:
3439:
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3408:
3397:
3393:
3388:
3384:
3374:
3372:
3369:
3365:
3364:
3360:
3350:
3348:
3345:Sovietsky Ekran
3341:
3337:
3336:
3332:
3313:
3309:
3299:
3297:
3284:
3280:
3271:
3267:
3259:
3255:
3238:
3231:
3224:Wayback Machine
3213:
3206:
3199:
3177:
3173:
3168:
3159:
3151:
3137:
3133:
3126:
3112:
3108:
3098:
3096:
3091:
3090:
3086:
3067:
3063:
3053:
3051:
3048:"Osvobozhdenie"
3046:
3045:
3041:
3031:
3029:
3028:on 22 July 2011
3022:Afisha magazine
3018:
3012:
3008:
2998:
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2820:
2809:
2803:
2788:
2774:
2760:
2743:
2736:
2714:
2697:
2674:
2670:
2664:Wayback Machine
2652:
2638:
2627:
2617:
2615:
2614:on 19 July 2011
2611:
2604:
2589:
2576:
2564:
2563:
2554:
2553:
2549:
2527:
2516:
2509:
2501:. Basic Books.
2491:
2487:
2477:
2475:
2464:
2458:
2454:
2444:
2442:
2427:
2414:
2404:
2402:
2389:
2376:
2369:
2355:
2351:
2341:
2339:
2332:
2326:
2307:
2297:
2295:
2288:
2282:
2259:
2254:
2173:
2084:Khrushchev Thaw
2074:
1982:The Longest Day
1970:
1927:Sovietsky Ekran
1913:
1819:
1814:
1786:
1684:
1656:Vasily Shukshin
1648:People's Artist
1632:Nikolay Olyalin
1625:Vasily Shukshin
1617:Mikhail Ulyanov
1603:
1578:, Vice-Admiral
1576:Sergei Siniakov
1542:, The Yugoslav
1520:Viktor Nekrasov
1493:Alexei Yepishev
1484:
1452:Leonid Brezhnev
1447:The Last Battle
1429:The Longest Day
1405:
1400:
1359:
1354:
1342:Zygmunt Berling
1317:Barbara Brylska
1290:
1285:
1259:Helmut Weidling
1257:Gert Hänsch as
1224:Friedrich Fromm
1222:H. Schelske as
1203:Adolf Heusinger
1176:Paul Berndt as
1141:Ralf Böhmke as
1096:Kurt Wetzel as
1080:Angelika Waller
1001:Joseph Goebbels
982:
977:
946:Josip Broz Tito
894:Mikhail Yegorov
830:Mikhail Malinin
809:Mikhail Katukov
802:Aleksei Antonov
781:Vladlen Davydov
775:Nikolai Vatutin
752:Mikhail Nozhkin
746:Vasily Shukshin
723:Georgi Zakharov
713:Alexei Yepishev
699:Ivan Pereverzev
689:Mikhail Ulyanov
653:as Ryazhentzev.
651:Mikhail Gluzsky
623:Vsevolod Sanaev
611:Nikolay Olyalin
606:
601:
562:
547:approach Berlin
508:
497:Polish 1st Army
466:
427:
422:
369:
312:
304:
280:Battle of Kursk
207:
205:
203:
201:
191:
189:
187:
185:
183:
181:
177:
169:
167:
163:
156:
152:
147:
144:Zespoły Filmowe
142:
140:
138:DEFA-Babelsberg
136:
129:
127:
83:
79:
77:Nikolay Olyalin
59:
57:
36:
19:
12:
11:
5:
4741:
4731:
4730:
4725:
4720:
4715:
4710:
4705:
4700:
4695:
4690:
4685:
4680:
4675:
4670:
4665:
4660:
4655:
4650:
4645:
4640:
4635:
4630:
4625:
4623:Partisan films
4620:
4615:
4610:
4605:
4600:
4595:
4590:
4585:
4580:
4575:
4570:
4565:
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4435:
4430:
4425:
4420:
4415:
4410:
4405:
4400:
4395:
4390:
4385:
4383:1971 war films
4380:
4378:1970 war films
4375:
4370:
4353:
4352:
4350:
4349:
4341:
4333:
4325:
4317:
4309:
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4095:
4087:
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4071:
4063:
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4035:
4027:
4020:
4017:
4016:
4008:
4007:
4000:
3993:
3985:
3979:
3978:
3977:on Ostfilm.de.
3970:
3962:
3951:
3938:
3932:
3926:
3857:The Fire Bulge
3849:
3848:
3817:
3788:
3781:
3763:
3755:
3737:
3704:
3697:
3679:
3673:978-1845202156
3672:
3654:
3652:Liehm, p. 204.
3645:
3638:
3620:
3606:
3586:
3578:
3560:
3531:
3482:
3444:
3437:
3406:
3391:
3382:
3358:
3330:
3307:
3278:
3265:
3261:Bulgaria Today
3253:
3229:
3204:
3197:
3171:
3157:
3150:978-3938714119
3149:
3131:
3125:978-3861534334
3124:
3106:
3084:
3061:
3039:
3006:
2981:
2946:
2923:
2914:
2892:
2866:
2830:
2786:
2772:
2741:
2735:978-0700614899
2734:
2695:
2668:
2650:
2644:. Exmo Press.
2625:
2574:
2547:
2514:
2507:
2485:
2452:
2435:filmspiegel.de
2412:
2374:
2368:978-0984406203
2367:
2349:
2305:
2256:
2255:
2253:
2250:
2246:The Fire Bulge
2172:
2169:
2144:Victor Matizen
2073:
2070:
1969:
1966:
1912:
1909:
1873:The Fire Bulge
1839:The Fire Bulge
1834:Richard Stites
1822:The Fire Bulge
1818:
1815:
1813:
1810:
1797:Andrei Grechko
1789:The Fire Bulge
1785:
1782:
1770:Gendarmenmarkt
1744:Livadia Palace
1734:took place in
1683:
1680:
1602:
1599:
1497:Mikhail Suslov
1483:
1480:
1442:Cornelius Ryan
1404:
1401:
1399:
1396:
1395:
1394:
1387:
1380:Florin Piersic
1377:
1374:Pierre Pouyade
1370:
1358:
1355:
1353:
1352:
1345:
1338:
1332:
1326:
1320:
1314:
1308:
1298:
1291:
1289:
1286:
1284:
1283:
1276:
1271:Otto Busse as
1269:
1262:
1255:
1248:
1241:
1238:Heinz Guderian
1234:
1227:
1220:
1217:Wolfram Röhrig
1213:
1206:
1199:
1192:
1185:
1174:
1167:
1160:
1153:
1146:
1139:
1129:
1126:Gustav Schmidt
1122:
1117:Peter Marx as
1115:
1108:
1105:Martin Bormann
1101:
1098:Hermann Göring
1094:
1087:
1077:
1072:Horst Gill as
1070:
1064:
1054:
1044:
1034:
1027:Siegfried Weiß
1024:
1014:
1011:Wilhelm Keitel
1004:
994:
983:
981:
978:
976:
975:
969:
963:
956:
953:Magda Goebbels
949:
939:
932:
925:
920:Yuri Durov as
918:
911:
904:
897:
890:
881:
871:
864:
857:
854:Andrei Grechko
850:
840:
833:
826:
819:
812:
805:
795:
788:
778:
771:
764:
758:
755:
749:
743:
736:
729:Viktor Bortsov
726:
716:
706:
703:Vasily Chuikov
696:
686:
676:
666:
660:
654:
648:
638:
632:
626:
620:
614:
607:
605:
602:
600:
597:
577:Victory Banner
561:
555:
543:cross the Oder
507:
501:
474:liberate Minsk
465:
462:
426:
423:
421:
415:
411:meet in Tehran
368:
362:
311:
309:The Fire Bulge
305:
303:
300:
218:
217:
214:
210:
209:
198:
194:
193:
178:
175:
172:
171:
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161:
158:
157:
132:
130:
125:
122:
121:
116:
112:
111:
108:
104:
103:
100:
99:Cinematography
96:
95:
92:
88:
87:
74:
70:
69:
66:
62:
61:
58:Oscar Kurganov
52:
48:
47:
42:
38:
37:
34:
26:
25:
17:
9:
6:
4:
3:
2:
4740:
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4471:
4469:
4466:
4464:
4461:
4459:
4456:
4454:
4451:
4449:
4446:
4444:
4443:Mosfilm films
4441:
4439:
4436:
4434:
4431:
4429:
4426:
4424:
4421:
4419:
4416:
4414:
4411:
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4230:
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4195:
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4182:
4179:
4178:
4174:
4171:
4170:
4169:War and Peace
4166:
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4162:
4158:
4157:
4154:
4150:
4146:
4145:Academy Award
4142:
4135:
4130:
4128:
4123:
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4112:
4099:
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4018:
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4001:
3999:
3994:
3992:
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3986:
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3741:
3725:
3721:
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3715:
3708:
3700:
3698:3-86153-350-2
3694:
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3669:
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3649:
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3598:
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3575:
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3547:
3542:
3535:
3527:
3522:|author=
3515:
3514:cite magazine
3499:
3498:
3493:
3486:
3471:on 5 May 2011
3470:
3466:
3465:
3460:
3453:
3451:
3449:
3440:
3438:0-520-04128-3
3434:
3430:
3426:
3423:Miera Liehm,
3419:
3417:
3415:
3413:
3411:
3402:
3395:
3386:
3370:
3368:Освобожде́ние
3362:
3346:
3342:
3334:
3326:
3322:
3318:
3311:
3295:
3294:
3289:
3282:
3275:
3269:
3262:
3257:
3250:
3249:9785699268467
3246:
3242:
3236:
3234:
3227:. kinanet.ru.
3226:
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3076:
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3043:
3027:
3023:
3019:
3010:
2994:
2992:Сильные духом
2985:
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2959:
2950:
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2927:
2918:
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2773:9785953323437
2769:
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2581:
2579:
2570:
2565:|author=
2558:
2550:
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2534:
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2523:
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2519:
2510:
2508:9780465041442
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2247:
2243:
2239:
2236:'s daughter,
2235:
2229:
2226:
2222:
2221:Boris Sokolov
2218:
2214:
2210:
2206:
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2198:
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2186:
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2168:
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2156:
2153:
2147:
2145:
2141:
2140:Secret Speech
2137:
2133:
2129:
2124:
2122:
2118:
2117:
2112:
2111:
2105:
2101:
2097:
2096:
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2085:
2081:
2080:
2069:
2067:
2063:
2058:
2056:
2055:
2050:
2046:
2041:
2037:
2036:
2031:
2030:Art of Cinema
2026:
2024:
2020:
2016:
2015:
2009:
2007:
2002:
2001:
2000:War and Peace
1996:
1995:
1990:
1985:
1983:
1979:
1975:
1965:
1963:
1959:
1955:
1951:
1947:
1943:
1938:
1936:
1932:
1928:
1923:
1921:
1917:
1908:
1906:
1902:
1897:
1895:
1890:
1889:Progress Film
1886:
1882:
1878:
1874:
1870:
1866:
1861:
1858:
1854:
1850:
1846:
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1840:
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1827:
1823:
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1781:
1779:
1775:
1774:Wilhelmstraße
1771:
1767:
1762:
1760:
1756:
1752:
1751:Castle Square
1747:
1745:
1741:
1737:
1733:
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1607:
1598:
1595:
1593:
1589:
1585:
1581:
1577:
1573:
1572:Grigory Oriol
1569:
1565:
1559:
1557:
1553:
1549:
1545:
1541:
1536:
1534:
1533:Andrey Vlasov
1530:
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1498:
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1431:
1430:
1423:
1421:
1417:
1413:
1409:
1392:
1388:
1385:
1384:Otto Skorzeny
1381:
1378:
1375:
1371:
1368:
1364:
1361:
1360:
1350:
1346:
1343:
1339:
1336:
1333:
1331:as stableman.
1330:
1327:
1324:
1321:
1318:
1315:
1312:
1309:
1306:
1302:
1299:
1297:as Jan Wolny.
1296:
1293:
1292:
1288:Polish actors
1281:
1280:Walter Wagner
1277:
1274:
1270:
1267:
1263:
1260:
1256:
1253:
1252:Sepp Dietrich
1250:Fred Mahr as
1249:
1246:
1242:
1239:
1235:
1232:
1228:
1225:
1221:
1218:
1214:
1211:
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1154:
1151:
1147:
1144:
1140:
1137:
1133:
1130:
1127:
1123:
1120:
1119:Theodor Busse
1116:
1113:
1109:
1106:
1102:
1099:
1095:
1092:
1088:
1085:
1081:
1078:
1075:
1071:
1068:
1065:
1062:
1058:
1057:Alfred Struwe
1055:
1052:
1048:
1045:
1042:
1038:
1035:
1032:
1028:
1025:
1022:
1018:
1017:Werner Dissel
1015:
1012:
1008:
1005:
1002:
998:
995:
992:
988:
985:
984:
973:
970:
967:
964:
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950:
947:
943:
940:
937:
933:
930:
926:
923:
919:
916:
912:
909:
908:Andrei Vlasov
905:
902:
898:
895:
891:
889:
888:Alexei Berest
885:
884:Eduard Izotov
882:
879:
875:
872:
869:
865:
862:
858:
855:
851:
848:
844:
841:
838:
834:
831:
827:
824:
820:
817:
813:
810:
806:
803:
799:
796:
793:
792:Pavel Rybalko
789:
786:
782:
779:
776:
772:
769:
765:
763:as Dorozhkin.
762:
759:
756:
753:
750:
747:
744:
742:(films I-II).
741:
737:
734:
733:Grigory Oriol
730:
727:
724:
720:
717:
714:
710:
709:Roman Tkachuk
707:
704:
700:
697:
694:
693:Georgy Zhukov
690:
687:
684:
680:
677:
674:
673:Joseph Stalin
670:
667:
664:
661:
658:
655:
652:
649:
646:
642:
639:
636:
633:
630:
627:
624:
621:
618:
615:
612:
609:
608:
604:Soviet actors
596:
594:
590:
586:
582:
578:
574:
569:
567:
560:
554:
552:
548:
544:
540:
536:
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527:
525:
521:
517:
513:
506:
500:
498:
494:
490:
486:
481:
479:
475:
471:
461:
460:is launched.
459:
455:
451:
447:
443:
438:
436:
432:
420:
414:
412:
408:
404:
399:
397:
394:The Red Army
392:
390:
389:Otto Skorzeny
386:
382:
378:
374:
367:
361:
359:
355:
351:
347:
343:
338:
336:
332:
331:Andrei Vlasov
328:
324:
319:
317:
310:
299:
297:
293:
289:
285:
281:
277:
273:
268:
266:
265:Yuri Bondarev
262:
258:
254:
250:
246:
242:
241:Osvobozhdenie
238:
230:
226:
225:
215:
211:
199:
195:
179:
173:
165:
162:Release dates
159:
155:
150:
145:
139:
135:
131:
123:
120:
117:
113:
109:
105:
101:
97:
93:
89:
86:
82:
78:
75:
71:
67:
63:
56:
55:Yuri Bondarev
53:
51:Screenplay by
49:
46:
43:
39:
32:
27:
22:
16:
4345:Get Thee Out
4343:
4335:
4327:
4319:
4311:
4303:
4297:Come and See
4295:
4287:
4279:
4273:Private Life
4271:
4263:
4255:
4247:
4239:
4231:
4223:
4215:
4207:
4200:
4199:
4191:
4183:
4175:
4167:
4159:
4097:
4089:
4081:
4073:
4065:
4057:
4050:
4049:
4043:
4037:
4029:
4023:
3972:
3965:
3954:
3942:
3916:
3904:
3892:
3880:
3869:Breakthrough
3868:
3856:
3839:. Retrieved
3837:(in Russian)
3832:
3820:
3808:. Retrieved
3801:
3791:
3772:
3766:
3746:
3740:
3728:. Retrieved
3724:the original
3717:
3707:
3688:
3682:
3663:
3657:
3648:
3629:
3623:
3611:. Retrieved
3597:The war film
3596:
3589:
3569:
3563:
3551:. Retrieved
3544:
3534:
3502:. Retrieved
3495:
3485:
3473:. Retrieved
3469:the original
3462:
3428:
3400:
3394:
3385:
3373:. Retrieved
3361:
3349:. Retrieved
3344:
3333:
3316:
3310:
3298:. Retrieved
3291:
3281:
3273:
3268:
3260:
3256:
3240:
3215:
3182:
3174:
3140:
3134:
3115:
3109:
3097:. Retrieved
3087:
3070:
3064:
3052:. Retrieved
3042:
3030:. Retrieved
3026:the original
3021:
3009:
2997:. Retrieved
2984:
2972:. Retrieved
2968:the original
2961:
2949:
2932:
2926:
2917:
2905:. Retrieved
2895:
2883:. Retrieved
2878:
2869:
2857:. Retrieved
2852:
2848:
2842:"Fastpanel"
2821:. Retrieved
2817:the original
2812:
2780:
2779:Chapter 75:
2763:
2719:
2677:
2671:
2641:
2616:. Retrieved
2609:the original
2600:
2594:
2532:
2496:
2488:
2476:. Retrieved
2472:the original
2455:
2443:. Retrieved
2439:the original
2434:
2403:. Retrieved
2396:
2358:
2352:
2340:. Retrieved
2338:(in Russian)
2335:
2296:. Retrieved
2292:the original
2245:
2241:
2230:
2224:
2192:
2189:
2184:
2174:
2164:
2160:
2157:
2152:20 July Plot
2148:
2135:
2125:
2120:
2114:
2108:
2099:
2093:
2087:
2077:
2075:
2065:
2062:Last Assault
2061:
2059:
2052:
2044:
2039:
2033:
2029:
2027:
2022:
2012:
2010:
2005:
1998:
1992:
1986:
1981:
1977:
1973:
1971:
1945:
1939:
1934:
1926:
1924:
1915:
1914:
1904:
1900:
1898:
1880:
1877:Breakthrough
1876:
1872:
1862:
1856:
1852:
1848:
1847:
1843:Breakthrough
1842:
1838:
1826:Breakthrough
1825:
1821:
1820:
1817:Distribution
1802:Breakthrough
1801:
1794:
1788:
1787:
1763:
1759:Wolfsschanze
1748:
1731:
1722:
1720:
1685:
1661:
1641:
1629:
1612:The Chairman
1610:
1608:
1604:
1596:
1560:
1551:
1537:
1528:
1523:
1513:
1500:
1485:
1475:
1468:Brezhnev era
1465:
1445:
1427:
1424:
1406:
1389:B. White as
1210:Heinz Brandt
1182:Artur Axmann
1143:Adolf Hamann
1112:Elyesa Bazna
1074:Otto Günsche
1047:Hannjo Hasse
1041:Walter Model
991:Adolf Hitler
843:Pyotr Glebov
761:Valery Nosik
641:Yuri Nazarov
613:as Tzvetaev.
589:Führerbunker
585:Führerbunker
570:
563:
558:
539:Allen Dulles
528:
514:in order to
509:
504:
482:
468:The Soviets
467:
439:
428:
418:
400:
393:
370:
366:Breakthrough
365:
339:
320:
313:
308:
272:Nazi Germany
269:
240:
233:Освобождение
223:
222:
221:
202:East Germany
200:Soviet Union
176:Running time
119:Yuri Levitin
15:
4305:Wild Pigeon
4217:Dersu Uzala
4185:Tchaikovsky
4054:(1970-1971)
4013:Yuri Ozerov
3948:RIA Novosti
3806:(in German)
3803:Der Spiegel
3730:19 December
3549:(in German)
3500:(in German)
3497:Der Spiegel
3475:19 December
3375:19 December
3296:(in German)
3099:19 December
3054:19 December
3032:19 December
2999:19 December
2974:19 December
2907:19 December
2885:19 December
2853:tvcenter.ru
2823:19 December
2618:25 December
2401:(in German)
2342:19 December
2298:19 December
2021:wrote that
2014:Der Spiegel
1942:Lenin Prize
1830:Victory Day
1766:Otto Winzer
1753:and at the
1672:Ivo Garrani
1636:Krasnoyarsk
1488:Ralf Schenk
1482:Development
1408:Yuri Ozerov
1363:Ivo Garrani
1295:Jan Englert
1273:Heinz Linge
1164:Ludwig Beck
1136:Ernst Busch
1037:Peter Sturm
1021:Alfred Jodl
997:Horst Giese
929:Alan Brooke
659:as Savchuk.
637:as Maximov.
522:is sent to
483:In Poland,
452:orders the
442:Rokossovsky
261:Yuri Ozerov
91:Narrated by
65:Produced by
60:Yuri Ozerov
45:Yuri Ozerov
41:Directed by
4373:1971 films
4368:1970 films
4362:Categories
4337:Taxi Blues
4313:Repentance
4233:The Ascent
4201:Liberation
4091:Stalingrad
4051:Liberation
3974:Liberation
3966:Liberation
3955:Liberation
3943:Liberation
3639:0521863260
3198:0521362148
2879:Filmpolski
2849:Liberation
2781:Liberation
2691:Chapter 17
2686:B00270ZSNU
2601:Liberation
2252:References
2242:Liberation
2225:Liberation
2185:Liberation
2177:Lev Gudkov
2165:Liberation
2161:Liberation
2136:Liberation
2121:Liberation
2110:The Ascent
2100:Liberation
2066:Liberation
2045:Liberation
2040:Liberation
2023:Liberation
2006:Liberation
1974:Liberation
1946:Liberation
1901:Liberation
1723:Fire Bulge
1664:Fritz Diez
1644:Kazakh SSR
1621:Ivan Konev
1558:(PRF-ZF).
1552:Liberation
1544:Avala Film
1524:Liberation
1509:Stalingrad
1501:Liberation
1476:Liberation
1403:Background
1398:Production
1319:as Helena.
1313:as Henryk.
1266:Hans Krebs
1245:Karl Wolff
987:Fritz Diez
754:as Yartsev
740:Ivan Konev
551:Tiergarten
520:Karl Wolff
491:watch the
417:Film III:
371:After the
294:, and the
257:Wyzwolenie
224:Liberation
206:Yugoslavia
149:Avala Film
126:Production
24:Liberation
4321:Commissar
4044:High Road
3841:1 January
3325:472805656
3251:. p. 183.
2859:1 January
2657:pp. 19–22
2595:Befreiung
2557:cite book
2213:Bug River
1881:Main Blow
1812:Reception
1780:station.
1778:Kaiserhof
1755:Służewiec
1736:Lithuania
1732:Main Blow
1422:studios.
1337:as Pelka.
1084:Eva Braun
631:as Orlov.
625:as Lukin.
593:Eva Braun
581:Reichstag
579:atop the
573:Neustroev
503:Film IV:
493:Bug River
377:Mussolini
364:Film II:
249:Befreiung
237:translit.
213:Languages
197:Countries
128:companies
107:Edited by
4329:Zerograd
4038:Kochubey
3810:15 April
3719:Eurozine
3613:17 April
3584:pp. 388.
3553:6 August
3546:Die Zeit
3504:15 April
3427:(1977).
3300:15 April
3243:. Exmo.
3220:Archived
3079:28033833
2941:28033833
2660:Archived
2478:14 April
2445:6 August
2405:6 August
2072:Analysis
2049:the Thaw
2019:Die Zeit
1994:Waterloo
1784:Approval
1615:. Thus,
1590:Colonel
647:soldier.
619:as Zoia.
571:Captain
557:Film V:
485:Zawadzki
446:Bobruisk
329:refuses
307:Film I:
115:Music by
73:Starring
3923:YouTube
3911:YouTube
3899:YouTube
3893:part II
3887:YouTube
3875:YouTube
3863:YouTube
3351:1 March
3155:p. 231.
2813:Film.ru
2468:Tribuna
1960:in the
1740:Pabradė
1738:, near
1692:Panther
1688:Tiger I
1674:played
1601:Casting
1466:In the
1420:Mosfilm
1184:(IV-V).
1003:(IV-V).
495:as the
489:Berling
385:rescued
354:Vatutin
274:in the
229:Russian
146:(III-V)
134:Mosfilm
4348:(1991)
4340:(1990)
4332:(1989)
4324:(1988)
4316:(1987)
4308:(1986)
4300:(1985)
4292:(1984)
4284:(1983)
4276:(1982)
4268:(1981)
4260:(1980)
4252:(1979)
4244:(1978)
4236:(1977)
4228:(1976)
4220:(1975)
4212:(1974)
4204:(1973)
4196:(1972)
4188:(1971)
4180:(1969)
4172:(1968)
4164:(1963)
4100:(1993)
4094:(1990)
4086:(1985)
4078:(1981)
4070:(1977)
4062:(1973)
4046:(1959)
4040:(1957)
4034:(1955)
4026:(1953)
3779:
3753:
3695:
3670:
3636:
3604:
3576:
3435:
3323:
3247:
3195:
3147:
3122:
3077:
2939:
2770:
2732:
2728:–162.
2684:
2648:
2603:]
2545:
2505:
2365:
2238:Galina
2197:Dulles
1929:, the
1911:Awards
1505:Moscow
1357:Others
1180:(III)/
566:U-Bahn
464:Part 2
435:Stavka
433:. The
425:Part 1
290:, the
282:, the
253:Polish
245:German
239:
204:Poland
4281:Vassa
3761:p. 7.
3343:[
3317:Экран
2847:[
2612:(PDF)
2605:(PDF)
2201:Wolff
1716:IS-3s
1712:T-62s
1708:T-55s
1412:GITIS
535:Yalta
533:. In
208:Italy
4147:for
4143:for
3960:IMDb
3913:and
3889:and
3843:2011
3812:2011
3777:ISBN
3751:ISBN
3732:2010
3693:ISBN
3668:ISBN
3634:ISBN
3615:2011
3602:ISBN
3574:ISBN
3555:2011
3526:help
3506:2011
3477:2010
3433:ISBN
3377:2010
3353:2011
3321:OCLC
3302:2011
3245:ISBN
3193:ISBN
3145:ISBN
3120:ISBN
3101:2010
3075:OCLC
3056:2010
3034:2010
3001:2010
2976:2010
2937:OCLC
2909:2010
2887:2010
2861:2010
2825:2010
2768:ISBN
2730:ISBN
2682:ASIN
2646:ISBN
2620:2010
2569:help
2543:ISBN
2541:–3.
2503:ISBN
2480:2011
2447:2011
2407:2011
2363:ISBN
2344:2010
2300:2010
2130:and
1997:and
1855:and
1824:and
1714:and
1704:Lvov
1700:IS-2
1698:and
1696:T-44
1690:and
1642:The
1586:and
1574:and
1540:DEFA
1518:and
1507:and
1458:and
599:Cast
545:and
487:and
403:Kiev
381:King
302:Plot
4031:Son
3958:at
3946:on
3921:on
3909:on
3897:on
3885:on
3873:on
3861:on
3189:169
2726:158
2539:131
2113:or
2092:or
2057:".
1646:'s
1444:'s
1440:of
1382:as
1365:as
1303:as
1134:as
1082:as
1059:as
1049:as
1039:as
1029:as
1019:as
1009:as
989:as
944:as
886:as
876:as
845:as
800:as
783:as
731:as
721:as
711:as
701:as
691:as
681:as
671:as
643:as
387:by
321:In
151:(I)
4364::
3901:,
3877:,
3865:,
3716:.
3518::
3516:}}
3512:{{
3461:.
3447:^
3409:^
3232:^
3207:^
3191:.
3160:^
2833:^
2789:^
2744:^
2698:^
2628:^
2577:^
2561::
2559:}}
2555:{{
2517:^
2415:^
2377:^
2308:^
2260:^
1984:.
1907:.
1832:.
1808:.
1761:.
1746:.
1710:,
1678:.
1594:.
1570:,
553:.
526:.
518:.
413:.
375:,
360:.
348:.
325:,
298:.
286:,
255::
251:,
247::
243:,
235:,
231::
4133:e
4126:t
4119:v
4004:e
3997:t
3990:v
3937:.
3931:.
3845:.
3814:.
3785:.
3759:.
3734:.
3701:.
3676:.
3642:.
3617:.
3582:.
3557:.
3528:)
3508:.
3479:.
3441:.
3379:.
3355:.
3327:.
3304:.
3201:.
3153:.
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