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472:, but also in the advertisements of the city and calendars. They were shown as actively living their lives, "driving motorcycles, swimming, horse riding, horse racing, rowing competitions, and participating in social assistance." The term modern girl normally applies to Japanese women of the time, but "the image of modern Chinese women became incorporated into that of the 'Modern Girl' in Japan." Guan Zilan, Liangyou-cover-girl for issue 45, who was a Chinese student and artist who went to Japan to study, was labeled modern girl in this fashion.
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It was published in
Shanghai in February 1926, and was published in October 1941 until the 171st issue. After the victory of the Anti-Japanese War in October 1945, the 172nd issue was published. In 1926 and 1934, two special editions of "Sun Yat-sen Memorial Special Issue" and "The Eighth Anniversary
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The magazine was known for its cover-girls, beautiful women who appeared to be active, "modern girls in motion." The motion was really performed by the girls inside the magazine playing sports, while the cover-girls presented modern women, attractive to men in their non-traditional western clothes
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In 1954 Wu Liande restarted his company in Hong Kong, and "re-released the overseas version of "Liangyou," ceasing publication in 1968. In 1984, Wu Fude, son of Wu Liande restarted the
Liangyou Book Company, including the "Liangyou" pictorial. However, the magazine did not become as influential as
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on the cover. Called an "iconic magazine" and "a visual shortcut for 'old
Shanghai'", the magazine has proven useful in modern times to examine the glamorous side of colonial-era Shanghai. It may have been the most influential large-scale comprehensive pictorial in the 1920s, at least in Asia. It
475:
Modern scholar Maura
Elizabeth Cunningham points out that in spite of the idea of the independence of the modern girl circulating in the period, the magazine showed women how women's sports could be used to satisfy the male gaze and give examples of a "model of femininity for female viewers to
381:, which was one among "a variety of pictorials" that the Liangyou Book Company produced. Wu Liande acted as the magazine's first editor-in-chief, but was unable to fully administer the post because of his need to attend to the larger business. After the 4th issue, he entrusted the editing to
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in 1937. The magazine was suspended in Hong Kong during bankruptcy of the parent
Liangyou Book Company, after a run of 138 issues. The new company that owned the magazine was the Liangyou Fuxing Book Company, who restarted
468:, appearing to not be dressed up looking for men, but living their lives and doing what they enjoyed doing. The modern girls of Shanghai appeared in the city's artwork, including magazines such as The Young Companion and
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reproduce." She also pointed out that the magazine showed progress, with pictures inside the magazine not only showing beauty, but also women actively doing sports, something unimaginable a generation earlier.
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pictorial again found a balance between the political demands attached to the current situation and individual aesthetic tastes, with a cover girl in military attire titled "Chinese Women in the New Era".]
834:
Mo, Yajun (2015). "Liangyou: Kaleidoscopic
Modernity and the Shanghai Metropolis, 1926-1945. Edited by Paul G. Pickowicz, Kuiyi Shen, and Yingjin Zhang (Leiden: Brill, 2013) xi, 287 pp. ISBN 9789004245341 ".
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The war interfered with further publishing. Even though the
Japanese had taken over the parent company Liangyou Fuxing Book Company, and Chinese owners cooperating reopened the company in April 1942,
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as its third editor-in-chief. Within two years, the monthly pictorial sales reached more than 30,000 copies, selling globally. Liang Desuo stayed for six years as the chief editor before leaving
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214:) in Chinese, was a pictorial with captions in both Chinese and English, published in Shanghai beginning February 1926. Although the direct translation of
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printing, and the quality was greatly improved. In August of this year, the 50th edition was increased to 42 pages with 3 pages of multicolored pages.
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in
February 1939 in Shanghai under editor-in-chief Zhang Yuanheng (張沅恒). It ran until December 1941, when the 171st issue was published.
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s editor Zhang
Yuanheng would not work with them. After the war in October 1945, he published the next and final (172nd) under the name
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ceased publication in 1945. There were 174 issues in total, which includes the two special issues not given monthly issue numbers, the
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278:(1900-1972), the businessman who started the Young Companion and was its first editor. Edited issues 1 through 4.
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Performing "Nation": Gender
Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880–1940
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320:(1905-1938), the third editor of the Young Companion, March 1927 to July 1933. Edited issues 13 through 79
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438:. The Liangyou Fuxing Book Company was closed after the war "in 1946, due to the guilt of shareholders."
366:, 5th editor, June 1938 through July 1941. Issues 139 through 171, and final (172nd) issue, October 1945.
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300:(1895-1968) was the second editor of Liangyou June 15, 1926 to March 1927. Edited issues 5 through 12.
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Brill Online Books and Journals, The Modern Girl in Motion: Women and Sports in Liangyou, Overview
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Peter Lau remembers his former mentor, Wu Luen Tak, the founder of The Young Companion pictorial.
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issue. Since 1945, it has been repeatedly reestablished, but the impact has not been the same.
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1051:[The aesthetics of the floating girl era in the cover of the Republic of China (I)].
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Page with photos and story about Liangyou's photographers on a China-wide photo expedition.
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The magazine ran a mixture of content, including photography, art, literature and sports.
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963:"别找了,美女都在这儿呢,有颜有腰还有腿 [translation: Don't look for it. Beautiful women are here.]"
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Volume 5, Issue 2: Vital Signs: Photography and Eco-Activism in Asia, Spring 2015
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Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926-1945
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1064:但从第139期复刊号开始,《良友》画报又找到了在时局附加的政治要求与个体审美品位之间的平衡点,那是一张身着戎装的封面女郎,名为《新时代之中国女性》。
993:. In Croissant, Doris; Yeh, Catherine Vance; Mostow, Joshua Scott (eds.).
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In 1925 Wu Liande founded the Liangyou Book Company. A year later the
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1020:"Chapter 4: The Modern Girl in Motion: Women and Sports in Liangyou"
807:"艺志的样式《良友》画报 [translation: Art Style "Friends" Illustrated]"
346:(1908-2002), 4th editor, July 1933-June 1938. Issues 80 through 138.
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Magazine" were published. A total of 174 issues were issued.
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The modern girl's dilemma, being pretty versus being active
1022:. In Pickowicz, Paul; SHEN, Kuiyi; ZHANG, Yingjin (eds.).
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Various aspects of the modern girl in Liangyou discussed.
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is "Good Companion", the magazine bore the English name
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701:Example of war years, issue #131, 1937 featuring
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60:First issue, 15 February 1926, featuring actress
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30:"Liangyou" redirects here. For the company, see
392:In March 1927 Liang Desuo took over editing of
377:pictorial magazine was produced, also known as
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385:. Zhou did not stay long and left to study at
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897:Cunningham, Maura Elizabeth (January 2013).
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400:in July 1933 being replaced by Ma Guoliang.
27:Shanghai-based magazine, published 1926–1945
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991:"The Allure of a 'Woman in Chinese Dress'"
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590:Writer and military leader,
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722:Republic of China Air Force
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414:due to the outbreak of the
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989:Ikeda, Shinobu (2008).
641:gear on issue #86, 1934
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1092:at Wikimedia Commons
637:Actress Hu Die with
432:The Young Companion'
1049:"民国封面女郎 浮华时代的美学(上)"
724:on issue #136, 1938
689:on issue #130, 1937
673:on issue #113, 1936
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264:traditional Chinese
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177:The Young Companion
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563:on issue #57, 1931
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531:on issue #45, 1930
511:on issue #16, 1927
272:simplified Chinese
229:Eighth Anniversary
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1121:Categories
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790:References
623:Volleyball
545:Chen Bo'er
525:Guan Zilan
206:Wade–Giles
944:ignored (
934:cite book
903:. Brill.
470:Ling Long
412:Hong Kong
254:Wu Liande
169:, English
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102:Frequency
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816:28 June
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946:help
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639:polo
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154:and
113:1926
905:doi
845:hdl
364:张沅恒
360:張沅恒
344:马国亮
340:馬國亮
318:梁得所
298:周瘦鹃
294:周瘦鵑
276:伍联德
268:伍聯德
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