545:
492:
22:
304:
The committees support the activity of the association according to their purpose. Each committee is led by a
Committee Chair and consists of a variable number of members.
39:
245:
217:
477:
86:
58:
417:
65:
586:
72:
610:
54:
529:
434:
400:
79:
105:
579:
426:
560:
503:
615:
170:
to protect the ethical and professional interests of art critics by defending the rights of all members equally
43:
143:
416:
Bojana Piškur (2019). "Southern
Constellations: Other Histories, Other Modernities". In Tamara Soban (ed.).
572:
440:
625:
522:
620:
32:
605:
515:
180:
to facilitate and improve information and international exchanges in the field of visual arts
8:
183:
to contribute to the reciprocal knowledge and closer understanding of differing cultures
187:
430:
404:
374:
556:
544:
499:
491:
194:
599:
552:
174:
130:) was founded in 1950 to revitalize critical discourse, which suffered under
397:
135:
227:
214:
158:
210:
202:
21:
221:
206:
467:
164:
131:
198:
139:
150:
498:
This article about an art or artists' organization is a
472:
193:
During the 1973 General
Assembly of the organization in
419:
177:
among its members by encouraging international meetings
409:
375:"rizospastis.gr - "Λογοτεχνία και σάτιρα" στη Λέσβο"
157:
to promote the critical disciplines in the field of
46:. Unsourced material may be challenged and removed.
597:
163:to ensure their having sound methodological and
319:CENSORSHIP AND FREEDOM OF EXPRESSION COMMITTEE
124:Association Internationale des Critiques d’Art
580:
523:
415:
286:Margarita Grullon Perea (Dominican Republic)
587:
573:
530:
516:
55:"International Association of Art Critics"
106:Learn how and when to remove this message
468:International Association of Art Critics
120:International Association of Art Critics
598:
283:Juan Carlos Flores Zúñiga (Costa Rica)
539:
486:
373:Epochi, rizospastis.gr | Synchroni.
349:PUBLICATIONS AND LANGUAGES COMMITTEE
309:ARCHIVES AND LIVING MEMORY COMMITTEE
44:adding citations to reliable sources
15:
13:
372:
354:STATUTES AND REGULATIONS COMMITTEE
334:ELECTORAL AND MEMBERSHIP COMMITTEE
14:
637:
611:Organizations established in 1950
461:
224:called upon the organization to "
142:AICA was admitted to the rank of
543:
490:
427:Museum of Modern Art (Ljubljana)
289:Marja-Terttu Kivirinta (Finland)
20:
31:needs additional citations for
391:
366:
186:to provide collaboration with
1:
359:
299:
265:International Vice Presidents
260:: Jesus Pedro Lorente (Spain)
144:non-governmental organization
559:. You can help Knowledge by
502:. You can help Knowledge by
329:DIGITAL STRATEGIES COMMITTEE
235:
7:
280:Fernando Farina (Argentina)
10:
642:
538:
485:
339:FELLOWSHIP FUND COMMITTEE
292:Danièle Perrier (Germany)
254:: Marc Partouche (France)
616:Art organization stubs
555:-related article is a
274:Chauhsin Chen (Taiwan)
246:Malgorzata Kazmierczak
197:, which took place in
295:Susana Sulic (France)
188:developing countries
173:to ensure permanent
40:improve this article
403:2007-10-10 at the
324:CONGRESS COMMITTEE
277:Rui G. Cepeda (UK)
218:Célestin Badibanga
138:. Affiliated with
626:Visual arts stubs
568:
567:
511:
510:
436:978-961-206-138-8
344:FINANCE COMMITTEE
252:Secretary General
230:tendencies in art
116:
115:
108:
90:
633:
589:
582:
575:
547:
540:
532:
525:
518:
494:
487:
478:AICA USA section
455:
454:
452:
451:
445:
439:. Archived from
424:
413:
407:
395:
389:
388:
386:
385:
370:
314:AWARDS COMMITTEE
271:Jean Bundy (USA)
226:move beyond the
111:
104:
100:
97:
91:
89:
48:
24:
16:
641:
640:
636:
635:
634:
632:
631:
630:
621:Criticism stubs
596:
595:
594:
593:
537:
536:
483:
473:AICA UK section
464:
459:
458:
449:
447:
443:
437:
422:
414:
410:
405:Wayback Machine
398:AICA Objectives
396:
392:
383:
381:
371:
367:
362:
302:
238:
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
639:
629:
628:
623:
618:
613:
608:
592:
591:
584:
577:
569:
566:
565:
548:
535:
534:
527:
520:
512:
509:
508:
495:
481:
480:
475:
470:
463:
462:External links
460:
457:
456:
435:
408:
390:
364:
363:
361:
358:
357:
356:
351:
346:
341:
336:
331:
326:
321:
316:
311:
301:
298:
297:
296:
293:
290:
287:
284:
281:
278:
275:
272:
262:
261:
255:
249:
237:
234:
195:SFR Yugoslavia
191:
190:
184:
181:
178:
171:
168:
161:
114:
113:
28:
26:
19:
9:
6:
4:
3:
2:
638:
627:
624:
622:
619:
617:
614:
612:
609:
607:
606:Art criticism
604:
603:
601:
590:
585:
583:
578:
576:
571:
570:
564:
562:
558:
554:
553:art criticism
549:
546:
542:
541:
533:
528:
526:
521:
519:
514:
513:
507:
505:
501:
496:
493:
489:
488:
484:
479:
476:
474:
471:
469:
466:
465:
446:on 2022-06-12
442:
438:
432:
428:
421:
420:
412:
406:
402:
399:
394:
380:
376:
369:
365:
355:
352:
350:
347:
345:
342:
340:
337:
335:
332:
330:
327:
325:
322:
320:
317:
315:
312:
310:
307:
306:
305:
294:
291:
288:
285:
282:
279:
276:
273:
270:
269:
268:
266:
259:
256:
253:
250:
247:
243:
240:
239:
233:
231:
229:
223:
219:
216:
212:
208:
204:
200:
196:
189:
185:
182:
179:
176:
175:communication
172:
169:
166:
162:
160:
156:
155:
154:
153:of AICA are:
152:
147:
145:
141:
137:
133:
129:
125:
121:
110:
107:
99:
96:November 2008
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
561:expanding it
550:
504:expanding it
497:
482:
448:. Retrieved
441:the original
418:
411:
393:
382:. Retrieved
378:
368:
353:
348:
343:
338:
333:
328:
323:
318:
313:
308:
303:
264:
263:
257:
251:
241:
225:
192:
148:
136:World War II
127:
123:
119:
117:
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
379:ΡΙΖΟΣΠΑΣΤΗΣ
228:Eurocentric
159:visual arts
118:AICA - the
600:Categories
450:2022-04-25
384:2018-11-18
360:References
300:Committees
215:art critic
151:objectives
66:newspapers
258:Treasurer
242:President
236:Structure
211:Dubrovnik
203:Ljubljana
149:The main
146:in 1951.
401:Archived
248:(Poland)
222:Kinshasa
207:Belgrade
165:ethical
134:during
132:Fascism
80:scholar
433:
199:Zagreb
140:UNESCO
82:
75:
68:
61:
53:
551:This
444:(PDF)
423:(PDF)
220:from
167:bases
87:JSTOR
73:books
557:stub
500:stub
431:ISBN
209:and
128:AICA
59:news
232:".
42:by
602::
429:.
425:.
377:.
267::
244::
213:,
205:,
201:,
126:,
588:e
581:t
574:v
563:.
531:e
524:t
517:v
506:.
453:.
387:.
122:(
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
