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Nude (art)

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1639: 602: 2104:, women are depicted with open legs, implying that they are to be passive and an object to be used. In A. W. Eaton's essay "What's Wrong with the (Female) Nude? A Feminist Perspective on Art and Pornography", she discusses multiple ways in which the art of the female nude objectifies women. She considers how male nudes are both less common and represented as active and heroic, whereas female nudes are significantly more prevalent and represent women as passive, vulnerable, sexual objects. The feminist art history movement has aimed to change the way this image is perceived. The female nude has become less of an icon in Western art since the 1990s, but this decline in importance did not stop members of the feminist art movement from incorporating things like the "central core" image. This way of representing the nude female figure in art was focused on the fact that women were in control of their own image. The central image was focused on 1062: 1213: 1796:. Although having some references to the traditions of single female figures, the women were portrayed as voracious, distorted, and semi-abstract. According to the artist, he wanted to "create the angry humor of tragedy"; having the frantic look of the atomic age, a world in turmoil, a world in need of comic relief. Later, Greenberg added that "Maybe ... I was painting the woman in me. Art isn't a wholly masculine occupation, you know. I'm aware that some critics would take this to be an admission of latent homosexuality ... If I painted beautiful women, would that make me a non-homosexual? I like beautiful women. In the flesh—even the models in magazines. Women irritate me sometimes. I painted that irritation in the Woman series. That's all." Such ideas could not be expressed by pure abstraction alone. Some critics, however, see the Woman series as 1289: 1406: 1140: 786: 617: 1326: 1004: 687: 1195: 317:

impropriety, but rather it being indicative of low status or disgrace. Non-sexual, or functional nudity was common in early civilizations due to the climate. Children were generally naked until puberty, and public baths were attended nude by mixed gender groups. Those with low status – not only slaves – might be naked or, when clothed, would disrobe when necessary for strenuous work. Dancers, musicians, and acrobats would be nude while performing. Many nude images depicted these activities. Other nude images were symbolic, idealized images of warriors and goddesses; while gods where shown dressed to indicate their status. The figure depicted in the

303: 1976: 1366: 964: 449: 1098: 33: 504: 1346: 1118: 590: 1601: 281: 1938: 412:, gods and heroes were shown nude, while ordinary mortals were less likely to be so, though athletes and warriors in combat were often depicted nude. The nudes of Greco-Roman art are conceptually perfected ideal persons, each one a vision of health, youth, geometric clarity, and organic equilibrium. Kenneth Clark considered idealization the hallmark of true nudes, as opposed to more descriptive and less artful figures that he considered merely naked. His emphasis on idealization points up an essential issue: seductive and appealing as nudes in art may be, they are meant to stir the mind as well as the passions. 864:(1431–1506) is considered by art historians to have been a pivotal figure in the resurgence of nudes in art because of his love of the ancient classical world and how he incorporated classical principles of form into his creations. He is not the first to use classical influences in his work. However, few painters before him did this to the conspicuous degree and quality to which he did. He is known as a master of form, and his nudes are noteworthy because his style is influenced by his study of ancient classical sculpture and his knowledge of ancient classical Greek and Roman culture. The drawing of 2211: 1427: 1675: 261: 1042: 2384: 1180: 1160: 662: 1386: 468: 635: 2256: 1310: 1713: 984: 1693: 1619: 1728: 1657: 1827: 214: 1748: 647: 427: 2202:

of female beauty did not include black women. White women were represented as a sexual image, and they were the ideal sexual image for men during the Renaissance. White women, in most major works before the 20th century, did not have pubic hair. Black women normally did, and this created their image in an animalistic sexual way. While the white women's image became one of innocence and the idealized, black women were continually overtly sexualized, she adds.

6191: 486: 6201: 146: 1544:, the female nude is a matter of containing sexuality; in the case of the classical art history view represented by Kenneth Clark, this is about idealization and de-emphasis of overt sexuality, while the modern view recognizes that the human body is messy, unbounded, and problematical. If a virtuous woman is dependent and weak, as was assumed by the images in classical art, then a strong, independent woman could not be portrayed as virtuous. 1022: 2398: 1462: 193:

time that any nude may be suspect in the view of many patrons and the public, art critics may reject work that is not cutting edge. Relatively tame nudes tend to be shown in museums, while works with shock value are shown in commercial galleries. The art world has devalued simple beauty and pleasure, although these values are present in art from the past and in some contemporary works.

241:. In early historical times similar images represented fertility deities. When surveying the literature on the nude in art, there are differences between defining nakedness as the complete absence of clothing versus other states of undress. In early Christian art, particularly in references to images of Jesus, partial dress (a loincloth) was described as nakedness. 777:. The shape of the female "Gothic nude" was very different from the classical ideal, with a long body shaped by gentle curves, a narrow chest and high waist, small round breasts, and a prominent bulge at the stomach. Male nudes tended to be slim and slight in figure, probably drawing on apprentices used as models, but were increasingly accurately observed. 2084:

seen specifically as a white male, and he was the only one who held the innate talent and creativity to be a successful professional artist. This belief system was prevalent in nude art. Women were depicted as passive, and they did not possess any control over their image. The female nude during the Renaissance was an image created by the male gaze.

2297:, with line, form, and composition as the primary objective, rather than the subject person. A life drawing is a work that has been drawn from an observation of a live model. Study of the human figure has traditionally been considered the best way to learning how to draw, beginning in the late Renaissance and continuing to the present. 2157:, which uses a nude female figure to represent the spirit of Wollstonecraft's feminism. This has caused great deals of controversy, with people questioning why Hambling chose to depict Wollstonecraft in nude form. However, Hambling has argued that her reasoning is to depict Wollstonecraft as a spirit and a representation of every woman. 127:. The shocking elements were that it showed a particular model in a contemporary setting, with pubic hair rather than the smooth perfection of goddesses and nymphs, who returned the gaze of the viewer rather than looking away. Some of the same characteristics were shocking almost 70 years later when Manet exhibited his 541:. Many deities and sacred figures are shown partially or entirely nude. Many images also show figures in very thin clinging fabrics, that are effectively nudes; paint may have originally made the difference between clothed and unclothed areas more clear. Nude sculptures are found at Buddhist sites such as 114:, first published in 1956. The introductory chapter makes (though does not originate) the often-quoted distinction between the naked body and the nude. Clark states that to be naked is to be deprived of clothes, and implies embarrassment and shame, while a nude, as a work of art, has no such connotations. 2124:

the criticisms embodied within the male gaze nude depictions of women. Artists have instilled the female gaze in the nudes they create. Rather than women being the object of men's desires, some artists have challenged traditional narratives of women, depicting them contrastingly as being non-sexualised.

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dating back to 7,000 BCE and continue to this day to be generated. In the Indian and Southeast Asian sculpture tradition nudes were frequently adorned with bracelets and jewelry that tended to "punctuate their charms and demarcate the different parts of their bodies much as developed musculature

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During the Renaissance, interest in the nude body in art was being rekindled after a thousand years. Toward the end of Greco-Roman antiquity, Christian doctrines of celibacy, chastity, and the devaluation of the flesh led to the declining interest of nudes for patrons, and thus for artists. Since the

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writes that contemporary artists are no longer interested in the ideals and traditions of the past, but confront the viewer with all the sexuality, discomfort and anxiety that the unclothed body may express, perhaps eliminating the distinction between the naked and the nude. Performance art takes the

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feeling, even though it be only the faintest shadow—and if it does not do so it is bad art and false morals". According to Clark, the explicit temple sculptures of tenth-century India "are great works of art because their eroticism is part of their whole philosophy". Great art can contain significant

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of their identities, as Nelson asserts, creates a "doubly fetishized black female body". Women of color are not represented to the degree that white women are in nude art from the Renaissance to the 1990s, and when they are represented it is in a different way than white women. The Renaissance ideal

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that during the process of procreation, men were the driving force. They held all creative power while women were the receivers. Women's only role in reproduction was to provide the material and act as a vessel. This idea carried over into the image of the artist and the nude in art. The artist was

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built between 950 and 1050 CE are known for their nude sculptures, which comprise about 10% of the temple decorations, a minority of them being erotic. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed

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The nude has been a subject of photography almost since its invention in the nineteenth century. Early photographers often selected poses that imitated the classical nudes of the past. Photography suffers from the problem of being too real, and for many years was not accepted by those committed to

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Female nudes have long been informed by the male gaze, and men's desires of the nudity of women. Feminist criticism has targeted female nudes, informed by the male gaze, for nearly a century. However, there are some artists who have turned this concept on its head, and have, as a result, distilled

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In Jill Fields' article "Frontiers in Feminist Art History", Fields examines the feminist art movement and its assessment of female nude imagery. She considers how the image of the female nude was created and how the feminist art history movement attempted to change the way the image of the female

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The feminist art movement was aimed at giving women the opportunity to have their art reach the same level of notoriety and respect that men's art received. The idea that women are intellectually inferior to men came from Aristotelian ideology and was heavily depended on during the Renaissance. It

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Nude images in Mesopotamia and Ancient Egypt reflect the attitudes toward nudity in these societies. At the time, being naked in social situations was a source of great embarrassment for anyone with higher social status – this was not due to the connection between nudity and sexual

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in an 1864 lithograph with the caption "This year Venuses again... always Venuses!... as if there really were women built like that!" While Europe accepted the nude in art, America was restrictive of sexuality, which sometimes included criticism or censorship of painting, even those that depicted

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art, the continuing fascination with classical antiquity influenced artists to renew and expand their approach to the nude, but with more naturalistic, less idealized depictions, perhaps more frequently working from live models. Both genders are represented; the male in the form of heroes such as

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However, in the United States nudity in art has sometimes been a controversial subject when public funding and display in certain venues brings the work to the attention of the general public. Puritan history continues to impact the selection of artwork shown in museums and galleries. At the same

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creates colourful and bright artwork in different mediums, from paintings, to needlepoint, to sculptures, depicting close ups of women in explicit, pornographic sexual positions. Her pieces embody women feeling pleasured by their bodies, which contradicts the traditional male gaze nudes of women

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When school groups visit museums, there are inevitable questions that teachers or tour leaders must be prepared to answer. The basic advice is to give matter-of-fact answers emphasizing the differences between art and other images, the universality of the human body, and the values and emotions

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Christian attitudes cast doubt on the value of the human body, and the Christian emphasis on chastity and celibacy further discouraged depictions of nakedness, even in the few surviving Early Medieval survivals of secular art. Completely unclothed figures are rare in medieval art, the notable

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Oil paint historically has been the ideal medium for depicting the nude. By blending and layering paint, the surface can become more like skin. "Its slow drying time and various degrees of viscosity enable the artist to achieve rich and subtle blends of color and texture, which can suggest

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In the later nineteenth century, academic painters continued with classical themes, but were challenged by the Impressionists. While the composition is compared to Titian and Giogione, Édouard Manet shocked the public of his time by painting nude women in contemporary situation in his

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Edgar Degas painted many nudes of women in ordinary circumstances, such as taking a bath. Auguste Rodin challenged classical canons of idealization in his expressively distorted Adam. With the invention of photography, artists began using the new medium as a source for paintings,

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were not allowed access to nude models and could not participate in this part of the arts education. During this period, study of the nude figure was something all male artists were expected to go through to become an artist of worth and to be able to depict historical subjects.

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painted non-sexualised, not overly-erotic nude depictions of women. The art work does not depict women from the traditional male gaze standpoint, and Valadon was one of the only women artists to paint such subject matter, in such a way, in the first half of the 20th

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sculpture. These first realistic sculptures of nude males depict nude youths who stand rigidly posed with one foot forward. By the 5th century BCE, Greek sculptors' mastery of anatomy resulted in greater naturalness and more varied poses. An important innovation was

2237:, which depicts Belgian citizens being used as human shields by Germans in World War I. Although based upon a report of a real incident in which the victims were not nude, portraying them so in the painting emphasizes their vulnerability and universal humanity. 176:. Viewers easily identify some images as belonging to one category, while other images are ambiguous. The 21st century may have created a fourth category, the commodified nude, which intentionally uses ambiguity to attract attention for commercial purposes. 321:

could be an aspect of the goddess Ishtar, Mesopotamian goddess of sexual love and war. However, her bird-feet and accompanying owls have suggested to some a connection with Lilitu (called Lilith in the Bible), though seemingly not the usual demonic Lilitu.

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in his later years is usually credited as the first artist to consistently use female models for the drawings of female figures, rather than studio apprentices or other boys with breasts added, who were previously used. Michelangelo's suspiciously boyish

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With regard to the distinction between art and pornography, Kenneth Clark noted that sexuality was part of the attraction to the nude as a subject of art, stating "no nude, however abstract, should fail to arouse in the spectator some vestige of

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as just another social activity, without the significance placed upon the lack of clothing that exists in the West. Through each era, the nude has reflected changes in cultural attitudes regarding sexuality, gender roles, and social structure.

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uses unique cropping and perspective to explore the abstract qualities of nudes. As a young artist in the 1950s, Pearlstein exhibited both abstracts and figures, but it was de Kooning that advised him to continue with figurative work.

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exhibition in 2009. Her work includes nude depictions of women, which illustrates the women as being incapable of caring what others think of them because of their own bodily discomfort, which does not make them subjected to the male

537:. Temple sculptures and cave paintings, some very explicit, are part of the Hindu tradition of the value of sexuality, and as in many warm climates partial or complete nudity was common in everyday life, or at least court life, in 915:

highlight the sexuality of the female body rather than its ideal geometry. These works inspired countless reclining female nudes for centuries afterwards. In addition to adult male and female figures, the classical depiction of

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renderings. With these exceptions, the ideal forms of Greco-Roman nudes became largely lost, transformed into symbols of shame and sin, weakness and defenselessness. This was true not only in Western Europe, but also in

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include family and self-portraits among other nudes; often done in extreme perspectives, attempting to balance realism with abstraction; all while expressing how a woman feels about the female nude.

941:, predates this and is an example of how even figures who would be shown clothed in the final work were often worked out in nude studies, so that the form under the clothing was understood. The nude 2304:

Due to its durability, it is in sculpture that we see the full, nearly unbroken history of the nude from the Stone Age to the present. Figures, usually of the naked female, have been found in the

2108:-related symbols. By incorporating new images and symbols into the female nude image in Western art, the feminist art history movement continues to try and dismantle the male-dominated art world. 2141:

has created a collection, entitled 'SHUNGA,' a Japanese term meaning erotic art. Liu's subject matter involves close up images of lesbian women, entwined within each other and bed sheets.

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Although both the Academic tradition and Impressionists lost their cultural supremacy at the beginning of the twentieth century, the nude remained although transformed by the ideas of

5118: 1865:, it is stated: His "stark and revealing paintings of friends and intimates, splayed nude in his studio, recast the art of portraiture and offered a new approach to figurative art". 822:: his first (in marble, 1408–1409) shows a clothed figure, but his second, probably of the 1440s, is the first freestanding statue of a nude since antiquity, several decades before 3806: 1288: 601: 43:"What spirit is so empty and blind, that it cannot recognize the fact that the foot is more noble than the shoe, and skin more beautiful than the garment with which it is clothed?" 1853:

who came to be known as "The School of London", creating figurative work in the 1970s when it was unfashionable. However, by the end of his life his works had become icons of the

1789:, had supported de Kooning's early abstract work. Despite Greenberg's advice, the artist, who had begun as a figurative painter, returned to the human form in early 1950 with his 1458:

represent a break with the classical, showing a particular woman of his time, with pubic hair and a look directed at the viewer, rather than an allusion to nymphs or goddesses.

1139: 1861:. One of Freud's works is entitled "Naked Portrait", which implies a realistic image of a particular unclothed woman rather than a conventional nude. In Freud's obituary in 2059:, he argued that female nudes reflected and reinforced the prevailing power relationship between females portrayed in art and the predominantly male audience. A year later 1727: 1309: 2160:

Louis Fratino has redefined the male gaze and how queer men and women are represented in nude art. His pieces explore queer sexuality in both everyday and erotic formats.

1405: 2197:. The different depictions of the nude in art has not only instituted a system of controlling the image of women but it has put women of color in a place of other. The 2088:

nude was represented. Derived from the Renaissance ideal of feminine beauty, the image of the female body was created by men and for a male audience. In paintings like

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In the early twentieth century, artists in the Arab world used nudity in works that have been claimed to address their emergence from colonialism into a modern world.

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that could be safely viewed with detachment, Manet's image was assumed to be of a prostitute of that time, perhaps referencing the male viewers' own sexual practices.

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One of the defining characteristics of the modern era in art was the blurring of the line between the naked and the nude. This likely first occurred with the painting

5082: 3296: 1906:"). Audience members were requested to come on stage and begin cutting away her clothing until she was nearly naked. Several contemporary performance artists such as 1003: 164:

The meaning of any image of the unclothed human body depends upon its being placed in a cultural context. In Western culture, the contexts generally recognized are

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painted nudes, including her own self-portrait, in the same straightforward style as clothed sitters, being primarily concerned with color and emotional content.

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recall the original goddesses of fertility more than Greek goddesses. In early abstract paintings, the body could be fragmented or dismembered, as in Picasso's

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Representation of the world, like the world itself, is the work of men; they describe it from their own point of view, which they confuse with absolute truth.

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movement added another reclining female nude to the possible subjects of European paintings, the odalisque, a slave or harem girl. One of the most famous was

467: 1426: 1243:. While adopting the conventions of mythological and Biblical stories, Rembrandt's nudes were less idealized, and painted from life. In the later Baroque or 280: 1194: 1674: 387:

The Greek goddesses were initially sculpted with drapery rather than nude. The first free-standing, life-sized sculpture of an entirely nude woman was the

1883:'s nude figures painted in a nearly academic manner constitute a "parody of art historical nudity and the male obsession with the female form as object". 336:

Nudity in Greek life was the exception in the ancient world. What had begun as a male initiation rite in the eighth century BCE became a "costume" in the

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Additionally, artists have implemented the queer gaze into art, and specifically nude art, which also challenges the traditional male gaze nude artwork.

1600: 1325: 589: 302: 448: 1365: 887:(c. 1510), also drawing on classical models, showed a reclining female nude in a landscape, beginning a long line of famous paintings including the 929: 803:

end of the ancient classical period, the unclothed body was only depicted in rare instances like renderings of Adam and Eve. Now, with the rise of

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For much of history, nude men represented martyrs and warriors, emphasizing an active role rather than the passive one assigned to women in art.

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By the late medieval period female nudes intended to be attractive edged back into art, especially in the relatively private medium of the

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began to change this, but one of the first widely known statements of the political messages in nudity was made in 1972 by the art critic

1385: 367:—the asymmetrical posture of a figure standing with one leg bearing the body's weight and the other relaxed. An early example of this is 95:. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being. 1770:

was one of relatively few female artists in the early 20th century to paint female nudes, as well as male nudes. In 1916, she painted

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The end of the twentieth century saw the rise of new media and approaches to art, although they began much earlier. In particular

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moved the center of Western art from Paris to New York City. One of the primary influences in the rise of abstraction, the critic

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painted a series of works reversing stereotypical artistic themes by featuring naked men in poses usually associated with women.

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reestablished a tradition of male nudes in depictions of Biblical stories; the subject of the martyrdom of the near-naked

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Academic art history tends to ignore the sexuality of the male nude, speaking instead of form and composition.

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Grimes, William (July 22, 2011). "Lucian Freud, Figurative Painter Who Redefined Portraiture, Is Dead at 88".

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Grimes, William (July 22, 2011). "Lucian Freud, Figurative Painter Who Redefined Portraiture, Is Dead at 88".

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Until the 1960s, art history and criticism rarely reflected anything other than the male point of view. The

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rapidly became an important part of artistic practice and training, and remained so until the 20th century.

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The nude image in art has affected women of color in a different way than it has white women, according to

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or his structuralist and Cubist nudes, but there are also abstracted versions of classical themes, such as

1578: 1556:. The idealized Venus was replaced by the woman intimately depicted in private settings, as in the work of 550: 99: 3747: 3636: 6148: 5867: 2641: 2221:. A painting inspired by an incident in August 1914 in which German soldiers used Belgian townspeople as 745:, and even when glorified in heaven, to allow him to display the wounds his sufferings had involved. The 646: 1898:

often includes images of the human body, and performance art frequently includes nudity. "Cut Piece" by

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the traditional fine arts. However, many photographers have been established as fine artists including

1975: 1932: 879: 426: 5514:.: The art works are b&w sketches and drawings of males, nude or nearly so, with much commentary. 5105: 3227: 1021: 485: 5882: 5616: 4952:

Jacobs, Frederika H. (1994). "Woman's Capacity to Create: The Unusual Case of Sofonisba Anguissola".

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Eck, Beth A. (2001). "Nudity and Framing: Classifying Art, Pornography, Information, and Ambiguity".

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painted the modern male nude in the classic reclining pose, with the genitals prominently displayed.

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consists mainly of stylized male figures who are presumably nude. This is certainly the case for the

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More recent discussion of the appropriateness of certain artworks has emerged in the context of the

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Eaton, A. W. "What's Wrong with the (Female) Nude? A Feminist Perspective on Art and Pornography."

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Davis, Frank (June 13, 1936). "A puzzling "Venus" of 2000 B.C.: a fine Sumerian relief in London".

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had already become highly popular. The monumental female nude returned to Western art in 1486 with

293: 5464: 2364:, all of which have been used to create works that explore the concept of the nude. An example is 1937: 1774:, which depicts a woman carrying out a mundane task in a frank, un-sexualised and non-erotic way. 32: 5784: 5650: 5643: 5551:.: Concerns mostly the artistic depiction of the female nude, primarily in painting and drawing. 4278:

Hay, John (1994). "The Body Invisible in Chinese Art?". In Zito, Angela; Barlow, Tani E. (eds.).

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for theological reasons, are other exceptions with elements of nudity in medieval religious art.

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era, depicting the human body without a trace of idealization, as in his series working with an

1523:, the public saw a prostitute. Gustave Courbet similarly earned criticism for portraying in his 970: 907:, c. 1650). Although they reflect the proportions of ancient statuary, such figures as Titian's 6105: 6078: 5797: 5510:, ed. and with an introd. & captions by Thomas Waugh. Vancouver, B.C.: Arsenal Pulp Press. 2497: 2389: 2318: 2210: 1891:'s paintings combine figurative elements and abstraction in a style reminiscent of de Kooning. 1850: 1782: 1372: 1268: 833: 766: 4923:

Hammer-Tugendhat, Daniela; Zanchi, Michael (2012). "Art, Sexuality, and Gender Construction".

3025: 750: 133:, not because of religious issues, but because of its modernity. Rather than being a timeless 6110: 5932: 5385: 3363: 2279: 2046: 1985: 1417: 1131: 351: 3824:

Wye, Pamela (1997). "Desiring Machines and Exquisite Corpulence: Lisa Yuskavage's Girlies".

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The nude has also been used to make a powerful social or political statement. An example is

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demonstrates that, early on, Mantegna did anatomical nude sketches in preparation for the

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Nochlin, Linda (1986). "Courbet's "L'origine du monde": The Origin without an Original".

2485: 2255: 2148: 1960: 1945: 1377: 1256: 855: 770: 514: 389: 228: 219: 124: 5852: 2097: 1907: 1534: 1248: 1204: 741:. Increasingly, Christ was shown largely naked in scenes of his Passion, especially the 6173: 6130: 6115: 6045: 6040: 5847: 5699: 5638: 5344: 5033: 4977: 4969: 4940: 4911: 4882: 4853: 4845: 4816: 2464: 2403: 2002: 1915: 1666: 790: 672: 405: 2558:"Venus Figurines of the European Paleolithic: Symbols of Fertility or Attractiveness?" 2271: 904: 6230: 6225: 6200: 5809: 5757: 5606: 5552: 5530: 5515: 5402: 5330: 4981: 4944: 4936: 4915: 4886: 4857: 4763: 4757: 4742: 4719: 4713: 4698: 4668: 4647: 4626: 4605: 4586: 4567: 4546: 4525: 4506: 4484: 4465: 4446: 4436: 4419: 4409: 4388: 4367: 4346: 4325: 4304: 4285: 4255: 4236: 4215: 4183: 4177: 4159: 4140: 4119: 4094: 4087: 4071: 4050: 3755: 2858: 2474: 2333: 2198: 2188: 1808: 1786: 1704: 1565: 1433: 1397: 1272: 1236: 1151: 1104: 847: 810:

The reinvigoration of classical culture in the Renaissance restored the nude to art.

795: 554: 88: 64: 5444: 5423: 5365: 4907: 3446: 2372:(2018), which employs video projections, vinyl installation, and other mixed media. 1803:

Other New York artists of this period retained the figure as their primary subject.

1495: 1469: 1461: 975: 6163: 6120: 5877: 5623: 5058: 5025: 5002: 4961: 4932: 4903: 4874: 4837: 4808: 4773: 4729: 4193: 4104: 4033: 3130: 2569: 2423: 2417: 2383: 2353: 2337: 2267: 2194: 1911: 1895: 1573: 1482: 1332: 1048: 626: 337: 201: 76: 4363:

The Judgement of Paris: The Revolutionary Decade that Gave the World Impressionism

1357: 6195: 5892: 5842: 5628: 5569: 4799:

Bernheimer, Charles (Summer 1989). "Manet's Olympia: The Figuration of Scandal".

4692: 4662: 4641: 4620: 4561: 4540: 4459: 4403: 4382: 4361: 4340: 4319: 4279: 4230: 4134: 4113: 4065: 2455: 2357: 2294: 2250: 2174: 2112: 2089: 1956: 1767: 1757: 1625: 1610: 1569: 1516: 1511: 1454: 1352: 1295: 1028: 889: 861: 837: 807:, Renaissance artists were relishing opportunities to depict the unclothed body. 746: 723: 344: 129: 119: 92: 4032:. Vol. 220. Vandenhoeck & Ruprecht Göttingen: Academic Press Fribourg. 1967:, and others. Other images were more erotic, either symbolically or explicitly. 6095: 6035: 5655: 5198: 3054: 2449: 2443: 2286: 2246: 2234: 2218: 2163: 2144: 2055: 2019:

from at least from the Renaissance until the middle of the nineteenth century.

2007: 1964: 1880: 1826: 1821: 1738: 1648: 1561: 1449: 1316: 1301: 942: 871: 733: 728: 432: 359: 234: 153: 4878: 1955:. Before the era of Freudian psychoanalysis, children were assumed to have no 6219: 6205: 6168: 6153: 6090: 6015: 5905: 5802: 5792: 5732: 5727: 5665: 4450: 4423: 3759: 2341: 2325: 2222: 2039: 2020: 1876: 1869: 1630: 1583: 1438: 851: 738: 677: 538: 409: 318: 288: 111: 84: 561:

greatly reduced the amount of the body displayed in both real life and art.

6025: 6020: 6010: 5927: 5857: 5824: 5480: 5087: 4384:

The Nude: The Cultural Rhetoric of the Body in the Art of Western Modernity

4173: 4030:

Images and Gender: Contributions to the Hermeneutics of Reading Ancient Art

4025: 3723: 3301: 3013:. London: Logmans, Green, and Company. pp. 106–107, 140, 143, 233–234. 2469: 2411: 2329: 2290: 2060: 2035: 2016: 1888: 1846: 1840: 1797: 1734: 1719: 1557: 1235:

Hercules and Samson, and female in the form of Venus and the Three Graces.

1071: 1053: 995: 938: 899: 823: 719: 696: 607: 565: 475: 364: 46: 3719:"Mary Wollstonecraft statue becomes one of 2020s most polarising artworks" 3596:

Aesthetics and the Philosophy of Art: The Analytic Tradition, An Anthology

2574: 2557: 1951:

In classical works, nude children were rarely shown except for babies and

1699: 213: 75:. Unclothed figures often also play a part in other types of art, such as 6073: 5922: 5677: 3537: 2491: 2263: 2050: 1884: 1684: 1491: 1476: 946: 534: 368: 72: 68: 60: 4785:. Medieval European Studies. Morgantown: West Virginia University Press. 59:

that focuses on the unclothed human figure, is an enduring tradition in

6158: 5917: 5900: 5862: 5774: 5747: 5704: 5682: 4973: 4820: 4498: 4037: 3094: 2352:

In the late twentieth century several new art forms emerged, including

2031: 1854: 1804: 1541: 1240: 401: 373: 348: 80: 5037: 5007: 4990: 4849: 1887:

is another painter whose work frequently reinterprets historic nudes.

233:

The nude dates to the beginning of art with the female figures called

156:. The painting was initially considered too sexual for display in the 5814: 5764: 5742: 3664: 2365: 2361: 2080: 2072: 1903: 1790: 1553: 1490:

in 1814. The annual glut of paintings of idealized nude women in the

1171: 884: 811: 145: 134: 4965: 4812: 1247:

period, a more decorative and playful style emerged, exemplified by

27:

Work of art that has as its primary subject the unclothed human body

5834: 5769: 5752: 5029: 4841: 4026:"On Nakedness, Nudity, and Gender in Egyptian and Mesopotamian Art" 2138: 1899: 495: 458: 5163:

Monaghan, Peter (January 2, 2011). "Unveiling the American Nude".

4828:

Bonfante, Larissa (1989). "Nudity as a Costume in Classical Art".

358:, a large standing figure of a male nude that was the mainstay of 5737: 5672: 5633: 3781:"Queer Artist Louis Fratino Discusses the New Age of Gay Culture" 3466: 2817: 2815: 2305: 1231: 923: 569: 568:, and was often portrayed in manuscript illustrations, and later 542: 267: 186: 4694:

Venus in Exile: The Rejection of Beauty in Twentieth-century Art

3068: 2752: 2703: 5592: 4203:

Art, Awakening, and Modernity in the Middle East: the Arab Nude

2555: 2259: 1520: 1244: 1033: 934: 894: 546: 491: 454: 355: 271: 205:

final step by presenting actual naked bodies as a work of art.

181: 5222: 2890: 2888: 2886: 2812: 2397: 937:, c. 1500), which is usually said to be the first nude female 5660: 5083:"Lucian Freud at the National Portrait Gallery – in pictures" 3297:"Lucian Freud at the National Portrait Gallery – in pictures" 2105: 2042:

painted versions of classic works with the genders reversed.

1952: 1918:

use their own nude bodies or other performers in their work.

815: 564:

Japan had a tradition of mixed communal bathing that existed

533:

and Japan, but the nude does not form an important aspect of

5225:"Body Language: How to Talk to Students about Nudity in Art" 4783:

Naked before God: Uncovering the Body in Anglo-Saxon England

4118:(Third ed.). Chicago: The University of Chicago Press. 2735:"Body Language: How to Talk to Students about Nudity in Art" 2715: 2606: 2118: 874:

frescoes. This is the earliest known drawing by the artist.

5262:"Mona Kuhn Turns Flat Photos into an Immersive Environment" 5119:"Six Dance Shows Stripped Bare: Redefining Nudity on Stage" 4232:

The Goddesses and Gods of Old Europe: Myths and Cult Images

3876: 3573: 3317: 3200:

Scala, Ch 2. "The Influence of Anxiety" by Susan H. Edwards

2883: 917: 774: 4894:

Fields, Jill (2012). "Frontiers in Feminist Art History".

3344: 3215: 3106: 640:

Woman putting on her clothes (1775), unknown Indian artist

5561: 5403:"The Nude in Western Art and its Beginnings in Antiquity" 3414: 3142: 2977: 2975: 2802: 2800: 2798: 56: 4284:. Chicago: University of Chicago Press. pp. 42–77. 3748:"These Gay Figure Artists Are Reimagining the Male Gaze" 3549: 3426: 3251: 2960: 2948: 2924: 2458: – Genre of painting that represents the human form 1529:

a naked prostitute without vestige of goddess or nymph.

123:(1797) by Goya, which in 1815 drew the attention of the 4342:

The Impossible Nude: Chinese Art and Western Aesthetics

4179:

The Art Instinct: Beauty, Pleasure, and Human Evolution

3527: 3525: 3498: 2468: – Series of paintings and drawings by 2075:, asserting that all nudes are inherently voyeuristic. 479:(4th century BCE) bronze statue, possibly by Praxiteles 404:. The female nude became much more common in the later 4922: 3924: 3888: 3543: 3486: 3390: 3239: 3154: 3118: 2987: 2972: 2912: 2857:(3d ed.). Detroit: Wayne State University Press. 2795: 2691: 2301:

transformations from one human substance to another."

5282:"Lucian Freud painted people "how they happen to be"" 3912: 3402: 3378: 3236:, Chapter 2 – The Changing Room: Female Perspectives. 2785: 2783: 2781: 2779: 2618: 2440: – Visual representations of the nude human form 2015:

Men and women did not receive equal opportunities in

5525:

Natter, Tobias G.; Leopold, Elisabeth, eds. (2012).

4604:. Rugby, Warwickshire, England: Jolly & Barber. 4431:

Maes, Hans; Levinson, Jerrold, eds. (July 2, 2015).

4268: 4111: 3996: 3522: 3203: 3100: 2871: 2667: 2537: 2500: – Artistic photography of the naked human body 2379: 1849:

was one of a small group of painters which included

529:

Non-Western traditions of depicting nudes come from

4995:

RACAR: Revue d'art canadienne / Canadian Art Review

4991:"Coloured Nude: Fetishization, Disguise, Dichotomy" 4405:

Art Follows Nature: A Worldwide History of the Nude

4271:

Der nackte Mensch der Kunst aller Zeiten und Völker

4115:

Intimate Matters: A History of Sexuality in America

3474: 3462:"Top Ten ARTnews Stories: Exposing the Hidden 'He'" 2452: – Drawing of the usually unclothed human form 2147:recently commemorated the British feminist writer, 595:

Kandariya Mahadev Temple in Khajuraho, India (1050)

106:One often cited book on the nude in art history is 4086: 4023: 3960: 3936: 3900: 3864: 3561: 3510: 2821: 2776: 5424:"The Nude in the Middle Ages and the Renaissance" 5223:Department of Museum Education (March 18, 2003). 3984: 3972: 2936: 2594: 2582: 1315:No. 37 of a set of 80 aquatint prints created by 6217: 4317: 4024:Asher-Greve, Julia M.; Sweeney, Deborah (2006). 3948: 2679: 2506: – Visual art representing female genitalia 930:Study of a Kneeling Nude Girl for The Entombment 244: 5463: 5322: 5174:"The School of London, Mordantly Messy as Ever" 5044: 4640:Shackelford, George T. M.; Rey, Xavier (2011). 3579: 3323: 3272:"The School of London, Mordantly Messy as Ever" 2900: 2894: 2773:, Ch. 2 – Body Art: the Journey into Nakedness. 5366:"Nudity and Classical Themes in Byzantine Art" 5047:"What Do We Do with the Art of Monstrous Men?" 4736: 4639: 4401: 4298: 3807:"The Female Gaze, Part Two: Women Look at Men" 3112: 2655: 2612: 2432: – Criteria used in formal figurative art 1902:was first performed in 1964 (then known as a " 5577: 5524: 4741:. Washington, D.C.: National Gallery of Art. 4209: 4172: 4112:D'Emilio, John; Freedman, Estelle B. (2012). 2446: – Art that depicts real object sources 2426: – Proportions of the human body in art 2420: – Freedom of expression and publication 1466:This year Venuses again... always Venuses!... 920:became the model for the naked Christ child. 5279: 4681: 4559: 4430: 4235:. Berkeley: University of California Press. 3555: 3447:"Women Artists in Nineteenth–Century France" 3257: 2494: – Person who poses for a visual artist 5323:Rodgers, David; Plantzos, Dimitris (2003). 3687: 3685: 5584: 5570: 5451:. New York: The Metropolitan Museum of Art 5442: 5430:. New York: The Metropolitan Museum of Art 5421: 5409:. New York: The Metropolitan Museum of Art 5400: 5372:. New York: The Metropolitan Museum of Art 5191: 4798: 4519: 4461:Erotic Ambiguities: The Female Nude in Art 4359: 3894: 3124: 3008: 2981: 2806: 2740:. Art Institute of Chicago. March 18, 2003 2624: 2556:Alan F. Dixson; Barnaby J. Dixson (2011). 2270:with a nude man after original drawing by 1081: 308:Dancers and Flutists, Thebes (c. 1400 BCE) 5547:. La Prairie, Qué.: Éditions M. Broquet. 5527:Nude Men: From 1800 Until the Present Day 5062: 5006: 4711: 4580: 4433:Art and pornography: philosophical essays 4324:. New York: Watson-Guptill Publications. 4228: 3918: 2573: 2119:Nudes depicting the female and queer gaze 1718:Model by the Wicker Chair (1919-1921) by 1319:in the 1810s depicting the horrors of war 67:, and after a semi-dormant period in the 5259: 5162: 5080: 4827: 4686:. New York: Watson-Guptill Publications. 4660: 4599: 4563:The Artist's Model: from Etty to Spencer 4457: 4249: 4153: 4044: 4002: 3930: 3882: 3682: 3531: 3420: 3245: 3233: 3209: 3160: 3148: 3074: 2877: 2770: 2758: 2709: 2697: 2254: 2209: 1974: 1936: 1825: 1460: 784: 769:, and in classical contexts such as the 212: 144: 71:returned to a central position with the 31: 5297: 5015: 4755: 4737:Tomlinson, J. A.; Calvo, S. F. (2002). 4690: 4682:Smith, Alison; Upstone, Robert (2002). 4538: 4478: 4380: 4338: 3746:Sargent, Antwaun (September 17, 2018). 3745: 3504: 3492: 3480: 3432: 3408: 3396: 3384: 3350: 3221: 3051:"drawing: Study for the Ovetari Chapel" 2721: 2638:"Ariadne Asleep On The Island Of Naxos" 2414: – Style of painting and sculpture 1868:Around 1970, from feminist principles, 1681:I Werners Eka (In Werner's Rowing Boat) 14: 6218: 5242: 5194:"Funhouse: A Jeff Koons retrospective" 5171: 5153: 5133: 5103: 4988: 4951: 4893: 4780: 4481:Painting People: Figure Painting Today 3870: 3567: 3516: 3335: 3269: 3139:, Part I – Theorizing the Female Nude. 2789: 1926: 1068:New Year's Greeting with Three Witches 814:made two statues of the Biblical hero 5565: 5363: 5117:Daris, Gabriella (February 1, 2016). 5116: 4896:Frontiers: A Journal of Women Studies 4618: 4542:Women, Art and Power and Other Essays 4200: 4132: 4084: 4063: 3990: 3978: 3966: 3942: 3906: 3841: 3839: 3659: 3657: 3631: 3629: 3590: 3588: 3459: 3438: 3171: 3169: 3004: 3002: 2993: 2966: 2954: 2942: 2930: 2918: 2673: 2588: 2549: 2543: 2477: – Social attitudes to nakedness 1970: 1509:(1863); and although the pose of his 832:(1501–1504). Nudes in Michelangelo's 753:, as well as the infant Jesus, whose 158:Pennsylvania Academy of the Fine Arts 150:Ariadne Asleep on the Island of Naxos 140: 5612:Prehistory of nakedness and clothing 5288: 5064:10.3384/de-ethica.2001-8819.19062502 4497: 3954: 3136: 2685: 2600: 2205: 2182: 2168:The Female Gaze: Women Look at Women 2065:Visual Pleasure and Narrative Cinema 712: 223:(made between 24,000 and 22,000 BCE) 5445:"The Nude in Baroque and Later Art" 5260:Hamilton, Julie (October 2, 2018). 5245:"The Nude in Art – a Brief History" 5172:Riding, Alan (September 25, 1995). 5106:"A Conversation with Ruth Bernhard" 4864: 4277: 3847:"Nude Arranging Her Hair | Artwork" 3823: 3270:Riding, Alan (September 25, 1995). 3177:"Nude Arranging Her Hair | Artwork" 2906: 2661: 2430:Artistic canons of body proportions 2154:A Sculpture for Mary Wollstonecraft 760: 266:Babylonian statuette of a goddess ( 24: 5500: 5192:Schjeldahl, Peter (June 9, 2008). 5134:Gopnik, Blake (November 8, 2009). 3836: 3654: 3626: 3585: 3544:Hammer-Tugendhat & Zanchi 2012 3166: 3023: 2999: 1737:("Memories of Olive"), painted by 1515:(1865) is said to derive from the 25: 6247: 5449:Heilbrunn Timeline of Art History 5443:Sorabella, Jean (January 2008c). 5428:Heilbrunn Timeline of Art History 5422:Sorabella, Jean (January 2008b). 5407:Heilbrunn Timeline of Art History 5401:Sorabella, Jean (January 2008a). 5370:Heilbrunn Timeline of Art History 5364:Ryder, Edmund C. (January 2008). 5165:The Chronicle of Higher Education 4049:. New York: Thames & Hudson. 3444: 1988:. This work may be compared with 1560:. The simplified modern forms of 1441:, modeled after a Belgian soldier 858:, whose pose Botticelli adapted. 325: 6199: 6190: 6189: 4937:10.2752/175613112X13376070683397 4759:The Nude Male: A New Perspective 4139:. New York: Simon and Schuster. 4136:John Hedgecoe's Nude Photography 3609:"Women Artists: The Female Gaze" 2396: 2382: 2166:'s artwork has been included in 1990:male depictions of the same tale 1746: 1726: 1711: 1691: 1673: 1655: 1637: 1617: 1599: 1499:classical or biblical subjects. 1425: 1404: 1384: 1364: 1344: 1324: 1308: 1287: 1211: 1193: 1178: 1158: 1138: 1116: 1096: 1060: 1040: 1020: 1002: 982: 962: 685: 660: 645: 633: 615: 600: 588: 572:woodblock prints and paintings. 502: 484: 466: 447: 425: 301: 279: 259: 5508:Gay Art: a Historic Collection 5045:Stewart-Kroeker, Sarah (2020). 4908:10.5250/fronjwomestud.33.2.0001 4830:American Journal of Archaeology 4646:. Museum of Fine Arts, Boston. 4625:. Vanderbilt University Press. 4560:Postle, M.; Vaughn, W. (1999). 4524:. Boston: Houghton Mifflin Co. 4408:. Berkeley: Edition One Books. 4345:. University of Chicago Press. 4089:The Nude: A Study in Ideal Form 3817: 3799: 3773: 3739: 3711: 3601: 3460:Levin, Kim (November 1, 2007). 3453: 3356: 3329: 3289: 3263: 3194: 3080: 3043: 3017: 2846: 2827: 2727: 1815: 1262: 854:, who also owned the classical 751:naked "Penitent Mary Magdalene" 108:The Nude: a Study in Ideal Form 5280:Legacy Staff (July 22, 2011). 4762:. New York: Paddington Press. 4715:The Undressed Art: Why We Draw 4667:. Amsterdam University Press. 4182:. New York: Bloomsbury Press. 4093:. Princeton University Press. 3826:Clayton Eshleman, ed & Pub 2822:Asher-Greve & Sweeney 2006 2630: 2516: 2368:'s site-specific installation 2312: 2276:Academy of Fine Arts in Warsaw 1957:sexual feelings before puberty 1547: 867:St. James Led to His Execution 780: 755:penis was sometimes emphasized 707: 13: 1: 6101:Nudity in American television 5529:. Munich: Hirmer Publishers. 5293:. Metropolitan Museum of Art. 5081:Guardian (February 8, 2012). 4718:. New York: Alfred A. Knopf. 4664:Rembrandt and the Female Nude 4566:. London: Merrell Holberton. 4387:. Cambridge: Westview Press. 4269:Hausenstein, Wilhelm (1913). 4254:. New York: Harry N. Abrams. 4201:Esanu, Octavian, ed. (2018). 4011: 3449:. Metropolitan Museum of Art. 693:Wisdom, Impression, Sentiment 436: 394: 378: 251:The nude in Babylon and Egypt 245:Mesopotamia and Ancient Egypt 185:sexual content without being 5543:Roussan, Jacques de (1982). 5506:Falcon, Felix Lance (2006). 4273:. Munich: R. Riper & Co. 4133:Dawes, Richard, ed. (1984). 4067:The Italian Renaissance Nude 4028:. In Schroer, Sylvia (ed.). 3101:D'Emilio & Freedman 2012 3088:"Ingres' La Grand Odalisque" 2852: 2833: 2481:History of erotic depictions 2347: 1832:Benefits Supervisor Sleeping 1222:” (1751) by François Boucher 524: 100:Khajuraho Group of Monuments 63:. It was a preoccupation of 7: 6149:Imagery of nude celebrities 5873:Social nudity organizations 5329:. Oxford University Press. 4791: 4684:Exposed: the Victorian Nude 4661:Sluijter, Eric Jan (2006). 4602:The Nude: A New Perspective 4479:Mullins, Charlotte (2006). 4435:. Oxford University Press. 4281:Subject, and Power in China 4252:Nude Sculpture: 5,000 Years 4205:. New York City: Routledge. 2895:Rodgers & Plantzos 2003 2836:The Illustrated London News 2642:New-York Historical Society 2375: 513:by Praxiteles, type of the 10: 6252: 6084:Nudity in live performance 5591: 5545:Le Nu dans l'art au Québec 5230:. Art Institute of Chicago 5112:. Vol. 1, no. 3. 4989:Nelson, Charmaine (1995). 4756:Walters, Margaret (1978). 4581:Rosenblum, Robert (2003). 4520:Nicolaides, Kimon (1975). 4339:Jullien, François (2007). 4229:Gimbustas, Marija (1974). 4156:Naked: The Nude in America 4045:Borzello, Frances (2012). 3305:. London. February 8, 2012 3113:Shackelford & Rey 2011 2613:Tomlinson & Calvo 2002 2316: 2293:in its various shapes and 2244: 2217:(1918), oil on canvas, by 2186: 1933:Depictions of child nudity 1930: 1819: 1266: 1185:"Academienaakt" (1723) by 329: 226: 208: 6187: 6141: 6054: 6001: 5946: 5891: 5883:Timeline of social nudity 5833: 5783: 5718: 5617:Nakedness and colonialism 5599: 5291:"Naked Before the Camera" 4781:Wilcox, Jonathan (2003). 4712:Steinhart, Peter (2004). 4619:Scala, Mark, ed. (2009). 4381:Leppert, Richard (2007). 4321:Drawing with an Open Mind 4318:Jacobs, Ted Seth (1986). 4070:. Yale University Press. 3665:"Lucy Liu | Art | Shunga" 3009:Kristeller, Paul (1901). 1921: 1607:Ninos A La Orilla Del Mar 1579:Les Demoiselles d'Avignon 1255:, likely commissioned by 909:Venus and the Lute Player 559:Muslim invasions of India 200:Art historian and author 18:Human figure (aesthetics) 5938:Clothing-optional events 5710:Clothing laws by country 4458:McDonald, Helen (2001). 4250:Goldberg, Vicki (2000). 4016: 3556:Maes & Levinson 2015 2510: 2240: 1586:'s dancers and bathers. 1537:being one of the first. 1475:In the 19th century the 732:scenes anticipating the 294:First Babylonian Dynasty 197:expressed in the works. 6003:Social nudity advocates 5785:Issues in social nudity 5651:Breastfeeding in public 5465:"Naked Portrait 1972-3" 5073: 4879:10.1023/A:1012862311849 4691:Steiner, Wendy (2001). 4600:Saunders, Gill (1989). 4539:Nochlin, Linda (1988). 4522:The Natural Way to Draw 4505:. New York: Routledge. 4402:LeValley, Paul (2016). 4303:. Thames & Hudson. 4299:Hughes, Robert (1997). 4214:. New York: Doubleday. 4154:Dijkstra, Bram (2010). 4085:Clark, Kenneth (1956). 2853:Patai, Raphael (1990). 2562:Journal of Anthropology 2504:Vagina and vulva in art 2094:The Origin of the World 1772:Nude Arranging her Hair 1506:Le Déjeuner sur l'herbe 1187:Louis Fabritius Dubourg 1082:17th and 18th centuries 1014:Lucas Cranach the Elder 655:(1915), Hashiguchi Goyô 549:and Hindu ones such as 417:Ancient Greek sculpture 408:. In the convention of 332:Ancient Greek sculpture 6106:Nudity in music videos 6079:Nude photography (art) 5798:Sexual objectification 5600:Nakedness and clothing 5247:. University of Dundee 5243:Graves, Ellen (2003). 5215: 5104:Conrad, Donna (2000). 4301:Lucian Freud Paintings 4210:Gill, Michael (1989). 2524:"Michelangelo Gallery" 2498:Nude photography (art) 2390:Human sexuality portal 2319:Nude photography (art) 2282: 2226: 2069:applied to film theory 2013: 1993: 1981:Susanna and the Elders 1948: 1843: 1783:Abstract Expressionism 1472: 1373:Woman on a Black Divan 1269:The Raft of the Medusa 834:Sistine Chapel ceiling 799: 767:illuminated manuscript 610:dancing (14th century) 224: 161: 55:, as a form of visual 49: 6116:Nudity in advertising 6111:Nudity in print media 5911:Nude swimming classes 5300:"The Postmodern Nude" 4954:Renaissance Quarterly 4739:Goya: Images of women 4545:. Thames and Hudson. 4158:. New York: Rizzoli. 3613:Pallant House Gallery 2724:, pp. 44, 49–50. 2258: 2213: 2047:feminist art movement 1995: 1986:Artemisia Gentileschi 1978: 1942:A Nude Boy on a Beach 1940: 1931:Further information: 1829: 1464: 1167:Bathsheba at Her Bath 1132:Artemisia Gentileschi 945:or figure study of a 788: 773:and illustrations to 580:The nude in Asian art 352:Cycladic civilization 216: 148: 35: 6179:Softcore pornography 6056:Depictions of nudity 5820:Wardrobe malfunction 5720:Nudity and sexuality 5310:on November 10, 2012 5298:Postiglione, Corey. 5129:on February 4, 2016. 4064:Burke, Jill (2018). 3580:Stewart-Kroeker 2020 3324:The Tate Modern 2013 2488:– Throughout history 2438:Depictions of nudity 1733:Topless portrait of 1393:The Victory of Faith 1253:Venus Consoling Love 1220:The Blonde Odalisque 1201:Venus Consoling Love 1110:Gian Lorenzo Bernini 991:The Creation of Adam 820:Republic of Florence 805:Renaissance humanism 6126:Glamour photography 6074:Nude modeling (art) 6031:Henry S. Huntington 5304:Brad Cooper Gallery 5140:The Washington Post 4585:. Harry N. Abrams. 4483:. New York: D.A.P. 4360:King, Ross (2007). 3885:, pp. 246–247. 3727:. December 25, 2020 3699:. November 10, 2020 3546:, pp. 361–382. 3353:, pp. 221–223. 3224:, pp. 154–155. 3103:, pp. 156–158. 2969:, pp. 307–312. 2957:, pp. 221–226. 2933:, pp. 300–309. 2575:10.1155/2011/569120 2486:History of nude art 2309:does in the male". 2149:Mary Wollstonecraft 2071:the concept of the 1961:John Singer Sargent 1946:John Singer Sargent 1927:Depictions of youth 1526:Woman with a Parrot 1333:La Grande Odalisque 1257:Madame de Pompadour 818:, a symbol for the 771:Signs of the Zodiac 722:as recorded in the 670:, illustration for 566:until very recently 457:bearing the infant 390:Aphrodite of Cnidus 382: 440 BCE 229:History of nude art 220:Venus of Willendorf 125:Spanish Inquisition 6174:Nude psychotherapy 6131:Erotic photography 6046:Richard Ungewitter 6041:Elton Raymond Shaw 5878:Anarchist naturism 5868:Naturist magazines 5848:Christian naturism 5700:Nudity and protest 5639:Nudity in religion 5178:The New York Times 5156:The New York Times 4925:Art in Translation 4867:Sociological Forum 4697:. The Free Press. 4643:Degas and the Nude 4038:10.5167/uzh-139533 3752:The New York Times 3338:The New York Times 3276:The New York Times 2855:The Hebrew Goddess 2465:The Helga Pictures 2404:Visual arts portal 2289:is a study of the 2283: 2227: 2003:Simone de Beauvoir 1994: 1971:Gender differences 1949: 1916:Carolee Schneemann 1863:The New York Times 1844: 1667:Lothar von Seebach 1473: 1088:Baroque and Rococo 843:The Birth of Venus 800: 791:The Birth of Venus 726:and the damned in 406:Hellenistic period 225: 162: 141:Types of depiction 50: 6213: 6212: 5810:Indecent exposure 5758:Feminist stripper 5536:978-3-7774-5851-9 5485:Edward-Weston.com 5467:. The Tate Modern 5388:. Saatchi Gallery 5008:10.7202/1072517ar 4632:978-0-8265-1622-0 4490:978-1-933045-38-2 4394:978-0-8133-4350-1 4373:978-1-84413-407-6 4352:978-0-226-41532-1 4212:Image of the Body 4189:978-1-59691-401-8 4165:978-0-8478-3366-5 4125:978-0-226-92380-2 4056:978-0-500-23892-9 3366:. Saatchi Gallery 3258:Legacy Staff 2011 3030:www.gutenberg.org 3024:Vasari, Giorgio. 2996:, pp. 48–50. 2475:History of nudity 2334:Imogen Cunningham 2280:teaching material 2206:Social commentary 2189:Intersectionality 2183:Intersectionality 2017:artistic training 1875:The paintings of 1809:Philip Pearlstein 1787:Clement Greenberg 1705:Amedeo Modigliani 1566:Amedeo Modigliani 1494:was satirized by 1434:The Age of Bronze 1413:The Large Bathers 1398:Saint George Hare 1273:The Swimming Hole 1237:Peter Paul Rubens 1152:Peter Paul Rubens 1130:) (1625—1630) by 1105:Apollo and Daphne 897:, 1538), and the 848:Sandro Botticelli 796:Sandro Botticelli 718:exceptions being 713:Early Middle Ages 515:Knidian Aphrodite 400:–340 BCE by 347:, from the early 65:Ancient Greek art 16:(Redirected from 6243: 6203: 6193: 6192: 6164:Nudity in combat 6121:Nude photography 5853:Freikörperkultur 5624:Childhood nudity 5586: 5579: 5572: 5563: 5562: 5540: 5495: 5493: 5491: 5476: 5474: 5472: 5460: 5458: 5456: 5439: 5437: 5435: 5418: 5416: 5414: 5397: 5395: 5393: 5381: 5379: 5377: 5360: 5354: 5350: 5348: 5340: 5319: 5317: 5315: 5306:. Archived from 5294: 5285: 5276: 5274: 5272: 5256: 5254: 5252: 5239: 5237: 5235: 5229: 5210: 5208: 5206: 5188: 5186: 5184: 5168: 5159: 5150: 5148: 5146: 5136:"In Art We Lust" 5130: 5125:. Archived from 5113: 5100: 5098: 5096: 5068: 5066: 5041: 5012: 5010: 4985: 4948: 4919: 4890: 4861: 4824: 4786: 4777: 4774:Internet Archive 4752: 4733: 4730:Internet Archive 4708: 4687: 4678: 4657: 4636: 4622:Paint Made Flesh 4615: 4596: 4577: 4556: 4535: 4516: 4494: 4475: 4454: 4427: 4398: 4377: 4356: 4335: 4314: 4295: 4274: 4265: 4246: 4225: 4206: 4197: 4194:Internet Archive 4169: 4150: 4129: 4108: 4105:Internet Archive 4092: 4081: 4060: 4041: 4006: 4000: 3994: 3988: 3982: 3976: 3970: 3964: 3958: 3952: 3946: 3940: 3934: 3928: 3922: 3916: 3910: 3904: 3898: 3892: 3886: 3880: 3874: 3868: 3862: 3861: 3859: 3857: 3843: 3834: 3833: 3821: 3815: 3814: 3803: 3797: 3796: 3794: 3792: 3787:. March 11, 2021 3777: 3771: 3770: 3768: 3766: 3743: 3737: 3736: 3734: 3732: 3715: 3709: 3708: 3706: 3704: 3689: 3680: 3679: 3677: 3675: 3661: 3652: 3651: 3649: 3647: 3633: 3624: 3623: 3621: 3619: 3605: 3599: 3592: 3583: 3577: 3571: 3565: 3559: 3553: 3547: 3541: 3535: 3529: 3520: 3514: 3508: 3507:, pp. 9–11. 3502: 3496: 3490: 3484: 3478: 3472: 3471: 3457: 3451: 3450: 3442: 3436: 3430: 3424: 3418: 3412: 3406: 3400: 3394: 3388: 3382: 3376: 3375: 3373: 3371: 3360: 3354: 3348: 3342: 3341: 3333: 3327: 3321: 3315: 3314: 3312: 3310: 3293: 3287: 3286: 3284: 3282: 3267: 3261: 3255: 3249: 3243: 3237: 3231: 3225: 3219: 3213: 3207: 3201: 3198: 3192: 3191: 3189: 3187: 3173: 3164: 3158: 3152: 3146: 3140: 3134: 3128: 3122: 3116: 3110: 3104: 3098: 3092: 3091: 3084: 3078: 3072: 3066: 3065: 3063: 3061: 3047: 3041: 3040: 3038: 3036: 3021: 3015: 3014: 3006: 2997: 2991: 2985: 2979: 2970: 2964: 2958: 2952: 2946: 2940: 2934: 2928: 2922: 2916: 2910: 2904: 2898: 2892: 2881: 2875: 2869: 2868: 2850: 2844: 2843: 2831: 2825: 2819: 2810: 2804: 2793: 2787: 2774: 2768: 2762: 2756: 2750: 2749: 2747: 2745: 2739: 2731: 2725: 2719: 2713: 2707: 2701: 2695: 2689: 2683: 2677: 2671: 2665: 2659: 2653: 2652: 2650: 2648: 2634: 2628: 2622: 2616: 2610: 2604: 2598: 2592: 2586: 2580: 2579: 2577: 2553: 2547: 2541: 2535: 2534: 2532: 2530: 2520: 2424:Body proportions 2418:Artistic freedom 2406: 2401: 2400: 2392: 2387: 2386: 2338:Alfred Stieglitz 2274:was acquired by 2268:Gilles Demarteau 2195:Charmaine Nelson 2098:François Boucher 2079:was believed by 2011: 1912:Vanessa Beecroft 1908:Marina Abramović 1896:installation art 1750: 1730: 1715: 1695: 1677: 1659: 1641: 1621: 1603: 1574:Aristide Maillol 1535:Eugène Delacroix 1483:Grande Odalisque 1429: 1408: 1388: 1368: 1348: 1328: 1312: 1291: 1249:François Boucher 1215: 1205:François Boucher 1197: 1182: 1162: 1147:The Three Graces 1142: 1120: 1100: 1064: 1049:Rebellious Slave 1044: 1024: 1006: 986: 966: 856:Venus de' Medici 761:Late Middle Ages 689: 664: 649: 637: 627:Kitagawa Utamaro 619: 604: 592: 506: 488: 470: 451: 441: 438: 429: 399: 396: 383: 380: 338:Classical period 305: 283: 263: 202:Frances Borzello 77:history painting 21: 6251: 6250: 6246: 6245: 6244: 6242: 6241: 6240: 6216: 6215: 6214: 6209: 6183: 6137: 6050: 5997: 5942: 5893:Nude recreation 5887: 5843:Naturist resort 5829: 5779: 5714: 5629:Sex segregation 5595: 5590: 5537: 5503: 5501:Further reading 5498: 5489: 5487: 5481:"Edward Weston" 5479: 5470: 5468: 5454: 5452: 5433: 5431: 5412: 5410: 5391: 5389: 5386:"Jenny Saville" 5384: 5375: 5373: 5352: 5351: 5342: 5341: 5337: 5336:978-188444605-4 5313: 5311: 5270: 5268: 5250: 5248: 5233: 5231: 5227: 5218: 5213: 5204: 5202: 5182: 5180: 5144: 5142: 5094: 5092: 5076: 5071: 5001:(1–2): 97–107. 4966:10.2307/2863112 4813:10.2307/1773024 4794: 4789: 4770: 4749: 4726: 4705: 4675: 4674:978-905356837-8 4654: 4653:978-087846773-0 4633: 4612: 4593: 4574: 4553: 4552:978-006435852-1 4532: 4513: 4503:The Female Nude 4491: 4472: 4471:978-041517099-4 4443: 4442:978-019874408-5 4416: 4415:978-099926790-5 4395: 4374: 4353: 4332: 4311: 4292: 4291:978-022698727-9 4262: 4261:978-081093346-0 4243: 4242:978-052001995-9 4222: 4190: 4166: 4147: 4146:978-017006531-3 4126: 4101: 4078: 4077:978-030020156-7 4057: 4019: 4014: 4009: 4001: 3997: 3989: 3985: 3977: 3973: 3965: 3961: 3953: 3949: 3941: 3937: 3929: 3925: 3917: 3913: 3905: 3901: 3895:Nicolaides 1975 3893: 3889: 3881: 3877: 3869: 3865: 3855: 3853: 3845: 3844: 3837: 3822: 3818: 3805: 3804: 3800: 3790: 3788: 3779: 3778: 3774: 3764: 3762: 3744: 3740: 3730: 3728: 3717: 3716: 3712: 3702: 3700: 3691: 3690: 3683: 3673: 3671: 3663: 3662: 3655: 3645: 3643: 3635: 3634: 3627: 3617: 3615: 3607: 3606: 3602: 3593: 3586: 3578: 3574: 3566: 3562: 3554: 3550: 3542: 3538: 3530: 3523: 3515: 3511: 3503: 3499: 3491: 3487: 3479: 3475: 3458: 3454: 3445:Myers, Nicole. 3443: 3439: 3431: 3427: 3419: 3415: 3407: 3403: 3395: 3391: 3383: 3379: 3369: 3367: 3364:"Jenny Saville" 3362: 3361: 3357: 3349: 3345: 3334: 3330: 3322: 3318: 3308: 3306: 3295: 3294: 3290: 3280: 3278: 3268: 3264: 3256: 3252: 3244: 3240: 3232: 3228: 3220: 3216: 3208: 3204: 3199: 3195: 3185: 3183: 3175: 3174: 3167: 3159: 3155: 3147: 3143: 3135: 3131: 3125:Sorabella 2008c 3123: 3119: 3111: 3107: 3099: 3095: 3086: 3085: 3081: 3077:, Introduction. 3073: 3069: 3059: 3057: 3049: 3048: 3044: 3034: 3032: 3022: 3018: 3011:Andrea Mantegna 3007: 3000: 2992: 2988: 2982:Sorabella 2008b 2980: 2973: 2965: 2961: 2953: 2949: 2941: 2937: 2929: 2925: 2917: 2913: 2905: 2901: 2893: 2884: 2876: 2872: 2865: 2851: 2847: 2832: 2828: 2820: 2813: 2807:Sorabella 2008a 2805: 2796: 2788: 2777: 2769: 2765: 2761:, Introduction. 2757: 2753: 2743: 2741: 2737: 2733: 2732: 2728: 2720: 2716: 2712:, Introduction. 2708: 2704: 2696: 2692: 2684: 2680: 2676:, pp. 8–9. 2672: 2668: 2660: 2656: 2646: 2644: 2636: 2635: 2631: 2625:Bernheimer 1989 2623: 2619: 2611: 2607: 2599: 2595: 2587: 2583: 2554: 2550: 2542: 2538: 2528: 2526: 2522: 2521: 2517: 2513: 2456:Figure painting 2402: 2395: 2388: 2381: 2378: 2350: 2321: 2315: 2272:Edmé Bouchardon 2253: 2251:Figure painting 2243: 2208: 2191: 2185: 2175:Suzanne Valadon 2121: 2113:Me Too movement 2090:Gustave Courbet 2067:, in which she 2012: 2001: 1973: 1935: 1929: 1924: 1838: 1836: 1824: 1818: 1768:Suzanne Valadon 1765: 1764: 1763: 1760: 1758:Gaston Lachaise 1751: 1742: 1731: 1722: 1716: 1707: 1696: 1687: 1678: 1669: 1660: 1651: 1642: 1633: 1622: 1613: 1611:Joaquin Sorolla 1604: 1593: 1592: 1570:Gaston Lachaise 1550: 1517:Venus of Urbino 1447: 1446: 1445: 1442: 1430: 1421: 1409: 1400: 1389: 1380: 1369: 1360: 1349: 1340: 1329: 1320: 1313: 1304: 1296:La maja desnuda 1292: 1281: 1280: 1275: 1265: 1228: 1227: 1226: 1223: 1216: 1207: 1198: 1189: 1183: 1174: 1163: 1154: 1150:(1636–1638) by 1143: 1134: 1124:Venus and Cupid 1121: 1112: 1101: 1090: 1089: 1084: 1079: 1078: 1077: 1074: 1065: 1056: 1045: 1036: 1029:Venus of Urbino 1025: 1016: 1010:Reclining Nymph 1007: 998: 987: 978: 967: 956: 955: 913:Venus of Urbino 905:Diego Velázquez 890:Venus of Urbino 862:Andrea Mantegna 838:Saint Sebastian 783: 763: 747:Nursing Madonna 724:Book of Genesis 715: 710: 705: 704: 703: 700: 690: 681: 665: 656: 650: 641: 638: 629: 620: 611: 605: 596: 593: 582: 581: 527: 522: 521: 520: 517: 507: 498: 489: 480: 471: 462: 461:, by Praxiteles 452: 443: 439: 430: 419: 418: 397: 381: 345:Greek sculpture 334: 328: 314: 313: 312: 309: 306: 297: 284: 275: 264: 253: 252: 247: 235:Venus figurines 231: 211: 152:(1808–1812) by 143: 93:decorative arts 44: 42: 28: 23: 22: 15: 12: 11: 5: 6249: 6239: 6238: 6233: 6228: 6211: 6210: 6188: 6185: 6184: 6182: 6181: 6176: 6171: 6166: 6161: 6156: 6151: 6145: 6143: 6139: 6138: 6136: 6135: 6134: 6133: 6128: 6118: 6113: 6108: 6103: 6098: 6096:Nudity in film 6093: 6088: 6087: 6086: 6081: 6076: 6071: 6060: 6058: 6052: 6051: 6049: 6048: 6043: 6038: 6036:Heinrich Pudor 6033: 6028: 6023: 6018: 6013: 6007: 6005: 5999: 5998: 5996: 5995: 5990: 5985: 5984: 5983: 5978: 5968: 5963: 5958: 5952: 5950: 5944: 5943: 5941: 5940: 5935: 5930: 5925: 5920: 5915: 5914: 5913: 5903: 5897: 5895: 5889: 5888: 5886: 5885: 5880: 5875: 5870: 5865: 5860: 5855: 5850: 5845: 5839: 5837: 5831: 5830: 5828: 5827: 5822: 5817: 5812: 5807: 5806: 5805: 5800: 5789: 5787: 5781: 5780: 5778: 5777: 5772: 5767: 5762: 5761: 5760: 5755: 5750: 5745: 5740: 5730: 5724: 5722: 5716: 5715: 5713: 5712: 5707: 5702: 5697: 5696: 5695: 5690: 5680: 5675: 5670: 5669: 5668: 5658: 5656:Public bathing 5653: 5648: 5647: 5646: 5636: 5631: 5626: 5621: 5620: 5619: 5614: 5603: 5601: 5597: 5596: 5589: 5588: 5581: 5574: 5566: 5560: 5559: 5541: 5535: 5522: 5502: 5499: 5497: 5496: 5477: 5461: 5440: 5419: 5398: 5382: 5361: 5353:|website= 5335: 5320: 5295: 5286: 5277: 5257: 5240: 5219: 5217: 5214: 5212: 5211: 5199:The New Yorker 5189: 5169: 5160: 5151: 5131: 5114: 5101: 5077: 5075: 5072: 5070: 5069: 5042: 5030:10.2307/778520 5013: 4986: 4949: 4931:(3): 361–382. 4920: 4891: 4862: 4842:10.2307/505328 4836:(4): 543–570. 4825: 4807:(2): 255–277. 4795: 4793: 4790: 4788: 4787: 4778: 4768: 4753: 4747: 4734: 4724: 4709: 4703: 4688: 4679: 4673: 4658: 4652: 4637: 4631: 4616: 4610: 4597: 4591: 4578: 4572: 4557: 4551: 4536: 4530: 4517: 4511: 4495: 4489: 4476: 4470: 4455: 4441: 4428: 4414: 4399: 4393: 4378: 4372: 4357: 4351: 4336: 4330: 4315: 4309: 4296: 4290: 4275: 4266: 4260: 4247: 4241: 4226: 4220: 4207: 4198: 4188: 4170: 4164: 4151: 4145: 4130: 4124: 4109: 4099: 4082: 4076: 4061: 4055: 4047:The Naked Nude 4042: 4020: 4018: 4015: 4013: 4010: 4008: 4007: 3995: 3983: 3971: 3959: 3947: 3935: 3923: 3919:Gimbustas 1974 3911: 3899: 3887: 3875: 3863: 3835: 3816: 3798: 3785:L'Officiel USA 3772: 3738: 3710: 3681: 3653: 3625: 3600: 3584: 3572: 3560: 3548: 3536: 3521: 3509: 3497: 3495:, p. 166. 3485: 3473: 3452: 3437: 3425: 3413: 3401: 3399:, p. 168. 3389: 3377: 3355: 3343: 3328: 3316: 3288: 3262: 3250: 3238: 3226: 3214: 3202: 3193: 3165: 3153: 3141: 3129: 3117: 3105: 3093: 3079: 3067: 3055:British Museum 3042: 3016: 2998: 2986: 2971: 2959: 2947: 2935: 2923: 2911: 2899: 2882: 2870: 2863: 2845: 2826: 2811: 2794: 2775: 2763: 2751: 2726: 2714: 2702: 2690: 2678: 2666: 2654: 2629: 2617: 2615:, p. 228. 2605: 2593: 2581: 2548: 2536: 2514: 2512: 2509: 2508: 2507: 2501: 2495: 2489: 2483: 2478: 2472: 2461: 2460: 2459: 2453: 2450:Figure drawing 2444:Figurative art 2441: 2435: 2434: 2433: 2421: 2415: 2408: 2407: 2393: 2377: 2374: 2349: 2346: 2317:Main article: 2314: 2311: 2287:figure drawing 2247:Figure drawing 2242: 2239: 2235:George Bellows 2219:George Bellows 2207: 2204: 2187:Main article: 2184: 2181: 2180: 2179: 2172: 2164:Lisa Yuskavage 2161: 2158: 2151:, by creating 2145:Maggi Hambling 2142: 2136: 2120: 2117: 2102:Reclining Girl 2056:Ways of Seeing 2008:The Second Sex 1999: 1972: 1969: 1965:George Bellows 1928: 1925: 1923: 1920: 1881:Lisa Yuskavage 1822:Postmodern art 1817: 1814: 1762: 1761: 1754:Standing Woman 1752: 1745: 1743: 1739:Alberto Vargas 1732: 1725: 1723: 1717: 1710: 1708: 1697: 1690: 1688: 1679: 1672: 1670: 1663:The Temptation 1661: 1654: 1652: 1649:Jean Metzinger 1645:Nu (Nu debout) 1643: 1636: 1634: 1623: 1616: 1614: 1605: 1598: 1595: 1594: 1590: 1589: 1588: 1562:Jean Metzinger 1549: 1546: 1496:Honoré Daumier 1444: 1443: 1431: 1424: 1422: 1410: 1403: 1401: 1390: 1383: 1381: 1370: 1363: 1361: 1350: 1343: 1341: 1330: 1323: 1321: 1314: 1307: 1305: 1298:(The Nude Maja 1293: 1286: 1283: 1282: 1278: 1277: 1276: 1264: 1261: 1225: 1224: 1217: 1210: 1208: 1199: 1192: 1190: 1184: 1177: 1175: 1164: 1157: 1155: 1144: 1137: 1135: 1128:Sleeping Venus 1122: 1115: 1113: 1102: 1095: 1092: 1091: 1087: 1086: 1085: 1083: 1080: 1076: 1075: 1066: 1059: 1057: 1046: 1039: 1037: 1026: 1019: 1017: 1008: 1001: 999: 988: 981: 979: 976:Albrecht Dürer 968: 961: 958: 957: 953: 952: 951: 943:figure drawing 872:Ovetari Chapel 798:, c. 1484–1486 782: 779: 762: 759: 734:Sistine Chapel 729:Last Judgement 714: 711: 709: 706: 702: 701: 691: 684: 682: 666: 659: 657: 651: 644: 642: 639: 632: 630: 621: 614: 612: 606: 599: 597: 594: 587: 584: 583: 579: 578: 577: 526: 523: 519: 518: 508: 501: 499: 494:, possibly by 490: 483: 481: 472: 465: 463: 453: 446: 444: 440: 530 BCE 433:Kroisos Kouros 431: 424: 421: 420: 416: 415: 414: 327: 326:Ancient Greece 324: 311: 310: 307: 300: 298: 285: 278: 276: 265: 258: 255: 254: 250: 249: 248: 246: 243: 239:Late Stone Age 227:Main article: 210: 207: 154:John Vanderlyn 142: 139: 98:In India, the 26: 9: 6: 4: 3: 2: 6248: 6237: 6234: 6232: 6229: 6227: 6224: 6223: 6221: 6208: 6207: 6202: 6198: 6197: 6186: 6180: 6177: 6175: 6172: 6170: 6169:Nudity clause 6167: 6165: 6162: 6160: 6157: 6155: 6154:Nude calendar 6152: 6150: 6147: 6146: 6144: 6140: 6132: 6129: 6127: 6124: 6123: 6122: 6119: 6117: 6114: 6112: 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6091:Body painting 6089: 6085: 6082: 6080: 6077: 6075: 6072: 6070: 6067: 6066: 6065: 6062: 6061: 6059: 6057: 6053: 6047: 6044: 6042: 6039: 6037: 6034: 6032: 6029: 6027: 6024: 6022: 6019: 6017: 6016:Lee Baxandall 6014: 6012: 6009: 6008: 6006: 6004: 6000: 5994: 5993:South America 5991: 5989: 5986: 5982: 5979: 5977: 5976:San Francisco 5974: 5973: 5972: 5971:North America 5969: 5967: 5964: 5962: 5959: 5957: 5954: 5953: 5951: 5949: 5945: 5939: 5936: 5934: 5931: 5929: 5926: 5924: 5921: 5919: 5916: 5912: 5909: 5908: 5907: 5906:Nude swimming 5904: 5902: 5899: 5898: 5896: 5894: 5890: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5864: 5861: 5859: 5856: 5854: 5851: 5849: 5846: 5844: 5841: 5840: 5838: 5836: 5832: 5826: 5823: 5821: 5818: 5816: 5813: 5811: 5808: 5804: 5803:Pornification 5801: 5799: 5796: 5795: 5794: 5793:Sexualization 5791: 5790: 5788: 5786: 5782: 5776: 5773: 5771: 5768: 5766: 5763: 5759: 5756: 5754: 5751: 5749: 5746: 5744: 5741: 5739: 5736: 5735: 5734: 5733:Exhibitionism 5731: 5729: 5728:Intimate part 5726: 5725: 5723: 5721: 5717: 5711: 5708: 5706: 5703: 5701: 5698: 5694: 5693:United States 5691: 5689: 5686: 5685: 5684: 5681: 5679: 5676: 5674: 5671: 5667: 5666:Finnish sauna 5664: 5663: 5662: 5659: 5657: 5654: 5652: 5649: 5645: 5642: 5641: 5640: 5637: 5635: 5632: 5630: 5627: 5625: 5622: 5618: 5615: 5613: 5610: 5609: 5608: 5605: 5604: 5602: 5598: 5594: 5587: 5582: 5580: 5575: 5573: 5568: 5567: 5564: 5558: 5557:2-89000-066-4 5554: 5550: 5546: 5542: 5538: 5532: 5528: 5523: 5521: 5520:1-55152-205-5 5517: 5513: 5509: 5505: 5504: 5486: 5482: 5478: 5466: 5462: 5450: 5446: 5441: 5429: 5425: 5420: 5408: 5404: 5399: 5387: 5383: 5371: 5367: 5362: 5358: 5346: 5338: 5332: 5328: 5327: 5321: 5309: 5305: 5301: 5296: 5292: 5289:MOMA (2012). 5287: 5283: 5278: 5267: 5263: 5258: 5246: 5241: 5226: 5221: 5220: 5201: 5200: 5195: 5190: 5179: 5175: 5170: 5166: 5161: 5157: 5152: 5141: 5137: 5132: 5128: 5124: 5120: 5115: 5111: 5107: 5102: 5090: 5089: 5084: 5079: 5078: 5065: 5060: 5056: 5052: 5048: 5043: 5039: 5035: 5031: 5027: 5023: 5019: 5014: 5009: 5004: 5000: 4996: 4992: 4987: 4983: 4979: 4975: 4971: 4967: 4963: 4960:(1): 74–101. 4959: 4955: 4950: 4946: 4942: 4938: 4934: 4930: 4926: 4921: 4917: 4913: 4909: 4905: 4901: 4897: 4892: 4888: 4884: 4880: 4876: 4873:(4): 603–32. 4872: 4868: 4863: 4859: 4855: 4851: 4847: 4843: 4839: 4835: 4831: 4826: 4822: 4818: 4814: 4810: 4806: 4802: 4801:Poetics Today 4797: 4796: 4784: 4779: 4775: 4771: 4769:0-448-23168-9 4765: 4761: 4760: 4754: 4750: 4748:0-89468-293-8 4744: 4740: 4735: 4731: 4727: 4725:1-4000-4184-8 4721: 4717: 4716: 4710: 4706: 4704:0-684-85781-2 4700: 4696: 4695: 4689: 4685: 4680: 4676: 4670: 4666: 4665: 4659: 4655: 4649: 4645: 4644: 4638: 4634: 4628: 4624: 4623: 4617: 4613: 4611:0-06-438508-6 4607: 4603: 4598: 4594: 4592:0-8109-9188-8 4588: 4584: 4579: 4575: 4573:1-85894-084-2 4569: 4565: 4564: 4558: 4554: 4548: 4544: 4543: 4537: 4533: 4531:0-395-20548-4 4527: 4523: 4518: 4514: 4512:0-415-02677-6 4508: 4504: 4500: 4496: 4492: 4486: 4482: 4477: 4473: 4467: 4464:. Routledge. 4463: 4462: 4456: 4452: 4448: 4444: 4438: 4434: 4429: 4425: 4421: 4417: 4411: 4407: 4406: 4400: 4396: 4390: 4386: 4385: 4379: 4375: 4369: 4365: 4364: 4358: 4354: 4348: 4344: 4343: 4337: 4333: 4331:0-8230-1464-9 4327: 4323: 4322: 4316: 4312: 4310:0-500-27535-1 4306: 4302: 4297: 4293: 4287: 4283: 4282: 4276: 4272: 4267: 4263: 4257: 4253: 4248: 4244: 4238: 4234: 4233: 4227: 4223: 4221:0-385-26072-5 4217: 4213: 4208: 4204: 4199: 4195: 4191: 4185: 4181: 4180: 4175: 4174:Dutton, Denis 4171: 4167: 4161: 4157: 4152: 4148: 4142: 4138: 4137: 4131: 4127: 4121: 4117: 4116: 4110: 4106: 4102: 4100:0-691-01788-3 4096: 4091: 4090: 4083: 4079: 4073: 4069: 4068: 4062: 4058: 4052: 4048: 4043: 4039: 4035: 4031: 4027: 4022: 4021: 4004: 4003:Hamilton 2018 3999: 3992: 3987: 3980: 3975: 3968: 3963: 3956: 3951: 3944: 3939: 3933:, p. 14. 3932: 3931:Goldberg 2000 3927: 3920: 3915: 3908: 3903: 3896: 3891: 3884: 3883:Dijkstra 2010 3879: 3872: 3867: 3852: 3848: 3842: 3840: 3831: 3827: 3820: 3812: 3808: 3802: 3786: 3782: 3776: 3761: 3757: 3753: 3749: 3742: 3726: 3725: 3720: 3714: 3698: 3694: 3688: 3686: 3670: 3666: 3660: 3658: 3642: 3638: 3637:"Helen Beard" 3632: 3630: 3614: 3610: 3604: 3597: 3591: 3589: 3581: 3576: 3569: 3564: 3557: 3552: 3545: 3540: 3533: 3532:McDonald 2001 3528: 3526: 3518: 3513: 3506: 3501: 3494: 3489: 3482: 3477: 3469: 3468: 3463: 3456: 3448: 3441: 3434: 3429: 3422: 3421:Dijkstra 2010 3417: 3411:, p. 35. 3410: 3405: 3398: 3393: 3387:, p. 38. 3386: 3381: 3365: 3359: 3352: 3347: 3339: 3332: 3325: 3320: 3304: 3303: 3298: 3292: 3277: 3273: 3266: 3259: 3254: 3248:, p. 90. 3247: 3246:Borzello 2012 3242: 3235: 3234:Borzello 2012 3230: 3223: 3218: 3211: 3210:Monaghan 2011 3206: 3197: 3182: 3178: 3172: 3170: 3163:, p. 30. 3162: 3161:Borzello 2012 3157: 3150: 3149:Dijkstra 2010 3145: 3138: 3133: 3126: 3121: 3114: 3109: 3102: 3097: 3089: 3083: 3076: 3075:Sluijter 2006 3071: 3056: 3052: 3046: 3031: 3027: 3020: 3012: 3005: 3003: 2995: 2990: 2983: 2978: 2976: 2968: 2963: 2956: 2951: 2944: 2939: 2932: 2927: 2920: 2915: 2908: 2903: 2896: 2891: 2889: 2887: 2879: 2878:Bonfante 1989 2874: 2866: 2864:0-8143-2271-9 2860: 2856: 2849: 2842:(5069): 1047. 2841: 2837: 2830: 2823: 2818: 2816: 2808: 2803: 2801: 2799: 2791: 2786: 2784: 2782: 2780: 2772: 2771:Borzello 2012 2767: 2760: 2759:Borzello 2012 2755: 2736: 2730: 2723: 2718: 2711: 2710:Dijkstra 2010 2706: 2700:, p. 11. 2699: 2698:Dijkstra 2010 2694: 2687: 2682: 2675: 2670: 2663: 2658: 2643: 2639: 2633: 2626: 2621: 2614: 2609: 2603:, p. 14. 2602: 2597: 2590: 2585: 2576: 2571: 2567: 2563: 2559: 2552: 2545: 2540: 2525: 2519: 2515: 2505: 2502: 2499: 2496: 2493: 2490: 2487: 2484: 2482: 2479: 2476: 2473: 2471: 2467: 2466: 2462: 2457: 2454: 2451: 2448: 2447: 2445: 2442: 2439: 2436: 2431: 2428: 2427: 2425: 2422: 2419: 2416: 2413: 2410: 2409: 2405: 2399: 2394: 2391: 2385: 2380: 2373: 2371: 2367: 2363: 2359: 2355: 2345: 2343: 2342:Edward Weston 2339: 2335: 2331: 2327: 2326:Ruth Bernhard 2320: 2310: 2307: 2306:Balkan region 2302: 2298: 2296: 2295:body postures 2292: 2288: 2281: 2277: 2273: 2269: 2265: 2261: 2257: 2252: 2248: 2238: 2236: 2232: 2231:The Barricade 2224: 2223:human shields 2220: 2216: 2215:The Barricade 2212: 2203: 2200: 2196: 2190: 2176: 2173: 2169: 2165: 2162: 2159: 2156: 2155: 2150: 2146: 2143: 2140: 2137: 2133: 2130: 2129: 2128: 2125: 2116: 2114: 2109: 2107: 2103: 2099: 2095: 2091: 2085: 2082: 2076: 2074: 2070: 2066: 2062: 2058: 2057: 2052: 2048: 2043: 2041: 2040:Sylvia Sleigh 2037: 2033: 2028: 2025: 2022: 2021:Women artists 2018: 2010: 2009: 2004: 1998: 1991: 1987: 1983: 1982: 1977: 1968: 1966: 1962: 1958: 1954: 1947: 1943: 1939: 1934: 1919: 1917: 1913: 1909: 1905: 1901: 1897: 1892: 1890: 1886: 1882: 1878: 1877:Jenny Saville 1873: 1871: 1870:Sylvia Sleigh 1866: 1864: 1860: 1856: 1852: 1851:Francis Bacon 1848: 1842: 1834: 1833: 1828: 1823: 1813: 1810: 1806: 1801: 1799: 1795: 1793: 1788: 1784: 1780: 1779:post-WWII era 1775: 1773: 1769: 1759: 1755: 1749: 1744: 1740: 1736: 1729: 1724: 1721: 1714: 1709: 1706: 1702: 1701: 1694: 1689: 1686: 1682: 1676: 1671: 1668: 1664: 1658: 1653: 1650: 1646: 1640: 1635: 1632: 1631:Henri Matisse 1628: 1627: 1620: 1615: 1612: 1608: 1602: 1597: 1596: 1587: 1585: 1584:Henri Matisse 1581: 1580: 1575: 1571: 1567: 1563: 1559: 1555: 1545: 1543: 1538: 1536: 1530: 1528: 1527: 1522: 1518: 1514: 1513: 1508: 1507: 1500: 1497: 1493: 1489: 1485: 1484: 1478: 1471: 1467: 1463: 1459: 1457: 1456: 1451: 1440: 1436: 1435: 1428: 1423: 1419: 1415: 1414: 1407: 1402: 1399: 1395: 1394: 1387: 1382: 1379: 1375: 1374: 1367: 1362: 1359: 1355: 1354: 1347: 1342: 1339: 1335: 1334: 1327: 1322: 1318: 1311: 1306: 1303: 1299: 1297: 1290: 1285: 1284: 1274: 1270: 1260: 1258: 1254: 1250: 1246: 1242: 1238: 1233: 1221: 1214: 1209: 1206: 1202: 1196: 1191: 1188: 1181: 1176: 1173: 1169: 1168: 1161: 1156: 1153: 1149: 1148: 1141: 1136: 1133: 1129: 1125: 1119: 1114: 1111: 1107: 1106: 1099: 1094: 1093: 1073: 1069: 1063: 1058: 1055: 1051: 1050: 1043: 1038: 1035: 1031: 1030: 1023: 1018: 1015: 1012:(1530–34) by 1011: 1005: 1000: 997: 994:(c. 1512) by 993: 992: 985: 980: 977: 973: 972: 965: 960: 959: 950: 948: 944: 940: 936: 932: 931: 925: 921: 919: 914: 910: 906: 902: 901: 896: 892: 891: 886: 882: 881: 880:Dresden Venus 875: 873: 869: 868: 863: 859: 857: 853: 852:Medici family 849: 845: 844: 839: 835: 831: 830: 825: 821: 817: 813: 808: 806: 797: 793: 792: 787: 778: 776: 772: 768: 758: 756: 752: 748: 744: 740: 739:Byzantine art 735: 731: 730: 725: 721: 698: 694: 688: 683: 679: 678:Kahlil Gibran 675: 674: 669: 663: 658: 654: 648: 643: 636: 631: 628: 624: 623:Bathing woman 618: 613: 609: 603: 598: 591: 586: 585: 576: 573: 571: 567: 562: 560: 556: 552: 548: 544: 540: 539:ancient India 536: 532: 516: 512: 511:Venus Braschi 505: 500: 497: 493: 487: 482: 478: 477: 469: 464: 460: 456: 450: 445: 434: 428: 423: 422: 413: 411: 410:heroic nudity 407: 403: 392: 391: 385: 376: 375: 370: 366: 361: 360:Archaic Greek 357: 353: 350: 346: 343:The earliest 341: 339: 333: 323: 320: 319:Burney Relief 304: 299: 296:(c. 1800 BCE) 295: 291: 290: 289:Burney Relief 282: 277: 273: 269: 262: 257: 256: 242: 240: 236: 230: 222: 221: 215: 206: 203: 198: 194: 190: 188: 183: 177: 175: 171: 167: 159: 155: 151: 147: 138: 136: 132: 131: 126: 122: 121: 120:The Nude Maja 115: 113: 112:Kenneth Clark 109: 104: 101: 96: 94: 90: 86: 85:religious art 82: 78: 74: 70: 66: 62: 58: 54: 48: 40: 39: 34: 30: 19: 6204: 6194: 6063: 6026:Ilsley Boone 6021:Paul Bindrim 6011:Kurt Barthel 5933:Nude beaches 5928:Nude wedding 5858:Gay naturism 5825:Strip search 5548: 5544: 5526: 5511: 5507: 5488:. Retrieved 5484: 5471:February 17, 5469:. Retrieved 5453:. Retrieved 5448: 5432:. Retrieved 5427: 5411:. Retrieved 5406: 5392:November 10, 5390:. Retrieved 5374:. Retrieved 5369: 5325: 5314:February 22, 5312:. Retrieved 5308:the original 5303: 5269:. Retrieved 5265: 5249:. Retrieved 5232:. Retrieved 5205:February 24, 5203:. Retrieved 5197: 5183:February 16, 5181:. Retrieved 5177: 5164: 5155: 5145:February 23, 5143:. Retrieved 5139: 5127:the original 5122: 5109: 5095:November 10, 5093:. Retrieved 5088:The Guardian 5086: 5057:(1): 51–74. 5054: 5050: 5021: 5017: 4998: 4994: 4957: 4953: 4928: 4924: 4899: 4895: 4870: 4866: 4833: 4829: 4804: 4800: 4782: 4772:– via 4758: 4738: 4728:– via 4714: 4693: 4683: 4663: 4642: 4621: 4601: 4582: 4562: 4541: 4521: 4502: 4480: 4460: 4432: 4404: 4383: 4362: 4341: 4320: 4300: 4280: 4270: 4251: 4231: 4211: 4202: 4192:– via 4178: 4155: 4135: 4114: 4103:– via 4088: 4066: 4046: 4029: 3998: 3986: 3974: 3969:, p. 4. 3962: 3950: 3945:, p. 6. 3938: 3926: 3914: 3909:, p. 1. 3902: 3890: 3878: 3866: 3854:. Retrieved 3850: 3829: 3825: 3819: 3810: 3801: 3789:. Retrieved 3784: 3775: 3763:. Retrieved 3751: 3741: 3729:. Retrieved 3724:The Guardian 3722: 3713: 3701:. Retrieved 3696: 3672:. Retrieved 3668: 3644:. Retrieved 3640: 3616:. Retrieved 3612: 3603: 3598:(2018): 266. 3595: 3575: 3563: 3551: 3539: 3512: 3505:Leppert 2007 3500: 3493:Leppert 2007 3488: 3481:Nochlin 1988 3476: 3465: 3455: 3440: 3433:Leppert 2007 3428: 3416: 3409:Mullins 2006 3404: 3397:Mullins 2006 3392: 3385:Mullins 2006 3380: 3370:November 10, 3368:. Retrieved 3358: 3351:Leppert 2007 3346: 3337: 3331: 3319: 3309:November 10, 3307:. Retrieved 3302:The Guardian 3300: 3291: 3281:February 16, 3279:. Retrieved 3275: 3265: 3253: 3241: 3229: 3222:Leppert 2007 3217: 3205: 3196: 3184:. Retrieved 3156: 3144: 3132: 3120: 3108: 3096: 3082: 3070: 3060:December 29, 3058:. Retrieved 3045: 3035:December 29, 3033:. Retrieved 3029: 3019: 3010: 2989: 2962: 2950: 2938: 2926: 2914: 2902: 2873: 2854: 2848: 2839: 2835: 2829: 2766: 2754: 2744:February 28, 2742:. Retrieved 2729: 2722:Steiner 2001 2717: 2705: 2693: 2681: 2669: 2657: 2645:. Retrieved 2632: 2620: 2608: 2596: 2591:, p. 9. 2584: 2565: 2561: 2551: 2539: 2527:. Retrieved 2518: 2470:Andrew Wyeth 2463: 2412:Academic art 2370:Experimental 2369: 2354:installation 2351: 2330:Anne Brigman 2322: 2303: 2299: 2284: 2230: 2228: 2214: 2199:intersection 2192: 2167: 2152: 2126: 2122: 2110: 2101: 2093: 2086: 2077: 2064: 2061:Laura Mulvey 2054: 2044: 2036:Lucian Freud 2029: 2026: 2014: 2006: 1996: 1979: 1950: 1941: 1893: 1889:Cecily Brown 1874: 1867: 1862: 1847:Lucian Freud 1845: 1841:Lucian Freud 1830: 1816:Contemporary 1802: 1798:misogynistic 1791: 1776: 1771: 1766: 1753: 1735:Olive Thomas 1720:Edvard Munch 1698: 1680: 1662: 1644: 1624: 1606: 1577: 1558:Egon Schiele 1551: 1539: 1531: 1524: 1510: 1504: 1501: 1480: 1474: 1465: 1453: 1448: 1432: 1411: 1391: 1371: 1351: 1331: 1294: 1279:Early Modern 1263:Early modern 1252: 1229: 1200: 1165: 1145: 1127: 1123: 1103: 1072:Hans Baldung 1067: 1054:Michelangelo 1047: 1027: 1009: 996:Michelangelo 989: 971:Adam and Eve 969: 954:16th century 939:figure study 928: 922: 912: 908: 900:Rokeby Venus 898: 888: 878: 876: 865: 860: 842: 827: 824:Michelangelo 809: 801: 789: 764: 727: 720:Adam and Eve 716: 697:Kuroda Seiki 692: 671: 667: 652: 622: 608:Bala Krishna 574: 563: 528: 510: 476:Marathon Boy 474: 388: 386: 372: 371:' sculpture 365:contrapposto 342: 335: 315: 286: 232: 217: 199: 195: 191: 178: 173: 169: 165: 163: 149: 128: 118: 116: 107: 105: 97: 79:, including 52: 51: 47:Michelangelo 41: (1504) 36: 29: 6236:Visual arts 5948:By location 5923:Naked party 5678:Toplessness 5376:October 25, 5110:PhotoVision 4902:(2): 1–21. 4583:John Currin 4499:Nead, Lynda 3871:Nelson 1995 3697:Artnet News 3568:Fields 2012 3517:Jacobs 1994 2790:Graves 2003 2492:Model (art) 2358:performance 2313:Photography 2135:previously. 2132:Helen Beard 2051:John Berger 1885:John Currin 1859:obese model 1685:Anders Zorn 1591:Late Modern 1548:Late modern 1492:Paris Salon 1486:painted by 1477:Orientalism 1420:(1884–1887) 1300:(1797)) by 826:'s massive 781:Renaissance 743:Crucifixion 708:Middle Ages 673:The Prophet 625:(c. 1753), 557:, etc. The 535:Chinese art 369:Polykleitos 174:information 170:pornography 89:portraiture 81:allegorical 73:Renaissance 69:Middle Ages 61:Western art 6220:Categories 6159:Naked News 6064:Nude (art) 5918:Naked yoga 5901:Nude beach 5863:Gymnosophy 5775:Candaulism 5748:Striptease 5705:Dress code 5683:Topfreedom 4012:References 3991:Daris 2016 3979:Clark 1956 3967:Scala 2009 3943:Dawes 1984 3907:Scala 2009 3811:Cheim Read 2994:Clark 1956 2967:Clark 1956 2955:Clark 1956 2943:Ryder 2008 2931:Clark 1956 2919:Esanu 2018 2674:Clark 1956 2647:August 14, 2589:Clark 1956 2544:Clark 1956 2529:January 7, 2291:human form 2245:See also: 2233:(1918) by 2032:Alice Neel 1944:(1878) by 1855:Postmodern 1820:See also: 1805:Alice Neel 1756:(1932) by 1703:(1917) by 1683:(1917) by 1665:(1912) by 1647:(1911) by 1629:(1909) by 1609:(1903) by 1542:Lynda Nead 1468:(1864) by 1437:(1877) by 1396:(1891) by 1376:(1869) by 1356:(1863) by 1336:(1814) by 1267:See also: 1241:Rubenesque 1203:(1751) by 1170:(1654) by 1108:(1622) by 1070:(1514) by 1052:(1513) by 1032:(1538) by 974:(1507) by 947:live model 509:So-called 402:Praxiteles 398: 360 374:Doryphoros 349:Bronze Age 330:See also: 5815:Obscenity 5765:Voyeurism 5743:Streaking 5355:ignored ( 5345:cite book 5266:INDY Week 5051:De Ethica 5024:: 76–86. 4982:162701161 4945:193129278 4916:142427676 4887:143370129 4858:192983153 4451:965117928 4424:965382008 3955:MOMA 2012 3856:April 14, 3760:0362-4331 3137:Nead 1992 2686:Nead 1992 2601:Nead 1992 2366:Mona Kuhn 2362:video art 2348:New media 2081:Aristotle 2073:male gaze 1904:happening 1554:modernism 1455:Nude Maja 1172:Rembrandt 885:Giorgione 812:Donatello 699:(c. 1899) 551:Khajuraho 525:Asian art 237:from the 135:Odalisque 91:, or the 6231:Painting 6226:Nude art 6196:Category 6142:See also 5835:Naturism 5770:Anasyrma 5753:Stripper 5490:July 19, 5455:July 15, 5434:July 15, 5413:July 15, 5251:July 15, 5234:July 19, 5091:. London 4792:Journals 4501:(1992). 4366:. PIML. 4176:(2009). 3791:April 7, 3765:April 7, 3731:April 7, 3703:April 7, 3674:April 7, 3669:Lucy Liu 3646:March 9, 3618:April 7, 3435:, Ch. 2. 3423:, Ch. 5. 3186:March 9, 3151:, Ch. 3. 2921:, Ch. 2. 2907:Hay 1994 2662:Eck 2001 2568:: 1–11. 2376:See also 2178:century. 2139:Lucy Liu 2000:— 1984:, 1610, 1900:Yoko Ono 1700:Red Nude 1626:La danse 850:for the 496:Lysippos 459:Dionysus 393:created 110:by Lord 53:The nude 6069:History 5988:Oceania 5981:Seattle 5738:Mooning 5673:Massage 5634:Modesty 5607:History 5271:May 30, 5123:Artinfo 5018:October 4974:2863112 4821:1773024 3467:ARTnews 2546:, Ch.1. 2262:-style 1777:In the 1741:in 1920 1512:Olympia 1470:Daumier 1353:Olympia 1232:Baroque 924:Raphael 570:ukiyo-e 543:Bharhut 268:Astarte 209:History 187:obscene 130:Olympia 6206:Portal 5966:Europe 5956:Africa 5688:Canada 5593:Nudity 5555: 5533: 5518: 5333: 5038:778520 5036: 4980: 4972: 4943: 4914: 4885: 4856: 4850:505328 4848: 4819: 4766: 4745: 4722: 4701: 4671: 4650: 4629: 4608: 4589: 4570: 4549: 4528: 4509: 4487: 4468: 4449: 4439: 4422: 4412: 4391: 4370: 4349: 4328: 4307: 4288: 4258: 4239: 4218: 4186: 4162: 4143: 4122: 4097: 4074: 4053: 3832:: 101. 3758: 2861: 2260:Crayon 2063:wrote 1922:Issues 1835:(1995) 1794:series 1521:Titian 1488:Ingres 1418:Renoir 1378:Henner 1338:Ingres 1245:Rococo 1034:Titian 935:Louvre 895:Titian 680:(1923) 555:Konark 547:Sanchi 492:Hermes 455:Hermes 356:kouros 272:Ishtar 182:erotic 172:, and 5661:Sauna 5644:Awrah 5228:(PDF) 5034:JSTOR 4978:S2CID 4970:JSTOR 4941:S2CID 4912:S2CID 4883:S2CID 4854:S2CID 4846:JSTOR 4817:JSTOR 4017:Books 3641:METAL 2738:(PDF) 2511:Notes 2278:as a 2264:print 2241:Media 2171:gaze. 2106:vulva 2053:. 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