Knowledge

1949: 10503: 6992: 5853: 5129: 8449: 4424: 11427: 10576: 5187: 8378: 5951: 9594: 5500: 13796:, which was a total break with traditional art, making a plea against conventional beauty, beauty based on rules and proportions. Already the chosen theme—a brothel—is symptomatic of protest, of rebellion, but also the treatment of the figures, deformed and reduced to simple geometric bodies (cube, cylinder), denotes his desire to demystify the classical concept of beauty. In this work Picasso shows a strong influence of African sculpture, with stylized forms and based on simple lines of geometric construction, with a more intuitive than realistic sense of the representation of the body, a style that evokes more the soul presence than the physical corporeality. However, the dismemberment of the bodies is not random, but subject to laws of refraction, framed in sharp contours and concave planes taken from the spatiality of African art. 9412: 9291: 5241: 5580: 13800: 5928: 4592: 11385: 10915: 14105: 7069: 7015: 7732: 8501: 6081:, whose robust and carnally sensual female figures marked an epoch in the aesthetic concept of beauty of his time. However, despite this carnal exuberance, the work of Rubens—also the author of numerous works on religious themes—does not lack a certain idealism, a certain feeling of natural purity that gives his canvases a kind of dreamy candor, an optimistic and integrating vision of man's relationship with nature. Rubens attached great importance to the design of his figures, and for this he studied in depth the work of previous artists, from whom he took his best resources, especially—in what concerns the nude—from Michelangelo, Titian and Marcantonio Raimondi. He was a master in finding the precise tonality for the flesh tones of the skin—equaled only by Titian and 6322:, heir to the rounded forms of the Nordic nude of Gothic origin, with figures treated realistically, just as exuberant as those of Rubens, but more mundane, without hiding the folds of the flesh or the wrinkles of the skin, with a pathos that accentuates the raw materiality of the body, in its most humiliating and pitiful aspect. Rembrandt appeals to nature against the rules, moved by a defiant veristic honesty, and perhaps by a feeling of compassion towards the less favored creatures of society: old men, prostitutes, drunks, beggars, the handicapped. For him, imbued with a biblical sense of Christianity, poverty and ugliness were inherent in nature, and as worthy of attention as wealth and beauty. This revelatory sense of imperfection is denoted in such works as 12340: 8812: 10769: 7092: 10077: 3157: 6057: 3235: 2270: 13062:(1914) he portrayed an adolescent girl with a languid look, reflecting in her countenance the meditative and perplexed state that denotes the passage from girl to woman, whose deep psychological introspection the artist has managed to recreate masterfully with pure colors and distorting lines. It belongs to a series of works made between 1890 and 1908, with which Munch intended to develop a "frieze of human life", determined to analyze all the problems arising from loneliness, illness, addictions, unsatisfied love and the anguish of age—especially in adolescence and old age. These works denote a great psychological analysis, but they reveal a certain morbid and disturbing component, exploring without qualms the deepest depths of man's interior. 3130: 4209:, for whom the naked human body had a divine character that gave it a dignity unmatched by any other contemporary nude. Because of his Neoplatonic convictions, he idealized in an extreme way the emotion he felt before male beauty, so that the sensuality of his nudes becomes something transcendental, the expression of something superior and immaterial, ungraspable, sublime, pure, infinite. His figures are at once dominant and moving, of great power and great passion, of resounding vitality and intense spiritual energy. Even his religious works have lost the pathos of suffering inherent in the figure of the crucified Christ to show the Savior with a spiritual serenity that generates compassion more for his beauty than for his pain, as in the 12479: 6631: 7489: 8556: 3734: 12202: 10480: 9951: 17061: 10155: 8526: 7755: 5100: 16432:, who creates large works with figures seen from unusual perspectives, where the bodies resemble mountains of flesh that seem to fill the entire space, with a predilection for showing the genital areas, or imperfections and wounds of the skin, with bright, intense colors, arranged by spots, predominantly red and brown tones. They are generally obese bodies—she frequently portrays herself—where the flesh forms folds and wrinkles, with monumental forms that resemble the vision that a child has of an adult. Inspired by Courbet and Velázquez, she paints the real woman of today, without any kind of idealization, without looking for beauty, only truthfulness, creating—as she calls herself—"landscapes of the body". 13565: 10528: 11989: 10096: 9366: 15090: 9995: 9928: 10119: 2325: 4844: 11461: 9389: 703:, who competed naked. The Greek nude was both naturalistic and idealized: naturalistic in terms of the faithful representation of the parts of the body, but idealized in terms of the search for harmonious and balanced proportions, rejecting a more realistic type of representation that would show the imperfections of the body or the wrinkles of age. From a more schematic composition in the archaic period, the study of the body evolved towards a more detailed description of the skeleton and muscles, as well as the movement and the different positions and twists that the human body can perform. The description of the face and the representation of states of mind were also perfected. 5158: 12588: 10033: 5901: 1901: 483: 8426: 7969: 12954: 9318: 1882: 11408: 2002: 3111: 7275: 17023: 3180: 1926: 365: 7778: 4395: 10054: 4451: 7044: 10014: 17101: 10595: 14143:", with which he sought "the abolition of the finite line and the closed statue", giving his figure a centrifugal force. With this sculpture Boccioni tried to go beyond the impression of movement, to explore the notion of speed and force in sculpture, pretending to assign luminous values to the carved surface. The sculpture exceeds the corporeal limits of the human being, and resembles a flag waving in the wind. It seems that the body that is represented meanders, struggling against an invisible force. Although the (physical) result is a three-dimensional portrait, the moving body introduces a fourth dimension, time. 13592: 668: 1593: 12405: 10204:, an artist with a passionate and politically committed temperament, determined to overcome the "errors of the Romantics and classicists". Courbet's work meant the introduction of realism in the nude, which although in previous times had had more or less naturalistic approaches, they were generally subordinated to an idealizing conception of the human body. Courbet was the first to portray the body as he perceived it, without idealizing, without contextualizing, without framing it in an iconographic theme, transcribing the forms he captured from nature. Generally, his models were of robust constitution, like 11139: 8997: 3205: 8403: 2300: 15007:, as if they were out of a fashion magazine, but subjected to the dictates of a macho society, from which they sometimes seem to rebel, becoming modern heroines whose bodies reveal a vibrant inner power. In contrast to the classical dichotomy between the heavenly Venus and the worldly Venus, Lempicka creates a third type of woman, neither divine nor unapproachable, but neither vulgar nor vilifiable, a modern woman who assumes her sexuality without hindrance, and who is admired and respected by men, a woman of high society who follows the dictates of fashion. Among her works stand out: 10765:, presented at the last exhibition of the Impressionists, in 1886, he tried to offer a new vision of the nude, shown from the side or from behind, but not from the front, to emphasize the effect of a stolen instant, and so that it does not seem that they are presenting themselves to the public; in his own words: "until now the nude had been presented in postures that presupposed an audience. But my women are simple, honest people, who only take care of their physical grooming. Here is another one: she is washing her feet and it is as if I were looking at her through the keyhole". 1974: 182: 12710: 4476: 3395: 1662: 4503: 9970: 2245: 9437: 9570:, "what love was for storytellers and poets, the nude was for the artists of the form". The academic nude meant standardization on classical premises subject to strict thematic and formal rules, subordinated to the generally puritanical environment of nineteenth-century society. The nude was only accepted as an expression of ideal beauty, so it was a modest, aseptic nude, based strictly on anatomical study. The acceptance of the classical nude as an expression of an ideal of beauty led to the censorship of any deviation from the classicist canons: thus, at the 9471: 30: 8472: 11871: 7835: 10553: 9343: 4097: 1568: 10650: 16574: 13661: 5878: 1518: 3628: 12089: 6297: 2892: 1271: 707: 2224: 12449: 8674:, madness, dreams. Popular culture, the exotic, the return to underrated artistic forms of the past—especially medieval ones—were especially valued. The Romantics had the idea of an art that arose spontaneously from the individual, emphasizing the figure of the "genius"—art is the expression of the artist's emotions. The romantic nude is more expressive, more importance is given to color than to the line of the figure—unlike in neoclassicism—with a more dramatic sense, in themes that vary from the exotic and the taste for 13611: 12424: 7713: 14832: 13638: 5212: 2351: 12363: 12386: 11491: 5348: 16067:", where a nude model—which he called his "living brushes"—smeared with paint, lay down on a canvas, leaving the imprint of her body painted on the canvas, in various imprints that varied according to the position of the body, or according to the movement, as he sometimes rotated the models on the canvas. Sometimes, he also made "negative anthropometries", that is, by placing the model in front of the canvas and spraying paint, thus marking her silhouette. These experiences mark the point of origin of 3918:, whose figure, despite the classicism of the composition, responds more to Gothic criteria, not so much in terms of proportions, but in rhythm and structure: its curved shape means that the figure is not evenly distributed, but the weight falls more to the right, and the wavy movement of its outline and hair gives the sensation of floating in the air. The iconographic type is that of the Venus pudica, which covers her private parts with her arms, a scheme that he partially repeated in the figure of 10805:, while the compositional concept is taken from Courbet. Renoir sought to synthesize the canonical classicist posture with an air of natural reality, in luminous and evocative environments that conveyed a serene and placid vision of nudity, an ideal of communion with nature. He strove to dilute the outline of his figures, following the impressionist technique, through a mottling of space with patches of light and shadow, inspired by the Venetian school to capture the form through color, as seen in 15604:. These authors seek to destroy the idea of Beauty, Nude, Harmony, all those ideals that academic art treated with capital letters. They distance themselves from Western culture, which has engendered these horrors, returning to primitivism, to the infancy of humanity. To do so, they also make use of new materials, considered dirty, detritic, unworthy, such as mud, plaster, sacks, etc. Instead of using brushes, they even use their own hands, scratching the canvas, emphasizing the gestural effect. 13385: 2497: 17131: 4185: 2629: 17182: 16088: 11360: 3878:, with fine semi-transparent fabrics that allow the contours of the body to be seen, with a sense of classicism coming from the paintings of Pompeii and Herculaneum or the stuccoes of Prima Porta and Hadrian's Villa. However, Botticelli moved away from the volumetric character of the classical nude, with fragile and slender figures that responded more to the modern concept of the human body, while his faces are more personal and humanized than the ideal classical prototypes. In 13315:, with very explicit works for which he was even imprisoned, accused of pornography. Dedicated mainly to drawing, he gave an essential role to the line, with which he based his compositions, with stylized figures immersed in an oppressive, tense space. He recreated a reiterative human typology, with an elongated, schematic canon, far from naturalism, with vivid, exalted colors, emphasizing the linear character, the contour. Some of his works among his extensive production are: 2569:—they were deformed bodies, reduced to basic lines, with minimized sexual attributes, unattractive bodies, devoid of aesthetic qualities. The Gothic period was a timid attempt to remake the human figure, more elaborate and based on more naturalistic premises, but under a certain conventionalism that subjected the forms to a rigidity and a geometrizing structure that subordinated the body to the symbolic aspect of the image, always under the premises of Christian iconography. 7805: 6805: 1400:), represented at the moment of entering the bath, with the dress still in one hand. It is an image that combines sensuality with mysticism, physical pleasure with spiritual evocation, and that was a material realization of the ideal of Greek feminine beauty. He was also the author of another famous image, that of the goddess Aphrodite with legs wrapped in garments and bare breasts, which has come down to us through several copies, the most complete being the so-called 17173:, art has a great sense of introspection and interrelation between man and nature, also represented in the objects that surround him, from the most ornate and emphatic to the most simple and everyday. This is evident in the value given to imperfection, to the ephemeral nature of things, to the emotional sense that the Japanese establishes with his environment. In Japan, art seeks to achieve universal harmony, going beyond matter to find the life-generating principle. 11594: 17042: 6919:, whose magnificent production is one of the milestones in the history of art. Velázquez enjoyed great freedom in his work, undoubtedly because of his position as royal painter, so he was able to paint more nudes than any other Spanish artist of his time. Even so, he was constrained by clerical censorship, so he had to change the iconographic sense of some of his works, which went from mythological nudes to genre or costumbrist scenes: thus, what would have been a 16725: 1756:(2nd century BC), perhaps the best expression of pathos in all history, where the variegated movement, the twisting of the intertwined figures (father, sons and snakes), the exacerbated emotion, the marked muscles of the torso and thighs of the central figure, the dramatic expression of the faces, confer a general sense of latent tragedy, which undoubtedly provokes in the viewer a feeling of terror and despair, of pity for these suffering figures. According to 1014: 17362: 14291: 11110: 22934: 17080: 3420: 13698: 1543: 22944: 10629: 10865: 8640: 8094: 570: 8836:, whose figures are halfway between sensuality and concern for pure form, which he treated meticulously, almost obstinately. His female figures have a certain Gothic air (small breasts, prominent stomachs), and were subject to a small number of postural designs in which the artist felt comfortable, and which he repeated throughout his career. One of these, for example, was that of a nude woman seated on her back, which he introduced in 8118:. Although he studied the work of the great Renaissance masters (Ghiberti, Donatello, Michelangelo), it was in classical Greco-Roman statuary where he found inspiration, which he was able to study in the great collections of his native Italy. Thus, his work has the serenity and harmony of the purest classicism, although it does not fail to show a human sensitivity and a decorative air typical of his Italian ancestry. His works include: 10197:. In the context of the dissolution of the classical theory of art that took place in the first half of the 19th century, realism, together with the technical liberation brought about by the appearance of photography, which inspired many of the new artists, meant a thematic liberation, where the protagonists were no longer nobles, heroes or gods, but ordinary people, from the street, portrayed in all their misery and crudeness. 9622: 7124: 17434: 9618:'s theory that the male nude could only express character, while the female nude was the only one that could reflect beauty, since this is more clearly shown in soft and sinuous forms, Ingres' nudes reflected a continuity in the stroke that gave his figures a rounded form, smooth texture and soft contour. As a result, academic art focused more on the female nude than the male, with figures of smooth form and waxy texture. 3716:, his treatment of the nude "is more modern than that of any of the masters who preceded him". Pollaiuolo made profound studies of anatomy, Vasari confessing that he dissected corpses, studying especially the muscles. In this way, he moved away from Greco-Roman classicism, which although based on the naturalism of the forms, these were idealized, far from the anatomical realism introduced by Pollaiuolo, as shown in his 8631:, the woman is surprised while sleeping or grooming, in intimate scenes, but open to the viewer, who can recreate in the contemplation of forbidden images, of stolen moments. It is not a premeditated nudity, it is not a model posing, but the recreation of scenes of everyday life, with apparent naturalness, but forced by the artist. In the words of Carlos Reyero, "we find ourselves with women not naked, but undressed". 15536:. Once this level of analytical prospection of art was reached, the inverse effect was produced—as is usual in the history of art, where different styles confront and oppose each other, the rigor of some succeeding the excess of others, and vice versa—returning to the classical forms of art, accepting its material and esthetic component, and renouncing its revolutionary and society-transforming character. This is how 11783: 7578: 6653:, an artist of a serene classicism, was perhaps the inaugurator of the academic nude, for being cultured and idealized, based on the representation in images of the erudite culture that had mythology and ancient history as its thematic base. Of Raphaelesque influence, he was interested in anatomy, elaborating conscientiously all his works, conceived both in a plastic and intellectual sense. He was interested in 3308: 16526:. One of his first works, in a pornographic magazine, was one of his most recurrent sources of inspiration: eroticism, images of naked women treated realistically, without modesty. The main characteristic of Salle's style is the juxtaposition of images, a disorganized and incoherent superposition of images coming from art history, design, advertising, media, comics, popular culture, etc. Some of his works are: 12976:, the Expressionists defended a more personal and intuitive art, where the artist's inner vision—the "expression"—predominated over the representation of reality—the "impression"—reflecting in their works a personal and intimate theme with a taste for the fantastic, deforming reality to accentuate the expressive character of the work. In Germany, his main center of diffusion, was organized around two groups: 13028: 10911:(1886–1888), where he wanted to demonstrate that the pointillist technique was suitable for any genre, as he was often reproached for only knowing how to produce landscapes in this technique. In this work he reinterpreted in a modern key the well-known theme of the three Graces, by means of drawing models located in the artist's own workshop, with a vision indebted in a certain way to the work of Ingres. 13502:, 1907). Between 1903 and 1904 he executed several paintings of naked prostitutes where he recreates the depravity of their trade, reflecting in a horrendous way the materiality of the flesh, stripped of any ideal or moral component, with a sense of denunciation of the decadence of society coming from his neo-Catholic ideology, in an expressionist style of quick strokes and basic lines. His works are: 5986: 3800: 4163:, of which he made at least three versions between 1504 and 1506, and which is the vindication of the naked woman as a symbol of creative life, and no longer as an unattainable ideal. For Leonardo, the study of anatomy served him more to know the proportions of the figure to be represented—even if she was dressed—than as an end in itself; thus, for example, there is a half-naked drawing of the famous 15976:-type erotic magazines, accentuated by the flatness of the works and the simplification of colors with Matissian roots, highlighting the most "objectual" body parts (red lips, white teeth, blond hair, prominent breasts), along with various decorative objects, fruits or flowers. The bodies have a cold, artificial consistency, like inflatable dolls, and usually present the typical white areas left by 3676:), a work of great originality that was ahead of its time, since for the next fifty years there were no works with which it could be compared. However, Donatello's model was not as athletic as the Greek works, presenting the graceful and slender forms of a boy in his teens. Similarly, instead of the serenity of Apollonian beauty, the sensuality of Dionysian beauty is perceived, and the head of 11616:, an artist heir of romanticism, while he felt great devotion for the masters of the Italian Quattrocento. His works are of a fantastic and ornamental style, with variegated compositions densely populated with all kinds of objects and plant elements, with a suggestive eroticism that reflects his fears and obsessions, with a prototype of an ambiguous woman, between innocence and perversity: 17649:"In the bosom of the tempestuous Aegean / one sees Thetis with bulging belly wandering through the waves in white foam wrapped / and inside born with delicate and joyful movements / a maiden with a non-human face / Of lascivious zephyrs pushed to the shore / Turns on a shell and it seems that the sky rejoices with it. With her right hand the goddess presses her hair / With the other she 15736:, to expose figures whose nudity is deformed, vulnerable, mocked, framed in unreal spaces, which resemble boxes that enclose the figures in an oppressive, anguished atmosphere. His nudes, both male and female, look like lumps of amorphous flesh, writhing and fighting a desperate struggle for existence. They have an oily consistency and a cadaverous pallor, accentuated by the artificial, 4215:(1498–1499). His first nude drawings show the vivacity of his nervous articulations, far from the soft classical contours, with a rich modeling far from any proportion or geometric scheme. His anatomy is knotty and tight, dynamic, where the thickness of the torso stands out, with marked muscles and solid contours, exaggerating the effects of torsion and foreshortened figures, as in the 9528: 9043:(1827), he demonstrated his originality and inventive richness, along with a passionate and colorful style that would characterize him. In 1832 he made a trip to Morocco and Algeria, where he incorporated into his style the orientalist influence, with a taste for the exotic and the richness of detail. In his numerous nude works the subject matter is very diverse, from the religious ( 2576:. The image of Jesus on the cross had two main iconographic transcriptions: that of Christ undressed, called "of Antioch", and that of the Redeemer with a tunic, called "of Jerusalem". However, despite the puritanical and anti-nudity character of early Christianity, it was the naked version that triumphed and was accepted as the canonical version of the theme, especially from the 15131:, a classicist movement of Mediterranean inspiration. Even so, little by little the new currents were introduced, especially cubism, expressionism and surrealism. In this environment, the nude was a much more frequent theme than in all the previous art practiced in the peninsula, and many Spanish artists competed in international competitions with nude works. Thus, for example, 16171:(1975) he made a "concert for two violins, operator and model": while he played the violin, the operator with a mountain chain cut car doors, and the naked model listened with her eyes covered. Vostell's actions had a strong political component, aiming to denounce social injustice, the destruction of nature, the arms race, discrimination against women and other similar causes. 16596:. The social consideration of nudity varies according to the geographical area, generally in accordance with the religious concepts of that area, and just as in some places it is contemplated naturally and without inhibitions, in others it is something forbidden and a source of shame. In China, for example, sexuality is considered a private sphere, so that the nude rare in 16451:. Postmodern artists assume the failure of the avant-garde movements as the failure of the modern project: the avant-garde intended to eliminate the distance between art and life, to universalize art; the postmodern artist, on the other hand, is self-referential, art speaks of art, and does not intend to do social work. Among the various postmodern movements, the Italian 7170: 16675: 14933:(1939) two naked women appear, one with lighter skin and the other with darker skin, reclining one on top of the other, and observed by a monkey, symbol of sin, in a scene that can have two interpretations: the first would be that of lesbian love, while the second would be a double self-portrait of Frida, capturing her two natures, the European and the Mexican. 4325:, "naked") on the ceiling of the Sistine have the balance of athletic energy together with the transcendence of their sacred mission—they represent the souls of the biblical prophets—harmoniously exercising their mediating role between the physical and spiritual worlds, so that their physical beauty is a reflection of divine perfection. In other scenes, such as 4051:. However, he did not simply recreate the classical figures, but interpreted them according to his sense of design, to a sweet and harmonious conception of the artist's aesthetic ideal. On the other hand, Raphael, whose work presents a synoptic vision of ideal beauty, was able to extract the most idealistic perfection from the most sensual of the senses. In the 14218:. According to the instruction book left by the author, the bride undresses to excite the bachelors who court her, although their physical separation prevents them from achieving the goal of consummating their love, in a clear message of the futility of human passions and how the human being transits in solitude through life. Another emblematic work of his was 129:) to the present day. One of the cultures where the artistic representation of the nude proliferated the most was Ancient Greece, where it was conceived as an ideal of perfection and absolute beauty, a concept that has endured in classical art until today, and largely conditioning the perception of Western society towards the nude and art in general. In the 15532:, art has undergone a vertiginous evolutionary dynamic, with styles and movements that follow each other more and more rapidly in time. The modern project originated with the historical avant-gardes reached its culmination with various anti-material styles that emphasized the intellectual origin of art over its material realization, such as action art and 13046:: influenced in his beginnings by impressionism and symbolism, he soon drifted towards a personal style that would be a faithful reflection of his obsessive and tortured interior, with scenes of oppressive and enigmatic atmosphere—centered on sex, illness and death—characterized by the sinuosity of the composition and a strong and arbitrary coloring. In 14158:, Dadaism meant a radical approach to the concept of art, which loses any component based on logic and reason, claiming doubt, chance, the absurdity of existence. This translates into a subversive language, where both the themes and the traditional techniques of art are questioned, experimenting with new materials and new forms of composition, such as 12744:, who opened the doors to the independence of color with respect to the subject, organizing space according to color planes and seeking new sensations through the striking effect of violent areas of strident colors. Despite his modernizing zeal, Matisse preserved classical elements, such as the nude: in 1898 he began his personal style with 13299:: in some visits to Paris between 1900 and 1906 she was influenced by Cézanne, Gauguin and Maillol, combining in a personal way the three-dimensional forms of Cézanne and the linear designs of Gauguin, mainly in portraits and maternal scenes, as well as nudes, evocative of a new conception in the relationship of the body with nature, as in 918:). In these works, the cult of physical perfection is denoted, which was expressed mainly in athleticism, which combined physical vigor with moral virtue and religiosity. The new classical style brought greater naturalness not only formal, but also vital, by providing movement to the human figure, especially with the introduction of the 15775:(1963), which is one of his daughters. Between the 1960s and 1970s he reaches his definitive style, with figures in intimate, carefree postures, in frames reminiscent of photography, with a linear drawing and marked contours, with an intense light and a strong chromaticism where the carnal tones stand out, arranged in colored spots: 9590:, was criticized for appearing with her wrists handcuffed. However, the teaching practice exercised in the academies of life drawing, allowed in certain cases the introduction of formal and stylistic novelties that rejuvenated the genre, giving it at the same time a greater respectability, as a product of intellectual elaboration. 3890:, he showed a purer classicism, thanks to his contact with the Roman antiquities present in the city of the popes. Thus, his Venus is already stripped of all clothing and any kind of moralistic constraint, definitively abandoning medieval art to enter fully into modernity. The iconographic theme was taken from some verses of the 10726:, who after some early Ingresian-influenced nudes evolved to a personal style based on drawing design, essentially concerned with the transcription of movement, in scenes full of life and spontaneity. Degas voluntarily moved away from the conventional canons of beauty, opting for an undeveloped, adolescent body type, as seen in 2528:. Starting from the Platonic corpus, medieval culture considered the world as a great animal—and, therefore, as a human being—while man was conceived as a world, a microcosm within the great cosmos of Creation. This theory related the symbolism of the number four to nature, which in turn was applied to art: there are four 8269:(1818–1822), etc. In addition, he was an excellent draughtsman and engraver, owner of a great virtuosity in the drawing of lines, of a fine profilism, illustrating with mastery numerous classic works of literature. In the Germanic field also developed a remarkable sculptural school, highlighting artists such as: 13098:—he drifted in his maturity towards expressionism with a series of works of psychological introspection, with a theme centered on the erotic and macabre. Although he remained anchored in the optical impression as a method of creation of his works, the expressiveness became increasingly important, culminating in 6374:, which despite its rounded and generous forms, shown with honesty, manages to convey a feeling of nobility, not ideal, but sublime, while his meditative expression provides inner life to the carnal figure, and gives it a spiritual aura, reflecting the Christian concept of the body as a receptacle of the soul. 1948: 16490: 15766: 14128: 12685: 10718: 6089: 6052: 4370: 2564: 2475: 1637: 17200: 12554: 10941: 8077: 4949: 4541: 86: 14396: 9523: 7305: 4146: 3485: 2211: 16652: 13073: 11303: 11138: 7520: 7169: 2555: 706: 16106: 15583: 13518: 13380: 12663: 7216: 2130: 482: 6043: 3751: 3452: 15564: 7925: 2580: 9516: 8622: 4672: 2666: 2488: 2480: 15707: 1630: 318: 459: 17811: 16665: 13133:, 1911). As a painter, he used primary colors, like the fauvists, with a certain influence of Matisse, but with broken, violent lines—unlike Matisse's rounded ones—in closed, acute angles, with stylized figures, with an elongation of gothic influence. Among his works it is worth mentioning: 9550: 1326: 17398: 16740: 3318:. Beauty is a naked woman with her head hidden among clouds (symbol of the subjective nature of beauty); in her right hand she holds a globe and a compass (beauty as measure and proportion), and in her left hand a fleur-de-lis (beauty as temptress of the soul, like the perfume of a flower). 16990:(Cambodia), where most of the walls of the temple are decorated with friezes in bas-relief where the abundance of female figures stands out, among devatas (or Hindu female goddesses), of which 1500 are counted throughout the temple, and apsaras (or celestial dancers), counting about 2000. 13476:, who made works of a dreamlike character, close to a certain surrealism, distorting reality at his whim, in scenes that are in an unreal space, outside the rules of perspective or scale, in a world where he evokes his childhood memories, mixed with the world of dreams, music and poetry: 9563:. Technically, they were based on careful drawing, formal balance, perfect line, plastic purity and careful detailing, together with realistic and harmonious coloring. Their works were based on erudite themes (history, mythology, academic literature), with an idealized concept of beauty. 3419: 12520: 10704:(1863) was in its day a complete scandal, despite being clearly influenced by the classical contours of Raphael, although the controversy did not come from the nude itself, but from being an unjustified nude, an anonymous, contemporary woman. Another revolution promoted by Manet was his 15623: 14194:(1911) a synthesis between Cubism and Futurism, where the body has been decomposed into geometric volumes and serialized in various superimposed movements. In this work Duchamp distances himself from reality, where the nude has no significance, it is only a means of experimentation. In 12189: 964:(450 BC) a magnificent example of figure in movement, achieving for the first time a coordinated dynamic effect for the whole figure, since until then the figures in movement were made in parts, without a global vision that provided coherence to the dynamic action—as in the case of the 836: 5415:, or his prints on the passion and death of Jesus and the lives of saints such as St. Jerome, St. Genevieve and St. Mary Magdalene. Dürer's work influenced many artists of the Germanic world, in works where Gothic forms intermingle with classical ideals, as can be seen in the work of 15510: 118:. Its representation has varied according to the social and cultural values of each era and each people, and just as for the Greeks the body was a source of pride, for the Jews—and therefore for Christianity—it was a source of shame, it was the condition of slaves and the miserable. 14780:(1935) he shows a dreamlike delirium where the sexual component is combined with the mechanicity of the industrial era, through a naked woman's body lying face down, with a carnivorous plant devouring her feet and a stream of blood falling on her back through a funnel coming from a 12735: 4225:(1501–1504) in Florence still retains the Apollonian air of a balanced classicism, but interpreted in a personal way, where the torso may look like that of a Greek statue, but the disproportion of head and limbs denotes tension, and his defiant expression departs from the classical 17519:, "the nude is not only an art form, but it is the explanation or the very raison d'être of Western art: that dramatic point or intersection between the natural and the celestial, between the ideal and the real, between the carnal and the spiritual, between the body and the soul" ( 15003:, while she felt a great fascination for Ingres, for which her work was nicknamed "Ingresian cubism". Later she had a surrealist phase, and then moved towards a certain neoclassicism. Her nudes present women who are a product of their time, elegant and sophisticated, luxurious and 10689: 1694:, whose workshop of sculptors from all over Greece established a style that, starting from a clear Lysipian influence, imprinted a dramatism to their figures that, primarily through the twisting of the body, expressed in an effective way the pain of the characters, as seen in the 15540: 16273: 3870:(1484). For this he drew inspiration from the few remains of classical works he had at his disposal, some sarcophagi, jewelry, reliefs, ceramics and drawings, and created an archetype of beauty that would be identified as the classical ideal of beauty since the Renaissance. In 2794:. The scene of the resurrection of the flesh contemplated that the bodies were naked, while being reborn souls should be represented according to parameters of perfect beauty, so the artists looked again at the works of classical Greco-Roman art, emerging treatises such as the 6214:, where the different chromatism of the figures of Christ and the thieves is added to the effect of the stormy light, while the differentiation in the anatomies of the different figures emphasizes the ideal physique of Jesus as opposed to the crude materiality of the thieves. 16373:, etc. An essential aspect is the message, the attempt to make the viewer reflect, if necessary through provocation, with shocking works that stir the conscience. One of the ways of diluting gender differences has been through the degradation or mutilation of the body: thus, 13263: 8623: 7620:(1802–1805), and which is one of the first nudes where pubic hair is clearly visible. It is one of the first cases of nudity not justified by any historical, mythological or religious theme, simply a naked woman, anonymous, whom we see in her intimacy, with a certain air of 13268:, of whose Venus he had a reproduction in his studio. They are nudes of great simplicity and naturalness, without traits of provocation or sensuality, expressing an ideal perfection, the nostalgia of a lost paradise, in which the human being lived in communion with nature: 8175:, who despite his noble and serene classicism, his cold and calculated execution has detracted from his merit for some critics, who call his work insipid and empty. Even so, during his lifetime he enjoyed enormous success, and a museum was built for him in his hometown of 5284:, who throughout his work elaborated a more personal version of the Nordic nude of Gothic origin, which, while retaining its rounded forms, is shown more stylized and subject to classical canons, with long, slender legs, thin waist and gently undulating silhouette, as in 5707: 6085:—as well as its different textures and the multiple variants of the effects of brightness and the reflections of light on the flesh. He was also concerned with the movement of the body, and with giving weight and solidity to his figures. However, he did not neglect the 756: 16215:(1968–1990), a work on which he worked more than twenty years and left unfinished, aims to create common prototypes of man and woman, for which he took multiple notes of various models, synthesized in a standard forms that could correspond to any person in the street. 7650:(1798–1800). Later, due to his deafness, personal misfortunes, the weariness of court life, the horror of war, exile, loneliness, old age, and other factors, were influencing his personality and his work, which became more expressive, more introspective, with a strong 3010:, where the modest medieval attitude that related the nude as something shameful is giving way to more sensual, more provocative, more carnally human figures. In Spain, the first timid attempts at nudes emerged, far from any sensuality, serious, contained, such as the 2269: 2164: 699:, the human being was the main object of study of their philosophy and art, since their religion was more mythological than an object of worship. For the Greeks, the ideal of beauty was the naked male body, which symbolized youth and virility, like the athletes of the 7400: 8759:(1823–1826), with a personal style that reveals his inner world, full of dreams and emotions, with evanescent figures that seem to float in a space not subject to physical laws, generally in nocturnal environments, with cold and liquid lights, with a profusion of 8611:. In the field of art, an evolutionary dynamic of styles began to follow one another chronologically with increasing speed, culminating in the twentieth century with an atomization of styles and currents that coexist and oppose, influence and confront each other. 6518: 15767: 4874:'s Venice. Even his religious scenes have a festive, joyful, worldly, sometimes somewhat irreverent character. However, his nudes were demure, restrained, modest, without showing anything explicit, just some naked area between tunics or folds of clothing, as in 15610: 3970:(1480), was an original artist endowed with great fantasy, with works inspired by mythology, with a somewhat eccentric air, but endowed with great feeling and tenderness, where the figures—along with a great variety of animals—are immersed in vast landscapes: 16837: 15632: 2208: 16613: 5390:(1497). Subsequently, he devoted himself to the study of proportions in the human body, trying to find the key to anatomical perfection, although without favorable results. However, in this way he approached a certain classicist style, as can be seen in his 5375: 711: 3760:. The tense and dynamic nudes of Pollaiuolo and Signorelli initiated a fashion for "battles of naked men" that would continue from 1480 to 1505, without special iconographic justification, simply for their aestheticism—what in Florence they called the bel 1191:(1838). In the Mausoleum the so called "heroic diagonal" was introduced, a posture in which the action runs through the whole body from the feet to the hands following a pronounced diagonal, and that would be reproduced assiduously in the future—as in the 9020: 3129: 871:, developed between 490 BC and 450 BC). The main factor in this innovation was a new concept in conceiving sculpture, moving from idealization to imitation. This change began to be noticed in the first years of the 5th century BC, with works such as the 15639: 5548:(1500–1502), the naked, human or subhuman form (demons, satyrs, mythological animals, monsters and fantastic creatures) proliferates in a paroxysm of lust that transcends any iconographic meaning and obeys only the feverish imagination of the artist. 15728:, an artist with a personal, solitary trajectory, alien to the avant-garde—in the 1930s, when he began to paint, he was rejected for not being surrealist or abstract. In 1944 he destroyed all his previous work, and began his most personal style with 13743:, 1899), he went through several periods before ending up in Cubism, of which it is worth remembering for the theme of the nude his "pink period", of a classicism influenced by Ingres, with themes set in the world of the circus and the Impressionist 11540:("art for art's sake"), even going so far as to speak of "aesthetic religion". This position sought to isolate the artist from society, autonomously seeking his own inspiration and letting himself be driven solely by an individual search for beauty. 6206:. In these images, the color of the flesh plays an essential role, contrasting the pale and pale figure of Christ with the intense color of the rest of the figures, which gives greater effect to the drama of the scene. The same effect appears in the 3334:), it spread throughout the rest of Europe from the end of that century and the beginning of the 16th. The artists were inspired by classical Greco-Roman art, so it was called artistic "renaissance" after the medieval obscurantism. Style inspired by 153:, when the nude began to lose its iconographic character and to be represented simply for its aesthetic qualities, the nude as a sensual and fully self-referential image. In more recent times, studies on the nude as an artistic genre have focused on 4903: 7158:— it meant the survival of the main artistic manifestations of the Baroque, with a more emphasized sense of decoration and ornamental taste, which are taken to a paroxysm of richness, sophistication and elegance. The progressive social rise of the 1318:. Just as Western art has considered—preferably since the Renaissance—the female nude as a more normal and pleasant subject than the male, in Greece certain religious and moral aspects prohibited female nudity—as can be seen in the famous trial of 15110: 13498:, 1895) and Fauvism, but his moral themes—centered on religion—and his dark colors brought him closer to expressionism. His most emblematic works are those of female nudes, which have a bitter and unpleasant air, with languid and whitish figures ( 11555: 6991: 2819: 13192:, who between 1906 and 1907 made a series of paintings of Vangoghian composition, short brushstrokes and intense colors—predominantly yellow—with dense paste. Later he evolved to more expressionist themes, such as sex, loneliness and isolation: 14886: 4542: 1799:(3rd century BC), highly valued in antiquity and of which numerous copies were made to decorate palaces, gardens and public buildings. Today there are several copies in museums around the world, and several copies or versions have been made in 13849: 5697: 509: 16939:("triple bending"), a pose with a sinuous movement forming three curves, typical of Indian sculpture ever since. This type of representation initiated the genre of erotic art in India, with a curious synthesis of sensuality and spirituality. 15825: 6970:(1647–1651), one of the most magnificent and famous nudes in history. It is a nude of great originality, especially for being presented from behind, a fact not very common at the time, and whose conception perhaps shows the influence of the 656:, where art enjoyed great splendor, generating a style of interpreting reality: artists were based on nature according to proportions and rules (κανών, canon) that allowed the capture of that reality by the viewer, resorting if necessary to 16226: 14701: 13862: 10693: 7545: 2802:, which contained instructions for artists based on ancient classical treatises. Studies of the natural began again, and there is data indicating that some artists went to public baths to study the body in more detail, as evidenced in the 651: 16592:. However, not in all cultures has had the same significance, and its importance has varied according to the region from the practical nullity of its representation to occur with even greater intensity than in the West, as in the case of 10502: 17793: 12339: 7919:—a curious mixture of classicism and a certain mannerist air can be perceived—especially due to the influence of Correggio—which produced works that, although they wanted to revive the old classicism, were decontextualized and timeless. 5852: 17636:, in the capabilities of human beings. This "modern era" has reached the present day, being fully in force according to some writers, while others defend that it is currently an outdated phase in the evolution of humanity, speaking of " 10845:, Michelangelesque mannerism and the baroque style of Boucher and Clodion, with plump figures of exuberant appearance and natural attitude towards the body and the surrounding environment, generally rivers, lakes, forests and beaches ( 4766:, whose ambition—not entirely achieved—was to reunite Michelangelo's drawing with Titian's coloring. The works of the latter are large, with a multitude of figures, with dazzling lights that reflect the luminous quality of his beloved 11426: 4057:(1505), he elaborated simple forms, not as ethereal as the graceful Botticellian Venus, but of a classicism that rather than copied from antiquity seems innate to the artist, a somewhat naive classicism, but of fresh vitality. In his 3680: 16424: 7068: 3110: 16186: 15984:(1963) he moved to three-dimensionality, where his typical nude paintings appeared with real objects such as curtains, towels, detergents or nail polish, or were seen through a half-open door, emphasizing the voyeuristic effect. In 14021:(1912) he introduced a new analysis of the human figure, broken down into geometric forms and perforated at certain points with holes that create a contrast between the solid and the hollow, in a new way of understanding matter. In 5128: 7654: 6381:, architect and sculptor who staged the pomp of papal Rome in a sumptuous and grandiloquent way, and whose works express the dynamic and sinuous movement so characteristic of the Baroque, as denoted in his main sculptural groups: 13050:(1895–1904) he presented a female figure with a naked torso, in an ambiguous attitude, while the body suggests sensuality, the face with closed eyes turned upwards gives a sense of mysticism, of introspection; in the frame is a 13003: 8448: 5622: 17177: 11102: 7930: 4958:("I don't know what"). The mannerist nude will be of elongated, exaggerated, slender forms, of an almost mannered elegance. Part, on the one hand, of the formal distortion of Michelangelo and, on the other, of the elegance of 988:, which he treated with a mixture of naturalism and certain vestiges of the archaic hieratic frontality, which gave his figures an aura of majesty, with a balanced harmony between strength and grace, form and ideal, as in the 6044: 4423: 3156: 15885:, who followed in the footsteps of Giacometti in stylized figures with elongated limbs, resembling insects, with a lacerated and tattered appearance, as if in decomposition, giving equal importance to emptiness and matter ( 12515: 5702: 723: 14355: 13564: 10308:, who preferentially portrayed workers and laborers of the new industrial era, replacing the classical hero by the modern proletarian, in works where special relevance is given to the volumetric sense of the figure, as in 660:. A concept of beauty was pursued based on the imitation of the natural, but idealized with the incorporation of a subjective vision that reflected the harmony of body and soul, equating beauty with goodness (καλοκαγαθία, 6411:(1622–1625), where his mastery of modeling, the drama of the action, his daring foreshortenings and his decorative sense, often captured in floating vestments of fragile balance, are manifested. Another great creator was 9290: 8245:, a precocious artist who at the age of ten was already creating sculptures, and who had a fruitful career both as an artist and as an academic and treatise writer, writing several works on sculptural practice, such as 6974:, which Velázquez surely knew in Italy. On the other hand, the attitude of Venus, who looks at herself in the mirror, probably represents an allegory of vanity. The brilliant painter made other nudes—now lost—such as a 1037:' work had a special relevance in the standardization of a canon of geometric proportions on which his figures were based, together with the search for balance within movement, as can be seen in his two main works, the 7507: 3457: 14788: 12311:, who, starting from academicism, developed an innovative work, of great freshness and simplicity, with humorous and fantastic touches, and a predilection for the exotic, jungle landscape. He made some nudes, such as 11530:, a reaction to the prevailing utilitarianism of the time and to the ugliness and materialism of the industrial era. Against this, a tendency arose that granted art and beauty an autonomy of their own, synthesized in 9136: 17100: 14433: 8377: 5950: 2137:(Museo delle Terme, Rome), which shows a greater anatomical naturalism than the Greek figures, while maintaining the elegance and sensuality of the Greek female nude. An original thematic innovation was that of the 13417:, an artist of bohemian life, immersed in sex, drugs and alcohol. He received a classical training, where he was influenced by Mannerism and the Venetian school. In 1902 he studied at the Scuola Libera di Nuodo in 12128: 12141:(1899) he moved away from the iconographic symbolism of the female nude, becoming a self-referential symbol, the woman is no longer an allegory, but an image of herself and her sexuality. Other works of his are: 6035: 5186: 2782:), which still look like two columns of rigid and hieratic forms, but treated with a certain air of nobility. At this time the iconographic repertoire was expanded a bit, especially with the incorporation of the 17296: 5267: 2204:, despite their eminently decorative character, they offer great stylistic variety and thematic richness, with an iconography that goes from mythology to the most everyday scenes, including parties, dances and 16470: 5396: 16608: 13724: 2930: 14627:(1938) he presents a nocturnal city, with classical architecture, where naked women wander like sleepwalkers, representing the myth of the dream woman, unattainable, while a man watches them helplessly. In 12111: 11896: 1092: 17301:, with the prohibition of "obscene" material in the Civil Code of 1907. After the opening of Japan to the West in the mid-19th century, Japanese art contributed to the development of the movement known as 6951:(1630), where the nude has a clear classicist, almost academic component, a fact that is demonstrated in the anatomical conception of certain figures, although they later appear dressed, as in the case of 6185: 3444: 2085:(50 BC), a figure that had an enormous success, a fact that is corroborated because 18 copies have reached us, and that originated a variant with another figure, creating a group sometimes identified with 7014: 5240: 16618:: in fact, the image can be found in all Islamic cultures, with varying degrees of acceptance by religious authorities; it is only human depiction for the purpose of worship that is uniformly considered 5927: 728: 17201: 14639:(1948) he presents a reclining Venus reminiscent of those of Giorgione or Titian, but located in the middle of the street and in front of a streetcar that advances towards her. Other works of his are: 2968: 8525: 14929:!", a scene in which the author projects her pain for her husband's infidelity with her little sister, a fact corroborated by the stab wounds she inflicted on the work as soon as she finished it. In 8670:, the Romantics paid special attention to the field of spirituality, imagination, fantasy, sentiment, dreamy evocation, love of nature, together with a darker element of irrationality, attraction to 12758:(1906–1907) he began a simplification of the human form in search of a perfect synthesis of the structure of the body, a process that would obsess him for many years and that would culminate in the 10797: 10118: 8500: 6843:, of which he made a detailed anatomical study, accompanied by numerous illustrations in his own handwriting. It should also be noted that the Hispanic monarchs were great collectors of nudes, from 3524: 10479: 7731: 5900: 1881: 17527:, also believes that "for centuries the nude has been the artistic form par excellence in the West, the one capable of expressing better than any other the values of color and pictorial matter". ( 10575: 8880:, accentuating the curved and rounded forms of the models, who shamelessly show their prominent breasts and wide hips, with a sensuality unusual until then in Western art. Other works of his are: 2052:, keeping alive the spirit of Greek art. Roman historians despised works of art produced after the classical Greek period, going so far as to claim that after this Greek golden age "art stopped". 14605: 12995: 4576:. It is worth noting that the physical typology of Giorgione's nudes, of generous proportions and wide waist, would dominate the Venetian female nude for a long time, and that it passed, through 4942:(1531–1532), he shows figures in capricious, dynamic positions that stand out luminously from the rest of the painting, which is darker, thus focusing the main point of interest for the artist. 2299: 16044:, a revolutionary artist who was a precursor of conceptual and action art. During his "blue period", when he painted monochromatic paintings in an intense ultramarine blue—which he baptized as 9646:, who produced a large number of nude works, generally on mythological themes, with figures of great anatomical perfection, pale, with long hair and a gestural elegance not without sensuality ( 5552: 15925:, encompassing a series of authors who returned to figuration, with a marked component of popular inspiration, taking images from the world of advertising, photography, comics and mass media. 11809:, who developed an ironic style with connotations of black humor, with an unabashed eroticism, where the bodies have a flat, Japanese-influenced constitution, with faces that look like masks ( 4870: 11384: 7907: 5526: 4394: 2044:, laying the evolutionary foundation for the future art developed in these areas. Although the Romans were very advanced in architecture and engineering, they were not very innovative in the 13871: 12288:, had in its beginnings a symbolist phase, characterized by eroticism combined with a certain esoteric mysticism, with a style tending to monochrome, with a predominance of red and yellow: 11518: 10076: 9411: 6661: 5437: 3486: 924:—generally attributed to Kritios—where the various parts of the body are harmoniously opposed, and which provides rhythm and balance to the figure. With these premises, the main figures of 12567: 5099: 2324: 2161:), holding each other by the arms and arranged two of them frontally and the one in the center turned backwards. This theme was very successful during the Renaissance and Baroque periods. 16365: 13994:(1910) a curious mixture between figuration and geometric abstraction, with a space structured by blocks, with a nuanced chromaticism that blurs the forms in the surrounding environment. 7999: 5752: 1138:), where the use of clothing is characteristic—especially the cloaks of the Greeks, who otherwise wear the rest of the body naked—to give the sensation of movement. He also worked on the 12660:), which brought a more subjective and emotional vision of art. All these factors brought about a change of sensibility that resulted in the artist's search for new forms of expression. 11407: 765: 248:), in the Neolithic (6000– 3000 BC) man became sedentary and dedicated himself to agriculture, with increasingly complex societies where religion gained importance and the production of 21207: 16949:(4th–8th centuries) sculpture was characterized by the smoothness of the lines, the perfection of the faces, which denote an ideal beauty, but of a somewhat mystical tone, and a slight 12640: 9068:(1830), where the heroine who leads the popular revolution appears with bare breasts. A great draughtsman, he also bequeathed numerous sketches and preliminary studies of nude figures. 4147: 11064:, in contrast to the stylized nudes of the academic salons, studied the female figure in its most crude carnality, without ignoring the body's own imperfections, with a preference for 7987: 761: 16561: 4045:—which had been discovered in 1479—from which he recovered not only its slender anatomy, but also its rhythm, grace and harmony, glimpsed in the saints, poets and philosophers of the 2581: 17686: 16211:(1968), a work of photographic effect, a woman takes a bath in an environment of electric light that is reflected in the bathroom tiles, creating an intense and vibrant composition; 9686: 8678: 6016: 149: 17947: 10095: 4475: 4133: 1785:(130 BC). It is a dynamic group, of great expressive effect, where on a landscape base are the animals, of great realism, the young, in a somewhat rigid attitude, and the figure of 11712: 10813:(1876). Later, in an attempt to simplify the nude, he was inspired by the frescoes of Raphael's La Farnesina, as well as the paintings of Pompeii and Herculaneum, as is evident in 9365: 8402: 3179: 1337:. It presents a crude and poorly elaborated anatomy, robust and of short stature, but it already contains mathematical proportions, based on the canon of the seven-headed stature. 589:. A young man carrying a calf to sacrifice is shown in full frontal nudity, however, he is partially clothed with a ceremonial cloth covering his back, upper arms and front thighs. 20588: 13350: 10527: 9388: 7777: 7091: 17009:), since they consider that clothes imprison the soul. Thus their art naturally reflects this fact, being common the representation of naked monks and ascetics, as the statue of 7754: 270:, as can be seen in the representation of the female human body—the "venus"—generally of somewhat obese forms, with generous breasts and bulging hips. Most of them come from the 12555: 4450: 16420: 15298: 5783: 1322:, Praxiteles' model. Socially, in Greece, women were relegated to housework, and in contrast to the nudity of male athletics, women had to be dressed from head to toe. Only in 13858:, but they were nudes of a voluntary objectivity that deprived them of vitality, which would be reaffirmed when he later returned to the deformation of his figures, as in his 10032: 9950: 9927: 9791: 9317: 4346:, but with a rotundity—patent in his almost square torso—already far removed from the classical canons. His representation of Jesus is no longer the typical bearded figure of 14925:(1935) she represented a brutal real murder that had occurred shortly before, committed out of jealousy, where the murderer defended himself by saying "but it was only a few 11683:, who created large mural decorations in which he returned to linearity after the Impressionist experiments, with melancholic landscapes where the nude figure abounds, as in 10258:(1866), where he presents a female body without head, showing the pubis in the foreground, in a radically novel vision that surprised and scandalized the public of the time. 3712: 2767: 2572: 1925: 14635:(1941), despite the realism of the image, recreates a disturbing atmosphere, where naked women walk among a group of men who discuss their affairs without noticing them. In 11460: 7021: 6489: 2810:, with more naturalistic forms, reminiscent of the figures of the sarcophagi of antiquity. In this work, the woman in the center has more feminine forms, and her posture in 2244: 16347: 13020: 9025: 2485:—they are figures with bulging bellies, narrow shoulders and straight legs, although the face is usually worked in a personalized way, which was not the case in antiquity. 1241:(320 BC). He also introduced a new conception of the human figure, less idealistic, more focused on the everyday and anecdotal, as his figure of an athlete scratching, the 14945: 13129: 4089:, and for whose realization Raphael recognized that he had used different parts from different models, since none seemed to him sufficiently perfect—as legend has it that 2489: 17852: 16079:, because of the staging that Klein conferred to these realizations, often developed in galleries in front of the public, in evenings with music and tasting an aperitif. 10277:(1860). Later he dissociated the landscape from the human figure, and between 1865 and 1875 he produced numerous works focused on the study of the female figure, such as 3387:, which served as a basis for other artists for their images, based increasingly on objective realism. The plates in the book were conceived with artistic criteria, with 3291: 2493: 1223:, perhaps the last great name in Greek sculpture, introduced a new canon of proportions, with a smaller head, a more slender body and long legs, as in his main work, the 14866: 14615:, managing to recreate an atmosphere of nightmarish eroticism. Delvaux transmits a pessimistic vision of love, which he often relates to death, in a conjunction between 9418: 5877: 4366: 695: 16018: 10730:(1860) and his depictions of dancers. On the other hand, his works have a marked character of snapshot, of moment captured spontaneously, influenced by photography and 9342: 8425: 5598: 3383: 1900: 1085:, 340 BC), with graceful movements, with a latent sensuality, combining physical power with a certain air of grace, almost sweetness, with a fluid and delicate design. 17888: 17060: 11040: 10347: 7166:, led to the abandonment of religious themes in favor of new themes and more worldly attitudes, highlighting luxury and ostentation as new factors of social prestige. 5157: 324: 20874: 16269:, a movement that emerged in the late 1960s and developed in the 1970s, which touched on various themes related to the body, especially in relation to violence, sex, 13883:(1961). From here Picasso began an increasingly abstracted path of the human figure, subjected to an increasingly distorting process, as can be seen in the series of 10053: 9436: 6835:, her little angels that play and fly everywhere in the sacred space of his works. However, at this time a certain openness began, and a man of the Church like Friar 20896: 12752:(1905) he applied basic colors (red, yellow, blue) and complementary colors (violet, orange, green), arranged by zones and structured by geometric figures. With the 9517: 1592: 12782:(1910) is a study of the human figure in movement, with an exaggerated schematism and great austerity of color, reduced to red and blue—he made two large murals on 9969: 5211: 2914:, where he deployed a large series of nudes that seems to show a personal interest of the artist in the subject, since he chose all the themes that justify it: the 21319:"La construction de l'image du corps de l'élite égyptienne à l'époque amarnienne (La formulación de la imagen corporal para la élite Egipcia en el periodo Amarna)" 17422:, have been acclaimed worldwide for preserving what is perceived as a document of the dying customs of "paradises" subject to the onslaught of mediocre modernity. 17399: 14275: 10552: 7043: 21355: 12404: 12307:, with a somewhat naive and unstructured composition, instinctive, with a certain primitivism, although fully conscious and expressive. Its greatest exponent was 3354:, which influenced the revitalization of the nude. Beauty ceased to be symbolic, as in the medieval era, to have a more rational and measured component, based on 2393: 1517: 546:(British Museum), where the king appears with a naked torso, or some scenes of torture of prisoners, while on the female side we only find the naked breasts of a 13610: 10714: 9994: 3342:. Without renouncing religious themes, the representation of the human being and his environment became more relevant, with the appearance of new themes such as 828: 14609: 6982: 4502: 21168: 16721:, as an adaptation to the universal order, taking into account that most natural elements (mountains, rivers, trees) have a sacred character for the Indians. 14313:", by which they try to express themselves by freeing their minds from any rational bondage, to show the purity of the unconscious. One of his precursors was 13591: 12017:, as well as by the recently emerged photography. Although their subject matter was of lyrical and religious preferences, they also tackled the nude, such as 8471: 6427:) to achieve dramatic and surprising effects thanks to the interaction between light and shadow. Eccentric and provocative artist, among his works stand out: 3204: 12766:(1907) he focused on the human figure, with a triangular composition and arbitrary colors, emphasizing the movement of the figure, and with schematic faces. 10013: 9045: 7310: 3953: 3948: 2621: 2593:. In northern Europe, however, an even more dramatic image of the crucifixion was imposed, where the anguish reaches authentic levels of paroxysm, as in the 1749: 785:, where they became more naturalistic, with descriptive features and greater interest in modeling. Some works that have survived to the present day are: the 11867:, reduced to simple and pure forms, showing a symbolic candor that turns Christ into a transcendental, evocative figure, of a naivety that suggests purity. 10761:, women in the bathroom, performing their personal hygiene, which would have great development in the late nineteenth and early twentieth centuries. In his 4354: 1480:. As a symbol of the liberated soul, their representation became a frequent ornamental motif in various artistic techniques, from painting and sculpture to 361:. One of the great advances in this era was the invention of writing, generated primarily by the need to keep records of an economic and commercial nature. 12748:, where he began to apply color in an arbitrary, non-imitative way; the painting recreates a different reality, in which color is autonomous from form. In 11269: 8059:(1791), with elongated and pearly bodies, with a certain sexual ambiguity, in a somewhat vaporous atmosphere reminiscent of Italian mannerism and preludes 173: 6769:, a style that spread to the rest of France. The nude developed notably in sculpture, filling squares and gardens throughout France, with artists such as 6245:(1620). Jordaens was more faithful to his master—without reaching his height—as evidenced by the proliferation of nudes almost comparable to those of the 12770:(1907) is a second, more precise version, with pure and flat spots of color, highlighting the flesh of a salmon pink, which would be typical of Matisse. 3720:(1470), whose tension when the hero crushes the body of the giant denotes the detail of the anatomical study carried out by the author. With his brother 14913:'s otherwise personal and unclassifiable work is related to surrealism, reflecting in her canvases her life tormented by an accident that destroyed her 14388:, 1925). In 1928, he settled in Paris, where he entered surrealism, of which he would be one of its main representatives, and the following year he met 8591: 1049:(430 BC)—unfortunately, only Roman copies of his works have come down to us. Another important contribution of Polyclitus was the anatomical study (the 14543: 14372:, 1923). Later he quickly went through various phases related to avant-garde movements, from Fauvism and Cubism to Futurism and metaphysical painting ( 13637: 12423: 7679:(1819–1823). He then devoted himself more to engraving, a medium that allowed him to capture in an ideal way his tormented interior: in series such as 6198: 3260: 2141:, of which there are several copies (Siena, Louvre), almost all datable to the first century. It is an iconographic theme that comes from the group of 15874:, with a meticulously detailed style, portraying with rigorous precision the decadence, corruption and spoils of age, with great emotional intensity ( 12385: 9049: 1567: 1053: 22268: 16051:(IKB), a registered trademark—he made several nude sculptures inspired by the classical Venus, but dyed blue, as well as a version of Michelangelo's 15402: 7349:, who continued the courtly style where gallant love displays all its charms, with a fine eroticism of graceful and elegant cut. He was a protégé of 4739:(1520) from the Ellesmere collection, whose unabashed sensuality is the starting point of the nude as a theme in itself, which would be recovered in 2133: 295: 16306: 14244:), which presents a woman's body lying on some bushes, seen through a hole in the door, in reference to woman as something inaccessible, enigmatic. 7190:). It also began to represent the nude from behind, until then considered more lewd and little represented, except on rare occasions, as the famous 228:) to the Metal Age, periods where the first manifestations that can be considered as artistic by human beings appeared. In the Paleolithic (25,000– 16136: 14706:(1927), despite the realistic figuration, the artist recreates a dreamlike atmosphere where the interpretation is left open to the imagination. In 7903:, to recreate itself only in pure form, detached from life, which ultimately resulted in a cold and dispassionate art, which would be prolonged in 7870: 7701:¡Miren qué graves!, Se repulen, ¡Quién lo creyera!, Sopla, Aguarda que te unten, Si amanece, nos vamos, Linda maestra, Allá va eso, ¿Dónde va mamá? 5492: 4976:, whose Venus, so slender and with an almost lascivious attitude, comes, however, by its zigzag posture from the dead Christ of the Michelangelo's 4696: 3470:, 1955), "Renaissance artists considered the representation of the human body in its triumphant nudity as the primary object of the plastic arts". 2960: 2816: 17786: 17782: 17022: 10265:, who was primarily a landscape painter, occasionally adding human figures to his landscapes, some of them nudes, in a type of landscapes with an 2589:(10th century), and which would later include some small modification, with the body more curved and the knees bent, as in the painted crosses of 2223: 22690: 11704: 8876:(1862) is perhaps his most famous work, and the culmination of his lifelong study of the nude. He returned to Orientalism, with a scene set in a 5344:(hats, belts, veils, necklaces), which enhances the eroticism of his models, establishing an imagery that would often be repeated in the future. 3936: 2935:, on the other hand, seems to be of Nordic inspiration, in a variegated scene reminiscent of battle sarcophagi or ancient scenes of dying Gauls. 13660: 7628: 7608: 14210: 14049:, in parts of the human body that denote the absence of what would be the body as a whole, an effect accentuated by the emptiness of the work ( 10962:. He treated the nude as a landscape or still life, as an expression of the relationship between volumes of color immersed in light, as in his 8922: 8854:(1848), with a Botticellian air, of which he made several versions, and which he later transformed into a young woman with a pitcher of water, 6549:, who produced numerous mythological allegories and paintings of gods and heroes whose nudity highlights their dignity and magnificence, as in 5538: 3369: 536: 21211: 17927: 17640:" as the successor period of this modern project (Bozal, Valeriano (1993). "Modernos y postmodernos" (in Spanish). Madrid: Historia 16: 8–16.) 15135: 12260:'s romanticism, with an allegorical style based on legends and imaginary characters, recreated in a fantastic and obsessive atmosphere, as in 22735: 22713: 17860: 11947: 8705:, with a work of a certain conceptual duality: on the one hand erotic and violent themes, on the other a virtue and simplicity influenced by 7547: 6825: 4802:), in positions where the foreshortening is usually abundant, in a great variety of postures and perspectives. His other nude works include: 1973: 513: 14539: 10649: 10594: 17530: 12448: 503: 16911: 14722:(1934) is a face where the face is replaced by a naked torso, the eyes being the breasts and the mouth the pubis. Other works of his are: 9668:, author of mythological and allegorical nudes that are a pretext to represent women of voluptuous and sensual beauty, such as his famous 20592: 15712: 14921:(1929), where she already shows her style, of a fantastic figuration and intense chromatism, with an abundance of anecdotal elements. In 13311:, a disciple of Klimt, stood out, whose work revolved around a theme based on sexuality, loneliness and isolation, with a certain air of 7804: 6457: 6120: 3186: 2724:). In other cases, total or partial nudes can be seen in scenes of martyrdom of saints, such as that of Saint Gabin and Saint Cyprian in 315: 66: 16550:), portraying naked women who seem to refer to the figure of the mother, in disturbing images enhanced by the intense chromatic ranges: 15314: 15218: 10493: 9057: 7894: 5272: 1468:, and was a frequent theme in the sculptural workshop of Scopas, author of several figures related to the cult of Dionysus, such as the 17575: 12362: 9087:, who excelled mainly as a draftsman and illustrator of literary works, where he shows great imagination and formal mastery, as in the 8193: 8097: 7897: 7712: 6501: 5618:, characterized by a courtly and sensualist taste, decorative, voluptuous, languid elegance, with a predominance of mural painting and 2048:. Most Roman statues are copies of Greek works, or are inspired by them. Many of the artists of the Hellenistic world moved to work in 1843:(2nd century BC), whose original bronze was lost, there are several copies made in Roman times, of which one of the most famous is the 16203: 9566: 6755: 3858:) Venus, symbolizing what is divine and earthly in women. This symbolism was excellently treated by Botticelli in his two main works: 440: 21234: 14392:, who would be his great muse, and whom he portrayed on numerous occasions, some of them nude. At that time he began his interest in 10970: 5709: 5499: 4400: 3726: 3399: 3275: 1712: 635: 22298: 22276: 13413:, linked to various artistic styles such as post-impressionism, expressionism, cubism and surrealism. One of its main exponents was 13216: 11359: 9593: 7217: 17041: 16957: 10189: 5732: 4000: 1340: 22730: 20277: 20256: 15185: 14321:, with works of disturbing atmosphere, with empty spaces and strange perspectives, and anthropoid figures resembling mannequins: 13366: 12085:), with a great satirical and irreverent sense, with a style based on a highly stylized line and large black and white surfaces. 10181: 9886: 6445: 6340: 5914: 3730:(1475), which again shows his anatomical studies, especially in the archer whose face is red from the effort of drawing the bow. 3375: 14456: 10914: 8003:(1798), which in spite of its academicist workmanship, its chromatic richness gives it an emotion of refined lyrical evocation. 2832: 22708: 22698: 20055: 16897: 16705: 13799: 9165: 6156: 6108: 5746: 4548: 2848: 1964: 1533: 1435: 1027: 903: 20822: 20789: 20400: 20367: 14214:, 1915–1923), abstract nude formed by two sheets of glass joined by a lead frame, and placed in a glass box, installed in the 13421:, dedicated especially to the nude. In his works he strongly emphasized the outline, with fluid lines, heirs of the modernist 6182:(1639), etc.. Author of more than two thousand paintings, he is perhaps the artist who has represented more nudes in history. 2556: 999:). However, he also produced works of ordinary characters, with a more human, less idealized treatment, such as his figure of 22194: 22166: 22088: 22012: 21993: 21803: 21784: 21708: 21670: 21613: 21594: 21509: 21070: 20831: 20748: 20739: 20097: 20088: 16848:, a philosophy that seeks truth in the energy emanating from the body, which is a spiritual enhancer, as even sexual energy ( 14104: 13425:, while the space was formed by juxtaposition of color planes, with elongated figures inspired by the Italian masters of the 12926: 11146: 9072: 6439: 3781: 1380:("swinging")—that enhanced her figure and would remain as an almost archetypal model of representation of the female figure. 1372:. Around 400 BC a bronze figure of a girl was sculpted (Munich Museum), by an anonymous author, which presents the classical 17288:. The scenes depicted sexual relations of all kinds, incorporating the most varied characters, from actors and merchants to 16511: 7529:, despite being a preferably religious painter, also made allegories and mythological paintings with naked figures, such as 5579: 3218: 2948: 2359: 22703: 22354: 19648: 17079: 16765:, and is the main object of veneration in the chapels of the temples dedicated to this god. It is usually represented by a 15929: 11817:, who painted nudes under different types of light, both natural and artificial, generally in intimate scenes, bedroom and 8412: 8124: 8052: 7945: 7912: 7550:, he advocated the study of the natural for the representation of the nude. In his decoration of the Gasparini Hall of the 6251: 4730: 3832: 2606: 2414: 1542: 21261: 18339: 14535: 11580: 10719: 8078: 5807:. In this context, the nude human figure is only found in the religious sphere, especially in sculptural imagery, such as 4591: 345: 58: 22615: 15988:(1963) a nude woman appears with a concave ashtray—symbol of the female sex—and a cigarette—phallic symbol—in a somewhat 14135: 14109: 11919: 11855:, who developed a medieval-inspired style—especially from Gothic stained glass—of flat colors with black outlines, as in 10768: 8931:, who tried to synthesize the line of Ingres with the colorfulness of Delacroix, although his work tends to academicism ( 6463: 6192: 5472: 4892: 4822: 4518: 3546: 3234: 2418: 17: 17732: 17608:", a philosophical-cultural theory that postulates the current validity of a historical period marked culturally by the 17373: 13547:, who made a synthesis of the Japanese and Western traditions, with precise graphics and a glossy finish, as if it were 4980:. These slender figures of refined grace also abounded in sculpture, preferably in bronze, developed by artists such as 2643: 406: 21359: 16411: 15771:(1950), but little by little they become more expressive, with loose brushstrokes and a more intense chromatism, as in 13232: 10901:, who throughout his career showed a preference for various themes, such as seascapes, country scenes, the circus, the 8985:(1822) he transcribed to a female figure the dynamic energy of classical athletes, and her posture recalls that of the 8811: 6346: 6130: 4812: 4336:(1509–1510) presents a rotund, vigorous female figure, with very marked contours. On the other hand, the Christ of the 2899: 2733: 2622: 2520: 2505: 157: 20678: 16147:, as an idea of death, of the return to the primordial matter—these artists were very marked by the experience of the 14129: 13890:(1945–1946), which presents a sleeping figure lying down and another sitting awake—perhaps an allusion to the myth of 13651: 12228: 8971:(1819), which is one of the athletes of the Sistine Chapel, while other figures are reminiscent of those in Raphael's 6567: 5399: 22680: 22251: 22232: 22213: 22147: 22128: 22109: 22069: 22050: 22031: 21974: 21955: 21936: 21917: 21898: 21879: 21860: 21841: 21822: 21765: 21746: 21727: 21689: 21651: 21632: 21575: 21547: 21528: 21490: 21471: 21452: 21433: 21414: 21386: 20778: 18703: 16960: 15565: 14816:, interested in the automatic way (free association of ideas), with a gesturalist, aggressive work, with interest in 14464: 13845: 13841:(1913) stand out, although at this stage he did not dedicate himself especially to the nude. Later, after a visit to 12147: 8130: 6451: 6142: 6061: 6056: 4681: 4135: 3990: 720:—stripped of this component, they produced lifeless works, focused on physical perfection, but without moral virtue. 497: 398: 20130: 14447: 8555: 6829: 6630: 6225:: the first, a great portraitist, evolved towards a more personal style, with a strong Italian influence, as in his 3733: 2938: 732: 22745: 22653: 22326: 21172: 20298: 17844: 16644: 16499: 14907:, but schematized into elongated, flowing forms with meandering lines that evoke the erosion of the sea on a rock. 6401: 6202:(1613), which again show the Michelangelesque influence, as well as the assimilation of the undulating movement of 4457: 4338: 4140: 3787: 3756:(1499–1505) he presented muscular figures, of marked contours, with a latent dynamic tension, as in his figures of 3568: 20757: 20652: 20626: 19881: 16927:(nature spirits), generally in the form of nude women adorned with jewels, as can be seen in the east door of the 16040:—its most unpleasant aspect, with a special predilection for detrimental materials. One of its main exponents was 15206: 13821: 1476:. In particular, the nereid figures gained great popularity and influenced subsequent art produced throughout the 22435: 16717:, Christianity, etc. It should also be noted as a distinctive feature of Indian art its desire to integrate with 15972:(1960s) a set of works where the nude is shown as a consumer product, with an advertising aesthetic and close to 14484: 13959: 13008:: Alsen, Dangast, Nidden, Fehmarn, Hiddensee, Moritzburg, etc. They are works in which they express an unabashed 12478: 12163: 11993: 11988: 10998: 10822: 10773: 10125: 9875: 9648: 8904: 8886: 8148: 6535:(1597–1602) presents a procession full of nudes, which also abound in the decoration that the artist made in the 6187: 6178: 6136: 5331: 5218: 5034: 3923: 3805: 3481: 1434: 20930: 17749: 16491: 15089: 9675: 8507: 8009: 6937: 121: 22718: 19962: 17406: 14858: 12816: 12754: 12670: 11183: 11090: 10543: 9235: 8207: 7488: 7371: 6433: 6383: 6114: 5859: 5726: 5528: 4556:, who was the first to structure the female nude within a general decorative scheme, as in his frescoes of the 3966: 1299: 1081: 427: 189: 16278:; and the European, more dramatic, which tends more to treat the body objectually and touch on issues such as 14800: 12559: 11985: 5824: 5115: 4843: 3045: 22843: 15358: 13624: 12587: 12430: 12322: 10391: 10222: 9705: 9535: 9446: 9208: 8872:(1840–1848) he painted a large mural composed entirely of nudes, a work which, however, remained unfinished. 8833: 8821: 8565: 7231: 6931: 6844: 6809: 6511: 6495: 6257: 6211: 6024: 5780:, where it is worth noting the realism of the sexual organs of both characters, treated without concealment. 5060: 5010: 4932: 4726: 4359: 3600: 3359: 3276: 3085:, in the form of a Venus in a modest form, covering her private parts with her arms. It is also perceived in 3058: 17169:, although at intervals it has been influenced by continental civilizations, especially China and Korea. In 16986:) developing various erotic postures. This type of erotic sculpture was also developed outside India, as in 15266: 14305: 13898:—which in successive phases is shown from naturalistic forms to almost abstraction. Other works of his are: 12774:(1908) has an austere, abstract background of colored stripes, creating space by the distinction of colors. 12201: 10700: 22430: 20481: 17462: 17091: 13792: 13024:'s words, his objective was "to study the nude, the foundation of all the plastic arts, in a natural way". 12680: 12313: 12023: 11304: 10328:, a disciple of Carpeaux, who despite his naturalism denotes a certain baroque influence, in works such as 10154: 9670: 7961: 7933: 6671: 5193: 5053: 4964: 4912: 4300: 4159: 3648: 263: 14042: 6826: 5564: 5556:, author of landscapes with a proliferation of small nude figures, in mythological or biblical scenes. In 621:, so that the recurrence to classical forms has been constant throughout history in Western civilization. 357:. It would also include the first artistic manifestations of most of the peoples and civilizations of all 22973: 22891: 22610: 20175: 17931:(Arnaldo, Javier (1993). "Las vanguardias históricas I" (Magazine) (in Spanish). Madrid: Historia 16: 6.) 14521: 14279:(1936), a woman's torso reminiscent of a Greek Venus, but tied with ropes that surround her entire body. 13582: 12953: 10534: 10489: 10465: 10262: 9688: 9598: 8763:. Influenced by Michelangelo and Mannerism, his figures have the dynamic torsion of the Michelangelesque 6908:. Zurbarán also painted some pictures of Hercules for the Torre de la Parada, commissioned by Velázquez. 6886: 6407: 6168: 5361: 5247: 5066: 5044: 4828: 4774:(1560–1578) he made an authentic apotheosis of the nude, with multiple figures from classical mythology ( 4709: 4673: 3942: 2790:—until then most of the scenes of the biblical story represented in the cathedral reliefs ended with the 2186: 1173: 21405: 14710:(1961) he elaborated a female torso sectioned into three parts, which narrow as they ascend, creating a 9725: 7434: 5086:, generally with religious subjects, which could better express Mannerist emotionalism, such as Rosso's 2634: 22826: 22286: 20852: 17808: 16858:("Book of Love"), these cults had a great representation in Indian art, especially in sculpture, where 16175: 15198: 14961: 14552: 14215: 12579:, which allow the body to be shaped according to standards that are considered aesthetically pleasing. 12010: 11164: 11119: 10782: 10044: 9761: 9643: 9615: 9099: 9064: 7887: 7274: 6642: 6162: 5454: 5105: 4715: 4568: 3930: 3280: 2169:. Even so, magnificent pieces were produced, such as the statues of Mars and Mercury that decorate the 1364: 1185: 1124: 908: 688: 601:, whose scientific, material and aesthetic advances contributed to the history of art a style based on 43: 16821:(goddess of nature and fertility), wife of Śiva. It can also be represented in naturalistic form as a 14497: 13102:(1922), a religious scene of remarkable anguish close to the visions of Nolde. Other works of his are 12462: 9231: 7968: 7513: 7496: 6852: 2732:). The same iconographic themes, perhaps treated with greater freedom, can be seen in the illustrated 22625: 22359: 17711: 17516: 17318: 16200: 16000: 15936: 12910: 11680: 11601: 11331: 11061: 10922: 9626: 9039: 9001: 8973: 8850: 8164: 7517: 5758: 5144: 5135: 4735: 4703: 3665: 3659: 3632: 3299: 2095: 2006: 542: 391: 364: 19549: 18329: 14941: 9246: 8649: 8512: 8004: 5941: 4950: 2409: 2196: 2001: 1376:, giving the female figure a sinuosity—especially in the arch of the hip, which in French is called 863: 22723: 22452: 18432: 18399: 18167: 17864: 16907: 16191: 16167:(1972) he immobilized a train carriage and a naked woman with reinforced concrete for 24 hours; in 15426: 14855: 14496:(1954). He later returned to Spain, where he devoted himself to the task of founding a museum, the 14081:). Along with other works, the female figure was one of his greatest sources of inspiration, as in 13359: 12691: 11943:(1898–1906), where the same figure of a naked young man is repeated five times around a pond, like 11860: 10441: 9800: 9480: 9375: 8928: 8458: 8313: 7675: 7317: 7285: 6880: 5891: 5836: 5549: 5507: 5489: 3590: 2853: 2725: 2618: 2230: 2178: 2055: 19558: 16310: 12778:(1908) is influenced by black-African carvings, with a tone close to wood and almond-shaped eyes. 9683: 9603: 8721: 8713:" (intertwining), where sex is related to passion and suffering, in plates that evoke the ancient 7988: 7764: 7346: 7260: 6867: 6858: 6545:(1583–1585) he was inspired by Mantegna's work of the same name. Another member of the school was 4332:(1509), he also shows vigorous figures whose physical power reveals their spiritual strength. The 3708:, concerned with the representation of movement, energy and ecstatic feeling. In his paintings of 22527: 22393: 22386: 17856: 16921: 15737: 15103: 13811: 13721: 13531:, author of nudes of sensual and vigorous forms, with a predominance of ocher and yellow colors ( 13449: 13265: 12056: 11998: 10509: 10408: 10266: 10212: 9985: 9329: 9058: 8962: 8865: 8478: 8290: 8074: 8043: 7951: 7916: 7638: 7050: 6551: 6520: 5966: 5937: 5719: 5615: 5599: 5587: 5484: 5403:(1518). An excellent engraver as well as painter, some of his best nudes are engravings, such as 5281: 4658: 4596: 3391: 3339: 2617: 2560:, if not they saw directly a diabolic link. However, the end of paganism and the assimilation of 1845: 1789:, with a complex spiral twist of great dramatic effect. Another famous work of the period is the 1406: 1089: 978: 925: 17653: 17534: 17248:, although it also occurred with other typologies. These images were mainly in vogue during the 14878: 12081: 11771: 10897: 10763: 9753: 8838: 8300: 6615: 5392: 4261: 4211: 4073:, with a somewhat knotty volumetry. Later, from his work at La Farnesina, the pleasure villa of 1736: 1666: 1198: 1164: 22848: 22821: 22540: 21013: 15922: 15740:, resembling butcher's meat rather than human flesh. A great lover of art—he often visited the 15725: 15580: 15132: 15099: 15004: 13574: 13296: 12268: 12257: 12198:(1901–1902), where a small homunculus jumps as if in a swimming pool over a huge female vulva. 12018: 11618: 10176: 10004: 9981: 9825: 9816: 9324: 9162: 8967: 8949: 8927:(1804) some nudes of intense dramatism, showing with crudeness the effects of the disease; and 8270: 8154: 8018: 7551: 7252: 6925: 6468: 6389: 5553: 5478: 5424: 5302: 4406: 4169: 4102: 4053: 3860: 3741: 3693: 3426: 3408: 2315: 2235: 1828: 1816: 87: 21060: 17682: 15139:(1906), but he soon abandoned it—tinged with a dramatic and sensualist feeling typical of his 11153:—from which project several works were detached that remained as independent figures, such as 8587: 7030: 3595:, three versions in 1459, 1480 and 1490), etc. The same happened in the sculptural field with 667: 22853: 22675: 17872: 17848: 17617: 17457: 17013:(978–993), an imposing figure of 17 meters high representing the great Jain master Bahubali. 16403: 16132: 14979:—it stood out for ostentation and luxury, and developed notably in advertising illustration ( 14606: 14399: 14318: 13924: 13720: 13209: 13118: 13021: 12595: 12096: 11944: 11552: 11535: 10794: 10778: 10254: 10206: 9937: 9733: 9033: 8743: 8706: 8596: 7814: 7418: 7402: 7026: 6484: 6363: 6082: 5643: 5607: 4993: 4266: 4012: 3814: 3454: 3453: 3191: 2991: 2869: 2639: 2260: 1960: 1774: 1745: 1687: 1679: 478:, the Egyptians used to wear little clothing, loincloths and skirts for men, and transparent 16781:), although it can vary from the most naturalistic form to an abstract form consisting of a 15338: 12709: 9524: 8996: 8868:, and which initiated his fondness for orientalism, for exotic figures and environments. In 8487: 8114: 7874:. This atmosphere of appreciation of the classical Greco-Roman legacy was influenced by the 7078: 6871: 5957: 5764: 4840:, followed in his footsteps, while serving as a model for her father on numerous occasions. 2600: 984: 181: 22968: 22921: 22798: 22562: 22462: 22319: 21157: 17609: 17482: 17193: 17010: 16322: 16318: 15234: 14769: 14118: 14014: 13868: 13705: 13578: 12439: 12048: 11737:, 1900), to move later to sculpture, where he found his most suitable means of expression: 10835: 10604: 10130: 10105: 9870: 9854: 9846: 9607: 8910: 8435: 7996: 7681: 7326: 7312: 7279: 7206: 7163: 6766: 6378: 6151: 5544: 4997: 4900: 4557: 4534: 4489: 4410: 4302: 4221: 4189: 3984: 3769: 3721: 3581: 3541: 3533: 3296: 2939: 2680: 2386: 2256: 2190: 2056: 1854: 1824: 1731: 1661: 1615: 1169: 696: 653: 306:—generally erect—in isolated form or in full body, was also a sign of fertility, as in the 142: 34: 21238: 17576: 11543: 11531: 10831: 9713: 9631: 7560: 7243:(1716). Watteau's followers were several artists who followed the master's gallant style: 6782: 4926: 3015: 8: 22868: 22773: 22273: 17584: 17394: 17174: 16766: 16341: 16263:, could also be included in this trend. In relation to the nude, of special relevance is 15660:(1986) reflects a recumbent figure, evocative of death—which is accentuated by the word " 14352: 14251:, a subversive artist with a strong individualistic temperament, author of nudes such as 13895: 13090:: trained in impressionism—of which he was one of the main figures in Germany along with 12895: 12490: 12486: 11974: 11713: 11565: 11443: 11052: 10585: 10364: 10344: 9960: 9883: 9488: 9092: 9026: 8898: 8560: 7976: 7922: 7787: 7563: 7542: 7450: 6677: 6371: 6020: 5024: 4783: 4675: 4466: 4351: 3928:, far from any classical component. Other works by Botticelli in which nudes appear are: 3609: 3446: 3394: 3272: 3143: 3027: 2961: 2799: 2595: 2472:—was the representation of the dead, as a symbol of the stripping of everything earthly. 2290: 2131: 2067: 1850: 1741: 1671: 1389: 1274: 1256: 287: 185: 126: 29: 22595: 18038: 17571: 16055:. He also made several plaster casts of his friends, all nude and painted blue, such as 15700: 12988:(founded in 1911), although there were some artists who did not belong to either group. 11605: 11502: 11375: 10838:), with fluid lines and a great sense of relief. In his last works he was influenced by 9941: 9635: 9017: 9006: 8569: 7741: 7302: 7291: 7244: 7175: 5678:. The nude was also reflected in this same environment in all kinds of minor arts, from 4371: 4355: 2040:, classical Greco-Roman art reached almost every corner of Europe, North Africa and the 1306: 22916: 22873: 22858: 22788: 22783: 22590: 22442: 22381: 22099: 17621: 17281: 17257: 16640: 16416: 16302: 15346: 14992: 14863: 14843: 14314: 13370: 12803: 12028: 11114: 10938: 10566: 10305: 10138: 10134: 10067: 9976: 9575: 9304: 8892: 8727: 8644: 8588: 8172: 8107: 8103: 7939: 7834: 7538: 7377: 7005: 6916: 6848: 5659: 4795: 4721: 4687: 4265:(Michelangelo was one of the first to see the sculptural group, unearthed in 1506 near 4149: 3915: 3866: 3432: 3347: 3239: 2757: 2577: 2529: 2481: 2334: 2170: 2123: 2111: 1858: 1857:. There are several copies, some made in modern times, such as the one commissioned by 1701: 1574: 1193: 1095: 1069: 873: 606: 16999: 16905:), related to the cult of fertility. There have also been found bronze pieces such as 12717: 12265: 11806: 11470: 11300: 10352: 10023: 9769: 9062:). For Delacroix, any pretext was good to show physical beauty, as in the allegory of 8535: 8305: 7410: 7150: 7103: 6912: 6757: 5995: 5800: 5651: 4363: 4096: 1866: 1835: 314:, England). In cave paintings—especially those developed in the French-Cantabrian and 22978: 22943: 22552: 22500: 22349: 22247: 22228: 22209: 22190: 22162: 22143: 22124: 22105: 22084: 22065: 22046: 22027: 22008: 21989: 21970: 21951: 21932: 21913: 21894: 21875: 21856: 21837: 21818: 21799: 21780: 21761: 21742: 21723: 21704: 21685: 21666: 21647: 21628: 21609: 21590: 21571: 21543: 21524: 21505: 21486: 21467: 21448: 21429: 21410: 21382: 21296: 21066: 18699: 17946: 17675: 17613: 17564: 17477: 17411: 17285: 16961: 16874: 16605: 16573: 16456: 16121: 15625: 15410: 14310: 14220: 13998: 13544: 13486: 13414: 13394: 12882: 12795: 12721: 12629: 12547: 11870: 11577: 11224: 11177: 11141: 10990: 10926: 10907: 10890: 10878: 10869: 10662: 10657: 10635: 10403: 10190: 10063: 9808: 9792: 9777: 9665: 9484: 9470: 9205: 8918: 8778: 8698: 8667: 8592: 8389: 8384: 7886:, together with the dissemination of an ideology of perfection of classical forms by 7867: 7526: 6947: 6935:(1630). He had less problems—logically—in his religious representations, such as his 6878:. Some exceptions can be seen in Ribera—perhaps due to his stay in Italy—such as his 6737: 6528: 6078: 6066: 5910: 5808: 5792: 5784: 5611: 5511: 5223: 5015: 4981: 4860: 4852: 4668: 4605: 4585: 4538: 4493: 4130: 4114: 4066: 3846: 3837: 3828: 3825: 3810: 3753: 3697: 3482: 3421: 3244: 2987: 2953: 2907: 2807: 2787: 2772: 2586: 2364: 2033: 1935: 1840: 1832: 1524: 1493: 1477: 1359: 966: 822: 797: 630: 465: 460: 453: 445: 387: 291: 245: 229: 217: 63: 21208:"Katsukawa Shun'ei (attributed to), Ten scenes of lovemaking, a handscroll painting" 18200: 17261: 16558: 16487: 15140: 13122: 13058: 12253: 10367:, he had an elegant and virtuous style, which he also demonstrated in nudes such as 9226: 9213: 8690: 8361: 5372: 5357: 4577: 3627: 1464: 1160: 426: 22906: 22863: 22620: 22366: 21445: 21330: 17868: 17654: 17419: 17330: 17310: 17265: 17170: 17114: 17070: 17051: 16460: 16290: 16148: 16126: 16015: 15944: 15882: 15744:—he made versions of many works by Velázquez or Rembrandt. Other works of his are: 15669: 15521: 15394: 15254: 14914: 14588: 14130: 14114: 14074: 12984: 12572: 12504: 12498: 12281: 12225: 12213: 12209: 12153: 12088: 12068: 11722: 11515: 11510: 11417: 11099: 10360: 9571: 9519: 9450: 9170: 8873: 8860: 8844: 8816: 8577: 8180: 8022: 7795: 7791: 6863: 6859: 6814: 6564: 6541: 6524: 6296: 6218: 5999: 5970: 5864: 5603: 5523: 5386: 5352: 5256: 5227: 5202: 5083: 4837: 4775: 4771: 4616: 4562: 4543: 4437: 4414: 4376: 4247: 4174: 4118: 4041: 3596: 3491: 3380: 3366: 3268: 3166: 3094: 3023: 2974: 2891: 2828:, choir stalls, gold and silver work, etc. Some of the new themes represented were 2695: 2582: 2406: 2368: 2281: 1812: 1717: 1418: 1354: 1314: 1270: 1143: 856: 792: 748: 640: 395: 299: 146: 17781: 17369: 16522: 15958: 15636: 15418: 14831: 14698: 14434: 14348: 14298: 14037:(1922) he accentuated the stylization of the figure, a process that culminated in 13956: 12349: 12169: 11893: 11371: 10695: 10514: 10399: 9133: 9121: 8333: 1440: 22938: 22635: 22585: 22371: 22312: 22280: 21062: 17687: 17568: 17524: 17492: 17277: 16452: 16421: 16398: 16348: 16115: 16095: 15890: 15741: 15720: 15714: 15601: 15517: 15278: 15182: 15157: 15094: 14966: 14248: 14204: 13987: 13807: 13670: 13528: 13491: 13410: 13406: 13373: 13355: 12927: 12923: 12625: 12599: 12458: 12376: 12304: 12071:, who produced numerous works of an erotic nature (such as his illustrations for 11852: 11790: 11366: 11339: 11306: 11255: 11232: 10976: 10706: 10539: 10461: 10449: 10433: 10379: 10201: 10164: 9614: 9556: 9454: 9352: 9197: 9188: 9158: 9124: 8539: 8278: 8179:. Thorvaldsen directly studied Greek sculpture by restoring the pediments of the 7849: 7722: 7616: 7610: 7541:, with multiple figures of nude gods (Apollo, Bacchus, Venus, Diana). The German 7500: 7350: 7295: 7213: 7201: 7137: 7128: 7107: 7059: 6818: 6793:, 1677). He also excelled in the field of applied arts, especially in bronze and 6722: 6650: 6638: 6536: 6395: 6234: 6070: 6017: 5868: 5777: 5164: 4848: 4638: 4625: 4485: 4462: 4441: 4433: 4282: 4252: 4178: 4122: 4028: 3961: 3903: 3833: 3748: 3705: 3555: 3478: 3441: 3283:—opened an era of territorial and commercial expansion, marking the beginning of 3195: 3170: 3082: 2911: 2721: 2663: 2372: 2350: 2306: 2251: 2100: 2061: 2011: 1891: 1862: 1791: 1757: 1627: 1485: 1424: 1349: 1329: 975: 816: 778: 644: 320: 209: 204: 161: 114: 16385: 15656:(1968), in which he adds real hair to the figure of a torso showing the armpit; 14975: 14813: 12879: 12690: 12194:(1901–1902), where a priapic dog harasses a young woman huddled in a corner; or 12013: 11490: 10943: 9398: 9106: 9084: 8747:. Artist and writer, he illustrated his own literary works, or classics such as 5347: 553: 22838: 22778: 22398: 21948: 21718: 19652: 17708: 17452: 17415: 17273: 17145: 16969: 16814: 16589: 16508: 16496: 16436: 16314: 16298: 16219: 16192: 15965: 15709: 15645: 15537: 15533: 15490: 15482: 15382: 15366: 14715: 14465: 14306: 14175: 13940: 13091: 12907: 12741: 12637: 12616: 12535: 12435: 12308: 11885: 11814: 11801:, influenced by Gauguin and concerned with the expressive use of color, met in 11613: 11587: 11498: 11474: 11398: 11247: 11219: 10898: 10874: 10518: 10086: 9834: 9189: 9182: 9114: 8769: 8608: 8115: 7891: 7845: 7597: 7589: 7466: 7133: 6957:(1657), where the Michelangelesque influence of the Sistine Chapel is evident. 6953: 6892: 6658: 6612: 6222: 6147: 5840: 4938: 4867: 4610: 4307: 4198: 4074: 3887: 3713: 3412: 3384: 3288: 3078: 2857: 2833: 2659: 2609: 2573: 2422: 2115:. Other anonymous works stylistically related to Hellenistic Greek art are the 2077: 1911: 1722: 1558: 1496:, and reached as far as India, where we see its forms in the figures of flying 1402: 1251: 1178: 787: 743: 657: 648: 594: 554: 488: 423: 379: 115: 55: 21404: 20538: 20514: 20490: 20445: 20244: 20184: 19914: 19890: 19857: 19817: 19627: 19405: 19189: 18985: 18718: 18681: 18453: 18107: 18095: 18001: 16833: 15454: 15000: 14389: 13384: 11127: 10608: 10039: 9567: 9539: 4350: 2496: 613: 22962: 22948: 22911: 22896: 22833: 22758: 22648: 22545: 22535: 22475: 22470: 22408: 17637: 17334: 17326: 17130: 16915: 16873: 16678: 16547: 16543: 16448: 16429: 16378: 16374: 16270: 16260: 16204: 16064: 15871: 15867: 15668:(1987) we see a body submerged in waves of gray paint, evoking the legend of 15612: 15607: 15597: 15593: 15585: 15474: 15442: 15116: 14996: 14984: 14817: 14785: 14772: 14393: 14140: 14122: 14058: 13732: 13709: 13674: 13601: 13229: 13087: 12973: 12946: 12813: 12737: 12675: 12665: 12633: 12617: 12530: 12414: 11967: 11963: 11916: 11171: 11135: 11123: 11105: 10678: 10673: 10640: 9788: 9300: 8774: 8749: 8740: 8686: 8619:, placing the artist at the forefront of the cultural evolution of humanity. 8353: 8239: 8034: 7908: 7857: 7695: 7601: 7585: 7555: 7474: 7183: 7155: 7034: 6875: 5704: 5675: 4747: 4740: 4347: 4184: 4062: 4047: 3292: 3062: 2837: 2825: 2783: 2628: 2430: 2154: 2117: 1980: 1706: 1407: 1206: 1156: 1075: 713: 700: 618: 403: 350: 241: 170: 150: 96: 22292: 21318: 17181: 16087: 12978: 12664: 7324:, and the youngest of five sisters all of whom Boucher painted), stand out: 5831:(1598). The exceptions to this rule are very few, such as the fresco of the 5074:, 1599). On the other hand, the tragic side of the nude—that of Hellenistic 3463: 1412:. The subsequent evolution of the female nude led to typologies such as the 22768: 22763: 22753: 22670: 22600: 22567: 20682: 20656: 20630: 17928: 17790: 17467: 17389: 17322: 17269: 17189: 17166: 17162: 17153: 16943: 16882: 16577: 16542: 16523: 16382: 16366: 16362: 16279: 16256: 16156: 15959: 15951: 15763: 15571: 15529: 15112: 14962: 14875: 14602: 14474: 14469: 14229: 14169: 14165: 13855: 13647: 13620: 13515: 13473: 13377: 13308: 13260: 13189: 13043: 13035: 12961: 12787: 12687: 12657: 12621: 12568: 12395: 12186: 12134: 12125: 11970: 11936: 11709: 11527: 11439: 11150: 10967: 10930: 10882: 10842: 10786: 10731: 10682: 10168: 10109: 9745: 9583: 9578: 9501: 9496: 9427: 9423: 9266: 8978: 8702: 8682: 8616: 8242: 7904: 7665: 7192: 7098: 6965: 6770: 6416: 5990: 5887: 5816: 5561: 5434: 4959: 4871: 4621: 4509: 4270: 4206: 4194: 3829: 3793: 3437: 3404: 3330: 3214: 2999: 2979: 2877: 2845: 2812: 2566: 2561: 2434: 2410: 2380: 2045: 2037: 2025: 1955: 1869: 1769: 1489: 1110: 920: 868: 810: 804: 777:, generally appearing in tombs and places of worship. Later they spread to 717: 598: 578: 256: 253: 166: 39: 16338: 15921: 14825: 14631:(1939) he reverses the roles, with a naked woman embracing a male statue. 13995: 13443: 13389: 12300: 11169:(1886–1890), which represents the love of Paolo and Francesca narrated in 6804: 2448:, an artificial state imposed by transience, generally linked to poverty; 22816: 22665: 22420: 17901: 17632: 17625: 17472: 17407: 17403: 17385: 17314: 17298: 17256: 16918: 16878: 16774: 16658: 16654: 16641: 16635: 16615: 16597: 16585: 16539: 16519: 16467: 16390: 16330: 16294: 16286: 16233: 16228: 16188: 16033: 16025: 15955: 15557: 15434: 15128: 15120: 14970: 14942: 14910: 14883: 14839: 14155: 14017: 13884: 13520: 13426: 13347: 13213: 13095: 13070: 12887: 12649: 12645: 12641: 12613: 12607: 12522: 12517: 12512: 12508: 12372: 12285: 12108: 12076: 12064: 11962:—where he was born—with figures with long arms and delicate silhouettes. 11907: 11593: 11394: 11266: 11189: 11155: 10971: 10894: 10723: 10686: 10325: 10182: 9543: 9022: 8755: 8689:. The former, of Swiss origin, developed a mannerist style influenced by 8675: 8661: 8198: 8061: 7883: 7875: 7871: 7863: 7605: 7159: 6920: 6905: 6762: 6710: 6654: 6420: 5667: 5269: 5039: 4644: 4321: 4241: 4086: 4020: 3323: 3315: 3284: 3007: 2946: 2745: 2402: 2394: 2390: 2201: 1808: 1804: 1599: 1501: 1465: 1441: 1225: 1101: 1034: 1023: 937: 885: 840: 782: 522: 514: 354: 340: 271: 138: 130: 92: 88: 75: 17361: 16724: 16600: 14776: 14478:(1949, on the myth of Leda and the swan, where Leda is his wife, Gala), 14290: 12612: 11109: 8965: 8709:. Between 1770 and 1778 he elaborated a series of erotic images called " 7685:(1810–1815) there are several nudes—although generally of corpses—as in 5365: 3840: 1013: 22901: 22806: 22660: 22643: 22605: 22517: 22490: 22447: 22425: 21356:"Michael Hoppen Gallery – Artist – Hugo Bernatzik – – Mask man Bidyogu" 21334: 17601: 17447: 17439: 17249: 16987: 16894: 16855: 16702: 16697: 16649: 16601: 16593: 16444: 16408: 16183: 16041: 15628: 15550: 14283: 14241: 13697: 13376: 13066: 13000: 12556: 12072: 12002: 11951: 11823:, with a taste for reflections in mirrors, often based on photographs ( 11725: 11523: 11069: 10839: 10711: 10685: 10356: 10244: 10194: 10159: 9560: 8744: 8612: 8600: 8188: 8176: 7082: 7055: 7001: 6546: 6412: 6086: 6028: 5918: 5252: 4763: 4533: 4031:, with a clear Praxitelian air. This classicism had its culmination in 3351: 3264: 3031: 2791: 2764: 2552:, with the width of his outstretched arms corresponding to his height. 2464:. Another frequent element of nudity in medieval art—especially in the 2440: 2426: 2150: 2105: 1916: 1800: 1696: 1579: 1549: 1528: 1384: 1287: 1064: 1058: 1045: 1039: 1018: 960: 941: 643: 636: 437: 249: 221: 162: 122: 79: 67: 51: 16997:, where its two main sects differ precisely in that some are dressed ( 16972:, X-XI centuries), which are the most profusely represented scenes of 15596:, who disfigures the human form, reducing it to a formless nudity; or 13016:, life in the countryside stripped of taboos and prejudices—an almost 11612: 11326:(1911), etc. His disciples were: his son-in-law Francisco Pons Arnau ( 7911:, the first rupturist movement. In the artists of this period—such as 4065:, Raphael reproduced the female form of the first woman influenced by 3411:, Vatican. It presents a controversial nude of God, referenced in the 2285:(1st century). Copy of a Greek original, believed to be a portrait of 1655: 62: 22557: 22507: 22485: 20956: 17952: 17724: 17605: 17302: 17005: 16965: 16946: 16863: 16849: 16754: 16662: 16381: 16377: 16109: 16075: 15997: 15576: 15542: 15124: 14988: 14896: 14847: 14793: 14046: 13713: 13422: 13363: 13312: 13069: 13027: 13017: 12653: 12541: 11802: 11798: 11573: 11447: 11046: 10985: 10981: 10864: 9308: 8990: 8760: 8639: 8628: 8483: 8038: 7621: 6836: 6798: 6794: 6424: 6338:(1658), etc. Nor did he mind showing the crudest of human anatomy in 6319: 6307: 6301: 6032: 5687: 5636: 5584: 5148: 5111: 5090:(1523), whose flat, angular bodies are the antithesis of classicism. 4946: 4553: 4530: 4529: 4311: 4164: 3895: 3660: 3644: 3502: 2873: 2849: 2699: 2545: 2521: 2398: 2146: 2072: 2041: 2029: 2019: 1820: 1497: 1481: 1139: 574: 433: 407: 358: 346: 283: 275: 267: 252: 225: 213: 154: 103: 21585: 19647: 15941: 13121: 12802:(1925) he recovered Moreau's influence, with great decorativism and 10628: 8093: 8055: 8007: 5638:(1594), of a fine eroticism of gallant court. Of known artists are: 4856: 3373: 3123:(994), Real Biblioteca del Monasterio de San Lorenzo de El Escorial. 1631: 1344:("wet cloths"), light dresses and attached to the body, such as the 569: 133: 22577: 22512: 22495: 17942: 17841: 17765: 17753: 17633: 17293: 17086: 16978: 16922: 16826: 16782: 16710: 16706: 16619: 16265: 16244: 16239: 16069: 15733: 15661: 15620: 15566: 14957: 14949: 14711: 14620: 14501: 14237: 14097: 13628: 13418: 13009: 12576: 12564: 12560: 12529:. There is a revaluation of active art, of action, of spontaneous, 12525:: traditional art was an art of the object, the current art of the 12353: 11982: 11519: 10947: 10321: 9513: 9509: 9278: 8714: 8694: 8624: 8491: 7927: 7699:(1799), where he undresses witches and other similar beings, as in 7321: 5962: 5699: 5679: 5557: 5416: 5231: 5198: 5177: 5079: 4973: 4951: 4799: 4787: 4314: 3836:, one of the main theorists of the school, recovered the figure of 3818: 3689: 3652: 3525: 3514: 3510: 3474: 3388: 3252: 3046: 3039: 2943: 2647: 2557: 2405:. Classical art was reinterpreted by the new dominant cultures, of 2286: 2166: 2142: 1796: 1691: 1651: 1611: 1445: 1259:, of whom he made several statues, several of them nude, as in the 1220: 1000: 949: 708: 158: 83: 17683: 16810: 16032: 13867: 9621: 7537:. In Spain he decorated the ceiling of The Hall of Columns of the 7123: 6419:, based on strict natural reality and characterized by the use of 4007: 22480: 22415: 22376: 22267: 21584: 17679: 17572: 17433: 17402: 17377: 17289: 17253: 17226: 16994: 16886: 16818: 16786: 16689: 16645: 16334: 16099: 16002: 15980: 15973: 15912: 15822: 15600:, who creates monsters in black and white, even of beauties like 14773: 14611: 14272: 14160: 14147: 13842: 13727: 13678: 13548: 13126: 13005: 12732: 12702: 12698:, where a female torso is reduced to a simple cylindrical shape. 12526: 12130: 12100: 12014: 11819: 11782: 11561: 11451: 10757:, 1895). Degas initiated a subgenre within the nude, that of the 10734: 10348: 10186: 9552: 9505: 9475: 8718: 8604: 8358: 7879: 7839: 7151: 6961: 6246: 6013: 6007: 5683: 5273: 5119: 4906: 4791: 4779: 4581: 4514: 4318: 4090: 4032: 4016: 3907: 3777: 3685:, it is the waist that vertebrates the central axis of the body. 3677: 3370: 3355: 3069:, which slightly evokes a polychletian athlete; or the figure of 2861: 2821: 2614: 2590: 2513: 2311: 2276: 2197: 1778: 1643: 1473: 1461: 1453: 1106: 1057:("aesthetic armor"), and they have long served for the design of 981: 933: 891: 845: 725: 614: 610: 547: 537: 518: 475: 461: 449: 441: 303: 233: 111: 78:. Nudity in art has generally reflected the social standards for 71: 59: 19649:"El cuerpo femenino: desnudos de mujer en el arte del siglo XIX" 19646: 17563:("first class"), the term "classical" referred to the period of 14980: 12898: 7577: 7162: 4205: 3307: 835: 22335: 17906: 17745: 17629: 17487: 17343: 17203: 17157: 17110: 17032: 16973: 16932: 16890: 16867: 16844: 16822: 16743: 16729: 16718: 16681: 16623: 16370: 16343: 16283: 16251: 16152: 15990: 15977: 15931: 15509: 15398: 14938: 14781: 13690: 13304: 12996: 12965: 11569: 11557: 11548: 11065: 10995: 10959: 10955: 10681: 10378: 9402: 9379: 9333: 9010: 8825: 8767:, although sometimes they are based on classical canons, as in 8671: 8516: 8462: 8439: 8416: 8393: 8184: 7980: 7818: 7768: 7745: 7651: 7629: 7363: 7174:) became more popular, as can be seen in the pictorial work of 7145: 6311: 6045: 6037: 5619: 5591: 5173: 5169: 5140: 4767: 4633: 4601: 4236: 3701: 3335: 3248: 3086: 3074: 2865: 2841: 2829: 2729: 2651: 2549: 2533: 2461: 2401: 2310:(1st century), copy of a 5th century BC original attributed to 2205: 2158: 1985: 1939: 1753: 1675: 1647: 1633: 1583: 1488:, ceramic vases and cups, chests, sarcophagi, etc. In the late 1457: 1430: 1383: 1323: 1319: 1308: 1264: 1246: 1120: 1116: 985: 971: 945: 734: 676: 671: 602: 550: 530: 471: 411: 328: 311: 302:, etc. stand out. At the male level, the representation of the 106:, the nude can have various interpretations and meanings, from 16359:), where the central theme is the excessive cult of the body. 11551:, the enigmatic and distant, disturbing woman, the woman that 11223:(1901), etc. Following in Rodin's wake were sculptors such as 10390:, 1869), they deserve to be highlighted for their quality. Of 9265:, 1860), etc. In sculpture, a Spaniard established in Mexico, 7081:, Museum of the Royal Monastery of San Joaquín and Santa Ana, 5985: 3799: 3752: 2667: 22403: 20539: 20515: 20491: 20446: 20245: 20185: 19891: 19858: 19628: 19406: 19190: 18986: 18719: 18682: 18454: 18108: 18096: 18002: 17725: 17557: 17349: 16928: 16762: 16714: 16685: 16610: 16275: 15546: 14233: 14199: 13952: 13891: 13398: 13055: 13051: 12725: 12352:, Cabinet des Estampes de la Bibliothèque Royale Albert Ier, 10722: 10412:, 1861), along with genre scenes or nudes set in landscapes ( 9356: 8877: 7899: 6830: 5515: 4663: 4256: 4227: 3899: 3841: 3688: 3487: 3147: 3098: 2490: 2477: 1786: 1639: 1554: 1449: 955: 929: 867: 774: 770: 766: 558: 479: 415: 279: 134: 22287: 21323: 16757: 16674: 16428: 11958:(1893), which shows the influence of the Chinese shadows of 10382: 6911: 6851:, and for this purpose was intended the Golden Tower of the 2840:. Sometimes the serpent that tempted Eve in Paradise or the 2544:; and four is the number of man, a theory that goes back to 2524: 2081:. Stephanos, a disciple of Pasiteles, was the author of the 21717: 20574: 20562: 20265: 16839: 16749: 16733: 14917: 14616: 14225: 13851: 13409: 12648:, artists had contact with the art of other civilizations ( 12217: 11959: 11582: 10951: 9527: 8977:. For his studies of anatomy, Géricault frequently visited 8653: 7307: 6146:(1636–1639, where are portrayed the two women of his life, 5341: 4082: 3883: 3343: 3338:, new models of representation emerged, such as the use of 2541: 2537: 2457: 2049: 1369: 1334: 762: 419: 237: 107: 21235:"El sexo en el cómic japonés, un fenómeno social en Japón" 18696: 14351: 11973:, made some symbolist works, generated by his interest in 10238:(1867). Sometimes he was inspired by other artists, as in 8842:(1808) and which is discernible, within a group scene, in 8773:(1794–1796), whose posture is taken from a version of the 5768:(1614), etc. Also as a sculptor he left works such as his 5340:(1550–1553), etc. His figures are presented with multiple 4317:, but with a vital charge far removed from the harmonious 4015:, whose nude figures have the gravity of the sculpture of 3026:, the figure of Saint Tecla in the High Altarpiece of the 418:, generally represented naked and winged, with a crescent 394:, the ancient cult of Mother Earth was related to the new 22304: 16790: 16321:) performed self-mutilations, incising their own bodies. 16144: 15962: 15409:, 1954), etc. In the sculptural field, we could mention: 14061: 12906:(1908) he made a Matissean treatment of the female nude. 11576:, ambiguous type of beauty became fashionable, a type of 10958:), in an analytical synthesis of reality, a precursor of 10942: 10826:(1885–1887) he painted sculptural nudes, inspired by the 10269: 8681: 4342:(1536–1541) has the solemnity of an Apollo understood as 2965: 2482: 1505: 746:(7th century–5th century BC)—their female variant is the 526: 399: 21720: 16393: 15397:(Francisco de Vitoria Room at the Palais des Nations in 6318: 2906: 2662:, the few nude representations—generally limited to the 1416:, which covers her nudity with her arms, as seen in the 464: 16351: 16036: 15893:, author of large figures that resemble swollen dolls ( 15589: 14224:(1944–1966), an installation with various materials (a 11041: 8981: 6929:(1628–1629), and the adultery of Mars and Venus became 2121: 2103:, where the two figures are reminiscent of Polyclitus' 21259: 20589:""La máquina de coser electrosexual", Óscar Domínguez" 13295: 9077: 9075:, great landscape painter and author of nudes such as 7600:, an unsurpassed genius who evolved from Rococo to an 6243: 4552:(1515), although the main initiator of this style was 4273:(1524) are reminiscent of Greek works: the male ones ( 1764: 1492: 525: 16255:, etc. Various genres of social vindication, such as 16143: 16020: 15730: 11159:(1880–1900), for which he was inspired by Carpeaux's 10398:(1895), of admirable design and compositional sense. 8832: 6709:(1639), etc. Other classicist-inspired artists were: 6366:). An attempt to show perhaps sensual beauty was his 4572:(1507–1510), whose reclining posture has been copied 3271:— developed between the 15th and 18th centuries. The 22043: 17768:, widely used in ornamentation during this period. ( 17624:. The modern project is characterized by the end of 17429: 15950: 14597: 14565: 14506: 14033:(1916) he experimented with concave space, while in 9892: 8993:, exchanging athletic effort for sexual excitement. 7558: 5280:. One of the most popular artists in this field was 4219:(1496–1497), one of his first great sculptures. The 2613: 2181:—currently in the Vatican Museum—(161), or even the 1504:, its typology was identified with the character of 21232: 15588:, who crushes the figures, opening them up like an 12063:, 1896), etc. Between Pre-Raphaelite symbolism and 9642:One of the main representatives of academicism was 3949: 1422:—sometimes attributed to Praxiteles himself—or the 1115:. Among the artists who excelled in this period is 14544:Landscape with St Paula of Rome Embarking at Ostia 14045:used iron plates in his sculpture to simulate the 12714:Three Women and a Little Girl Playing in the Water 9504:is the art promoted since the 16th century by the 8627:society. In these works there is a strong dose of 8247:Ten Discourses on Sculpture and Anatomical Studies 4580:, to Germany and the Netherlands, enduring in the 3279:; the new geographical discoveries—especially the 3136:The Creation with the Universe and the Cosmic Man, 617:") of nature prevailed, laying the foundations of 17904:even includes academicism within the category of 17805:Reflection on the Imitation of Greek Works of Art 15584:human being, as seen in the work of artists like 15197:(1936) stand out. Other outstanding artists are: 10242:(1868)—a replica of the famous work by Ingres—or 7355:The Progress of Love in the Hearts of Young Women 6048:composition—which Michelangelo introduced in his 5753:Christ Driving the Money Changers from the Temple 1853:in the early seventeenth century and restored by 22960: 22081:Cómo leer la mitología y la Biblia en la pintura 21755: 21423: 21145: 21097: 20043: 19673: 17392:research works, as well as in documentaries and 15935:movement. The first work considered pop art was 14221:Given: 1. The Waterfall, 2. The Illuminating Gas 11679:Following in his footsteps were artists such as 9143:Young Neapolitan Fisherman playing with a turtle 9053:The Divine Comedy, Marphise, Jerusalem Liberated 6750:Venus and the Three Graces surprised by a mortal 4310:(1508–1512), reminiscent of the Dionysus of the 4081:(1511) stands out, inspired by the paintings of 2565:the biblical passages that required it, such as 1155:), considered the best ancient sculpture by the 21480: 21316: 19926: 19489: 17977: 17760:was formed with the conjunction of the Italian 17520: 17239: 17215: 16688:in the form of Ardhanarīśvara (half Śiva, half 16098:, in an exhibition at the Casa de los Tiros in 14937:(1944) is a self-portrait that shows the steel 14792:Other surrealists who practiced the nude were: 12507:underwent a profound transformation: in a more 11705:The Sacred Grove, Beloved of the Arts and Muses 10946:structured the composition in geometric forms ( 8858:(1856). Other works are more personal, such as 6765:, many artists worked on the decoration of the 6415:, who initiated a style known as naturalism or 6077:The Baroque had as its main herald of the nude 5570:The Metamorphosis of Hermaphrodite and Salmacis 4652:, 1534–1540) reproduce the same posture as the 4614:or "mundane Venus", while the naked one is the 4231:. Likewise with the dramatic expression of his 2872:was even allowed to show a breast by virtue of 17523:, p. 61)). Javier Portús, curator of the 17233: 17209: 16862:or erotic scenes abound, as in the temples of 16753:(female sex symbol), both coming from ancient 16493:St. Francis prevents the extermination of rats 14211:The Bride Stripped Bare by Her Bachelors, Even 12798:, softened with a certain Renaissance air. In 11072:scenes, or bohemian and brothel environments: 10905:and the nude. His main work in this field was 10801:(1870) he was inspired by an engraving on the 10252:by Fragonard. One of his most famous works is 9055:), to the genre scenes or the nude by itself ( 8924:Bonaparte visiting the plague victims of Jaffa 8921:, chronicler of the Napoleonic deeds, made in 8312:, 1871), while neoclassical sculptors include 8027:The Genius of France between Liberty and Death 7397:, with a lesbian theme, more markedly erotic. 6617:Allegory of Human Life, The Death of Cleopatra 5539:The Seven Deadly Sins and the Four Last Things 3996:The Fight between the Lapiths and the Centaurs 3914:. He used as a model the beautiful aristocrat 3229: 1159:, which inspired many modern artists, such as 593:Classical art is the art developed in ancient 266:, the nude was strongly linked to the cult of 244:. After a transition period (Mesolithic, 8000– 165:dominance of Western society. Artists such as 95:consider it the most important subject in the 22320: 22241: 21926: 21464:Diccionario universal del arte, tomo II (D-H) 21133: 21121: 19009: 18489: 18059: 18013: 17861:Real Academia de Bellas Artes de San Fernando 17707:, which meant "style," and was introduced by 17662: 16588:, and has been a frequent theme in art since 16475:(1980) he made a symbiosis of Michelangelo's 16301:made spots on his body, imitating blood. The 16135:group in Japan could be considered pioneers: 14421:The Golden Age – Family of Marsupial Centaurs 14154:Movement of reaction to the disasters of the 13943:, initiator of the style with Picasso, whose 13253:Dance, dancers and bathers in the forest pond 13074:the work. This can be seen in nudes such as: 12067:decorativism was the work of the illustrator 10394:, it is also worth mentioning a single work, 7614:(1797–1800), which he painted in parallel to 6964:painter was able to explore himself with the 6279:The Daughters of Cecrops Finding Erichthonius 5690:, such as the famous enameled plate with the 3165:(second half of the 15th century), circle of 2502:homo quadratus: winds, elements, temperaments 21831: 21424:Beardsley, Monroe C.; Hospers, John (1990). 21262:"Ámbitos de la exposición Imágenes secretas" 18693: 17748:emerged in France during the regency of the 17674:Currently only one copy is preserved in the 17620:, and which would be the social root of the 16993:The nude also has a special significance in 16842:meditation. These ancient rites merged with 14587:, 1976), and collaborated with photographer 14397:of his works are from the surrealist phase: 14025:(1915) he followed the cubistic criteria of 8945:Andromeda chained to the rock by the Nereids 8249:. His works include numerous nudes, such as 8171:Another outstanding sculptor was the Danish 7624:. It is a proud, almost defiant nudity, the 7415:Cupid making a bow from the mace of Hercules 3501:, how the figure of the recumbent Christ in 3473:Similarly, the nude was present both in the 2333:(2nd century), Hall of the Gladiator of the 2149:, generally represented with three sisters ( 1890:(3rd century BC), by Diodalsas of Bithynia, 1333:, which probably represented a priestess of 21523:(in Spanish). Barcelona: Ed. Vicens-Vives. 21317:Spieser, C.; Sprumont, P. (December 2004). 17840:In 1563 the first academy was founded, the 17628:and the supremacy of religion, replaced by 16584:The nude has had a special significance in 14417:The Dream places a Hand on a Man's Shoulder 14139:(1913), a modern version of the classical " 13472:Other members of the School of Paris were: 13317:Nude young woman with her arms on her chest 12299:Linked to symbolism was also the so-called 8864:(1814), which recalls the mannerism of the 8080:Justice and Divine Vengeance Pursuing Crime 6174:Diana and her nymphs surprised by the fauns 6121:The Arrival of Marie de Medici at Marseille 2646:, copy of Gallo-Roman bronzes representing 2452:, as a symbol of virtue and innocence; and 1428:("of beautiful buttocks"), which lifts her 1312:contrasted with the clothed figures of the 22327: 22313: 22203: 21205: 20840: 17756:, and survived during his reign. The term 17109:(18th century), Pahari miniature from the 15817:, The Painter Surprised by a Naked Admirer 15811:(1993, self-portrait of the artist nude), 15732:, where he used a traditional medium, the 14198:(1912) he represented the human figure as 10966:(1879–1882) of the Petit-Palais in Paris. 10324:(1890–1905). Another notable sculptor was 8021:cultivated a classicist line close to the 7548:Royal Academy of Fine Arts of San Fernando 7188:Nymph and satyr, Girl playing with her dog 6557:Samson drinking from the jawbone of an ass 6384:Aeneas, Anchises and Ascanius fleeing Troy 3764:—and that is denoted in works such as the 3117:Adam and Eve and the Tree of Good and Evil 1658:, frequent themes in the art of the time. 422:on her head. Other representations of the 22222: 22137: 22118: 22097: 21504:(in Spanish). Madrid: Alianza Editorial. 18730: 18477: 18375: 17305:, and several European artists collected 16935:. These figures were usually depicted in 16914:Between the 3rd and 1st centuries BC the 16761:represents the creative power of the god 16195:makes nudes with a strong sexual charge ( 16073:, at the same time that they prelude the 14468:, as well as in perspective based on the 11526:. A main characteristic of symbolism was 10737:, with a certain component of voyeurism ( 10406:, made several works of oriental themes ( 10304:The sculptural equivalent of realism was 9089:Bible, The Divine Comedy, Orlando furioso 8346:Achilles removing the arrow from his heel 6998:Saint John the Baptist (Youth with a Ram) 6429:Saint John the Baptist (Youth with a Ram) 6362:(1636–1647, where he portrayed his wife, 4608:, Rome. The clothed woman represents the 3400:The Creation of the Sun, Moon, and Plants 2994:, or in other female figures such as the 1892:Museo Nazionale Romano di Palazzo Altemps 1713:Menelaus supporting the body of Patroclus 1436:National Archaeological Museum of Naples. 22242:Zuffi, Stefano; Bussagli, Marco (2001). 22225:Arte y arquitectura en Italia, 1600-1750 22021: 21891:Pintura y escultura en Europa, 1880-1940 21888: 21872:Diccionario de mitología griega y romana 21850: 21660: 21565: 21556: 21540:El desnudo. Un estudio de la forma ideal 21499: 21466:(in Spanish). Barcelona: Argos Vergara. 21395: 21046: 20977: 20861: 20810: 20790:"Lucian Freud, desnudos y autorretratos" 20766: 20727: 20715: 20550: 20502: 20433: 20409: 20388: 20376: 20343: 20331: 20319: 20307: 20232: 20163: 20118: 20076: 20064: 20031: 20019: 19995: 19983: 19902: 19793: 19769: 19757: 19745: 19721: 19615: 19603: 19591: 19579: 19567: 19537: 19513: 19501: 19477: 19465: 19453: 19441: 19429: 19393: 19381: 19369: 19357: 19345: 19333: 19321: 19309: 19297: 19285: 19261: 19237: 19177: 19165: 19153: 19141: 19129: 19045: 19033: 18925: 18913: 18865: 18805: 18669: 18645: 18609: 18597: 18561: 18537: 18441: 18408: 18387: 18083: 18071: 18025: 17889: 17876: 17769: 17733: 17712: 17588: 17360: 17180: 17129: 16723: 16673: 16572: 16552:The Old Man's Dog and the Old Man's Boat 16329:, integrally covering naked bodies with 16086: 15508: 15088: 14830: 14289: 14202:pieces. One of his most famous works is 14103: 13798: 13696: 13383: 13026: 12952: 12708: 12586: 12477: 12200: 12087: 11987: 11869: 11781: 11592: 11489: 11108: 10913: 10863: 10767: 10153: 9620: 9592: 9526: 9469: 9234:, and in other works by artists such as 8995: 8848:. Another is the standing figure of the 8810: 8723:Hamlet, Horatio, Marcellus and the Ghost 8638: 8554: 8092: 7967: 7833: 7576: 7487: 7273: 7122: 6803: 6629: 6295: 6055: 5984: 5733:Christ on the Cross Adored by Two Donors 5578: 5498: 5346: 4945:In the second half of the 16th century, 4842: 4590: 4183: 4095: 3798: 3732: 3626: 3393: 3306: 3233: 2958:The Fall and the Expulsion from Paradise 2949:The Very Rich Hours of the Duke of Berry 2890: 2627: 2495: 2444:, the natural state of the human being; 2360:The Very Rich Hours of the Duke of Berry 2355:The Fall and the Expulsion from Paradise 2349: 2145:(divinities of beauty) that accompanied 2000: 1965:National Archaeological Museum of Naples 1767:Also from the Hellenistic period is the 1660: 1327:sculptural traces appeared, such as the 1269: 1028:National Archaeological Museum of Athens 1012: 834: 666: 568: 363: 180: 28: 22293:History of erotic art: the nude in art. 22175: 22062:Diccionario de Iconografía y Simbología 22059: 21945: 21853:Las claves del arte. Últimas tendencias 21603: 21461: 21376: 21282: 20355: 19805: 18465: 17955: 17703:The word derives from the Italian term 16661:and the opening of numerous museums of 15644:(1953), a human torso in the form of a 14453:My Wife, Naked, Looking at her own Body 13951:, with African influence and a certain 13321:Nude lying down with her arms backwards 12533:manifestations, of non-commercial art ( 11572:, winged genie, etc. An artificial and 11420:, Collection S. Van Deventer, De Steeg. 8806:Francesca da Rimini and Paolo Malatesta 6839:justified the nude human figure in his 6341:The Anatomy Lesson of Dr. Nicolaes Tulp 6239:Diana and Endymion surprised by a satyr 5504:The Body of the Dead Christ in the Tomb 5494:The Body of the Dead Christ in the Tomb 5088:Moses Defending the Daughters of Jethro 4988:, 1534, located next to Michelangelo's 4693:Venus with an Organist, Cupid and a Dog 4656:, acquiring, however, greater fame. In 3328:Emerging in Italy in the 15th century ( 3267:, which is often used as a synonym for 1686:One of the first production centers of 102:Although it is usually associated with 14: 22961: 22156: 22002: 21983: 21869: 21812: 21793: 21774: 21622: 21587:Diccionario visual de términos de arte 21518: 21381:(in Spanish). Ediciones B, Barcelona. 21109: 21034: 21022: 21001: 20989: 20586: 20526: 20151: 20139: 20106: 19642: 19640: 19638: 19636: 19201: 18765: 18763: 18742: 18131: 17989: 17875:in London (1768), among many others. ( 17828:Desvestidas. El cuerpo y la forma real 17825: 17528: 16785:, or various manifestations such as a 15191:Nude of the mantilla and the carnation 15127:), which was replaced in the 1910s by 14591:on several photographic compositions: 14472:. From this period are works such as: 14425:Costume for a Nude with a Codfish Tail 13939:Other representatives of Cubism were: 13833:(1908). From the fully cubist period, 12786:, one in Moscow (1910) and another in 8795:Europe Supported by Africa and America 8666:A movement of profound renewal in all 7554:(1765–1769) he displayed an authentic 7196:by Velazquez, having examples such as 6157:The Rape of the Daughters of Leucippus 5915:Museo Nacional Colegio de San Gregorio 5602:of several Italian Mannerist artists ( 4549:Naked Young Woman in Front of a Mirror 2548:and his conception of man as an ideal 1534:National Archaeological Museum, Athens 1300:Museo Nazionale Romano-Palazzo Altemps 1127:, full of moving figures, such as his 22308: 22184: 22078: 21964: 21907: 21537: 21442: 21294: 21193: 21169:"La estética zen. Ideas para meditar" 21085: 20954: 20703: 20613: 20469: 20457: 20421: 20220: 20208: 20196: 20007: 19971: 19950: 19938: 19869: 19845: 19833: 19781: 19733: 19709: 19697: 19685: 19525: 19417: 19273: 19249: 19225: 19213: 19117: 19105: 19093: 19081: 19057: 19021: 18997: 18973: 18961: 18949: 18937: 18901: 18889: 18877: 18853: 18841: 18829: 18817: 18793: 18781: 18657: 18633: 18621: 18585: 18573: 18549: 18525: 18513: 18420: 18363: 18359: 18357: 18317: 18305: 18293: 18281: 18269: 18257: 18245: 18233: 18221: 18209: 18188: 18176: 18155: 18143: 17813: 17691: 17341:is often considered an antecedent of 17107:Shepherdesses coming out of the water 16580:sculpture, Mali, 17th-18th centuries. 16459:stand out, as well as neo-mannerism, 15943:(1956), which was the poster for the 15115:, coexisting to a lesser extent with 14995:stood out: she trained with the nabí 13139:Young Woman under a Japanese Umbrella 12890:, showing the influence of Matisse's 10893:, a style based fundamentally on the 10755:After the bath, woman drying her neck 9586:, which, despite being a copy of the 8733:Reclining Nude and Woman at the Piano 8595:; and, in the economic field, by the 8029:(1795), where the genius recalls the 7479:The Rhine River Separating the Waters 5843:, with a Michelangelesque influence. 4560:(1507–1508, now disappeared), in his 4259:figures, and denote the influence of 2632:Drawing of ancient figures, from the 1781:, a copy of an earlier work entitled 1734:(230–200 BC). His masterpiece is the 22355:Prehistory of nakedness and clothing 22040: 22007:(in Spanish). Barcelona: Ed. Blume. 21988:(in Spanish). Barcelona: Ed. Blume. 21927:Honour, Hugh; Fleming, John (2002). 21910:Cómo reconocer el arte negroafricano 21836:(in Spanish). Mundo Flip Ediciones. 21736: 21641: 21627:(in Spanish). Barcelona: De Vecchi. 21166: 20787: 20286: 18769: 18754: 17764:, a decorative element similar to a 17728:that had some deformity were called 17356: 15876:And Man Created God in His Own Image 14549:Imperial Monument to the Child Woman 14541:(1977, inspired by Claude Lorrain's 14309:, as can be seen in its concept of " 13947:(1908) has a great parallelism with 12398:, Private Collection, New York City. 12009:In Great Britain, the school of the 11118:(1886–1890), one of the scenes from 10193:and philosophical movements such as 8413:Anne-Louis Girodet de Roussy-Trioson 8285:, 1812), Johann Heinrich Dannecker ( 8187:, before they were installed in the 8053:Anne-Louis Girodet de Roussy-Trioson 7946:The Intervention of the Sabine Women 7596:An artist difficult to classify was 7423:Mercury attaching his winged sandals 7357:(1771–1773), composed of five large 7353:, for whom he produced the cycle of 7221:(1718–1721) it is worth remembering 6370:(1654), where he depicts her lover, 4770:. In his decoration of the Venetian 4662:(1514–1515) he captured the myth of 4620:or "celestial Venus", following the 4039:(1511), undoubtedly inspired by the 3365:Renaissance art, in parallel to the 2786:, coming from chapters 24 and 25 of 2175:Apotheosis of Antoninus and Faustina 274:period, and are generally carved in 22142:(in Spanish). Barcelona: Parramón. 22123:(in Spanish). Barcelona: Parramón. 22104:(in Spanish). Barcelona: Parramón. 22026:(in Spanish). Barcelona: Parramón. 21698: 21679: 21481:Calvo Serraller, Francisco (2005). 21058: 20917: 19633: 19069: 18760: 18501: 18119: 17915: 17090:or erotic scene from the temple of 16953:-like movement, as glimpsed in the 16297:, leaving parts of the body white. 15315:Néstor Martín-Fernández de la Torre 14895:(1951), are vaguely reminiscent of 14784:'s head. It is a representation of 14409:Untitled (William Tell and Gradiva) 14196:The King and Queen with Swift Nudes 14136:Unique Forms of Continuity in Space 14110:Unique Forms of Continuity in Space 13494:was initially linked to symbolism ( 13155:Reclining Nude in Front of a Mirror 9574:in London in 1851, when the famous 8550: 8047:, 1801) and Jean-Louis-Cesar Lair ( 7523:Diana discovers Calisto's pregnancy 6040:illusions and the blows of effect. 5694:in six passages, by Pierre Rémond. 4632:An early imitator of Giorgione was 3530:Expulsion of Adam and Eve from Eden 3497:presents the classical typology of 1710:of the Museo delle Terme (230 BC), 517:, or the Tomb of the Physicians in 504:King Menkaure (Mycerinus) and queen 495:; we have statues such as those of 137:passages that justified it. In the 24: 22299:The secret paintings of the Prado. 21855:(in Spanish). Barcelona: Planeta. 21646:(in Spanish). Barcelona: Destino. 21358:. 29 November 2011. Archived from 18354: 16825:, or geometrized in the form of a 16657:of the early 20th century, due to 16568: 16165:Disasters (Vagina cement formwork) 15852:Young Woman Preparing for the Bath 15652:(1965), a kneeling female figure; 15487:Monument to Santiago Ramón y Cajal 14744:Bathing between Light and Darkness 14441:(1944–1945, inspired by Raphael's 12800:Figure on an Ornamental Background 9355:, Civica Galleria d'Arte Moderna, 8534:(1819), by Jean-Louis-Cesar Lair, 8155:Pauline Bonaparte as Venus Victrix 7286:Mademoiselle Marie-Louise O'Murphy 6855:, once a real museum of the nude. 6797:, and even carving and stewing in 6131:Minerva Protecting Peace from Mars 5411:, or allegories and the series of 4269:). Similarly, his figures for the 3937:The Story of Nastagio degli Onesti 3346:or history, or new genres such as 2413:went through several phases, from 2127:from the same museum (100–50 BC). 2065:(50 BC); Cleomenes, author of the 1255:. Lysippos was the portraitist of 561:law forbade human representation. 25: 22990: 22261: 22159:Historia general de la fotografía 22083:(in Spanish). Barcelona: Electa. 22045:(in Spanish). Barcelona: Serbal. 21874:(in Spanish). Barcelona: Paidos. 21851:González, Antonio Manuel (1991). 21832:Gómez Gimeno, María José (2006). 21798:(in Spanish). Barcelona: Electa. 21760:(in Spanish). Barcelona: Serbal. 21756:García-Ormaechea, Carmen (1998). 21741:(in Spanish). Barcelona: Electa. 21722:(in Spanish). Barcelona: Salvat. 21521:Las últimas tendencias pictóricas 16881:River area, around the cities of 16163:where he intervened the nude: in 15171:A Present to the Bullfighting Art 14778:The electro-sexual sewing machine 14561:The Bust of a Retrospective Woman 14247:Other exponents of Dadaism were: 13042:A precursor of expressionism was 12644:collections promoted by European 12053:Knight Errant Delivering a Beauty 11252:The Young Woman with the Cauldron 9797:The Quarrel of Oberon and Titania 9194:The betrothal of Cupid and Psyche 8783:Idea dell'architettura universale 8238:Another notable exponent was the 8205:, while his other works include: 8084:The Abduction of Psyche by Zephyr 6336:Woman Bathing Her Feet at a Brook 5884:The Three Ages of Woman and Death 5450:The Three Ages of Woman and Death 5405:Berenice, The Dream of the Doctor 3991:The Discovery of Honey by Bacchus 3552:Dead Christ supported by an angel 3219:Museum of Fine Arts of Strasbourg 2942:", which emerged between France, 2036:. Thanks to the expansion of the 386:In the first religions, from the 44:Galleria dell'Accademia, Florence 22942: 22933: 22932: 22208:(in Spanish). Colonia: Taschen. 22189:(in Spanish). Colonia: Ullmann. 21969:(in Spanish). Colonia: Taschen. 21931:(in Spanish). Madrid: Ed. Akal. 21703:(in Spanish). Barcelona: Lumen. 21684:(in Spanish). Barcelona: Lumen. 21608:(in Spanish). Barcelona: Blume. 21426:Estética. Historia y fundamentos 21348: 21310: 21288: 21276: 21253: 21226: 21199: 21187: 21160: 21151: 21139: 21127: 21115: 21103: 21091: 21079: 21065:. American Univ in Cairo Press. 21052: 21040: 21028: 21016: 21007: 20995: 20983: 20971: 20948: 20923: 20911: 20889: 20867: 20855: 20846: 20834: 20825: 20816: 20804: 20788:Gazo, Alicia M. (28 July 2011). 20781: 20772: 20760: 20751: 20742: 20733: 20721: 20709: 20697: 20671: 20645: 20619: 20607: 20580: 20568: 20556: 20544: 20532: 20520: 20508: 20496: 20484: 20475: 20463: 20451: 20439: 20427: 20415: 20403: 20394: 20382: 20370: 20361: 20349: 20337: 20325: 20313: 20301: 20292: 20280: 20271: 20259: 20250: 20238: 20226: 20214: 20202: 20190: 20178: 20169: 20157: 20145: 20133: 20124: 20112: 20100: 20091: 20082: 20070: 20058: 20049: 20037: 20025: 20013: 20001: 19989: 19977: 19965: 19956: 19944: 19932: 19920: 19908: 19896: 19884: 19875: 19863: 19851: 19839: 19827: 19811: 19799: 19787: 19775: 19763: 19751: 19739: 19727: 19715: 19703: 19691: 19679: 19667: 19621: 19609: 19597: 19585: 19573: 19561: 19552: 19543: 19531: 19519: 19507: 19495: 19483: 19471: 19459: 19447: 19435: 19423: 19411: 19399: 19387: 19375: 19363: 19351: 19339: 19327: 19315: 19303: 19291: 19279: 19267: 19255: 19243: 19231: 19219: 19207: 19195: 19183: 19171: 19159: 19147: 19135: 19123: 19111: 18694:Tatarkiewicz, Władysław (1991). 17934: 17921: 17895: 17882: 17834: 17819: 17797: 17775: 17739: 17718: 17432: 17384:This term has been used in both 17099: 17078: 17059: 17040: 17021: 16976:eroticism, with various groups ( 16483:, as a way of demystifying art. 16057:Relief Portrait of Claude Pascal 15724:. One of its main exponents was 15504: 13659: 13636: 13609: 13590: 13563: 13527:(1929). We should also remember 13278:Bathing Girls in the Forest Pond 13238:Outdoors (Bathers in Moritzburg) 13167:Two Nudes with Bathtube and Oven 13054:, which together with a line of 12964:, Staatsgalerie Moderner Kunst, 12447: 12422: 12403: 12384: 12361: 12346:The Temptations of Saint Anthony 12338: 11865:The Corpse of Christ in the Tomb 11522:and terrifying aspects, sex and 11459: 11425: 11406: 11383: 11358: 10648: 10627: 10618: 10593: 10574: 10551: 10526: 10501: 10478: 10285:(1869). Other works of his are: 10117: 10094: 10075: 10052: 10031: 10012: 9993: 9968: 9949: 9926: 9674:(1863). The same is the case of 9435: 9410: 9387: 9364: 9341: 9316: 9297:The Dance of Albion (Day of Joy) 9289: 9139:Mercury fastening his heel wings 9073:Narcisse-Virgile Díaz de la Peña 9051:), the historical and literary ( 8603:, which will have a response in 8524: 8499: 8470: 8447: 8424: 8401: 8376: 8295:Bellerophon Fighting the Chimera 8263:Achilles violated by the scorpio 8037:. Other disciples of David were 7829: 7803: 7776: 7753: 7730: 7711: 7265:The Bath of Diana and her Nymphs 7090: 7067: 7042: 7013: 6990: 6473:The Young St. John in the Desert 6467:(1609), etc. His followers were 6356:Bacchante contemplated by a faun 5949: 5926: 5899: 5876: 5851: 5586:(1594), anonymous author of the 5239: 5210: 5185: 5156: 5127: 5098: 4501: 4474: 4449: 4422: 4393: 4139:is influenced by Michelangelo's 3955:Lamentation over the Dead Christ 3612:(1425–1452), with his scenes of 3569:Lamentation over the Dead Christ 3203: 3178: 3155: 3128: 3109: 2644:Bibliothèque nationale de France 2623:Archbasilica of St. John Lateran 2585:and in the Cross of Gero in the 2323: 2298: 2268: 2243: 2222: 2177:that appears on the base of the 1972: 1947: 1924: 1899: 1880: 1591: 1566: 1541: 1516: 1142:Mausoleum, author of the famous 911:, work of Kritios and Nesiotes ( 564: 50:The historical evolution of the 22161:(in Spanish). Madrid: Cátedra. 22064:(in Spanish). Madrid: Cátedra. 21893:(in Spanish). Madrid: Cátedra. 21889:Hamilton, George Heard (1997). 21779:(in Spanish). Colonia: Tashen. 21606:Estilos, escuelas y movimientos 21589:(in Spanish). Madrid: Cátedra. 21542:(in Spanish). Madrid: Alianza. 21428:(in Spanish). Madrid: Cátedra. 21370: 19099: 19087: 19075: 19063: 19051: 19039: 19027: 19015: 19003: 18991: 18979: 18967: 18955: 18943: 18931: 18919: 18907: 18895: 18883: 18871: 18859: 18847: 18835: 18823: 18811: 18799: 18787: 18775: 18748: 18736: 18724: 18712: 18687: 18675: 18663: 18651: 18639: 18627: 18615: 18603: 18591: 18579: 18567: 18555: 18543: 18531: 18519: 18507: 18495: 18483: 18471: 18459: 18447: 18435: 18426: 18414: 18402: 18393: 18381: 18369: 18332: 18323: 18311: 18299: 18287: 18275: 18263: 18251: 18239: 18227: 18215: 18203: 18194: 18182: 18170: 18161: 18149: 18137: 18125: 18113: 18101: 18089: 18077: 17964: 17948:1925 Decorative Arts Exhibition 17697: 17668: 17643: 17594: 17550: 17224:, generally linked to Japanese 16854:). Along with the tales of the 16414:In the 1970s, the organization 16289:One of its greatest exponents, 15994:environment, with pure colors. 15654:Matter in the form of an armpit 15271:Los amores de Armida y Reinaldo 14485:Crucifixion (Corpus Hypercubus) 14458:The temptation of Saint Anthony 13955:air, with a rhythmic movement. 13286:Two girls ssitting in the dunes 12862:Sleeping Nude on Red Background 12473: 11666:Hercules and the Hydra of Lerna 11012:Two Tahitian Women on the Beach 10343:The American settled in Europe 8737:Courtesan with Feather Ornament 8582: 8149:Napoleon as Mars the Peacemaker 6360:Danae receiving the golden rain 6096:Venus, Cupid, Bacchus and Ceres 5219:Perseus with the Head of Medusa 5072:Hercules and the Centaur Nessus 5035:Perseus with the Head of Medusa 4698:Danae receiving the golden rain 4584:in the work of artists such as 4519:National Gallery of Ancient Art 3967:Simonetta Vespucci as Cleopatra 3036:The Slaughter of Saint Cucufate 2345: 1674:, Athenodorus and Polydorus of 22227:(in Spanish). Milán: Cátedra. 21817:(in Spanish). Madrid: Tecnos. 21739:Técnicas y materiales del arte 21623:De Poi, Marco Alberto (1997). 21570:(in Spanish). Madrid: Electa. 21485:(in Spanish). Madrid: Taurus. 21396:Aguilera, Emiliano M. (1972). 21379:Enciclopedia del Arte Garzanti 18065: 18053: 18031: 18019: 18007: 17995: 17983: 17971: 17830:(in Spanish). Madrid: Alianza. 17509: 17241:"prints of the floating world" 16063:(1962). In 1958 he began his " 15223:Orfeo atacado por las bacantes 14376:, 1923, inspired by Matisse's 13831:The Dryad (Nude in the Forest) 13533:Nude with an Oriental Tapestry 13397:, Gianni Mattioli Collection, 13282:Young woman in the rose bushes 13086:(1919). Another reference was 12886:(1905) he practiced a certain 12582: 11903:The Temptations of St. Anthony 11078:Woman Pulling Up Her Stockings 9957:Witches going to their Sabbath 9664:, 1902). Another exponent was 9465: 8770:The Dance of Albion (Glad Day) 8634: 8267:Saint Michael Overcoming Satan 8221:Aurora with the Genie of Light 8131:Psyche Revived by Cupid's Kiss 7632:genius in his early days are: 7562:etc. In Germany the sculptors 7387:Girl with a Dog (La gimblette) 6923:with a Dionysian theme became 6761:) and luxurious and exuberant 6533:Triumph of Bacchus and Ariadne 6328:Naked Woman Sitting on a Mound 5860:The Garden of Earthly Delights 5711:The Martyrdom of St. Sebastian 5529:The Garden of Earthly Delights 5324:Venus and Cupid stealing Honey 4876:Allegory of Love I; Infidelity 4430:Portrait of Simonetta Vespucci 3906:, had already been painted by 3874:he recovered the genre of the 3538:The Temptation of Adam and Eve 3302: 1082:Hermes and the Infant Dionysus 410:elements, such as the goddess 334: 212:is the art developed from the 190:Natural History Museum, Vienna 70:. It is considered one of the 13: 1: 22844:Nudity in American television 22246:(in Spanish). Milán: Electa. 22140:Guía completa para el artista 22024:Cómo dibujar la figura humana 22022:Parramón, José María (2002). 21447:(in Spanish). Madrid: Visor. 21409:(in Spanish). Madrid: Anaya. 20587:Santos, Amparo (4 May 2009). 20044:Beardsley & Hospers (1990 19915:Azcárate Ristori et al. (1983 19674:Beardsley & Hospers (1990 18698:. Madrid: Akal. p. 291. 18342:(in Spanish). Museo del Prado 17678:in Rome, which is painted in 17604:" comes from the concept of " 17529:Portús, Javier (April 2004). 17498: 17138: 15359:Hermenegildo Anglada Camarasa 15219:Fernando Álvarez de Sotomayor 14973:public—that of the so-called 14579:pierced by a Michelin wheel; 14559:). Dalí was also a sculptor ( 14317:, initiator of the so-called 14178:, who after a Fauvist phase ( 13625:Hungarian Museum of Fine Arts 13202:Seaside Scene (Bathing Women) 11941:Fountain with Kneeling Youths 11878: 11811:Bathing on a Summer Afternoon 10432:, 1874). Other artists were: 10287:Marietta, the Roman Odalisque 9704:, 1890). Other artists were: 9447:Jean-Auguste-Dominique Ingres 9212:(1835). Another exponent was 9111:Nude Girl on a Panther's Skin 9071:Followers of Delacroix were: 8834:Jean Auguste Dominique Ingres 8822:Jean Auguste Dominique Ingres 8566:Jean Auguste Dominique Ingres 7691:¡Grande hazaña! ¡Con muertos! 7673:(1812–1813) or the atrocious 7574:, 1765–1770) also stood out. 6943:Christ after the flagellation 6810:The Martyrdom of Saint Philip 6229:on Prado (1618–1620) and the 5628: 5061:Florence Triumphant over Pisa 4482:The Resurrection of the Flesh 4107: 3670: 3637: 3573: 3521:is that of the Venus Pudica. 3059:pulpit in the Pisa Baptistery 2776: 2703: 2684: 2099:(10 BC), is preserved in the 1638:the slaughter of the sons of 1604: 1394: 1280: 1149: 1132: 1067:designed more human figures ( 1004: 993: 912: 895: 878: 849: 742:in plural), belonging to the 681: 583: 372: 193: 176: 22187:Neoclasicismo y Romanticismo 22180:(in Spanish). Milán: Electa. 21561:(in Spanish). Madrid: Sarpe. 21400:(in Spanish). Madrid: Giner. 21260:Museo Picasso de Barcelona. 21237:(in Spanish). Archived from 21171:(in Spanish). Archived from 20931:"Body art o arte del cuerpo" 20681:(in Spanish). Archived from 20655:(in Spanish). Archived from 20629:(in Spanish). Archived from 20591:(in Spanish). Archived from 19651:(in Spanish). Archived from 17533:(in Spanish). Archived from 17463:History of erotic depictions 17374:Musée des Beaux Arts d'Alger 16443:As opposed to the so-called 16159:stood out, who made several 15870:was framed in the so-called 15615:began in 1950 his series of 14991:). In painting, the work of 14575:, 1964, with Michelangelo's 14504:, while continuing to work: 14184:Young Girl and Man in Spring 14077:, often painted afterwards ( 14000:Seated Nude Holding a Flower 13860:Nude Woman in a Red Armchair 13652:Musée National d'Art Moderne 13459:Nude Lying on a Blue Cushion 13234:Woman and Indian on a carpet 13076:Dance around the Golden Calf 12483:A Model (Nude Self-Portrait) 11797:A group of artists known as 11485: 11058:And the gold of their bodies 10937:Subsequently, the so-called 10582:Portrait of Nicola D'Inverno 10460:, 1904) and, as a sculptor, 10438:The Rape of the Sabine Women 10430:Nude on the beach of Portici 9676:Eùgene Emmanuel Amaury-Duval 8229:Ganymede with Jupiter's Eagl 8194:Jason with the Golden Fleece 8160:Theseus Fighting the Centaur 8099:Jason with the Golden Fleece 8051:, 1819). On the other hand, 7962:Mars Being Disarmed by Venus 7934:The Loves of Paris and Helen 7738:Diana Resting after her Bath 7443:Madame de Pompadour as Venus 7336:Diana Resting after her Bath 7182:) or the sculptural work of 7180:Diana Resting after her Bath 6703:Adoration of the Golden Calf 6577:The Triumph of Diana, Autumn 6469:Giovanni Battista Caracciolo 6212:Boymans Van Beuningen Museum 5727:The Martyrdom of St. Maurice 4913:Venus and Cupid with a Satyr 4402:Martyrdom of Saint Sebastian 4381:Italian Renaissance painters 3882:, painted after his stay in 3727:Martyrdom of Saint Sebastian 3649:Museo nazionale del Bargello 3614:The Creation of Adam and Eve 3468:Iconography of Christian Art 3163:Martyrdom of Saint Catherine 3020:Martyrdom of Saint Catherine 3012:Descent of Christ into Limbo 2720:of the Master of Maderuelo ( 2389:marked the beginning of the 1646:, the death of the hero (as 1448:rites, where along with the 1368:of the Museo delle Terme in 54:in art runs parallel to the 7: 22892:Imagery of nude celebrities 22616:Social nudity organizations 22204:Weitemeier, Hannah (2001). 22157:Sougez, Marie-Loup (2007). 21566:Crepaldi, Gabriele (2002). 21557:Combalía, Victoria (1990). 20653:"Dos desnudos en un bosque" 17579:, for example, referred to 17425: 17240: 17216: 16964:(1240–1258) and the set of 16885:(present-day Pakistan) and 16012:Philip Morris. Tobacco Rose 15809:Painter at work, reflection 15648:cloth decomposed by burns; 15375:Paisaje con cuatro desnudos 14522:The Hallucinogenic Toreador 14429:Honey is Sweeter than Blood 14192:Nude Descending a Staircase 14119:Museum of Modern Art (MoMA) 14027:The Young Ladies of Avignon 13949:The Young Ladies of Avignon 13873:Parody of Manet's "Olympia" 13819:The Young Ladies of Avignon 13793:The Young Ladies of Avignon 13790:(1906). In 1907 he painted 13583:Staatliche Museen zu Berlin 11700:Young Girls by the Seashore 11598:Young Girls by the Seashore 11134:In the field of sculpture, 10851:Bathing Girl drying herself 10001:Tannhäuser on the Venusberg 9831:Tannhäuser on the Venusberg 9689:Phryne before the Areopagus 9599:Phryne before the Areopagus 9153:(1855), and his main work, 8799:Satan in his original glory 8233:The Three Graces with Cupid 8071:Mademoiselle Lange as Danae 8067:Mademoiselle Lange as Venus 8065:. Other works of his were: 7995:("decent voluptuousness"). 7687:Se aprovechan, Esto es peor 7570:) and Franz Ignaz Günther ( 6902:Christ's Descent into Limbo 6787:Apollo tended by the nymphs 6571:(1616–1617, which includes 5488:(1544), etc. For his part, 5362:Germanisches Nationalmuseum 5248:The Origin of the Milky Way 5194:Allegory of Venus and Cupid 5116:Gemäldegalerie Alte Meister 5045:Samson Slaying a Philistine 4965:Allegory of Venus and Cupid 4836:(1579), etc. His daughter, 4829:The Origin of the Milky Way 3902:passage that, according to 3622:The Expulsion from Paradise 3513:, or the posture of Eve in 3261:art of the Early Modern Age 3230:Art of the Early Modern Age 3089:'s work, especially in his 2956:(1416), where a scene from 2928:Eve rising from Adam's side 2679:of the bronze doors of the 1456:appeared a whole chorus of 967:Poseidon of Cape Artemision 10: 22995: 22827:Nudity in live performance 22334: 22274:Brief History of Painting. 22223:Wittkower, Rudolf (2002). 22079:Rynck, Patrick de (2009). 22060:Revilla, Federico (1999). 21758:Arte y cultura de la India 21642:Dube, Wolf-Dieter (1997). 21134:Honour & Fleming (2002 21122:Honour & Fleming (2002 19010:Zuffi & Bussagli (2001 18490:Zuffi & Bussagli (2001 18060:Zuffi & Bussagli (2001 18039:"Historia de la escritura" 18014:Zuffi & Bussagli (2001 17809:Johann Joachim Winckelmann 17789:, lover and later wife of 17663:Zuffi & Bussagli (2001 17151: 16773:) ending in the form of a 16695: 16633: 16447:, it is the art proper to 16131:, etc. The members of the 15797:Naked man seen from behind 15672:. Other works of his are: 15299:Roberto Fernández Balbuena 15143:origin, as can be seen in 15040:Group of Four Female Nudes 14704:The Magician's Accomplices 14569:Venus de Milo with Drawers 14527:Three Hyper-Realist Graces 14216:Philadelphia Museum of Art 14190:, 1910–1911), realized in 13571:Kneeling Mother with Child 13301:Mother Kneeling with Child 13274:Girls sitting by the water 13242:Three nudes in a landscape 12972:Emerging as a reaction to 12605: 12496: 12274:Ballad of Epona (The Joys) 12246:Young Man Admired by Women 11845:Dressing Table with Mirror 11805:. Among its members were: 11508: 11282:Women Bathing in the Sauna 11175:. Other works of his were 10889:Heir to Impressionism was 10783:Philadelphia Museum of Art 10671: 10174: 10149: 10045:William-Adolphe Bouguereau 9762:Alexandre Jacques Chantron 9742:Mary Magdalene in the Cave 9644:William-Adolphe Bouguereau 9494: 9277:(1851), a sort of Mexican 9263:Scene from the Inquisition 9259:Joseph and Potiphar's wife 9081:Love Reproved and Disarmed 9065:Liberty Leading the People 8941:Diana surprised by Actaeon 8785:. Other works of his are: 8659: 8575: 8191:. His most famous work is 7888:Johann Joachim Winckelmann 7855: 7682:Los desastres de la guerra 7369:. Other works of his are: 7143: 6643:Philadelphia Museum of Art 6625:Mary Magdalene Unconscious 6507:Joseph and Potiphar's Wife 6481:Martyrdom of St. Sebastian 6446:The Flagellation of Christ 6344:(1632). More pleasing are 6291:The Abundance of the Earth 6199:The Descent from the Cross 6193:The Elevation of the Cross 6163:The Birth of the Milky Way 6005: 5980: 5455:Eve, the Serpent and Death 4804:Joseph and Potiphar's Wife 4251:, 1513), which recall the 3980:The Misfortunes of Silenus 3740:(1470–1480), engraving by 3376:De humani corporis fabrica 3321: 3187:The Descent from the Cross 2378: 2093:, of which a copy, called 2032:was greatly influenced by 2024:With a clear precedent in 2017: 1963:and Tauriscus of Tralles, 1865:, which surely influenced 1720:(230–200 BC), also called 1125:Mausoleum of Halicarnassus 909:Harmodius and Aristogeiton 689:Metropolitan Museum of Art 628: 436:Archaeological Museum), a 338: 202: 22930: 22884: 22797: 22744: 22689: 22634: 22626:Timeline of social nudity 22576: 22526: 22461: 22360:Nakedness and colonialism 22342: 22176:Tarabra, Daniela (2009). 22138:Sanmiguel, David (2004). 22119:Sanmiguel, David (2000). 22098:Sanmiguel, David (2001). 21929:Historia mundial del arte 21483:Los géneros de la pintura 21443:Bozal, Valeriano (2000). 21297:"L'Afrique Qui Disparait" 21233:Centro Nikkei Argentino. 20627:"Unos Cuantos Piquetitos" 17752:, during the minority of 17531:"Pasion por los desnudos" 17517:Francisco Calvo Serraller 17319:Henri de Toulouse-Lautrec 17234: 17210: 16629: 16207:. Some of his nudes are: 14760:The Freedom of the Spirit 14370:Bathers of La Costa Brava 14327:Ariana, The Silent Statue 14180:Nude with Black Stockings 13984:Two Women Holding Flowers 13973:Nudes on a Red Background 13553:The Salon of Montparnasse 13405:In France, the so-called 13381:natural meaning of life. 13369:. On the other hand, the 13270:Three nudes in the forest 13226:Four Bathers on the Beach 12920:Nude on a Blue Background 12892:Luxury, Calm and Pleasure 12750:Luxury, Calm and Pleasure 12681:Les Demoiselles d'Avignon 11681:Pierre Puvis de Chavannes 11602:Pierre Puvis de Chavannes 11147:Museé des Arts Décoratifs 11062:Henri de Toulouse-Lautrec 10923:Henri de Toulouse-Lautrec 10494:Musée d'Art et d'Histoire 9395:Nude girl on panther skin 9261:, 1854), Víctor Manzano ( 9236:José Gutiérrez de la Vega 9113:(1844) is reminiscent of 9040:The Death of Sardanapalus 9002:The Death of Sardanapalus 8599:and the strengthening of 8532:The Torture of Prometheus 8455:Portrait of a black woman 8197:(1803–1828), inspired by 8049:The torture of Prometheus 7890:, who postulated that in 7118: 6841:Treatise on Wise Painting 6827:Bartolomé Esteban Murillo 6252:The Satyr and the Peasant 6217:Disciples of Rubens were 5747:St. Martin and the Beggar 5290:The Nymph of the Fountain 5145:Scottish National Gallery 4818:The Liberation of Arsínoe 4760:Venus and Mars with Cupid 4752:Sleeping Venus with Cupid 4746:Disciples of Titian were 3758:The Damned Cast into Hell 3263:—not to be confused with 2886:Madonna of the Red Angels 926:classical Greek sculpture 624: 557:or Jewish art, where the 543:Lion Hunt of Ashurbanipal 474:. Undoubtedly due to the 22681:Clothing-optional events 22453:Clothing laws by country 21737:Fuga, Antonella (2004). 21625:Cómo realizar esculturas 21519:Cirlot, Lourdes (1990). 21462:Cabanne, Pierre (1981). 17865:Imperial Academy of Arts 17616:and economically by the 17567:between the Archaic and 17503: 17252:(1603–1867), usually in 17125: 17113:principality of Kangra ( 16669: 16528:Zeitgeist Painting Nr. 4 16501:Bedroom (Elke and Georg) 16197:The Artist and his Model 16061:Relief Portrait of Arman 15813:Flora with blue toenails 15203:Las chicas de la Claudia 14969:arts. Aimed mainly at a 13969:Three Women at Breakfast 13965:Nude Model in the Studio 13735:: of academic training ( 13731:. Its main exponent was 13367:International Exposition 13360:Ludwig Mies van der Rohe 13198:Female Nudes by the Pond 12858:Odalisque with Red Pants 12838:Nude in Sunlit Landscape 12812:(1935) the influence of 12794:(1924) is influenced by 11825:Woman reclining on a bed 11735:Two Nudes in a Landscape 11344:Nineta, Después del baño 10291:Girl with the Pink Skirt 10083:Cave of the Storm Nymphs 9843:Cave of the Storm Nymphs 9801:Charles William Mitchell 9706:François-Léon Benouville 9536:François-Léon Benouville 9481:Charles William Mitchell 9159:Arc de Triomphe in Paris 9028:Dante and Virgil in Hell 8459:Marie-Guillemine Benoist 8125:Theseus and the Minotaur 7676:Saturn Devouring His Son 7648:Bandit stripping a woman 7435:Étienne Maurice Falconet 6890:(1637) or his images of 6581:Venus and Adonis, Spring 6440:The Entombment of Christ 6396:David throwing his sling 6352:Adam and Eve in Paradise 6109:Daniel in the Lions' Den 5892:Kunsthistorisches Museum 5837:Royal Palace of El Pardo 5759:The Vision of Saint John 5614:), who gave rise to the 5550:Pieter Bruegel the Elder 5508:Hans Holbein the Younger 5490:Hans Holbein the Younger 5446:The Two Lovers and Death 5067:Rape of the Sabine Women 4962:. A good example is the 3886:, where he frescoed the 3744:, Rothschild collection. 3146:, Biblioteca Stadale di 2876:the infant Jesus, as in 2726:Saint-Savin-sur-Gartempe 2231:Aphrodite of Menophantos 2212:The Aldobrandini Wedding 2183:Dioscuri of Montecavallo 1819:, or even in drawing or 1261:Alexander with the spear 1201:(3rd century BC) or the 22746:Social nudity advocates 22528:Issues in social nudity 22394:Breastfeeding in public 21946:Hopkins, Jerry (2006). 21870:Grimal, Pierre (1989). 21815:Historia de la estética 21813:Givone, Sergio (2001). 21775:Gibson, Gibson (2006). 21661:Düchting, Hajo (2019). 21538:Clark, Kenneth (1996). 21398:El desnudo en las artes 17826:Reyero, Carlos (2009). 17165:has been marked by its 16982:) arranged in friezes ( 16404:The Origin of the World 16357:Placebos and surrogates 16155:group and artists like 16083:Action art (since 1960) 15275:Las tentaciones de Buda 15104:Bilbao Fine Arts Museum 15056:The Beautiful Rafaela ( 14923:Unos cuantos piquetitos 14810:Attirement of the Bride 14714:shape, like the famous 14677:Woman before the Mirror 14448:The Apotheosis of Homer 14257:The brunette and blonde 13881:Le Déjeuner sur l'herbe 13877:The Venus in the Mirror 13812:Bilbao Fine Arts Museum 13765:Woman, Fernande Olivier 13450:Nude Sitting on a Divan 13429:. Among his works are: 13080:Still Life with Dancers 12982:(founded in 1905), and 12505:art of the 20th century 12463:São Paulo Museum of Art 12164:The Three Ages of Woman 12057:John William Waterhouse 11999:John William Waterhouse 11096:Woman Lifting Her Shirt 10701:Le Déjeuner sur l'herbe 10655:Auguste Neyt, model of 10422:Nude Old Man in the Sun 10299:The Dance of the Nymphs 10255:The Origin of the World 9986:Art Gallery of Ballarat 9782:The Awakening of Psyche 9718:Woman Bitten by a Snake 9627:Woman Bitten by a Snake 9204:, 1825). In sculpture, 9177:(1863) or the group of 9059:Woman Stroking a Parrot 8882:The Envoys of Agamemnon 8866:School of Fontainebleau 8479:The Death of Hyacinthos 8392:, Henri-Martin Museum, 8306:Dióscoro Teófilo Puebla 8291:Johann Nepomuk Schaller 8044:The Death of Hyacinthos 7973:Leonidas at Thermopylae 7952:Leonidas at Thermopylae 7842:with the Head of Medusa 7514:Juan Carreño de Miranda 7497:Juan Carreño de Miranda 7051:Atalanta and Hippomenes 6853:Royal Alcazar of Madrid 6593:Venus at Vulcan's Forge 6552:Atalanta and Hippomenes 5967:National Gallery of Art 5942:Guemäldegalerie, Berlin 5938:Lucas Cranach the Elder 5656:The Awakening of a Lady 5616:School of Fontainebleau 5600:Palace of Fontainebleau 5588:School of Fontainebleau 5554:Jan Brueghel de Velours 5485:The Seven Ages of Woman 5400:The Suicide of Lucretia 5282:Lucas Cranach the Elder 5025:Saltcellar of Francis I 4659:Sacred and Profane Love 4624:interpretation made by 4597:Sacred and Profane Love 4285:, and the female ones ( 4042:Apollo of the Belvedere 3803:The Truth, detail from 3564:Bacchanal with Wine Vat 3519:Expulsion from Paradise 3287:; the invention of the 3065:1260, based on a Roman 3049:, such as the image of 2964:that is covered with a 2510:Astronomical Manuscript 1996: 1932:Borghese hermaphroditus 1387:, author of the famous 110:to religion, including 22849:Nudity in music videos 22822:Nude photography (art) 22541:Sexual objectification 22343:Nakedness and clothing 21984:Newall, Diana (2009). 21965:Néret, Gilles (2001). 21908:Huera, Carmen (1996). 21701:Historia de la fealdad 21682:Historia de la belleza 21500:Chilvers, Ian (2007). 21146:García-Ormaechea (1998 21098:García-Ormaechea (1998 20575:Fernández et al. (1991 20563:Fernández et al. (1991 20266:Fernández et al. (1991 19822:Escritos sobre el arte 18340:"Doidalsas de Bitinia" 17863:in Madrid (1744), the 17859:in Berlin (1696), the 17381: 17197: 17149: 17135:Onna yu (women's bath) 16747:(male sex symbol) and 16737: 16693: 16581: 16518:In the United States, 16103: 15923:abstract expressionism 15887:Shepherd on the Landes 15848:Nude Before the Mirror 15664:", the Greek hell; in 15581:abstract expressionism 15525: 15283:El baño de las zagalas 15207:Marceliano Santa María 15149:The Altarpiece of Love 15133:Julio Romero de Torres 15107: 15100:Julio Romero de Torres 14919:Desnudo de Mujer India 14851: 14824:(1928), influenced by 14796:, who used to work in 14764:The Dress of the Night 14413:Masochistic Instrument 14302: 14174:. Its main factor was 14125: 14023:Woman Combing Her Hair 13934:Nude under a Pine Tree 13916:Woman Combing Her Hair 13815: 13788:Nude with Joined Hands 13717: 13702:Woman Combing Her Hair 13575:Paula Modersohn-Becker 13463:Nude Lying on Her Back 13402: 13297:Paula Modersohn-Becker 13290:Two girls in the grass 13039: 12969: 12958:Two Girls in the Grass 12873:Nude Lying on Her Back 12854:Nude with Blue Cushion 12842:Red Fish and Sculpture 12729: 12603: 12494: 12493:Library, New York City 12221: 12118:The Kiss of the Sphinx 12104: 12019:Dante Gabriel Rossetti 12006: 12001:, City Art Galleries, 11966:, before reaching the 11939:was the author of the 11935:(1900). In sculpture, 11925:The treasures of Satan 11921:The idol of perversity 11889: 11875:Nude Against the Light 11837:Nude Against the Light 11794: 11619:Oedipus and the Sphinx 11609: 11547:, the Eve turned into 11506: 11414:Female nude lying down 11299:In Spain, the work of 11184:Saint John the Baptist 11131: 11082:The Medical Inspection 11024:The Moon and the Earth 10980:, 1880) and a stay in 10934: 10886: 10828:Fountain of the Nymphs 10823:Les Grandes baigneuses 10790: 10774:Les Grandes Baigneuses 10544:Gardens of Buen Retiro 10338:The Triumph of Silenus 10334:Bather Drying Her Foot 10248:(1866), which recalls 10200:Its main exponent was 10177:Realism (art movement) 10172: 10126:Ulysses and the Sirens 9982:Solomon Joseph Solomon 9876:Ulysses and the Sirens 9730:The Pearl and the Wave 9639: 9611: 9547: 9512:, which regulated the 9492: 9325:The Raft of the Medusa 9255:Susanna and the Elders 9247:Antonio María Esquivel 9163:Jean-Baptiste Carpeaux 9014: 8968:The Raft of the Medusa 8950:The Toilette of Esther 8937:Susanna and the Elders 8905:Roger Freeing Angelica 8887:Oedipus and the Sphinx 8829: 8803:The Lover's Whirlwind. 8683:Johann Heinrich Füssli 8657: 8650:Johann Heinrich Füssli 8573: 8513:Pierre-Narcisse Guérin 8348:, 1837), Antoni Solà ( 8302:Susanna and the Elders 8287:Ariadne on the panther 8271:Franz Anton von Zauner 8111: 8019:Jean-Baptiste Regnault 8005:Pierre-Narcisse Guérin 7984: 7853: 7593: 7552:Royal Palace of Madrid 7539:Royal Palace of Madrid 7521:naked heroes, such as 7504: 7407:Nymph leaving the bath 7299: 7269:Susanna and the Elders 7257:Psyche in her toilette 7253:Charles-Joseph Natoire 7154:, and at the end with 7141: 7022:Susanna and the Elders 6972:Borghese Hermaphrodite 6822: 6791:The Rape of Proserpina 6734:The Labors of Hercules 6695:The Triumph of Galatea 6646: 6635:The Triumph of Galatea 6490:Susanna and the Elders 6464:The Raising of Lazarus 6402:Truth Unveiled by Time 6390:The Rape of Proserpina 6347:Susanna and the Elders 6315: 6283:The Triumph of Bacchus 6104:The Headdress of Venus 6074: 6003: 5825:Juan Martínez Montañés 5789:Allegories of Painting 5595: 5566:Neptune and Amphitrite 5519: 5425:Niklaus Manuel Deutsch 5369: 5022:of El Escorial, 1539; 4922:The Education of Cupid 4888:Susanna and the Elders 4864: 4823:Susanna and the Elders 4813:Venus, Vulcan and Mars 4629: 4386: 4202: 4136:The Battle of Anghiari 4126: 4001:The Myth of Prometheus 3822: 3806:The Calumny of Apelles 3783:Battle of the Centaurs 3745: 3742:Antonio del Pollaiuolo 3710:The Labors of Hercules 3656: 3610:Baptistery of Florence 3509:recalls the classical 3495:The Sacrifice of Isaac 3416: 3319: 3256: 3140:Liber Divinorum Operum 2903: 2655: 2517: 2376: 2316:Museo Nazionale Romano 2236:Museo Nazionale Romano 2096:Group of San Ildefonso 2071:(1st century BC); and 2015: 1846:Borghese Hermaphrodite 1829:Maarten van Heemskerck 1817:Jean-Baptiste Carpeaux 1783:The Suffering of Dirce 1683: 1330:Venus of the Esquiline 1303: 1031: 860: 692: 590: 383: 240:, producing so-called 200: 97:history of Western art 47: 22859:Nudity in advertising 22854:Nudity in print media 22654:Nude swimming classes 22003:Onians, John (2008). 21950:. Tuttle Publishing. 21912:. Edunsa, Barcelona. 21794:Giorgi, Rosa (2007). 21699:Eco, Umberto (2007). 21680:Eco, Umberto (2004). 21604:Dempsey, Amy (2008). 19927:Calvo Serraller (2005 19490:Calvo Serraller (2005 17978:Calvo Serraller (2005 17892:, pp. 752–753)). 17873:Royal Academy of Arts 17855:in Paris (1648), the 17849:Accademia di San Luca 17845:Accademia del Disegno 17816:, pp. 150–154)). 17618:Industrial Revolution 17612:, politically by the 17583:when speaking of the 17521:Calvo Serraller (2005 17458:History of aesthetics 17364: 17347:, the erotic side of 17184: 17133: 17048:Statue of Gomateśvara 16805:). For its part, the 16727: 16677: 16576: 16182:As a reaction to the 16090: 15650:Ochre and pink relief 15512: 15363:Gitana bajo una parra 15287:Tierra, Fauna y Flora 15199:José Gutiérrez Solana 15179:Trini's granddaughter 15092: 14931:Two Nudes in a Forest 14834: 14708:Delusions of Grandeur 14607:Piero della Francesca 14480:The Judgment of Paris 14400:The Great Masturbator 14323:Perseus and Andromeda 14319:metaphysical painting 14293: 14107: 13802: 13737:Female nude from back 13700: 13604:, private collection. 13387: 13210:Karl Schmidt-Rottluff 13175:The Judgment of Paris 13171:Nude with a Black Hat 13151:Bathers in Moritzburg 13119:Ernst Ludwig Kirchner 13113:Among the members of 13030: 12956: 12930:. His works include: 12834:Still Life with Dance 12772:Bathers with a Turtle 12712: 12596:Ernst Ludwig Kirchner 12590: 12481: 12417:, private collection. 12303:, whose authors were 12290:Woman picking flowers 12204: 12097:Akseli Gallen-Kallela 12091: 11991: 11954:stood out, author of 11873: 11785: 11759:Venus with a Necklace 11596: 11493: 11320:Children on the beach 11112: 10994:, 1889), his stay in 10919:Nude Lying on a Couch 10917: 10867: 10855:The Judgment of Paris 10779:Pierre-Auguste Renoir 10771: 10747:Woman drying her foot 10458:The Judgment of Paris 10369:Nude Boy on the Beach 10275:Nymph on the Seashore 10261:Another exponent was 10228:Lot and His Daughters 10218:Nude Woman Lying Down 10210:(1853), the model of 10169:Musée du Petit-Palais 10157: 10089:, Private Collection. 10047:, Private Collection. 10026:, Private collection. 9938:Jules Joseph Lefebvre 9734:Jules Joseph Lefebvre 9710:The Wrath of Achilles 9702:Pygmalion and Galatea 9624: 9596: 9532:The Wrath of Achilles 9530: 9473: 9047:), the mythological ( 9034:The Massacre at Chios 8999: 8814: 8711:drawings of simplegma 8642: 8615:arises as opposed to 8597:Industrial Revolution 8558: 8409:The Dream of Endymion 8326:Nestor and Antilochus 8096: 8057:The Sleep of Endymion 7971: 7837: 7815:Jean-Baptiste Pigalle 7784:Perseus and Andromeda 7765:Jean-Honoré Fragonard 7580: 7491: 7447:Pygmalion and Galatea 7419:Jean-Baptiste Pigalle 7403:Jean-Baptiste Lemoyne 7347:Jean-Honoré Fragonard 7318:Marie-Louise O'Murphy 7277: 7261:Jean François de Troy 7219:The Judgment of Paris 7198:The Judgment of Paris 7126: 7027:Artemisia Gentileschi 6868:Francisco de Zurbarán 6807: 6779:Perseus and Andromeda 6649:In the French field, 6633: 6585:Venus in her toilette 6485:Artemisia Gentileschi 6377:In Italy the work of 6368:Bathsheba at the Bath 6364:Saskia van Uylenburgh 6299: 6179:The Judgment of Paris 6115:Perseus and Andromeda 6059: 6031:countries (of a more 6023:countries, where the 5988: 5934:The Fountain of Youth 5738:The Baptism of Christ 5692:Story of Adam and Eve 5662:; and, in sculpture, 5644:Jean Cousin the Elder 5608:Francesco Primaticcio 5582: 5502: 5350: 5333:The Fountain of Youth 4994:Piazza della Signoria 4847:Supposed portrait of 4846: 4834:Judith and Holofernes 4594: 4458:Lamentation of Christ 4368: 4267:San Pietro in Vincoli 4187: 4157:, 1510–1515), or his 4142:The Battle of Cascina 4099: 4013:Piero della Francesca 3976:Venus, Mars and Cupid 3964:, who also portrayed 3815:Galleria degli Uffizi 3802: 3736: 3630: 3587:Venus, Mars and Diana 3499:The Children of Niobe 3397: 3310: 3237: 3192:Rogier van der Weyden 3119:, miniature from the 2992:Rogier van der Weyden 2894: 2750:The Baptism of Christ 2746:El Escorial Monastery 2694:of the facade of the 2640:Villard de Honnecourt 2631: 2536:, four phases of the 2499: 2353: 2279:(House of Venus), of 2261:Pio-Clementine Museum 2255:(1st century BC), by 2004: 1934:(2nd century BC), by 1837:leeping Hermaphrodite 1688:Hellenistic sculpture 1680:Pio-Clementine Museum 1664: 1273: 1096:Ephebe of Antikythera 1016: 838: 829:Kouros of Aristodikos 670: 572: 529:, son of the goddess 369:Musicians and dancers 367: 184: 32: 22922:Softcore pornography 22799:Depictions of nudity 22563:Wardrobe malfunction 22463:Nudity and sexuality 22279:5 April 2016 at the 22185:Toman, Rolf (2008). 22178:Los estilos del arte 22041:Réau, Louis (2000). 21362:on 29 November 2011. 21295:Zagourski, Casimir. 21059:Ali, Wijdan (1999). 19824:(in Spanish), p. 35. 17853:Académie Royal d'Art 17851:in Rome (1577), the 17762:barocco and rocaille 17694:, pp. 121–122)) 17483:Depictions of Nudity 17194:Kuroda Memorial Hall 17003:) and others naked ( 16955:Torso of bodhisattva 16397:(1990), inspired by 16323:Youri Messen-Jaschin 16319:Rudolf Schwarzkogler 16293:, experimented with 16209:Woman in the bathtub 16201:Antonio López García 15970:Great American Nudes 15781:Naked man with a rat 15773:MNaked girl laughing 15708:artist's taste. The 15407:Nocturno del desnudo 15235:Francisco Soria Aedo 14748:Flowers of the Devil 14740:Collective Invention 14661:Mermaid in Moonlight 14531:Standing Female Nude 14343:School of Gladiators 14073:, mixed methods and 14015:Alexander Archipenko 13977:The Three Women on a 13912:Figures on the Beach 13888:Les Deux Femmes nues 13757:Dutchess with a Coif 13706:Alexander Archipenko 13579:Alte Nationalgalerie 13194:Bathers in the Reeds 13163:Nudes in the Country 12776:Nude, Black and Gold 12692:Constantine Brâncuşi 12440:Museum of Modern Art 12284:, future founder of 12124:(1913). In Austria, 12061:Hylas and the Nymphs 12049:John Everett Millais 12041:The Wheel of Fortune 11994:Hylas and the Nymphs 11950:In the Netherlands, 11859:(1895), inspired by 11857:The Recumbent Christ 11787:The Recumbent Christ 11346:) and Julio Moisés ( 11149:in Paris—now in the 11145:(1880–1917) for the 10799:Baigneuse au griffon 10454:Anatomy of the heart 10250:The Two Girl Friends 10213:The Painter's Studio 10131:Herbert James Draper 10106:Lawrence Alma-Tadema 9871:Herbert James Draper 9855:John William Godward 9847:Lawrence Alma-Tadema 9754:Édouard Debat-Ponsan 9678:, author of another 9269:, was the author of 9175:Ugolino and His Sons 8917:His disciples were: 8911:Odalisque with Slave 8839:The Valpinçon Bather 8330:Venus of the Alameda 8328:, 1818), Juan Adán ( 8217:Venus with the Apple 8075:Pierre-Paul Prud'hon 7723:Jean-Antoine Watteau 7657:The Witches' Kitchen 7564:Georg Raphael Donner 7518:Giambattista Tiepolo 7391:The Fountain of Love 7340:La toilette de Venus 7327:The Triumph of Venus 7249:Hercules and Omphale 7214:Jean-Antoine Watteau 6767:Palace of Versailles 6657:, inaugurating with 6458:Saint Jerome Writing 6452:Christ at the Column 6379:Gian Lorenzo Bernini 6126:The Triumph of Truth 5958:Laocoön and his sons 5821:The Burial of Christ 5805:Practicable speeches 5765:Laocoön and his Sons 5716:St. John the Baptist 5545:The Haywain Triptych 5522:In the Netherlands, 5473:Hercules and Antaeus 5274:Erasmus of Rotterdam 4998:Bartolomeo Ammannati 4733:(1518–1526), or his 4558:Fondaco dei Tedeschi 4535:Marcantonio Raimondi 4490:Chapel of San Brizio 4411:Piero del Pollaiuolo 4190:The Creation of Adam 4155:St. John the Baptist 3985:The Death of Procris 3912:Aphrodite Anadyomene 3770:Bertoldo di Giovanni 3718:Hercules and Antaeus 3542:Antonello da Messina 3534:Masolino da Panicale 3295:; at the same time, 2940:international Gothic 2896:Scene in a bathhouse 2882:The Virgin and Child 2758:University of Prague 2754:Vyšehrad Gospel Book 2681:Hildesheim Cathedral 2635:Livre de portraiture 2387:Western Roman Empire 2257:Apollonius of Athens 2191:Piazza del Quirinale 2187:Baths of Constantine 2112:Apollo Saurochthonus 2057:Apollonius of Athens 2010:(10 BC), anonymous, 1825:Marcantonio Raimondi 1737:Laocoön and His Sons 1732:Conservatory of Rome 1667:Laocoön and His Sons 1616:Museo Pio-Clementino 1575:Apollo Saurochthonus 1235:Eros drawing the bow 1229:(325 BC), or in the 1102:Athlete with Strigil 1070:Apollo Saurochthonus 685: 590 BC–580 BC 22869:Glamour photography 22817:Nude modeling (art) 22774:Henry S. Huntington 21502:Diccionario de arte 21167:Camarasa, Vicente. 21148:, pp. 112–113) 21136:, pp. 239–240) 20957:"Debajo de la piel" 20718:, pp. 318–356) 20616:, pp. 353–355) 20448:, pp. 776–777) 20424:, pp. 331–333) 20412:, pp. 453–457) 20379:, pp. 373–374) 20067:, pp. 296–297) 20034:, pp. 324–329) 20010:, pp. 260–262) 19998:, pp. 301–305) 19974:, pp. 161–167) 19953:, pp. 214–216) 19917:, pp. 757–758) 19905:, pp. 294–296) 19893:, pp. 748–749) 19836:, pp. 158–159) 19796:, pp. 283–284) 19784:, pp. 412–419) 19772:, pp. 279–280) 19760:, pp. 289–290) 19748:, pp. 285–287) 19736:, pp. 213–212) 19712:, pp. 151–157) 19700:, pp. 211–212) 19630:, pp. 663–664) 19540:, pp. 253–255) 19516:, pp. 281–282) 19504:, pp. 249–250) 19480:, pp. 246–247) 19444:, pp. 236–237) 19432:, pp. 230–235) 19420:, pp. 145–151) 19408:, pp. 605–606) 19396:, pp. 225–226) 19384:, pp. 224–225) 19288:, pp. 214–215) 19276:, pp. 326–329) 19252:, pp. 253–255) 19228:, pp. 139–145) 19192:, pp. 479–480) 19180:, pp. 188–192) 19168:, pp. 182–184) 19156:, pp. 180–181) 19144:, pp. 166–170) 19120:, pp. 311–314) 19108:, pp. 316–323) 19084:, pp. 136–137) 19060:, pp. 132–135) 19048:, pp. 154–155) 19036:, pp. 152–153) 19024:, pp. 126–131) 19000:, pp. 116–119) 18976:, pp. 247–248) 18952:, pp. 236–243) 18904:, pp. 200–201) 18892:, pp. 109–114) 18856:, pp. 101–107) 18844:, pp. 193–198) 18832:, pp. 188–191) 18808:, pp. 101–103) 18796:, pp. 230–231) 18684:, pp. 347–348) 18648:, pp. 106–107) 18636:, pp. 305–308) 18624:, pp. 303–304) 18588:, pp. 302–303) 18552:, pp. 300–301) 18528:, pp. 225–228) 18516:, pp. 297–298) 18320:, pp. 221–224) 18296:, pp. 263–275) 18236:, pp. 180–184) 18158:, pp. 169–171) 17912:History of ugliness 17857:Akademie der Künste 17585:Italian Renaissance 17537:on 14 December 2014 17395:National Geographic 17175:Japanese aesthetics 16803:chatur-mukha-liṅgam 16199:, 1976). In Spain, 15968:made in the series 15777:Naked girl sleeping 15379:Desnudo en el campo 15355:Mujeres en la playa 15351:Mujeres en el campo 15335:Poema del Atlántico 15311:Desnudos luz sombra 15303:Desnudo de espaldas 15079:Susanna in the Bath 15071:Nude with Buildings 14856:Constantin Brâncuşi 14657:Entry into the City 14498:Dalí Theater-Museum 14366:Nude in a Landscape 13900:Seated Bathing Girl 13761:Boy Leading a Horse 13617:Two Women Embracing 13354:, exhibited in the 13333:Two women embracing 13206:The Crystalline Day 13147:Bathers in the room 12896:Maurice de Vlaminck 12846:Nude Spanish Carpet 12491:Columbia University 12487:Florine Stettheimer 12280:(1902). In Russia, 12035:series, 1868–1870; 11929:The school of Plato 11755:Bathing Girl Drying 11444:Ohara Museum of Art 11436:(Te navenave fenua) 11229:Hercules the Archer 11199:La Belle Heaulmière 10939:post-impressionists 10847:Seated Bathing Girl 10803:Aphrodite of Cnidus 10586:John Singer Sargent 10486:Young Girl in Green 10442:José Jiménez Aranda 10365:Thomas Gainsborough 10345:John Singer Sargent 10279:Interrupted Reading 10223:Woman with a Parrot 9961:Luis Ricardo Falero 9884:Luis Ricardo Falero 9758:Le massage au Hamam 9588:Aphrodite of Cnidus 9489:Newcastle upon Tyne 9376:Théodore Chassériau 8929:Théodore Chassériau 8899:The Dream of Ossian 8753:(1825–1827) or the 8508:Aurora and Cephalus 8314:José Álvarez Cubero 8259:Mercury and Pandora 8251:Cephalus and Aurora 8189:Munich Glyptotheque 8140:Hercules and Lichas 8120:Daedalus and Icarus 8010:Aurora and Cephalus 7977:Jacques-Louis David 7923:Jacques-Louis David 7788:Anton Raphael Mengs 7543:Anton Raphael Mengs 7451:Jean-Antoine Houdon 7395:The Two Girlfriends 7378:The Shift Withdrawn 7232:Jupiter and Antiope 7193:Venus at her mirror 7031:Weissenstein Castle 6967:Venus at her Mirror 6742:Angelica and Medoro 6691:The Empire of Flora 6683:Cephalus and Aurora 6372:Hendrickje Stoffels 6092:The Death of Seneca 6050:Allegory of Victory 5991:Venus at her Mirror 5829:St. Jerome penitent 5776:(1600–1610) of the 5328:Allegory of Justice 5078:—was cultivated by 5055:Fountain of Neptune 5011:Fountain of Neptune 4970:Allegory of Passion 4918:Jupiter and Antiope 4910:. In works such as 4880:The Creation of Eve 4676:Bacchus and Ariadne 4650:Jupiter and Antiope 4467:Pinacoteca di Brera 4352:Alexander the Great 4293:) to the Vatican's 4173:(1503), now in the 3854:) and the mundane ( 3738:Battle of the Nudes 3683:cuirasse esthétique 3144:Hildegard of Bingen 3121:Codex Aemilianensis 3028:Tarragona Cathedral 2884:(1450, also called 2800:Vincent de Beauvais 2638:(13th century), by 2607:Paleo-Christian art 2596:Isenheim Altarpiece 2331:Capitoline Antinous 2291:Alexander the Great 2179:Column of Antoninus 2091:Orestes and Pylades 2007:San Ildefonso Group 1870:Venus at her Mirror 1851:Baths of Diocletian 1823:, such as those of 1390:Aphrodite of Cnidus 1276:Aphrodite of Cnidus 1257:Alexander the Great 1145:Apollo of Belvedere 1055:cuirasse esthétique 647:. Characterized by 493:Girl Playing a Harp 376: 1420–1375 BC 186:Venus of Willendorf 145:culture, of a more 127:Venus of Willendorf 74:classifications of 18:History of nude art 22974:Visual arts genres 22917:Nude psychotherapy 22874:Erotic photography 22789:Richard Ungewitter 22784:Elton Raymond Shaw 22621:Anarchist naturism 22611:Naturist magazines 22591:Christian naturism 22443:Nudity and protest 22382:Nudity in religion 22101:Anatomía artística 21967:Tamara de Lempicka 21834:La Sagrada Familia 21644:Los Expresionistas 21335:10.4000/bmsap.3983 20955:Mackenzie, Suzie. 20595:on 11 January 2012 20577:, pp. 99–102) 17847:, followed by the 17622:Late modern period 17382: 17282:Katsushika Hokusai 17258:Hishikawa Moronobu 17198: 17150: 16738: 16694: 16582: 16481:The Birth of Venus 16417:Women Against Rape 16303:Viennese Actionism 16104: 15906:The Rape of Europe 15793:Naked man on a bed 15526: 15514:The Rape of Europa 15479:Venus Mediterránea 15347:Francisco Iturrino 15343:La mestiza desnuda 15339:Juan de Echevarría 15307:Desnudo Pittsburgh 15227:El rapto de Europa 15215:Figuras de romance 15137:Vividoras del amor 15108: 14993:Tamara de Lempicka 14864:Alberto Giacometti 14852: 14844:Fitzwilliam Museum 14724:Dangerous Liaisons 14405:The Bleeding Roses 14374:Cubist Composition 14339:Nude Self-Portrait 14315:Giorgio de Chirico 14303: 14126: 14004:Nude with a Mirror 13961:Nude in the Forest 13816: 13804:Nude Woman Reading 13753:Harlequin's Family 13741:Seated female nude 13718: 13504:Nude in the Mirror 13455:Nude with Necklace 13403: 13329:Seated female nude 13135:Couple on the Sofa 13040: 13012:—in line with the 12970: 12746:Nude at the Window 12730: 12604: 12495: 12411:The Knight's Dream 12264:(1895). The Czech 12222: 12185:(1917–1918), etc. 12175:Judith II (Salome) 12105: 12029:Edward Burne-Jones 12007: 11890: 11849:Nude in the Bucket 11795: 11708:(1884–1889), etc. 11674:Jupiter and Semele 11650:The Rape of Europa 11610: 11507: 11132: 11115:Eternal Springtime 10935: 10887: 10791: 10567:Constantin Meunier 10306:Constantin Meunier 10283:Woman with a Pearl 10173: 10139:Kingston upon Hull 10135:Ferens Art Gallery 10102:A Favourite Custom 10068:Museum of Grenoble 9977:Ajax and Cassandra 9813:Psyche in the Bath 9787:In Great Britain, 9671:The Birth of Venus 9649:The Birth of Venus 9640: 9612: 9608:Hamburg Kunsthalle 9548: 9493: 9349:Penitent Magdalene 9330:Théodore Géricault 9305:Fitzwilliam Museum 9202:Penitent Magdalene 9151:Hebe and the Eagle 9015: 8963:Théodore Géricault 8893:Jupiter and Thetis 8830: 8808:(1824–1827), etc. 8728:Titania and Bottom 8658: 8645:Titania and Bottom 8574: 8488:Musée Sainte-Croix 8255:The Fury of Atamas 8235:(1817–1818), etc. 8173:Bertel Thorvaldsen 8168:(1815–1817), etc. 8144:Perseus Triumphant 8112: 8108:Thorvaldsen Museum 8104:Bertel Thorvaldsen 7985: 7940:The Death of Marat 7926:revolutionary and 7854: 7594: 7505: 7483:Triumph of Galatea 7463:Allegory of Winter 7459:Diana the Huntress 7372:The Birth of Venus 7300: 7142: 7079:Gregorio Fernández 7006:Capitoline Museums 6900:(1630), or in the 6887:Apollo and Marsyas 6872:Gregorio Fernández 6823: 6672:Echo and Narcissus 6667:Apollo and Bacchus 6647: 6601:Mercury and Apollo 6523:. It began in the 6316: 6271:Apollo and Marsyas 6258:The Rape of Europa 6169:Diana and Callisto 6075: 6004: 5664:Diana the Huntress 5660:Toussaint Dubreuil 5625:Diana the Huntress 5596: 5520: 5370: 5298:Judgement of Paris 4986:Hercules and Cacus 4865: 4722:Diana and Callisto 4710:The Rape of Europa 4688:Venus and Musician 4682:Penitent Magdalene 4630: 4203: 4127: 4079:Triumph of Galatea 4025:Apollo and Marsyas 3925:Calumny of Apelles 3916:Simonetta Vespucci 3880:The Birth of Venus 3867:The Birth of Venus 3823: 3746: 3694:Antonio Pollaiuolo 3657: 3554:, 1476–1479); and 3455:art for art's sake 3433:The Birth of Venus 3417: 3415:(Exodus 33:18–23). 3320: 3312:Allegory of Beauty 3281:American continent 3257: 3240:The Birth of Venus 2904: 2656: 2611:Hermes Moscophorus 2601:Matthias Grünewald 2518: 2500:Representation of 2454:nuditas criminalis 2446:nuditas temporalis 2415:Paleochristian art 2377: 2335:Capitoline Museums 2234:(1st century BC), 2124:Hellenistic Prince 2089:, and others with 2087:Mercury and Vulcan 2016: 1859:Philip IV of Spain 1807:—such as those of 1684: 1678:(2nd century BC), 1304: 1194:Borghese Gladiator 1182:Perseus Triumphant 1129:Greeks and Amazons 1112:Ephebe of Marathon 1032: 904:Tyrannicides Group 874:Apollo of Piombino 861: 802:(600–590 BC), the 693: 591: 498:Rahotep and Nofret 384: 201: 48: 22956: 22955: 22553:Indecent exposure 22501:Feminist stripper 22196:978-3-8331-5103-3 22168:978-84-376-2344-3 22090:978-84-8156-453-2 22014:978-84-9801-293-4 21995:978-84-9801-362-7 21805:978-84-8156-420-4 21786:978-3-8228-5030-5 21710:978-84-264-1634-6 21672:978-3-8365-8046-5 21665:. Köln: Taschen. 21615:978-84-9801-339-9 21596:978-84-376-3441-8 21511:978-84-206-6170-4 21407:Historia del Arte 21241:on 22 August 2014 21112:, pp. 44–45) 21088:, pp. 12–17) 21072:978-977-424-476-6 21004:, pp. 37–39) 20843:, pp. 52–55) 20706:, pp. 17–48) 20679:"La Columna Rota" 20659:on 20 August 2014 20633:on 20 August 2014 19204:, pp. 30–31) 18964:, pp. 67–72) 18880:, pp. 63–67) 18820:, pp. 62–63) 18784:, pp. 37–39) 18745:, pp. 24–25) 18600:, pp. 92–93) 18564:, pp. 87–88) 18492:, pp. 41–43) 18423:, pp. 95–97) 18390:, pp. 63–64) 18284:, pp. 88–93) 18272:, pp. 81–85) 18260:, pp. 78–81) 18248:, pp. 56–57) 18224:, pp. 52–55) 18179:, pp. 41–45) 18146:, pp. 35–37) 18086:, pp. 44–45) 18074:, pp. 38–43) 18062:, pp. 13–15) 18016:, pp. 11–12) 17614:French Revolution 17577:Heinrich Wölfflin 17556:Derived from the 17478:History of nudity 17412:Casimir Zagourski 17357:Ethnographic nude 17286:Utagawa Hiroshige 17029:Bodhisattva torso 16801:) or four faces ( 16732:, projected on a 16622:and forbidden in 16606:pre-Columbian art 16536:The Miller's Tale 16479:and Botticelli's 16457:neo-expressionism 16353:Run for your life 16151:. In Europe, the 15902:Woman with Mirror 15856:Cat in the Mirror 15828:The Guitar Lesson 15718:movement and the 15626:Willem de Kooning 15411:Mariano Benlliure 15267:Eduardo Chicharro 15231:; Leda y el cisne 15211:Angélica y Medoro 15032:Nude on a Terrace 14935:The Broken Column 14822:Mathematical Nude 14736:The gigantic days 14625:The Sleeping City 14386:Venus with Cupids 14311:automatic writing 14079:sculpto-peintures 13992:The City of Paris 13920:Massacre in Korea 13784:Wringing Her Hair 13545:Tsuguharu Foujita 13487:White Crucifixion 13478:Nude over Vitebsk 13415:Amedeo Modigliani 13395:Amedeo Modigliani 13257:Triptych of Palau 13184:Other members of 12932:The Jeweled Woman 12686:path towards the 12630:quantum mechanics 12598:, Art Gallery of 12314:The Snake Charmer 12037:The Garden of Pan 12024:Venus Verticordia 11981:(1910–1911) is a 11933:The love of souls 11532:Théophile Gautier 11336:Desnudo de frente 11225:Antoine Bourdelle 11178:The Age of Bronze 11172:The Divine Comedy 11142:The Gates of Hell 11028:Otahí or Solitude 11004:Loss of Innocence 10991:The Yellow Christ 10927:Barnes Foundation 10891:Neo-Impressionism 10879:Barnes Foundation 10739:Woman in the bath 10663:Gaudenzio Marconi 10658:The Age of Bronze 10636:The Age of Bronze 10563:Monument to Labor 10418:Choice of a Model 10318:Monument to Labor 10295:The Bath of Diana 10191:utopian socialism 10064:Jacqueline Marval 9867:Nude on the Beach 9863:In the Tepidarium 9859:Venus at the Bath 9851:A Favorite Custom 9809:Frederic Leighton 9793:Joseph Noel Paton 9778:Guillaume Seignac 9722:Leda and the Swan 9714:Auguste Clésinger 9666:Alexandre Cabanel 9632:Auguste Clésinger 9485:Laing Art Gallery 9206:Lorenzo Bartolini 9183:Paris Opera House 8983:Leda and the Swan 8919:Antoine-Jean Gros 8779:Vincenzo Scamozzi 8750:The Divine Comedy 8699:Baccio Bandinelli 8593:French Revolution 8390:Joseph-Marie Vien 8385:Two Women Bathing 8338:Diana in the Bath 8310:Las hijas del Cid 8289:, 1812–1814) and 8015:Iris and Morpheus 7868:French Revolution 7527:Corrado Giaquinto 7510:The Naked Monster 7493:The Naked Monster 7345:His disciple was 7332:Leda and the Swan 7237:Diana in the Bath 7164:the Enlightenment 6860:Francisco Ribalta 6783:François Girardon 6738:Jacques Blanchard 6736:, 1658–1661) and 6687:Midas and Bacchus 6663:Apollo and Daphne 6609:Allegory of Water 6605:Diana and Actaeon 6529:Annibale Carracci 6527:, by the hand of 6408:Apollo and Daphne 6324:Diana at the Bath 6287:The Rest of Diana 6237:in Munich, or in 6188:Antwerp Cathedral 6079:Peter Paul Rubens 6067:Peter Paul Rubens 6021:counter-reformist 5911:Alonso Berruguete 5809:Alonso Berruguete 5793:Francisco Pacheco 5648:The Bath of Diana 5640:Eve Prima Pandora 5612:Benvenuto Cellini 5534:The Last Judgment 5464:Death and a Woman 5429:Judgment of Paris 5413:Imperial Triumphs 5338:Diana and Actaeon 5224:Benvenuto Cellini 5016:Benvenuto Cellini 5002:Leda and the Swan 4982:Baccio Bandinelli 4933:Leda and the Swan 4861:Frankfurt am Main 4853:Bartolomeo Veneto 4756:Bathsheba Bathing 4716:Diana and Actaeon 4566:(1510) or in his 4494:Orvieto Cathedral 4160:Leda and the Swan 4131:Leonardo da Vinci 4115:Leonardo da Vinci 3972:Vulcan and Aeolus 3876:draperie mouillée 3850:, the celestial ( 3789:Battle of Cascina 3754:Orvieto Cathedral 3724:, he painted the 3692:with the work of 3483:Benvenuto Cellini 3245:Sandro Botticelli 3138:miniature of the 3016:Bartolomé Bermejo 2988:Hugo van der Goes 2954:Limbourg brothers 2908:Orvieto Cathedral 2808:Bourges Cathedral 2773:Bamberg Cathedral 2587:Cologne Cathedral 2450:nuditas virtualis 2442:nuditas naturalis 2365:Limbourg brothers 2083:Athlete of Albani 1917:Munich Glyptothek 1777:and Tauriscus of 1702:Capitoline Museum 1654:) or the fate of 1608: 340–330 BC 1525:Artemision Bronze 1362:(425 BC), or the 1342:draperie mouillée 1199:Agasio of Ephesus 1186:Thomas Crawford's 1174:Apollo and Daphne 1153: 330–300 BC 1043:(440 BC) and the 798:Cleobis and Biton 788:Kouros of Sounion 631:Ancient Greek art 521:. In the tomb of 308:Cerne Abbas Giant 286:. The venuses of 218:Upper Paleolithic 16:(Redirected from 22986: 22946: 22936: 22935: 22907:Nudity in combat 22864:Nude photography 22596:Freikörperkultur 22367:Childhood nudity 22329: 22322: 22315: 22306: 22305: 22257: 22238: 22219: 22200: 22181: 22172: 22153: 22134: 22115: 22094: 22075: 22056: 22037: 22018: 21999: 21986:Apreciar el arte 21980: 21961: 21942: 21923: 21904: 21885: 21866: 21847: 21828: 21809: 21790: 21771: 21752: 21733: 21714: 21695: 21676: 21657: 21638: 21619: 21600: 21581: 21562: 21553: 21534: 21515: 21496: 21477: 21458: 21439: 21420: 21401: 21392: 21377:AA. VV. (1991). 21364: 21363: 21352: 21346: 21345: 21343: 21341: 21314: 21308: 21307: 21305: 21303: 21292: 21286: 21280: 21274: 21273: 21271: 21269: 21257: 21251: 21250: 21248: 21246: 21230: 21224: 21223: 21221: 21219: 21214:on 30 April 2011 21210:. Archived from 21206:British Museum. 21203: 21197: 21191: 21185: 21184: 21182: 21180: 21164: 21158: 21155: 21149: 21143: 21137: 21131: 21125: 21119: 21113: 21107: 21101: 21095: 21089: 21083: 21077: 21076: 21056: 21050: 21044: 21038: 21032: 21026: 21020: 21014: 21011: 21005: 20999: 20993: 20987: 20981: 20980:, pp. 7–61) 20975: 20969: 20968: 20966: 20964: 20952: 20946: 20945: 20943: 20941: 20935: 20927: 20921: 20915: 20909: 20908: 20906: 20904: 20893: 20887: 20886: 20884: 20882: 20871: 20865: 20859: 20853: 20850: 20844: 20841:Weitemeier (2001 20838: 20832: 20829: 20823: 20820: 20814: 20808: 20802: 20801: 20799: 20797: 20785: 20779: 20776: 20770: 20764: 20758: 20755: 20749: 20746: 20740: 20737: 20731: 20725: 20719: 20713: 20707: 20701: 20695: 20694: 20692: 20690: 20675: 20669: 20668: 20666: 20664: 20649: 20643: 20642: 20640: 20638: 20623: 20617: 20611: 20605: 20604: 20602: 20600: 20584: 20578: 20572: 20566: 20560: 20554: 20548: 20542: 20536: 20530: 20524: 20518: 20512: 20506: 20500: 20494: 20488: 20482: 20479: 20473: 20467: 20461: 20455: 20449: 20443: 20437: 20431: 20425: 20419: 20413: 20407: 20401: 20398: 20392: 20386: 20380: 20374: 20368: 20365: 20359: 20353: 20347: 20341: 20335: 20329: 20323: 20317: 20311: 20305: 20299: 20296: 20290: 20284: 20278: 20275: 20269: 20263: 20257: 20254: 20248: 20242: 20236: 20230: 20224: 20218: 20212: 20206: 20200: 20194: 20188: 20182: 20176: 20173: 20167: 20161: 20155: 20149: 20143: 20137: 20131: 20128: 20122: 20116: 20110: 20104: 20098: 20095: 20089: 20086: 20080: 20074: 20068: 20062: 20056: 20053: 20047: 20041: 20035: 20029: 20023: 20017: 20011: 20005: 19999: 19993: 19987: 19981: 19975: 19969: 19963: 19960: 19954: 19948: 19942: 19936: 19930: 19924: 19918: 19912: 19906: 19900: 19894: 19888: 19882: 19879: 19873: 19867: 19861: 19855: 19849: 19843: 19837: 19831: 19825: 19815: 19809: 19803: 19797: 19791: 19785: 19779: 19773: 19767: 19761: 19755: 19749: 19743: 19737: 19731: 19725: 19719: 19713: 19707: 19701: 19695: 19689: 19683: 19677: 19671: 19665: 19664: 19662: 19660: 19644: 19631: 19625: 19619: 19613: 19607: 19601: 19595: 19589: 19583: 19577: 19571: 19565: 19559: 19556: 19550: 19547: 19541: 19535: 19529: 19523: 19517: 19511: 19505: 19499: 19493: 19487: 19481: 19475: 19469: 19463: 19457: 19451: 19445: 19439: 19433: 19427: 19421: 19415: 19409: 19403: 19397: 19391: 19385: 19379: 19373: 19367: 19361: 19355: 19349: 19343: 19337: 19331: 19325: 19319: 19313: 19307: 19301: 19295: 19289: 19283: 19277: 19271: 19265: 19259: 19253: 19247: 19241: 19235: 19229: 19223: 19217: 19211: 19205: 19199: 19193: 19187: 19181: 19175: 19169: 19163: 19157: 19151: 19145: 19139: 19133: 19127: 19121: 19115: 19109: 19103: 19097: 19091: 19085: 19079: 19073: 19067: 19061: 19055: 19049: 19043: 19037: 19031: 19025: 19019: 19013: 19007: 19001: 18995: 18989: 18983: 18977: 18971: 18965: 18959: 18953: 18947: 18941: 18935: 18929: 18923: 18917: 18911: 18905: 18899: 18893: 18887: 18881: 18875: 18869: 18863: 18857: 18851: 18845: 18839: 18833: 18827: 18821: 18815: 18809: 18803: 18797: 18791: 18785: 18779: 18773: 18767: 18758: 18752: 18746: 18740: 18734: 18728: 18722: 18716: 18710: 18709: 18691: 18685: 18679: 18673: 18667: 18661: 18655: 18649: 18643: 18637: 18631: 18625: 18619: 18613: 18607: 18601: 18595: 18589: 18583: 18577: 18571: 18565: 18559: 18553: 18547: 18541: 18535: 18529: 18523: 18517: 18511: 18505: 18499: 18493: 18487: 18481: 18475: 18469: 18463: 18457: 18451: 18445: 18439: 18433: 18430: 18424: 18418: 18412: 18406: 18400: 18397: 18391: 18385: 18379: 18373: 18367: 18361: 18352: 18351: 18349: 18347: 18336: 18330: 18327: 18321: 18315: 18309: 18303: 18297: 18291: 18285: 18279: 18273: 18267: 18261: 18255: 18249: 18243: 18237: 18231: 18225: 18219: 18213: 18207: 18201: 18198: 18192: 18186: 18180: 18174: 18168: 18165: 18159: 18153: 18147: 18141: 18135: 18129: 18123: 18117: 18111: 18105: 18099: 18093: 18087: 18081: 18075: 18069: 18063: 18057: 18051: 18050: 18048: 18046: 18035: 18029: 18023: 18017: 18011: 18005: 17999: 17993: 17987: 17981: 17975: 17959: 17938: 17932: 17925: 17919: 17918:, p. 400)). 17899: 17893: 17886: 17880: 17838: 17832: 17831: 17823: 17817: 17801: 17795: 17779: 17773: 17743: 17737: 17722: 17716: 17701: 17695: 17676:Borghese Gallery 17672: 17666: 17655:Angelo Poliziano 17647: 17641: 17598: 17592: 17591:, p. 207)). 17554: 17548: 17546: 17544: 17542: 17513: 17442: 17437: 17436: 17420:Leni Riefenstahl 17331:Vincent van Gogh 17311:Aubrey Beardsley 17266:Kitagawa Utamaro 17247: 17246: 17243: 17237: 17236: 17223: 17222: 17219: 17213: 17212: 17171:Japanese culture 17143: 17142: 1780–1790 17140: 17115:Himachal Pradesh 17103: 17082: 17073:at Bhubaneśvara. 17071:Liṅgarāja temple 17069:figure from the 17063: 17044: 17025: 16962:Sūrya in Koṇārak 16908:The Dancing Girl 16797:), with a face ( 16291:Dennis Oppenheim 16231:conceptual art, 16149:Second World War 16016:Roy Lichtenstein 16008:Miss Corn-Flakes 15954:, which exalted 15946:This is Tomorrow 15937:Richard Hamilton 15883:Germaine Richier 15757:Reclining Figure 15670:Hero and Leander 15617:Bodies of a Lady 15395:Josep Maria Sert 15263:Fantasía morisca 15255:Gabriel Morcillo 15251:Juventud de Baco 14899:figures such as 14893:Reclining Figure 14836:Reclining Figure 14673:The Conversation 14589:Philippe Halsman 14581:Homage to Newton 14573:Michelin's Slave 14551:(1977, based on 14362:Muse of Cadaqués 14295:Homage to Newton 14131:Umberto Boccioni 14115:Umberto Boccioni 14091:Nude with Mirror 14083:Woman with a Fan 13925:Women of Algiers 13839:Woman in a Shirt 13823:Nude with Cloths 13777:The Two Brothers 13663: 13640: 13613: 13598:Ariadne in Naxos 13594: 13567: 13214:macropointillism 13159:Nudes in the Sun 12985:Der Blaue Reiter 12918:(1909–1911) and 12888:macropointillism 12878:Artists such as 12792:Odalisque in Red 12740:, a disciple of 12499:20th-century art 12485:(1915–1916), by 12451: 12442:, New York City. 12426: 12407: 12388: 12365: 12342: 12282:Kazimir Malevich 12226:Ferdinand Hodler 12224:In Switzerland, 12210:Ferdinand Hodler 12154:Beethoven Frieze 12122:Air, Water, Fire 12093:The Myth of Aino 12069:Aubrey Beardsley 12045:The Three Graces 11956:The Three Brides 11883: 11880: 11763:The Three Nymphs 11723:Aristide Maillol 11537:l'art pour l'art 11511:Symbolism (arts) 11467:Desnudo de mujer 11463: 11429: 11418:Vincent van Gogh 11410: 11391:Girl in the Bath 11387: 11362: 11316:The Horse's Bath 11312:Desnudo de mujer 11215:The Three Shades 11100:Vincent van Gogh 10873:(1886–1888), by 10818:Baigneuse blonde 10777:(1884–1887), by 10661:, photograph by 10652: 10631: 10601:Leafless Flowers 10597: 10578: 10565:(1890–1905), by 10555: 10530: 10505: 10482: 10446:A Slave for Sale 10392:Raimundo Madrazo 10373:Nicola D'Inverno 10361:Anthony van Dyck 10351:. Influenced by 10326:Aimé-Jules Dalou 10281:(1865–1870) and 10121: 10098: 10079: 10062:(1902-1903), by 10056: 10035: 10016: 9997: 9972: 9953: 9930: 9684:Jean-Léon Gérôme 9604:Jean-Léon Gérôme 9572:Great Exhibition 9443:Venus Anadromena 9439: 9414: 9391: 9372:Venus Anadyomene 9368: 9345: 9320: 9299:(1794–1796), by 9293: 9251:Venus anadyomene 9171:Tuileries Palace 9018:Eugène Delacroix 9007:Eugène Delacroix 8933:Venus Anadyomene 8874:The Turkish Bath 8861:Grande Odalisque 8851:Venus Anadyomene 8845:The Turkish Bath 8817:The Turkish Bath 8578:Contemporary art 8551:Contemporary Art 8528: 8503: 8474: 8451: 8428: 8405: 8380: 8208:Cupid and Psyche 8181:Temple of Aphaia 8165:The Three Graces 8136:Venus and Adonis 8088:Venus and Adonis 8023:Bolognese School 7957:Cupid and Psyche 7862:The rise of the 7807: 7796:Saint Petersburg 7786:(1773–1776), by 7780: 7757: 7742:François Boucher 7734: 7715: 7646:(1798–1805) and 7644:Psyche and Cupid 7639:Christ Crucified 7471:Psyche Abandoned 7439:Milon of Crotona 7303:François Boucher 7292:François Boucher 7245:François Lemoyne 7239:(1715–1716) and 7132:(1797–1800), by 7094: 7075:Recumbent Christ 7071: 7046: 7017: 6994: 6980:Venus and Adonis 6976:Cupid and Psyche 6938:Christ Crucified 6864:Jusepe de Ribera 6815:Jusepe de Ribera 6775:Milon of Crotona 6715:Cupid and Psyche 6707:Venus and Aeneas 6607:(1625–1630) and 6565:Francesco Albani 6561:Rape of Deianira 6559:(1611–1612) and 6542:Corpse of Christ 6525:Bolognese School 6434:Victorious Cupid 6405:(1645–1652) and 6275:Prometheus Bound 6241:(1622–1627) and 6219:Anthony van Dyck 6143:The Three Graces 6137:Venus and Adonis 6100:Cupid and Psyche 6065:(1636–1639), by 6062:The Three Graces 6000:National Gallery 5994:(1647–1651), by 5953: 5930: 5909:(1526–1532), by 5903: 5880: 5855: 5785:Vicente Carducho 5672:The Three Graces 5633: 5630: 5604:Rosso Fiorentino 5524:Hieronymus Bosch 5387:The Four Witches 5353:The Four Witches 5312:The Three Graces 5308:Apollo and Diana 5257:National Gallery 5243: 5228:Loggia dei Lanzi 5214: 5203:National Gallery 5197:(1540–1545), by 5189: 5160: 5136:Venus Anadyomene 5131: 5110:(1507–1510), by 5102: 5084:Rosso Fiorentino 4972:, 1540–1545) by 4936:(1531–1532) and 4893:Venus and Adonis 4857:Städel Institute 4838:Marietta Robusti 4736:Venus Anadyomene 4731:Alfonso I d'Este 4725:(1559), the two 4704:Venus and Adonis 4606:Borghese Gallery 4600:(1514–1515), by 4563:Pastoral Concert 4544:Giovanni Bellini 4513:(1518–1519), by 4505: 4478: 4461:(1480–1490), by 4453: 4426: 4415:National Gallery 4397: 4384: 4377:Bernard Berenson 4248:Rebellious Slave 4193:(1508–1512), by 4112: 4109: 3952:(1490–1492) and 3898:, inspired by a 3896:Angelo Poliziano 3864:(1481–1482) and 3809:(1490–1495), by 3675: 3672: 3642: 3639: 3618:The Original Sin 3599:, author of the 3597:Lorenzo Ghiberti 3578: 3577: 1475–1490 3575: 3462:). According to 3436:, represent the 3381:Andreas Vesalius 3367:anthropocentrism 3273:Early Modern Age 3269:contemporary art 3207: 3182: 3167:Fernando Gallego 3159: 3132: 3113: 3095:Scrovegni Chapel 3081:(1300–1310), by 3038:(1504–1507), by 3024:Fernando Gallego 2975:Ghent Altarpiece 2868:. Sometimes the 2781: 2778: 2711:Creation of Adam 2708: 2705: 2696:Modena Cathedral 2689: 2686: 2583:Charles the Bald 2476:passages in the 2385:The fall of the 2327: 2302: 2282:Venus Anadyomene 2272: 2247: 2226: 2109:and Praxiteles' 2075:, author of the 2068:Venus de' Medici 2059:, author of the 1976: 1951: 1928: 1903: 1884: 1813:Antoine Coysevox 1795:of Doidalsas of 1718:Loggia dei Lanzi 1609: 1606: 1595: 1570: 1545: 1520: 1419:Capitoline Venus 1399: 1396: 1285: 1282: 1245:(330–320 BC) of 1239:Heracles at rest 1154: 1151: 1137: 1134: 1119:, author of the 1009: 1006: 998: 995: 990:Apollo of Kassel 917: 914: 900: 897: 883: 880: 857:Acropolis Museum 854: 851: 691:, New York City. 686: 683: 588: 585: 540:reliefs such as 377: 374: 198: 197: 20,000 BC 195: 38:(1501–1504), by 21: 22994: 22993: 22989: 22988: 22987: 22985: 22984: 22983: 22959: 22958: 22957: 22952: 22926: 22880: 22793: 22740: 22685: 22636:Nude recreation 22630: 22586:Naturist resort 22572: 22522: 22457: 22372:Sex segregation 22338: 22333: 22281:Wayback Machine 22264: 22254: 22244:Arte y erotismo 22235: 22216: 22197: 22169: 22150: 22131: 22112: 22091: 22072: 22053: 22034: 22015: 21996: 21977: 21958: 21939: 21920: 21901: 21882: 21863: 21844: 21825: 21806: 21787: 21768: 21749: 21730: 21711: 21692: 21673: 21654: 21635: 21616: 21597: 21578: 21550: 21531: 21512: 21493: 21474: 21455: 21436: 21417: 21389: 21373: 21368: 21367: 21354: 21353: 21349: 21339: 21337: 21315: 21311: 21301: 21299: 21293: 21289: 21281: 21277: 21267: 21265: 21258: 21254: 21244: 21242: 21231: 21227: 21217: 21215: 21204: 21200: 21192: 21188: 21178: 21176: 21175:on 12 July 2011 21165: 21161: 21156: 21152: 21144: 21140: 21132: 21128: 21120: 21116: 21108: 21104: 21096: 21092: 21084: 21080: 21073: 21057: 21053: 21045: 21041: 21033: 21029: 21021: 21017: 21012: 21008: 21000: 20996: 20988: 20984: 20976: 20972: 20962: 20960: 20953: 20949: 20939: 20937: 20933: 20929: 20928: 20924: 20916: 20912: 20902: 20900: 20895: 20894: 20890: 20880: 20878: 20873: 20872: 20868: 20860: 20856: 20851: 20847: 20839: 20835: 20830: 20826: 20821: 20817: 20809: 20805: 20795: 20793: 20786: 20782: 20777: 20773: 20765: 20761: 20756: 20752: 20747: 20743: 20738: 20734: 20730:, pp. 3–5) 20726: 20722: 20714: 20710: 20702: 20698: 20688: 20686: 20677: 20676: 20672: 20662: 20660: 20651: 20650: 20646: 20636: 20634: 20625: 20624: 20620: 20612: 20608: 20598: 20596: 20585: 20581: 20573: 20569: 20561: 20557: 20549: 20545: 20537: 20533: 20525: 20521: 20513: 20509: 20501: 20497: 20489: 20485: 20480: 20476: 20468: 20464: 20456: 20452: 20444: 20440: 20432: 20428: 20420: 20416: 20408: 20404: 20399: 20395: 20387: 20383: 20375: 20371: 20366: 20362: 20354: 20350: 20342: 20338: 20330: 20326: 20318: 20314: 20306: 20302: 20297: 20293: 20285: 20281: 20276: 20272: 20264: 20260: 20255: 20251: 20243: 20239: 20231: 20227: 20219: 20215: 20207: 20203: 20195: 20191: 20183: 20179: 20174: 20170: 20162: 20158: 20150: 20146: 20138: 20134: 20129: 20125: 20117: 20113: 20105: 20101: 20096: 20092: 20087: 20083: 20075: 20071: 20063: 20059: 20054: 20050: 20042: 20038: 20030: 20026: 20018: 20014: 20006: 20002: 19994: 19990: 19982: 19978: 19970: 19966: 19961: 19957: 19949: 19945: 19937: 19933: 19925: 19921: 19913: 19909: 19901: 19897: 19889: 19885: 19880: 19876: 19868: 19864: 19856: 19852: 19844: 19840: 19832: 19828: 19816: 19812: 19804: 19800: 19792: 19788: 19780: 19776: 19768: 19764: 19756: 19752: 19744: 19740: 19732: 19728: 19720: 19716: 19708: 19704: 19696: 19692: 19684: 19680: 19672: 19668: 19658: 19656: 19655:on 14 June 2015 19645: 19634: 19626: 19622: 19614: 19610: 19602: 19598: 19590: 19586: 19578: 19574: 19566: 19562: 19557: 19553: 19548: 19544: 19536: 19532: 19524: 19520: 19512: 19508: 19500: 19496: 19488: 19484: 19476: 19472: 19464: 19460: 19452: 19448: 19440: 19436: 19428: 19424: 19416: 19412: 19404: 19400: 19392: 19388: 19380: 19376: 19368: 19364: 19356: 19352: 19344: 19340: 19332: 19328: 19320: 19316: 19308: 19304: 19296: 19292: 19284: 19280: 19272: 19268: 19260: 19256: 19248: 19244: 19236: 19232: 19224: 19220: 19212: 19208: 19200: 19196: 19188: 19184: 19176: 19172: 19164: 19160: 19152: 19148: 19140: 19136: 19128: 19124: 19116: 19112: 19104: 19100: 19092: 19088: 19080: 19076: 19068: 19064: 19056: 19052: 19044: 19040: 19032: 19028: 19020: 19016: 19008: 19004: 18996: 18992: 18984: 18980: 18972: 18968: 18960: 18956: 18948: 18944: 18936: 18932: 18924: 18920: 18912: 18908: 18900: 18896: 18888: 18884: 18876: 18872: 18864: 18860: 18852: 18848: 18840: 18836: 18828: 18824: 18816: 18812: 18804: 18800: 18792: 18788: 18780: 18776: 18768: 18761: 18753: 18749: 18741: 18737: 18731:Sanmiguel (2001 18729: 18725: 18717: 18713: 18706: 18692: 18688: 18680: 18676: 18668: 18664: 18656: 18652: 18644: 18640: 18632: 18628: 18620: 18616: 18608: 18604: 18596: 18592: 18584: 18580: 18572: 18568: 18560: 18556: 18548: 18544: 18536: 18532: 18524: 18520: 18512: 18508: 18500: 18496: 18488: 18484: 18480:, pp. 8–9) 18478:Sanmiguel (2000 18476: 18472: 18464: 18460: 18452: 18448: 18440: 18436: 18431: 18427: 18419: 18415: 18407: 18403: 18398: 18394: 18386: 18382: 18376:Sanmiguel (2000 18374: 18370: 18362: 18355: 18345: 18343: 18338: 18337: 18333: 18328: 18324: 18316: 18312: 18304: 18300: 18292: 18288: 18280: 18276: 18268: 18264: 18256: 18252: 18244: 18240: 18232: 18228: 18220: 18216: 18208: 18204: 18199: 18195: 18187: 18183: 18175: 18171: 18166: 18162: 18154: 18150: 18142: 18138: 18130: 18126: 18118: 18114: 18106: 18102: 18094: 18090: 18082: 18078: 18070: 18066: 18058: 18054: 18044: 18042: 18037: 18036: 18032: 18024: 18020: 18012: 18008: 18000: 17996: 17988: 17984: 17976: 17972: 17967: 17962: 17958:, p. 59)). 17939: 17935: 17926: 17922: 17900: 17896: 17887: 17883: 17871:(1757) and the 17839: 17835: 17824: 17820: 17802: 17798: 17783:Duchess of Alba 17780: 17776: 17772:, p. 818)) 17750:Duke of Orleans 17744: 17740: 17736:, p. 83)). 17723: 17719: 17715:, p. 593)) 17702: 17698: 17688:Cesare da Sesto 17673: 17669: 17648: 17644: 17599: 17595: 17555: 17551: 17540: 17538: 17525:Museo del Prado 17514: 17510: 17506: 17501: 17493:Scandals in art 17438: 17431: 17428: 17359: 17278:Suzuki Harunobu 17244: 17231: 17220: 17217:"spring prints" 17207: 17160: 17152:Main articles: 17141: 17128: 17123: 17122: 17121: 17118: 17104: 17095: 17083: 17074: 17064: 17055: 17052:Shravanbelagola 17045: 17036: 17026: 16901:and the female 16799:ekamukha-liṅgam 16700: 16672: 16638: 16632: 16571: 16569:Non-Western Art 16461:free figuration 16453:transavantgarde 16422:Guerrilla Girls 16349:Venice Biennale 16205:magical realism 16141:Back to the Mud 16096:Cornelis Zitman 16065:anthropometries 15891:Fernando Botero 15872:magical realism 15860:Nude Lying Down 15832:The Living Room 15742:Museo del Prado 15738:bulb-like light 15721:angry young men 15686:Prajna = Dhyana 15666:Days of Water I 15602:Brigitte Bardot 15577:matter painting 15518:Fernando Botero 15507: 15403:Rafael Zabaleta 15391:Hombres del mar 15279:Eugenio Hermoso 15259:Alegoría a Baco 15183:Ignacio Zuloaga 15158:Venus of Poetry 15123:(especially in 15095:Venus of Poetry 15009:The Two Friends 14999:and the cubist 14802:The Great Lover 14770:Óscar Domínguez 14641:The Joy of Life 14637:The public road 14494:Two Adolescents 14249:Francis Picabia 14205:The Large Glass 14087:Squatting Woman 13988:Robert Delaunay 13808:Robert Delaunay 13687: 13686: 13685: 13682: 13671:Heinrich Hoerle 13664: 13655: 13641: 13632: 13614: 13605: 13595: 13586: 13568: 13529:Marcel Gromaire 13496:Stella matutina 13492:Georges Rouault 13411:interwar period 13407:School of Paris 13374:Gustav Vigeland 13356:German Pavilion 13337:Nude lying down 12991:The members of 12928:interwar period 12924:Kees van Dongen 12830:Two Black Women 12818:The Joy of Life 12718:Felix Vallotton 12628:'s relativity, 12614:avant-garde art 12610: 12600:New South Wales 12585: 12523:artistic object 12501: 12476: 12471: 12470: 12469: 12466: 12459:Suzanne Valadon 12452: 12443: 12427: 12418: 12408: 12399: 12389: 12380: 12377:Neue Pinakothek 12373:Franz von Stuck 12366: 12357: 12343: 12266:František Kupka 12179:The Girlfriends 12109:Franz von Stuck 12011:Pre-Raphaelites 11899:The Cold Devils 11881: 11853:Charles Filiger 11807:Félix Vallotton 11791:Charles Filiger 11513: 11488: 11483: 11482: 11481: 11478: 11471:Joaquín Sorolla 11464: 11455: 11433:Delightful Land 11430: 11421: 11411: 11402: 11388: 11379: 11363: 11340:Rigoberto Soler 11307:Sad Inheritance 11301:Joaquín Sorolla 11286:Girl Sunbathing 11256:Charles Despiau 11233:Camille Claudel 11086:The Two Friends 11036:The Mango Woman 11000:I Raro te Oviri 10977:Study of a Nude 10820:(1882). In the 10710:(1863), with a 10676: 10670: 10669: 10668: 10667: 10666: 10653: 10645: 10644: 10632: 10621: 10616: 10615: 10614: 10611: 10598: 10589: 10579: 10570: 10556: 10547: 10540:Ricardo Bellver 10531: 10522: 10515:Mariano Fortuny 10506: 10497: 10483: 10462:Ricardo Bellver 10450:Enrique Simonet 10434:Casto Plasencia 10400:Mariano Fortuny 10380:Eduardo Rosales 10271:Reclining Nymph 10202:Gustave Courbet 10179: 10165:Gustave Courbet 10152: 10147: 10146: 10145: 10142: 10122: 10113: 10099: 10090: 10080: 10071: 10057: 10048: 10036: 10027: 10024:Gaston Bussière 10017: 10008: 9998: 9989: 9973: 9964: 9954: 9945: 9931: 9888:Oriental Beauty 9770:Gaston Bussière 9698:Pool in a Harem 9499: 9468: 9463: 9462: 9461: 9458: 9440: 9431: 9415: 9406: 9403:Musée du Louvre 9392: 9383: 9380:Musée du Louvre 9369: 9360: 9353:Francesco Hayez 9346: 9337: 9321: 9312: 9294: 9198:Francesco Hayez 9181:(1869), at the 9157:(1833), at the 9155:La Marseillaise 9147:Victorious Love 9118:La maja desnuda 9011:Musée du Louvre 8974:Transfiguration 8668:artistic genres 8664: 8637: 8585: 8580: 8553: 8548: 8547: 8546: 8543: 8540:Le Puy-en-Velay 8536:Musée Crozatier 8529: 8520: 8517:Musée du Louvre 8504: 8495: 8475: 8466: 8463:Musée du Louvre 8452: 8443: 8436:François Gérard 8432:Psyche and Amor 8429: 8420: 8417:Musée du Louvre 8406: 8397: 8381: 8279:Rudolph Schadow 8035:Vatican Stanzas 8001:Psyche and Amor 7997:François Gérard 7993:volupté décente 7989:Max Friedländer 7860: 7850:Vatican Museums 7832: 7827: 7826: 7825: 7822: 7819:Musée du Louvre 7808: 7799: 7781: 7772: 7769:Musée du Louvre 7758: 7749: 7735: 7726: 7716: 7617:La maja vestida 7611:La maja desnuda 7501:Museo del Prado 7411:Edmé Bouchardon 7367:The Abandonment 7351:Madame du Barry 7296:Alte Pinakothek 7148: 7138:Museo del Prado 7129:La maja desnuda 7121: 7116: 7115: 7114: 7111: 7108:Museo del Prado 7104:Diego Velázquez 7095: 7086: 7072: 7063: 7060:Museo del Prado 7047: 7038: 7018: 7009: 6995: 6913:Diego Velázquez 6904:(1646–1652) by 6881:Drunken Silenus 6819:Museo del Prado 6723:Charles Le Brun 6651:Nicolas Poussin 6639:Nicolas Poussin 6235:Alte Pinakothek 6231:Saint Sebastian 6152:Hélène Fourment 6148:Isabella Brandt 6071:Museo del Prado 6010: 5996:Diego Velázquez 5983: 5978: 5977: 5976: 5973: 5971:Washington D.C. 5954: 5945: 5931: 5922: 5904: 5895: 5881: 5872: 5869:Museo del Prado 5856: 5823:(1541–1545) or 5801:Jusepe Martínez 5797:Art of Painting 5742:The Crucifixion 5652:François Clouet 5631: 5592:Musée du Louvre 5421:The Raging Army 5409:The Sea Monster 5286:Venus and Cupid 5265: 5264: 5263: 5260: 5244: 5235: 5215: 5206: 5190: 5181: 5165:Venus of Urbino 5161: 5152: 5132: 5123: 5103: 4849:Lucrezia Borgia 4639:Venus of Urbino 4539:Venetian school 4527: 4526: 4525: 4522: 4506: 4497: 4486:Luca Signorelli 4479: 4470: 4463:Andrea Mantegna 4454: 4445: 4434:Piero di Cosimo 4427: 4418: 4398: 4385: 4375: 4334:Creation of Eve 4283:Belvedere Torso 4253:Hellenistic art 4217:Drunken Bacchus 4110: 4100:Nude study for 4011:(1452–1466) by 3962:Piero di Cosimo 3931:Saint Sebastian 3856:Venus Naturalis 3852:Venus Coelestis 3834:Marsilio Ficino 3786:(1492) and the 3749:Luca Signorelli 3706:Luca Signorelli 3673: 3640: 3592:Saint Sebastian 3576: 3556:Andrea Mantegna 3442:Marsilio Ficino 3326: 3305: 3232: 3227: 3226: 3225: 3222: 3208: 3199: 3196:Museo del Prado 3183: 3174: 3171:Museo del Prado 3160: 3151: 3133: 3124: 3114: 3083:Giovanni Pisano 2990:and in that by 2912:Lorenzo Maitani 2898:, 15th-century 2779: 2742:Virgilian Codex 2722:Museo del Prado 2718:in the Paradise 2706: 2687: 2530:cardinal points 2516:, 12th century. 2478:Holy Scriptures 2383: 2348: 2343: 2342: 2341: 2338: 2328: 2319: 2307:Hermes Ludovisi 2303: 2294: 2289:, concubine of 2273: 2264: 2252:Belvedere Torso 2248: 2239: 2227: 2193:in Rome (330). 2171:Hadrian's Villa 2134:Venus of Cyrene 2062:Belvedere Torso 2022: 2012:Museo del Prado 1999: 1994: 1993: 1992: 1989: 1977: 1968: 1952: 1943: 1940:Musée du Louvre 1929: 1920: 1904: 1895: 1888:Crouching Venus 1885: 1849:, found in the 1792:Crouching Venus 1642:, the agony of 1624: 1623: 1622: 1619: 1607: 1596: 1587: 1571: 1562: 1546: 1537: 1529:Cape Artemision 1521: 1425:Venus Calypigia 1397: 1350:Ludovisi Throne 1283: 1209:, reaching the 1152: 1135: 1090:Greek sculpture 1007: 996: 915: 907:, representing 898: 881: 852: 832:(500 BC), etc. 823:Kouros of Anafi 817:Kouros of Tenea 811:Rampin Horseman 684: 654:Age of Pericles 633: 627: 586: 567: 396:anthropomorphic 375: 343: 337: 264:Paleolithic art 210:Prehistoric art 207: 205:Prehistoric art 196: 179: 147:anthropocentric 23: 22: 15: 12: 11: 5: 22992: 22982: 22981: 22976: 22971: 22954: 22953: 22931: 22928: 22927: 22925: 22924: 22919: 22914: 22909: 22904: 22899: 22894: 22888: 22886: 22882: 22881: 22879: 22878: 22877: 22876: 22871: 22861: 22856: 22851: 22846: 22841: 22839:Nudity in film 22836: 22831: 22830: 22829: 22824: 22819: 22814: 22803: 22801: 22795: 22794: 22792: 22791: 22786: 22781: 22779:Heinrich Pudor 22776: 22771: 22766: 22761: 22756: 22750: 22748: 22742: 22741: 22739: 22738: 22733: 22728: 22727: 22726: 22721: 22711: 22706: 22701: 22695: 22693: 22687: 22686: 22684: 22683: 22678: 22673: 22668: 22663: 22658: 22657: 22656: 22646: 22640: 22638: 22632: 22631: 22629: 22628: 22623: 22618: 22613: 22608: 22603: 22598: 22593: 22588: 22582: 22580: 22574: 22573: 22571: 22570: 22565: 22560: 22555: 22550: 22549: 22548: 22543: 22532: 22530: 22524: 22523: 22521: 22520: 22515: 22510: 22505: 22504: 22503: 22498: 22493: 22488: 22483: 22473: 22467: 22465: 22459: 22458: 22456: 22455: 22450: 22445: 22440: 22439: 22438: 22433: 22423: 22418: 22413: 22412: 22411: 22401: 22399:Public bathing 22396: 22391: 22390: 22389: 22379: 22374: 22369: 22364: 22363: 22362: 22357: 22346: 22344: 22340: 22339: 22332: 22331: 22324: 22317: 22309: 22303: 22302: 22296: 22290: 22284: 22271: 22263: 22262:External links 22260: 22259: 22258: 22252: 22239: 22233: 22220: 22214: 22201: 22195: 22182: 22173: 22167: 22154: 22148: 22135: 22129: 22116: 22110: 22095: 22089: 22076: 22070: 22057: 22051: 22038: 22032: 22019: 22013: 22005:Atlas del arte 22000: 21994: 21981: 21975: 21962: 21956: 21943: 21937: 21924: 21918: 21905: 21899: 21886: 21880: 21867: 21861: 21848: 21842: 21829: 21823: 21810: 21804: 21791: 21785: 21772: 21766: 21753: 21747: 21734: 21728: 21715: 21709: 21696: 21690: 21677: 21671: 21658: 21652: 21639: 21633: 21620: 21614: 21601: 21595: 21582: 21576: 21568:Expresionistas 21563: 21554: 21548: 21535: 21529: 21516: 21510: 21497: 21491: 21478: 21472: 21459: 21453: 21440: 21434: 21421: 21415: 21402: 21393: 21387: 21372: 21369: 21366: 21365: 21347: 21309: 21287: 21285:, p. 228) 21275: 21252: 21225: 21198: 21186: 21159: 21150: 21138: 21126: 21124:, p. 230) 21114: 21102: 21100:, p. 123) 21090: 21078: 21071: 21051: 21049:, p. 109) 21047:Aguilera (1972 21039: 21027: 21015: 21006: 20994: 20982: 20978:González (1991 20970: 20947: 20922: 20920:, p. 431) 20910: 20888: 20866: 20864:, p. 567) 20862:Chilvers (2007 20854: 20845: 20833: 20824: 20815: 20811:Chilvers (2007 20803: 20780: 20771: 20767:Combalía (1990 20759: 20750: 20741: 20732: 20728:González (1991 20720: 20716:Aguilera (1972 20708: 20696: 20685:on 12 May 2014 20670: 20644: 20618: 20606: 20579: 20567: 20565:, p. 106) 20555: 20553:, p. 370) 20551:Aguilera (1972 20543: 20541:, p. 830) 20531: 20529:, p. 220) 20519: 20517:, p. 827) 20507: 20505:, p. 122) 20503:Chilvers (2007 20495: 20493:, p. 784) 20483: 20474: 20472:, p. 350) 20462: 20460:, p. 347) 20450: 20438: 20436:, p. 451) 20434:Hamilton (1997 20426: 20414: 20410:Hamilton (1997 20402: 20393: 20391:, p. 364) 20389:Aguilera (1972 20381: 20377:Aguilera (1972 20369: 20360: 20348: 20344:Crepaldi (2002 20336: 20332:Crepaldi (2002 20324: 20320:Crepaldi (2002 20312: 20308:Crepaldi (2002 20300: 20291: 20289:, p. 203) 20279: 20270: 20258: 20249: 20247:, p. 810) 20237: 20235:, p. 360) 20233:Aguilera (1972 20225: 20223:, p. 290) 20213: 20211:, p. 346) 20201: 20199:, p. 344) 20189: 20187:, p. 773) 20177: 20168: 20166:, p. 835) 20164:Chilvers (2007 20156: 20154:, p. 181) 20144: 20142:, p. 140) 20132: 20123: 20121:, p. 296) 20119:Aguilera (1972 20111: 20109:, p. 226) 20099: 20090: 20081: 20079:, p. 373) 20077:Aguilera (1972 20069: 20065:Aguilera (1972 20057: 20048: 20036: 20032:Aguilera (1972 20024: 20022:, p. 359) 20020:Aguilera (1972 20012: 20000: 19996:Aguilera (1972 19988: 19984:Düchting (2019 19976: 19964: 19955: 19943: 19941:, p. 161) 19931: 19929:, p. 106) 19919: 19907: 19903:Aguilera (1972 19895: 19883: 19874: 19872:, p. 159) 19862: 19860:, p. 727) 19850: 19848:, p. 156) 19838: 19826: 19810: 19808:, p. 300) 19798: 19794:Aguilera (1972 19786: 19774: 19770:Aguilera (1972 19762: 19758:Aguilera (1972 19750: 19746:Aguilera (1972 19738: 19726: 19724:, p. 268) 19722:Aguilera (1972 19714: 19702: 19690: 19688:, p. 341) 19678: 19666: 19632: 19620: 19618:, p. 284) 19616:Aguilera (1972 19608: 19606:, p. 276) 19604:Aguilera (1972 19596: 19594:, p. 273) 19592:Aguilera (1972 19584: 19582:, p. 255) 19580:Aguilera (1972 19572: 19570:, p. 240) 19568:Aguilera (1972 19560: 19551: 19542: 19538:Aguilera (1972 19530: 19528:, p. 151) 19518: 19514:Aguilera (1972 19506: 19502:Aguilera (1972 19494: 19492:, p. 132) 19482: 19478:Aguilera (1972 19470: 19468:, p. 243) 19466:Aguilera (1972 19458: 19456:, p. 238) 19454:Aguilera (1972 19446: 19442:Aguilera (1972 19434: 19430:Aguilera (1972 19422: 19410: 19398: 19394:Aguilera (1972 19386: 19382:Aguilera (1972 19374: 19372:, p. 224) 19370:Aguilera (1972 19362: 19360:, p. 222) 19358:Aguilera (1972 19350: 19348:, p. 190) 19346:Aguilera (1972 19338: 19336:, p. 219) 19334:Aguilera (1972 19326: 19324:, p. 216) 19322:Aguilera (1972 19314: 19312:, p. 217) 19310:Aguilera (1972 19302: 19300:, p. 215) 19298:Aguilera (1972 19290: 19286:Aguilera (1972 19278: 19266: 19264:, p. 206) 19262:Aguilera (1972 19254: 19242: 19240:, p. 200) 19238:Aguilera (1972 19230: 19218: 19216:, p. 207) 19206: 19194: 19182: 19178:Aguilera (1972 19170: 19166:Aguilera (1972 19158: 19154:Aguilera (1972 19146: 19142:Aguilera (1972 19134: 19132:, p. 180) 19130:Aguilera (1972 19122: 19110: 19098: 19096:, p. 250) 19086: 19074: 19072:, p. 214) 19062: 19050: 19046:Aguilera (1972 19038: 19034:Aguilera (1972 19026: 19014: 19002: 18990: 18988:, p. 106) 18978: 18966: 18954: 18942: 18940:, p. 233) 18930: 18928:, p. 123) 18926:Aguilera (1972 18918: 18916:, p. 121) 18914:Aguilera (1972 18906: 18894: 18882: 18870: 18868:, p. 119) 18866:Aguilera (1972 18858: 18846: 18834: 18822: 18810: 18806:Aguilera (1972 18798: 18786: 18774: 18772:, p. 526) 18759: 18757:, p. 527) 18747: 18735: 18723: 18721:, p. 360) 18711: 18704: 18686: 18674: 18672:, p. 101) 18670:Aguilera (1972 18662: 18650: 18646:Aguilera (1972 18638: 18626: 18614: 18612:, p. 106) 18610:Aguilera (1972 18602: 18598:Aguilera (1972 18590: 18578: 18576:, p. 298) 18566: 18562:Aguilera (1972 18554: 18542: 18538:Aguilera (1972 18530: 18518: 18506: 18494: 18482: 18470: 18468:, p. 141) 18458: 18446: 18442:Aguilera (1972 18434: 18425: 18413: 18409:Aguilera (1972 18401: 18392: 18388:Aguilera (1972 18380: 18368: 18366:, p. 357) 18353: 18331: 18322: 18310: 18308:, p. 219) 18298: 18286: 18274: 18262: 18250: 18238: 18226: 18214: 18202: 18193: 18191:, p. 175) 18181: 18169: 18160: 18148: 18136: 18124: 18112: 18100: 18088: 18084:Aguilera (1972 18076: 18072:Aguilera (1972 18064: 18052: 18030: 18026:Aguilera (1972 18018: 18006: 17994: 17982: 17969: 17968: 17966: 17963: 17961: 17960: 17933: 17920: 17894: 17890:Chilvers (2007 17881: 17879:, p. 18)) 17877:Chilvers (2007 17869:St. Petersburg 17833: 17818: 17796: 17774: 17770:Chilvers (2007 17738: 17734:Chilvers (2007 17717: 17713:Chilvers (2007 17709:Giorgio Vasari 17696: 17667: 17665:, p. 68)) 17642: 17593: 17589:Chilvers (2007 17549: 17507: 17505: 17502: 17500: 17497: 17496: 17495: 17490: 17485: 17480: 17475: 17470: 17465: 17460: 17455: 17453:History of art 17450: 17444: 17443: 17427: 17424: 17416:Hugo Bernatzik 17358: 17355: 17274:Torii Kiyonaga 17262:Isoda Koryūsai 17146:Torii Kiyonaga 17127: 17124: 17120: 17119: 17105: 17098: 17096: 17084: 17077: 17075: 17065: 17058: 17056: 17046: 17039: 17037: 17035:(5th century). 17027: 17020: 17017: 17016: 17015: 16970:Madhya Pradesh 16817:), as well as 16815:Mother goddess 16696:Main article: 16671: 16668: 16634:Main article: 16631: 16628: 16590:Ancient Greece 16570: 16567: 16559:Miquel Barceló 16509:Rainer Fetting 16497:Georg Baselitz 16488:Markus Lüpertz 16437:Postmodern art 16315:Hermann Nitsch 16299:Stuart Brisley 16261:homoerotic art 16220:Conceptual art 16193:John De Andrea 16137:Katsuō Shiraga 16092:La desconocida 15966:Tom Wesselmann 15881:In sculpture, 15878:, 1929–1930). 15749:Crouching Nude 15710:existentialist 15701:New figuration 15642:The inner fire 15538:postmodern art 15534:conceptual art 15522:St. Petersburg 15506: 15503: 15501:, 1933), etc. 15495:Gran bailarina 15491:Pablo Gargallo 15483:Victorio Macho 15383:Aurelio Arteta 15367:Joaquim Sunyer 15337:, 1918–1924), 15145:The Gypsy Muse 15052:The Pink Shirt 14854:In sculpture, 14716:Tower of Babel 14669:Venus Sleeping 14649:Nymphs Bathing 14585:Christ Twisted 14470:golden section 14466:atomic physics 14307:psychoanalysis 14277:Venus Restored 14253:Woman and Idol 14176:Marcel Duchamp 14063:papiers collés 14043:Julio González 14039:Torso in Space 14013:In sculpture, 13980:Red Background 13941:Georges Braque 13930:Women Grooming 13684: 13683: 13665: 13658: 13656: 13642: 13635: 13633: 13615: 13608: 13606: 13596: 13589: 13587: 13569: 13562: 13559: 13558: 13557: 13541:Nude with Coat 13467:Reclining Nude 13222:After Swimming 13104:Reclining nude 13100:The Red Christ 13092:Max Liebermann 13084:The Enthusiast 12908:Albert Marquet 12900:Reclining Nude 12884:The Golden Age 12866:Reclining Nude 12850:The Hindu Pose 12742:Gustave Moreau 12638:psychoanalysis 12606:Main article: 12584: 12581: 12536:conceptual art 12497:Main article: 12475: 12472: 12468: 12467: 12453: 12446: 12444: 12436:Henri Rousseau 12428: 12421: 12419: 12409: 12402: 12400: 12392:Agitated Water 12390: 12383: 12381: 12367: 12360: 12358: 12344: 12337: 12334: 12333: 12332: 12309:Henri Rousseau 12294:Oak and Dryads 12262:Venus Genitrix 12254:Arnold Böcklin 12143:Agitated Water 11886:Pierre Bonnard 11815:Pierre Bonnard 11747:Chained Action 11721:, 1898–1900). 11658:The Apparition 11614:Gustave Moreau 11553:Manuel Machado 11509:Main article: 11499:Gustave Moreau 11487: 11484: 11480: 11479: 11465: 11458: 11456: 11431: 11424: 11422: 11412: 11405: 11403: 11399:Pushkin Museum 11389: 11382: 11380: 11364: 11357: 11354: 11353: 11352: 11338:, 1872–1879), 11332:Ignacio Pinazo 11324:After the Bath 11248:Joseph Bernard 11246:, 1899–1913), 11201:, 1884–1885), 10899:Georges Seurat 10875:Georges Seurat 10743:After the bath 10728:Young Spartans 10672:Main article: 10654: 10647: 10646: 10633: 10626: 10625: 10624: 10623: 10622: 10620: 10617: 10613: 10612: 10599: 10592: 10590: 10580: 10573: 10571: 10557: 10550: 10548: 10535:El ángel caído 10532: 10525: 10523: 10507: 10500: 10498: 10484: 10477: 10474: 10473: 10472: 10467:El ángel caído 10426:Carmen Bastian 10396:After the Bath 10388:After Bathingo 10384:Sleeping Woman 10175:Main article: 10151: 10148: 10144: 10143: 10123: 10116: 10114: 10100: 10093: 10091: 10087:Edward Poynter 10081: 10074: 10072: 10060:The Odalisques 10058: 10051: 10049: 10037: 10030: 10028: 10018: 10011: 10009: 9999: 9992: 9990: 9974: 9967: 9965: 9955: 9948: 9946: 9932: 9925: 9922: 9921: 9920: 9879:, 1909), etc. 9835:Edward Poynter 9784:, 1904), etc. 9680:Birth of Venus 9576:Crystal Palace 9495:Main article: 9467: 9464: 9460: 9459: 9441: 9434: 9432: 9416: 9409: 9407: 9393: 9386: 9384: 9370: 9363: 9361: 9347: 9340: 9338: 9322: 9315: 9313: 9295: 9288: 9285: 9284: 9283: 9245:, 1840–1850), 9228:majas desnudas 9214:Giovanni Dupré 9190:Pelagio Palagi 9132:In sculpture, 8959:The Tepidarium 8955:Sleeping Nymph 8870:The Golden Age 8787:Nebuchadnezzar 8660:Main article: 8636: 8633: 8609:class struggle 8584: 8581: 8576:Main article: 8552: 8549: 8545: 8544: 8530: 8523: 8521: 8505: 8498: 8496: 8476: 8469: 8467: 8453: 8446: 8444: 8430: 8423: 8421: 8407: 8400: 8398: 8382: 8375: 8372: 8371: 8370: 8368:, 1864), etc. 8362:Jeronimo Suñol 8342:Dying Lucretia 8213:Mars and Cupid 8116:Antonio Canova 7892:Ancient Greece 7876:archaeological 7856:Main article: 7846:Antonio Canova 7831: 7828: 7824: 7823: 7809: 7802: 7800: 7782: 7775: 7773: 7759: 7752: 7750: 7736: 7729: 7727: 7717: 7710: 7707: 7706: 7705: 7598:Francisco Goya 7590:Francisco Goya 7531:Peace, Justice 7467:Augustin Pajou 7433:, 1770–1776), 7320:, mistress of 7223:Fountain Nymph 7144:Main article: 7134:Francisco Goya 7120: 7117: 7113: 7112: 7096: 7089: 7087: 7073: 7066: 7064: 7048: 7041: 7039: 7019: 7012: 7010: 6996: 6989: 6986: 6985: 6984: 6948:Joseph's Tunic 6941:(1639), or in 6932:Vulcan's Forge 6752:, 1631–1633). 6721:, 1630–1640), 6719:Sleeping Venus 6659:Claude Lorrain 6613:Guido Cagnacci 6537:Farnese Palace 6512:Sleeping Venus 6477:Sleeping Cupid 6267:Pan and Syrinx 6223:Jacob Jordaens 6210:(1620) of the 6027:state and the 6006:Main article: 5982: 5979: 5975: 5974: 5955: 5948: 5946: 5932: 5925: 5923: 5905: 5898: 5896: 5882: 5875: 5873: 5857: 5850: 5847: 5846: 5845: 5841:Gaspar Becerra 5833:Story of Danae 5431:, 1516–1528). 5373:Albrecht Dürer 5358:Albrecht Dürer 5316:The Golden Age 5262: 5261: 5245: 5238: 5236: 5216: 5209: 5207: 5191: 5184: 5182: 5174:Uffizi Gallery 5162: 5155: 5153: 5133: 5126: 5124: 5107:Sleeping Venus 5104: 5097: 5094: 5093: 5092: 5014:, 1563–1565), 4996:in Florence), 4939:Jupiter and Io 4920:, 1524–1525), 4899:For his part, 4884:Mars and Venus 4868:Paolo Veronese 4654:Sleeping Venus 4611:Venus Pandemos 4569:Sleeping Venus 4524: 4523: 4507: 4500: 4498: 4480: 4473: 4471: 4455: 4448: 4446: 4428: 4421: 4419: 4399: 4392: 4389: 4388: 4387: 4373: 4308:Sistine Chapel 4199:Sistine Chapel 4075:Agostino Chigi 4061:(1508) of the 3943:Venus and Mars 3888:Sistine Chapel 3540:, 1426–1427); 3532:, 1425–1428); 3477:and in myriad 3413:book of Exodus 3409:Sistine Chapel 3385:Jan van Calcar 3322:Main article: 3304: 3301: 3289:printing press 3231: 3228: 3224: 3223: 3209: 3202: 3200: 3184: 3177: 3175: 3161: 3154: 3152: 3134: 3127: 3125: 3115: 3108: 3105: 3104: 3103: 3079:Pisa Cathedral 2910:, the work of 2834:Mary Magdalene 2736:, such as the 2660:Romanesque art 2526:homo quadratus 2419:pre-Romanesque 2379:Main article: 2347: 2344: 2340: 2339: 2329: 2322: 2320: 2304: 2297: 2295: 2274: 2267: 2265: 2249: 2242: 2240: 2228: 2221: 2218: 2217: 2216: 2173:(125), or the 2078:Boy with Thorn 2018:Main article: 1998: 1995: 1991: 1990: 1984:(130–100 BC), 1978: 1971: 1969: 1953: 1946: 1944: 1930: 1923: 1921: 1912:Barberini Faun 1907:Sleeping Satyr 1905: 1898: 1896: 1886: 1879: 1876: 1875: 1874: 1723:Pasquino Group 1704:(230 BC), the 1621: 1620: 1597: 1590: 1588: 1572: 1565: 1563: 1559:British Museum 1547: 1540: 1538: 1522: 1515: 1512: 1511: 1510: 1500:. Even in the 1414:"Venus Pudica" 1403:Venus of Arles 1365:Venus Genetrix 1290:, copy called 1252:Berlin Adorant 1243:Hermes resting 1157:neoclassicists 1099:(340 BC), the 958:made with his 826:(530 BC), the 820:(550 BC), the 814:(550 BC), the 808:(570 BC), the 744:Archaic period 658:foreshortening 629:Main article: 626: 623: 566: 563: 489:British Museum 424:Mother goddess 380:British Museum 339:Main article: 336: 333: 242:cave paintings 203:Main article: 178: 175: 116:Ancient Greece 93:art historians 64:artistic genre 56:history of art 9: 6: 4: 3: 2: 22991: 22980: 22977: 22975: 22972: 22970: 22967: 22966: 22964: 22951: 22950: 22945: 22941: 22940: 22929: 22923: 22920: 22918: 22915: 22913: 22912:Nudity clause 22910: 22908: 22905: 22903: 22900: 22898: 22897:Nude calendar 22895: 22893: 22890: 22889: 22887: 22883: 22875: 22872: 22870: 22867: 22866: 22865: 22862: 22860: 22857: 22855: 22852: 22850: 22847: 22845: 22842: 22840: 22837: 22835: 22834:Body painting 22832: 22828: 22825: 22823: 22820: 22818: 22815: 22813: 22810: 22809: 22808: 22805: 22804: 22802: 22800: 22796: 22790: 22787: 22785: 22782: 22780: 22777: 22775: 22772: 22770: 22767: 22765: 22762: 22760: 22759:Lee Baxandall 22757: 22755: 22752: 22751: 22749: 22747: 22743: 22737: 22736:South America 22734: 22732: 22729: 22725: 22722: 22720: 22719:San Francisco 22717: 22716: 22715: 22714:North America 22712: 22710: 22707: 22705: 22702: 22700: 22697: 22696: 22694: 22692: 22688: 22682: 22679: 22677: 22674: 22672: 22669: 22667: 22664: 22662: 22659: 22655: 22652: 22651: 22650: 22649:Nude swimming 22647: 22645: 22642: 22641: 22639: 22637: 22633: 22627: 22624: 22622: 22619: 22617: 22614: 22612: 22609: 22607: 22604: 22602: 22599: 22597: 22594: 22592: 22589: 22587: 22584: 22583: 22581: 22579: 22575: 22569: 22566: 22564: 22561: 22559: 22556: 22554: 22551: 22547: 22546:Pornification 22544: 22542: 22539: 22538: 22537: 22536:Sexualization 22534: 22533: 22531: 22529: 22525: 22519: 22516: 22514: 22511: 22509: 22506: 22502: 22499: 22497: 22494: 22492: 22489: 22487: 22484: 22482: 22479: 22478: 22477: 22476:Exhibitionism 22474: 22472: 22471:Intimate part 22469: 22468: 22466: 22464: 22460: 22454: 22451: 22449: 22446: 22444: 22441: 22437: 22436:United States 22434: 22432: 22429: 22428: 22427: 22424: 22422: 22419: 22417: 22414: 22410: 22409:Finnish sauna 22407: 22406: 22405: 22402: 22400: 22397: 22395: 22392: 22388: 22385: 22384: 22383: 22380: 22378: 22375: 22373: 22370: 22368: 22365: 22361: 22358: 22356: 22353: 22352: 22351: 22348: 22347: 22345: 22341: 22337: 22330: 22325: 22323: 22318: 22316: 22311: 22310: 22307: 22300: 22297: 22294: 22291: 22288: 22285: 22282: 22278: 22275: 22272: 22269: 22266: 22265: 22255: 22253:84-8156-324-2 22249: 22245: 22240: 22236: 22234:84-376-0177-0 22230: 22226: 22221: 22217: 22215:3-8228-5842-0 22211: 22207: 22202: 22198: 22192: 22188: 22183: 22179: 22174: 22170: 22164: 22160: 22155: 22151: 22149:84-342-2552-2 22145: 22141: 22136: 22132: 22130:84-342-2060-1 22126: 22122: 22117: 22113: 22111:84-342-2331-7 22107: 22103: 22102: 22096: 22092: 22086: 22082: 22077: 22073: 22071:84-376-0929-1 22067: 22063: 22058: 22054: 22052:84-7628-325-3 22048: 22044: 22039: 22035: 22033:84-342-1100-9 22029: 22025: 22020: 22016: 22010: 22006: 22001: 21997: 21991: 21987: 21982: 21978: 21976:3-8228-0878-4 21972: 21968: 21963: 21959: 21957:0-7946-0396-3 21953: 21949: 21944: 21940: 21938:84-460-2092-0 21934: 21930: 21925: 21921: 21919:84-7747-125-8 21915: 21911: 21906: 21902: 21900:84-376-0230-0 21896: 21892: 21887: 21883: 21881:84-7509-166-0 21877: 21873: 21868: 21864: 21862:84-320-9702-0 21858: 21854: 21849: 21845: 21843:84-933983-4-9 21839: 21835: 21830: 21826: 21824:84-309-1897-3 21820: 21816: 21811: 21807: 21801: 21797: 21796:El siglo XVII 21792: 21788: 21782: 21778: 21777:El simbolismo 21773: 21769: 21767:84-7628-238-9 21763: 21759: 21754: 21750: 21748:84-8156-377-3 21744: 21740: 21735: 21731: 21729:84-345-5362-7 21725: 21721: 21716: 21712: 21706: 21702: 21697: 21693: 21691:84-264-1468-0 21687: 21683: 21678: 21674: 21668: 21664: 21659: 21655: 21653:84-233-2909-7 21649: 21645: 21640: 21636: 21634:84-315-1716-6 21630: 21626: 21621: 21617: 21611: 21607: 21602: 21598: 21592: 21588: 21583: 21579: 21577:84-8156-330-7 21573: 21569: 21564: 21560: 21555: 21551: 21549:84-206-7018-9 21545: 21541: 21536: 21532: 21530:84-316-2726-3 21526: 21522: 21517: 21513: 21507: 21503: 21498: 21494: 21492:84-306-0517-7 21488: 21484: 21479: 21475: 21473:84-7017-622-6 21469: 21465: 21460: 21456: 21454:84-7774-580-3 21450: 21446: 21441: 21437: 21435:84-376-0085-5 21431: 21427: 21422: 21418: 21416:84-207-1408-9 21412: 21408: 21403: 21399: 21394: 21390: 21388:84-406-2261-9 21384: 21380: 21375: 21374: 21361: 21357: 21351: 21336: 21332: 21328: 21324: 21320: 21313: 21298: 21291: 21284: 21283:Hopkins (2006 21279: 21263: 21256: 21240: 21236: 21229: 21213: 21209: 21202: 21196:, p. 23) 21195: 21190: 21174: 21170: 21163: 21154: 21147: 21142: 21135: 21130: 21123: 21118: 21111: 21106: 21099: 21094: 21087: 21082: 21074: 21068: 21064: 21063: 21055: 21048: 21043: 21037:, p. 43) 21036: 21031: 21025:, p. 41) 21024: 21019: 21010: 21003: 20998: 20992:, p. 34) 20991: 20986: 20979: 20974: 20958: 20951: 20932: 20926: 20919: 20914: 20898: 20892: 20876: 20870: 20863: 20858: 20849: 20842: 20837: 20828: 20819: 20813:, p. 76) 20812: 20807: 20791: 20784: 20775: 20769:, p. 10) 20768: 20763: 20754: 20745: 20736: 20729: 20724: 20717: 20712: 20705: 20700: 20684: 20680: 20674: 20658: 20654: 20648: 20632: 20628: 20622: 20615: 20610: 20594: 20590: 20583: 20576: 20571: 20564: 20559: 20552: 20547: 20540: 20535: 20528: 20523: 20516: 20511: 20504: 20499: 20492: 20487: 20478: 20471: 20466: 20459: 20454: 20447: 20442: 20435: 20430: 20423: 20418: 20411: 20406: 20397: 20390: 20385: 20378: 20373: 20364: 20358:, p. 71) 20357: 20356:Dempsey (2008 20352: 20346:, p. 22) 20345: 20340: 20334:, p. 34) 20333: 20328: 20322:, p. 28) 20321: 20316: 20310:, p. 40) 20309: 20304: 20295: 20288: 20283: 20274: 20267: 20262: 20253: 20246: 20241: 20234: 20229: 20222: 20217: 20210: 20205: 20198: 20193: 20186: 20181: 20172: 20165: 20160: 20153: 20148: 20141: 20136: 20127: 20120: 20115: 20108: 20103: 20094: 20085: 20078: 20073: 20066: 20061: 20052: 20046:, p. 70) 20045: 20040: 20033: 20028: 20021: 20016: 20009: 20004: 19997: 19992: 19986:, p. 45) 19985: 19980: 19973: 19968: 19959: 19952: 19947: 19940: 19935: 19928: 19923: 19916: 19911: 19904: 19899: 19892: 19887: 19878: 19871: 19866: 19859: 19854: 19847: 19842: 19835: 19830: 19823: 19819: 19814: 19807: 19806:Tarabra (2009 19802: 19795: 19790: 19783: 19778: 19771: 19766: 19759: 19754: 19747: 19742: 19735: 19730: 19723: 19718: 19711: 19706: 19699: 19694: 19687: 19682: 19676:, p. 65) 19675: 19670: 19654: 19650: 19643: 19641: 19639: 19637: 19629: 19624: 19617: 19612: 19605: 19600: 19593: 19588: 19581: 19576: 19569: 19564: 19555: 19546: 19539: 19534: 19527: 19522: 19515: 19510: 19503: 19498: 19491: 19486: 19479: 19474: 19467: 19462: 19455: 19450: 19443: 19438: 19431: 19426: 19419: 19414: 19407: 19402: 19395: 19390: 19383: 19378: 19371: 19366: 19359: 19354: 19347: 19342: 19335: 19330: 19323: 19318: 19311: 19306: 19299: 19294: 19287: 19282: 19275: 19270: 19263: 19258: 19251: 19246: 19239: 19234: 19227: 19222: 19215: 19210: 19203: 19198: 19191: 19186: 19179: 19174: 19167: 19162: 19155: 19150: 19143: 19138: 19131: 19126: 19119: 19114: 19107: 19102: 19095: 19090: 19083: 19078: 19071: 19066: 19059: 19054: 19047: 19042: 19035: 19030: 19023: 19018: 19012:, p. 92) 19011: 19006: 18999: 18994: 18987: 18982: 18975: 18970: 18963: 18958: 18951: 18946: 18939: 18934: 18927: 18922: 18915: 18910: 18903: 18898: 18891: 18886: 18879: 18874: 18867: 18862: 18855: 18850: 18843: 18838: 18831: 18826: 18819: 18814: 18807: 18802: 18795: 18790: 18783: 18778: 18771: 18766: 18764: 18756: 18751: 18744: 18739: 18733:, p. 15) 18732: 18727: 18720: 18715: 18707: 18705:84-7600-669-1 18701: 18697: 18690: 18683: 18678: 18671: 18666: 18660:, p. 99) 18659: 18654: 18647: 18642: 18635: 18630: 18623: 18618: 18611: 18606: 18599: 18594: 18587: 18582: 18575: 18570: 18563: 18558: 18551: 18546: 18540:, p. 76) 18539: 18534: 18527: 18522: 18515: 18510: 18504:, p. 77) 18503: 18498: 18491: 18486: 18479: 18474: 18467: 18466:Revilla (1999 18462: 18456:, p. 95) 18455: 18450: 18444:, p. 70) 18443: 18438: 18429: 18422: 18417: 18411:, p. 68) 18410: 18405: 18396: 18389: 18384: 18377: 18372: 18365: 18360: 18358: 18341: 18335: 18326: 18319: 18314: 18307: 18302: 18295: 18290: 18283: 18278: 18271: 18266: 18259: 18254: 18247: 18242: 18235: 18230: 18223: 18218: 18212:, p. 48) 18211: 18206: 18197: 18190: 18185: 18178: 18173: 18164: 18157: 18152: 18145: 18140: 18134:, p. 22) 18133: 18128: 18122:, p. 45) 18121: 18116: 18110:, p. 66) 18109: 18104: 18098:, p. 64) 18097: 18092: 18085: 18080: 18073: 18068: 18061: 18056: 18040: 18034: 18028:, p. 36) 18027: 18022: 18015: 18010: 18004:, p. 24) 18003: 17998: 17992:, p. 21) 17991: 17986: 17980:, p. 62) 17979: 17974: 17970: 17957: 17956:AA. VV. (1991 17953: 17949: 17945: 17944: 17937: 17930: 17924: 17917: 17913: 17909: 17908: 17903: 17898: 17891: 17885: 17878: 17874: 17870: 17866: 17862: 17858: 17854: 17850: 17846: 17843: 17837: 17829: 17822: 17815: 17810: 17806: 17800: 17792: 17788: 17784: 17778: 17771: 17767: 17763: 17759: 17755: 17751: 17747: 17742: 17735: 17731: 17727: 17721: 17714: 17710: 17706: 17700: 17693: 17689: 17685: 17681: 17677: 17671: 17664: 17660: 17656: 17652: 17646: 17639: 17638:postmodernity 17635: 17631: 17627: 17623: 17619: 17615: 17611: 17610:Enlightenment 17607: 17603: 17597: 17590: 17586: 17582: 17581:classical art 17578: 17574: 17570: 17566: 17562: 17559: 17553: 17536: 17532: 17526: 17522: 17518: 17515:According to 17512: 17508: 17494: 17491: 17489: 17486: 17484: 17481: 17479: 17476: 17474: 17471: 17469: 17466: 17464: 17461: 17459: 17456: 17454: 17451: 17449: 17446: 17445: 17441: 17435: 17430: 17423: 17421: 17417: 17413: 17409: 17405: 17400: 17397: 17396: 17391: 17387: 17379: 17375: 17371: 17370:Étienne Dinet 17367: 17363: 17354: 17352: 17351: 17346: 17345: 17340: 17336: 17335:Pablo Picasso 17332: 17328: 17327:Auguste Rodin 17324: 17320: 17316: 17312: 17308: 17304: 17300: 17295: 17291: 17287: 17283: 17279: 17275: 17271: 17267: 17263: 17259: 17255: 17251: 17242: 17229: 17228: 17218: 17206: 17205: 17195: 17191: 17187: 17183: 17179: 17176: 17172: 17168: 17164: 17159: 17155: 17147: 17136: 17132: 17116: 17112: 17108: 17102: 17097: 17093: 17089: 17088: 17081: 17076: 17072: 17068: 17062: 17057: 17053: 17049: 17043: 17038: 17034: 17030: 17024: 17019: 17018: 17014: 17012: 17008: 17007: 17002: 17001: 16996: 16991: 16989: 16985: 16981: 16980: 16975: 16971: 16967: 16963: 16958: 16956: 16952: 16948: 16945: 16940: 16938: 16934: 16930: 16926: 16925: 16920: 16917: 16912: 16910: 16909: 16904: 16900: 16896: 16892: 16888: 16884: 16880: 16876: 16871: 16869: 16865: 16861: 16857: 16853: 16852: 16847: 16846: 16841: 16836: 16832: 16828: 16824: 16820: 16816: 16812: 16808: 16804: 16800: 16796: 16795:ambaka-liṅgam 16792: 16788: 16784: 16780: 16776: 16772: 16768: 16764: 16760: 16756: 16752: 16751: 16746: 16745: 16735: 16731: 16726: 16722: 16720: 16716: 16712: 16708: 16704: 16699: 16691: 16687: 16683: 16680: 16679:Chola dynasty 16676: 16667: 16664: 16660: 16656: 16651: 16647: 16643: 16637: 16627: 16625: 16621: 16617: 16612: 16607: 16603: 16599: 16595: 16591: 16587: 16579: 16575: 16566: 16564: 16560: 16555: 16553: 16549: 16548:Edward Hopper 16545: 16544:Winslow Homer 16541: 16537: 16533: 16529: 16525: 16521: 16516: 16514: 16510: 16506: 16502: 16498: 16494: 16489: 16484: 16482: 16478: 16474: 16469: 16464: 16462: 16458: 16454: 16450: 16449:postmodernity 16446: 16441: 16440: 16438: 16433: 16431: 16430:Jenny Saville 16426: 16423: 16419: 16418: 16412: 16410: 16406: 16405: 16400: 16396: 16392: 16388: 16384: 16380: 16379:Cindy Sherman 16376: 16375:Donna Haraway 16372: 16368: 16364: 16360: 16358: 16354: 16350: 16346: 16345: 16340: 16336: 16332: 16328: 16327:body painting 16324: 16320: 16316: 16312: 16308: 16304: 16300: 16296: 16292: 16287: 16285: 16281: 16277: 16272: 16271:exhibitionism 16268: 16267: 16262: 16258: 16254: 16253: 16248: 16247: 16242: 16241: 16236: 16235: 16230: 16224: 16223: 16221: 16216: 16214: 16213:Man and woman 16210: 16206: 16202: 16198: 16194: 16190: 16185: 16180: 16179: 16177: 16172: 16170: 16166: 16162: 16158: 16154: 16150: 16146: 16142: 16139:performed in 16138: 16134: 16130: 16129: 16124: 16123: 16118: 16117: 16112: 16111: 16101: 16097: 16093: 16089: 16085: 16084: 16080: 16078: 16077: 16072: 16071: 16066: 16062: 16058: 16054: 16050: 16047: 16046:International 16043: 16039: 16035: 16030: 16029: 16027: 16022: 16021: 16017: 16013: 16009: 16005: 16004: 15999: 15995: 15993: 15992: 15987: 15983: 15979: 15975: 15971: 15967: 15963: 15961: 15957: 15953: 15949: 15947: 15942: 15938: 15934: 15933: 15928: 15924: 15919: 15918: 15916: 15915: 15909: 15907: 15903: 15899: 15896: 15892: 15889:, 1951); and 15888: 15884: 15879: 15877: 15873: 15869: 15868:Ivan Albright 15865: 15861: 15858:(1977–1980), 15857: 15853: 15849: 15845: 15841: 15837: 15836:Girl Sleeping 15834:(1941–1943), 15833: 15829: 15824: 15820: 15818: 15814: 15810: 15806: 15805:And the groom 15802: 15798: 15794: 15790: 15789:Seated figure 15786: 15783:(1977–1978), 15782: 15778: 15774: 15770: 15769:Sleeping Nude 15765: 15760: 15759:(1966), etc. 15758: 15754: 15750: 15747: 15743: 15739: 15735: 15731: 15727: 15726:Francis Bacon 15723: 15722: 15717: 15716: 15711: 15705: 15704: 15702: 15697: 15696:(2008), etc. 15695: 15691: 15687: 15683: 15679: 15675: 15671: 15667: 15663: 15659: 15655: 15651: 15647: 15643: 15638: 15637:Antoni Tàpies 15634: 15631: 15627: 15622: 15618: 15614: 15613:Jean Dubuffet 15609: 15608:Jean Fautrier 15605: 15603: 15599: 15598:Antonio Saura 15595: 15591: 15587: 15582: 15578: 15574: 15573: 15568: 15562: 15561: 15559: 15554: 15552: 15548: 15544: 15539: 15535: 15531: 15523: 15519: 15515: 15511: 15505:Latest trends 15502: 15500: 15496: 15492: 15488: 15484: 15480: 15476: 15475:Julio Antonio 15472: 15468: 15464: 15461:, 1907–1910; 15460: 15459:El Crepúsculo 15456: 15452: 15448: 15444: 15443:Mateo Inurria 15440: 15436: 15432: 15428: 15427:Josep Llimona 15424: 15420: 15419:Enric Clarasó 15416: 15412: 15408: 15404: 15400: 15396: 15392: 15388: 15384: 15380: 15376: 15372: 15368: 15364: 15360: 15356: 15352: 15348: 15344: 15340: 15336: 15332: 15328: 15324: 15320: 15316: 15312: 15308: 15304: 15300: 15296: 15292: 15288: 15284: 15280: 15276: 15272: 15268: 15264: 15260: 15256: 15252: 15248: 15247:Fruto de amor 15244: 15243:Fauno galante 15240: 15236: 15232: 15228: 15224: 15220: 15216: 15212: 15208: 15204: 15200: 15196: 15192: 15188: 15184: 15181:(1929), etc. 15180: 15176: 15172: 15169:(1925–1926), 15168: 15164: 15160: 15159: 15154: 15150: 15146: 15142: 15138: 15134: 15130: 15126: 15122: 15118: 15117:impressionism 15114: 15105: 15101: 15097: 15096: 15091: 15087: 15086: 15082: 15081:(1938), etc. 15080: 15076: 15072: 15068: 15065: 15061: 15060:Women Bathing 15057: 15053: 15049: 15045: 15041: 15037: 15033: 15029: 15025: 15022: 15018: 15017:Sleeping Girl 15014: 15010: 15006: 15002: 14998: 14997:Maurice Denis 14994: 14990: 14986: 14985:poster design 14982: 14978: 14977: 14972: 14968: 14964: 14960: 14959: 14954: 14953: 14951: 14946: 14944: 14940: 14936: 14932: 14928: 14924: 14920: 14916: 14912: 14908: 14906: 14902: 14898: 14894: 14890: 14885: 14881: 14877: 14873: 14869: 14868:Standing Nude 14865: 14861: 14860:Sleeping Muse 14857: 14849: 14845: 14841: 14837: 14833: 14829: 14827: 14823: 14819: 14818:sadomasochism 14815: 14811: 14807: 14803: 14799: 14795: 14790: 14787: 14783: 14779: 14775: 14771: 14767: 14766:(1954), etc. 14765: 14761: 14757: 14753: 14752:Sea of Flames 14749: 14745: 14741: 14737: 14733: 14729: 14725: 14721: 14717: 14713: 14709: 14705: 14700: 14699:René Magritte 14696: 14695:(1966), etc. 14694: 14690: 14686: 14682: 14678: 14674: 14670: 14666: 14662: 14658: 14654: 14650: 14646: 14642: 14638: 14634: 14630: 14626: 14622: 14618: 14614: 14613: 14608: 14604: 14600: 14598: 14594: 14590: 14586: 14582: 14578: 14574: 14570: 14566: 14562: 14558: 14554: 14550: 14546: 14545: 14540: 14536: 14532: 14528: 14525:(1968–1970), 14524: 14523: 14519:(1966–1967), 14518: 14514: 14511: 14507: 14503: 14499: 14495: 14491: 14487: 14486: 14481: 14477: 14476: 14471: 14467: 14462: 14461:(1946), etc. 14460: 14459: 14454: 14451:(1944–1945), 14450: 14449: 14444: 14440: 14436: 14435: 14430: 14426: 14423:(1940–1941), 14422: 14418: 14414: 14410: 14406: 14402: 14401: 14395: 14391: 14387: 14383: 14379: 14375: 14371: 14368:, 1922–1923; 14367: 14363: 14359: 14354: 14350: 14349:Salvador Dalí 14346: 14344: 14340: 14336: 14332: 14328: 14324: 14320: 14316: 14312: 14308: 14300: 14299:Salvador Dalí 14296: 14292: 14288: 14287: 14285: 14280: 14278: 14274: 14270: 14266: 14262: 14258: 14254: 14250: 14245: 14243: 14239: 14235: 14231: 14227: 14223: 14222: 14217: 14213: 14212: 14207: 14206: 14201: 14197: 14193: 14189: 14185: 14181: 14177: 14173: 14172: 14167: 14163: 14162: 14157: 14152: 14151: 14149: 14144: 14142: 14141:heroic nudity 14138: 14137: 14132: 14124: 14120: 14116: 14112: 14111: 14106: 14102: 14101: 14099: 14094: 14092: 14088: 14084: 14080: 14076: 14072: 14068: 14064: 14060: 14059:Henri Laurens 14056: 14052: 14048: 14044: 14040: 14036: 14032: 14028: 14024: 14020: 14019:Woman Walking 14016: 14011: 14009: 14008:Standing Nude 14005: 14001: 13997: 13993: 13989: 13985: 13981: 13978: 13974: 13970: 13967:(1912–1913), 13966: 13962: 13958: 13957:Fernand Léger 13954: 13950: 13946: 13942: 13937: 13936:(1959), etc. 13935: 13931: 13927: 13926: 13921: 13917: 13913: 13909: 13905: 13901: 13897: 13893: 13889: 13886: 13882: 13878: 13875:(1901–1903), 13874: 13870: 13866: 13861: 13857: 13853: 13848: 13844: 13840: 13836: 13832: 13828: 13824: 13820: 13813: 13809: 13805: 13801: 13797: 13795: 13794: 13789: 13785: 13782: 13778: 13774: 13770: 13766: 13762: 13758: 13754: 13750: 13749:Saltimbanquis 13746: 13742: 13738: 13734: 13733:Pablo Picasso 13730: 13729: 13723: 13715: 13711: 13710:Israel Museum 13707: 13703: 13699: 13695: 13694: 13692: 13680: 13676: 13675:Museum Ludwig 13672: 13668: 13662: 13657: 13653: 13649: 13645: 13639: 13634: 13630: 13626: 13622: 13618: 13612: 13607: 13603: 13602:Lovis Corinth 13599: 13593: 13588: 13584: 13580: 13576: 13572: 13566: 13561: 13560: 13556: 13554: 13550: 13546: 13543:, 1929); and 13542: 13538: 13534: 13530: 13526: 13522: 13517: 13513: 13509: 13505: 13501: 13497: 13493: 13489: 13488: 13483: 13479: 13475: 13470: 13469:(1919), etc. 13468: 13464: 13460: 13456: 13452: 13451: 13446: 13445: 13441:(1913–1914), 13440: 13436: 13432: 13428: 13424: 13420: 13416: 13412: 13408: 13400: 13396: 13392: 13391: 13386: 13382: 13379: 13375: 13372: 13368: 13365: 13362:for the 1929 13361: 13357: 13353: 13349: 13346:In sculpture 13344: 13343:(1917), etc. 13342: 13338: 13334: 13330: 13326: 13322: 13318: 13314: 13310: 13306: 13302: 13298: 13293: 13291: 13287: 13283: 13279: 13275: 13271: 13267: 13262: 13258: 13254: 13251: 13247: 13243: 13239: 13235: 13231: 13230:Max Pechstein 13227: 13223: 13219: 13215: 13211: 13207: 13203: 13199: 13195: 13191: 13187: 13182: 13181:(1913), etc. 13180: 13179:Three Bathers 13176: 13173:(1911–1912), 13172: 13168: 13165:(1910–1920), 13164: 13161:(1910–1920), 13160: 13156: 13153:(1909–1926), 13152: 13149:(1909–1920), 13148: 13145:(1909–1910), 13144: 13140: 13136: 13132: 13128: 13124: 13120: 13116: 13111: 13109: 13105: 13101: 13097: 13093: 13089: 13088:Lovis Corinth 13085: 13081: 13077: 13072: 13068: 13063: 13061: 13057: 13053: 13049: 13045: 13037: 13033: 13029: 13025: 13023: 13019: 13015: 13011: 13007: 13002: 12998: 12994: 12989: 12987: 12986: 12981: 12980: 12975: 12974:Impressionism 12967: 12963: 12959: 12955: 12951: 12950: 12948: 12947:Expressionism 12943: 12942:(1907), etc. 12941: 12937: 12933: 12929: 12925: 12921: 12917: 12913: 12909: 12905: 12904:Women Bathing 12901: 12897: 12893: 12889: 12885: 12881: 12876: 12875:(1944), etc. 12874: 12871: 12867: 12863: 12860:(1924–1925), 12859: 12855: 12851: 12847: 12843: 12839: 12835: 12831: 12827: 12826:Game of Bowls 12823: 12822:Standing Nude 12819: 12815: 12811: 12807: 12806: 12801: 12797: 12793: 12789: 12785: 12781: 12777: 12773: 12769: 12765: 12761: 12757: 12756: 12751: 12747: 12743: 12739: 12738:Henri Matisse 12734: 12727: 12723: 12719: 12715: 12711: 12707: 12706: 12704: 12699: 12697: 12693: 12689: 12684: 12682: 12677: 12673: 12672: 12667: 12661: 12659: 12655: 12651: 12647: 12643: 12639: 12636:'s theory of 12635: 12631: 12627: 12623: 12619: 12615: 12609: 12601: 12597: 12593: 12592:Three Bathers 12589: 12580: 12578: 12574: 12570: 12566: 12562: 12558: 12552: 12550: 12549: 12544: 12543: 12538: 12537: 12532: 12528: 12524: 12519: 12514: 12510: 12509:materialistic 12506: 12500: 12492: 12488: 12484: 12480: 12464: 12460: 12456: 12450: 12445: 12441: 12437: 12433: 12432: 12425: 12420: 12416: 12415:Richard Mauch 12412: 12406: 12401: 12397: 12393: 12387: 12382: 12378: 12374: 12370: 12364: 12359: 12355: 12351: 12350:Félicien Rops 12347: 12341: 12336: 12335: 12331: 12329: 12328: 12325: 12320: 12316: 12315: 12310: 12306: 12302: 12297: 12295: 12291: 12287: 12283: 12279: 12275: 12271: 12267: 12263: 12259: 12255: 12251: 12247: 12244:(1901–1902), 12243: 12239: 12235: 12234:Rise in Space 12231: 12227: 12219: 12215: 12211: 12207: 12203: 12199: 12197: 12193: 12188: 12184: 12180: 12176: 12172: 12171: 12166: 12165: 12160: 12156: 12155: 12150: 12149: 12144: 12140: 12136: 12132: 12127: 12123: 12119: 12115: 12110: 12102: 12098: 12094: 12090: 12086: 12084: 12083: 12078: 12074: 12070: 12066: 12062: 12058: 12054: 12050: 12046: 12042: 12038: 12034: 12030: 12026: 12025: 12020: 12016: 12012: 12004: 12000: 11996: 11995: 11990: 11986: 11984: 11980: 11976: 11972: 11969: 11968:neoplasticist 11965: 11964:Piet Mondrian 11961: 11957: 11953: 11948: 11946: 11942: 11938: 11934: 11930: 11926: 11922: 11918: 11917:Jean Delville 11914: 11913:The Sacrifice 11910: 11909: 11904: 11900: 11895: 11894:Félicien Rops 11887: 11876: 11872: 11868: 11866: 11862: 11858: 11854: 11851:, 1916); and 11850: 11846: 11842: 11838: 11834: 11833:Man and Woman 11830: 11826: 11822: 11821: 11816: 11812: 11808: 11804: 11800: 11792: 11788: 11784: 11780: 11778: 11775:(1938–1943), 11774: 11773: 11768: 11765:(1930–1937), 11764: 11760: 11756: 11752: 11751:Young Cyclist 11748: 11745:(1902–1923), 11744: 11743:Mediterranean 11741:(1902–1909), 11740: 11736: 11732: 11728: 11727:Mediterranean 11724: 11720: 11719: 11716: 11711: 11707: 11706: 11701: 11697: 11693: 11689: 11686: 11682: 11677: 11676:(1894–1896). 11675: 11671: 11667: 11663: 11660:(1874–1876), 11659: 11655: 11651: 11647: 11643: 11640:(1865–1875), 11639: 11635: 11632: 11629: 11625: 11621: 11620: 11615: 11607: 11606:Musée d'Orsay 11603: 11599: 11595: 11591: 11589: 11585: 11584: 11579: 11575: 11571: 11567: 11563: 11559: 11554: 11550: 11546: 11541: 11539: 11538: 11533: 11529: 11525: 11521: 11517: 11512: 11504: 11503:Musée d'Orsay 11500: 11496: 11492: 11476: 11475:Museo Sorolla 11472: 11468: 11462: 11457: 11453: 11449: 11445: 11441: 11437: 11434: 11428: 11423: 11419: 11415: 11409: 11404: 11400: 11396: 11392: 11386: 11381: 11377: 11376:Musée d'Orsay 11373: 11372:Édouard Manet 11369: 11368: 11361: 11356: 11355: 11351: 11349: 11345: 11341: 11337: 11333: 11329: 11325: 11321: 11317: 11313: 11309: 11308: 11302: 11297: 11295: 11291: 11287: 11283: 11279: 11275: 11272: 11268: 11263: 11261: 11257: 11253: 11249: 11245: 11242: 11239:, 1894–1905; 11238: 11234: 11230: 11226: 11222: 11221: 11216: 11212: 11208: 11204: 11200: 11196: 11192: 11191: 11186: 11185: 11180: 11179: 11174: 11173: 11168: 11167: 11162: 11158: 11157: 11152: 11148: 11144: 11143: 11137: 11136:Auguste Rodin 11129: 11125: 11124:Auguste Rodin 11121: 11117: 11116: 11111: 11107: 11106: 11101: 11098:(1901), etc. 11097: 11093: 11092: 11088:(1894–1895), 11087: 11083: 11079: 11075: 11071: 11067: 11063: 11060:(1901), etc. 11059: 11055: 11054: 11049: 11048: 11043: 11042: 11037: 11033: 11032:Delicious Day 11029: 11025: 11021: 11020:Manao tupapau 11017: 11013: 11009: 11005: 11001: 10997: 10993: 10992: 10987: 10983: 10979: 10978: 10973: 10969: 10965: 10961: 10957: 10953: 10949: 10945: 10940: 10932: 10928: 10924: 10920: 10916: 10912: 10910: 10909: 10904: 10900: 10896: 10892: 10884: 10880: 10876: 10872: 10871: 10866: 10862: 10860: 10857:, 1908–1910; 10856: 10852: 10848: 10844: 10841: 10837: 10833: 10829: 10825: 10824: 10819: 10816: 10812: 10808: 10804: 10800: 10796: 10788: 10784: 10780: 10776: 10775: 10770: 10766: 10764: 10760: 10756: 10752: 10748: 10744: 10740: 10736: 10733: 10729: 10725: 10720: 10717: 10713: 10712:Caravaggesque 10709: 10708: 10703: 10702: 10697: 10696:Édouard Manet 10691: 10688: 10684: 10680: 10679:Impressionism 10675: 10674:Impressionism 10664: 10660: 10659: 10651: 10642: 10641:Auguste Rodin 10638: 10637: 10630: 10619:Impressionism 10610: 10607:) (1894), by 10606: 10602: 10596: 10591: 10587: 10583: 10577: 10572: 10568: 10564: 10560: 10554: 10549: 10545: 10541: 10537: 10536: 10529: 10524: 10520: 10516: 10512: 10511: 10510:The Odalisque 10504: 10499: 10495: 10491: 10490:Camille Corot 10487: 10481: 10476: 10475: 10471: 10469: 10468: 10463: 10459: 10455: 10451: 10447: 10443: 10439: 10435: 10431: 10428:, 1871–1872; 10427: 10423: 10420:, 1870–1874; 10419: 10415: 10411: 10410: 10409:The Odalisque 10405: 10402:, trained in 10401: 10397: 10393: 10389: 10385: 10381: 10376: 10374: 10370: 10366: 10362: 10358: 10354: 10350: 10346: 10341: 10339: 10335: 10331: 10327: 10323: 10319: 10315: 10311: 10307: 10302: 10301:(1857), etc. 10300: 10296: 10293:(1853–1865), 10292: 10288: 10284: 10280: 10276: 10272: 10268: 10264: 10263:Camille Corot 10259: 10257: 10256: 10251: 10247: 10246: 10241: 10237: 10233: 10229: 10225: 10224: 10219: 10215: 10214: 10209: 10208: 10203: 10198: 10196: 10192: 10188: 10184: 10178: 10170: 10166: 10162: 10161: 10156: 10140: 10136: 10132: 10128: 10127: 10120: 10115: 10111: 10107: 10103: 10097: 10092: 10088: 10084: 10078: 10073: 10069: 10065: 10061: 10055: 10050: 10046: 10042: 10041: 10034: 10029: 10025: 10021: 10015: 10010: 10006: 10002: 9996: 9991: 9987: 9983: 9979: 9978: 9971: 9966: 9962: 9958: 9952: 9947: 9943: 9942:Musée d'Orsay 9939: 9935: 9929: 9924: 9923: 9919: 9918:(1893), etc. 9917: 9916:The Butterfly 9913: 9909: 9905: 9901: 9897: 9893: 9889: 9885: 9880: 9878: 9877: 9872: 9868: 9864: 9860: 9856: 9852: 9848: 9844: 9840: 9836: 9832: 9828: 9827: 9822: 9818: 9814: 9810: 9806: 9802: 9798: 9794: 9790: 9785: 9783: 9779: 9775: 9771: 9767: 9763: 9759: 9755: 9751: 9747: 9743: 9739: 9735: 9731: 9727: 9723: 9719: 9715: 9711: 9707: 9703: 9699: 9695: 9691: 9690: 9685: 9681: 9677: 9673: 9672: 9667: 9663: 9659: 9655: 9651: 9650: 9645: 9637: 9636:Musée d'Orsay 9633: 9629: 9628: 9623: 9619: 9617: 9609: 9605: 9601: 9600: 9595: 9591: 9589: 9585: 9581: 9577: 9573: 9569: 9564: 9562: 9558: 9554: 9545: 9541: 9537: 9533: 9529: 9525: 9522: 9521: 9515: 9511: 9507: 9503: 9498: 9490: 9486: 9482: 9478: 9477: 9472: 9456: 9452: 9448: 9444: 9438: 9433: 9429: 9425: 9421: 9420: 9413: 9408: 9404: 9400: 9396: 9390: 9385: 9381: 9377: 9373: 9367: 9362: 9358: 9354: 9350: 9344: 9339: 9335: 9334:Louvre Museum 9331: 9327: 9326: 9319: 9314: 9310: 9306: 9302: 9301:William Blake 9298: 9292: 9287: 9286: 9282: 9280: 9276: 9272: 9268: 9264: 9260: 9256: 9252: 9248: 9244: 9241: 9237: 9233: 9232:Eugenio Lucas 9229: 9224: 9222: 9219: 9215: 9211: 9207: 9203: 9199: 9195: 9191: 9186: 9184: 9180: 9176: 9172: 9168: 9164: 9160: 9156: 9152: 9148: 9144: 9140: 9135: 9134:François Rude 9130: 9128: 9127: 9123: 9120:and precedes 9119: 9116: 9112: 9108: 9104: 9101: 9097: 9094: 9093:Shakespearean 9090: 9086: 9082: 9078: 9074: 9069: 9067: 9066: 9061: 9060: 9054: 9050: 9046: 9042: 9041: 9036: 9035: 9030: 9029: 9024: 9019: 9012: 9008: 9004: 9003: 8998: 8994: 8992: 8988: 8984: 8980: 8976: 8975: 8970: 8969: 8964: 8960: 8956: 8952: 8951: 8946: 8942: 8938: 8934: 8930: 8926: 8925: 8920: 8915: 8914:(1842), etc. 8913: 8912: 8907: 8906: 8901: 8900: 8895: 8894: 8890:(1808–1825), 8889: 8888: 8883: 8879: 8875: 8871: 8867: 8863: 8862: 8857: 8853: 8852: 8847: 8846: 8841: 8840: 8835: 8827: 8826:Louvre Museum 8823: 8819: 8818: 8813: 8809: 8807: 8804: 8800: 8796: 8792: 8788: 8784: 8780: 8776: 8775:Vitruvian Man 8772: 8771: 8766: 8765:Last Judgment 8762: 8758: 8757: 8752: 8751: 8746: 8742: 8741:William Blake 8739:(1800–1810). 8738: 8734: 8730: 8729: 8725:(1780–1785), 8724: 8720: 8716: 8712: 8708: 8704: 8700: 8696: 8692: 8688: 8687:William Blake 8684: 8679: 8677: 8673: 8669: 8663: 8655: 8651: 8647: 8646: 8641: 8632: 8630: 8626: 8620: 8618: 8614: 8610: 8606: 8602: 8598: 8594: 8590: 8579: 8571: 8570:Musée d'Orsay 8567: 8563: 8562: 8557: 8541: 8537: 8533: 8527: 8522: 8518: 8514: 8510: 8509: 8502: 8497: 8493: 8489: 8485: 8481: 8480: 8473: 8468: 8464: 8460: 8456: 8450: 8445: 8441: 8440:Louvre Museum 8437: 8433: 8427: 8422: 8418: 8414: 8410: 8404: 8399: 8395: 8391: 8387: 8386: 8379: 8374: 8373: 8369: 8367: 8363: 8359: 8355: 8354:Sabino Medina 8351: 8347: 8343: 8339: 8335: 8334:Damià Campeny 8331: 8327: 8324:, 1810–1815; 8323: 8319: 8315: 8311: 8307: 8303: 8298: 8296: 8292: 8288: 8284: 8280: 8276: 8275:Genius Bornii 8272: 8268: 8264: 8260: 8257:(1790–1794), 8256: 8252: 8248: 8244: 8241: 8236: 8234: 8230: 8226: 8222: 8218: 8214: 8210: 8209: 8204: 8200: 8196: 8195: 8190: 8186: 8182: 8178: 8174: 8169: 8167: 8166: 8162:(1804–1819), 8161: 8158:(1804–1808), 8157: 8156: 8152:(1803–1806), 8151: 8150: 8145: 8142:(1795–1815), 8141: 8138:(1789–1794), 8137: 8134:(1786–1793), 8133: 8132: 8128:(1781–1783), 8127: 8126: 8122:(1777–1779), 8121: 8117: 8110:, Copenhagen. 8109: 8105: 8101: 8100: 8095: 8091: 8089: 8085: 8081: 8076: 8072: 8068: 8064: 8063: 8058: 8054: 8050: 8046: 8045: 8040: 8036: 8033:of Raphael's 8032: 8028: 8024: 8020: 8016: 8012: 8011: 8006: 8002: 7998: 7994: 7990: 7982: 7981:Louvre Museum 7978: 7974: 7970: 7966: 7965:(1824), etc. 7964: 7963: 7958: 7954: 7953: 7948: 7947: 7942: 7941: 7936: 7935: 7929: 7924: 7920: 7918: 7914: 7910: 7909:impressionism 7906: 7902: 7901: 7895: 7893: 7889: 7885: 7881: 7878:discovery of 7877: 7873: 7869: 7865: 7859: 7858:Neoclassicism 7851: 7847: 7843: 7841: 7836: 7830:Neoclassicism 7820: 7816: 7812: 7806: 7801: 7797: 7793: 7789: 7785: 7779: 7774: 7770: 7766: 7762: 7756: 7751: 7747: 7746:Louvre Museum 7743: 7739: 7733: 7728: 7724: 7720: 7714: 7709: 7708: 7704: 7702: 7698: 7697: 7696:Los caprichos 7692: 7688: 7684: 7683: 7678: 7677: 7672: 7669:(1812–1819), 7668: 7667: 7663:(1800–1805), 7662: 7661:The Beheading 7659:(1797–1798), 7658: 7653: 7649: 7645: 7641: 7640: 7635: 7631: 7627: 7623: 7619: 7618: 7613: 7612: 7607: 7603: 7602:expressionism 7599: 7591: 7587: 7583: 7582:Linda maestra 7579: 7575: 7573: 7569: 7565: 7561: 7557: 7553: 7549: 7544: 7540: 7536: 7532: 7528: 7525:(1720–1722). 7524: 7519: 7515: 7511: 7502: 7498: 7494: 7490: 7486: 7484: 7480: 7476: 7472: 7468: 7464: 7460: 7456: 7452: 7448: 7444: 7440: 7436: 7432: 7428: 7424: 7420: 7416: 7412: 7408: 7404: 7398: 7396: 7392: 7388: 7384: 7381:(1761–1765), 7380: 7379: 7375:(1753–1755), 7374: 7373: 7368: 7364: 7360: 7356: 7352: 7348: 7343: 7342:(1751), etc. 7341: 7337: 7333: 7329: 7328: 7323: 7319: 7316:(portrait of 7315: 7314: 7309: 7304: 7297: 7293: 7289: 7287: 7284:(portrait of 7282: 7281: 7276: 7272: 7270: 7267:, 1722–1724; 7266: 7262: 7258: 7254: 7250: 7246: 7242: 7238: 7235:(1715–1716), 7234: 7233: 7228: 7224: 7220: 7215: 7211: 7209: 7208: 7203: 7199: 7195: 7194: 7189: 7185: 7181: 7177: 7173: 7167: 7165: 7161: 7157: 7156:Neoclassicism 7153: 7147: 7139: 7135: 7131: 7130: 7125: 7109: 7105: 7101: 7100: 7093: 7088: 7084: 7080: 7076: 7070: 7065: 7061: 7057: 7053: 7052: 7045: 7040: 7036: 7035:Pommersfelden 7032: 7028: 7024: 7023: 7016: 7011: 7007: 7003: 6999: 6993: 6988: 6987: 6983: 6981: 6977: 6973: 6969: 6968: 6963: 6960:However, the 6958: 6956: 6955: 6950: 6949: 6944: 6940: 6939: 6934: 6933: 6928: 6927: 6922: 6918: 6915:, painter to 6914: 6909: 6907: 6903: 6899: 6895: 6894: 6889: 6888: 6883: 6882: 6877: 6876:Pedro de Mena 6873: 6869: 6865: 6861: 6856: 6854: 6850: 6846: 6842: 6838: 6834: 6833: 6828: 6820: 6816: 6812: 6811: 6806: 6802: 6800: 6799:cabinetmaking 6796: 6792: 6788: 6784: 6780: 6777:, 1671–1682; 6776: 6772: 6768: 6764: 6760: 6759: 6758:trompe-l'oeil 6753: 6751: 6748:, 1630–1633; 6747: 6743: 6739: 6735: 6731: 6728: 6724: 6720: 6716: 6712: 6708: 6704: 6701:(1634–1635), 6700: 6696: 6692: 6688: 6684: 6680: 6679: 6674: 6673: 6668: 6664: 6660: 6656: 6652: 6644: 6640: 6636: 6632: 6628: 6626: 6622: 6618: 6614: 6610: 6606: 6603:(1623–1625), 6602: 6599:(1621–1633), 6598: 6597:Unarmed Loves 6594: 6590: 6586: 6582: 6578: 6574: 6570: 6566: 6563:(1620–1621). 6562: 6558: 6554: 6553: 6548: 6544: 6543: 6538: 6534: 6530: 6526: 6522: 6516: 6514: 6513: 6508: 6504: 6503: 6498: 6497: 6492: 6491: 6486: 6482: 6478: 6475:, 1610–1620; 6474: 6470: 6466: 6465: 6460: 6459: 6454: 6453: 6448: 6447: 6443:(1602–1604), 6442: 6441: 6437:(1602–1603), 6436: 6435: 6430: 6426: 6422: 6418: 6414: 6410: 6409: 6404: 6403: 6399:(1623–1624), 6398: 6397: 6393:(1621–1622), 6392: 6391: 6387:(1618–1619), 6386: 6385: 6380: 6375: 6373: 6369: 6365: 6361: 6357: 6353: 6349: 6348: 6343: 6342: 6337: 6333: 6329: 6325: 6321: 6313: 6312:Louvre Museum 6309: 6305: 6303: 6298: 6294: 6293:(1649), etc. 6292: 6289:(1645–1655), 6288: 6284: 6280: 6276: 6272: 6268: 6264: 6261:(1615–1616), 6260: 6259: 6254: 6253: 6248: 6244: 6240: 6236: 6232: 6228: 6224: 6220: 6215: 6213: 6209: 6205: 6201: 6200: 6195: 6194: 6189: 6183: 6181: 6180: 6176:(1639–1640), 6175: 6172:(1637–1638), 6171: 6170: 6166:(1636–1638), 6165: 6164: 6159: 6158: 6153: 6149: 6145: 6144: 6139: 6138: 6133: 6132: 6128:(1622–1625), 6127: 6124:(1622–1625), 6123: 6122: 6117: 6116: 6111: 6110: 6105: 6102:(1612–1615), 6101: 6098:(1612–1613), 6097: 6094:(1611–1615), 6093: 6088: 6087:psychological 6084: 6080: 6072: 6068: 6064: 6063: 6058: 6054: 6051: 6047: 6041: 6039: 6034: 6033:parliamentary 6030: 6026: 6022: 6019: 6015: 6009: 6001: 5997: 5993: 5992: 5987: 5972: 5968: 5964: 5961:(1610–1614), 5960: 5959: 5952: 5947: 5943: 5939: 5935: 5929: 5924: 5920: 5916: 5912: 5908: 5907:St. Sebastian 5902: 5897: 5893: 5889: 5885: 5879: 5874: 5870: 5866: 5863:(1480–1490), 5862: 5861: 5854: 5849: 5848: 5844: 5842: 5838: 5834: 5830: 5826: 5822: 5818: 5815:(1526–1532), 5814: 5813:St. Sebastian 5810: 5806: 5802: 5798: 5794: 5790: 5786: 5781: 5779: 5775: 5771: 5767: 5766: 5762:(1609–1614), 5761: 5760: 5755: 5754: 5750:(1597–1600), 5749: 5748: 5744:(1597–1600), 5743: 5740:(1596–1600), 5739: 5735: 5734: 5730:(1580–1582), 5729: 5728: 5724:(1577–1580), 5723: 5722: 5718:(1577–1579), 5717: 5714:(1577–1578), 5713: 5712: 5706: 5705:expressionism 5701: 5695: 5693: 5689: 5685: 5681: 5677: 5676:Germain Pilon 5673: 5669: 5665: 5661: 5657: 5653: 5649: 5645: 5641: 5637: 5626: 5621: 5617: 5613: 5609: 5605: 5601: 5593: 5589: 5585: 5581: 5577: 5575: 5571: 5567: 5563: 5559: 5555: 5551: 5547: 5546: 5541: 5540: 5535: 5532:(1480–1490), 5531: 5530: 5525: 5517: 5513: 5509: 5505: 5501: 5497: 5495: 5491: 5487: 5486: 5481: 5480: 5475: 5474: 5469: 5466:(1518–1520), 5465: 5461: 5460:Three Witches 5457: 5456: 5451: 5448:(1509–1511), 5447: 5443: 5440: 5439:St. Sebastian 5436: 5432: 5430: 5426: 5422: 5418: 5414: 5410: 5406: 5402: 5401: 5395: 5394: 5389: 5388: 5383: 5379: 5374: 5367: 5363: 5359: 5355: 5354: 5349: 5345: 5343: 5339: 5335: 5334: 5329: 5325: 5321: 5317: 5313: 5309: 5305: 5304: 5299: 5295: 5291: 5287: 5283: 5279: 5278:New Testament 5275: 5271: 5258: 5254: 5250: 5249: 5242: 5237: 5233: 5229: 5225: 5221: 5220: 5213: 5208: 5204: 5200: 5196: 5195: 5188: 5183: 5179: 5175: 5171: 5167: 5166: 5159: 5154: 5150: 5146: 5142: 5138: 5137: 5130: 5125: 5121: 5117: 5113: 5109: 5108: 5101: 5096: 5095: 5091: 5089: 5085: 5081: 5077: 5073: 5069: 5068: 5063: 5062: 5057: 5056: 5051: 5047: 5046: 5041: 5037: 5036: 5031: 5028:, 1540–1543; 5027: 5026: 5021: 5017: 5013: 5012: 5007: 5003: 4999: 4995: 4991: 4987: 4983: 4979: 4975: 4971: 4967: 4966: 4961: 4957: 4953: 4948: 4943: 4941: 4940: 4935: 4934: 4929: 4928: 4923: 4919: 4915: 4914: 4909: 4908: 4902: 4897: 4895: 4894: 4889: 4885: 4882:(1575–1580), 4881: 4878:(1575–1580), 4877: 4873: 4869: 4862: 4858: 4854: 4850: 4845: 4841: 4839: 4835: 4832:(1575–1582), 4831: 4830: 4826:(1560–1565), 4825: 4824: 4820:(1555–1556), 4819: 4815: 4814: 4810:(1550–1552), 4809: 4805: 4801: 4797: 4793: 4789: 4785: 4781: 4777: 4773: 4772:Doge's Palace 4769: 4765: 4761: 4757: 4753: 4749: 4748:Paris Bordone 4744: 4742: 4741:Impressionism 4738: 4737: 4732: 4728: 4724: 4723: 4718: 4717: 4713:(1559–1562), 4712: 4711: 4706: 4705: 4700: 4699: 4694: 4690: 4689: 4685:(1531–1533), 4684: 4683: 4679:(1520–1523), 4678: 4677: 4671: 4670: 4665: 4661: 4660: 4655: 4651: 4647: 4646: 4641: 4640: 4635: 4627: 4623: 4619: 4618: 4613: 4612: 4607: 4603: 4599: 4598: 4593: 4589: 4587: 4583: 4579: 4575: 4571: 4570: 4565: 4564: 4559: 4555: 4551: 4550: 4545: 4540: 4536: 4532: 4520: 4516: 4512: 4511: 4504: 4499: 4495: 4491: 4487: 4483: 4477: 4472: 4468: 4464: 4460: 4459: 4452: 4447: 4443: 4439: 4435: 4431: 4425: 4420: 4416: 4412: 4408: 4404: 4403: 4396: 4391: 4390: 4382: 4378: 4372: 4367: 4365: 4361: 4357: 4353: 4349: 4345: 4344:sol justitiae 4341: 4340: 4339:Last Judgment 4335: 4331: 4328: 4324: 4320: 4316: 4313: 4309: 4305: 4304: 4298: 4296: 4292: 4288: 4284: 4280: 4276: 4272: 4268: 4264: 4263: 4258: 4254: 4250: 4249: 4244: 4243: 4238: 4234: 4230: 4229: 4224: 4223: 4218: 4214: 4213: 4212:Vatican Pieta 4208: 4200: 4196: 4192: 4191: 4186: 4182: 4180: 4176: 4172: 4171: 4166: 4162: 4161: 4156: 4152: 4151: 4145: 4143: 4138: 4137: 4132: 4129:In contrast, 4124: 4120: 4116: 4105: 4104: 4098: 4094: 4092: 4088: 4084: 4080: 4076: 4072: 4068: 4064: 4060: 4056: 4055: 4050: 4049: 4044: 4043: 4038: 4034: 4030: 4026: 4022: 4018: 4014: 4010: 4009:Death of Adam 4005: 4004:(1515), etc. 4003: 4002: 3997: 3994:(1505–1510), 3993: 3992: 3987: 3986: 3981: 3977: 3973: 3969: 3968: 3963: 3959: 3958:(1492–1495). 3957: 3956: 3951: 3950: 3945: 3944: 3940:(1482–1483), 3939: 3938: 3933: 3932: 3927: 3926: 3921: 3917: 3913: 3909: 3905: 3901: 3897: 3893: 3889: 3885: 3881: 3877: 3873: 3869: 3868: 3863: 3862: 3857: 3853: 3849: 3848: 3843: 3839: 3835: 3831: 3827: 3820: 3816: 3812: 3808: 3807: 3801: 3797: 3795: 3791: 3790: 3785: 3784: 3779: 3775: 3771: 3767: 3763: 3759: 3755: 3750: 3743: 3739: 3735: 3731: 3729: 3728: 3723: 3719: 3715: 3711: 3707: 3703: 3699: 3695: 3691: 3686: 3684: 3679: 3668: 3667: 3662: 3654: 3650: 3646: 3635: 3634: 3629: 3625: 3623: 3619: 3615: 3611: 3607: 3606: 3603: 3598: 3594: 3593: 3589:, not dated; 3588: 3584: 3583: 3571: 3570: 3565: 3561: 3557: 3553: 3549: 3548: 3547:St. Sebastian 3543: 3539: 3535: 3531: 3527: 3522: 3520: 3516: 3512: 3508: 3504: 3500: 3496: 3493: 3489: 3484: 3480: 3476: 3471: 3469: 3465: 3461: 3460:sacra nuditas 3456: 3450: 3448: 3443: 3440:concept that 3439: 3435: 3434: 3429: 3428: 3423: 3414: 3410: 3406: 3402: 3401: 3396: 3392: 3390: 3386: 3382: 3378: 3377: 3372: 3368: 3363: 3361: 3357: 3353: 3349: 3345: 3341: 3337: 3333: 3332: 3325: 3317: 3313: 3309: 3300: 3298: 3294: 3293:Protestantism 3290: 3286: 3282: 3278: 3274: 3270: 3266: 3262: 3254: 3250: 3246: 3242: 3241: 3236: 3220: 3216: 3212: 3206: 3201: 3197: 3193: 3189: 3188: 3181: 3176: 3172: 3168: 3164: 3158: 3153: 3149: 3145: 3141: 3137: 3131: 3126: 3122: 3118: 3112: 3107: 3106: 3102: 3100: 3096: 3092: 3091:Last Judgment 3088: 3084: 3080: 3076: 3072: 3068: 3064: 3063:Nicola Pisano 3060: 3056: 3052: 3048: 3043: 3041: 3037: 3033: 3029: 3025: 3021: 3017: 3013: 3009: 3005: 3001: 2997: 2993: 2989: 2985: 2981: 2977: 2976: 2971: 2967: 2963: 2959: 2955: 2951: 2950: 2945: 2941: 2936: 2934: 2933:Last Judgment 2929: 2925: 2924:Last Judgment 2921: 2917: 2913: 2909: 2901: 2897: 2893: 2889: 2887: 2883: 2879: 2875: 2871: 2867: 2863: 2859: 2855: 2851: 2847: 2843: 2839: 2838:Mary of Egypt 2835: 2831: 2827: 2826:stained glass 2823: 2817: 2815: 2814: 2809: 2805: 2804:Last Judgment 2801: 2797: 2793: 2789: 2785: 2784:Last Judgment 2774: 2770: 2766: 2761: 2759: 2755: 2751: 2747: 2743: 2739: 2735: 2731: 2727: 2723: 2719: 2716: 2712: 2709:), or in the 2701: 2697: 2693: 2682: 2678: 2674: 2670: 2665: 2661: 2653: 2649: 2645: 2641: 2637: 2636: 2630: 2626: 2624: 2620: 2616: 2612: 2608: 2604: 2602: 2598: 2597: 2592: 2588: 2584: 2579: 2575: 2570: 2568: 2563: 2559: 2553: 2551: 2547: 2543: 2539: 2535: 2531: 2527: 2523: 2515: 2511: 2507: 2503: 2498: 2494: 2492: 2486: 2484: 2479: 2473: 2471: 2467: 2463: 2459: 2455: 2451: 2447: 2443: 2438: 2436: 2432: 2428: 2424: 2420: 2416: 2412: 2408: 2404: 2400: 2399:feudalization 2396: 2392: 2388: 2382: 2374: 2370: 2366: 2362: 2361: 2356: 2352: 2336: 2332: 2326: 2321: 2317: 2313: 2309: 2308: 2301: 2296: 2292: 2288: 2284: 2283: 2278: 2271: 2266: 2262: 2258: 2254: 2253: 2246: 2241: 2237: 2233: 2232: 2225: 2220: 2219: 2215: 2213: 2207: 2203: 2199: 2194: 2192: 2188: 2184: 2180: 2176: 2172: 2168: 2162: 2160: 2156: 2152: 2148: 2144: 2140: 2136: 2135: 2128: 2126: 2125: 2120: 2119: 2118:Boxer at Rest 2114: 2113: 2108: 2107: 2102: 2098: 2097: 2092: 2088: 2084: 2080: 2079: 2074: 2070: 2069: 2064: 2063: 2058: 2053: 2051: 2047: 2043: 2039: 2035: 2031: 2027: 2021: 2013: 2009: 2008: 2003: 1987: 1986:Louvre Museum 1983: 1982: 1981:Venus de Milo 1975: 1970: 1966: 1962: 1959:(130 BC), by 1958: 1957: 1950: 1945: 1941: 1937: 1933: 1927: 1922: 1918: 1914: 1913: 1908: 1902: 1897: 1893: 1889: 1883: 1878: 1877: 1873: 1871: 1868: 1864: 1861:, now in the 1860: 1856: 1852: 1848: 1847: 1842: 1838: 1834: 1830: 1826: 1822: 1818: 1814: 1810: 1806: 1802: 1798: 1794: 1793: 1788: 1784: 1780: 1776: 1772: 1771: 1765: 1763: 1759: 1755: 1751: 1747: 1743: 1739: 1738: 1733: 1729: 1725: 1724: 1719: 1715: 1714: 1709: 1708: 1707:Ludovisi Gaul 1703: 1699: 1698: 1693: 1689: 1681: 1677: 1673: 1669: 1668: 1663: 1659: 1657: 1653: 1649: 1645: 1641: 1636: 1635: 1629: 1617: 1613: 1602: 1601: 1594: 1589: 1585: 1584:Louvre Museum 1581: 1578:(360 BC), by 1577: 1576: 1569: 1564: 1560: 1556: 1552: 1551: 1544: 1539: 1535: 1531: 1530: 1526: 1519: 1514: 1513: 1509: 1507: 1503: 1499: 1495: 1491: 1487: 1483: 1479: 1478:Mediterranean 1475: 1471: 1467: 1463: 1459: 1455: 1451: 1447: 1443: 1438: 1437: 1433: 1432: 1427: 1426: 1421: 1420: 1415: 1411: 1410: 1409:Venus of Milo 1405: 1404: 1398: 350 BC 1392: 1391: 1386: 1381: 1379: 1375: 1371: 1367: 1366: 1361: 1357: 1356: 1351: 1347: 1343: 1338: 1336: 1332: 1331: 1325: 1321: 1317: 1316: 1311: 1310: 1301: 1297: 1293: 1289: 1284: 350 BC 1278: 1277: 1272: 1268: 1266: 1262: 1258: 1254: 1253: 1248: 1244: 1240: 1237:(335 BC) and 1236: 1233:(337 BC), in 1232: 1228: 1227: 1222: 1218: 1216: 1212: 1208: 1204: 1200: 1196: 1195: 1190: 1187: 1183: 1180: 1177:(1622–1625), 1176: 1175: 1171: 1167: 1166: 1162: 1158: 1147: 1146: 1141: 1136: 350 BC 1130: 1126: 1122: 1118: 1114: 1113: 1108: 1104: 1103: 1098: 1097: 1091: 1086: 1084: 1083: 1078: 1077: 1076:Resting Satyr 1072: 1071: 1066: 1062: 1060: 1056: 1052: 1048: 1047: 1042: 1041: 1036: 1029: 1025: 1022:(430 BC), by 1021: 1020: 1015: 1011: 1008: 450 BC 1002: 997: 450 BC 991: 987: 983: 979: 977: 973: 969: 968: 963: 962: 957: 953: 951: 947: 943: 939: 935: 931: 927: 923: 922: 916: 477 BC 910: 906: 905: 899: 480 BC 893: 889: 888: 882: 490 BC 876: 875: 870: 866: 858: 853: 480 BC 847: 843: 842: 837: 833: 831: 830: 825: 824: 819: 818: 813: 812: 807: 806: 801: 799: 794: 790: 789: 784: 780: 776: 772: 768: 764: 760: 755: 751: 750: 745: 741: 737: 736: 730: 727: 721: 719: 715: 714:neoclassicism 710: 704: 702: 701:Olympic Games 698: 690: 679: 678: 673: 669: 665: 663: 659: 655: 650: 646: 642: 638: 632: 622: 620: 616: 612: 608: 604: 600: 596: 587: 570 BC 581: 580: 576: 571: 565:Classical art 562: 560: 556: 552: 549: 545: 544: 539: 534: 532: 528: 524: 520: 516: 512: 511: 506: 505: 500: 499: 494: 490: 486: 481: 477: 473: 469: 468: 467:Seated Scribe 463: 457: 455: 451: 447: 443: 439: 435: 431: 430: 429:Snake Goddess 425: 421: 417: 413: 409: 405: 401: 397: 393: 389: 381: 370: 366: 362: 360: 356: 352: 348: 342: 332: 330: 326: 322: 317: 313: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 265: 260: 258: 257:civilizations 255: 254:protohistoric 251: 247: 243: 239: 236:and lived in 235: 231: 227: 223: 219: 215: 211: 206: 191: 187: 183: 174: 172: 171:Jenny Saville 168: 164: 160: 156: 152: 151:Impressionism 148: 144: 140: 136: 132: 128: 124: 119: 117: 113: 109: 105: 100: 98: 94: 90: 85: 81: 77: 73: 69: 65: 61: 57: 53: 45: 41: 37: 36: 31: 27: 19: 22947: 22937: 22811: 22769:Ilsley Boone 22764:Paul Bindrim 22754:Kurt Barthel 22676:Nude beaches 22671:Nude wedding 22601:Gay naturism 22568:Strip search 22301:(in Spanish) 22295:(in Spanish) 22289:(in Spanish) 22283:(in Spanish) 22270:(in Spanish) 22243: 22224: 22205: 22186: 22177: 22158: 22139: 22120: 22100: 22080: 22061: 22042: 22023: 22004: 21985: 21966: 21947: 21928: 21909: 21890: 21871: 21852: 21833: 21814: 21795: 21776: 21757: 21738: 21719: 21700: 21681: 21662: 21643: 21624: 21605: 21586: 21567: 21558: 21539: 21520: 21501: 21482: 21463: 21444: 21425: 21406: 21397: 21378: 21371:Bibliography 21360:the original 21350: 21338:. Retrieved 21326: 21322: 21312: 21300:. Retrieved 21290: 21278: 21266:. Retrieved 21264:(in Spanish) 21255: 21243:. Retrieved 21239:the original 21228: 21216:. Retrieved 21212:the original 21201: 21189: 21177:. Retrieved 21173:the original 21162: 21153: 21141: 21129: 21117: 21110:Onians (2008 21105: 21093: 21081: 21061: 21054: 21042: 21035:Cirlot (1990 21030: 21023:Cirlot (1990 21018: 21009: 21002:Cirlot (1990 20997: 20990:Cirlot (1990 20985: 20973: 20961:. Retrieved 20959:(in Spanish) 20950: 20938:. Retrieved 20936:(in Spanish) 20925: 20913: 20901:. Retrieved 20899:(in Spanish) 20891: 20879:. Retrieved 20877:(in Spanish) 20869: 20857: 20848: 20836: 20827: 20818: 20806: 20794:. Retrieved 20792:(in Spanish) 20783: 20774: 20762: 20753: 20744: 20735: 20723: 20711: 20699: 20687:. Retrieved 20683:the original 20673: 20661:. Retrieved 20657:the original 20647: 20635:. Retrieved 20631:the original 20621: 20609: 20597:. Retrieved 20593:the original 20582: 20570: 20558: 20546: 20534: 20527:Gibson (2006 20522: 20510: 20498: 20486: 20477: 20465: 20453: 20441: 20429: 20417: 20405: 20396: 20384: 20372: 20363: 20351: 20339: 20327: 20315: 20303: 20294: 20282: 20273: 20268:, p. 7) 20261: 20252: 20240: 20228: 20216: 20204: 20192: 20180: 20171: 20159: 20152:Gibson (2006 20147: 20140:Gibson (2006 20135: 20126: 20114: 20107:Gibson (2006 20102: 20093: 20084: 20072: 20060: 20051: 20039: 20027: 20015: 20003: 19991: 19979: 19967: 19958: 19946: 19934: 19922: 19910: 19898: 19886: 19877: 19865: 19853: 19841: 19829: 19821: 19813: 19801: 19789: 19777: 19765: 19753: 19741: 19729: 19717: 19705: 19693: 19681: 19669: 19657:. Retrieved 19653:the original 19623: 19611: 19599: 19587: 19575: 19563: 19554: 19545: 19533: 19521: 19509: 19497: 19485: 19473: 19461: 19449: 19437: 19425: 19413: 19401: 19389: 19377: 19365: 19353: 19341: 19329: 19317: 19305: 19293: 19281: 19269: 19257: 19245: 19233: 19221: 19209: 19202:Newall (2009 19197: 19185: 19173: 19161: 19149: 19137: 19125: 19113: 19101: 19089: 19077: 19065: 19053: 19041: 19029: 19017: 19005: 18993: 18981: 18969: 18957: 18945: 18933: 18921: 18909: 18897: 18885: 18873: 18861: 18849: 18837: 18825: 18813: 18801: 18789: 18777: 18750: 18743:Newall (2009 18738: 18726: 18714: 18695: 18689: 18677: 18665: 18653: 18641: 18629: 18617: 18605: 18593: 18581: 18569: 18557: 18545: 18533: 18521: 18509: 18497: 18485: 18473: 18461: 18449: 18437: 18428: 18416: 18404: 18395: 18383: 18378:, p. 7) 18371: 18344:. Retrieved 18334: 18325: 18313: 18301: 18289: 18277: 18265: 18253: 18241: 18229: 18217: 18205: 18196: 18184: 18172: 18163: 18151: 18139: 18132:Newall (2009 18127: 18115: 18103: 18091: 18079: 18067: 18055: 18043:. Retrieved 18041:(in Spanish) 18033: 18021: 18009: 17997: 17990:Newall (2009 17985: 17973: 17954:) in Paris ( 17951: 17941: 17936: 17929:World War II 17923: 17911: 17910:in his work 17905: 17897: 17884: 17836: 17827: 17821: 17804: 17799: 17791:Manuel Godoy 17777: 17761: 17757: 17741: 17729: 17720: 17704: 17699: 17670: 17658: 17650: 17645: 17596: 17580: 17560: 17552: 17539:. Retrieved 17535:the original 17511: 17468:Feminist art 17401: 17393: 17390:anthropology 17383: 17365: 17348: 17342: 17338: 17323:Gustav Klimt 17309:, including 17306: 17270:Keisai Eisen 17225: 17202: 17199: 17190:Kuroda Seiki 17185: 17163:Japanese art 17161: 17154:Japanese art 17134: 17106: 17085: 17066: 17054:, Karnataka. 17047: 17028: 17004: 16998: 16992: 16983: 16977: 16959: 16954: 16950: 16941: 16936: 16923: 16913: 16906: 16902: 16898: 16883:Mohenjo-Dāro 16872: 16859: 16850: 16843: 16834: 16830: 16806: 16802: 16798: 16794: 16778: 16770: 16758: 16748: 16742: 16739: 16701: 16692:, his wife). 16650:polytheistic 16639: 16583: 16562: 16556: 16551: 16535: 16531: 16527: 16524:Bad Painting 16517: 16512: 16504: 16500: 16492: 16486:In Germany, 16485: 16480: 16476: 16473:In The Slave 16472: 16465: 16442: 16439:(since 1975) 16435: 16434: 16427: 16415: 16413: 16402: 16394: 16386: 16383:Judy Chicago 16367:menstruation 16363:Feminist art 16361: 16356: 16352: 16342: 16326: 16307:Günther Brus 16288: 16280:transvestism 16264: 16257:feminist art 16250: 16245: 16238: 16232: 16225: 16218: 16217: 16212: 16208: 16196: 16181: 16176:Hyperrealism 16174: 16173: 16168: 16164: 16160: 16157:Wolf Vostell 16140: 16128:installation 16127: 16120: 16114: 16108: 16105: 16091: 16082: 16081: 16074: 16068: 16060: 16056: 16052: 16048: 16045: 16037: 16031: 16024: 16023: 16019: 16011: 16007: 16001: 15996: 15989: 15985: 15981: 15969: 15964: 15952:photomontage 15945: 15940: 15930: 15926: 15920: 15913: 15911: 15910: 15905: 15901: 15897: 15895:Female Torso 15894: 15886: 15880: 15875: 15863: 15859: 15855: 15851: 15847: 15843: 15839: 15835: 15831: 15827: 15821: 15816: 15812: 15808: 15804: 15800: 15796: 15792: 15788: 15784: 15780: 15776: 15772: 15768: 15764:Lucian Freud 15761: 15756: 15752: 15748: 15745: 15729: 15719: 15713: 15706: 15699: 15698: 15694:Black Jersey 15693: 15689: 15685: 15681: 15678:Varnish Nude 15677: 15673: 15665: 15657: 15653: 15649: 15641: 15635: 15629: 15616: 15606: 15570: 15563: 15556: 15555: 15545:, internet, 15530:World War II 15527: 15513: 15498: 15494: 15486: 15478: 15470: 15466: 15462: 15458: 15450: 15446: 15438: 15430: 15422: 15415:Maja desnuda 15414: 15406: 15390: 15386: 15378: 15374: 15370: 15362: 15354: 15350: 15342: 15334: 15333:de la serie 15330: 15326: 15322: 15318: 15310: 15306: 15302: 15294: 15290: 15286: 15282: 15274: 15270: 15262: 15258: 15250: 15246: 15242: 15238: 15230: 15226: 15222: 15214: 15210: 15202: 15194: 15190: 15186: 15178: 15174: 15170: 15166: 15162: 15156: 15152: 15148: 15144: 15136: 15109: 15093: 15084: 15083: 15078: 15075:Adam and Eve 15074: 15070: 15066: 15063: 15059: 15055: 15051: 15047: 15043: 15039: 15035: 15031: 15027: 15023: 15020: 15016: 15012: 15008: 14976:Belle Époque 14974: 14956: 14955: 14948: 14947: 14934: 14930: 14926: 14922: 14918: 14909: 14904: 14900: 14892: 14889:Lying Figure 14888: 14879: 14876:Hans Bellmer 14871: 14867: 14859: 14853: 14835: 14821: 14814:André Masson 14812:(1940); and 14809: 14805: 14801: 14797: 14791: 14777: 14768: 14763: 14759: 14755: 14751: 14747: 14743: 14739: 14735: 14731: 14727: 14723: 14719: 14707: 14703: 14697: 14692: 14688: 14684: 14680: 14676: 14672: 14668: 14664: 14660: 14656: 14652: 14648: 14644: 14640: 14636: 14633:The Congress 14632: 14628: 14624: 14610: 14603:Paul Delvaux 14601: 14596: 14592: 14584: 14580: 14576: 14572: 14568: 14564: 14560: 14556: 14548: 14542: 14538: 14537:(1974–1975), 14534: 14530: 14526: 14520: 14517:Tuna Fishing 14516: 14512: 14509: 14505: 14493: 14489: 14483: 14479: 14475:Leda Atomica 14473: 14463: 14457: 14452: 14446: 14443:La Fornarina 14442: 14438: 14432: 14428: 14424: 14420: 14416: 14415:(1933–1934), 14412: 14408: 14404: 14398: 14385: 14381: 14377: 14373: 14369: 14365: 14361: 14357: 14353:megalomaniac 14347: 14342: 14338: 14334: 14330: 14326: 14322: 14304: 14301:, Singapore. 14294: 14282: 14281: 14276: 14268: 14264: 14260: 14256: 14252: 14246: 14219: 14209: 14203: 14195: 14191: 14187: 14183: 14179: 14170: 14166:photomontage 14159: 14153: 14146: 14145: 14134: 14127: 14108: 14096: 14095: 14090: 14086: 14082: 14078: 14070: 14066: 14062: 14054: 14050: 14038: 14035:Female Torso 14034: 14031:Seated Woman 14030: 14026: 14022: 14018: 14012: 14007: 14003: 13999: 13991: 13983: 13979: 13976: 13972: 13968: 13964: 13960: 13948: 13944: 13938: 13933: 13929: 13923: 13919: 13915: 13911: 13907: 13903: 13899: 13887: 13880: 13876: 13872: 13869:iconoclastic 13864: 13859: 13856:Aristophanes 13846: 13838: 13834: 13830: 13826: 13822: 13818: 13817: 13803: 13791: 13787: 13783: 13780: 13776: 13772: 13768: 13764: 13760: 13756: 13752: 13748: 13744: 13740: 13736: 13726: 13719: 13701: 13689: 13688: 13666: 13648:Jules Pascin 13643: 13621:Egon Schiele 13616: 13597: 13570: 13552: 13540: 13536: 13532: 13524: 13516:Jules Pascin 13511: 13507: 13503: 13499: 13495: 13485: 13481: 13477: 13474:Marc Chagall 13471: 13466: 13462: 13458: 13454: 13448: 13442: 13438: 13434: 13431:Painful Nude 13430: 13404: 13388: 13378:Frogner Park 13351: 13345: 13340: 13336: 13332: 13328: 13324: 13320: 13316: 13309:Egon Schiele 13300: 13294: 13289: 13285: 13281: 13277: 13273: 13269: 13261:Otto Mueller 13256: 13252: 13249: 13245: 13241: 13237: 13233: 13225: 13221: 13218:Woman in Tub 13217: 13205: 13201: 13197: 13193: 13190:Erich Heckel 13185: 13183: 13178: 13174: 13170: 13166: 13162: 13158: 13154: 13150: 13146: 13142: 13138: 13134: 13130: 13114: 13112: 13107: 13103: 13099: 13083: 13079: 13075: 13065:The work of 13064: 13059: 13047: 13044:Edvard Munch 13041: 13036:Max Beckmann 13032:Adam and Eve 13031: 13013: 12992: 12990: 12983: 12977: 12971: 12962:Otto Mueller 12957: 12945: 12944: 12939: 12935: 12931: 12919: 12916:Backlit Nude 12915: 12912:Fauvist Nude 12911: 12903: 12899: 12891: 12883: 12880:André Derain 12877: 12872: 12869: 12865: 12861: 12857: 12853: 12849: 12845: 12841: 12837: 12833: 12829: 12825: 12821: 12817: 12809: 12805:horror vacui 12804: 12799: 12791: 12788:Philadelphia 12783: 12779: 12775: 12771: 12767: 12763: 12759: 12753: 12749: 12745: 12731: 12713: 12701: 12700: 12695: 12679: 12669: 12662: 12642:ethnographic 12622:subjectivity 12611: 12591: 12569:bodybuilding 12553: 12546: 12540: 12534: 12502: 12482: 12474:20th century 12454: 12429: 12410: 12396:Gustav Klimt 12391: 12368: 12345: 12326: 12323: 12318: 12312: 12298: 12293: 12289: 12277: 12273: 12269: 12261: 12256:was heir to 12249: 12245: 12241: 12237: 12233: 12229: 12223: 12205: 12195: 12191: 12187:Alfred Kubin 12183:Adam and Eve 12182: 12178: 12174: 12168: 12162: 12158: 12152: 12151:(1901), the 12146: 12142: 12139:Nuda Veritas 12138: 12135:masturbation 12126:Gustav Klimt 12121: 12117: 12113: 12106: 12092: 12080: 12060: 12052: 12044: 12040: 12036: 12032: 12022: 12008: 11992: 11978: 11955: 11949: 11940: 11937:George Minne 11932: 11928: 11924: 11920: 11912: 11906: 11902: 11898: 11892:In Belgium, 11891: 11874: 11864: 11856: 11848: 11844: 11841:Mirror Effec 11840: 11836: 11832: 11828: 11824: 11818: 11810: 11796: 11786: 11776: 11770: 11767:The Mountain 11766: 11762: 11758: 11754: 11750: 11746: 11742: 11738: 11734: 11730: 11726: 11717: 11714: 11710:Odilon Redon 11703: 11699: 11695: 11691: 11687: 11684: 11678: 11673: 11669: 11665: 11661: 11657: 11653: 11649: 11645: 11641: 11637: 11633: 11630: 11627: 11623: 11617: 11611: 11597: 11581: 11578:leonardesque 11545:femme fatale 11544: 11542: 11536: 11528:aestheticism 11514: 11494: 11466: 11440:Paul Gauguin 11435: 11432: 11413: 11390: 11365: 11347: 11343: 11335: 11327: 11323: 11319: 11315: 11311: 11305: 11298: 11294:Studio Idyll 11293: 11289: 11285: 11281: 11277: 11273: 11270: 11264: 11259: 11254:, 1910) and 11251: 11243: 11240: 11237:The Implorer 11236: 11228: 11218: 11214: 11210: 11206: 11202: 11198: 11194: 11188: 11182: 11176: 11170: 11165: 11160: 11154: 11151:Rodin Museum 11140: 11133: 11113: 11104: 11095: 11089: 11085: 11081: 11077: 11073: 11057: 11051: 11045: 11039: 11035: 11031: 11027: 11023: 11019: 11016:Woman at Sea 11015: 11011: 11008:Tahitian Eve 11007: 11003: 10999: 10989: 10975: 10968:Paul Gauguin 10963: 10944:Paul Cézanne 10936: 10931:Philadelphia 10918: 10906: 10902: 10888: 10883:Philadelphia 10868: 10858: 10854: 10850: 10846: 10827: 10821: 10817: 10814: 10810: 10806: 10802: 10798: 10792: 10787:Philadelphia 10772: 10762: 10758: 10754: 10750: 10746: 10742: 10738: 10727: 10721: 10715: 10705: 10699: 10692: 10683:academic art 10677: 10656: 10634: 10600: 10581: 10562: 10558: 10533: 10521:, Barcelona. 10508: 10485: 10466: 10457: 10453: 10445: 10437: 10429: 10425: 10421: 10417: 10413: 10407: 10395: 10387: 10383: 10377: 10372: 10368: 10342: 10337: 10333: 10329: 10317: 10313: 10309: 10303: 10298: 10294: 10290: 10286: 10282: 10278: 10274: 10270: 10260: 10253: 10249: 10245:The Sleepers 10243: 10240:The Fountain 10239: 10235: 10231: 10227: 10221: 10217: 10211: 10205: 10199: 10180: 10160:The Sleepers 10158: 10124: 10110:Tate Gallery 10101: 10082: 10059: 10038: 10019: 10005:John Collier 10000: 9975: 9956: 9933: 9915: 9911: 9907: 9904:The Favorite 9903: 9899: 9895: 9891: 9887: 9881: 9874: 9866: 9862: 9858: 9850: 9842: 9838: 9830: 9824: 9820: 9817:John Collier 9812: 9804: 9796: 9786: 9781: 9773: 9765: 9757: 9749: 9746:Henri Gervex 9741: 9737: 9729: 9721: 9717: 9709: 9701: 9697: 9694:Moorish Bath 9693: 9687: 9679: 9669: 9661: 9657: 9653: 9647: 9641: 9625: 9613: 9597: 9587: 9584:Hiram Powers 9579: 9565: 9549: 9531: 9518: 9502:Academic art 9500: 9497:Academic art 9474: 9442: 9428:Tate Britain 9424:William Etty 9417: 9399:Félix Trutat 9394: 9371: 9348: 9323: 9296: 9274: 9270: 9267:Manuel Vilar 9262: 9258: 9254: 9250: 9243:maja desnuda 9242: 9239: 9227: 9225: 9220: 9218:The death of 9217: 9210:Trust in God 9209: 9201: 9193: 9187: 9178: 9174: 9166: 9154: 9150: 9146: 9142: 9138: 9131: 9125: 9117: 9110: 9107:Félix Trutat 9102: 9095: 9088: 9085:Gustave Doré 9080: 9076: 9070: 9063: 9056: 9052: 9048: 9044: 9038: 9032: 9027: 9016: 9000: 8986: 8982: 8972: 8966: 8958: 8954: 8948: 8944: 8940: 8936: 8932: 8923: 8916: 8909: 8903: 8897: 8891: 8885: 8881: 8869: 8859: 8855: 8849: 8843: 8837: 8831: 8815: 8805: 8802: 8798: 8794: 8790: 8786: 8782: 8768: 8764: 8754: 8748: 8736: 8732: 8726: 8722: 8710: 8703:Michelangelo 8680: 8665: 8654:Tate Gallery 8643: 8621: 8617:academic art 8589:contemporary 8586: 8583:19th century 8559: 8531: 8506: 8477: 8454: 8431: 8408: 8383: 8365: 8357: 8349: 8345: 8341: 8337: 8329: 8325: 8321: 8317: 8309: 8301: 8299: 8294: 8286: 8282: 8274: 8266: 8262: 8258: 8254: 8250: 8246: 8243:John Flaxman 8237: 8232: 8228: 8224: 8220: 8216: 8212: 8206: 8202: 8192: 8170: 8163: 8159: 8153: 8147: 8143: 8139: 8135: 8129: 8123: 8119: 8113: 8098: 8087: 8083: 8079: 8070: 8066: 8060: 8056: 8048: 8042: 8030: 8026: 8014: 8008: 8000: 7992: 7986: 7972: 7960: 7956: 7950: 7944: 7938: 7932: 7921: 7898: 7896: 7861: 7838: 7810: 7783: 7760: 7737: 7725:, destroyed. 7718: 7700: 7694: 7690: 7686: 7680: 7674: 7670: 7666:The Madhouse 7664: 7660: 7656: 7647: 7643: 7637: 7633: 7625: 7615: 7609: 7595: 7581: 7571: 7567: 7559: 7534: 7530: 7522: 7509: 7506: 7492: 7482: 7478: 7473:, 1790) and 7470: 7462: 7458: 7454: 7446: 7442: 7438: 7430: 7426: 7422: 7414: 7406: 7399: 7394: 7393:(1785), and 7390: 7386: 7382: 7376: 7370: 7366: 7362: 7358: 7354: 7344: 7339: 7335: 7331: 7325: 7313:Resting Girl 7311: 7301: 7283: 7280:Resting Girl 7278: 7268: 7264: 7259:, 1735) and 7256: 7248: 7240: 7236: 7230: 7227:Unarmed Love 7226: 7222: 7218: 7212: 7210:by Boucher. 7207:Resting Girl 7205: 7197: 7191: 7187: 7179: 7171: 7168: 7149: 7127: 7099:Mars Resting 7097: 7074: 7049: 7020: 6997: 6979: 6975: 6971: 6966: 6959: 6954:The Spinners 6952: 6946: 6942: 6936: 6930: 6926:The Drinkers 6924: 6910: 6901: 6897: 6891: 6885: 6884:(1626), his 6879: 6857: 6840: 6831: 6824: 6808: 6790: 6786: 6781:, 1685) and 6778: 6774: 6771:Pierre Puget 6756: 6754: 6749: 6745: 6741: 6733: 6729: 6726: 6718: 6714: 6706: 6702: 6698: 6694: 6690: 6686: 6682: 6676: 6670: 6666: 6662: 6648: 6634: 6624: 6620: 6616: 6608: 6604: 6600: 6596: 6592: 6588: 6584: 6580: 6576: 6572: 6568: 6560: 6556: 6550: 6540: 6539:in Rome. In 6532: 6517: 6515:, 1625–30). 6510: 6506: 6500: 6494: 6488: 6483:, 1625) and 6480: 6476: 6472: 6462: 6456: 6450: 6444: 6438: 6432: 6428: 6406: 6400: 6394: 6388: 6382: 6376: 6367: 6359: 6355: 6351: 6345: 6339: 6335: 6331: 6327: 6323: 6317: 6300: 6290: 6286: 6282: 6278: 6274: 6270: 6266: 6262: 6256: 6250: 6242: 6238: 6230: 6226: 6216: 6207: 6203: 6197: 6191: 6184: 6177: 6173: 6167: 6161: 6155: 6141: 6135: 6129: 6125: 6119: 6113: 6107: 6103: 6099: 6095: 6091: 6090:mentioning: 6076: 6060: 6049: 6042: 6011: 5989: 5956: 5933: 5906: 5888:Hans Baldung 5883: 5858: 5832: 5828: 5820: 5817:Juan de Juni 5812: 5804: 5796: 5788: 5782: 5778:Prado Museum 5773: 5769: 5763: 5757: 5751: 5745: 5741: 5737: 5731: 5725: 5721:Holy Trinity 5720: 5715: 5710: 5696: 5691: 5688:goldsmithing 5671: 5663: 5655: 5647: 5639: 5635: 5624: 5597: 5583: 5573: 5569: 5565: 5562:Jan Gossaert 5543: 5537: 5533: 5527: 5521: 5503: 5493: 5483: 5479:Adam and Eve 5477: 5471: 5467: 5463: 5459: 5453: 5449: 5445: 5441: 5438: 5435:Hans Baldung 5433: 5428: 5423:, 1520) and 5420: 5412: 5408: 5404: 5398: 5393:Adam and Eve 5391: 5385: 5382:Women's Bath 5381: 5377: 5371: 5351: 5337: 5332: 5327: 5323: 5319: 5315: 5311: 5307: 5303:Adam and Eve 5301: 5297: 5293: 5289: 5285: 5277: 5266: 5246: 5217: 5192: 5163: 5134: 5106: 5087: 5075: 5071: 5065: 5059: 5054: 5049: 5043: 5033: 5029: 5023: 5019: 5009: 5005: 5001: 4989: 4985: 4977: 4969: 4963: 4960:Parmigianino 4955: 4944: 4937: 4931: 4925: 4921: 4917: 4911: 4905: 4898: 4891: 4887: 4883: 4879: 4875: 4866: 4833: 4827: 4821: 4817: 4811: 4808:Adam and Eve 4807: 4803: 4800:Three Graces 4762:, 1560) and 4759: 4755: 4751: 4745: 4734: 4729:painted for 4720: 4714: 4708: 4702: 4697: 4692: 4686: 4680: 4674: 4667: 4657: 4653: 4649: 4643: 4637: 4631: 4617:Venus Urania 4615: 4609: 4595: 4573: 4567: 4561: 4547: 4528: 4510:La Fornarina 4508: 4481: 4456: 4429: 4401: 4380: 4369: 4343: 4337: 4333: 4329: 4326: 4322: 4301: 4299: 4294: 4290: 4286: 4279:The Twilight 4278: 4274: 4271:Medici tombs 4260: 4246: 4240: 4232: 4226: 4220: 4216: 4210: 4207:Michelangelo 4204: 4195:Michelangelo 4188: 4168: 4158: 4154: 4148: 4141: 4134: 4128: 4101: 4078: 4070: 4059:Adam and Eve 4058: 4054:Three Graces 4052: 4046: 4040: 4036: 4024: 4008: 4006: 3999: 3995: 3989: 3983: 3979: 3975: 3971: 3965: 3960: 3954: 3947: 3941: 3935: 3929: 3924: 3919: 3911: 3910:in his work 3891: 3879: 3875: 3871: 3865: 3859: 3855: 3851: 3845: 3824: 3804: 3794:Michelangelo 3788: 3782: 3774:Fighting Men 3773: 3772:(1480), the 3765: 3762:corpo ignudo 3761: 3757: 3747: 3737: 3725: 3717: 3709: 3687: 3682: 3664: 3658: 3631: 3621: 3617: 3613: 3604: 3601: 3591: 3586: 3580: 3567: 3563: 3559: 3551: 3545: 3537: 3529: 3523: 3518: 3506: 3498: 3494: 3472: 3467: 3459: 3451: 3447:Venus Pudica 3431: 3425: 3424:main works, 3422:Botticelli's 3418: 3405:Michelangelo 3398: 3374: 3364: 3331:Quattrocento 3329: 3327: 3311: 3258: 3238: 3215:Hans Memling 3210: 3185: 3162: 3139: 3135: 3120: 3116: 3090: 3070: 3066: 3054: 3050: 3044: 3035: 3019: 3011: 3003: 3000:Hans Memling 2995: 2984:Adam and Eve 2983: 2980:Jan van Eyck 2973: 2969: 2962:Venus pudica 2957: 2947: 2937: 2932: 2927: 2923: 2919: 2915: 2905: 2895: 2885: 2881: 2878:Jean Fouquet 2844:defeated by 2818: 2813:contrapposto 2811: 2803: 2795: 2769:Adam and Eve 2768: 2762: 2753: 2749: 2741: 2738:Adam and Eve 2737: 2717: 2715:Adam and Eve 2714: 2710: 2692:Adam and Eve 2691: 2676: 2672: 2668: 2657: 2633: 2610: 2605: 2594: 2574:Jesus Christ 2571: 2567:Adam and Eve 2554: 2540:, four main 2525: 2519: 2509: 2501: 2487: 2474: 2469: 2465: 2456:, linked to 2453: 2449: 2445: 2441: 2439: 2429:, including 2411:Medieval art 2384: 2381:Medieval art 2358: 2354: 2346:Medieval art 2330: 2305: 2280: 2250: 2229: 2210: 2195: 2182: 2174: 2163: 2139:Three Graces 2138: 2132: 2129: 2122: 2116: 2110: 2104: 2094: 2090: 2086: 2082: 2076: 2066: 2060: 2054: 2046:plastic arts 2038:Roman Empire 2026:Etruscan art 2023: 2005: 1979: 1956:Farnese Bull 1954: 1931: 1915:(200 B.C.), 1910: 1906: 1887: 1844: 1836: 1790: 1782: 1770:Farnese Bull 1768: 1766: 1761: 1735: 1727: 1726:) or in the 1721: 1711: 1705: 1695: 1685: 1665: 1632: 1625: 1598: 1573: 1548: 1523: 1490:Roman Empire 1469: 1439: 1429: 1423: 1417: 1413: 1408: 1401: 1388: 1382: 1378:déhanchement 1377: 1374:contrapposto 1373: 1363: 1353: 1345: 1341: 1339: 1328: 1313: 1307: 1305: 1295: 1291: 1275: 1260: 1250: 1242: 1238: 1234: 1230: 1224: 1219: 1214: 1210: 1202: 1192: 1188: 1181: 1172: 1163: 1144: 1128: 1111: 1100: 1094: 1087: 1080: 1074: 1068: 1063: 1054: 1050: 1044: 1038: 1033: 1017: 989: 980: 965: 959: 954: 921:contrapposto 919: 902: 886: 872: 869:severe style 864: 862: 839: 827: 821: 815: 809: 805:Moschophoros 803: 796: 786: 758: 753: 747: 739: 733: 731: 722: 705: 694: 675: 674:statue of a 662:kalokagathía 661: 634: 592: 579:Moschophoros 577: 541: 535: 508: 507:or Louvre's 502: 496: 492: 484: 466: 458: 428: 416:planet Venus 408:cosmological 385: 368: 344: 307: 261: 208: 167:Lucian Freud 120: 101: 89:iconographic 76:works of art 49: 40:Michelangelo 33: 26: 22969:Art history 22691:By location 22666:Naked party 22421:Toplessness 21194:Clark (1996 21086:Huera (1996 20897:"Urs Lüthi" 20704:Néret (2001 20614:Clark (1996 20470:Clark (1996 20458:Clark (1996 20422:Clark (1996 20221:Clark (1996 20209:Clark (1996 20197:Clark (1996 20008:Clark (1996 19972:Clark (1996 19951:Clark (1996 19939:Clark (1996 19870:Clark (1996 19846:Clark (1996 19834:Clark (1996 19818:Paul Valéry 19782:Toman (2008 19734:Clark (1996 19710:Clark (1996 19698:Clark (1996 19686:Toman (2008 19526:Clark (1996 19418:Clark (1996 19274:Clark (1996 19250:Clark (1996 19226:Clark (1996 19214:Clark (1996 19118:Clark (1996 19106:Clark (1996 19094:Clark (1996 19082:Clark (1996 19058:Clark (1996 19022:Clark (1996 18998:Clark (1996 18974:Clark (1996 18962:Clark (1996 18950:Clark (1996 18938:Clark (1996 18902:Clark (1996 18890:Clark (1996 18878:Clark (1996 18854:Clark (1996 18842:Clark (1996 18830:Clark (1996 18818:Clark (1996 18794:Clark (1996 18782:Clark (1996 18658:Clark (1996 18634:Clark (1996 18622:Clark (1996 18586:Clark (1996 18574:Clark (1996 18550:Clark (1996 18526:Clark (1996 18514:Clark (1996 18421:Clark (1996 18364:Clark (1996 18318:Clark (1996 18306:Clark (1996 18294:Clark (1996 18282:Clark (1996 18270:Clark (1996 18258:Clark (1996 18246:Clark (1996 18234:Clark (1996 18222:Clark (1996 18210:Clark (1996 18189:Clark (1996 18177:Clark (1996 18156:Clark (1996 18144:Clark (1996 18045:4 September 17902:Umberto Eco 17814:Bozal (2000 17787:Pepita Tudó 17692:Clark (1996 17661:, 99–101. ( 17626:determinism 17569:Hellenistic 17473:Model (art) 17408:Irving Penn 17404:colonialist 17386:ethnography 17368:(1901), by 17315:Edgar Degas 17188:(1900), by 17050:(978–993), 17011:Gomateśvara 17000:shvetambara 16984:kāma-bandha 16893:). Various 16809:represents 16659:colonialism 16655:avant-garde 16642:African art 16636:African art 16616:Islamic art 16598:Chinese art 16586:Western art 16563:Venus bruta 16540:Eric Fischl 16520:David Salle 16477:Dying Slave 16468:Sandro Chia 16455:and German 16391:Zoe Leonard 16331:psychedelic 16325:focused on 16234:Arte Povera 16222:(1965–1980) 16189:John Kacere 16178:(from 1965) 16122:environment 16116:performance 16094:(1972), by 16059:(1962) and 16053:Dying Slave 16034:consumerism 16028:(1958–1970) 16026:New Realism 15960:bodybuilder 15956:consumerism 15917:(1955–1970) 15840:The Bedroom 15815:(2000–2001) 15791:(1980–82), 15703:(1945–1960) 15674:Two Figures 15560:(1945–1960) 15558:Informalism 15516:(1994), by 15455:Josep Clarà 15435:Miguel Blay 15431:Desconsuelo 15295:Madreselvas 15193:(1915) and 15187:The Italian 15175:Cante Jondo 15129:noucentisme 15113:academicism 15098:(1913), by 15013:Perspective 15001:André Lhote 14952:(1925–1945) 14911:Frida Kahlo 14891:(1938) and 14884:Henry Moore 14840:Henry Moore 14838:(1951), by 14806:Young Nudes 14732:Polar Light 14623:. Thus, in 14593:Cosmic Dali 14577:Dying Slave 14557:Les Oréades 14390:Gala Éluard 14382:Female Nude 14331:Roman Women 14297:(1985), by 14286:(1924–1955) 14267:(1942) and 14236:, leather, 14188:The Thicket 14150:(1916–1922) 14113:(1913), by 14100:(1909–1930) 14089:(1922) and 14075:assemblages 14051:Female Bust 13885:lithographs 13879:(1932) and 13837:(1910) and 13829:(1908) and 13827:Three Women 13806:(1920), by 13722:perspective 13704:(1915), by 13693:(1907–1914) 13669:(1930), by 13646:(1929), by 13619:(1915), by 13600:(1913), by 13573:(1907), by 13523:influence: 13510:(1906) and 13508:Young Woman 13435:Seated Nude 13427:Cinquecento 13393:(1917), by 13348:Georg Kolbe 13341:The embrace 13303:(1907). In 13106:(1895) and 13096:Max Slevogt 13082:(1914) and 13071:divisionist 13034:(1917), by 13018:pantheistic 13014:Wandervögel 12960:(1926), by 12949:(1905–1923) 12902:(1905) and 12762:(1935). In 12722:Kunstmuseum 12716:(1907), by 12705:(1905–1908) 12688:abstraction 12646:colonialism 12608:Avant-garde 12594:(1913), by 12583:Vanguardism 12548:environment 12518:avant-garde 12513:consumerist 12457:(1919), by 12434:(1910), by 12413:(1902), by 12394:(1898), by 12371:(1893), by 12348:(1878), by 12321:(1907) and 12305:self-taught 12286:suprematism 12214:Kunstmuseum 12208:(1900), by 12107:The German 12103:, Helsinki. 12095:(1891), by 12077:Oscar Wilde 11997:(1896), by 11975:esotericism 11971:abstraction 11908:Pornokrates 11882: 1923 11789:(1895), by 11642:The Chimera 11600:(1879), by 11574:androgynous 11534:'s formula 11497:(1880), by 11469:(1902), by 11438:(1892), by 11416:(1887), by 11395:Edgar Degas 11393:(1885), by 11370:(1865), by 11328:Composición 11278:The Bathers 11267:Anders Zorn 11156:The Thinker 11128:Musée Rodin 11091:La Toilette 10972:pointillism 10921:(1897), by 10895:pointillist 10840:Alexandrian 10809:(1876) and 10793:But it was 10751:La toilette 10724:Edgar Degas 10687:avant-garde 10609:Ramón Casas 10584:(1892), by 10569:, Brussels. 10559:The Old Man 10538:(1877), by 10513:(1861), by 10488:(1859), by 10371:(1878) and 10336:(1895) and 10312:(1885) and 10310:The Puddler 10273:(1855) and 10234:(1858) and 10232:Two Bathers 10207:The Bathers 10163:(1866), by 10129:(1909), by 10104:(1909), by 10085:(1903), by 10043:(1902), by 10040:Les Oréades 10022:(1902), by 10020:The Nereids 10003:(1901), by 9980:(1886), by 9959:(1878), by 9936:(1870), by 9896:Enchantress 9826:Lady Godiva 9774:The Nereids 9726:Paul Baudry 9630:(1847), by 9616:Winckelmann 9602:(1861), by 9580:Greek Slave 9568:Paul Valéry 9544:Montpellier 9540:Musée Fabre 9534:(1847), by 9520:art pompier 9514:pedagogical 9479:(1885), by 9466:Academicism 9451:Musée Condé 9445:(1848), by 9422:(1846), by 9397:(1844), by 9374:(1838), by 9351:(1825), by 9328:(1819), by 9273:(1836) and 9230:painted by 9196:, 1808) or 9037:(1824) and 9023:divisionism 9005:(1827), by 8820:(1862), by 8756:Book of Job 8735:(1800) and 8676:orientalism 8662:Romanticism 8648:(1790), by 8635:Romanticism 8564:(1856), by 8511:(1810), by 8482:(1801), by 8457:(1800), by 8434:(1797), by 8411:(1791), by 8388:(1763), by 8219:(1813–16), 8102:(1803), by 8086:(1800) and 8069:(1798) and 8062:art pompier 8013:(1810) and 7975:(1814), by 7905:academicism 7884:Herculaneum 7872:aristocracy 7864:bourgeoisie 7844:(1800), by 7813:(1776), by 7763:(1765), by 7761:The Bathers 7740:(1742), by 7721:(1716), by 7671:The Bonfire 7588:no. 68, by 7512:(1680), by 7495:(1680), by 7383:The Bathers 7290:(1751), by 7160:bourgeoisie 7102:(1640), by 7077:(1634), by 7054:(1612), by 7025:(1610), by 7000:(1602), by 6945:(1632) and 6906:Alonso Cano 6896:(1632) and 6813:(1639), by 6763:scenography 6711:Simon Vouet 6655:archaeology 6637:(1635), by 6421:chiaroscuro 6306:(1654), by 6304:at the Bath 6255:(undated), 6208:Crucifixion 6196:(1611) and 5936:(1546), by 5886:(1510), by 5839:(1563), by 5668:Jean Goujon 5650:(1550), by 5642:(1550), by 5632: 1550 5572:(1520) and 5542:(1485) and 5512:Kunstmuseum 5506:(1521), by 5384:(1496) and 5356:(1497), by 5251:(1575), by 5222:(1554), by 5168:(1538), by 5139:(1520), by 5040:Giambologna 5038:, 1554) or 4954:'s formula 4890:(1580) and 4645:Pardo Venus 4642:(1538) and 4622:neoplatonic 4484:(1499), by 4438:Musée Condé 4432:(1480), de 4405:(1475), by 4242:Dying Slave 4175:Musée Condé 4170:La Gioconda 4119:Musée Condé 4111: 1503 4103:La Gioconda 4087:Domus Aurea 4063:papal rooms 3830:Neoplatonic 3674: 1440 3641: 1440 3438:Neoplatonic 3403:(1511), by 3340:perspective 3324:Renaissance 3316:Cesare Ripa 3303:Renaissance 3285:colonialism 3243:(1485), by 3213:(1485), by 3190:(1436), by 3142:(1230), by 3034:(1429), or 3008:Conrad Meit 2920:Fall of Man 2870:Virgin Mary 2788:St. Matthew 2780: 1235 2707: 1105 2688: 1010 2578:Carolingian 2562:Neoplatonic 2466:Apocalypses 2403:bureaucracy 2395:aristocracy 2391:Middle Ages 2369:Musée Condé 2202:Herculaneum 1867:Velázquez's 1809:Giambologna 1805:Renaissance 1746:Athenodorus 1628:Hellenistic 1626:During the 1600:Apoxyomenos 1502:Middle Ages 1217:by Canova. 1184:(1801) and 1051:diarthrosis 783:Peloponnese 718:academicism 645:hellenistic 619:Western art 607:human being 523:Tutankhamun 515:Thutmose IV 355:Mesopotamia 341:Ancient art 335:Ancient art 272:Aurignacian 250:handicrafts 163:patriarchal 139:Renaissance 131:Middle Ages 123:prehistoric 91:, and some 22963:Categories 22902:Naked News 22807:Nude (art) 22661:Naked yoga 22644:Nude beach 22606:Gymnosophy 22518:Candaulism 22491:Striptease 22448:Dress code 22426:Topfreedom 22206:Yves Klein 22121:El desnudo 20875:"Body art" 20287:Dube (1997 18770:Réau (2000 18755:Réau (2000 17965:References 17842:Florentine 17602:modern art 17600:The term " 17573:synonymous 17499:References 17448:Nude (art) 17440:Art portal 17250:Edo period 17167:insularity 16988:Angkor Wat 16895:terracotta 16856:Kāma Sūtra 16703:Indian art 16698:Indian art 16684:: the god 16602:chungongtu 16557:In Spain, 16466:In Italy, 16445:modern art 16409:Kiki Smith 16371:motherhood 16335:biological 16229:linguistic 16184:minimalism 16161:happenings 16076:happenings 16049:Klein Blue 16042:Yves Klein 16010:(1964) or 15986:Still Life 15948:exhibition 15898:(La Gorda) 15621:antinomian 15551:holography 15524:, Florida. 15499:El profeta 15291:Melancolía 15195:La Oterito 14967:industrial 14927:piquetitos 14872:Tall Woman 14774:gelatinous 14728:The Forest 14681:The Enigma 14553:Bouguereau 14513:(St. John) 14490:Dalí, nude 14358:The Picnic 14335:Nude Woman 14284:Surrealism 14269:Five Women 14242:plexiglass 14171:ready-made 13945:Large Nude 13865:Odalisques 13537:Blond Nude 13482:To my wife 13212:practiced 13186:Die Brücke 13115:Die Brücke 13067:Emil Nolde 13001:music hall 12993:Die Brücke 12979:Die Brücke 12940:Naked Girl 12796:Modigliani 12764:The Luxury 12557:secularism 12196:Somersault 12131:lesbianism 12073:Lysistrata 12003:Manchester 11952:Jan Toorop 11654:The Sirens 11646:Prometheus 11524:perversion 11265:The Swede 11241:The Age of 11203:The Martyr 11195:The Winter 11070:music hall 10903:music hall 10836:Versailles 10404:Nazarenism 10357:Frans Hals 10236:The Spring 10195:positivism 9912:Lily Fairy 9908:Twin stars 9882:In Spain, 9662:The Oreads 9561:Guido Reni 9419:The Bather 9275:Tlahuicole 8856:The Spring 8777:, that of 8761:arabesques 8745:surrealism 8613:Modern art 8601:capitalism 8561:The Source 8265:n (1810), 8240:Englishman 8231:e (1817), 8203:Doriphorus 8199:Polyclitus 8177:Copenhagen 7928:Napoleonic 7866:after the 7719:The Spring 7083:Valladolid 7056:Guido Reni 7002:Caravaggio 6898:Prometheus 6621:St. Jerome 6547:Guido Reni 6417:caravagism 6413:Caravaggio 6029:Protestant 6025:absolutist 5919:Valladolid 5770:Epimetheus 5674:(1560) by 5666:(1550) by 5634:) and the 5253:Tintoretto 4956:non-so ché 4764:Tintoretto 4727:Bacchanals 4574:ad nauseam 4531:engravings 4356:Palestrina 4201:, Vatican. 4093:also did. 4027:(1495) by 4021:Polyclitus 3826:Botticelli 3811:Botticelli 3792:(1504) by 3698:Botticelli 3507:Entombment 3492:Ghiberti's 3479:minor arts 3475:major arts 3464:Louis Réau 3360:proportion 3352:still life 3277:absolutism 3265:modern art 3071:Temperance 3047:allegories 3032:Pere Johan 2846:St. George 2830:St. Jerome 2792:Apocalypse 2765:Gothic art 2700:Wiligelmus 2698:, work of 2690:), in the 2522:cosmogonic 2423:Romanesque 2417:, through 2397:meant the 2263:, Vatican. 2151:Euphrosine 2106:Doriphorus 1961:Apollonius 1801:modern art 1775:Apollonius 1697:Dying Gaul 1682:, Vatican. 1618:, Vatican. 1580:Praxiteles 1557:(455 BC), 1550:Discobolus 1532:(470 BC), 1498:gandharvas 1466:sarcophagi 1442:bacchanals 1385:Praxiteles 1288:Praxiteles 1267:(330 BC). 1226:Apoxymenos 1079:, 365 BC; 1073:, 360 BC; 1065:Praxiteles 1040:Doriphorus 1035:Polyclitus 1024:Polyclitus 974:figure of 961:Discobolus 942:Praxiteles 938:Polyclitus 697:humanistic 649:naturalism 555:Phoenician 359:continents 288:Willendorf 222:Mesolithic 177:Prehistory 141:, the new 112:anatomical 80:aesthetics 68:human body 22558:Obscenity 22508:Voyeurism 22486:Streaking 20963:20 August 20940:20 August 20918:Eco (2007 20903:20 August 20881:20 August 20796:20 August 20689:20 August 20663:20 August 20637:20 August 20599:20 August 19659:20 August 19070:Eco (2004 18502:Eco (2004 18120:Eco (2004 17940:The term 17916:Eco (2007 17606:modernity 17565:Greek art 17561:classicus 17541:20 August 17303:Japonisme 17299:Meiji era 17186:Sentiment 17092:Khajurāho 17006:digambara 16966:Khajurāho 16951:tribhaṅga 16937:tribhaṅga 16864:Khajurāho 16851:kuṇḍalinī 16755:Neolithic 16663:ethnology 16532:King Kong 16513:2 Figures 16505:Male Nude 16339:Urs Lüthi 16311:Otto Mühl 16284:tattooing 16110:happening 15998:Mel Ramos 15982:Bathrooms 15908:, 1994). 15801:Two women 15746:Study for 15543:computing 15489:, 1926), 15481:, 1914), 15473:, 1928), 15453:, 1920), 15441:, 1908), 15433:, 1907), 15425:, 1904), 15417:, 1902), 15393:, 1932), 15381:, 1925), 15365:, 1909), 15345:, 1923), 15313:, 1929), 15297:, 1926), 15277:, 1922), 15233:, 1918), 15217:, 1934), 15205:, 1929), 15163:The Grace 15125:Catalonia 15121:modernism 15048:Andromeda 15044:The Dream 15036:The Model 15005:glamorous 14989:Cassandre 14971:bourgeois 14897:Parthenon 14862:, 1911). 14848:Cambridge 14794:Max Ernst 14653:The Visit 14629:Pygmalion 14378:The Dance 14261:Two Nudes 14123:New York. 14057:, 1936). 14047:epidermis 14029:, and in 13996:Joan Miró 13773:The Harem 13769:Two Nudes 13714:Jerusalem 13667:Two Women 13585:, Berlin. 13555:, 1928). 13500:Odaliscas 13423:arabesque 13371:Norwegian 13364:Barcelona 13358:built by 13325:Two girls 13313:voyeurism 13131:Ballerina 12810:Pink Nude 12784:The Dance 12780:The Dance 12768:Luxury II 12760:Pink Nude 12755:Blue Nude 12671:Blue Nude 12624:of time, 12542:happening 12531:ephemeral 12431:The Dream 12379:, Munich. 12258:Friedrich 12242:Sensation 12192:Lubricity 12065:modernist 12055:, 1870), 12047:, 1890), 12033:Pygmalion 12027:, 1868), 11979:Evolution 11945:Narcissus 11843:t, 1909; 11813:, 1892); 11803:Pont-Aven 11772:The River 11739:The Night 11516:Symbolism 11486:Symbolism 11477:, Madrid. 11448:Kurashiki 11401:, Moscow. 11348:Eva, Pili 11262:, 1925). 11231:, 1909), 11207:The Torso 11074:Fat Marie 11053:Nevermore 11047:Vairumati 10984:with the 10982:Pont-Aven 10861:, 1916). 10843:Hellenism 10561:, in the 10546:, Madrid. 10496:, Geneva. 10470:, 1877). 10448:, 1897), 10440:, 1874), 10353:Velázquez 10349:academies 10330:Bacchanal 10316:, in the 10314:The Elder 10112:, London. 9934:The Truth 9869:, 1922), 9853:, 1909), 9845:, 1903), 9839:Diadumene 9833:, 1901), 9815:, 1890), 9807:, 1885), 9799:, 1846), 9789:Victorian 9776:, 1902), 9768:, 1891), 9760:, 1883), 9752:, 1878), 9744:, 1876), 9738:The Truth 9732:, 1862), 9724:, 1864), 9712:, 1847), 9510:fine arts 9506:academies 9455:Chantilly 9430:, London. 9309:Cambridge 9223:, 1842). 9179:The Dance 8991:Parthenon 8961:, 1853). 8672:occultism 8656:, London. 8629:voyeurism 8484:Jean Broc 8366:Hymenaeus 8360:, 1865), 8352:, 1818), 8332:, 1795), 8297:, 1821). 8277:, 1785), 8039:Jean Broc 7792:Hermitage 7652:satirical 7630:Aragonese 7622:voyeurism 7503:, Madrid. 7485:, 1779). 7465:, 1783), 7449:, 1763), 7417:, 1750), 7298:, Munich. 7271:, 1727). 7251:, 1724), 7140:, Madrid. 7110:, Madrid. 7062:, Madrid. 6962:Sevillian 6921:bacchanal 6917:Philip IV 6849:Philip IV 6845:Charles V 6837:Juan Rizi 6821:, Madrid. 6795:porcelain 6699:Bacchanal 6678:Parnassus 6502:Cleopatra 6425:tenebrism 6332:Cleopatra 6320:Rembrandt 6308:Rembrandt 6302:Bathsheba 6263:Fertility 6073:, Madrid. 6002:, London. 5894:, Vienna. 5871:, Madrid. 5270:bourgeois 5259:, London. 5205:, London. 5149:Edinburgh 5112:Giorgione 4947:Mannerism 4901:Correggio 4669:Symposium 4554:Giorgione 4442:Chantilly 4417:, London. 4364:Rondanini 4348:Byzantine 4312:Parthenon 4291:The Night 4281:) to the 4179:Chantilly 4165:Mona Lisa 4123:Chantilly 4037:Parnassus 4023:, or the 3872:Primavera 3861:Primavera 3847:Symposium 3700:, and in 3661:Donatello 3645:Donatello 3582:Parnassus 3503:Donatello 3427:Primavera 3389:skeletons 3348:landscape 3344:mythology 3198:, Madrid. 3173:, Madrid. 3055:Fortitude 2982:, in the 2900:miniature 2850:Bathsheba 2752:from the 2740:from the 2734:miniature 2677:Expulsion 2546:Vitruvius 2508:from the 2506:miniature 2431:Byzantine 2373:Chantilly 2275:Mural of 2189:, in the 2185:, of the 2147:Aphrodite 2073:Pasiteles 2042:Near East 2034:Greek art 2030:Roman art 2020:Roman art 2014:, Madrid. 1821:engraving 1750:Polydorus 1742:Agesander 1672:Agesander 1561:, London. 1446:Dionysian 1346:Aphrodite 1249:, or the 1170:Bernini's 1140:Leochares 1046:Diadumene 1019:Diadumene 928:emerged: 901:) or the 859:, Athens. 641:Mycenaean 575:Acropolis 510:Lady Touy 434:Heraklion 414:with the 347:Near East 325:Valltorta 316:Levantine 276:limestone 268:fertility 259:emerged. 226:Neolithic 214:Stone Age 108:mythology 104:eroticism 22979:Nude art 22939:Category 22885:See also 22578:Naturism 22513:Anasyrma 22496:Stripper 22277:Archived 21268:5 August 21179:15 March 17943:art déco 17914:(2007) ( 17807:(1755), 17754:Louis XV 17634:progress 17426:See also 17353:comics. 17294:Buddhist 17196:, Tokyo. 16979:mithunas 16827:triangle 16783:cylinder 16728:A Shiva 16711:Buddhism 16707:Hinduism 16620:idolatry 16565:(1980). 16554:(1982). 16538:(1984). 16534:(1983), 16530:(1982), 16515:(1981). 16507:(1975). 16503:(1975), 16495:(1987). 16389:(1971). 16387:Red Flag 16337:colors. 16266:body-art 16246:land-art 16240:body-art 16169:Fandango 16107:such as 16070:body-art 16014:(1965). 16006:, as in 15904:, 1987; 15900:, 1987; 15866:(1995). 15862:(1983), 15854:(1958), 15850:(1955), 15846:(1952), 15844:The Room 15842:(1947), 15838:(1943), 15830:(1934), 15819:(2005). 15807:(1993), 15803:(1992), 15799:(1992), 15795:(1987), 15787:(1979), 15779:(1968), 15755:(1960), 15751:(1952), 15734:triptych 15692:(2002), 15688:(1993), 15684:(1985), 15680:(1980), 15676:(1947), 15662:Tartaros 15594:Fautrier 15586:Dubuffet 15572:art brut 15567:tachisme 15497:, 1929; 15471:Juventud 15469:, 1910; 15465:, 1909; 15463:La Diosa 15449:, 1914; 15439:Eclosión 15389:, 1930; 15387:Bañistas 15377:, 1915; 15373:, 1911; 15371:Pastoral 15331:Borrasca 15321:, 1903; 15309:, 1926; 15305:, 1926; 15293:, 1926; 15289:, 1923; 15285:, 1923; 15273:, 1904; 15225:, 1904; 15213:, 1910; 15177:(1929), 15173:(1929), 15165:(1915), 15161:(1913), 15155:(1913), 15151:(1910), 15147:(1908), 15141:Cordovan 15077:(1932), 15073:(1930), 15069:(1930), 15062:(1929), 15054:(1927), 15050:(1927), 15046:(1927), 15042:(1925), 15038:(1925), 15034:(1925), 15030:(1924), 15026:(1923), 15019:(1923), 15015:(1923), 15011:(1923), 14958:Art Deco 14950:Art Deco 14905:Dionysus 14901:Ilyissus 14882:(1934). 14880:The Doll 14874:(1960). 14870:(1953), 14808:(1926), 14804:(1926), 14786:sadistic 14762:(1948), 14758:(1947), 14754:(1946), 14750:(1946), 14746:(1935), 14742:(1934), 14738:(1928), 14734:(1927), 14730:(1926), 14726:(1926), 14712:ziggurat 14691:(1948), 14687:(1947), 14685:Mermaids 14683:(1946), 14679:(1945), 14675:(1944), 14671:(1944), 14667:(1941), 14663:(1940), 14659:(1940), 14655:(1939), 14651:(1938), 14647:(1930), 14643:(1929), 14621:Thanatos 14599:(1951). 14595:(1948), 14583:, 1969; 14571:, 1936; 14567:, 1934; 14563:, 1933; 14533:(1974), 14529:(1973), 14515:(1964), 14510:Untitled 14508:(1960), 14502:Figueres 14492:(1954), 14488:(1954), 14482:(1950), 14455:(1945), 14439:Galarina 14437:(1944), 14431:(1941), 14427:(1941), 14419:(1936), 14411:(1931), 14407:(1930), 14403:(1929), 14394:Freudian 14384:, 1925; 14364:, 1921; 14360:, 1921; 14345:(1953). 14341:(1942), 14337:(1929), 14333:(1926), 14329:(1913), 14325:(1910), 14271:(1942). 14263:(1941), 14259:(1941), 14255:(1940), 14238:firewood 14230:gas lamp 14228:door, a 14186:, 1911; 14182:, 1910; 14133:and his 14098:Futurism 14093:(1922). 14085:(1921), 14067:tableaux 14053:, 1934; 14041:(1935). 14010:(1921). 14006:(1919), 14002:(1917), 13990:made in 13986:(1954). 13982:(1927), 13975:(1923), 13971:(1921), 13963:(1910), 13932:(1956), 13928:(1955), 13922:(1951), 13918:(1940), 13914:(1937), 13910:(1935), 13908:The Muse 13906:(1932), 13902:(1930), 13825:(1907), 13786:(1906), 13779:(1906), 13775:(1906), 13771:(1906), 13767:(1905), 13763:(1905), 13759:(1905), 13755:(1905), 13751:(1904), 13745:toilette 13739:, 1899; 13654:, Paris. 13644:Manolita 13629:Budapest 13539:, 1926; 13535:, 1926; 13525:Manolita 13521:Degasian 13514:(1936). 13506:(1906), 13490:(1938). 13484:(1933), 13480:(1933), 13465:(1917), 13461:(1917), 13457:(1917), 13453:(1917), 13447:(1917), 13444:Red Nude 13439:Caryatid 13437:(1910), 13433:(1908), 13419:Florence 13390:Red Nude 13339:(1917), 13335:(1915), 13331:(1914), 13327:(1911), 13323:(1911), 13319:(1910), 13292:(1926). 13288:(1922), 13284:(1918), 13280:(1915), 13276:(1913), 13272:(1911), 13259:(1917). 13255:(1912), 13248:(1911), 13244:(1911), 13240:(1910), 13236:(1909), 13228:(1913). 13224:(1912), 13220:(1912), 13208:(1913). 13204:(1912), 13200:(1910), 13196:(1909), 13177:(1912), 13169:(1911), 13157:(1910), 13143:Marzella 13141:(1909), 13137:(1908), 13127:woodcuts 13110:(1899). 13078:(1910), 13022:Kirchner 13010:naturism 12938:(1905), 12934:(1905), 12922:(1913). 12914:(1898), 12868:(1935), 12864:(1926), 12856:(1924), 12852:(1923), 12848:(1919), 12844:(1911), 12840:(1909), 12836:(1909), 12832:(1908), 12828:(1908), 12824:(1907), 12820:(1906), 12814:Mondrian 12790:(1931). 12626:Einstein 12577:aerobics 12565:naturism 12354:Brussels 12330:(1910). 12317:(1907), 12301:naïf art 12296:(1908). 12292:(1908), 12278:The Wave 12276:(1900), 12272:(1899), 12252:(1903). 12248:(1903), 12240:(1900), 12236:(1892), 12232:(1890), 12181:(1917), 12177:(1909), 12173:(1907), 12167:(1905), 12161:(1903), 12157:(1902), 12148:Judith I 12145:(1898), 12120:(1895), 12116:(1893), 12043:, 1883; 12039:, 1876; 11983:triptych 11931:(1898), 11927:(1895), 11923:(1891), 11915:(1882). 11911:(1878), 11905:(1878), 11901:(1860), 11847:, 1913; 11839:, 1907; 11835:, 1900; 11831:, 1900; 11827:, 1899; 11779:(1939). 11769:(1937), 11761:(1930), 11757:(1921), 11753:(1908), 11749:(1906), 11733:, 1898; 11731:The Wave 11729:, 1898; 11702:(1879), 11698:(1872), 11694:(1865), 11690:(1863), 11672:(1880), 11668:(1876), 11664:(1876), 11656:(1872), 11652:(1869), 11648:(1868), 11644:(1867), 11636:(1865), 11626:(1865), 11622:(1864), 11608:, Paris. 11586:and the 11505:, Paris. 11378:, Paris. 11322:(1910), 11318:(1909), 11314:(1902), 11310:(1899), 11296:(1918). 11292:(1917), 11288:(1913), 11284:(1906), 11280:(1888), 11276:(1888), 11274:Open Air 11244:Maturity 11217:(1899), 11213:(1896), 11211:The Muse 11209:(1889), 11205:(1885), 11193:(1881), 11187:(1878), 11181:(1877), 11166:The Kiss 11130:, Paris. 11120:The Kiss 11094:(1896), 11084:(1894), 11080:(1894), 11076:(1884), 11056:(1897), 11050:(1897), 11044:(1897), 11038:(1896), 11034:(1896), 11030:(1893), 11026:(1893), 11022:(1892), 11018:(1892), 11014:(1892), 11010:(1892), 11006:(1891), 11002:(1891), 10948:cylinder 10853:, 1895; 10849:, 1885; 10832:Girardon 10759:toilette 10753:, 1886; 10749:, 1886; 10745:, 1883; 10741:, 1880; 10732:Japanese 10456:, 1890; 10424:, 1871; 10416:, 1868; 10386:, 1862; 10375:(1892). 10340:(1898). 10332:(1891), 10322:Brussels 10297:(1855), 10289:(1843), 10267:Arcadian 10230:(1844), 10226:(1865), 10220:(1862), 10216:(1855), 10187:peasants 10171:, Paris. 9944:, Paris. 9914:(1888), 9910:(1881), 9906:(1880), 9902:(1879), 9900:The pose 9898:(1878), 9894:(1878), 9890:(1877), 9865:, 1913; 9861:, 1901; 9841:, 1884; 9829:, 1898; 9823:, 1887; 9740:, 1870; 9720:, 1847; 9700:, 1876; 9696:, 1870; 9692:, 1861; 9682:(1862). 9660:, 1896; 9658:The Wave 9656:, 1881; 9652:, 1879; 9638:, Paris. 9405:, Paris. 9382:, Paris. 9336:, Paris. 9279:Hercules 9257:, 1840; 9253:, 1838; 9173:(1865), 9149:(1855), 9145:(1833), 9141:(1827), 9109:, whose 9100:Goethe's 9031:(1822), 9013:, Paris. 8957:, 1850; 8953:, 1841; 8947:, 1840; 8943:, 1840; 8939:, 1839; 8935:, 1838; 8908:(1819), 8902:(1813), 8896:(1811), 8884:(1801), 8828:, Paris. 8801:(1805), 8797:(1796), 8793:(1795), 8789:(1795), 8731:(1790), 8707:Rousseau 8695:Pontormo 8607:and the 8572:, Paris. 8519:, Paris. 8492:Poitiers 8465:, Paris. 8442:, Paris. 8419:, Paris. 8350:Meleagro 8344:, 1804; 8340:, 1803; 8320:, 1804; 8318:Ganymede 8261:(1805), 8253:(1790), 8227:(1815), 8223:(1815), 8215:(1812), 8211:(1807), 8146:(1800), 8090:(1810). 8082:(1808), 8073:(1799). 8017:(1811). 7983:, Paris. 7959:(1817), 7955:(1814), 7949:(1799), 7943:(1793), 7937:(1788), 7917:Prud'hon 7821:, Paris. 7811:Voltaire 7771:, Paris. 7748:, Paris. 7693:; or in 7642:(1780), 7636:(1774), 7606:romantic 7586:Capricho 7584:(1799), 7568:Atalanta 7535:Hercules 7481:, 1765; 7461:, 1776; 7457:, 1770; 7455:Morpheus 7445:, 1757; 7441:, 1754; 7431:Voltaire 7429:, 1748; 7425:, 1744; 7389:(1768), 7385:(1765), 7359:panneaux 7338:(1742), 7334:(1742), 7330:(1740), 7322:Louis XV 7229:(1715), 7225:(1708), 6789:, 1666; 6744:, 1630; 6732:, 1658; 6730:Meleager 6727:Death of 6717:, 1626; 6705:(1636), 6697:(1634), 6693:(1631), 6689:(1630), 6685:(1630), 6681:(1630), 6675:(1628), 6669:(1627), 6665:(1625), 6627:(1665). 6623:(1659), 6619:(1658), 6611:(1627). 6555:(1612), 6531:, whose 6509:, 1622; 6505:, 1621; 6499:, 1612; 6493:, 1610; 6479:, 1616; 6461:(1608), 6455:(1607), 6449:(1607), 6431:(1602), 6354:(1638), 6350:(1634), 6334:(1637), 6330:(1631), 6326:(1631), 6314:, Paris. 6285:(1645), 6281:(1640), 6277:(1640), 6273:(1625), 6269:(1625), 6265:(1623), 6249:genius: 6160:(1636), 6140:(1635), 6134:(1629), 6118:(1622), 6112:(1615), 6106:(1615), 6018:Catholic 5963:El Greco 5756:(1609), 5736:(1590), 5700:El Greco 5684:ceramics 5680:tapestry 5594:, Paris. 5576:(1527). 5568:(1516), 5558:Flanders 5536:(1482), 5496:(1521). 5482:(1535), 5476:(1530), 5470:(1529), 5462:(1514), 5458:(1512), 5452:(1510), 5444:(1507), 5442:Triptych 5417:Urs Graf 5380:(1493), 5378:Hausfrau 5366:Nürnberg 5336:(1546), 5330:(1537), 5326:(1534), 5322:(1532), 5318:(1530), 5314:(1530), 5310:(1530), 5306:(1528), 5300:(1527), 5296:(1525), 5294:Lucretia 5292:(1518), 5288:(1509), 5232:Florence 5199:Bronzino 5178:Florence 5080:Pontormo 5070:, 1582; 5064:, 1570; 5058:, 1565; 5052:, 1564; 5048:, 1562; 5032:, 1547; 5030:Ganymede 5020:Crucifix 5008:, 1558; 5004:, 1535; 4974:Bronzino 4952:Petrarch 4930:(1530), 4924:(1528), 4896:(1580). 4886:(1580), 4816:(1555), 4806:(1544), 4758:, 1549; 4754:, 1540; 4719:(1559), 4707:(1553), 4701:(1553), 4695:(1550), 4691:(1547), 4636:, whose 4469:, Milan. 4374:—  4362:and the 4315:pediment 4287:The Dawn 4067:Leonardo 4029:Perugino 3998:(1515), 3988:(1500), 3982:(1500), 3978:(1490), 3974:(1490), 3946:(1483), 3934:(1474), 3819:Florence 3690:Florence 3653:Florence 3605:Paradise 3602:Gates of 3585:, 1497; 3566:, 1470; 3562:, 1458; 3550:, 1476; 3526:Masaccio 3515:Masaccio 3511:Meleager 3297:humanism 3253:Florence 3067:Hercules 3040:Ayne Bru 2944:Burgundy 2916:Creation 2796:Speculum 2675:and the 2669:Creation 2648:Dionysus 2558:idolatry 2491:Platonic 2435:Germanic 2407:Germanic 2363:(1416), 2287:Campaspe 2167:portrait 2143:charites 1988:, Paris. 1942:, Paris. 1936:Polycles 1841:Polycles 1803:—mainly 1797:Bithynia 1692:Pergamon 1652:Meleager 1612:Lysippos 1586:, Paris. 1360:Paeonius 1296:Ludovisi 1221:Lysippos 1211:Hercules 1207:Quirinal 1203:Dioscuri 1179:Canova's 1168:(1504), 1109:and the 1001:Anacreon 950:Lysippos 781:and the 609:, where 605:and the 548:Chaldean 538:Assyrian 519:Saqqarah 392:Egyptian 388:Sumerian 321:El Cogul 292:Lespugue 284:steatite 159:Feminism 155:semiotic 143:humanist 135:biblical 84:morality 72:academic 60:cultures 22812:History 22731:Oceania 22724:Seattle 22481:Mooning 22416:Massage 22377:Modesty 22350:History 21340:1 April 21329:(3–4). 21302:1 April 21245:23 July 21218:23 July 18346:23 July 17730:baroque 17705:maniera 17680:tempera 17659:Giostra 17378:Algiers 17366:Raoucha 17290:samurai 17254:woodcut 17227:ukiyo-e 17087:Mithuna 16995:Jainism 16974:tantric 16887:Harappa 16877:in the 16875:1500 BC 16868:Koṇārak 16860:mithuna 16819:Pārvatī 16787:phallus 16771:stambha 16690:Pārvatī 16646:animist 16463:, etc. 16399:Courbet 16305:group ( 16295:tanning 16252:bio-art 16100:Granada 16038:pop-art 16003:Pin-Ups 15978:bikinis 15974:Playboy 15927:Pop-art 15914:Pop-art 15823:Balthus 15553:, etc. 15327:Pleamar 15167:Rivalry 15153:The Sin 15067:Friends 15058:1927), 14963:graphic 14798:collage 14756:Olympia 14665:Wedding 14612:vanitas 14273:Man Ray 14161:collage 14148:Dadaism 13953:totemic 13847:Bathers 13843:Pompeii 13728:collage 13679:Cologne 13549:lacquer 13352:Morning 13266:Cranach 13246:Sunrise 13060:Puberty 13048:Madonna 13006:Dresden 12733:Fauvism 12703:Fauvism 12676:Picasso 12666:Matisse 12658:Oceanic 12650:African 12618:Bergson 12573:fitness 12527:concept 12511:, more 12101:Ateneum 12015:Raphael 11861:Holbein 11829:The nap 11820:boudoir 11777:The Air 11718:Cyclops 11670:Galatea 11624:Orpheus 11588:peacock 11566:chimera 11562:mermaid 11520:satanic 11495:Galatea 11452:Okayama 11367:Olympia 11161:Ugolino 10964:Bathers 10859:Bathers 10716:Olympia 10707:Olympia 10183:workers 10150:Realism 9805:Hypatia 9557:Poussin 9553:Raphael 9476:Hypatia 9169:of the 9126:Olympia 9122:Manet's 9105:, etc. 9091:, some 8989:of the 8987:Ilyssus 8979:morgues 8719:priapic 8715:bacchic 8605:Marxism 8322:Apolino 8031:Mercury 7991:called 7913:Girodet 7880:Pompeii 7840:Perseus 7703:, etc. 7556:Olympus 7475:Clodion 7308:Ovidian 7204:or the 7202:Watteau 7184:Clodion 7176:Boucher 7152:Baroque 7008:, Rome. 6569:Seasons 6521:Arcadia 6247:Antwerp 6233:of the 6204:Laocoön 6038:optical 6014:Baroque 6008:Baroque 5981:Baroque 5835:in the 5774:Pandora 5120:Dresden 5050:Mercury 4992:in the 4907:sfumato 4792:Ariadne 4788:Bacchus 4784:Mercury 4780:Minerva 4582:Baroque 4521:, Rome. 4515:Raphael 4407:Antonio 4319:Phidian 4306:of the 4295:Ariadne 4275:The Day 4262:Laocoön 4257:noobide 4235:in the 4150:Bacchus 4091:Apelles 4033:Raphael 4017:Phidias 3922:in the 3908:Apelles 3900:Homeric 3892:Giostra 3780:or the 3778:Raphael 3678:Goliath 3608:of the 3560:Calvary 3371:anatomy 3356:harmony 3093:in the 3057:on the 3002:or the 2972:of the 2952:by the 2874:nursing 2862:Delilah 2854:Susanna 2822:reredos 2806:of the 2771:of the 2756:(1085, 2664:Genesis 2615:Orpheus 2591:Cimabue 2534:seasons 2532:, four 2514:Bavaria 2468:of the 2357:, from 2312:Phidias 2277:Pompeii 2214:, etc. 2198:Pompeii 1855:Bernini 1779:Tralles 1762:Laocoön 1730:of the 1728:Marsyas 1716:of the 1700:of the 1656:Laocoön 1644:Marsyas 1482:jewelry 1474:Dresden 1462:nereids 1458:maenads 1454:sylenes 1348:of the 1292:Altemps 1263:of the 1215:Theseus 1205:of the 1189:Orpheus 1161:Dürer's 1123:of the 1107:Ephesus 1088:Later, 982:Phidias 952:, etc. 934:Phidias 892:Kritios 884:), the 846:Kritios 795:), the 726:ceramic 615:mimesis 611:harmony 487:or the 485:Offeror 476:climate 470:of the 462:pharaoh 450:Demeter 442:Artemis 390:to the 304:phallus 300:Laussel 246:6000 BC 232:), man 230:8000 BC 125:times ( 22949:Portal 22709:Europe 22699:Africa 22431:Canada 22336:Nudity 22250:  22231:  22212:  22193:  22165:  22146:  22127:  22108:  22087:  22068:  22049:  22030:  22011:  21992:  21973:  21954:  21935:  21916:  21897:  21878:  21859:  21840:  21821:  21802:  21783:  21764:  21745:  21726:  21707:  21688:  21669:  21663:Seurat 21650:  21631:  21612:  21593:  21574:  21559:Tàpies 21546:  21527:  21508:  21489:  21470:  21451:  21432:  21413:  21385:  21069:  18702:  17907:kitsch 17758:rococo 17746:Rococo 17726:pearls 17651:covers 17630:reason 17488:Nudity 17344:hentai 17339:Shunga 17307:shunga 17230:prints 17204:shunga 17158:Shunga 17144:), by 17111:Rajput 17033:Sānchī 16933:Sānchī 16924:yakṣīs 16916:maurya 16899:liṅgam 16891:Punjab 16845:tantra 16835:liṅgam 16831:liṅgam 16829:. The 16823:vagina 16767:pillar 16759:liṅgam 16744:liṅgam 16730:lingam 16719:nature 16682:bronze 16630:Africa 16624:sharia 16395:Vagina 16344:kitsch 16276:Videos 16153:Fluxus 15991:kitsch 15932:hippie 15864:Latent 15646:burlap 15528:Since 15399:Geneva 15319:Adagio 15239:Pasión 15229:, 1907 15189:, the 15028:Rhythm 15021:Seated 14983:) and 14939:corset 14693:Dryads 14645:Crisis 14234:bricks 14226:wooden 14071:objets 13896:Psyche 13691:Cubism 13512:Autumn 13305:Vienna 13188:were: 13108:Salome 12997:circus 12966:Munich 12561:nudism 12159:Hope I 12082:Salome 11884:), by 11692:Autumn 11662:Salome 11570:medusa 11558:sphinx 11549:Lilith 11271:In the 11220:Danaid 11066:circus 10996:Tahiti 10960:cubism 10956:sphere 10908:Models 10870:Models 10795:Renoir 10735:prints 10643:(1877) 9821:Lilith 9115:Goya's 9096:Dramas 8791:Newton 8394:Cahors 8304:) and 8185:Aegina 7572:Cronos 7241:Spring 7172:petite 7146:Rococo 7119:Rococo 6978:and a 6589:Summer 6573:Winter 6083:Renoir 6046:spiral 5670:, and 5620:stucco 5468:Vanity 5170:Titian 5141:Titian 5076:pathos 4798:, the 4796:Vulcan 4768:Venice 4634:Titian 4626:Ficino 4602:Titian 4586:Rubens 4537:. The 4383:(1954) 4358:, the 4323:ignudi 4237:Louvre 4233:Slaves 4113:), by 4077:, his 4048:Stanze 3766:Battle 3714:Vasari 3702:Umbria 3643:), by 3336:nature 3249:Uffizi 3211:Vanity 3087:Giotto 3075:pulpit 3051:Daniel 3018:, the 3004:Judith 2996:Vanity 2926:. His 2922:, the 2918:, the 2866:Salome 2858:Judith 2842:dragon 2748:), or 2730:Poitou 2671:, the 2652:Hermes 2619:Daniel 2550:square 2470:Beatus 2462:vanity 2427:Gothic 2206:circus 2159:Aglaea 2155:Thalia 1833:Rubens 1760:, the 1754:Rhodes 1676:Rhodes 1648:Hector 1634:pathos 1494:Arabia 1486:cameos 1470:Maenad 1450:satyrs 1431:peplos 1352:, the 1324:Sparta 1320:Phryne 1309:kouroi 1286:), by 1265:Louvre 1247:Naples 1121:frieze 1117:Scopas 986:Apollo 972:bronze 946:Scopas 887:Ephebe 865:kouroi 841:Ephebe 793:600 BC 779:Attica 759:kouros 740:kouroi 735:kouros 677:kouros 672:Marble 637:Minoan 625:Greece 603:nature 595:Greece 559:Mosaic 551:bronze 531:Hathor 501:, the 472:Louvre 438:Minoan 412:Ishtar 329:Alpera 312:Dorset 296:Menton 234:hunted 22404:Sauna 22387:Awrah 20934:(PDF) 17794:146.) 17766:shell 17684:Salaì 17558:Latin 17504:Notes 17350:manga 17126:Japan 17067:Yakṣī 17031:from 16944:Gupta 16929:stūpa 16879:Indus 16813:(the 16811:Śakti 16789:with 16775:glans 16715:Islam 16670:India 16626:law. 16611:Islam 16604:. In 16594:India 16578:Dogon 16133:Gutai 15682:Torso 15630:Women 15547:laser 15467:Ritmo 15451:Forma 15447:Deseo 15323:Calma 15085:Spain 14943:Ionic 14915:spine 14265:Nudes 14200:chess 14055:Torso 13892:Cupid 13399:Milan 13123:Dürer 13056:sperm 13052:fetus 12936:Anita 12808:. In 12726:Basel 12654:Asian 12634:Freud 12455:Nudes 12327:Dream 12270:Money 12250:Truth 12230:Night 12170:Danae 12137:. 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