184:
modernism, in addition to provide some valuables testimonials of moral exaltation. In spite of not living in the country the most part of his life,… he never stop acknowledging the reality and problematic of his nation. An alert and preoccupied consciousness for the disturbing signals of his time,… he made efforts to interpret them with appropriateness and intellectual honesty”. In addition, in the “introduction” of the referred book, the consecrated
Paraguayan intellectual Francisco Pérez-Maricevich describes Núñez as: “… the poet of our literature deserving of universal recognition” and adding later that his life: “…is one of the most intense and of more moral high of Paraguayan lives. It is also, one of the most profiler and exemplar, because the nobleness of spirit and firm sincerity of his lines” Is, in fact, the most remembered of Paraguayan poets in foreign anthologies.
308:
210:“Canto Secular” (Centennial Song). Published in 1911, as a homage to the centenary of the Paraguayan Independency, one of the most extent poems in all the literature of his country, with which he tried to reaffirm the spiritual values of a nation that was being reborn from the catastrophe, exalting in his verses the most elevated ideals and condemning the errors and horrors of the inhuman battles
180:
answer to this was: “Excellence... I have two mothers: one, poor but deserving, to which I owe my birth, this is
Paraguay; and the other, rich and generous, Argentina, where I have formed myself and established my home. Allow me to be consequent with both”. Finally, his principles and honesty grant him the position in spite the nationality issue.
143:, on July 25, 1885, son of Felix Fariña and Buenaventura Núñez. When he was only eight years old, he moved to the province of Corrientes, Argentina, where he received his first education. Afterwards, he moved to Paraná. In that city he started his studies in the seminar, acquiring solid knowledge of classic culture, music and languages such as
179:
He worked in public affairs. And it is from this time that come a famous anecdote that has him as protagonist. Given his natural talent and dedication to his job, he was offered the general administration of taxes position, with only one condition: to adopt the
Argentine nationality. The poet's
183:
In the presentation of his “Poesias completas y otros textos” (“Complete poetry and other texts”), the
Publisher El Lector signals that Fariña Núñez: “…is, without a doubt, the most prepared creative intellectual of his generation. His work has been an essential contribution to the Paraguayan
216:“Bucles de Oro” (Locks of gold). A story that, in 1913, obtained the first prize in a contest patronized by the Journal “La Prensa” of Buenos Aires, which signified, in the moment, the consecration of his literary work)
270:
Diccionario Biográfico “FORJADORES DEL PARAGUAY”, Primera Edición, Enero 2000 (Biographic
Dictionary “Forjadores del Paraguay”, First Edition, January 2000)
378:
192:
Married with an
Argentine lady, Laura Fernández de la Puente, young still and in creative activity, he died in Buenos Aires on January 3, 1929.
343:
373:
398:
348:
283:
323:
358:
388:
273:
Distribuidora
Quevedo de Ediciones. Buenos Aires, Argentina (Quevedo Distributor of Editions. Buenos Aires, Argentina)
393:
288:
123:, often deal with Paraguayan themes and he remains an important figure in early 20th century Paraguayan literature.
383:
353:
119:, he moved to neighboring Argentina as a boy and lived there until his death at 43. His works, such as the poem
328:
333:
136:
338:
171:, where he pursued the Law career, which he had to abandon later because of economical reasons.
368:
363:
140:
8:
293:
152:
226:
160:
115:(July 25, 1885 – Jan. 3, 1929) was a Paraguayan writer. Born in the small town of
156:
148:
317:
164:
57:
267:
Centro
Cultural de la República El Cabildo (Cultural Center El Cabildo)
88:
116:
39:
168:
76:
61:
298:
302:
43:
132:
235:“El estanco del tabaco” (Tobacco monopoly) or tobaccolist's shop
213:“Al margen del casco paraguayo” (Outside the Paraguayan helmet)
72:
144:
84:
80:
315:
222:“Las vertebras de pan” (The vertebra of bread)
204:“El mundo de los fantoches” (World of puppets)
207:“Centenario Paraguayo” (Paraguayan Centenary)
163:. Without concluding his studies, he left to
246:“El jardín del silencio” (Garden of silence)
232:“Conceptos estéticos” (Esthetic concepts)
379:20th-century dramatists and playwrights
135:, historical city of the department of
316:
229:” (Significance of Rubén Darío's work)
344:Paraguayan dramatists and playwrights
13:
14:
410:
399:Paraguayan emigrants to Argentina
277:
252:“Mitos guaraníes” (Guarani myths)
306:
374:People from Ñeembucú Department
349:Male dramatists and playwrights
225:“El significado de la obra de
1:
324:20th-century Paraguayan poets
256:
187:
174:
126:
200:His abundant work includes:
7:
359:Paraguayan male journalists
305:(public domain audiobooks)
10:
415:
299:Works by Eloy Fariña Núñez
261:
389:20th-century male writers
101:El mundo de los fantoches
94:
68:
50:
28:
21:
394:20th-century journalists
294:biografiaasyvidas.com.py
195:
384:20th-century essayists
354:Paraguayan journalists
329:Paraguayan male poets
334:Paraguayan essayists
141:Republic of Paraguay
239:The book of poems:
131:Núñez was born in
113:Eloy Fariña Núñez
110:
109:
33:Eloy Fariña Núñez
23:Eloy Fariña Núñez
406:
310:
309:
97:
19:
18:
414:
413:
409:
408:
407:
405:
404:
403:
314:
313:
307:
280:
264:
259:
198:
190:
177:
129:
95:
64:
55:
54:January 3, 1929
46:
37:
35:
34:
24:
17:
16:Paraguayan poet
12:
11:
5:
412:
402:
401:
396:
391:
386:
381:
376:
371:
366:
361:
356:
351:
346:
341:
339:Male essayists
336:
331:
326:
312:
311:
296:
291:
286:
279:
278:External links
276:
275:
274:
271:
268:
263:
260:
258:
255:
254:
253:
250:
247:
244:
237:
236:
233:
230:
223:
220:
217:
214:
211:
208:
205:
197:
194:
189:
186:
176:
173:
128:
125:
108:
107:
98:
92:
91:
70:
69:Known for
66:
65:
56:
52:
48:
47:
38:
32:
30:
26:
25:
22:
15:
9:
6:
4:
3:
2:
411:
400:
397:
395:
392:
390:
387:
385:
382:
380:
377:
375:
372:
370:
367:
365:
362:
360:
357:
355:
352:
350:
347:
345:
342:
340:
337:
335:
332:
330:
327:
325:
322:
321:
319:
304:
300:
297:
295:
292:
290:
287:
285:
284:anselm.edu.py
282:
281:
272:
269:
266:
265:
251:
248:
245:
242:
241:
240:
234:
231:
228:
224:
221:
218:
215:
212:
209:
206:
203:
202:
201:
193:
185:
181:
172:
170:
166:
162:
158:
154:
150:
146:
142:
138:
134:
124:
122:
121:Canto Secular
118:
114:
106:
105:Canto Secular
102:
99:
93:
90:
86:
82:
78:
74:
71:
67:
63:
59:
53:
49:
45:
41:
36:June 25, 1885
31:
27:
20:
238:
219:“Rhodopphis”
199:
191:
182:
178:
165:Buenos Aires
130:
120:
112:
111:
104:
100:
96:Notable work
58:Buenos Aires
369:1929 deaths
364:1885 births
227:Rubén Darío
318:Categories
289:bvp.org.py
257:References
249:“Cármenes”
188:Last years
175:Trajectory
153:Portuguese
127:Early life
89:Journalism
169:Argentina
139:, in the
77:Narration
62:Argentina
303:LibriVox
243:“Curupi”
137:Ñeembucu
44:Paraguay
262:Sources
161:Italian
133:Humaita
117:Humaitá
40:Humaitá
157:French
73:Poetry
149:Greek
145:Latin
85:Drama
81:Essay
196:Work
159:and
87:and
51:Died
29:Born
301:at
320::
167:,
155:,
151:,
147:,
103:,
83:,
79:,
75:,
60:,
42:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.