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Elizabeth Aro

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229:, Italy, though she had been a resident artist at galleries throughout Europe. Many of her pieces are installations that change the narrative of the original work or change the viewer's perception of space. For example, she uses fabric to make roots appear to be going into the space, changing the viewer's perception. Aro's artwork, the "Red Net" series, was used as an example of her time as a migrant outside of Argentina, and to relate and connect to people who have lived in similar conditions. Aro has created many works relating to immigration and opened an exhibition in 279:. Aro uses the fabric to make the male subject of the sculpture look to be holding a rope that leads to young children in the base of the sculpture. This art piece is meant to change the narrative of an extant art piece by adding to it in some impermanent way. Before the addition of the fabric, the sculpture had the young children reaching up to the man. With the addition of the fabric, it looks as though the main figure is offering a way for the children to ride up to him. 25: 251:
climate change, recalling those images of environments devastated by recent ecological disasters. The heaviness of the dark velvet leaves, in contrast with the lightness of the parachute, create an effect of drama and disquiet. The artwork suggests that despite our indifference, Nature resists and continues to dance and she reminds us that despite the dark times, we too can continue to dance.
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In this piece, Aro uses brocade fabric to create what appears to be reddish-brown roots coming out of a door. This gives the appearance of nature coming indoors and taking over the space. This can be seen through the size of the roots in relation to the size of the room. With the positioning of the
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The installation consists of an old parachute and leaves made with precious jacquard velvet. Velvet is a symbol of luxury and elegance and the leaf shape that Aro gave to the velvet recalls the Amazon rainforest, they are majestic as nature must be, but the color used, black and gray, symbolizes
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Th artwork, which consists of fifty-six pencil drawings of clouds, which the artist uses as a way to demonstrate time and memory. Each column follows one part of the sky as it changes. The artist finds time and memory to be an integral part of her life, and associates time and memory with her
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1996 Argentinien Ursprünge und Erbe, traveling exhibition: Museum Giessen Galerie Am Fischmarkt Erfurt, Galerie Rähnnitzgasse der Landeshauptstadt Dresden, Museum für Völkerkunde Berlin-Dahlem, Germany
53: 1826: 209:, and also uses photographs, drawings, and videos in her exhibitions. Many of her works relate to the perception of space and how individuals define home or where they are from. 233:
that featured photographs of immigrants in streets. Much of Aro's work is focused on relationships to home and the effect of relocation upon a person. Aro finds the breaking of
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This piece, which is made of layered felt, is a large, white sphere that is meant to represent the world falling apart. The landmasses begin to fall south and merge together.
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to be important work. She wants to see a change in the view of women as submissive to men, and to break away from the cultural roles men and women often fall into.
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The piece consists of brocade fabric and cotton sewn together. This art piece is a sculpture in the shape of a white tree. It is meant to symbolize life and the
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design, prototyping with a 3D printer, hand-hammered surfaces alternating with glossy areas and engraved areas 24 Ă— 15 cm.
1960: 1950: 1940: 1606: 1191: 33: 1269: 557: 1508: 1418: 107: 1847: 1757: 1491: 79: 1477: 927: 1930: 1925: 1784: 1565: 1089: 840: 709: 222: 126: 86: 1827:""Los Otros" si incontrano a Brera. Elizabeth Aro porta in scene geografie del mondo e del cuore, partendo da sud" 1812: 881: 619:“Los Otros” si incontrano a Brera. Elizabeth Aro porta in scene geografie del mondo e del cuore, partendo da sud 93: 1090:"Argentine artist Elizabeth Aro and her Atelier by Elizabeth Aro at Gagliardi e Domke Contemporary - Artland" 225:(UNA), where she majored in art history. Aro was based in Spain for fifteen years and now lives and works in 1376: 968: 730: 288:
fabric piece, it also appears as though the roots are continuing to grow and spread throughout the space.
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Elizabeth Aro: 10 de noviembre de 2004 al 2 de enero de 2005, Museo Nacional Centro de Arte Reina SofĂ­a.
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1991 La Escuela del Sur, el taller de Torres GarcĂ­a y su legado,traveling exhibition: USA, Mexico, Spain
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2023 Preziose prospettive: sculture e gioielli in dialogo, Kromya Art Gallery, Verona, Italy
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2000 Ciclo de Autor: Guardando il tuo vestito, Museo de Arte Moderno, Buenos Aires, Argentina
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2000 Quello che non c'e, Curator Gabi Scardi, Spazio Erasmus Brera, Milan, Italy
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2003 Quien te ha invitado a esta fiesta?, Diana Lowenstein Fine Arts, Miami, USA
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2002 Artistas de la Galeria, escritorio de Arte Rosa Barbosa, SĂŁo Paulo, Brazil
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1998 Fondation Argentine, Cité Internationale Universitaire de Paris, France
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Le sculture in tessuto di Elizabeth Aro al Filatoio di Caraglio 26 ottobre.
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C’è anche Elizabeth Aro ad Artefiera. In galleria? No, nell’Exibart-stand…
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2000 Benvinguts a la sociatat del I'espectcle ACM Mataro, Barcelona, Spain
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2015 Los Otros, Ex Chiesa di San Carpoforo, Academy of Brera, Milan, Italy
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Bria Ginevra, Elizabeth Aro. Los Otros in San Carpoforo. 11 August 2015.
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2000 Project Room, Territorio Domestico Curador: Fernando Castro Florez
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2013 La trilogia Esistenziale, Galleria Gagliardi e Domke, Turin, Italy
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Redazione. Rehenes - Ostaggi di Elizabeth Aro e Silvia Levenson. 2013.
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2023 Labyrinth, Museo Storico Reale Mutua Art Site Fest, Turin, Italy
321:. This art installation piece often dominates the space it occupies. 1758:"Fino al 6.I.2019 | Elizabeth Aro | Filatoio di Caraglio exibart.com" 1668: 1238: 474:
2000 Artists' Presentation #4, Diana Lowenstein Fine Arts, Miami, USA
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2001 Contemporary Photography, Diana Lowenstein Fine Arts, Miami, USA
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2001 Kunst Koln Fair Colonia, Galeria Antoni Pinyol, Colonia, Germany
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2022 Open Studio, Rèves, Citè Internationale Des Arts, Paris, France
1607:"Sculture e gioielli nell'arte di Elizabeth Aro, in mostra a Verona" 344:
2022 Danza Nocturna, for Artsite Fest, Principato di Lucedio, Italy
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2002 Amantes, comisariado por Lorenzo Taiuti, Care of, Milan, Italy
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2015 Zoom – Fotografia Italiana, Fondazione Remotti, Camogli, Italy
1256:"Trino. Al Principato di Lucedio Danza Nocturna e Figure infinite" 882:"La fragilitĂ  degli abbracci | Opere | Fragile bellezza" 538:
2002 El Paraiso es de los extranos. Arteleku, San Sebastián, Spain
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TRINO. Al Principato di Lucedio Danza Nocturna e Figure infinite.
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2017 Provisorio para Siempre, Galleria Canepaneri, Genoa, Italy
1848:"Elizabeth Aro. La memoria, l'equilibrio delle forme e l'altro" 198: 181: 1892: 63:
from the article and its talk page, especially if potentially
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Elizabeth Aro. La memoria, l’equilibrio delle forme e l’altro
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2005 Generation of arts, Chiesa de San Francesco Como , Italy
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2001 De la Gente y el Paisaje, Casa Rivadavia, Cadiz, Spain
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2005 Espacio Uno, Centro de Arte Reina Sofia, Madrid, Spain
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2018 Le Fil du Monde, Fondazione Filatoio, Caraglio, Italy
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2022 VincerĂ  la Bellezza, Fantastik Lab, Valencia, Spain
1270:"Elizabeth Aro: VincerĂ  la Bellezza (Beauty will conquer)" 997:"I mondi poetici di Elizabeth Aro al Filatoio di Caraglio" 529:
2016 Centre d'art Contemporain Ifitry, Essaouira, Morocco
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2018 Residenza Shared Lambrate, Officine Tamborrino, Italy
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2022 Memoria del Presente, Zaion Gallery, Biella, Italy
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2001 Arco 2001, Diana Lowenstein Fine Arts, Madrid, Spain
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2002 Feria de Bologna, Spazio Erasmus Brera, Milan, Italy
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2002 I filo raccontato, Museo de Trento y Rovereto, Italy
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2019 Dreaming in Red, Chateau La Napoule, Cannes, France
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Santa Sangre - Installation in der Moritzkirche Augsburg
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2016 Mundo e Los Otros, Gagliardi e Domke, Turin, Italy
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The Stone and the Thread: Andean Roots of Abstract Art.
1813:"I mondi onirici di matita e velluto di Elizabeth Aro" 1529:"REHENES - OSTAGGI DI ELIZABETH ARO E SILVIA LEVENSON" 535:
2007 Fondation Australis, Rotterdam - The Netherlands
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2019 Foundation La Napoule, Mandelieu, Cannes, France
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1998 Jacob Carpio - Atma Gallery, San José, Costa Rica
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2002 Elizabeth Aro. Spazio Erasmus Brera, Milan, Italy
205:. Aro uses fabric to create large-scale site-specific 702:
Latin American Woman Artists, Kahlo and Look Who Else
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I mondi onirici di matita e velluto di Elizabeth Aro,
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2000 Domestico '00, residencia Privada, Madrid, Spain
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2000 Instituto de America de Santa Fe, Granada, Spain
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2021 Fiori e Fiamme, Babs Art Gallery, Milan, Italy
1434:"Finissage | Elizabeth Aro, Provisorio para siempre" 459:
2001 Italian Connection, Kunthaus Berna, Switzerland
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2012 All Fires, The Fire, Pasajist, Istanbul, Turkey
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2024 Atelier Aro, Gagliardi and Domke, Turin, Italy
1352:"Elizabeth Aro Biography – Elizabeth Aro on artnet" 640:Mather, Frank Jewett. Sherman, Frederic Fairchild. 587:
Fino al 6.I.2019 Elizabeth Aro Filatoio di Caraglio
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1997 La otra orilla, Casa de América, Madrid, Spain
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2001 Miart 2001, studio Erasmus Brera, Milan, Italy
374:2015 Santa Sangre, Moritzkirche, Augsburg, Germany 1725:"Chateau La Napoule, White Gallery, Cannes France" 426:2017 Sequela, Ex Chiesa San Mattia, Bologna, Italy 305:experience of moving from one country to another. 1697:"Open Studio CitĂ© Internationale des arts, Paris" 668: 517:2022 CitĂ© International Des Arts, Paris, France 429:2016 Biennale Internationale, Casablanca, Morocco 380:2013 Rehenes-Ostaggi Sala Santa Rita, Rome, Italy 1907: 833:The Blood of Women. Traces of Red on White Cloth 541:2000 Foundation Rodriguez Acosta, Granada, Spain 520:2020 CitĂ© International Des Arts, Paris, France 441:2006 La donna oggeto Castello de Vigevano, Italy 423:2019 Second Biennale of Mountados, Tynos, Greece 359:2018 Brumas, Nuova Galleria Morone, Milan, Italy 1645: 1431: 918: 916: 651:Museo Nacional Centro de Arte Reina SofĂ­a, 2004 299: 217:Aro attended the National School of Fine Arts 197:(born 1961) is an Argentine interdisciplinary 1582:"Exhibition in Verona - Preziose Prospettive" 1560:. Museo Nacional Centro de Arte Reina SofĂ­a. 532:2016 Foundation La Napoule, Mandeliu, France 495:1999 Supermegadrops, Via Farini, Milan, Italy 913: 830: 1478:"Elizabeth Aro. Los Otros in San Carpoforo" 1065:"Gagliardi e Domke – Torino Art Galleries" 787:"Elizabeth Aro: Centro Cultural Rivadavia" 266: 259:Necklace, untreated natural bronze color, 255:The fragility of hugs or RaĂ­z de Luz, 2020 56:about living persons that is unsourced or 1860: 1419:"Elizabeth Aro - Provisorio para siempre" 955:"LE SCULTURE IN TESSUTO DI ELIZABETH ARO" 127:Learn how and when to remove this message 1956:Universidad Nacional de las Artes alumni 1785:"Elizabeth Aro: scolpire con ago e filo" 1555: 1233: 1231: 1229: 438:2006 Take me with you, Mori Museum Japan 1782: 1523: 1521: 1492:"Purpurroter Lebensstrom in St. Moritz" 784: 594:Elizabeth Aro: scolpire con ago e filo. 245: 1908: 1543:"Rehens Ostaggi Catalogo show in Rome" 807: 699: 642:Art in America, Volume 93, Issues 7-11 1755: 1663: 1661: 1659: 1657: 1471: 1469: 1346: 1344: 1250: 1248: 1226: 760:"Elizabeth Aro - Artists - Guidi4art" 731:"Elizabeth Aro – nuovagalleriamorone" 558:Museum of Contemporary Art of Rosario 282: 1946:21st-century Argentine women artists 1936:20th-century Argentine women artists 1518: 1475: 1284:"Elizabeth Aro: VincerĂ  la Bellezza" 1220:"Memoria del presente Elizabeth Aro" 754: 752: 750: 748: 725: 723: 721: 562:Museum of Modern Art of Buenos Aires 435:2015 Kunst/Stoff Tim Museum, Germany 417:2022 Bicocca SuperLab, Milan, Italy 408: 18: 1646:bicoccasuperlab (16 October 2022). 401:1999 Galeria Arteara, Madrid, Spain 329: 13: 1783:Roggero, Paolo (25 October 2018). 1756:Gallo, Chiara (27 December 2018). 1654: 1466: 1432:Andrea Rossetti (8 January 2018). 1341: 1245: 1039:"Gagliardi and Domke Contemporary" 544:1996 Fondazione Ratti, Como, Italy 489:2000 Interart 00', Valencia, Spain 14: 1972: 1884: 969:"Elizabeth Aro Santa Sangre 2015" 745: 718: 658:, University of Texas Press, 1996 223:Universidad Nacional de las Artes 1476:Bria, Ginevra (11 August 2015). 1043:Gagliardi and Domke Contemporary 23: 1854: 1840: 1819: 1805: 1791: 1776: 1749: 1731: 1717: 1703: 1689: 1675: 1639: 1625: 1599: 1574: 1549: 1535: 1501: 1484: 1452: 1425: 1411: 1397: 1383: 1369: 1327: 1302: 1276: 1262: 1212: 1198: 1184: 1172:(in Italian). 22 September 2023 1158: 1133: 1107: 1082: 1057: 1031: 1017: 1003: 989: 975: 961: 947: 888: 835:. postmedia books. p. 56. 808:FrĂ©rot, Christine (Fall 1998). 785:Jimenez, Carlos (Winter 2019). 566: 1961:Argentine contemporary artists 1951:21st-century Argentine artists 1941:20th-century Argentine artists 1613:(in Italian). 26 February 2023 1509:"Die Energie strömt purpurrot" 874: 849: 831:De Leonardis, Manuela (2019). 824: 801: 778: 693: 548: 511: 324: 308: 291: 1: 1861:redazione (25 January 2011). 1310:"Elizabeth Aro-San Carpoforo" 896:"Elizabeth Aro-San Carpoforo" 857:"Elizabeth Aro-San Carpoforo" 662: 554:Galleria Arte Moderna Torino 420:2019 BienNolo, Milan, Italy 271:In this art piece, Aro adds 212: 34:biography of a living person 7: 1683:"Elizabeth Aro Open Studio" 1460:"Mundo and Los Otros, 2016" 1145:Museo Storico | Reale Mutua 300:Estudio de Nubes, 2014-2015 240: 154:1961 (age 62–63) 61:must be removed immediately 10: 1977: 1931:Interdisciplinary artists 1926:Artists from Buenos Aires 1290:(in Italian). 29 May 2022 1069:www.torinoartgalleries.it 764:Guidi, marine accessories 275:fabric to a sculpture by 176: 162: 150: 143: 1633:"Elizabeth Aro Superlab" 1377:"Brumas | Elizabeth Aro" 700:Puerto, Cecilia (1996). 1711:"Dreaming in Red, 2019" 1556:Olivares, Rosa (2004). 983:"Le Fil du Monde, 2018" 267:Henry Clew's Cast, 2016 157:Buenos Aires, Argentina 1192:"Memoria del presente" 48:Please help by adding 219:Prilidiano PueyrredĂłn 1900:images of Aro's work 1337:. 15 September 2021. 1314:www.elizabetharo.com 1239:"Elizabeth Aro - CV" 900:www.elizabetharo.com 861:www.elizabetharo.com 246:Danza Nocturna, 2022 54:Contentious material 1531:. 15 November 2013. 1514:. 28 February 2015. 1497:. 26 February 2015. 1013:. 25 November 2015. 999:. 27 November 2018. 971:. 18 February 2018. 957:. 23 December 2021. 654:Paternosto, CĂ©sar. 644:F.F. Sherman, 2005. 1801:. 19 October 2019. 1745:. 6 November 2022. 1671:. 23 October 2022. 1669:"Curriculum Vitae" 1635:. 24 October 2022. 1586:Kromya Art Gallery 1462:. 6 November 2022. 1407:. 18 October 2019. 1393:. 6 November 2022. 1258:. 24 October 2022. 1241:. 23 October 2022. 1222:. 15 October 2022. 1208:. 20 October 2022. 1194:. 6 November 2022. 680:Latin American Art 283:Santa Sangre, 2015 235:gender stereotypes 1391:"Le Fil du Monde" 1027:. 15 August 2019. 627:Varone Patrizia. 409:Group exhibitions 192: 191: 137: 136: 129: 111: 37:needs additional 1968: 1896: 1895: 1893:Official website 1879: 1878: 1876: 1874: 1858: 1852: 1851: 1850:. 10 April 2017. 1844: 1838: 1837: 1835: 1833: 1823: 1817: 1816: 1815:. 23 April 2018. 1809: 1803: 1802: 1795: 1789: 1788: 1780: 1774: 1773: 1771: 1769: 1753: 1747: 1746: 1735: 1729: 1728: 1721: 1715: 1714: 1707: 1701: 1700: 1693: 1687: 1686: 1679: 1673: 1672: 1665: 1652: 1651: 1643: 1637: 1636: 1629: 1623: 1622: 1620: 1618: 1603: 1597: 1596: 1594: 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