Doge's Palace - Knowledge

1197: 687:. After the mid-19th century, the palace seemed to be in such a state of decay that its very survival was in question; thus, in 1876 a major restoration plan was launched. The work involved the two facades and the capitals belonging to the ground-floor arcade and the upper loggia: 42 of these, which appeared to be in an especially dilapidated state, were removed and replaced by copies. The originals, some of which were masterpieces of Venetian sculpture of the 14th and 15th centuries, were placed, together with other sculptures from the facades, in an area specifically set aside for this purpose: the Museo dell'Opera. After undergoing thorough and careful restoration works, they are now exhibited, on their original columns, in these six rooms of the museum, which are traversed by an ancient wall in great blocks of stone, a remnant of an earlier version of the palace. The rooms also contain fragments of statues and important architectural and decorative works in stone from the facades of the palace. 111: 876: 494: 1006: 341: 895:

Veronese shows Venice distributing honours and rewards. The top of the walls is decorated with a fine frieze and other sumptuous fittings, including the fireplace between the windows and the fine doorway leading into the Hall of the Full College, whose Corinthian columns bear a pediment surmounted by a marble sculpture showing the female figure of Venice resting on a lion and accompanied by allegories of Glory and Concord. Next to the doorways are four canvases that Tintoretto painted for the Square Atrium, but which were brought here in 1716 to replace the original leather wall panelling. Each of the mythological scenes depicted is also an allegory of the Republic's government.

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of all the male members of patrician Venetian families over 25 years old, irrespective of their individual status, merits or wealth. This was why, in spite of the restrictions in its powers that the Senate introduced over the centuries, the Great Council continued to be seen as a bastion of Republican equality. Soon after work on the new hall had been completed, the 1577 fire damaged not only this Chamber but also the Scrutinio Room. The structural damage was soon restored, respecting the original layout, and all works were finished within a few years, ending in 1579–80. The decoration of the restored structure involved artists such as Veronese, Jacopo and

1075:, while the ceiling was decorated with the Virtues and individual examples of Venetian heroism, and a central panel containing an allegorical glorification of the Republic. Facing each other in groups of six, the twelve wall paintings depict acts of valour or incidents of war that had occurred during the city's history. Immediately below the ceiling runs a frieze with portraits of the first 76 doges (the portraits of the others are to be found in the Scrutinio Room); commissioned from Tintoretto, most of these paintings are in fact the work of his son. Each Doge holds a scroll bearing a reference to his most important achievements, while Doge 699:. The disastrous fire in this part of the building in 1483 made important reconstruction work necessary, with the Doge's apartments being completed by 1510. The core of these apartments forms a prestigious, though not particularly large, residence, given that the rooms nearest the Golden Staircase had a mixed private and public function. In the private apartments, the Doge could set aside the trappings of office to retire at the end of the day and dine with members of his family amidst furnishings that he had brought from his own house (and which, at his death, would be promptly removed to make way for the property of the new elected Doge). 1540: 1151:

between nobles and commoners were forbidden and greater controls were set up to check the validity of aristocratic titles. There was also a Silver Book, which registered all those families that not only had the requisites of "civilization" and "honour", but could also show that they were of ancient Venetian origin; such families furnished the manpower for the State bureaucracy – and particularly, the chancellery within the Doge's Palace itself. Both books were kept in a chest in this room, inside a cupboard that also contained all the documents proving the legitimacy of claims to be inscribed therein.

32: 620: 1135:(1523–1538) and nephew of the great Francesco Foscari. The title and duties of the Censors resulted from the cultural and political upheavals that are associated with Humanism. In fact, the Censors were not judges as such, but more like moral consultants, their main task being the suppression of electoral fraud and protection of the State's public institutions. On the walls of the Censors' Chamber hang a number of Domenico Tintoretto's portraits of these magistrates, and below the armorial bearings of some of those who held the position. 1532: 1212:, built in 1614 to link the Doge's Palace to the structure intended to house the New Prisons. Enclosed and covered on all sides, the bridge contains two separate corridors that run next to each other. That which visitors use today linked the Prisons to the chambers of the Magistrato alle Leggi and the Quarantia Criminal; the other linked the prisons to the State Advocacy rooms and the Parlatorio. Both corridors are linked to the service staircase that leads from the ground floor cells of the Pozzi to the roof cells of the Piombi. 526: 902:, reading dispatches from ambassadors and city governors, receiving foreign delegations and promoting other political and legislative activity. Alongside these shared functions, each body had its own particular mandates, which made this body a sort of "guiding intelligence" behind the work of the Senate, especially in foreign affairs. The decorations were designed by Andrea Palladio to replace those destroyed in the 1574 fire; the wood panelling of the walls and end tribune and the carved ceiling are the work of 609: 731:, the Doge reigning when the Republic of St. Mark came to an end in 1797. This is the largest room in the Doge's apartments and runs the entire width of this wing of the palace. The hall was used as a reception chamber and its decoration with large geographical maps was designed to underline the glorious tradition that was at the very basis of Venetian power. The two globes in the centre of the hall date from the same period: one shows the sphere of the heavens, the other the surface of Earth. 2377: 815: 542: 925:

evolved over time, until by the 16th century it was the body mainly responsible for overseeing political and financial affairs in such areas as manufacturing industries, trade and foreign policy. In the works produced for this room by Tintoretto, Christ is clearly the predominant figure; perhaps a reference to the Senate "conclave" which elected the Doge, seen as being under the protection of the Son of God. The room also contains four paintings by

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the building was intended to improve the conditions for prisoners with larger and more light-filled and airy cells. However, certain sections of the new prisons fall short of this aim, particularly those laid out with passageways on all sides and those cells which give onto the inner courtyard of the building. In keeping with previous traditions, each cell was lined with overlapping planks of larch that were nailed in place.

1404: 1318: 2344: 1228: 917:. The paintings in the ceiling were commissioned from Veronese, who completed them between 1575 and 1578. This ceiling is one of the artist's masterpieces and celebrates the Good Government of the Republic, together with the Faith on which it rests and the Virtues that guide and strengthen it. Other paintings are by Tintoretto and show various Doges with 855:. Painted by Tintoretto from 1578 onwards, the frescoes of mythological subjects and of the cities and regions under Venetian dominion were designed to show a close link between Venice's foundation, its independence, and the historical mission of the Venetian aristocracy. Amongst the paintings on the walls, one that stands out is 1104:(1468); indeed, it was originally known as the Library. In 1532, it was decided that the Chamber should also hold the electoral counting and/or deliberations that assiduously marked the rhythm of Venetian politics, based on an assembly system whose epicentre was the nearby Great Council Chamber. After the construction of 956:. This room was the antechamber where those who had been summoned by these powerful magistrates waited to be called and the decoration was intended to underline the solemnity of the Republic's legal machinery, dating from the 16th century. The ceiling paintings are by Veronese and the large fireplace was designed by 1062:

by Veronese. 53 meters long and 25 meters wide, this is not only the largest chamber in the Doge's Palace but also one of the largest rooms in Europe. Here, meetings of the Great Council were held, the most important political body in the Republic. A very ancient institution, this Council was made up

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The Senate Chamber was also known as the Sala dei Pregadi because the Doge asked the members of the Senate to take part in the meetings held here. The Senate which met in this chamber was one of the oldest public institutions in Venice; it had first been founded in the 13th century and then gradually

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venerating the Virgin, the Christ and various saints. The three members, the Avogadori, were the figures who safeguarded the very principle of legality, making sure that the laws were applied correctly. They were also responsible for preserving the integrity of the city's patrician class, verifying

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The Four Doors Room was the formal antechamber to the more important rooms in the palace, and the doors which give it its name are ornately framed in precious Eastern marbles; each is surmounted by an allegorical sculptural group that refers to the virtues which should inspire those who took on the

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decide to extend the rebuilding works to the wing overlooking the Piazzetta, serving as law-courts, and with a ground-floor arcade on the outside, open first-floor loggias running along the façade, and the internal courtyard side of the wing, completed with the construction of the Porta della Carta

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through the small windows. In the mid-16th century, it was decided to build a new structure on the other side of the canal to the side of the palace which would house prisons and the chambers of the magistrates known as the Notte al Criminal. Ultimately linked to the palace by the Bridge of Sighs,

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Prior to the 12th century, there were holding cells within the Doge's Palace but during the 13th and fourteenth centuries more prison spaces were created to occupy the entire ground floor of the southern wing. Again these layouts changed in c.1540 when a compound of the ground floor of the eastern

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was the formal antechamber where foreign ambassadors and delegations waited to be received by the Full College, delegated by the Senate to deal with foreign affairs. This room was restored after the 1574 fire and so was its decorations, with stucco-works and ceiling frescoes. The central fresco by

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Directly linked to the Shield Hall, the Philosophers' Room takes its name from the twelve pictures of ancient philosophers which were set up here in the 18th century, to be later replaced with allegorical works and portraits of Doges. To the left, a small doorway leads to a narrow staircase, which

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Over the centuries, the Doge's Palace has been restructured and restored countless times. Due to fires, structural failures, and infiltrations, and new organizational requirements and modifications or complete overhaulings of the ornamental trappings there was hardly a moment in which some kind of

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The "Scrigno" Room: the Venetian nobility as a caste came into existence because of the "closure" of admissions to the Great Council in 1297; however, it was only in the 16th century that formal measures were taken to introduce restrictions that protected the status of that aristocracy: marriages

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By the end of the 19th century, the structure was showing clear signs of decay, and the Italian government set aside significant funds for its restoration and all public offices were moved elsewhere, with the exception of the State Office for the Protection of Historical Monuments, which is still

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though, this room was used solely for elections. The present decorations date from between 1578 and 1615, after the 1577 fire. Episodes of military history in the various compartments glorify the exploits of the Venetians, with particular emphasis on the conquest of the maritime empire; the only

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Dichiaratione di tutte le istorie che si contengono nei quadri posti novamente nelle sale dello Scrutinio et del gran Consiglio del Palagio Ducale della Serenissima Republica di Vinegia, nella quale si ha piena intelligenza delle più segnalate vittorie, conseguite di varie nationi del mondo dai

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Another huge fire in 1547 destroyed some of the rooms on the second floor, but fortunately without undermining the structure as a whole. Refurbishment works were being held at the palace when in 1577 a third fire destroyed the Scrutinio Room and the Great Council Chamber, together with works by

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housed at the palace's loggia floor. In 1923, the Italian State, owner of the building, entrusted the management to the Venetian municipality to be run as a museum. Since 1996, the Doge's Palace has been part of the Venetian museums network, which has been under the management of the

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built and adorned the Porta della Carta, which served as the ceremonial entrance to the building. The name of the gateway probably derives either from the fact that this was the area where public scribes set up their desks, or from the nearby location of the

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The Compass Room is dedicated to the administration of justice; its name comes from the large wooden compass surmounted by a statue of Justice, which stands in one corner and hides the entrance to the rooms of the Three Heads of the Council of Ten and the

738:(1631–1646) and is decorated in the same way as the preceding ones: a carved wood ceiling, with gilding against a light-blue background, and a Lombardy-school fireplace. From here, a small staircase leads up to a window that gave access to a roof garden. 1172:

wing was built. Due to their dark, damp and isolated qualities they came to be known as the Pozzi (the Wells). In 1591 yet more cells were built in the upper eastern wing. Due to their position, directly under the lead roof, they were known as

948:. Carved and gilded, the ceiling is divided into 25 compartments decorated with images of divinities and allegories intended to illustrate the power of the Council of Ten that was responsible for punishing the guilty and freeing the innocent. 1127:

ed esecutori delle leggi e ordini degli uffici di San Marco e di Rialto. Created in 1553, this authority was headed by three of the city's patricians and was responsible for making sure the regulations concerning the practice of law were

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enabled the Doge to pass rapidly from his own apartments to the halls on the upper floors, where the meetings of the Senate and the Great Council were held. Above the other side of this doorway, there is an important fresco of

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The Scarlet Chamber possibly takes its name from the colour of the robes worn by the Ducal advisors and counsellors for whom it was the antechamber. The carved ceiling, adorned with the armorial bearings of Doge

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means a terrace or balcony enclosed by glass. This particular example was a sort of corridor and meeting place for patrician members of the Great Council in the intervals between their discussions of government

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was during the course of the 15th century divided into three separate councils. This room was restored in the 17th century; the fresco fragment to the right of the entrance is the only remnant of the original

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The rooms in which the Doge lived were always located in this area of the palace, between the Rio della Canonica – the water entrance to the building – the present-day Golden Staircase and the apse of

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In 1483, a violent fire broke out in the side of the palace overlooking the canal, where the Doge's Apartments were. Once again, an important reconstruction became necessary and was commissioned from

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for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire set by citizens rebelling against Doge

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and was supposed to refer to the sighs of prisoners who, passing from the courtroom to the cell in which they would serve their sentence, took a last look at freedom as they glimpsed the lagoon and

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In 1485, the Great Council decided that a ceremonial staircase should be built within the courtyard. The design envisaged a straight axis with the rounded Foscari Arch, with alternate bands of

1246:, who hid in one of the cells in the New Prisons after lagging behind a tour group, then crossed the Bridge of Sighs in the middle of the night to the Sala di Censori. In that room was the 1083:

in 1355, is represented simply by a black cloth as a traitor to the Republic. One of the long walls, behind the Doge's throne, is occupied by the longest canvas painting in the world,

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The Equerries Room was the main access to the Doge's private apartments. The palace equerries were appointed for life by the Doge himself and had to be at his disposal at any time.

675:, the activities of maintenance and conservation were in the hands of a "technical office", which was in charge of all such operations and oversaw the workers and their sites: the 1124: 2760: 380:. The new palace was built out of fortresses, one façade to the Piazzetta, the other overlooking the St. Mark's Basin. Although only few traces remain of that palace, some 941: 1196: 831:'s ceiling painting with the symbols of his office, and accompanied by scenes of biblical stories and allegories of the four seasons, probably by Tintoretto's workshop, 753:(1618–1623), which are to be seen on the fireplace, surmounted by allegorical figures. The stucco-works on the walls and ceiling were later commissioned by another Doge 1547:

at the Doge's Palace. Text translation: "Secret denunciations against anyone who will conceal favours and services or will collude to hide the true revenue from them".

1528:. Though he arrives too late to prevent the Doge from being poisoned, he does manage to kill the assassin, Carlo Grimaldi, who was a member of the Council of Ten. 1162:, was responsible for the actual fitting and supplying of the fleet. The furnishings are from the 16th century, while the wall torches date from the 18th century. 399:'s members. The new Gothic palace's constructions started around 1340, focusing mostly on the side of the building facing the lagoon. Only in 1424 did Doge 170: 1426:(1889) imitates elements of the palace's architecture, although the architect is usually said to have been inspired by another Venetian Gothic palace, the 2750: 1185: 907: 832: 903: 1158:, first set up in the mid-16th century, was responsible for recruiting crews necessary for Venice's war galleys. Another similar body, entitled the 549:

The oldest part of the palace is the wing overlooking the lagoon, the corners of which are decorated with 14th-century sculptures, thought to be by

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The Square Atrium served as a waiting room, the antechamber to various halls. The decoration dates from the 16th century, during the reign of Doge

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Political changes in the mid-13th century led to the need to re-think the palace's structure due to the considerable increase in the number of the

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language to the building's architecture. An entire new structure was raised alongside the canal, stretching from the Ponte della Canonica to the

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of the reigning Doge which was exhibited here while he granted audiences and received guests. The coat-of-arms currently on display is that of

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was set up in the 15th century and dealt with cases of criminal law. It was a very important body, as its members also had legislative powers.

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The Chamber of Quarantia Civil Vecchia: originally a single 40-man-council which wielded substantial political and legislative power, the

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around 1365. Almost completely destroyed in the 1577 fire, the remains of that fresco were, in 1903, rediscovered under the large canvas

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The ornate gothic style of the Doge's Palace (and other similar palaces throughout Italy) is replicated in the Hall of Doges at the

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The Chamber of the Great Council. The wall behind the Doge's throne is occupied by the longest canvas painting in the world,

757:(1741–1752). Various paintings representing the life of Jesus Christ are present in this room, as well as a portrait of King 589:

with her traditional symbols of sword and scales. In the space above the cornice, there is a sculptural portrait of the Doge

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above are decorated with 14th- and 15th-century capitals, some of which were replaced with copies during the 19th century.

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Today, the public entrance to the Doge's Palace is via the Porta del Frumento, on the waterfront side of the building.

503: 340: 323: 2650: 2250: 1989: 1096:(1423–57), facing the Piazzetta. It was initially intended to house the precious manuscripts left to the Republic by 1005: 75: 53: 712:

and Pietro da Faenza. Amongst the wall decoration, two frescoed lunettes are particular worthy of attention: one by

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As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the

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was decorated with a fresco by Guariento and later with works by the most famous artists of the period, including

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The Council Chamber: the Full College was mainly responsible for organizing and coordinating the work of the

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of Italy. Over this period, the palace was occupied by various administrative offices as well as housing the

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and other noblemen tried to overthrow the institutions of the State. The ceiling decoration is a work by

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Palazzo Ducale, Sala del Senato, Venice, Italy. Brooklyn Museum Archives, Goodyear Archival Collection.

802:. Like the following room, this served no specific function; set aside for the private use of the Doge. 662:

gathered before government meetings in the Senator's Courtyard, to the right of the Giants' Staircase.

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Palazzo Ducale, south colonnade, Venice, Italy. Brooklyn Museum Archives, Goodyear Archival Collection.

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The Quarantia Criminale Chamber and the Cuoi Room were used for the administration of justice. The

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Chamber of the Navy Captains: made up of 20 members from the Senate and the Great Council, the

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in 1797, when its role inevitably changed. Venice was subjected first to French rule, then to

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Vite de' più celebri Architetti e Scultori Veneziani che fiorirono nel secolo decimosesto

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The Scrutinio Room is in the wing built between the 1520s and 1540s during the dogate of

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View of Doge's Palace, Campanile and San Marco Square from the Grand Canal. ca. 1870–1890

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The State Censors were set up in 1517 by Marco Giovanni di Giovanni, a cousin of Doge

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into the Palazzo Ducale in order to prevent a Templar plot to kill the current Doge,

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with five arcades and pillars made of curved stone, having at the top three ogives.

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organized crime group. The painting was recovered by the police on 7 November 1991.

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The State Advocacies' Chamber is decorated with paintings representing some of the

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The Corner Room's name comes from the presence of various paintings depicting Doge

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There are a number of 19th-century imitations of the palace's architecture in the

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The north side of the courtyard is closed by the junction between the palace and

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Pareri di XV architetti e notizie storiche intorno al palazzo ducale di Venezia

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The Guariento Room's name is due to the fact it houses a fresco painted by the

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characteristics can still be seen at the ground floor, with the wall base in

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The only art theft from the Doge's Palace was executed on 9 October 1991 by

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This article is about the palace in Venice. For the palace in Genoa, see

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Davis, Joshua; Wolman, David (26 October 2014). Bearman, Joshuah (ed.).

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The Doge's Palace was recreated and is playable in the 2009 video game,

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Capital #12 in the porch (counting as #0 the one at the corner near the

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works that adorn the vault and lunettes, dating from the period of Doge

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to take up the French throne left vacant with the death of his brother

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De exemplis illustrium virorum Venetae civitatis atque aliarum gentium

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Della pittura Veneziana e delle opere pubbliche de Veneziani maestri

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Bianchi, Eugenia; Righi, Nadia; Terzaghi, Maria Cristina (1997).

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government responsibilities. The present decoration is a work by

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on the Piazzetta San Marco, with Doge's Palace on the left. The

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Along with other Venetian landmarks, the palace is imitated in

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Devitini, Alessia; Zuffi, Stefano; Castria, Francesca (2003).

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school. By the next morning, it was in the possession of the

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The Stucchi or Priùli Room has a double name due to both the

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Chronicon Venetum Omnium Quae Circum Feruntur Vetustissimum

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and other important cultural institutions within the city.

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Memorie delle cose successe a' suoi tempi dal 1558 al 1598

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The Chamber of the Council of Ten takes its name from the

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the legitimacy of marriages and births inscribed in the

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works have not been underway at the building. From the

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Delle Memorie Venete Antiche Profane Ed Ecclesiastiche

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portraying Venice receiving the gifts of the sea from

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14th-century establishments in the Republic of Venice

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Memorie intorno la vita e le opere di Andrea Palladio

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Restructured in the 14th century, the Chamber of the

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Franzoi, Umberto; Pignatti, T.; Wolters, W. (1990).

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and Antonio Bregno. The ground floor arcade and the

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style, and one of the main landmarks of the city of

268: 259: 936:which was set up after a conspiracy in 1310, when 2742: 2036:. Roma: Newton & Compton. pp. 121–142. 1650:. Princeton: Princeton University Press (pp. 13) 1637:. Princeton: Princeton University Press. (pp.12) 1475:The facade of the building is replicated at the 352:moved the seat of government from the island of 2144:Storia e leggenda del Palazzo Ducale di Venezia 2081:Itinerari segreti nel Palazzo Ducale di Venezia 1535:The interior of the Doge's Palace taken c. 1900 1452:building (1893) is based on the Doge's Palace. 863:(1521–1523). On the easel stands a painting by 344:Drawing of the Doge's Palace, late 14th century 1781:Le fabbriche e i monumenti cospicui di Venezia 1176:. Among the famous inmates of the prison were 944:, with the assistance of a young Veronese and 581:per side, the gateway is crowned by a bust of 573:, the archives of state documents. Flanked by 2584: 2433: 2059: 2013:Boulton, Susie; Catling, Christopher (1997). 1961:. Vol. I. Venezia: Giambatista Albrizzi. 1215:The famous name of the bridge dates from the 1123:The Magistrato alle Leggi Chamber housed the 1109:exception being the last oval, recording the 16:Art museum and historic site in Venice, Italy 1671: 1659: 1570: 1234:, the painting stolen on 9 October 1991 by 1001:which Tintoretto was commissioned to paint. 612:Courtyard of the Doge's Palace, facing the 2751:Buildings and structures completed in 1424 2591: 2577: 2440: 2426: 2265:: CS1 maint: location missing publisher ( 2232:: CS1 maint: location missing publisher ( 2199:: CS1 maint: location missing publisher ( 2166:: CS1 maint: location missing publisher ( 2133:: CS1 maint: location missing publisher ( 2093:: CS1 maint: location missing publisher ( 2004:: CS1 maint: location missing publisher ( 1558:List of buildings and structures in Venice 1505: 1455: 1398: 2273: 2207: 1238:after he hid in a cell in the New Prisons 1052:The Triumph of Venice, Crowned by Victory 809: 76:Learn how and when to remove this message 2243:Palazzo ducale guida al Museo dell'Opera 1924:Sulla architettura e scultura in Venezia 1538: 1530: 1402: 1316: 1226: 1195: 1050:, along with a 1582 ceiling painting of 1004: 874: 813: 794:(1625–1629). The fireplace, made out of 723:The "Scudo" Room has this name from the 618: 607: 540: 524: 492: 339: 39:This article includes a list of general 2141: 2111:Le Prigioni di Palazzo Ducale a Venezia 2108: 2078: 1886:Venetia, città nobilissima et singolare 1543:A "Lion's Mouth" postbox for anonymous 1166: 2743: 2012: 1629: 1627: 1520:to fly a hang-glider built for him by 1441:, built in 1895, is a copy in painted 1414:buildings modeled on the Doge's Palace 1287:, was styled after the Doge's Palace. 734:The Erizzo Room owes its name to Doge 336:History of the Doge's Palace in Venice 318:, the supreme authority of the former 314:. The palace was the residence of the 122:Click on the map for a fullscreen view 2572: 2421: 2308: 2240: 1648:The Medieval Prison: A Social History 1635:The Medieval Prison: A Social History 2756:Houses completed in the 15th century 2598: 2447: 690: 553:and various Lombard artists such as 25: 2692:Columns of San Marco and San Todaro 1912: 1827:. Padova: Tipografia del Seminario. 1624: 1433:The elaborate arched facade of the 1380:were influenced by the theories of 1192:Bridge of Sighs and the New Prisons 665: 577:pinnacles, with two figures of the 115:The Doge's Palace facing the lagoon 13: 2053:Storia della Repubblica di Venezia 1973: 1945:. Vol. I. Venezia: C. Palese. 1795:Giovanni Battista Cipelli (1554). 1743: 1738: 1356:Scottish National Portrait Gallery 504:Fondazione Musei Civici di Venezia 324:Fondazione Musei Civici di Venezia 45:it lacks sufficient corresponding 14: 2807: 2336: 1803: 1608:. everycastle.com. Archived from 1312: 1285:Academy of Sciences of Azerbaijan 1279:, which at present serves as the 476:Napoleonic occupation of the city 2375: 2342: 2050: 1600:"Doge's Palace (Palazzo Ducale)" 1393: 880:Neptune Offering Gifts to Venice 255: 109: 30: 2766:Historic house museums in Italy 1805:Gallicciolli, Giovanni Battista 1390:, which appeared in the 1850s. 890:Antechamber to the Hall of the 564:In 1438–1442, Giovanni Bon and 382:Byzantine-Venetian architecture 356:to the area of the present-day 2651:Treasury of St Mark's Basilica 2639:National Archaeological Museum 2548:Santa Maria Gloriosa dei Frari 2364:Palazzo Ducale on Smarthistory 1921: 1879: 1870: 1775: 1713: 1691: 1665: 1640: 1592: 509: 411:, who would introduce the new 1: 2781:Palaces in Sestiere San Marco 2313:. Roma: Libreria dello Stato. 2290:Morgagni, Alessandra (1997). 2289: 2051:Giuseppe Cappelletti (1853). 2031: 2017:. Mondadori. pp. 84–89. 1957:Zanetti, Anton Maria (1771). 1563: 1384:, author of the three-volume 1266: 1261: 1125:Magistratura dei Conservatori 627:, flanked by Mars and Neptune 585:over which rises a statue of 2786:Venetian Gothic architecture 2502:History of the Doge's Palace 2383:travel guide from Wikivoyage 2328:Il Palazzo ducale di Venezia 2324: 2311:Il Palazzo Ducale di Venezia 2276:Il Palazzo Ducale di Venezia 2274:Mariacher, Giovanni (1950). 2210:Il Palazzo Ducale di Venezia 2177:Il Palazzo Ducale di Venezia 1982:Il Palazzo Ducale di Venezia 1956: 1937: 1856: 1847: 1822: 1794: 1759: 1755:. Venezia: Felice Valgrisio. 1450:Chicago Athletic Association 603: 521:Venetian Gothic architecture 7: 2771:Museums established in 1923 2325:Zanotto, Francesco (1853). 2208:Knezevich, Michela (1993). 2032:Brusegan, Marcello (2007). 1900: 1871:Sagornino, Johanni (1765). 1838: 1750:de Bardi, Gerolamo (1587). 1551: 825:Girolamo Priuli (1486–1567) 650:'s two colossal statues of 514: 10: 2812: 2369:Doge's Palace Architecture 2294:. Electa. pp. 50–65. 1860:; Giuseppe Vedova (1648). 1760:Cadorin, Giuseppe (1838). 1749: 1408:National Academy of Design 1366:Templeton's Carpet Factory 1323:Templeton's Carpet Factory 1290: 1208:A corridor leads over the 518: 333: 329: 237:palazzoducale.visitmuve.it 18: 2726: 2677: 2606: 2458: 2142:Franzoi, Umberto (1982). 2109:Franzoi, Umberto (1997). 2079:Franzoi, Umberto (1983). 1922:Pietro Selvatico (1847). 1913:Marin Sanudo il Giovane. 1889:. Venezia: Stefano Curti. 1823:Magrini, Antonio (1845). 1811:. Vol. II. Fracasso. 1674:"Pipino: Gentleman Thief" 231: 223: 215: 201: 162: 142: 127: 120: 108: 93: 2543:Santa Maria della Salute 1518:Ezio Auditore da Firenze 1485:Walt Disney World Resort 921:, the Virgin and saints. 360:, when it was decided a 94: 2796:Gothic palaces in Italy 2668:Church of San Geminiano 2508:Gallerie dell'Accademia 2410:Gallerie dell'Accademia 2241:Manno, Antonio (1996). 1902:Marin Sanudo il Giovane 1863:Le meraviglie dell'arte 1852:. Vol. I. Venezia. 1848:Jacopo Morelli (1820). 1660:Davis & Wolman 2014 1506:21st-century imitations 1496:The Venetian, Las Vegas 1456:20th-century imitations 1410:(1863–65), one of many 1399:19th-century imitations 1338:Wool Exchange, Bradford 927:Jacopo Palma il Giovane 884:Giovan Battista Tiepolo 295: 60:more precise citations. 2732:Piazzetta dei Leoncini 2614:Loggetta del Sansovino 2553:Santi Giovanni e Paolo 2349:Doge's Palace (Venice) 1866:. Vol. 2. Padova. 1548: 1536: 1498:and its sister resort 1445:of the Doge's Palace. 1415: 1325: 1321:The western façade of 1239: 1205: 1160:Provveditori all'Armar 1014: 942:Gian Battista Ponchino 886: 853:Giovan Antonio Rusconi 819: 810:Institutional chambers 628: 616: 546: 538: 498: 482:, and finally in 1866 345: 287: 2493:Ca' Vendramin Calergi 2394:Ca' Vendramin Calergi 2309:Serra, Luigi (1933). 2278:. Firenze: Del Turco. 1542: 1534: 1406: 1320: 1230: 1199: 1008: 946:Gian Battista Zelotti 878: 817: 622: 611: 544: 528: 496: 343: 2663:St Mark's Clocktower 2538:San Giorgio Maggiore 2351:at Wikimedia Commons 2034:I palazzi di Venezia 1881:Sansovino, Francesco 1875:(in Latin). Venezia. 1448:The exterior of the 1424:Park Slope, Brooklyn 1387:The Stones of Venice 1297:Central rail station 1167:Old Prison or Piombi 1060:Apotheosis of Venice 859:'s portrait of Doge 593:kneeling before the 390:herring-bone pattern 350:Agnello Participazio 21:Doge's Palace, Genoa 2687:Biblioteca Marciana 2658:St Mark's Campanile 2320:IT\ICCU\IEI\0269592 2285:IT\ICCU\MIL\0425080 2104:IT\ICCU\CFI\0001113 2015:Venezia e il Veneto 1968:IT\ICCU\RMRE\000503 1952:IT\ICCU\VIAE\000348 1933:IT\ICCU\LO1\0327537 1896:IT\ICCU\PUVE\000194 1834:IT\ICCU\VEA\0099770 1818:IT\ICCU\MILE\014246 1790:IT\ICCU\VEA\1062363 1771:IT\ICCU\SBL\0415914 1699:"Ismailiyya Palace" 1646:Geltner, G., 2008. 1633:Geltner, G., 2008. 1513:Assassin's Creed II 1466:Spokane, Washington 1273:Ismailiyya building 1248:Madonna col bambino 1232:Madonna col bambino 1106:Biblioteca Marciana 1065:Domenico Tintoretto 1024:Gentile da Fabriano 759:Henry III of France 697:St. Mark's Basilica 583:Mark the Evangelist 488:Biblioteca Marciana 441:Gentile da Fabriano 186:45.4339°N 12.3400°E 182: / 90: 2646:St Mark's Basilica 2558:St Mark's Basilica 2523:Punta della Dogana 1839:Francesco Molino. 1777:Leopoldo Cicognara 1612:on 20 January 2021 1549: 1537: 1500:The Venetian Macao 1435:Bush Street Temple 1416: 1376:These revivals of 1345:Wedgwood Institute 1326: 1240: 1206: 1140:Avogadori di Común 1118:Quarantia Criminal 1079:, who attempted a 1015: 887: 820: 633:St Mark's Basilica 629: 617: 614:San Marco basilica 595:Lion of Saint Mark 551:Filippo Calendario 547: 539: 499: 417:Ponte della Paglia 370:Pietro IV Candiano 346: 320:Republic of Venice 219:1.4 million (2018) 99:) / Pałaso Dogal ( 88: 2776:Museums in Venice 2738: 2737: 2566: 2565: 2416: 2415: 2406:Succeeded by 2347:Media related to 2301:978-88-435-5953-4 2219:978-88-435-4464-6 2186:978-88-7666-065-8 2153:978-88-7666-037-5 2120:978-88-435-6238-1 2071:978-88-370-2149-8 2043:978-88-541-0820-2 2024:978-88-04-43092-6 1799:. Vol. VIII. 1526:Giovanni Mocenigo 1522:Leonardo da Vinci 1186:Porta della Carta 1094:Francesco Foscari 1073:Holy Roman Empire 1036:Vittore Carpaccio 969:Venetian language 954:State Inquisitors 938:Bajamonte Tiepolo 827:, who appears in 714:Giuseppe Salviati 691:Doge's apartments 644:red Verona marble 625:Scala dei Giganti 591:Francesco Foscari 421:Vittore Carpaccio 401:Francesco Foscari 378:St. Mark's Square 243: 242: 86: 85: 78: 2803: 2791:Piazza San Marco 2600:Piazza San Marco 2593: 2586: 2579: 2570: 2569: 2518:Piazza San Marco 2442: 2435: 2428: 2419: 2418: 2400:Venice landmarks 2390:Preceded by 2387: 2386: 2379: 2360: 2359: 2357:Official website 2346: 2332: 2314: 2305: 2279: 2270: 2264: 2256: 2237: 2231: 2223: 2204: 2198: 2190: 2171: 2165: 2157: 2138: 2132: 2124: 2098: 2092: 2084: 2075: 2056: 2047: 2028: 2009: 2003: 1995: 1962: 1946: 1939:Temanza, Tommaso 1927: 1918: 1909: 1890: 1876: 1867: 1853: 1844: 1828: 1812: 1800: 1784: 1765: 1756: 1732: 1731: 1729: 1727: 1717: 1711: 1710: 1708: 1706: 1695: 1689: 1688: 1686: 1684: 1669: 1663: 1657: 1651: 1644: 1638: 1631: 1622: 1621: 1619: 1617: 1605:Internet Archive 1596: 1590: 1589: 1587: 1585: 1574: 1489:Orlando, Florida 1182:Giacomo Casanova 1056:Palma il Giovane 1040:Giovanni Bellini 916: 908:Andrea da Faenza 845:Antonio da Ponte 833:Girolamo Bassano 736:Francesco Erizzo 666:Museo dell'Opera 579:Cardinal Virtues 537:is on the right. 535:Marciana Library 433:Giovanni Bellini 374:Sebastiano Ziani 281: 280: 277: 276: 271: 270: 265: 264: 261: 239: 197: 196: 194: 193: 192: 191:45.4339; 12.3400 187: 183: 180: 179: 178: 175: 147:Piazza San Marco 138: 136: 113: 95:Palazzo Ducale ( 91: 87: 81: 74: 70: 67: 61: 56:this article by 47:inline citations 34: 33: 26: 2811: 2810: 2806: 2805: 2804: 2802: 2801: 2800: 2741: 2740: 2739: 2734: 2722: 2673: 2602: 2597: 2567: 2562: 2468:Bridge of Sighs 2454: 2446: 2407: 2402: 2391: 2355: 2354: 2339: 2302: 2258: 2257: 2253: 2225: 2224: 2220: 2192: 2191: 2187: 2159: 2158: 2154: 2126: 2125: 2121: 2086: 2085: 2072: 2044: 2025: 1997: 1996: 1992: 1976: 1974:General sources 1746: 1744:Primary sources 1741: 1739:Further reading 1736: 1735: 1725: 1723: 1719: 1718: 1714: 1704: 1702: 1697: 1696: 1692: 1682: 1680: 1670: 1666: 1658: 1654: 1645: 1641: 1632: 1625: 1615: 1613: 1598: 1597: 1593: 1583: 1581: 1576: 1575: 1571: 1566: 1554: 1508: 1470:Kirtland Cutter 1462:Davenport Hotel 1458: 1401: 1396: 1378:Venetian Gothic 1332:, for example: 1315: 1293: 1269: 1264: 1256:Mala del Brenta 1244:Vincenzo Pipino 1236:Vincenzo Pipino 1217:Romantic period 1210:Bridge of Sighs 1202:Bridge of Sighs 1194: 1169: 1111:taking of Padua 1032:Alvise Vivarini 962:Bridge of Sighs 910: 904:Francesco Bello 900:Venetian Senate 882:(1748–1750) by 861:Antonio Grimani 849:Andrea Palladio 812: 800:St. Mark's Lion 792:Giovanni Corner 780:St. Christopher 716:, the other by 693: 668: 606: 523: 517: 512: 469:Bridge of Sighs 465:Andrea Palladio 429:Alvise Vivarini 338: 332: 304:Venetian Gothic 273: 267: 258: 254: 235: 190: 188: 184: 181: 176: 173: 171: 169: 168: 150: 134: 132: 123: 116: 104: 82: 71: 65: 62: 52:Please help to 51: 35: 31: 24: 17: 12: 11: 5: 2809: 2799: 2798: 2793: 2788: 2783: 2778: 2773: 2768: 2763: 2758: 2753: 2736: 2735: 2730: 2728: 2724: 2723: 2721: 2720: 2715: 2714: 2713: 2703: 2702: 2701: 2698:Lion of Venice 2689: 2683: 2681: 2675: 2674: 2672: 2671: 2665: 2660: 2655: 2654: 2653: 2643: 2642: 2641: 2636: 2631: 2626: 2616: 2610: 2608: 2604: 2603: 2596: 2595: 2588: 2581: 2573: 2564: 2563: 2561: 2560: 2555: 2550: 2545: 2540: 2535: 2530: 2525: 2520: 2515: 2510: 2505: 2495: 2490: 2485: 2480: 2475: 2470: 2465: 2459: 2456: 2455: 2445: 2444: 2437: 2430: 2422: 2414: 2413: 2404: 2403:Doge's Palace 2397: 2385: 2384: 2372: 2371: 2366: 2361: 2352: 2338: 2337:External links 2335: 2334: 2333: 2322: 2306: 2300: 2287: 2271: 2251: 2238: 2218: 2205: 2185: 2172: 2152: 2139: 2119: 2106: 2076: 2070: 2057: 2048: 2042: 2029: 2023: 2010: 1990: 1975: 1972: 1971: 1970: 1954: 1935: 1919: 1910: 1898: 1877: 1868: 1854: 1845: 1836: 1820: 1801: 1792: 1773: 1757: 1745: 1742: 1740: 1737: 1734: 1733: 1712: 1701:. Sep 18, 2016 1690: 1664: 1652: 1639: 1623: 1591: 1568: 1567: 1565: 1562: 1561: 1560: 1553: 1550: 1507: 1504: 1477:Italy Pavilion 1457: 1454: 1412:Gothic Revival 1400: 1397: 1395: 1392: 1374: 1373: 1362: 1352: 1341: 1330:United Kingdom 1314: 1313:United Kingdom 1311: 1292: 1289: 1268: 1265: 1263: 1260: 1193: 1190: 1178:Silvio Pellico 1168: 1165: 1164: 1163: 1156:Milizia da Mar 1152: 1148: 1136: 1129: 1121: 1114: 1090: 1077:Marino Faliero 1013:of Tintoretto. 1003: 1002: 985: 977: 965: 949: 934:Council of Ten 930: 922: 896: 873: 872: 847:and design by 840: 811: 808: 807: 806: 803: 796:Carrara marble 788: 774: 755:Pietro Grimani 751:Antonio Priuli 747:Marino Grimani 739: 732: 729:Ludovico Manin 721: 692: 689: 667: 664: 605: 602: 566:Bartolomeo Bon 555:Matteo Raverti 516: 513: 511: 508: 484:it became part 392:brick paving. 334:Main article: 331: 328: 316:Doge of Venice 288:Palazzo Ducale 241: 240: 233: 229: 228: 227:Camillo Tonini 225: 221: 220: 217: 213: 212: 203: 199: 198: 166: 160: 159: 144: 140: 139: 129: 125: 124: 121: 118: 117: 114: 106: 105: 84: 83: 38: 36: 29: 15: 9: 6: 4: 3: 2: 2808: 2797: 2794: 2792: 2789: 2787: 2784: 2782: 2779: 2777: 2774: 2772: 2769: 2767: 2764: 2762: 2759: 2757: 2754: 2752: 2749: 2748: 2746: 2733: 2729: 2725: 2719: 2716: 2712: 2709: 2708: 2707: 2706:Doge's Palace 2704: 2700: 2699: 2695: 2694: 2693: 2690: 2688: 2685: 2684: 2682: 2680: 2676: 2669: 2666: 2664: 2661: 2659: 2656: 2652: 2649: 2648: 2647: 2644: 2640: 2637: 2635: 2632: 2630: 2627: 2625: 2624:Caffè Florian 2622: 2621: 2620: 2617: 2615: 2612: 2611: 2609: 2605: 2601: 2594: 2589: 2587: 2582: 2580: 2575: 2574: 2571: 2559: 2556: 2554: 2551: 2549: 2546: 2544: 2541: 2539: 2536: 2534: 2533:Rialto Bridge 2531: 2529: 2526: 2524: 2521: 2519: 2516: 2514: 2511: 2509: 2506: 2503: 2499: 2498:Doge's Palace 2496: 2494: 2491: 2489: 2488:Ca' Rezzonico 2486: 2484: 2481: 2479: 2476: 2474: 2471: 2469: 2466: 2464: 2461: 2460: 2457: 2453: 2450: 2443: 2438: 2436: 2431: 2429: 2424: 2423: 2420: 2412: 2411: 2405: 2401: 2398: 2396: 2395: 2389: 2388: 2382: 2381:Doge's Palace 2378: 2374: 2373: 2370: 2367: 2365: 2362: 2358: 2353: 2350: 2345: 2341: 2340: 2330: 2329: 2323: 2321: 2317: 2312: 2307: 2303: 2297: 2293: 2288: 2286: 2282: 2277: 2272: 2268: 2262: 2254: 2252:88-86502-37-0 2248: 2244: 2239: 2235: 2229: 2221: 2215: 2211: 2206: 2202: 2196: 2188: 2182: 2178: 2173: 2169: 2163: 2155: 2149: 2145: 2140: 2136: 2130: 2122: 2116: 2112: 2107: 2105: 2101: 2096: 2090: 2082: 2077: 2073: 2067: 2063: 2058: 2054: 2049: 2045: 2039: 2035: 2030: 2026: 2020: 2016: 2011: 2007: 2001: 1993: 1991:88-435-5921-4 1987: 1983: 1978: 1977: 1969: 1965: 1960: 1955: 1953: 1949: 1944: 1940: 1936: 1934: 1930: 1925: 1920: 1916: 1911: 1907: 1906:Vite dei Dogi 1903: 1899: 1897: 1893: 1888: 1887: 1882: 1878: 1874: 1869: 1865: 1864: 1859: 1858:Carlo Ridolfi 1855: 1851: 1846: 1842: 1837: 1835: 1831: 1826: 1821: 1819: 1815: 1810: 1806: 1802: 1798: 1793: 1791: 1787: 1782: 1778: 1774: 1772: 1768: 1763: 1758: 1754: 1748: 1747: 1722: 1716: 1700: 1694: 1679: 1678:Epic Magazine 1675: 1668: 1661: 1656: 1649: 1643: 1636: 1630: 1628: 1611: 1607: 1606: 1601: 1595: 1580:. 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Antonelli. 2052: 2033: 2014: 1981: 1958: 1942: 1923: 1914: 1905: 1885: 1872: 1862: 1849: 1840: 1824: 1808: 1796: 1783:. Antonelli. 1780: 1761: 1751: 1724:. Retrieved 1715: 1703:. Retrieved 1693: 1681:. Retrieved 1677: 1667: 1655: 1647: 1642: 1634: 1614:. Retrieved 1610:the original 1603: 1594: 1582:. Retrieved 1572: 1511: 1509: 1493: 1474: 1459: 1447: 1432: 1420:Montauk Club 1417: 1385: 1375: 1327: 1304: 1294: 1270: 1247: 1241: 1231: 1214: 1207: 1170: 1084: 1080: 1059: 1051: 996: 984:decorations. 972: 892:Full College 879: 778: 761:(perhaps by 725:coat-of-arms 694: 685:procuratoria 684: 680: 676: 669: 655: 651: 637: 630: 624: 599: 586: 578: 570: 563: 548: 506:since 2008. 500: 473: 457:Gothic style 437: 406: 394: 361: 347: 310:in northern 296:Pałaso Dogal 250: 246: 244: 72: 63: 44: 2513:Grand Canal 2478:Ca' Foscari 2245:. Venezia. 2179:. Treviso. 2146:. Venezia. 1382:John Ruskin 1221:San Giorgio 1145:Golden Book 1086:Il Paradiso 1081:coup d'état 1011:Il Paradiso 998:Il Paradiso 911: [ 681:fabbriceria 673:Middle Ages 531:Grand Canal 529:Facing the 510:Description 461:Renaissance 413:Renaissance 253:pronounced 189: / 164:Coordinates 128:Established 58:introducing 2745:Categories 2619:Procuratie 2483:Ca' Pesaro 2212:. Milano. 2113:. Milano. 2083:. Treviso. 2064:. Electa. 1984:. Milano. 1764:. 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