43:
507:, whose use was attested in Ireland. The original text shows elements such as alliteration and a couplet structure. The surviving melody, from a French manuscript, has an ABA structure, in which the opening phrase is repeated at the end of the melody, and the whole melody is repeated for the second half of the couplet. Neither the ABA structure nor the repeated melody for the couplet are typical of the Roman chant traditions, except in
471:
traditions. The churches in
Ireland and Britain had no central authority except, in theory, Rome, which in practice exerted very little influence. Notable in this transition from local Irish customs to more standardized Roman traditions was the conflict over the dating of
496:. As a result, Celtic chant was influenced by Spanish, Gallic, Roman, and Eastern traits. However, it shows the greatest liturgical similarity with
455:
which officially supplanted it by the 12th century. Although no Celtic chant was notated, some traces of its musical style are believed to remain.
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623:
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804:
396:
96:
193:
78:
1001:
503:
No musical specimen prior to Roman influence survives. One chant typical of those that may reflect this style is
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119:
1192:
57:
1167:
389:
20:
1187:
647:
87:
671:
258:
73:
476:, where the Roman tradition of solar dating finally supplanted the Irish lunar dating at the Synod of
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787:
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143:
101:
1172:
780:
150:
64:
42:
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244:
664:
273:
110:
1021:
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248:
208:
8:
1182:
994:
797:
464:
379:
213:
32:
963:
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313:
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were gradually enforced in
Brittany in the 9th century, Scotland in the 11th century.
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in 692. Over the next several centuries, versions of the Roman rite such as the
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918:
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Prehistoric and Early
Ireland: Prehistoric and Early Ireland
544:
Prehistoric and Early
Ireland: Prehistoric and Early Ireland
862:
943:
611:
494:established monasteries throughout much of Europe
1159:
559:, vol I (Oxford University Press, 2005), p. 794.
546:, vol I (Oxford University Press, 2005), p. 798.
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995:
672:
576:. Bloomington, IN: Indiana University Press.
397:
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988:
679:
665:
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443:. It is related to, but distinct from the
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645:Grove Music - Access by subscription only
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983:
660:
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643:ed. L. Macy (Accessed 16 May 2006),
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13:
14:
1209:
633:
511:, which themselves trace back to
97:Christianity in Medieval Scotland
686:
264:Seven Founder Saints of Brittany
41:
618:. W. W. Norton & Company.
593:Western Plainchant: A Handbook
549:
536:
1:
565:
58:Christianity in Roman Britain
639:Buckley, Ann: Celtic Chant,
7:
10:
1214:
458:
259:Twelve Apostles of Ireland
74:Catholic Church in Ireland
1085:
1020:
911:
825:
733:
694:
492:The Irish monks famously
610:Hoppin, Richard (1978).
530:
144:Christianity in Cornwall
102:Hiberno-Scottish mission
88:Christianity in Scotland
781:Irish traditional music
488:Musical characteristics
467:goes back to the Irish
151:Neo-Celtic Christianity
79:Early Christian Ireland
65:Christianity in Ireland
1045:Ethiopian and Eritrean
805:Celtic music in the US
761:Celtic music in Canada
1198:Medieval music genres
591:Hiley, David (1995).
523:at the Irish-founded
111:Christianity in Wales
1193:Ancient music genres
1011:Christian liturgical
572:Apel, Willi (1990).
209:Insular illumination
1168:Celtic Christianity
798:Scottish folk music
734:Regions and nations
595:. Clarendon Press.
555:D. O Croinin, ed.,
542:D. O Croinin, ed.,
380:Portal Christianity
214:Insular monasticism
34:Celtic Christianity
1188:Western plainchant
650:2008-05-16 at the
641:Grove Music Online
419:is the liturgical
314:Finnian of Movilla
241:Saints and leaders
1155:
1154:
977:
976:
756:Cape Breton music
625:978-0-393-09090-1
602:978-0-19-816572-9
583:978-0-253-20601-5
525:Abbey of St. Gall
513:Notker of St Gall
423:repertory of the
414:
413:
279:Brigit of Kildare
229:Sculptured stones
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1178:Christian chants
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997:
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815:Welsh folk music
751:Cantabrian music
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482:Use of Salisbury
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329:Julius and Aaron
135:Synod of Victory
130:Synod of Chester
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35:
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978:
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652:Wayback Machine
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603:
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574:Gregorian Chant
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445:Gregorian chant
429:Catholic Church
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120:"Age of Saints"
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903:Welsh bagpipes
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898:Uilleann pipes
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868:Irish bouzouki
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793:Scottish music
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771:Galician music
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741:Asturian music
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634:External links
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614:Medieval Music
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498:Gallican chant
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766:Cornish music
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710:Celtic fusion
708:
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698:and subgenres
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465:Celtic Church
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431:performed in
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359:Samson of Dol
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1067:Prostopinije
949:Piobaireachd
934:Cymanfa Ganu
924:Barzaz Breiz
746:Breton music
715:Celtic metal
705:Celtic chant
704:
688:Celtic music
640:
613:
592:
573:
556:
551:
543:
538:
505:Ibunt sancti
504:
502:
491:
462:
417:Celtic chant
416:
415:
253:Welsh saints
249:Irish saints
179:Celtic Cross
174:Celtic chant
173:
22:
826:Instruments
810:Welsh music
776:Irish music
725:Celtic rock
720:Celtic punk
425:Celtic rite
204:Insular art
189:Celtic Rite
184:Celtic mass
169:Bell shrine
1183:Song forms
1162:Categories
1112:Beneventan
1103:(Milanese)
964:Strathspey
959:Sea shanty
939:Cynghanedd
929:Cerdd Dant
893:Welsh Harp
873:Irish harp
853:Concertina
788:Manx music
566:References
453:Roman rite
421:plainchant
294:Columbanus
1142:Old Roman
1137:Mozarabic
1132:Gregorian
1101:Ambrosian
1092:Plainsong
1035:Byzantine
509:Sequences
449:Sarum use
334:Kentigern
309:Dubricius
1127:Gelineau
1122:Gallican
1107:Anglican
1077:Znamenny
1050:Galician
1030:Armenian
838:bagpipes
648:Archived
469:monastic
441:Brittany
349:Oudoceus
319:Gwynllyw
299:Cuthbert
163:Features
23:a series
19:Part of
1147:Ravenna
1087:Western
1055:Obikhod
1022:Eastern
969:Twmpath
919:Ballads
888:Tabwrdd
883:Pibgorn
848:Bombard
843:Bodhrán
696:Fusions
517:Tuotilo
515:'s and
459:History
451:of the
447:of the
427:of the
369:Tewdrig
354:Patrick
289:Columba
274:Brendan
224:Plygain
199:Culdees
52:History
1117:Celtic
1072:Syrian
1060:Kievan
1040:Coptic
878:Fiddle
622:
599:
580:
521:tropes
474:Easter
439:, and
344:Ninian
324:Illtud
1014:chant
954:Reels
858:Crwth
833:Banjo
531:Notes
364:Teilo
304:David
284:Cadoc
269:Alban
219:Papar
944:Jigs
863:Harp
620:ISBN
597:ISBN
578:ISBN
478:Tara
463:The
339:Malo
194:Clas
519:'s
1164::
527:.
500:.
435:,
27:on
1094:)
1090:(
1003:e
996:t
989:v
680:e
673:t
666:v
628:.
605:.
586:.
405:e
398:t
391:v
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