254:(1995), has become one of the most acclaimed documentaries in Korea's history, the first of its kind to receive a theater release in the country. Byun states that when she first contacted a group of comfort women and asked if she could film them, they refused emphatically. It was only after living together with them for one year that the director gained their trust and permission to make a film. This first documentary portrays the women leading their weekly protests at the Japanese embassy and fighting to overcome the sense of shame that has been planted within them and reinforced by an uncaring public.
1039:
1007:
268:(1999), a new character is introduced, a woman who was taken forcibly into service at 14 years old. As heart-rending as the accounts of forced prostitution may be, by focusing on their present, Byun filmed details that reveal the humor and personality of these women who survive years after the wreckage of their youth. In this manner the documentaries lead the audience to see the crimes as much more than tragic abstractions, but instead witness the effect it has had on these women's lives.
303:(Kim So-young, 2001), which deals with feminine modes of expression and existence in both pre-modern and modern Korea, to construct a complex and multiple portrait of women's lives as diasporic, or "koryu": temporary living in an alien land - women living in man's land. Byun was also credited as one of the
371:, which pivots around a young woman who suddenly disappears just a few weeks before her wedding, but also talks about contemporary problems such as private loans, bankruptcy and credit rating. Byun won Best Director at the 2012
247:. Byun's efforts have lent a significant push to the women's demands for a formal apology and compensation from the Japanese government. At the same time, the films have drawn praise for their aesthetic and emotional power.
1066:
264:. In this film the women are seen gaining self-confidence, eventually moving behind the camera themselves to utilize the medium of film as a means of both protest and healing. In the final chapter
330:
romance that also portrays the struggles of the lower classes and sexual minorities. Byun had her young actors take about two months of ballet classes so they could grasp the basics of the form.
504:
1059:
771:
1557:
1052:
828:
682:
1136:
540:
975:
1278:
1130:
1113:
1075:
1213:
1201:
1154:
834:
776:
687:
338:
1522:
260:(1997) was initiated at the request of the women, who asked that Byun film the last days of a group member who had been diagnosed with
352:
and her legacy on the 20th century, specifically its impact on Byun as a filmmaker and other women artists of the present generation.
1532:
781:
283:) as her subject. Yang was active in Korean cinema in the late 1930s until the late 1960s, but had lived in seclusion since then.
692:
1537:
317:, 2004), which follows two North Korean political prisoners and their decade-long struggle to return home after their release.
1542:
1527:
839:
314:
620:
515:
593:
133:
912:
286:
For her feature film debut, Byun adapted the Korean novel "A Special Day That Comes Only Once in My Life" by
568:
965:
1373:
940:
713:
220:(Doe Sung-hee, 1990), a documentary film about childcare in a poor neighborhood. Her first documentary
1444:
491:
1290:
296:(2002), about the reinvigorating effects of an affair on a woman's previously disenchanting life.
1552:
1107:
1101:
1044:
190:
69:
1255:
1178:
1016:
147:
25:
861:
1547:
496:
484:
389:
372:
357:
194:
74:
8:
1038:
1006:
625:
309:
1030:
1468:
1025:
363:
174:
803:
866:
970:
917:
304:
287:
209:
1500:
1491:
1450:
1432:
1420:
1391:
1385:
1367:
1361:
1349:
1320:
1302:
544:
240:
235:
Byun is best known for her trilogy documenting the present and past lives of "
1516:
1308:
1249:
1012:
630:
368:
327:
236:
170:
85:
746:
657:
216:(Kim So-young, 1989), a short film about gender discrimination at work, and
1462:
1456:
1438:
1379:
1343:
1314:
1296:
1284:
1272:
1243:
1237:
1231:
1225:
1219:
1207:
1184:
1172:
1166:
1160:
1148:
1142:
1095:
1089:
418:
349:
292:
244:
178:
1397:
1326:
888:
508:
505:
Korean
Council for the Women Drafted for Military Sexual Slavery by Japan
469:
459:
449:
439:
429:
410:
400:
322:
229:
225:
58:
20:
1355:
1021:
403:
342:
205:
913:"Byun Young-joo Picked as Director of the Year by Female Film Critics"
193:
and did her graduate studies at the
Department of Theater and Film at
138:
1414:
1034:
1485:
201:
532:
1996 Korean Film
Critics Association: Film Critics Special Award (
1002:
375:
and Women in Film Korea Awards, and at 2.4 million tickets sold,
1074:
77:
Graduate School of
Advanced Imaging Science, Multimedia and Film
720:
261:
101:
482:
2012 Women in Film Korea Awards: Woman
Filmmaker of the Year (
621:"Women Being in Asia (Asiaeseonyeojaro-sandaneunggot) (1993)"
525:
117:
998:
224:(1993) centers on the sex trade in Asia, particularly the
208:"Bariteo," which was established in 1989. She worked as a
889:"Korean movies notch up higher number in 1Q ticket sales"
152:
941:"BYUN Young-joo Selected as the Woman Filmmaker of 2012"
1558:Best Director Paeksang Arts Award (film) winners
1514:
541:Yamagata International Documentary Film Festival
189:Byun Young-joo graduated with a law degree from
1060:
862:"Director explores financial, social horrors"
1076:Baeksang Arts Award for Best Director – Film
835:International Women's Film Festival in Seoul
777:International Women's Film Festival in Seoul
688:Puchon International Fantastic Film Festival
339:International Women's Film Festival in Seoul
123:
107:
651:
649:
647:
169:(born December 20, 1966) is a South Korean
1067:
1053:
1037:
1005:
348:(2008) is a meditation on the writings of
397:The Wise Way to Remember the 20th Century
346:The Wise Way to Remember the 20th Century
829:"The 10th Anniversary Project "Ten Ten""
744:
644:
275:(1998), Byun chose the director/editor (
250:The first film in this series, entitled
200:She is a founding member of the women's
740:
738:
1515:
361:(2012) is based on the Japanese novel
337:, the 10th anniversary project of the
1048:
963:
886:
826:
772:"Koryu: Southern Women, South Korea"
735:
239:" who were abducted and forced into
966:"Kim Soo-hyun wins Paeksang awards"
938:
859:
379:is her biggest box-office hit yet.
13:
801:
747:"An Interview with Byun Young-joo"
655:
301:Koryu: Southern Women, South Korea
299:She then produced the documentary
214:Even Little Grass Has Its Own Name
14:
1569:
1523:South Korean women film directors
992:
939:Kim, Hyun-min (6 December 2012).
516:Pusan International Film Festival
1533:South Korean women screenwriters
769:
745:Hartzell, Adam (29 April 2005).
978:from the original on 2014-05-17
964:Kwon, Mee-yoo (27 April 2012).
957:
932:
905:
880:
853:
827:Byun, Jai-ran (10 April 2008).
820:
680:
591:
795:
763:
706:
674:
613:
585:
561:
382:
173:. Her films explore issues of
124:
108:
1:
1538:Ewha Womans University alumni
724:(in Korean). 14 November 2002
683:"Documentary of Yang Joo-nam"
555:
320:Her sophomore feature effort
277:Sweet Dream: Lullaby of Death
887:Hong, Lucia (9 April 2012).
860:Lee, Claire (8 March 2012).
715:밀애(密愛)밀담(密談) 변영주，전경린과 스치다(1)
7:
1543:Chung-Ang University alumni
1528:South Korean film directors
436:Documentary of Yang Joo-nam
273:Documentary of Yang Joo-nam
153:
139:
10:
1574:
18:
16:South Korean film director
1478:
1407:
1336:
1265:
1194:
1123:
1082:
492:2012 Baeksang Arts Awards
476:
184:
160:
146:
132:
116:
100:
95:
91:
81:
65:
41:
34:
714:
594:"Korean Women Directors"
333:Commissioned as part of
243:by the Japanese army in
290:into the erotic drama
191:Ewha Womans University
70:Ewha Womans University
1497:Byun Sung-hyun (2022)
1017:Korean Movie Database
355:Her most recent film
23:, the family name is
573:Korean Film Biz Zone
373:Baeksang Arts Awards
307:for the documentary
195:Chung-Ang University
134:Revised Romanization
75:Chung-Ang University
945:Korean Film Council
626:Korean Film Archive
601:Korean Film Council
466:Women Being in Asia
222:Women Being in Asia
658:"My Own Breathing"
341:, her documentary
1510:
1509:
1469:Kang Hyeong-cheol
921:. 5 December 2012
494:: Best Director (
364:All She Was Worth
164:
163:
148:McCune–Reischauer
52:December 20, 1966
1565:
1069:
1062:
1055:
1046:
1045:
1041:
1009:
987:
986:
984:
983:
961:
955:
954:
952:
951:
936:
930:
929:
927:
926:
909:
903:
902:
900:
899:
884:
878:
877:
875:
874:
867:The Korea Herald
857:
851:
850:
848:
847:
838:. Archived from
824:
818:
817:
815:
814:
799:
793:
792:
790:
789:
780:. Archived from
767:
761:
760:
758:
757:
742:
733:
732:
730:
729:
710:
704:
703:
701:
700:
691:. Archived from
678:
672:
671:
669:
668:
653:
642:
641:
639:
638:
629:. Archived from
617:
611:
610:
608:
607:
598:
589:
583:
582:
580:
579:
569:"BYUN Young-joo"
565:
527:Habitual Sadness
520:My Own Breathing
446:Habitual Sadness
426:My Own Breathing
305:cinematographers
266:My Own Breathing
258:Habitual Sadness
241:sexual servitude
156:
142:
127:
126:
111:
110:
55:
51:
49:
32:
31:
1573:
1572:
1568:
1567:
1566:
1564:
1563:
1562:
1513:
1512:
1511:
1506:
1474:
1403:
1332:
1261:
1190:
1119:
1078:
1073:
1031:Byeon Yeong-joo
995:
990:
981:
979:
971:The Korea Times
962:
958:
949:
947:
937:
933:
924:
922:
918:The Chosun Ilbo
911:
910:
906:
897:
895:
885:
881:
872:
870:
858:
854:
845:
843:
825:
821:
812:
810:
802:Paquet, Darcy.
800:
796:
787:
785:
770:Kwon, Eun-sun.
768:
764:
755:
753:
743:
736:
727:
725:
716:
712:
711:
707:
698:
696:
679:
675:
666:
664:
656:Paquet, Darcy.
654:
645:
636:
634:
619:
618:
614:
605:
603:
596:
592:Nam, In-young.
590:
586:
577:
575:
567:
566:
562:
558:
518:: Woonpa Fund (
479:
385:
288:Jeon Gyeong-rin
281:A Mother's Love
210:cinematographer
187:
128:
112:
73:
61:
56:
53:
47:
45:
37:
30:
17:
12:
11:
5:
1571:
1561:
1560:
1555:
1550:
1545:
1540:
1535:
1530:
1525:
1508:
1507:
1505:
1504:
1501:Park Chan-wook
1498:
1495:
1492:Hong Eui-jeong
1489:
1482:
1480:
1476:
1475:
1473:
1472:
1466:
1460:
1454:
1451:Ryoo Seung-wan
1448:
1442:
1436:
1433:Choo Chang-min
1430:
1427:Byun Young-joo
1424:
1421:Lee Chang-dong
1418:
1411:
1409:
1405:
1404:
1402:
1401:
1395:
1392:Lee Chang-dong
1389:
1386:Choi Dong-hoon
1383:
1377:
1374:Park Heung-sik
1371:
1368:Park Chan-wook
1365:
1362:Lee Chang-dong
1359:
1353:
1350:Park Chan-wook
1347:
1340:
1338:
1334:
1333:
1331:
1330:
1324:
1321:Chung Ji-young
1318:
1312:
1306:
1303:Chung Ji-young
1300:
1294:
1288:
1282:
1276:
1269:
1267:
1263:
1262:
1260:
1259:
1253:
1247:
1241:
1235:
1229:
1223:
1217:
1211:
1205:
1198:
1196:
1192:
1191:
1189:
1188:
1182:
1176:
1170:
1164:
1158:
1152:
1146:
1140:
1137:Jeong So-young
1134:
1127:
1125:
1121:
1120:
1118:
1117:
1111:
1105:
1099:
1093:
1086:
1084:
1080:
1079:
1072:
1071:
1064:
1057:
1049:
1043:
1042:
1028:
1022:Byun Young-joo
1019:
1013:Byun Young-joo
1010:
999:Byun Young-joo
994:
993:External links
991:
989:
988:
956:
931:
904:
879:
852:
819:
808:Koreanfilm.org
794:
762:
751:Koreanfilm.org
734:
705:
673:
662:Koreanfilm.org
643:
612:
584:
559:
557:
554:
553:
552:
545:Shinsuke Ogawa
537:
530:
523:
512:
501:
489:
478:
475:
474:
473:
463:
453:
443:
433:
423:
415:
407:
394:
384:
381:
186:
183:
175:women's rights
167:Byun Young-joo
162:
161:
158:
157:
150:
144:
143:
140:Byeon Yeong-ju
136:
130:
129:
122:
120:
114:
113:
106:
104:
98:
97:
93:
92:
89:
88:
83:
79:
78:
67:
63:
62:
57:
43:
39:
38:
36:Byun Young-joo
35:
15:
9:
6:
4:
3:
2:
1570:
1559:
1556:
1554:
1553:Living people
1551:
1549:
1546:
1544:
1541:
1539:
1536:
1534:
1531:
1529:
1526:
1524:
1521:
1520:
1518:
1502:
1499:
1496:
1493:
1490:
1487:
1484:
1483:
1481:
1477:
1470:
1467:
1464:
1461:
1458:
1455:
1452:
1449:
1446:
1445:Kim Seong-hun
1443:
1440:
1437:
1434:
1431:
1428:
1425:
1422:
1419:
1416:
1413:
1412:
1410:
1406:
1399:
1396:
1393:
1390:
1387:
1384:
1381:
1378:
1375:
1372:
1369:
1366:
1363:
1360:
1357:
1354:
1351:
1348:
1345:
1342:
1341:
1339:
1335:
1328:
1325:
1322:
1319:
1316:
1313:
1310:
1309:Park Chul-soo
1307:
1304:
1301:
1298:
1295:
1292:
1291:Park Jong-won
1289:
1286:
1283:
1280:
1277:
1274:
1271:
1270:
1268:
1264:
1257:
1254:
1251:
1250:Park Chul-soo
1248:
1245:
1242:
1239:
1236:
1233:
1230:
1227:
1224:
1221:
1218:
1215:
1212:
1209:
1206:
1203:
1200:
1199:
1197:
1193:
1186:
1183:
1180:
1177:
1174:
1171:
1168:
1165:
1162:
1159:
1156:
1153:
1150:
1147:
1144:
1141:
1138:
1135:
1132:
1129:
1128:
1126:
1122:
1115:
1112:
1109:
1106:
1103:
1100:
1097:
1094:
1091:
1088:
1087:
1085:
1081:
1077:
1070:
1065:
1063:
1058:
1056:
1051:
1050:
1047:
1040:
1036:
1032:
1029:
1027:
1023:
1020:
1018:
1014:
1011:
1008:
1004:
1000:
997:
996:
977:
973:
972:
967:
960:
946:
942:
935:
920:
919:
914:
908:
894:
890:
883:
869:
868:
863:
856:
842:on 2011-09-28
841:
837:
836:
830:
823:
809:
805:
804:"Flying Boys"
798:
784:on 2015-05-18
783:
779:
778:
773:
766:
752:
748:
741:
739:
723:
722:
717:
709:
695:on 2013-01-31
694:
690:
689:
684:
677:
663:
659:
652:
650:
648:
633:on 2012-06-12
632:
628:
627:
622:
616:
602:
595:
588:
574:
570:
564:
560:
550:
549:The Murmuring
546:
542:
538:
535:
534:The Murmuring
531:
528:
524:
521:
517:
513:
510:
506:
502:
499:
498:
493:
490:
487:
486:
481:
480:
471:
467:
464:
461:
457:
456:The Murmuring
454:
451:
447:
444:
441:
437:
434:
431:
427:
424:
421:
420:
416:
413:
412:
408:
405:
402:
398:
395:
392:
391:
387:
386:
380:
378:
374:
370:
369:Miyuki Miyabe
366:
365:
360:
359:
353:
351:
347:
344:
340:
336:
331:
329:
328:coming-of-age
325:
324:
318:
316:
312:
311:
306:
302:
297:
295:
294:
289:
284:
282:
278:
274:
269:
267:
263:
259:
255:
253:
252:The Murmuring
248:
246:
242:
238:
237:comfort women
233:
231:
227:
223:
219:
215:
211:
207:
203:
198:
196:
192:
182:
180:
176:
172:
171:film director
168:
159:
155:
151:
149:
145:
141:
137:
135:
131:
121:
119:
115:
105:
103:
99:
94:
90:
87:
86:Film director
84:
80:
76:
71:
68:
64:
60:
54:(age 57)
44:
40:
33:
28:
27:
22:
1463:Kim Yong-hwa
1457:Kim Jee-woon
1439:Bong Joon-ho
1426:
1380:Lee Myung-se
1344:Im Kwon-taek
1315:Im Kwon-taek
1297:Kang Woo-suk
1285:Bae Chang-ho
1279:Jang Kil-soo
1273:Lee Doo-yong
1244:Byun Jang-ho
1238:Lee Doo-yong
1232:Bae Chang-ho
1226:Byun Jang-ho
1220:Im Kwon-taek
1208:Lee Doo-yong
1185:Kim Soo-yong
1173:Im Kwon-taek
1167:Im Kwon-taek
1161:Byun Jang-ho
1149:Kim Ki-young
1143:Shin Sang-ok
1131:Lee Seong-gu
1114:Lee Seong-gu
1096:Kim Soo-yong
1090:Shin Sang-ok
980:. Retrieved
969:
959:
948:. Retrieved
944:
934:
923:. Retrieved
916:
907:
896:. Retrieved
892:
882:
871:. Retrieved
865:
855:
844:. Retrieved
840:the original
832:
822:
811:. Retrieved
807:
797:
786:. Retrieved
782:the original
775:
765:
754:. Retrieved
750:
726:. Retrieved
719:
708:
697:. Retrieved
693:the original
686:
681:Cho, Ki-op.
676:
665:. Retrieved
661:
635:. Retrieved
631:the original
624:
615:
604:. Retrieved
600:
587:
576:. Retrieved
572:
563:
548:
533:
526:
519:
495:
483:
465:
455:
445:
435:
425:
417:
409:
396:
388:
376:
362:
356:
354:
350:Park Wan-suh
345:
334:
332:
326:(2004) is a
321:
319:
315:Kim Dong-won
310:Repatriation
308:
300:
298:
291:
285:
280:
276:
272:
270:
265:
257:
256:
251:
249:
245:World War II
234:
221:
217:
213:
199:
188:
179:human rights
166:
165:
24:
1548:1966 births
1398:Lee Yoon-ki
1327:Kang Je-gyu
1108:Lee Man-hee
1102:Lee Man-hee
509:Kim Hak-sun
470:documentary
460:documentary
450:documentary
440:documentary
430:documentary
411:Flying Boys
401:documentary
383:Filmography
323:Flying Boys
230:Jeju Island
226:sex tourism
218:My Children
154:Pyŏn Yŏngju
96:Korean name
59:South Korea
21:Korean name
1517:Categories
1356:Hur Jin-ho
1256:Kim Ho-sun
1214:Lee Won-se
1202:Lee Won-se
1179:Kim Ho-sun
1155:Lee Won-se
982:2012-12-05
950:2012-12-15
925:2012-12-05
898:2012-11-18
873:2012-11-18
846:2012-11-18
813:2012-06-12
788:2012-10-11
756:2012-11-18
728:2012-11-18
699:2012-10-11
667:2012-06-12
637:2012-06-12
606:2012-06-12
578:2012-06-12
556:References
343:short film
206:collective
82:Occupation
48:1966-12-20
1415:Jang Hoon
1035:HanCinema
833:The 10th
66:Education
1486:Kim Bora
976:Archived
497:Helpless
485:Helpless
390:Helpless
377:Helpless
358:Helpless
202:feminist
19:In this
1015:at the
1003:Twitter
547:Award (
472:, 1993)
462:, 1995)
452:, 1997)
442:, 1998)
432:, 1999)
406:, 2008)
335:Ten Ten
1503:(2023)
1494:(2021)
1488:(2020)
1471:(2019)
1465:(2018)
1459:(2017)
1453:(2016)
1447:(2015)
1441:(2014)
1435:(2013)
1429:(2012)
1423:(2011)
1417:(2010)
1400:(2009)
1394:(2008)
1388:(2007)
1382:(2006)
1376:(2005)
1370:(2004)
1364:(2003)
1358:(2002)
1352:(2001)
1346:(2000)
1329:(1999)
1323:(1998)
1317:(1997)
1311:(1996)
1305:(1995)
1299:(1994)
1293:(1993)
1287:(1992)
1281:(1991)
1275:(1990)
1258:(1989)
1252:(1988)
1246:(1987)
1240:(1986)
1234:(1985)
1228:(1984)
1222:(1983)
1216:(1982)
1210:(1981)
1204:(1980)
1187:(1979)
1181:(1978)
1175:(1977)
1169:(1976)
1163:(1975)
1157:(1974)
1151:(1973)
1145:(1972)
1139:(1971)
1133:(1970)
1116:(1969)
1110:(1968)
1104:(1967)
1098:(1966)
1092:(1965)
893:10Asia
721:Cine21
477:Awards
422:(2002)
414:(2004)
393:(2012)
262:cancer
185:Career
102:Hangul
72:- Law
1479:2020s
1408:2010s
1337:2000s
1266:1990s
1195:1980s
1124:1970s
1083:1960s
597:(PDF)
539:1995
514:1999
511:Award
503:2009
419:Ardor
404:short
293:Ardor
204:film
118:Hanja
1026:IMDb
177:and
42:Born
26:Byun
1033:at
1024:at
1001:on
367:by
271:In
228:of
212:on
125:邊永姝
109:변영주
1519::
974:.
968:.
943:.
915:.
891:.
864:.
831:.
806:.
774:.
749:.
737:^
718:.
685:.
660:.
646:^
623:.
599:.
571:.
543::
507::
279:,
232:.
197:.
181:.
50:)
1068:e
1061:t
1054:v
985:.
953:.
928:.
901:.
876:.
849:.
816:.
791:.
759:.
731:.
702:.
670:.
640:.
609:.
581:.
551:)
536:)
529:)
522:)
500:)
488:)
468:(
458:(
448:(
438:(
428:(
399:(
313:(
46:(
29:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.