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By the Waters of Babylon

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205: 187:, and after decades of total isolation encountering two youths from a new culture which had arisen in the world, who come exploring the ruined city. Pangborn depicted a different world than that of Benét, but referred to Benét's story in the title and in many of the story's details. Pangborn returned to that devastated world in his later writings, including the novel 27: 107:. After being chased by dogs and climbing the stairs of a large building, John sees a dead god. Upon viewing the visage, he has an epiphany that the gods were humans whose power overwhelmed their good judgment. After John returns to his tribe, he tells his father of "the place 111:." His father warns him against recounting his experiences to others in the tribe, for sometimes too much truth is a bad thing, that it must be told little by little. The story ends with John stating his conviction that, once he becomes the head priest, "We must build again." 347:
Wagar, p. 163, who also calls him a "young savage" (p. 25). Macdonald, p. 267-268, who calls him a "young brave". In the play adaptation, he appears as a young man and, in a non-speaking part, as a boy. (Duffield,
139:. This story took place before the creation of nuclear weapons, but BenĂ©t's description of "The Great Burning" is similar to later descriptions of the effects of the atomic bombings at 92:. The plot follows John’s self-assigned mission to get to the Place of the Gods. His father allows him to go on a spiritual journey, not realizing John is going to this forbidden place. 147:. His "deadly mist" and "fire falling from the sky" are eerily prescient of the descriptions of the aftermath of nuclear blasts. However, the "deadly mist" may also be a reference to 623: 99:. Once John gets to the Place of the Gods, he feels the energy and magic there. He sees a statue of a "god"—in point of fact, a human—that says 226: 326: 84:. The priests of John's people (the Hill People) are inquisitive people associated with the divine. They are the only ones who can handle 613: 183:
wrote "The Music Master of Babylon", a post-apocalyptic story told from the point of view of a pianist living alone in a ruined
155:, a feared weapon of war that Benét's generation was very familiar with. The story was written in 1937, five years before the 396: 128: 375:
Source is Izzo, who also notes that Benét wrote other stories and poems in response to the threat of Fascism in the 1930s.
300:"Book Information: Pocket Book of Science Fiction, the. Donald A. Wollheim, ed. (1943). Steven Jeffery / IBList.com, 2007" 273: 242: 20: 565: 546: 504: 470: 618: 608: 587: 299: 148: 419: 603: 323: 56: 32: 445: 51: 88:
collected from the homes (called the "Dead Places") of long-dead people whom they believe to be
515: 413: 266: 386: 428: 541:. Contributions to the study of popular culture, no. 71. Westport, Conn, Greenwood Press. 8: 120: 77: 159:
started, and eight years before there was widespread public knowledge of the project.
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Stephen Vincent Benet: The Life and Times of an American Man of Letters, 1898-1943
553: 489: 330: 277: 132: 270: 180: 597: 210: 184: 108: 26: 189: 104: 96: 152: 47: 80:, the story is narrated by a young man named John who is the son of a 303: 95:
John journeys through the forest for eight days and crosses the river
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Shape-shifting: images of Native Americans in recent popular fiction
68:, and was adapted in 1971 into a one-act play by Brainerd Duffield. 531: 486: 482:
Stephen Vincent Benet's By the waters of Babylon; a play in one act
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Macdonald, Andrew, Gina Macdonald, and MaryAnn Sheridan. (2000).
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The adaption is distinct from the 2003 play of the same name by
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1937 post-apocalyptic short story by Stephen Vincent Benét
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Description from the play catalog of Dramatic Publishing.
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Benét wrote the story in response to the April 25, 1937
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Works originally published in The Saturday Evening Post
200: 30:First page of the story with its original title in 480:Duffield, Brainerd; Stephen Vincent BenĂ©t (1971). 285:BenĂ©t changed the title when selecting works for 595: 227:List of apocalyptic and post-apocalyptic fiction 558:Terminal Visions: The Literature of Last Things 456:(5). Henry C. Pitz (illus.): 10–11, 59–60 (4p). 127:military forces destroyed the majority of the 103:on its base. He also sees a building marked 463:Thirteen O'Clock: Stories of Several Worlds 448:(July 31, 1937). "THE PLACE OF THE GODS". 162: 560:. Bloomington: Indiana University Press. 25: 596: 494: 384: 176:may have been inspired by this story. 78:destruction of industrial civilization 552: 460: 444: 391:. Lexington Books. pp. 120–121. 499:. Westport, Conn.: Greenwood Press. 54:, first published July 31, 1937, in 516:"Stephen Vincent BenĂ©t (1898-1943)" 13: 243:Rivers of Babylon (disambiguation) 66:The Pocket Book of Science Fiction 21:Rivers of Babylon (disambiguation) 14: 635: 575: 513: 461:BenĂ©t, Stephen Vincent (1971) . 203: 282:Miscellaneous Story Anthologies 149:chemical weapons in World War I 71: 614:Post-apocalyptic short stories 405: 378: 369: 360: 351: 341: 317: 292: 255: 76:Set in a future following the 64:. It was republished in 1943 1: 385:Mayhew, Robert (2005-05-20). 495:Fenton, Charles A. (1978) . 484:. Chicago: Dramatic Pub. Co. 269:Date of publication is from 231:The title is a reference to 7: 388:Essays on Ayn Rand's Anthem 196: 114: 10: 640: 583:"By the Waters of Babylon" 438: 420:The World That Couldn't Be 41:"By the Waters of Babylon" 18: 520:The Literary Encyclopedia 57:The Saturday Evening Post 33:The Saturday Evening Post 271:"BENÉT, STEPHEN VINCENT" 248: 163:Influence on later work 62:"The Place of the Gods" 609:American short stories 446:BenĂ©t, Stephen Vincent 414:Galaxy Science Fiction 37: 619:Stephen Vincent BenĂ©t 514:Izzo, David Garrett. 450:Saturday Evening Post 52:Stephen Vincent BenĂ©t 29: 19:For other uses, see 417:, appeared 1959 in 121:bombing of Guernica 50:by American writer 604:1937 short stories 411:Published 1954 by 329:2011-07-17 at the 276:2007-07-08 at the 38: 398:978-0-7391-5474-8 265:paraphrases Izzo. 157:Manhattan Project 137:Spanish Civil War 631: 571: 554:Wagar, W. Warren 532:about the author 529: 527: 526: 510: 485: 476: 457: 432: 409: 403: 402: 382: 376: 373: 367: 364: 358: 355: 349: 345: 339: 336:Robert Schenkkan 321: 315: 314: 312: 311: 302:. Archived from 296: 290: 289:. (Fenton, 1958) 287:Thirteen O'Clock 263:post-apocalyptic 259: 213: 208: 207: 170:'s 1937 novella 45:post-apocalyptic 639: 638: 634: 633: 632: 630: 629: 628: 594: 593: 578: 568: 524: 522: 507: 473: 465:. Ayer Co Pub. 441: 436: 435: 410: 406: 399: 383: 379: 374: 370: 365: 361: 356: 352: 346: 342: 333: 331:Wayback Machine 322: 318: 309: 307: 298: 297: 293: 284: 278:Wayback Machine 268: 260: 256: 251: 209: 202: 199: 165: 151:, particularly 117: 74: 24: 17: 12: 11: 5: 637: 627: 626: 621: 616: 611: 606: 592: 591: 577: 576:External links 574: 573: 572: 566: 550: 535: 511: 505: 492: 477: 471: 458: 440: 437: 434: 433: 404: 397: 377: 368: 359: 350: 340: 316: 291: 253: 252: 250: 247: 246: 245: 240: 229: 224: 215: 214: 198: 195: 181:Edgar Pangborn 164: 161: 116: 113: 73: 70: 15: 9: 6: 4: 3: 2: 636: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 601: 599: 589: 585: 584: 580: 579: 569: 567:0-253-35847-7 563: 559: 555: 551: 548: 547:0-313-30842-X 544: 540: 536: 533: 521: 517: 512: 508: 506:0-313-20200-1 502: 498: 493: 491: 488: 483: 478: 474: 472:0-8369-3793-7 468: 464: 459: 455: 451: 447: 443: 442: 430: 426: 422: 421: 416: 415: 408: 400: 394: 390: 389: 381: 372: 366:"SUBTREASURY" 363: 354: 344: 337: 332: 328: 325: 320: 306:on 2007-10-12 305: 301: 295: 288: 283: 279: 275: 272: 267: 264: 258: 254: 244: 241: 238: 234: 230: 228: 225: 223: 221: 217: 216: 212: 211:Novels portal 206: 201: 194: 192: 191: 186: 185:New York City 182: 177: 175: 174: 169: 160: 158: 154: 150: 146: 142: 138: 134: 130: 126: 122: 112: 110: 106: 102: 98: 93: 91: 87: 83: 79: 69: 67: 63: 59: 58: 53: 49: 46: 42: 35: 34: 28: 22: 582: 557: 538: 523:. Retrieved 519: 496: 481: 462: 453: 449: 418: 412: 407: 387: 380: 371: 362: 357:"WASHINGTON" 353: 343: 319: 308:. Retrieved 304:the original 294: 286: 281: 262: 257: 219: 188: 178: 171: 166: 118: 94: 75: 72:Plot summary 65: 61: 55: 40: 39: 31: 153:mustard gas 135:during the 123:, in which 48:short story 598:Categories 588:Faded Page 525:2007-06-20 487:(WorldCat) 310:2007-12-07 97:Ou-dis-sun 490:(preview) 429:Doubleday 425:H.L. Gold 261:The term 233:Psalm 137 222:(novella) 145:Hiroshima 105:"UBTREAS" 590:(Canada) 556:(1982). 327:Archived 274:Archived 197:See also 179:In 1955 168:Ayn Rand 141:Nagasaki 133:Guernica 131:town of 115:Analysis 101:"ASHING" 439:Sources 235:in the 125:Fascist 109:newyork 36:in 1937 564:  545:  503:  469:  423:, Ed. 395:  220:Anthem 173:Anthem 129:Basque 82:priest 348:1971) 280:, in 249:Notes 237:Bible 86:metal 43:is a 562:ISBN 543:ISBN 501:ISBN 467:ISBN 393:ISBN 190:Davy 143:and 90:gods 586:at 454:210 60:as 600:: 518:. 452:. 427:, 193:. 570:. 549:. 534:) 530:( 528:. 509:. 475:. 431:. 401:. 338:. 313:. 239:. 23:.

Index

Rivers of Babylon (disambiguation)

The Saturday Evening Post
post-apocalyptic
short story
Stephen Vincent Benét
The Saturday Evening Post
destruction of industrial civilization
priest
metal
gods
Ou-dis-sun
"ASHING"
"UBTREAS"
newyork
bombing of Guernica
Fascist
Basque
Guernica
Spanish Civil War
Nagasaki
Hiroshima
chemical weapons in World War I
mustard gas
Manhattan Project
Ayn Rand
Anthem
Edgar Pangborn
New York City
Davy

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