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Boys' choir

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68: 194: 129: 183: 119:. He gave specific instructions that there were to be six boys among his musicians. For want of a foundation charter, historians have settled on 1498 as the official foundation date of the Vienna Hofmusikkapelle and—in consequence—the Vienna Boys' Choir. Until 1918, the choir sang exclusively for the court, at mass, at private concerts and functions and on state occasions. 167:
for boys' voices. However, the general inclusion of female voices in church music since the mid-1800s has significantly reduced the importance of boys' choirs as church institutions. Many present boys' choirs were either founded or reconstituted during the first half of the 20th century as
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for the male treble. Boys' voices now break, on average, by the age of 13.5, leading to higher choir turnover rates and limiting the complexity of a choir's musical repertoire. In addition to these challenges, there have been instances of
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oriented around boys who identify themselves with a choir's cultural and ethical values. A greater awareness of the value of gender-specific youth work may also support the positive contributions of boys choirs.
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The age of onset of puberty has declined to the early teens, so boys' choirs can no longer expect to retain a majority of their singers through the age of 16 or 17—as was the case when
309: 43:"), depending on their range. Boys' choirs of churches or cathedrals on both sides of the Atlantic may sing alongside and train with men, who provide the 75:, one of the oldest boys' choirs. Six of its members formed, in the 15th century, the nucleus of the Vienna Boys' Choir as established by Maximilian I. 313: 174:
identified - and criticized - a trend toward the foundation of many boys' choirs in the USA, which the author derided as the "boy choir fad."
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churches) continue to host many boys' choirs. The Anglican church is particularly well known for its contributions to choral
377: 249:—to support their vocal transition to altos, tenors and basses and to stimulate their continued artistic development. 491: 96: 237:. They can also help to foster discipline, high standards and cultural awareness, as well as providing strong 486: 202:
Palm Sunday Concert Program, Apollo Boys' Choir, The Shamrock Hotel, Houston, Texas (April 10, 1949)
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Many choirs also provide choir alumni with extensive opportunities—often coupled with continued
67: 406: 170: 100: 88: 72: 108: 91:, women being barred from this role. The oldest existing boys' choirs, such as at York, at 431: 8: 460: 359: 283: 193: 136: 291: 223: 48: 452: 351: 275: 132: 234: 35:
and so retain their high-pitched childhood voice. Members are known as trebles ("
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Today, church traditions with strong roots in the Middle Ages (in particular,
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Moller, Herbert (1985). "Voice Change in Human Biological Development".
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Boys' choirs offer young males an active point of entrance into
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who have yet to begin (or are just in the early stages of)
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Koopman, Ton (1996). "Recording Bach's Early Cantatas".
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parts, in a tradition that dates back traceably to the
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Boys' choirs in Western culture developed during the
62: 168:independent concert choirs. In 1917 an article in 473: 111:moved his court and his court musicians from 434:, displaying outstanding student achievement 407:"Sex Abuse Scandal Haunts Harlem Boys Choir" 208: 103:court, trace their roots back to this era. 127: 107:About the Vienna Boys' Choir: in 1498 … 66: 442: 252: 474: 333: 265: 268:Journal of Interdisciplinary History 13: 83:. Boys contributed the treble and 14: 508: 63:Middle Ages and early development 192: 181: 123: 424: 399: 370: 327: 302: 259: 59:, and probably much further. 1: 497:Christian youth organizations 274:(2). The MIT Press: 239–253. 7: 432:The Choir Academy of Harlem 334:Norden, N. Lindsay (1917). 10: 513: 15: 457:10.1093/earlyj/XXIV.4.605 209:Contemporary developments 310:"The Vienna Boys' Choir" 235:music and vocal training 492:Types of musical groups 348:Oxford University Press 16:For the 2014 film, see 482:Boys' and men's choirs 378:"Disorders of Puberty" 140: 121: 76: 340:The Musical Quarterly 171:The Musical Quarterly 131: 105: 70: 356:10.1093/mq/iii.2.189 253:Notes and references 109:Emperor Maximilian I 27:is a one made up of 336:"The Boy Choir Fad" 226:in some choirs and 95:(10th century), at 39:") or meanes ("boy 487:Choirs of children 141: 137:Helsinki Cathedral 135:performing in the 77: 73:Wilten Boys' Choir 224:sexual misconduct 97:Westminster Abbey 55:, in the case of 504: 468: 435: 428: 422: 421: 419: 418: 403: 397: 396: 394: 393: 384:. Archived from 374: 368: 367: 331: 325: 324: 322: 321: 312:. Archived from 306: 300: 299: 263: 196: 185: 133:Cantores Minores 512: 511: 507: 506: 505: 503: 502: 501: 472: 471: 439: 438: 429: 425: 416: 414: 405: 404: 400: 391: 389: 376: 375: 371: 332: 328: 319: 317: 308: 307: 303: 264: 260: 255: 211: 206: 205: 204: 203: 199: 198: 197: 188: 187: 186: 126: 65: 21: 18:Boychoir (film) 12: 11: 5: 510: 500: 499: 494: 489: 484: 470: 469: 451:(4): 605–621. 437: 436: 423: 398: 369: 326: 301: 280:10.2307/204176 257: 256: 254: 251: 247:vocal coaching 217:wrote complex 210: 207: 201: 200: 191: 190: 189: 180: 179: 178: 177: 176: 125: 122: 64: 61: 9: 6: 4: 3: 2: 509: 498: 495: 493: 490: 488: 485: 483: 480: 479: 477: 466: 462: 458: 454: 450: 446: 441: 440: 433: 427: 412: 408: 402: 388:on 2008-05-22 387: 383: 379: 373: 365: 361: 357: 353: 349: 345: 341: 337: 330: 316:on 2011-09-27 315: 311: 305: 297: 293: 289: 285: 281: 277: 273: 269: 262: 258: 250: 248: 243: 240: 236: 231: 229: 228:choir schools 225: 220: 216: 195: 184: 175: 173: 172: 166: 162: 158: 154: 150: 146: 138: 134: 130: 120: 118: 114: 110: 104: 102: 98: 94: 90: 86: 82: 74: 69: 60: 58: 54: 50: 46: 42: 38: 34: 30: 26: 19: 448: 444: 426: 415:. Retrieved 413:. 2006-03-29 410: 401: 390:. Retrieved 386:the original 372: 343: 339: 329: 318:. Retrieved 314:the original 304: 271: 267: 261: 244: 232: 212: 169: 165:arrangements 142: 124:20th century 106: 89:church music 78: 57:York Minster 37:boy sopranos 24: 22: 445:Early Music 350:: 189–197. 239:peer groups 99:and at the 81:Middle Ages 53:7th century 25:boys' choir 476:Categories 417:2009-03-01 392:2009-03-02 320:2008-05-02 93:Regensburg 113:Innsbruck 87:lines in 411:ABC news 296:11617364 219:cantatas 157:Lutheran 153:Orthodox 149:Catholic 145:Anglican 465:3128058 139:in 2013 33:puberty 463:  364:738084 362:  294:  288:204176 286:  117:Vienna 101:Vienna 461:JSTOR 360:JSTOR 346:(2). 284:JSTOR 161:works 85:meane 45:tenor 41:altos 430:cf. 382:AAFP 292:PMID 215:Bach 163:and 155:and 71:The 49:bass 47:and 29:boys 453:doi 352:doi 276:doi 115:to 478:: 459:. 449:24 447:. 409:. 380:. 358:. 342:. 338:. 290:. 282:. 272:16 270:. 230:. 151:, 147:, 23:A 467:. 455:: 420:. 395:. 366:. 354:: 344:3 323:. 298:. 278:: 20:.

Index

Boychoir (film)
boys
puberty
boy sopranos
altos
tenor
bass
7th century
York Minster

Wilten Boys' Choir
Middle Ages
meane
church music
Regensburg
Westminster Abbey
Vienna
Emperor Maximilian I
Innsbruck
Vienna

Cantores Minores
Helsinki Cathedral
Anglican
Catholic
Orthodox
Lutheran
works
arrangements
The Musical Quarterly

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