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2073:). The tessitura of these parts ranges from lower than other tenor roles to very high and broad. These parts are often played by younger tenors who have not yet reached their full vocal potential or older tenors who are beyond their prime singing years. Only rarely will a singer specialize in these roles for an entire career. In French
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tenor even if they are not able to cover the full range in only their chest voice, and sometimes contraltos sing the tenor part. In men's choruses that consist of four male vocal parts (TTBB; tenor 1, tenor 2, bass 1, bass 2), tenors will often sing both in chest voice and falsetto, extending the vocal range of the choir.
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The spinto tenor has the brightness and height of a lyric tenor, but with a heavier vocal weight enabling the voice to be "pushed" to dramatic climaxes with less strain than the lighter-voice counterparts. Spinto tenors have a darker timbre than a lyric tenor, without having a vocal color as dark as
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Even so, one nearly ubiquitous facet of choral singing is the shortage of tenor voices. Most men 18 and older tend to have baritone chest voices, and because of this, many men in choirs tend to prefer singing in the bass section (though true basses are even rarer than tenors). Many baritones sing
458:
singers, the tenor was usually the lowest voice, assuming the role of providing a foundation. It was also in the 18th century that "tenor" came to signify the male voice that sang such parts. Thus, for earlier repertoire, a line marked 'tenor' indicated the part's role, and not the required voice
1876:
tenor is yet another distinct tenor type. In Mozart singing, the most important element is the instrumental approach of the vocal sound which implies: flawless and slender emission of sound, perfect intonation, legato, diction and phrasing, capability to cope with the dynamic requirements of the
1877:
score, beauty of timbre, secure line of singing through perfect support and absolute breath control, musical intelligence, body discipline, elegance, nobility, agility and, most importantly, ability for dramatic expressiveness within the narrow borders imposed by the strict
Mozartian style.
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tenor, dramatic tenor, heldentenor, Mozart tenor, and tenor buffo or spieltenor. There is considerable overlap between the various categories of role and of voice-type; some tenor singers have begun with lyric voices but have transformed with time into spinto or even dramatic tenors.
2649:, the melody line is called the lead. Tenor is sung an interval of a third above the lead. Baritone is the fifth of the scale that has the lead as a tonic, and may be sung below the lead, or even above the lead (and the tenor), in which case it is called "high baritone".
1275:
and encompasses many of the
Dramatic tenor roles as well as some Wagner roles such as Lohengrin and Stolzing. The difference is often the depth and metal in the voice where some lyric tenors age or push their way into singing as a Spinto giving them a lighter tone and a
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in classical music, and harmonizes above the lead, who sings the melody. The barbershop tenor range is Middle C to A one octave above Middle C, though it is written an octave lower. The "lead" in barbershop music is equivalent to the normal tenor range.
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A Tenor buffo or spieltenor is a tenor with good acting ability, and the ability to create distinct voices for his characters. This voice specializes in smaller comic roles. The range of the tenor buffo is from the C one octave below middle C
1880:
The German Mozart tenor tradition goes back to the end of the 1920s, when Mozart tenors started making use of Caruso's technique (a tenor who rarely sang Mozart) to achieve and improve the required dynamics and dramatic expressiveness.
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756:. The requirements of the tenor voice in choral music are also tied to the style of music most often performed by a given choir. Orchestral choruses typically call for tenors with fully resonant voices, but chamber or
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in which the first tenor is the highest voice. Whilst certain choral music does require the first tenors to ascend the full tenor range, the majority of choral music places the tenors in the range from approximately
998:
The lyric tenor is a warm graceful voice with a bright, full timbre that is strong but not heavy and can be heard over an orchestra. Lyric tenors have a range from approximately the C one octave below middle C
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or tenors who have been misidentified as baritones. Therefore, the heldentenor voice might or might not have facility up to high B or C. The repertoire, however, rarely calls for such high notes.
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Also "tenore robusto", the dramatic tenor has an emotive, ringing and very powerful, clarion, heroic tenor sound. The dramatic tenor's approximate range is from the B one octave below middle C (B
1510:). Many successful dramatic tenors though have historically avoided the coveted high C in performance. Their lower range tends to extend into the baritone tessitura or, a few notes below the C
446:
In polyphony between about 1250 and 1500, the structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts.
3082:
1667:, an extremely demanding role requiring a wide vocal range and great power, plus tremendous stamina and acting ability. Often the heldentenor is a baritone who has transitioned to this
2637:: bass, baritone, lead, and tenor (lowest to highest), with "tenor" referring to the highest part. The tenor generally sings in falsetto voice, corresponding roughly to the
710:
1011:. There are many vocal shades to the lyric tenor group, repertoire should be selected according to the weight, colors, and abilities of the voice.
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tends to be either a young heldentenor or true lyric spinto. Spinto tenors have a range from approximately the C one octave below middle C (C
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All other voices were normally calculated in relation to the tenor, which often proceeded in longer note values and carried a borrowed
565:, one octave above middle C). Some, if not all, of the few top Cs in the standard operatic repertoire are either optional—such as in "
2895:. Wilmington, DE: International Music Score Library Project (IMSLP)/Petrucci Music Library (Project Petrucci LLC). pp. 254, 256.
703:
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repertoire. The heldentenor is the German equivalent of the tenore drammatico, however with a more baritonal quality: the typical
383:
type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B
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type; indeed, even as late as the eighteenth century, partbooks labelled 'tenor' might contain parts for a range of voice types.
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1987:
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2855:"Loin de son amie—No. 3, Sérénade from Act I of the French opera La Juive by Jacques François Fromental Halévy"
2077:, supporting roles requiring a thin voice but good acting are sometimes described as 'trial', after the singer
1156:
98:
2785:
Fallows, David; Jander, Owen; Forbes, Elizabeth; Steane, J. B.; Harris, Ellen T.; and
Waldman, Gerald (2001).
490:). The numeral eight below the treble clef indicates that the pitches sound an octave lower than written: see
1017:(1806–1896) was a historically significant lyric tenor. He was the first tenor to sing on stage the operatic
633:), therefore, very few tenors have this role in their repertoire without transposition (given the raising of
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This article is about the male classical voice type. For this voice type in other music genres, see
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1647:) has a rich, dark, powerful and dramatic voice. As its name implies, the heldentenor vocal
1518:. Some dramatic tenors have a rich and dark tonal colour to their voice (such as the mature
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404:) in operatic music, but the range can extend at either end. Subtypes of tenor include the
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391:) in choral music, and from the second B flat below middle C to the C above middle C (B
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908:
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728:
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2027:
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585:); however, the highest demanded note in the standard tenor operatic repertoire is D
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Within the tenor voice type category are seven generally recognized subcategories:
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choral music (choral music sung with no instrumental accompaniment) can rely on
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protagonist. The keystone of the heldentenor's repertoire is arguably Wagner's
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1971:
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811:. This voice is light, agile, and capable of executing difficult passages of
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521:, the lowest note in the standard tenor repertoire is widely defined to be B
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2019:
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Four Parts, No
Waiting: A Social History of American Barbershop Harmony
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55:
3075:"The Tender Land, Composer: Aaron Copland, Librettist: Horner Everett"
561:. A few tenor roles in the standard repertoire call for a "tenor C" (C
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many (not all) dramatic tenors. The German equivalent of the Spinto
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2550:
2401:
1979:
1761:
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765:
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1007:). Similarly, their lower range may extend a few notes below the C
486:(left) and on piano keyboard in green with dot marking middle C (C
3329:
3105:
2215:
1819:
1681:
1584:
1506:) with some able to sing up to the C one octave above middle C (C
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663:
358:
273:
3529:
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2301:
1873:
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843:. Voices of this type are utilized frequently in the operas of
785:
409:
727:
chorus, the tenor is the second lowest vocal range, above the
1425:
518:
427:
2660:
436:, which means "to hold". As noted in the "Tenor" article at
3494:
3375:
3130:
Cotte, R.J.V. (1997). "Trial, French Family of
Musicians".
2679:
1649:
1460:
1263:
744:
732:
724:
668:
2995:
1029:. He is also known for originating the role of Edgardo in
3270:
3188:
Bluegrass
Breakdown: The Making of the Old Southern Sound
210:, which disrupts verifiability and neutral point of view.
454:
melody. Until the late 16th-century introduction of the
412:
tenor, dramatic tenor, heldentenor, and tenor buffo or
2712:
Performance
Practice: A Dictionary-Guide for Musicians
2400:
have at least one lead lyric tenor character. Notable
494:. This is the standard clef for tenor parts in scores.
819:
tenor possesses a range spanning from approximately C
2656:
2387:
575:—or interpolated (added) by tradition, such as in "
530:. However, the role of Rodrigo di Dhu (written for
101:. Unsourced material may be challenged and removed.
3131:
2908:"Romantic and Modern Music Literature (MUSL 244)"
3552:
3072:
2852:
549:. Within more frequently performed repertoire,
204:lacks references and page numbers on references
3007:. Translated by Sergio Maclean. Archived from
2708:
807:tenor is essentially the male equivalent of a
775:
3256:
3129:
2812:. Toronto, CAN: University of Toronto Press.
2081:(1737–1795), examples being in the operas of
704:
334:
3190:. Urbana, IL: University of Illinois Press.
2059:
1278:
1269:
604:
413:
2690:Voice classification in non-classical music
2094:Tenor buffo or spieltenor roles in operas:
835:. In some cases, the chest register of the
64:Learn how and when to remove these messages
3263:
3249:
3104:Suverkrop, Bard; Draayer, Suzanne (2017).
2938:
2936:
2934:
2932:
2930:
2928:
2926:
2924:
2922:
2920:
711:
697:
341:
327:
202:, hampering reliability. Additionally, it
513:of the tenor is the highest of the male
242:Learn how and when to remove this message
161:Learn how and when to remove this message
3185:
3179:
3165:. Oxford, ENG: Oxford University Press.
2966:
2964:
2737:"Vocal Ranges | Yale University Library"
971:
637:since its composition), or resorting to
466:
3160:
3154:
3019:– via FriendsofJosephCalleja.com.
2942:
2917:
2069:) to the C one octave above middle C (C
1502:) to the B one octave above middle C (B
1288:) to the C one octave above middle C (C
1003:) to the D one octave above middle C (D
827:, with a few being able to sing up to F
540:is defined as a tenor but requires an A
3553:
2810:Bel Canto: A History of Vocal Pedagogy
3244:
3085:from the original on 5 September 2017
2970:
2961:
2807:
2685:List of tenors in non-classical music
21:List of tenors in non-classical music
3029:
3001:"Joseph Calleja: I Am Nobody's Heir"
2886:"Bellini – I puritani (vocal score)"
2801:
2680:Fach system for voice classification
172:
99:adding citations to reliable sources
70:
29:
1526:) possess a bright, steely timbre.
623:(Arturo in "Credeasi, misera" from
13:
3054:from the original on 24 March 2017
2905:
2865:from the original on 17 April 2017
2709:Roland Jackson (23 October 2013).
2168:The Merry Wives of Windsor (opera)
1892:Die Schuldigkeit des ersten Gebots
644:
426:The name "tenor" derives from the
206:, and it is written like a biased
14:
3597:
3208:
3142:from the original on 9 March 2017
3134:The New Grove Dictionary of Opera
3033:The Disciplines of Vocal Pedagogy
2999:; Amon, Ruben (4 November 2004).
2945:Guide to Operatic Roles and Arias
2388:Gilbert and Sullivan and operetta
619:repertoire, the highest note is F
45:This article has multiple issues.
3226:
3214:
2659:
2194:La Grande-Duchesse de GĂ©rolstein
1529:Dramatic tenor roles in operas:
534:) in Rossini's rarely performed
200:possible copyright infringements
177:
75:
34:
3138:. London, New York: Macmillan.
3123:
3097:
3066:
3023:
2989:
743:usually denotes an ensemble of
86:needs additional citations for
53:or discuss these issues on the
2899:
2877:
2846:
2826:
2779:
2754:
2729:
2702:
1884:Mozart tenor roles in operas:
1744:Die Meistersinger von NĂĽrnberg
1632:
1295:Spinto tenor roles in operas:
1157:I Lombardi alla prima crociata
1070:Die Meistersinger von NĂĽrnberg
497:
462:
1:
3231:The dictionary definition of
2695:
2628:
2159:Die EntfĂĽhrung aus dem Serail
1996:Die EntfĂĽhrung aus dem Serail
1988:Die EntfĂĽhrung aus dem Serail
1674:Heldentenor roles in operas:
1036:Lyric tenor roles in operas:
855:and in music dating from the
2444:Camille, Count de Rosillon,
2327:Amahl and the Night Visitors
591:Mes amis, Ă©coutez l'histoire
16:Classical male singing voice
7:
2652:
2099:Count Danilo Danilovitsch,
1493:
1057:Dialogues of the Carmelites
776:Subtypes and roles in opera
190:to comply with Knowledge's
10:
3602:
2975:. Plural Publishing, Inc.
2715:. Routledge. p. 458.
1643:The heldentenor (English:
1636:
792:
609:" from Fromental Halévy's
421:
196:possible original research
18:
3482:
3456:
3315:
3282:
3186:Cantwell, Robert (2002).
3073:Glaubitz, Robert (2010).
2943:Boldrey, Richard (1994).
2853:Glaubitz, Robert (2010).
2843:. Retrieved 27 July 2014.
2836:Le postillon de lonjumeau
2181:Orpheus in the Underworld
2138:Don Anchise/ Il PodestĂ ,
2060:Tenor buffo or spieltenor
1961:Don Anchise/ Il PodestĂ ,
1867:
1255:
605:
600:Le postillon de Lonjumeau
379:. It is the highest male
3272:Musical range or compass
2633:There are four parts in
2372:Platon Kuzmich Kovalev,
1889:Spirit of Christianity,
1280:Jugendlicher Heldentenor
1271:Jugendlicher Heldentenor
967:
839:tenor may extend below C
219:may contain suggestions.
188:may need to be rewritten
2947:. Caldwell Publishing.
2790:(subscription required)
2766:Encyclopedia Britannica
2603:The Yeomen of the Guard
2535:The Duke of Dunstable,
2525:The Pirates of Penzance
2128:Der Ring des Nibelungen
1653:features in the German
1364:Der fliegende Holländer
865:tenor roles in operas:
3161:Averill, Gage (2003).
2971:Smith, Brenda (2005).
2115:The Marriage of Figaro
2012:The Marriage of Figaro
2004:The Marriage of Figaro
1924:Mitridate, re di Ponto
1846:Das Wunder der Heliane
1793:Die Frau ohne Schatten
1741:Walther von Stolzing,
1279:
1270:
1025:) as opposed to using
995:
495:
448:
414:
25:Tenor (disambiguation)
23:. For other uses, see
2884:IMSLP Staff (2017).
2808:Stark, James (2003).
2762:"Tenor | vocal range"
2255:The Tales of Hoffmann
2088:The Tales of Hoffmann
1908:Bastien und Bastienne
1802:Die ägyptische Helena
1550:La fanciulla del West
1522:) while others (like
1118:The Tales of Hoffmann
979:
886:The Barber of Seville
470:
444:
3223:at Wikimedia Commons
3030:Sell, Karen (2005).
2832:Eriksson, Erik.
2741:web.library.yale.edu
2621:Gilbert and Sullivan
2608:Gilbert and Sullivan
2595:Gilbert and Sullivan
2582:Gilbert and Sullivan
2569:Gilbert and Sullivan
2556:Gilbert and Sullivan
2543:Gilbert and Sullivan
2530:Gilbert and Sullivan
2517:Gilbert and Sullivan
2504:Gilbert and Sullivan
2491:Gilbert and Sullivan
2394:Gilbert and Sullivan
2141:La finta giardiniera
1977:Idomeneo, Idamante,
1964:La finta giardiniera
1956:La finta giardiniera
1940:Il sogno di Scipione
1900:Apollo et Hyacinthus
1559:La forza del destino
1479:Cavalleria rusticana
1386:Un ballo in maschera
1080:Il Duca di Mantova,
957:La fille du régiment
939:L'italiana in Algeri
926:Die schweigsame Frau
784:tenor, lyric tenor,
725:SATB four-part mixed
653:Voice classification
471:Tenor vocal range (C
408:tenor, lyric tenor,
95:improve this article
3571:Musical terminology
2587:Richard Dauntless,
2441:(Johann Strauss II)
2036:La clemenza di Tito
1423:Mario Cavaradossi,
1092:Lucia di Lammermoor
1031:Lucia di Lammermoor
3520:Organ registration
3409:Tenore contraltino
3038:Ashgate Publishing
2795:Grove Music Online
2675:Category of tenors
2635:barbershop harmony
2460:The Student Prince
1753:Tristan und Isolde
996:
797:Also known as the
557:both call for an A
496:
439:Grove Music Online
357:is a type of male
3576:Opera terminology
3548:
3547:
3219:Media related to
3079:Aria-Database.com
3011:on 26 August 2009
2859:Aria-Database.com
2600:Colonel Fairfax,
2430:Johann Strauss II
2208:Johann Strauss II
1916:La finta semplice
1784:Ariadne auf Naxos
1655:romantic operatic
1524:Francesco Tamagno
1514:, even down to Aâ™
1238:Wilhelm Meister,
1215:The Bohemian Girl
1206:Roméo et Juliette
986:Che gelida manina
977:
721:
720:
567:Che gelida manina
537:La donna del lago
507:
506:
492:Clef#Octave clefs
479:) notated on the
368:lies between the
351:
350:
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251:
244:
234:
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194:, as it contains
192:quality standards
171:
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3483:Related articles
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2749:
2747:
2733:
2727:
2726:
2706:
2669:
2664:
2663:
2613:Marco Palmieri,
2548:Lord Tolloller,
2509:Ralph Rackstraw
2473:Naughty Marietta
2362:Orlando paladino
2274:Madama Butterfly
1607:Samson et Dalila
1300:Andrea Chénier,
1282:
1273:
1175:Madama Butterfly
1021:from the chest (
978:
883:Count Almaviva,
809:lyric coloratura
800:tenore di grazia
713:
706:
699:
649:
648:
608:
607:
606:Loin de son amie
545:
544:
526:
525:
498:
417:
396:
395:
343:
336:
329:
256:
255:
247:
240:
229:
226:
220:
181:
173:
166:
159:
155:
152:
146:
144:
103:
79:
71:
60:
38:
37:
30:
3601:
3600:
3596:
3595:
3594:
3592:
3591:
3590:
3551:
3550:
3549:
3544:
3478:
3452:
3360:Soprano sfogato
3311:
3278:
3269:
3221:Tenor vocalists
3211:
3206:
3205:
3198:
3184:
3180:
3173:
3159:
3155:
3145:
3143:
3128:
3124:
3114:
3112:
3102:
3098:
3088:
3086:
3071:
3067:
3057:
3055:
3048:
3028:
3024:
3014:
3012:
3005:OperaActual.com
2997:Calleja, Joseph
2994:
2990:
2983:
2973:Choral Pedagogy
2969:
2962:
2955:
2941:
2918:
2910:
2904:
2900:
2888:
2882:
2878:
2868:
2866:
2851:
2847:
2834:Adolphe Adam –
2831:
2827:
2820:
2806:
2802:
2789:
2784:
2780:
2770:
2768:
2760:
2759:
2755:
2745:
2743:
2735:
2734:
2730:
2723:
2707:
2703:
2698:
2665:
2658:
2655:
2647:bluegrass music
2631:
2626:
2512:H.M.S. Pinafore
2447:The Merry Widow
2390:
2385:
2346:The Holy Fool,
2319:Gianni Schicchi
2203:The Gypsy Baron
2200:Kálmán Zsupán,
2150:The Magic Flute
2102:The Merry Widow
2072:
2068:
2062:
2057:
2052:The Magic Flute
2044:The Magic Flute
1932:Ascanio in Alba
1870:
1865:
1735:Götterdämmerung
1641:
1635:
1630:
1517:
1513:
1509:
1505:
1501:
1496:
1489:
1395:Queen of Spades
1291:
1287:
1258:
1251:
1188:Gianni Schicchi
1166:La belle Hélène
1144:The Tender Land
1010:
1006:
1002:
981:Beniamino Gigli
972:
970:
963:
923:Henry Morosus,
842:
830:
826:
822:
795:
778:
755:
751:
717:
655:in choral music
654:
647:
645:In choral music
622:
588:
579:" from Verdi's
569:" in Puccini's
564:
560:
548:
542:
541:
529:
523:
522:
503:
489:
478:
474:
465:
424:
403:
399:
393:
392:
390:
386:
347:
248:
237:
236:
235:
230:
224:
221:
211:
182:
167:
156:
150:
147:
104:
102:
92:
80:
39:
35:
28:
17:
12:
11:
5:
3599:
3589:
3588:
3583:
3578:
3573:
3568:
3563:
3546:
3545:
3543:
3542:
3537:
3532:
3527:
3522:
3517:
3512:
3507:
3502:
3497:
3492:
3486:
3484:
3480:
3479:
3477:
3476:
3471:
3466:
3460:
3458:
3454:
3453:
3451:
3450:
3449:
3448:
3446:Basso profondo
3438:
3433:
3428:
3423:
3422:
3421:
3416:
3411:
3406:
3396:
3395:
3394:
3384:
3379:
3369:
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3363:
3362:
3357:
3352:
3347:
3342:
3337:
3327:
3321:
3319:
3313:
3312:
3310:
3309:
3304:
3299:
3294:
3288:
3286:
3284:Vocal register
3280:
3279:
3268:
3267:
3260:
3253:
3245:
3239:
3238:
3224:
3210:
3209:External links
3207:
3204:
3203:
3196:
3178:
3171:
3153:
3122:
3096:
3065:
3046:
3040:. p. 45.
3022:
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2953:
2916:
2898:
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2845:
2825:
2818:
2800:
2778:
2753:
2728:
2721:
2700:
2699:
2697:
2694:
2693:
2692:
2687:
2682:
2677:
2671:
2670:
2654:
2651:
2630:
2627:
2625:
2624:
2616:The Gondoliers
2611:
2598:
2585:
2572:
2559:
2546:
2533:
2520:
2507:
2494:
2481:
2470:Captain Dick,
2468:
2455:
2442:
2438:Die Fledermaus
2433:
2425:Die Fledermaus
2420:
2406:
2389:
2386:
2384:
2383:
2370:
2357:
2344:
2331:
2322:
2315:
2306:
2297:
2284:
2277:
2270:
2259:
2250:
2237:
2226:The Magician,
2224:
2211:
2198:
2189:
2176:
2163:
2154:
2145:
2136:
2123:
2110:
2096:
2070:
2066:
2061:
2058:
2056:
2055:
2047:
2039:
2031:
2028:Così fan tutte
2023:
2015:
2007:
1999:
1991:
1983:
1975:
1967:
1959:
1951:
1943:
1935:
1927:
1919:
1911:
1903:
1895:
1886:
1869:
1866:
1864:
1863:
1855:Nixon in China
1852:Mao Tse-Tung,
1850:
1843:The Stranger,
1841:
1833:Die tote Stadt
1828:
1815:
1806:
1797:
1788:
1779:
1766:
1757:
1748:
1739:
1730:
1721:
1712:
1703:
1690:
1676:
1637:Main article:
1634:
1631:
1629:
1628:
1617:Peter Grimes,
1615:
1602:
1593:
1580:
1567:
1554:
1547:Dick Johnson,
1545:
1531:
1515:
1511:
1507:
1503:
1499:
1495:
1492:
1488:
1487:
1474:
1465:
1456:
1443:
1435:Der FreischĂĽtz
1430:
1421:
1412:
1403:
1390:
1381:
1372:
1359:
1346:
1333:
1324:
1311:
1303:Andrea Chénier
1297:
1289:
1285:
1257:
1254:
1250:
1249:
1236:
1223:
1210:
1201:
1192:
1183:
1170:
1161:
1152:
1139:
1126:
1113:
1100:
1087:
1078:
1065:
1052:
1038:
1023:ut de poitrine
1015:Gilbert Duprez
1008:
1004:
1000:
969:
966:
962:
961:
952:
948:La Cenerentola
943:
934:
921:
912:
899:
890:
881:
867:
840:
828:
824:
820:
815:. The typical
794:
791:
777:
774:
753:
749:
731:and below the
719:
718:
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673:
672:
671:
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643:
620:
586:
577:Di quella pira
562:
558:
546:
532:Andrea Nozzari
527:
505:
504:
487:
476:
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15:
9:
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3:
2:
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3582:
3581:Pitch (music)
3579:
3577:
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3572:
3569:
3567:
3564:
3562:
3559:
3558:
3556:
3541:
3538:
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3455:
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3442:
3439:
3437:
3436:Bass-baritone
3434:
3432:
3429:
3427:
3424:
3420:
3417:
3415:
3412:
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3407:
3405:
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3397:
3393:
3390:
3389:
3388:
3385:
3383:
3380:
3377:
3373:
3370:
3368:
3367:Mezzo-soprano
3365:
3361:
3358:
3356:
3353:
3351:
3348:
3346:
3343:
3341:
3338:
3336:
3333:
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3326:
3323:
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3320:
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3308:
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3293:
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3277:
3273:
3266:
3261:
3259:
3254:
3252:
3247:
3246:
3243:
3237:at Wiktionary
3236:
3235:
3229:
3225:
3222:
3217:
3213:
3212:
3199:
3197:9780252071171
3193:
3189:
3182:
3174:
3172:9780195116724
3168:
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3136:
3135:
3126:
3111:
3110:IPASource.com
3107:
3100:
3084:
3080:
3076:
3069:
3053:
3049:
3047:9780754651697
3043:
3039:
3035:
3034:
3026:
3010:
3006:
3002:
2998:
2992:
2984:
2982:9781597560436
2978:
2974:
2967:
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2956:
2954:9781877761645
2950:
2946:
2939:
2937:
2935:
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2906:Calico, Joy.
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2488:
2487:
2486:Trial by Jury
2482:
2479:
2475:
2474:
2469:
2466:
2462:
2461:
2457:Prince Karl,
2456:
2453:
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2431:
2427:
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2377:
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2363:
2358:
2355:
2351:
2350:
2349:Boris Godunov
2345:
2342:
2338:
2337:
2336:Eugene Onegin
2332:
2329:
2328:
2324:King Kaspar,
2323:
2320:
2316:
2313:
2312:
2307:
2304:
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2222:
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2213:The Captain,
2212:
2209:
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2204:
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2191:Prince Paul,
2190:
2187:
2183:
2182:
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2164:
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2112:Don Basilio,
2111:
2108:
2104:
2103:
2098:
2097:
2095:
2092:
2090:
2089:
2084:
2080:
2079:Antoine Trial
2076:
2075:opéra comique
2054:
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2046:
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2037:
2032:
2030:
2029:
2024:
2022:
2021:
2017:Don Ottavio,
2016:
2014:
2013:
2008:
2006:
2005:
2001:Don Basilio,
2000:
1998:
1997:
1992:
1990:
1989:
1984:
1982:
1981:
1976:
1974:
1973:
1972:Il re pastore
1968:
1966:
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1525:
1521:
1520:Enrico Caruso
1491:
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1382:
1379:
1378:
1373:
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1366:
1365:
1360:
1357:
1353:
1352:
1347:
1344:
1340:
1339:
1334:
1331:
1330:
1329:Manon Lescaut
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1309:
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1167:
1162:
1159:
1158:
1153:
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1137:
1133:
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1131:Eugene Onegin
1127:
1124:
1120:
1119:
1114:
1111:
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922:
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917:La sonnambula
913:
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905:
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896:
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879:
875:
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869:
868:
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850:
846:
838:
834:
831:or higher in
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814:
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790:
787:
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635:concert pitch
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452:Cantus firmus
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186:This article
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112: –
111:
107:
106:Find sources:
100:
96:
90:
89:
84:This article
82:
78:
73:
72:
67:
65:
58:
57:
52:
51:
46:
41:
32:
31:
26:
22:
3566:Choral music
3540:Vocal weight
3404:Haute-contre
3398:
3387:Countertenor
3233:
3187:
3181:
3162:
3156:
3144:. Retrieved
3133:
3125:
3113:. Retrieved
3109:
3106:"Tenor Aria"
3099:
3087:. Retrieved
3078:
3068:
3056:. Retrieved
3032:
3025:
3013:. Retrieved
3009:the original
3004:
2991:
2972:
2944:
2913:. p. 7.
2901:
2892:
2879:
2867:. Retrieved
2858:
2848:
2835:
2828:
2809:
2803:
2793:
2781:
2769:. Retrieved
2765:
2756:
2744:. Retrieved
2740:
2731:
2711:
2704:
2667:Opera portal
2644:
2639:countertenor
2632:
2614:
2601:
2588:
2575:
2564:Princess Ida
2562:
2549:
2536:
2523:
2510:
2499:The Sorcerer
2497:
2484:
2471:
2458:
2445:
2436:
2435:Eisenstein,
2423:
2410:
2398:Savoy operas
2391:
2380:Shostakovich
2373:
2360:
2347:
2334:
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2318:
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2148:
2147:Monostatos,
2139:
2126:
2113:
2100:
2093:
2086:
2063:
2050:
2049:Monostatos,
2042:
2034:
2026:
2020:Don Giovanni
2018:
2010:
2009:Don Curzio,
2002:
1994:
1986:
1978:
1970:
1969:Alessandro,
1962:
1954:
1946:
1938:
1930:
1922:
1914:
1906:
1898:
1890:
1883:
1879:
1871:
1853:
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1817:Drum Major,
1814:(R. Strauss)
1809:
1805:(R. Strauss)
1800:
1796:(R. Strauss)
1791:
1787:(R. Strauss)
1782:
1769:
1760:
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1733:
1724:
1715:
1706:
1693:
1692:Tannhäuser,
1680:
1673:
1668:
1662:
1648:
1645:heroic tenor
1644:
1642:
1620:Peter Grimes
1618:
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1596:
1583:
1570:
1557:
1556:Don Alvaro,
1548:
1535:
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1497:
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1424:
1417:Il trovatore
1415:
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1326:Des Grieux,
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946:
945:Don Ramiro,
937:
924:
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904:Don Pasquale
902:
895:Le comte Ory
893:
884:
871:
862:
861:
836:
816:
804:
798:
796:
781:
779:
770:
741:Men's chorus
722:
679:
628:
616:
610:
598:
595:Adolphe Adam
589:, found in "
582:Il trovatore
580:
570:
535:
508:
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437:
431:
425:
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370:countertenor
354:
352:
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253:
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222:
213:You can help
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124:
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105:
93:Please help
88:verification
85:
61:
54:
48:
47:Please help
44:
3586:Voice types
3535:Vocal range
3490:Chest voice
3419:Heldentenor
3325:Boy soprano
2574:Nanki-Poo,
2404:roles are:
2341:Tchaikovsky
2308:Dr. Caius,
2289:La traviata
2258:(Offenbach)
2247:Leoncavallo
2197:(Offenbach)
2178:John Styx,
1948:Lucio Silla
1921:Mitridate,
1732:Siegfried,
1723:Siegfried,
1717:Die WalkĂĽre
1705:Lohengrin,
1679:Florestan,
1639:Heldentenor
1633:Heldentenor
1612:Saint-Saëns
1582:Florestan,
1572:Les Troyens
1542:Leoncavallo
1467:Stiffelio,
1400:Tchaikovsky
1335:Don Carlo,
1172:Pinkerton,
1169:(Offenbach)
1136:Tchaikovsky
1054:Chevalier,
1044:La traviata
960:(Donizetti)
892:Count Ory,
764:singing in
515:voice types
511:vocal range
463:Vocal range
456:contratenor
381:chest voice
377:voice types
366:vocal range
3555:Categories
3515:Pedal tone
3505:Head voice
3335:Coloratura
3317:Voice type
2696:References
2629:Other uses
2577:The Mikado
2561:Hilarion,
2522:Frederic,
2359:Pasquale,
2354:Mussorgsky
2317:Gherardo,
2299:Roderigo,
2261:Spoletta,
2229:The Consul
2156:Pedrillo,
2025:Ferrando,
1993:Pedrillo,
1985:Belmonte,
1953:Belfiore,
1937:Scipione,
1913:Fracasso,
1849:(Korngold)
1799:Menelaus,
1776:R. Strauss
1759:Parsifal,
1714:Siegmund,
1695:Tannhäuser
1445:Pollione,
1348:Don José,
1338:Don Carlos
1212:Thaddeus,
1185:Rinuccio,
1115:Hoffmann,
1027:falsettone
873:I puritani
833:full voice
758:a cappella
630:I puritani
615:). In the
415:spieltenor
260:Voice type
151:April 2017
121:newspapers
50:improve it
3525:Tessitura
3510:Passaggio
3500:Extension
3426:Baritenor
3392:Sopranist
3372:Contralto
3340:Soubrette
3307:Vocal fry
2893:IMSLP.org
2771:18 August
2746:18 August
2590:Ruddigore
2417:Bernstein
2409:Candide,
2333:Triquet,
2330:(Menotti)
2321:(Puccini)
2286:Gastone,
2283:(Puccini)
2276:(Puccini)
2242:Pagliacci
2186:Offenbach
2165:Slender,
1905:Bastien,
1897:Oebalus,
1781:Bacchus,
1768:Aegisth,
1750:Tristan,
1726:Siegfried
1708:Lohengrin
1687:Beethoven
1664:Siegfried
1659:Wagnerian
1590:Beethoven
1553:(Puccini)
1537:Pagliacci
1476:Turiddu,
1470:Stiffelio
1458:Radames,
1429:(Puccini)
1414:Manrico,
1405:Macduff,
1392:Hermann,
1383:Gustavo,
1332:(Puccini)
1225:Werther,
1200:(Puccini)
1197:La bohème
1194:Rodolfo,
1191:(Puccini)
1123:Offenbach
1097:Donizetti
1089:Edgardo,
1083:Rigoletto
1041:Alfredo,
992:La bohème
951:(Rossini)
942:(Rossini)
936:Lindoro,
920:(Bellini)
909:Donizetti
901:Ernesto,
898:(Rossini)
889:(Rossini)
849:Donizetti
813:fioritura
762:baritones
572:La bohème
517:. Within
284:Contralto
225:July 2017
217:talk page
208:editorial
56:talk page
3469:Sub-bass
3431:Baritone
3382:Castrato
3355:Dramatic
3297:Falsetto
3276:register
3146:16 April
3140:Archived
3115:16 April
3089:16 April
3083:Archived
3052:Archived
2869:16 April
2863:Archived
2841:AllMusic
2653:See also
2551:Iolanthe
2538:Patience
2496:Alexis,
2422:Alfred,
2402:operetta
2375:The Nose
2311:Falstaff
2281:Turandot
2252:Frantz,
2162:(Mozart)
2153:(Mozart)
2144:(Mozart)
2041:Tamino,
1980:Idomeneo
1929:Aceste,
1838:Korngold
1808:Apollo,
1765:(Wagner)
1762:Parsifal
1756:(Wagner)
1747:(Wagner)
1738:(Wagner)
1729:(Wagner)
1720:(Wagner)
1711:(Wagner)
1604:Samson,
1595:Otello,
1494:Dramatic
1484:Mascagni
1374:Ernani,
1316:Turandot
1308:Giordano
1233:Massenet
1209:(Gounod)
1154:Oronte,
1141:Martin,
1128:Lensky,
983:singing
914:Elvino,
870:Arturo,
859:period.
766:falsetto
639:falsetto
612:La Juive
543:♭
524:♭
394:♭
374:baritone
310:Baritone
3330:Soprano
3292:Whistle
2787:"Tenor"
2483:Edwin,
2478:Herbert
2465:Romberg
2412:Candide
2392:All of
2314:(Verdi)
2305:(Verdi)
2267:Puccini
2239:Beppe,
2234:Menotti
2216:Wozzeck
2173:Nicolai
2085:and in
1820:Wozzeck
1771:Elektra
1682:Fidelio
1625:Britten
1601:(Verdi)
1585:Fidelio
1577:Berlioz
1534:Canio,
1473:(Verdi)
1464:(Verdi)
1453:Bellini
1420:(Verdi)
1411:(Verdi)
1408:Macbeth
1389:(Verdi)
1380:(Verdi)
1321:Puccini
1313:Calaf,
1267:is the
1228:Werther
1203:Roméo,
1180:Puccini
1163:Paris,
1160:(Verdi)
1149:Copland
1102:Faust,
1086:(Verdi)
1067:David,
1062:Poulenc
954:Tonio,
931:Strauss
878:Bellini
863:Leggero
857:Baroque
853:Bellini
845:Rossini
837:leggero
817:leggero
805:leggero
793:Leggero
782:leggero
752:up to A
737:soprano
664:Soprano
625:Bellini
617:leggero
593:" from
422:History
406:leggero
359:singing
274:Soprano
135:scholar
110:"Tenor"
3561:Tenors
3530:Timbre
3474:Treble
3350:Spinto
3194:
3169:
3044:
2979:
2951:
2816:
2719:
2302:Otello
2279:Pong,
2272:Goro,
2133:Wagner
2125:Mime,
2120:Mozart
2033:Tito,
1874:Mozart
1868:Mozart
1830:Paul,
1811:Daphne
1700:Wagner
1598:Otello
1569:Enée,
1377:Ernani
1369:Wagner
1361:Erik,
1351:Carmen
1256:Spinto
1246:Thomas
1241:Mignon
1110:Gounod
1075:Wagner
1019:high C
803:, the
786:spinto
481:treble
433:tenere
410:spinto
364:whose
266:Female
215:. The
137:
130:
123:
116:
108:
3457:Sound
3399:Tenor
3345:Lyric
3302:Modal
3234:Tenor
3058:2 May
3015:2 May
2911:(PDF)
2889:(PDF)
2452:Lehár
2367:Haydn
2294:Verdi
2263:Tosca
2107:Lehár
2083:Ravel
1860:Adams
1564:Verdi
1448:Norma
1440:Weber
1432:Max,
1426:Tosca
1356:Bizet
1343:Verdi
1220:Balfe
1105:Faust
1049:Verdi
989:from
968:Lyric
680:Tenor
603:and "
555:Herod
519:opera
484:staff
430:word
428:Latin
362:voice
355:tenor
305:Tenor
142:JSTOR
128:books
3495:Clef
3464:Bass
3441:Bass
3376:Alto
3274:and
3192:ISBN
3167:ISBN
3148:2017
3117:2017
3091:2017
3060:2013
3042:ISBN
3017:2013
2977:ISBN
2949:ISBN
2871:2017
2814:ISBN
2773:2021
2748:2021
2717:ISBN
2221:Berg
1825:Berg
1669:Fach
1650:Fach
1461:Aida
1264:Fach
823:to E
745:TTBB
735:and
733:alto
729:bass
685:Bass
669:Alto
553:and
551:Mime
509:The
400:to C
387:to G
372:and
315:Bass
292:Male
198:and
114:news
2839:at
2645:In
2396:'s
1292:).
723:In
627:'s
597:'s
97:by
3557::
3108:.
3081:.
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3003:.
2963:^
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2065:(C
1872:A
1033:.
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