1202:, Harold's brothers, but both armies are shown fighting bravely. Bishop Odo brandishes his baton or mace and rallies the Norman troops in battle. To reassure his knights that he is still alive and well, William raises his helmet to show his face. The battle becomes very bloody with troops being slaughtered and dismembered corpses littering the ground. King Harold is killed. This scene can be interpreted in different ways, as the name "Harold" appears above a number of knights, making it difficult to identify which character is Harold, since one character appears with an arrow shot in his head under the name "Harold" while another character is slain by a sword underneath the words "was slain" . The final remaining scene shows unarmoured English troops fleeing the battlefield. The last part of the tapestry is missing; however, it is thought that the story contained only one additional scene.
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his own comparative lack of devotion. But as critic Allen J. Frantzen has pointed out, this popular story about
Mathilde and the tapestry is wrong—it was actually created in England decades after the conquest. Louis, then, is holding himself to a mythological standard of loyalty, and he curses himself based on a positively unreal example. This is part of a larger pattern of excessive guilt and harshness toward himself, which, paradoxically, prevents him from judging his own weaknesses accurately and trying to correct them. Because no one could possibly live up to Mathilde's example, Louis initially justifies his moral failure. Later, in Perestroika, he will arrive at a more genuine remorse and an honest understanding of what he has done.
1164:, then appears. At this point, the lower border of the tapestry shows a fleet of ghost-like ships thus hinting at a future invasion. The news of Harold's coronation is taken to Normandy, whereupon we are told that William is ordering a fleet of ships to be built although it is Bishop Odo shown issuing the instructions. The invaders reach England, and land unopposed. William orders his men to find food, and a meal is cooked. A house is burnt by two soldiers, which may indicate some ravaging of the local countryside on the part of the invaders, and underneath, on a smaller scale than the arsonists, a woman holds her boy's hand as she asks for humanity. News is brought to William. The Normans build a
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622:; this was still the case in 1728, although by that time the purpose was merely to air the hanging, which was otherwise stored in a chest. Clearly, the work was being well cared for. In the eighteenth century, the artistry was regarded as crude or even barbarous—red and yellow multi-coloured horses upset some critics. It was thought to be unfinished because the linen was not covered with embroidery. However, its exhibition in the Louvre in 1797 caused a sensation, with
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751:) the borders do not line up properly but the technique was improved so that the later joins are practically invisible. The design involved a broad central zone with narrow decorative borders top and bottom. By inspecting the woollen threads behind the linen it is apparent all these aspects were embroidered together at a session and the awkward placing of the
1381:'s engravings of the tapestry as it was in 1730, show a spear or lance in place of the arrow and no arrow fletchings. Further, needle holes in the linen suggest that something has been removed, or shortened, and fletchings added to form an arrow. A figure is slain with a sword in the subsequent plate, and the phrase above the figure refers to Harold's death (
286:. Tapestries adorned both churches and wealthy houses in Medieval Western Europe, though at 0.5 by 68.38 m (1 ft 8 in by 224 ft 4 in), the Bayeux Tapestry is exceptionally large. Only the figures and decoration are embroidered, on a background left plain, which shows the subject very clearly and was necessary to cover large areas.
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1651:. It was made up of 1.5 million 7 mm pieces of spring steel—off-cuts from patterning disks of knitting machines—and was created by Michael Linton over a period of twenty years from 1979. The work was in 32 sections, and included a hypothetical reconstruction of the missing final section leading up to William the Conqueror's coronation at
376:); the Latin text contains hints of Anglo-Saxon; other embroideries originate from England at this time; and the vegetable dyes can be found in cloth traditionally woven there. Howard B. Clarke has proposed that the designer of the tapestry (i.e. the individual responsible for its overall narrative and political argument) was
1029:, killed in 991. Wall-hangings were common by the tenth century with English and Norman texts particularly commending the skill of Anglo-Saxon seamstresses. Mural paintings imitating draperies still exist in France and Italy and there are twelfth-century mentions of other wall-hangings in Normandy and France. A poem by
1488:("king"). The fact that the narrative extensively covers Harold's activities in Normandy (in 1064) indicates that the intention was to show a strong relationship between that expedition and the Norman Conquest starting two years later. It is for this reason that the tapestry is generally seen by modern scholars as an
632:. It was because the tapestry was regarded as an antiquity rather than a work of art that in 1804 it was returned to Bayeux, wherein 1823 one commentator, A. L. Léchaudé d'Anisy, reported that "there is a sort of purity in its primitive forms, especially considering the state of the arts in the eleventh century".
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Other modern artists have attempted to complete the work by creating panels depicting subsequent events up to
William's coronation, though the actual content of the missing panels is unknown. In 1997, the embroidery artist Jan Messent completed a reconstruction showing William accepting the surrender
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speculates the hanging was originally about 1.5 metres longer. At the last section still remaining the embroidery has been almost completely restored but this seems to have been done with at least some regard to the original stitching. The stylised tree is quite unlike any other tree in the tapestry.
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Harold leaves for home and meets again with the old king Edward, who appears to be remonstrating with him. Harold is in a somewhat submissive posture and seems to be in disgrace. However, possibly deliberately, the king's intentions are not made clear. The scene then shifts by about one year to when
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The tapestry begins with a panel of Edward the
Confessor sending Harold to Normandy. Later Norman sources say that the mission was for Harold to pledge loyalty to William but the tapestry does not suggest any specific purpose. By mischance, Harold arrives at the wrong location in France and is taken
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abandoned his planned invasion of
Britain the tapestry's propaganda value was lost and it was returned to Bayeux where the council displayed it on a winding apparatus of two cylinders. Despite scholars' concern that the tapestry was becoming damaged the council refused to return it to the cathedral.
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are normally in the central zone but occasionally use the top border. The borders are otherwise mostly purely decorative and only sometimes does the decoration complement the action in the central zone. The decoration consists of birds, beasts, fish and scenes from fables, agriculture, and hunting.
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Louis's problem is exacerbated by his tendency towards abstraction and his unreasonably high standards for himself. In Scene Three, he tells Emily about La Reine
Mathilde, who supposedly created the Bayeux Tapestry. Louis describes La Reine's unceasing devotion to William the Conqueror and laments
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are included in many scenes to point out names of people and places or to explain briefly the event being depicted. The text is in Latin but at times the style of words and spelling shows an
English influence. A dark blue wool, almost black, is mostly used but towards the end of the tapestry other
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Although political propaganda or personal emphasis may have somewhat distorted the historical accuracy of the story, the Bayeux
Tapestry constitutes a visual record of medieval arms, apparel, and other objects unlike any other artifact surviving from this period. There is no attempt at continuity
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Norton has reviewed the various measurements of the length of the tapestry itself and of its nine individual linen panels. He has also attempted to estimate the size and architectural design of the 11th-century Bayeux
Cathedral. He considers the tapestry would have fitted well if it had been hung
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The main yarn colours are terracotta or russet, blue-green, dull gold, olive green, and blue, with small amounts of dark blue or black and sage green. Later repairs are worked in light yellow, orange, and light greens. Laid yarns are couched in place with yarn of the same or contrasting colour.
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in London in 2022, but strong objections were raised on conservation grounds. It would be the first time in 950 years that the tapesty had left France, although evidence suggests that the tapestry was made in
Canterbury. As of April 2024, however, a date for the loan had not yet been finalised.
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and sister of Harold. Wolfgang Grape has challenged the consensus that the embroidery is Anglo-Saxon, distinguishing between Anglo-Saxon and other
Northern European techniques; Medieval material authority Elizabeth Coatsworth contradicted this: "The attempt to distinguish Anglo-Saxon from other
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in a way that would have been dramatically satisfying. He agrees with earlier speculation that a final panel is missing—one that shows William's coronation and which he thinks was some three metres long. Norton concludes that the tapestry was definitely designed to be hung in Bayeux Cathedral
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The tapestry's narration seems to place stress on Harold's oath to William, although its rationale is not made clear. Norman sources claim that the English succession was being pledged to William, but English sources give varied accounts. Today it is thought that the Norman sources are to be
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in the vignette depicting his death is disputed. Some recent historians disagree with the traditional view that Harold is the figure struck in the eye with an arrow, and that the arrow is a later 18th/19th century modification following a period of repair. Benoît's engraving of 1729, and
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1526:—the beginnings of modern heraldic structure were in place, but would not become standard until the middle of the 12th century. It has been noted that the warriors are depicted fighting with bare hands, while other sources indicate the general use of gloves in battle and hunt.
1421:(a scene that was frequently censored in historical reproductions). However, similar naked figures appear elsewhere in the lower border where there seems to be no connection at all with the main action. Harold had a younger sister named Ælfgifu (her name is spelt Alveva in the
516:, in 1792, the tapestry was confiscated as public property to be used for covering military wagons. It was rescued from a wagon by a local lawyer who stored it in his house until the troubles were over, whereupon he sent it to the city administrators for safekeeping. After the
193:. It is thought to date to the 11th century, within a few years of the battle. Now widely accepted to have been made in England, perhaps as a gift for William, it tells the story from the point of view of the conquering Normans and for centuries has been preserved in Normandy.
208: .... Its survival almost intact over nine centuries is little short of miraculous ... Its exceptional length, the harmony and freshness of its colours, its exquisite workmanship, and the genius of its guiding spirit combine to make it endlessly fascinating.
282:, so it does not meet narrower definitions of a tapestry. Nevertheless, it has always been referred to as a tapestry until recent years when the name "Bayeux Embroidery" has gained ground among certain art historians. It can be seen as a rare example of secular
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in the Loire Valley and says the detailed depiction of the Breton campaign argues for additional sources in France. Andrew Bridgeford has suggested that the tapestry was actually of English design and encoded with secret messages meant to undermine Norman rule.
808:). Events take place in a long series of scenes which are generally separated by highly stylised trees. However, the trees are not placed consistently and the greatest scene shift, between Harold's audience with Edward after his return to England and Edward's
1138:, whose position as Archbishop of Canterbury was controversial. Stigand is performing a liturgical function, possibly not the crowning itself. The tapestry labels the celebrant as "Stigant Archieps" (Stigand the archbishop) although by that time he had been
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reported that Edward had previously determined that William would succeed him on the throne, and Harold had sworn to honour this, and yet later that Harold had claimed Edward, on his deathbed, had made him heir over William. However, other sources, such as
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made more successful investigations and found that the sketch was of a small portion of a tapestry preserved at Bayeux Cathedral. In 1729 and 1730 he published drawings and a detailed description of the complete work in the first two volumes of his
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was to die with a weapon through the eye. Therefore, the tapestry might be said to emphasize William's rightful claim to the throne by depicting Harold as an oath breaker. Whether he actually died in this way remains a mystery and is much debated.
1533:, in a study of the tapestry, has "cautioned against reading it as an English or Norman story, showing how the animal fables visible in the borders may instead offer a commentary on the dangers of conflict and the futility of pursuing power".
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was famous across Europe. It was perhaps commissioned for display in the hall of Odo's palace in Bayeux, and then bequeathed to the cathedral he had built, following the precedent of the documented but lost hanging of the Anglo-Saxon warrior
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specifically; that it was designed to appeal to a Norman audience; and that it was probably designed for Bishop Odo so as to be displayed at the dedication of the cathedral in 1077 in the presence of William, Matilda, their sons, and Odo.
1981:. It was written by Jonas Rosales, directed by Alexis de Favitski and produced by Antoine Bamas. The documentary covered investigations carried out on the tapestry by the Laboratoire d'Archéologie Moléculaire et Structurale (LAMS) at the
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1681:, started a reproduction on 13 July 2016. As of May 2023 she had completed 40 metres, saying that she expected to finish in some 4 years. Hansson takes part of her replica out for talk and display events. In September 2020 she published
1518:, archbishop of York, and favoured by the papacy, making Harold's position as legitimate king more secure. Contemporary scholarship has not decided the matter, although it is generally thought that Ealdred performed the coronation.
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concerning a sketch he had received about a work concerning William the Conqueror. He had no idea where or what the original was, although he suggested it could have been a tapestry. Despite further enquiries he discovered no more.
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In 1724 a linen backing cloth was sewn on comparatively crudely and, in around the year 1800, large ink numerals were written on the backing which broadly enumerate each scene and which are still commonly used for reference.
4154:
Burt, Richard (2009). "Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema in Robin Hood, Prince of Thieves and El Cid." In Medieval Film. Ed. Anke Bernau and Bettina Bildhauer (Manchester: Manchester UP),
1662:, Norfolk, England, created a replica of the tapestry between 2011 and 2014 in carved and painted wooden relief on 25 five-foot planks. He undertook the project to help cope with the grief of losing his 18-year-old son.
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for filling in figures. Nine linen panels, between fourteen and three metres in length, were sewn together after each was embroidered and the joins were disguised with subsequent embroidery. At the first join (start of
1749:, is widely recognised, and is so distinctive in its artistic style, the Bayeux Tapestry has frequently been used or reimagined in a variety of different popular culture contexts. George Wingfield Digby wrote in 1957:
1033:
might even describe the Bayeux Tapestry itself. The Bayeux Tapestry was therefore not unique at the time it was created: rather it is remarkable for being the sole surviving example of medieval narrative needlework.
713:, although it meets the traditional broader definition of "tapestry" as: "A textile fabric decorated with designs of ornament or pictorial subjects, painted, embroidered, or woven in colours, used for wall hangings,
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shows familiarity with English spelling. There are two naked male figures in the border below this figure; the one directly below the figure is in a pose mirroring that of the cleric, squatting and displaying his
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The tapestry's central zone contains most of the action, which sometimes overflows into the borders either for dramatic effect or because depictions would otherwise be very cramped (for example at Edward's
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Tapestry fragments have been found in Scandinavia dating from the ninth century and it is thought that Norman and Anglo-Saxon embroidery developed from this sort of work. Examples are to be found in the
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At least two panels of the tapestry are missing, perhaps even another 6.4 m (7.0 yd) in total. This missing area may have depicted William's coronation as King of England. A poem by
1970:. The apocryphal account of Queen Matilda's creation of the tapestry is used, perhaps in order to demonstrate that Louis, one of the main characters, holds himself to mythological standards.
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The exact number of scenes is not clearly defined; the Musée de la Tapisserie de Bayeux states 58 scenes, although some interpretations regard the tapestry as being divided into 70 scenes.
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Clerics were not supposed to shed blood, hence Odo has no sword. Rather than just praying for the Norman knights, however, which ought to have been his role, Odo seems militarily active.
1585:, England. The naked figure in the original tapestry (in the border below the Ælfgyva figure) is depicted wearing a brief garment because the drawing which was worked from was similarly
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Northern European embroideries before 1100 on the grounds of technique cannot be upheld on the basis of present knowledge." George Beech suggests the tapestry was executed at the
610:, on 25 August, the tapestry was again put on public display in the Louvre, and in 1945 it was returned to Bayeux, where it is exhibited at the Musée de la Tapisserie de Bayeux.
222:, William's maternal half-brother, and made for him in England in the 1070s. In 1729, the hanging was rediscovered by scholars at a time when it was being displayed annually in
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It was designed to tell a story to a largely illiterate public; it is like a strip cartoon, racy, emphatic, colourful, with a good deal of blood and thunder and some ribaldry.
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By 1842 the tapestry was displayed in a special-purpose room in the Bibliothèque Publique. It required special storage in 1870 with the threatened invasion of Normandy in the
1700:'s estate auction, purchased for £16,000. The replica, one of three known surviving Victorian copies, was originally created as a panoramic photograph in the 19th century.
1514:, the excommunicated archbishop of Canterbury, as the man who crowned Harold, possibly to discredit Harold's kingship; one English source suggests that he was crowned by
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it may have been commissioned at the same time as the cathedral's construction in the 1070s, possibly completed by 1077 in time for display on the cathedral's dedication.
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Rud, Mogens (1992). "The Bayeux Tapestry and the Battle of Hastings 1066", Christian Eilers Publishers, Copenhagen; contains full colour photographs and explanatory text
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A comet was believed to be a bad omen at this time and Halley's comet would have first appeared in 1066 around 24 April, nearly four months after Harold's coronation.
1441:. It has been speculated that this scene, occurring after the meeting of Harold and William, is to remind the contemporary viewers of a scandal that occurred between
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colours are used, sometimes for each word and other times for each letter. The complete text and English translation are displayed beside images of each scene at
1607:, began making a replica of the Bayeux Tapestry using the original sewing techniques. The replica was completed in June 2014 and went on permanent exhibition at
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1070–1089. The actual physical work of stitching was most probably undertaken by female needleworkers. Anglo-Saxon needlework of the more detailed type known as
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The first reference to the tapestry is from 1476 when it was listed in an inventory of the treasures of Bayeux Cathedral. It survived the sack of Bayeux by the
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1600:, Canada, completed a stitched replica in 1996. Since its completion, it has been displayed in various museums and galleries in Canada and the United States.
770:"Et fuga verterunt Angli" ("and the English left fleeing") is said to be "entirely spurious", added shortly before 1814 at a time of anti-English sentiment.
335:("The Tapestry of Queen Matilda"). However, scholarly analysis in the 20th century concluded it was probably commissioned by William's half-brother, Bishop
239:
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2268:"Tapestry": "A textile fabric decorated with designs of ornament or pictorial subjects, painted, embroidered, or woven in colours, used for wall hangings,
1966:
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1095:. After exchanges of messages borne by mounted messengers, Harold is released to William, who then invites Harold to accompany him on a campaign against
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jr. and published by the Society in 1819–23. Stothard's images are still of value as a record of the tapestry as it was before 19th-century restoration.
759:) has been reworked. The tapestry may well have maintained much of its original appearance—it now compares closely with a careful drawing made in 1730.
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and essentially depicts a Norman viewpoint. However, Harold is shown as brave, and his soldiers are not belittled. Throughout, William is described as
501:, who was living in Paris in 1732–3, and was acquainted with Lancelot and de Montfaucon: it was not published, however, until 1767, as an appendix to
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944:, king of England and about sixty years old at the time the tapestry starts its narration, had no children or any clear successor. Edward's mother,
933:'s daughter. William became Duke of Normandy at the age of seven and was in control of Normandy by the age of nineteen. His half-brother was Bishop
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is not due to them being added later. Later generations have patched the hanging in numerous places and some of the embroidery (especially in the
4126:
Burt, Richard (July 2007). "Re-embroidering the Bayeux Tapestry in Film and Media: The Flip Side of History in Opening and End Title Sequences".
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Burt, Richard (July 2007). "Re-embroidering the Bayeux Tapestry in Film and Media: The Flip Side of History in Opening and End Title Sequences".
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1130:
Edward has become mortally ill and the tapestry strongly suggests that, on his deathbed, he bequeaths the crown to Harold. What is probably the
655:, however, was not impressed: "It is certainly the work of amateurs; very feeble amateurs at the beginning and very heedless some of them too."
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at Hastings to defend their position. Messengers are sent between the two armies, and William makes a speech to prepare his army for battle.
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There are frequent oblique bands separating the vignettes. There are nude figures, some of corpses from battle, others of a ribald nature. A
2180:] (annotated edition). Translated by Rex, Richard (First ed.). Woodbridge, United Kingdom: Boydell & Brewer Ltd. p. 272.
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Burt, Richard (2007). "Loose Threads: Weaving Around Women in the Bayeux Tapestry and Cinema", in Medieval Film, ed. Anke Bernau and
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In a series of pictures supported by a written commentary, the tapestry tells the story of the events of 1064–1066 culminating in the
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and Vital, two individuals identified in the tapestry. Alternatively, Christine Grainge has argued that the designer may have been
520:, the Fine Arts Commission, set up to safeguard national treasures in 1803, required it to be removed to Paris for display at the
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Werckmeister, Otto Karl (1976). "The Political Ideology of the Bayeux Tapestry." Studi Medievali, 3rd Series 17, no. 2: 535–95.
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of 1086) who was possibly promised to William by Harold or even betrothed to him, but she died c. 1066, prior to the invasion.
1385:, "he is slain"). This would appear to be more consistent with the labeling used elsewhere in the work. It was common medieval
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announced that the Bayeux Tapestry would be loaned to Britain for public display. It had been expected to be exhibited at the
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1989:, measuring 215 different colours, to analyse the pigments which produced the original colours for the dyes, extracted from
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Wissolik, Richard David (March 1979). "The Monk Eadmer as Historian of the Norman Succession: Korner and Freeman Examined."
3240:"Prufrock: The Meaning of the Bayeux Tapestry, When Israeli Prisoners Translated 'The Hobbit,' and the French 'Anti-Keynes'"
1618:, commissioned a hand-painted, full-size replica of the Bayeux Tapestry completed by Margaret ReVille and donated it to the
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The Bayeux Tapestry. A Critical Annotated Bibliography with Cross References and Summary Outlines of Scholarship, 1729–1988
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2539:. (The New Middle Ages), New York, Palgrave Macmillan 1995; reviewed in Robin Netherton and Gale R. Owen-Crocker, editors,
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between scenes, either in individuals' appearance or clothing. The knights carry shields, but show no system of hereditary
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Wissolik, Richard David (1982). "Duke William's Messengers: An 'Insoluble, Reverse-Order' Scene of the Bayeux Tapestry".
1126:. Although the writing on the tapestry explicitly states an oath is taken there is no clue as to what is being promised.
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1464:, which is very similar to the Bayeux depiction. He describes the closing scene as the coronation of William in London.
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1569:, who was an accomplished seamstress, embarked on creating a reproduction in 1885. She organised some 37 women in her
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The inventory listing of 1476 shows that the tapestry was being hung annually in Bayeux Cathedral for the week of the
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cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall that depicts the events leading up to the
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3499:"Photo gallery: Norfolk man creates a 135ft wooden version of the Bayeux Tapestry to help cope with his son's death"
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ground 68.38 metres long and 0.5 metres wide (224.3 ft × 1.6 ft) and using two methods of stitching:
628:, which normally dealt with foreign affairs, reporting on it on its first two pages. It inspired a popular musical,
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touching or possibly striking a woman's face. No one knows the significance of this scene or the caption above it:
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1449:, Cnut's wives, that eventually led to the crowning of Edward the Confessor, child of Emma and her first husband,
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A Needle in the Right Hand of God: The Norman Conquest of 1066 and the Making and Meaning of the Bayeux Tapestry.
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4244:"The Yorkshire Preface to the Bayeux Tapestry" The Events of September 1066 – Depicted In a Community Tapestry
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1103:, the army becomes mired in quicksand and Harold saves two Norman soldiers. William's army chases Conan from
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attempted to take possession of the tapestry, by which time the Louvre was again in French hands. After the
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A number of films have used sections of the tapestry in their opening credits or closing titles, including
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602:) ordering it to be taken to "a place of safety", thought to be Berlin. It was only on 22 August that the
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2020:(2024) were redesigned with an animated sequence in embroidery that was inspired by the Bayeux Tapestry.
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647:, a visit was included on "Recommended Route 26 (Caen to Cherbourg via Bayeux)", and this guidebook led
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3450:"The Medieval Mosaic The Recreation of the Bayeux Tapestry, as a 34 metre Medieval Mosaic Masterpiece"
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3985:"House of the Dragon's Epic New Opening Credits Are Inspired by Real-Life History - A stitch in time"
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to go there; he would describe the tapestry as "the most interesting thing in its way conceivable".
218:, embroidered on linen with coloured woollen yarns. It is likely that it was commissioned by Bishop
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Assuming Odo commissioned the tapestry, it was probably designed and constructed in England by
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coveted the work, regarding it as "important for our glorious and cultured Germanic history".
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Campbell, Miles Warren (1984). "Aelfgyva : The Mysterious Lady of the Bayeux Tapestry".
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2227:
1866:
1647:
An approximately half-scale mosaic version of the Bayeux Tapestry was formerly on display at
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The depiction of events on the tapestry has raised several questions which remain unsettled.
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For example, illustrations in the Bayeux Tapestry can be shown to have been copied from the
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in 1562; and the next certain reference is from 1724. Antoine Lancelot sent a report to the
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1801:, published in 1915, which tells the story of the German invasion of Belgium in August 1914
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and the most powerful noble in England, was Edward's brother-in-law. The Norman chronicler
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2272:, covers for seats, ..." before mentioning "especially" those woven in a tapestry weave.
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to collaborate working from a full-scale water-colour facsimile drawing provided by the
1351:
701:, this piece is conventionally referred to as a "tapestry", although it is not a "true"
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2543:, Volume 2, Woodbridge, Suffolk, UK, and Rochester, New York, the Boydell Press, 2006,
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1057:, in Germany, is the largest of a group of fragments from hangings based on decorative
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engravings: scenes showing the Norman troops crossing the Channel and landing in Sussex
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Bernstein, David J. (1986). "The Mystery of Bayeux Tapestry" Weidenfeld and Nicolson
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3386:[The Vikings Are Coming!] (in Danish). Kristeligt Dagblad. 30 November 2005.
2885:
Norton, Christopher (23 October 2019). "Viewing the Bayeux Tapestry, Now and Then".
2857:, "Tapestry", which goes on to mention "especially" those woven in a tapestry weave.
1405:("where a certain cleric and Ælfgyva"), where Ælfgyva is the Latinised spelling of
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but the tapestry does not provide this context. The English fight on foot behind a
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659:
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490:
486:. The drawings were by Antoine Benoît, one of the ablest draughtsmen of that time.
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103:
97:
62:
3681:
3195:
3083:
2898:
2845:, formerly held in Canterbury, and Canterbury was Bishop Odo's English power-base.
2427:
Grainge, Christine (2023). "The identity of the designer of the Bayeux Tapestry".
1608:
1604:
1041:, or Girona Tapestry, is a large Romanesque panel of needlework, in the Museum of
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4162:(New York and London: Palgrave Macmillan), xiv; 279 pp. Paperback edition, 2010.
4014:
3108:
2372:
Clarke, Howard B. (2013). "The Identity of the Designer of the Bayeux Tapestry".
2010:
1950:
1882:
1722:
1718:
1553:
A number of replicas of the Bayeux Tapestry have been created, in various media.
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1112:
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Tapestry (actually needlework), 11th-century, 3.65 m × 4.70 m (12.0 ft × 15.4 ft)
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532:
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2515:"Oxford Bibliographies Online – Author (Contributor: Elizabeth Coatsworth)"
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3591:"Bayeux Museum lands 1872 reproduction of tapestry from Rolling Stone's estate"
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1994:
1949:
The design and embroidery of the tapestry form one of the narrative strands of
1809:
1768:
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finished a continuation including William's coronation and the building of the
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3400:[The "Bayeux tapestry" displayed in a horse stable in North Jutland].
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and that the scenes it depicts can be correlated with positions of the arcade
196:
According to Sylvette Lemagnen, conservator of the tapestry, in her 2005 book
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Wissolik, Richard David. "The Saxon Statement: Code in the Bayeux Tapestry."
4195:
Foys, Martin K., Overbey, Karen Eileen Overbey and Terkla, Dan (eds.) (2009)
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1918:
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336:
314:, but its origins have been the subject of much speculation and controversy.
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34:
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4179:
3941:
3157:
Gibbs-Smith, Charles (1965). "Notes on the Plates". In Frank Stenton (ed.).
2048:
Professor Christopher Norton is emeritus professor of History of Art at the
1899:(2014–15), and (in this case a woven tapestry with embroidered details) the
1409:, a popular Anglo-Saxon woman's name (literally "elf-gift"). The use of the
310:
The earliest known written reference to the tapestry is a 1476 inventory of
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4018:
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3002:
Pulling the Arrow Out: The Legend of Harold's Death and the Bayeux Tapestry
2788:
2537:
Was the Bayeux Tapestry Made in France?: The Case for St. Florent of Saumur
2481:
1961:
1772:
1659:
1149:
914:
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560:
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340:
226:. The tapestry is now exhibited at the Musée de la Tapisserie de Bayeux in
3475:
1839:
The tapestry has inspired modern embroideries, most notably and directly:
1210:
The following is a list of known persons depicted on the Bayeux Tapestry:
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2005:
1742:
1706:
1674:
1586:
1386:
1191:
1074:
957:
732:
648:
389:
5259:
4318:
1822:'s pastiche chronicling the saga leading up to Britain's entry into the
1061:, including animals, that are probably the earliest European survivals.
956:
but was decided jointly by the king and by an assembly of nobility, the
5887:
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5279:
5192:
5147:
4989:
4760:
4750:
4735:
4649:
4639:
4469:
4256:
Pastan, Elizabeth Carson, and Stephen White, with Kate Gilbert (2014).
1856:
1746:
1499:
1131:
739:
710:
690:
385:
272:
174:
1713:), Hertfordshire, and his coronation. In early 2013, 416 residents of
1406:
1215:
466:
317:
French legend maintained the tapestry was commissioned and created by
29:
4583:
4573:
4498:
4310:
3401:
3210:"ACLS American Council of Learned Societies - www.acls.org - Results"
2132:
1828:
1804:
1577:. The full-size replica was finished in 1886 and is now exhibited in
1418:
1045:, Catalonia, Spain. The hanging depicts a series of figures from the
1026:
1025:, mentions a woven narrative wall-hanging commemorating the deeds of
591:
571:
556:
455:
418:
204:
The Bayeux tapestry is one of the supreme achievements of the Norman
3265:
2345:"Stitches in Time: Establishing a History of Anglo-Saxon Embroidery"
1666:
1194:, whilst the Normans are on horses. Two fallen knights are named as
432:
has suggested the tapestry could possibly have been commissioned by
77:
6177:
5326:
5284:
5269:
4664:
4578:
3339:
2269:
1978:
1714:
1489:
1410:
1390:
1283:
856:
The entire Bayeux Tapestry. Individual images of each scene are at
714:
702:
525:
405:
377:
276:
231:
5928:
6126:
5917:
5264:
4969:
4957:
4875:
4538:
4533:
2141:
Koslin, Desirée (1990). "Turning Time in the Bayeux Embroidery".
1787:
1670:
1597:
1511:
1503:
1221:
1171:
1135:
1079:
926:
903:
706:
583:
279:
1460:
describes a tapestry on the walls of the personal apartments of
299:
6065:
5600:
4912:
4907:
4816:
4379:
2940:
Wingfield Digby, George (1965). "Technique and Production". In
1907:
1642:
Sections of the 1066 Medieval Mosaic re-creation in New Zealand
1398:
1322:
1293:
1288:
1143:
1116:
1108:
996:
976:
721:
587:
401:
344:
227:
214:
1775:, a British comic book artist, has called it "the first known
1589:. The replica was digitised and made available online in 2020.
1186:
was fought on 14 October 1066 less than three weeks after the
639:
complaining of the need to queue to see the work. In the 1843
5902:
5519:
4438:
2868:"Christopher Norton - History of Art, The University of York"
2310:, in English and French. Word document. Published 9 May 2006.
1990:
1852:
1123:
1120:
735:
118:
2676:
Bertrand, Simone (1965) . "The History of the Tapestry". In
2159:
et combien pauvre alors ce nom de broderie nous apparaît-il!
559:
of the tapestry. His drawings were subsequently engraved by
5295:
5274:
4780:
2174:
La Tapisserie de Bayeux: œuvre d'art et document historique
1873:
Other embroideries more loosely inspired by it include the
1359:
828:) and this is the earliest known depiction. The picture of
788:
728:
725:
489:
The tapestry was first briefly noted in English in 1746 by
373:
130:
112:
86:
68:
2948:(2nd ed.). Phaidon Press. pp. 37–55 (37, 45–48).
2684:(revised ed.). London: Phaidon Press. pp. 88–97.
1413:
4622:
3449:
2854:
2265:
1037:
Very few hangings from the 11th century survive, but the
115:
74:
6290:
Embroidery depicting the 1066 Norman invasion of England
1086:, with a portrayal of medieval agriculture in the border
3398:"Nu hænger Bayeux-tapetet i en hestestald i Vendsyssel"
3004:. Woodbridge, UK: Boydell and Brewer. pp. 158–75.
2134:
Reframing Medieval Art: Difference, Margins, Boundaries
709:
into the cloth in tapestry weave; it is technically an
603:
497:. The first detailed account in English was written by
4893:
4882:
4873:
4433:. Vol. 3 (11th ed.). 1911. pp. 555–556.
4191:. Individual licence ed; CD-ROM. On-line version, 2013
4013:
1437:, past kings of Denmark and England respectively, via
4081:
1066 : the hidden history in the Bayeux Tapestry
2347:. In Netherton, Robin; Owen-Crocker, Gale R. (eds.).
1510:
preferred. Both the tapestry and Norman sources name
1472:
The Bayeux Tapestry was probably commissioned by the
680:
635:
The tapestry was becoming a tourist attraction, with
139:
4360:
4258:
The Bayeux Tapestry and its Contexts: A Reassessment
4226:
The Bayeux Tapestry: The Life Story of a Masterpiece
3262:"Britain's Bayeux Tapestry at the Museum of Reading"
2793:
The Bayeux Tapestry. The Life Story of a Masterpiece
2478:
The Bayeux Tapestry: The Life Story of a Masterpiece
2283:
The Bayeux Tapestry – A History and Description
1865:(2010), which chronicles the events surrounding the
870:
779:
has also been restored but to a much lesser extent.
766:
has been missing from time immemorial and the final
555:, to visit Bayeux to make an accurate hand-coloured
127:
109:
83:
65:
4279:
The Bayeux Tapestry: the Complete Tapestry in Color
4043:
3746:
Wingfield Digby, "Technique and Production", p. 37.
3523:Monger, Garry (2022). "Fenland's Bayeux Tapestry".
3424:"History center to display Bayeux Tapestry replica"
1692:replica of the Bayeux tapestry as part of the late
1614:Dr. E. D. Wheeler, former judge and former dean at
350:The reasons for the Odo commission theory include:
124:
106:
71:
4095:
3961:
3940:
3098:Gesta Willelmi ducis Normannorum et regis Anglorum
2921:Gesta Willelmi ducis Normannorum et regis Anglorum
2008:, the opening credits of the second season of the
1626:in 1994. In 2014, the replica was acquired by the
460:Académie Royale des Inscriptions et Belles-Lettres
388:, because of his previous position as head of the
4418:– collection of videos, articles and bibliography
3171:
2887:Journal of the British Archaeological Association
2502:The Bayeux Tapestry: Monument to a Norman Triumph
1115:. William gives Harold arms and armour (possibly
697:In common with other embroidered hangings of the
354:three of the bishop's followers mentioned in the
329:. Indeed, in France, it is occasionally known as
212:The cloth consists of 58 scenes, many with Latin
6294:
6209:Coronations of William the Conqueror and Matilda
3900:
2229:The Middle Ages: A History From Beginning to End
894:, recently crowned King of England, leading the
4404:High quality panoramic image of Bayeux Tapestry
2939:
2564:1066: The Hidden History in the Bayeux Tapestry
742:for lettering and the outlines of figures, and
613:
361:it was found in Bayeux Cathedral, built by Odo;
3027:The House of Godwine: the history of a dynasty
2453:. Manchester: Manchester UP. pp. 134–36.
2092:, although the Tapestry does not specify this.
2035:
2033:
1983:French National Centre for Scientific Research
1737:Street art in Bayeux referring to the Tapestry
1688:In January 2024, the Bayeux Museum acquired a
1603:In 2000, a Danish association, Vikingegruppen
1160:A star with a streaming tail, now known to be
5944:
5311:
5086:Fragments of a Cope with the Seven Sacraments
4454:
4098:The Bayeux Tapestry: History and Bibliography
3942:"BBC Four - Mysteries of the Bayeux Tapestry"
3616:
2959:Victoria and Albert Museum, "Tapestry Border"
2558:
2556:
2338:
2336:
2334:
1536:
1484:up to his coronation, is subsequently called
836:), is the first known picture of this comet.
396:(famed for its illumination), his travels to
6318:Cultural depictions of William the Conqueror
3722:
3649:"Invasion of England, Submission to William"
3641:
3062:
2817:"Bayeux Tapestry to be displayed in Britain"
2406:"Designer of the Bayeux Tapestry identified"
2157:. La Pierre-qui-Vire: Zodiaque. p. 23.
1099:. On the way, just outside the monastery of
473:/ Benoît drawing showing King Harold's death
330:
160:
6348:Works about battles and military operations
6264:
4027:The Golden Age of Anglo-Saxon Art, 966–1066
3156:
2296:The Bayeux Tapestry. A comprehensive survey
2030:
1685:, with hand-drawn images from the tapestry.
1397:There is a panel with what appears to be a
824:, a newly invented implement, is depicted (
33:A scene from the Bayeux Tapestry depicting
5951:
5937:
5416:Great Tapestry of Scotland: People's Panel
5318:
5304:
5026:Great Tapestry of Scotland: People's Panel
4461:
4447:
2671:
2669:
2667:
2665:
2663:
2661:
2659:
2657:
2631:
2629:
2627:
2625:
2623:
2621:
2619:
2617:
2615:
2613:
2611:
2609:
2607:
2605:
2603:
2601:
2599:
2553:
2342:
2331:
2328:, Thames and Hudson, 1985, pp. 201–27
343:and, when William was absent in Normandy,
4281:, Rev. ed. New York: Thames & Hudson
3812:
3730:"Bayeux Tapestry ending made in Alderney"
3364:. Newsrelease.uwaterloo.ca. 15 March 2001
2783:
2781:
2779:
2777:
2775:
2773:
2771:
2769:
2767:
2765:
2763:
2761:
2759:
2757:
2755:
2753:
2751:
2749:
2747:
2597:
2595:
2593:
2591:
2589:
2587:
2585:
2583:
2581:
2579:
2320:
2318:
2316:
1146:who considered his appointment unlawful.
948:, was William's great aunt. At that time
551:commissioned its historical draughtsman,
5219:Embroidery Software Protection Coalition
4296:
4197:The Bayeux Tapestry: New Interpretations
4165:
4160:Medieval and Early Modern Film and Media
3982:
3708:. Thirsk: Madeira Threads. p. 112.
3588:
3090:
2745:
2743:
2741:
2739:
2737:
2735:
2733:
2731:
2729:
2727:
2675:
2474:"New Contender for The Bayeux Tapestry?"
2152:
2130:
1732:
1637:
1545:Start of the Bayeux Tapestry replica in
1540:
1494:
1358:
1350:
1338:
1170:
1148:
1073:
986:
874:
684:
590:and on 18 August, three days before the
531:
465:
372:(Odo's main power base being by then in
298:
28:
6353:Cultural depictions of Harold Godwinson
4029:. London: British Museum Publications.
3963:"BBC4 to reversion Bayeux Tapestry doc"
3935:
3933:
3790:
3703:
3537:
3496:
3254:
3181:Oxford Dictionary of National Biography
3165:
3069:Oxford Dictionary of National Biography
2654:
2445:
2426:
2351:. Boydell & Brewer. pp. 1–27.
2225:
2088:Possibly about Harold's victory in the
484:Les Monuments de la Monarchie française
339:, who, after the Conquest, also became
271:The designs on the Bayeux Tapestry are
14:
6295:
5458:Hunting of Birds with a Hawk and a Bow
3841:Steven, Alasdair (24 September 2003).
3840:
3522:
3441:
2884:
2635:
2576:
2371:
2313:
2171:
2140:
1480:("duke"), whereas Harold, also called
1467:
1334:
720:The Bayeux tapestry is embroidered in
5932:
5299:
4442:
4277:Wilson, David McKenzie (ed.) (2004).
4246:, Writers Print Shop, first edition.
4220:
4093:
3476:"A Medieval Mosaic (Medieval Mosaic)"
3456:from the original on 16 February 2016
3150:
3056:
3024:
2933:
2787:
2724:
2308:UNESCO World Heritage nomination form
1835:"Europa" supplement on 1 January 1973
1728:
832:, which appears in the upper border (
154:
5470:The Justice of Trajan and Herkinbald
4125:
3930:
3871:
3658:. Berkhamsted Castle. Archived from
3540:Mia's Bayeux Tapestry Colouring Book
2999:
2202:"Explore the Bayeux Tapestry online"
2101:This reflected the military reality.
1683:Mia's Bayeux Tapestry Colouring Book
6106:Companions of William the Conqueror
5958:
5239:Chung Young Yang Embroidery Museum
4397:Digital exploration of the tapestry
3706:Bayeux Tapestry Embroiderers' Story
3562:
3362:"Bayeux Tapestry, topic of seminar"
2976:"People identified on the tapestry"
2408:. Medievalists.net. 30 October 2013
2298:London: Phaidon, 1957 revised 1965.
2285:, London: G. Bell & Sons, 1913.
2172:Musset, Lucien (1 November 2005) .
2052:in the Centre for Medieval Studies.
2004:At the behest of series showrunner
1502:of Harold, seemingly by Archbishop
1429:was also the name of the mother of
982:
908:companions of William the Conqueror
812:, is not marked in any way at all.
449:
24:
5535:Scottish royal tapestry collection
4621:
4614:
4607:
4217:London; New York, Phaidon; Praeger
4051:. Paris: Citadelles & Mazenod.
4006:
3770:The History of the British Comic,
3447:
2963:Photo of the Cloth of Saint Gereon
2451:Anglo-Saxon Art, a New Perspective
2256:. Stroud, UK: Tempus. pp. 32–33.
2170:Sylvette Lemagnen, Preface, p. 9;
1205:
1111:, and Conan finally surrenders at
1069:
681:Construction, design and technique
641:Hand-book for Travellers in France
630:La Tapisserie de la Reine Mathilde
332:La Tapisserie de la Reine Mathilde
25:
6369:
5385:Christ in Glory in the Tetramorph
4356:
4047:; Barral i Altet, Xavier (2019).
3959:
3628:Berkhamsted Local History Society
3589:Willsher, Kim (29 January 2024).
3497:Lazzari, Adam (14 January 2014).
3246:. 25 January 2018. Archived from
1813:magazine of 15 July 1944 marking
1119:him) and Harold takes an oath on
871:Background of the events depicted
783:along the south, west, and north
5584:
5569:Walsall Silver Thread Tapestries
4378:
4363:
4347:Wissolik, Richard David (1989).
3908:"SparkNote on Angels in America"
3029:. London: Hambledon and London.
2504:, Prestel Publishing, 3791313657
2252:Saul, Nigel. "Bayeux Tapestry".
2226:Freeman, Henry (21 March 2016).
2137:. Medford, MA: Tufts University.
1975:Mysteries of the Bayeux Tapestry
1826:, published across six pages in
950:succession to the English throne
890:. The two main protagonists are
845:
549:Society of Antiquaries of London
443:Abbey of Saint-Florent de Saumur
102:
61:
5647:Moravská Gobelínová Manufaktura
5575:The World Trade Center Tapestry
5123:Juanita Growing Thunder Fogarty
4228:. London: Chatto & Windus.
4189:Bayeux Tapestry Digital Edition
3983:Johnston, Dais (17 June 2024).
3976:
3953:
3865:
3834:
3784:
3764:
3749:
3740:
3697:
3582:
3556:
3531:
3516:
3490:
3468:
3416:
3390:
3376:
3354:
3332:
3306:
3280:
3232:
3202:
3124:
3043:
3018:
2993:
2968:
2952:
2913:
2878:
2860:
2848:
2835:
2809:
2715:
2706:
2697:
2688:
2529:
2507:
2494:
2467:
2439:
2420:
2398:
2365:
2294:Sir Frank Stenton (ed) et al.,
2254:A Companion to Medieval England
2104:
2095:
2082:
2073:
2064:
2055:
2042:
1973:In 2022 the French documentary
1960:The tapestry is referred to in
1658:Jason Welch, a woodcarver from
1218:, a woman of uncertain identity
1006:grave goods of the Oseberg ship
598:sent a message (intercepted by
5244:Han Sang Soo Embroidery Museum
5214:Embroiderers' Guild of America
5168:Charles Germain de Saint Aubin
4468:
4410:A Guide to the Bayeux Tapestry
2566:, Walker & Company, 2005.
2541:Medieval Clothing and Textiles
2349:Medieval Clothing and Textiles
2343:Coatsworth, Elizabeth (2005).
2301:
2288:
2275:
2246:
2219:
2194:
2164:
2131:Caviness, Madeline H. (2001).
2124:
1741:Because it resembles a modern
1343:Harold's death. Legend above:
570:and again in 1939–1944 by the
13:
1:
5401:Devonshire Hunting Tapestries
5355:Amnesty-Sís-Pinton Tapestries
5224:Needlework Development Scheme
4344:. 19 (September 1979), 69–97.
3565:"Mia's Bayeux Tapestry Story"
3340:"Ray Dugan's Bayeux Tapestry"
3141:
3115:
3101:
2924:
2899:10.1080/00681288.2019.1642012
2476:, from the BBC, 22 May 2006.
2117:
1937:Robin Hood: Prince of Thieves
1571:Leek School of Art Embroidery
1557:Through the collaboration of
1310:
865:
421:, bequeathed by his widow to
6358:Works subject to expurgation
6328:Memory of the World Register
5325:
5113:Shahin Ebrahimzadeh-Pezeshki
4424:"Bayeux Tapestry, The"
3798:. Oxford: Bodleian Library.
3196:UK public library membership
3084:UK public library membership
1782:It has inspired many modern
1403:ubi unus clericus et Ælfgyva
1364:Ubi unus clericus et Ælfgyva
658:During the Second World War
620:Feast of St John the Baptist
614:Later reputation and history
7:
6267:Carmen de Hastingae Proelio
6199:Northumbrian Revolt of 1065
5672:William Baumgarten & Co
5234:Wemyss School of Needlework
5044:Magna Carta (An Embroidery)
4894:
4883:
4874:
4412:– Latin-English translation
4351:, Greensburg: Eadmer Press.
4335:American Benedictine Review
4121:Manchester University Press
4094:Brown, Shirley Ann (1988).
4079:Bridgeford, Andrew (2005).
3428:University of North Georgia
3314:"Britain's Bayeux Tapestry"
3183:. Oxford University Press.
3071:. Oxford University Press.
1896:Magna Carta (An Embroidery)
1824:European Economic Community
1628:University of North Georgia
906:army, sometimes called the
576:German occupation of France
10:
6374:
6333:Norman conquest of England
5867:Raffaello Sanzio (Raphael)
5530:Scottish Diaspora Tapestry
5488:Oseberg tapestry fragments
5439:The History of Constantine
5411:Great Tapestry of Scotland
5229:Royal School of Needlework
5080:Scottish Diaspora Tapestry
5021:Great Tapestry of Scotland
4371:Anglo-Saxon England portal
3822:. Condé Nast. 15 July 1944
3342:. Dugansbayeuxtapestry.com
1940:, and Richard Fleischer's
1891:Scottish Diaspora Tapestry
1887:Great Tapestry of Scotland
1620:University of West Georgia
1561:with textile manufacturer
1537:Replicas and continuations
1345:Harold rex interfectus est
1314:
1242:Eustace, Count of Boulogne
1227:Conan II, Duke of Brittany
1097:Conan II, Duke of Brittany
1064:
294:
289:
187:Harold II, King of England
179:Norman Conquest of England
6247:
6191:
6160:
6114:
6033:
6010:Battle of Stamford Bridge
5997:
5966:
5875:
5815:list of tapestry cartoons
5748:
5680:
5619:
5593:
5582:
5333:
5252:
5201:
5178:Dimitri Vlachos - Castano
5096:Designersand embroiderers
5095:
4998:
4789:
4728:
4632:
4605:
4476:
3781:, 8 September 2007, p. 5.
2517:. Oxford University Press
2382:10.1017/9781782041085.009
2153:Bertrand, Simone (1966).
2090:Battle of Stamford Bridge
1492:for the Norman Conquest.
1347:, "King Harold is killed"
1299:William, Duke of Normandy
1188:Battle of Stamford Bridge
900:William, Duke of Normandy
860:. (Scroll left or right.)
717:, covers for seats, ..."
586:took the tapestry to the
400:, and his connections to
189:, and culminating in the
183:William, Duke of Normandy
5893:Franses Tapestry Archive
5406:Game of Thrones Tapestry
5209:Embroiderers' Guild (UK)
5202:Organizationsand museums
5050:Margaret Layton's jacket
4187:Foys, Martin K. (2003).
4140:10.1179/175330707X212895
3886:10.1179/175330707X212895
2023:
1913:Bedknobs and Broomsticks
1901:Game of Thrones Tapestry
1769:sequential-narrative art
1279:Robert, Count of Mortain
1134:ceremony is attended by
1084:Guy I, Count of Ponthieu
882:sends Harold to Normandy
507:Anglo-Norman Antiquities
495:Palaeographia Britannica
477:The Benedictine scholar
410:Archbishop of Canterbury
6239:Trial of Penenden Heath
6147:Malcolm III of Scotland
5756:Pieter Coecke van Aelst
5464:Jagiellonian tapestries
4430:Encyclopædia Britannica
4406:(Bibliotheca Augustana)
4180:10.3406/annor.1984.5553
4102:. Woodbridge: Boydell.
4049:La Tapisserie de Bayeux
3843:"George Gale: Obituary"
2636:Musset, Lucien (2005).
2374:Anglo-Norman Studies 35
2155:La tapisserie de Bayeux
1767:as an example of early
1655:on Christmas Day, 1066.
1575:South Kensington Museum
1529:The American historian
705:in which the design is
358:appear on the tapestry;
323:William the Conqueror's
198:La Tapisserie de Bayeux
156:[tapisʁidəbajø]
6265:
6025:Siege of Exeter (1068)
5852:Jean-Baptiste Monnoyer
5822:Muriel Nezhnie Helfman
5667:Royal Tapestry Factory
5395:The Death of Polydorus
5370:Bayeux Tapestry tituli
5133:Marilyn Leavitt-Imblum
4790:Regionaland historical
4665:Couching and laid work
4626:
4619:
4612:
4293:(1985 ed.). LC NK3049.
4158:Burt, Richard (2008).
4065:Bloch, Howard (2006).
3680:. 2014. Archived from
3542:. March: Eyrie Press.
3189:10.1093/ref:odnb/26523
3138:Chronicon ex Chronicis
3112:Historia Ecclesiastica
3077:10.1093/ref:odnb/29448
2980:bayeux-tapestry.org.uk
2712:Hicks 2006, pp. 82–84.
1955:The Invention of Truth
1922:, Franco Zeffirelli's
1847:(1974), commemorating
1797:'s satirical pastiche
1755:
1738:
1649:Geraldine, New Zealand
1643:
1594:University of Waterloo
1550:
1506:
1443:Ælfgifu of Northampton
1372:The identification of
1366:
1356:
1348:
1329:Bayeux Tapestry tituli
1317:Bayeux Tapestry tituli
1255:Harold, Earl of Wessex
1247:Guy, Count of Ponthieu
1179:
1157:
1093:Guy, Count of Ponthieu
1087:
1000:
919:Robert the Magnificent
883:
858:Bayeux Tapestry tituli
740:outline or stem stitch
694:
582:. On 27 June 1944 the
544:
474:
428:Other theories exist.
331:
307:
210:
170:
161:
151:
46:
6224:Council of Winchester
6214:Harrying of the North
6204:Council of Lillebonne
5974:William the Conqueror
5493:Överhogdal tapestries
5445:Holy Grail tapestries
5342:Adoration of the Magi
5173:Mary Elizabeth Turner
4625:
4618:
4611:
4199:, Boydell and Brewer
4083:Walker & Company
3704:Messant, Jan (1999).
3538:Hansson, Mia (2020).
3131:Florence of Worcester
3096:William of Poitiers:
3063:Bates, David (2004).
3000:Foys, Martin (2009).
2919:William of Poitiers:
2843:Old English Hexateuch
2795:. Chatto and Windus.
2500:See Grape, Wolfgang,
2429:Archaeologia Cantiana
1867:Battle of Prestonpans
1757:It has been cited by
1751:
1736:
1705:of English nobles at
1641:
1616:Oglethorpe University
1544:
1498:
1379:Bernard de Montfaucon
1362:
1354:
1342:
1269:Odo, Bishop of Bayeux
1174:
1152:
1077:
1055:Cloth of Saint Gereon
1015:A monastic text from
1010:Överhogdal tapestries
990:
878:
777:start of the tapestry
744:couching or laid work
699:early medieval period
688:
594:withdrew from Paris,
535:
479:Bernard de Montfaucon
469:
302:
202:
32:
6122:Edward the Confessor
6020:Burning of Southwark
5898:International Gothic
5791:Petronėlė Gerlikienė
5730:Margaretha Reichardt
5690:Pieter van Aelst III
5515:Ros Tapestry Project
5477:Lady and the Unicorn
5070:Prestonpans Tapestry
4387:at Wikimedia Commons
4242:Jones, Chas (2005).
4168:Annales de Normandie
3758:Understanding Comics
3624:"Berkhamsted Castle"
3384:"Vikingerne kommer!"
3025:Mason, Emma (2004).
2562:Bridgeford, Andrew,
2376:. pp. 119–140.
1987:hyperspectral camera
1931:La Chanson de Roland
1863:Prestonpans Tapestry
1764:Understanding Comics
1669:, Sweden, living in
1451:Æthelred the Unready
1374:Harold II of England
1237:Edward the Confessor
1039:Tapestry of Creation
993:Tapestry of Creation
979:dispute this claim.
942:Edward the Confessor
880:Edward the Confessor
438:Edward the Confessor
382:St Augustine's Abbey
162:La telle du conquest
152:Tapisserie de Bayeux
6279:William of Poitiers
6229:Revolt of the Earls
6173:Battle, East Sussex
6152:Matilda of Flanders
6081:Eustace of Boulogne
5989:Sweyn II of Denmark
5827:Else Marie Jakobsen
5558:The Triumph of Fame
5505:Pastrana Tapestries
5499:Pastoral Amusements
5451:Hunt of the Unicorn
5378:Hunts of Maximilian
5349:Apocalypse Tapestry
5060:Overlord Embroidery
5033:Hastings Embroidery
4729:Tools and materials
4416:The Bayeux Tapestry
4215:The Bayeux Tapestry
3796:Ye Berlyn Tapestrie
3684:on 19 February 2014
3250:on 5 December 2018.
3244:The Weekly Standard
3177:"Stigand (d. 1072)"
3159:The Bayeux Tapestry
3051:The Bayeux Tapestry
2946:The Bayeux Tapestry
2721:Brown 1988, p. 153.
2682:The Bayeux Tapestry
2638:The Bayeux Tapestry
2326:The Bayeux Tapestry
2281:Fowke, Frank Rede.
2178:The Bayeux Tapestry
2017:House of the Dragon
1928:, Frank Cassenti's
1875:Hastings Embroidery
1845:Overlord Embroidery
1799:Ye Berlyn Tapestrie
1777:British comic strip
1468:Historical accuracy
1335:Unsettled questions
1053:of the month. The
972:William of Poitiers
902:, leading a mainly
764:end of the tapestry
608:liberation of Paris
568:Franco-Prussian War
370:Anglo-Saxon artists
251: /
41:'s army during the
6051:Leofwine Godwinson
6015:Battle of Hastings
5662:Pannemaeker family
5540:Sheldon tapestries
5483:New World Tapestry
5390:Cloth of St Gereon
5055:New World Tapestry
5006:Butler-Bowden Cope
4627:
4620:
4613:
4211:Gibbs-Smith, C. H.
3853:on 3 November 2014
3736:. 9 February 2013.
3404:. 8 September 2016
2703:Brown 1988, p. 48.
2694:Brown 1988, p. 47.
2324:Wilson, David M.:
2232:. Hourly History.
2143:Textile & Text
2050:University of York
1934:, Kevin Reynolds'
1879:New World Tapestry
1849:Operation Overlord
1739:
1729:In popular culture
1665:Mia Hansson, from
1644:
1583:Reading, Berkshire
1551:
1507:
1367:
1357:
1349:
1274:Robert the Staller
1264:Leofwine Godwinson
1222:Archbishop Stigand
1184:Battle of Hastings
1180:
1177:Battle of Hastings
1158:
1088:
1001:
888:Battle of Hastings
884:
695:
545:
499:Smart Lethieullier
475:
308:
255:49.2744°N 0.7003°W
191:Battle of Hastings
47:
43:Battle of Hastings
6287:
6286:
6234:Council of London
6115:Associated people
6101:Roger de Breteuil
6091:Robert of Mortain
6056:Hereward the Wake
6005:Battle of Fulford
5926:
5925:
5857:Bernard van Orley
5802:Blind Man's Bluff
5705:John Henry Dearle
5564:Valois Tapestries
5423:Grödinge tapestry
5360:Armada tapestries
5293:
5292:
5163:Tetiana Protcheva
4746:Embroidery thread
4675:Embroidery stitch
4544:Drawn thread work
4504:Broderie anglaise
4383:Media related to
4342:Annuale Mediævale
4337:, pp. 32–42.
4287:978-0-500-25122-5
4266:978-1-84383-941-5
4252:978-1-904623-37-3
4235:978-0-7011-7463-7
4118:Bettina Bildhauer
4109:978-0-85115-509-8
4089:978-0-8027-7742-3
4075:978-1-4000-6549-3
3805:978-1-85124-416-4
3715:978-0-9516348-5-1
3549:978-1-913149-11-6
3448:Linton, Michael.
3320:. 22 January 2021
3194:(subscription or
3173:Cowdrey, H. E. J.
3135:John of Worcester
3082:(subscription or
3049:Bertrand, Simone
3011:978-1-84383-470-0
2823:. 17 January 2018
2640:. Boydell Press.
2391:978-1-78204-108-5
2358:978-1-84383-123-5
2239:978-1-5303-7624-7
2187:978-1-84383-163-1
1977:was broadcast by
1967:Angels in America
1916:, Anthony Mann's
1881:(1980–2000), the
1853:Normandy landings
1807:'s cover for the
1653:Westminster Abbey
1474:House of Normandy
1462:Adela of Normandy
1101:Mont Saint-Michel
580:Normandy landings
514:French Revolution
394:Mont Saint-Michel
327:ladies-in-waiting
275:rather than in a
16:(Redirected from
6365:
6270:
5979:Harold Godwinson
5953:
5946:
5939:
5930:
5929:
5862:François Quesnel
5842:Nancy Kozikowski
5761:François Boucher
5749:Tapestry artists
5652:Morris & Co.
5588:
5551:Story of Abraham
5510:Raphael Cartoons
5320:
5313:
5306:
5297:
5296:
5128:Constance Howard
5065:Oxburgh Hangings
4899:
4888:
4879:
4756:Perforated paper
4463:
4456:
4449:
4440:
4439:
4434:
4426:
4393:– Bayeux Museum
4382:
4373:
4368:
4367:
4366:
4330:
4311:10.2307/43632127
4260:. Boydell Press
4239:
4183:
4155:pp. 158–18.
4151:
4113:
4101:
4052:
4040:
4015:Backhouse, Janet
4000:
3999:
3997:
3995:
3980:
3974:
3973:
3965:
3957:
3951:
3950:
3944:
3937:
3928:
3927:
3921:
3919:
3914:. SparkNotes LLC
3904:
3898:
3897:
3869:
3863:
3862:
3860:
3858:
3849:. Archived from
3838:
3832:
3831:
3829:
3827:
3820:"The New Yorker"
3816:
3810:
3809:
3788:
3782:
3768:
3762:
3753:
3747:
3744:
3738:
3737:
3726:
3720:
3719:
3701:
3695:
3693:
3691:
3689:
3674:
3672:
3670:
3664:
3653:
3645:
3639:
3638:
3636:
3634:
3620:
3614:
3613:
3611:
3609:
3586:
3580:
3579:
3577:
3575:
3560:
3554:
3553:
3535:
3529:
3528:
3520:
3514:
3513:
3511:
3509:
3494:
3488:
3487:
3485:
3483:
3472:
3466:
3465:
3463:
3461:
3445:
3439:
3438:
3436:
3434:
3420:
3414:
3413:
3411:
3409:
3394:
3388:
3387:
3380:
3374:
3373:
3371:
3369:
3358:
3352:
3351:
3349:
3347:
3336:
3330:
3329:
3327:
3325:
3310:
3304:
3303:
3301:
3299:
3288:"Bayeux Gallery"
3284:
3278:
3277:
3275:
3273:
3264:. Archived from
3258:
3252:
3251:
3236:
3230:
3229:
3227:
3225:
3216:. Archived from
3206:
3200:
3199:
3192:
3169:
3163:
3162:
3161:. Phaedon Press.
3154:
3148:
3146:
3143:
3128:
3122:
3120:
3119: 1123-1131
3117:
3106:
3103:
3094:
3088:
3087:
3080:
3060:
3054:
3047:
3041:
3040:
3022:
3016:
3015:
2997:
2991:
2990:
2988:
2986:
2972:
2966:
2956:
2950:
2949:
2937:
2931:
2929:
2926:
2917:
2911:
2910:
2882:
2876:
2875:
2864:
2858:
2852:
2846:
2839:
2833:
2832:
2830:
2828:
2813:
2807:
2806:
2785:
2722:
2719:
2713:
2710:
2704:
2701:
2695:
2692:
2686:
2685:
2673:
2652:
2651:
2633:
2574:
2560:
2551:
2533:
2527:
2526:
2524:
2522:
2511:
2505:
2498:
2492:
2471:
2465:
2464:
2443:
2437:
2436:
2424:
2418:
2417:
2415:
2413:
2402:
2396:
2395:
2369:
2363:
2362:
2340:
2329:
2322:
2311:
2305:
2299:
2292:
2286:
2279:
2273:
2250:
2244:
2243:
2223:
2217:
2216:
2214:
2212:
2198:
2192:
2191:
2168:
2162:
2161:
2150:
2138:
2128:
2111:
2108:
2102:
2099:
2093:
2086:
2080:
2077:
2071:
2068:
2062:
2059:
2053:
2046:
2040:
2037:
1953:'s 1988 novella
1855:of 1944, now at
1834:
1565:, Wardle's wife
1531:Stephen D. White
1447:Emma of Normandy
1166:motte and bailey
1051:personifications
1043:Girona Cathedral
983:Artistic context
964:Harold Godwinson
946:Emma of Normandy
929:(or Arlette), a
923:Duke of Normandy
913:William was the
892:Harold Godwinson
849:
667:French President
660:Heinrich Himmler
553:Charles Stothard
491:William Stukeley
450:Recorded history
334:
312:Bayeux Cathedral
268:
266:
265:
263:
262:
261:
260:49.2744; -0.7003
256:
252:
249:
248:
247:
244:
224:Bayeux Cathedral
181:in 1066, led by
171:Tapete Baiocense
164:
158:
142:
137:
136:
133:
132:
129:
126:
121:
120:
117:
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111:
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101:
93:
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89:
88:
85:
80:
79:
76:
73:
70:
67:
60:
21:
6373:
6372:
6368:
6367:
6366:
6364:
6363:
6362:
6308:Anglo-Saxon art
6293:
6292:
6291:
6288:
6283:
6255:Bayeux Tapestry
6243:
6187:
6183:Tower of London
6156:
6110:
6086:Eadric the Wild
6041:Gyrth Godwinson
6029:
5993:
5984:Harald Hardrada
5962:
5960:Norman Conquest
5957:
5927:
5922:
5871:
5744:
5682:
5676:
5615:
5589:
5580:
5525:Sampul tapestry
5433:Hestia Tapestry
5365:Bayeux Tapestry
5329:
5324:
5294:
5289:
5248:
5197:
5138:François Lesage
5091:
5075:Quaker Tapestry
5038:Hestia tapestry
5016:Bradford carpet
5011:Bayeux Tapestry
4994:
4965:Opus Anglicanum
4785:
4741:Embroidery hoop
4724:
4715:Straight stitch
4628:
4603:
4472:
4467:
4421:
4391:Bayeux Tapestry
4385:Bayeux Tapestry
4369:
4364:
4362:
4359:
4354:
4236:
4110:
4037:
4025:, eds. (1984).
4023:Webster, Leslie
4009:
4007:Further reading
4004:
4003:
3993:
3991:
3981:
3977:
3958:
3954:
3939:
3938:
3931:
3917:
3915:
3906:
3905:
3901:
3870:
3866:
3856:
3854:
3839:
3835:
3825:
3823:
3818:
3817:
3813:
3806:
3789:
3785:
3769:
3765:
3754:
3750:
3745:
3741:
3728:
3727:
3723:
3716:
3702:
3698:
3687:
3685:
3678:"Castle Panels"
3676:
3668:
3666:
3662:
3651:
3647:
3646:
3642:
3632:
3630:
3622:
3621:
3617:
3607:
3605:
3587:
3583:
3573:
3571:
3561:
3557:
3550:
3536:
3532:
3521:
3517:
3507:
3505:
3495:
3491:
3481:
3479:
3474:
3473:
3469:
3459:
3457:
3446:
3442:
3432:
3430:
3422:
3421:
3417:
3407:
3405:
3396:
3395:
3391:
3382:
3381:
3377:
3367:
3365:
3360:
3359:
3355:
3345:
3343:
3338:
3337:
3333:
3323:
3321:
3312:
3311:
3307:
3297:
3295:
3286:
3285:
3281:
3271:
3269:
3268:on 19 July 2011
3260:
3259:
3255:
3238:
3237:
3233:
3223:
3221:
3220:on 31 July 2019
3208:
3207:
3203:
3193:
3170:
3166:
3155:
3151:
3144:
3129:
3125:
3118:
3109:Orderic Vitalis
3104:
3095:
3091:
3081:
3061:
3057:
3048:
3044:
3037:
3023:
3019:
3012:
2998:
2994:
2984:
2982:
2974:
2973:
2969:
2957:
2953:
2938:
2934:
2927:
2918:
2914:
2883:
2879:
2866:
2865:
2861:
2853:
2849:
2840:
2836:
2826:
2824:
2815:
2814:
2810:
2803:
2786:
2725:
2720:
2716:
2711:
2707:
2702:
2698:
2693:
2689:
2674:
2655:
2648:
2634:
2577:
2561:
2554:
2535:Beech, George:
2534:
2530:
2520:
2518:
2513:
2512:
2508:
2499:
2495:
2472:
2468:
2461:
2444:
2440:
2425:
2421:
2411:
2409:
2404:
2403:
2399:
2392:
2370:
2366:
2359:
2341:
2332:
2323:
2314:
2306:
2302:
2293:
2289:
2280:
2276:
2251:
2247:
2240:
2224:
2220:
2210:
2208:
2200:
2199:
2195:
2188:
2169:
2165:
2129:
2125:
2120:
2115:
2114:
2109:
2105:
2100:
2096:
2087:
2083:
2078:
2074:
2070:6 January 1066.
2069:
2065:
2061:5 January 1066.
2060:
2056:
2047:
2043:
2038:
2031:
2026:
2011:Game of Thrones
1985:, which used a
1951:Marta Morazzoni
1885:(1981–89), the
1883:Quaker Tapestry
1832:
1731:
1723:Tower of London
1719:Channel Islands
1539:
1470:
1435:Harold Harefoot
1383:interfectus est
1355:Detail of arrow
1337:
1319:
1313:
1308:
1259:
1232:Edith of Wessex
1208:
1206:People depicted
1105:Dol de Bretagne
1072:
1070:Events depicted
1067:
1059:Byzantine silks
1047:Book of Genesis
985:
873:
868:
863:
862:
861:
855:
850:
683:
670:Emmanuel Macron
653:Charles Dickens
645:John Murray III
616:
518:Reign of Terror
452:
434:Edith of Wessex
414:Opus Anglicanum
398:Trajan's Column
380:, the abbot of
297:
292:
259:
257:
253:
250:
245:
242:
240:
238:
237:
235:
140:
123:
105:
96:
95:
82:
64:
55:
54:
51:Bayeux Tapestry
23:
22:
18:Bayeux tapestry
15:
12:
11:
5:
6371:
6361:
6360:
6355:
6350:
6345:
6340:
6338:Romanesque art
6335:
6330:
6325:
6320:
6315:
6310:
6305:
6289:
6285:
6284:
6282:
6281:
6276:
6271:
6262:
6257:
6251:
6249:
6245:
6244:
6242:
6241:
6236:
6231:
6226:
6221:
6219:Danish attacks
6216:
6211:
6206:
6201:
6195:
6193:
6189:
6188:
6186:
6185:
6180:
6175:
6170:
6164:
6162:
6158:
6157:
6155:
6154:
6149:
6144:
6139:
6137:Edgar Ætheling
6134:
6132:Edith the Fair
6129:
6124:
6118:
6116:
6112:
6111:
6109:
6108:
6103:
6098:
6093:
6088:
6083:
6078:
6073:
6068:
6063:
6058:
6053:
6048:
6043:
6037:
6035:
6031:
6030:
6028:
6027:
6022:
6017:
6012:
6007:
6001:
5999:
5995:
5994:
5992:
5991:
5986:
5981:
5976:
5970:
5968:
5964:
5963:
5956:
5955:
5948:
5941:
5933:
5924:
5923:
5921:
5920:
5915:
5910:
5908:Navajo weaving
5905:
5900:
5895:
5890:
5885:
5883:Byzantine silk
5879:
5877:
5873:
5872:
5870:
5869:
5864:
5859:
5854:
5849:
5844:
5839:
5834:
5832:Jacob Jordaens
5829:
5824:
5819:
5818:
5817:
5812:
5805:
5796:Francisco Goya
5793:
5788:
5783:
5778:
5773:
5768:
5763:
5758:
5752:
5750:
5746:
5745:
5743:
5742:
5740:Judocus de Vos
5737:
5732:
5727:
5725:William Morris
5722:
5720:Lefèvre family
5717:
5712:
5710:Givi Kandareli
5707:
5702:
5697:
5692:
5686:
5684:
5678:
5677:
5675:
5674:
5669:
5664:
5659:
5654:
5649:
5644:
5639:
5634:
5629:
5623:
5621:
5617:
5616:
5614:
5613:
5608:
5603:
5597:
5595:
5591:
5590:
5583:
5581:
5579:
5578:
5571:
5566:
5561:
5554:
5547:
5542:
5537:
5532:
5527:
5522:
5517:
5512:
5507:
5502:
5495:
5490:
5485:
5480:
5473:
5466:
5461:
5454:
5447:
5442:
5435:
5430:
5425:
5420:
5419:
5418:
5408:
5403:
5398:
5391:
5388:
5381:
5374:
5373:
5372:
5362:
5357:
5352:
5345:
5337:
5335:
5331:
5330:
5323:
5322:
5315:
5308:
5300:
5291:
5290:
5288:
5287:
5282:
5277:
5272:
5267:
5262:
5256:
5254:
5250:
5249:
5247:
5246:
5241:
5236:
5231:
5226:
5221:
5216:
5211:
5205:
5203:
5199:
5198:
5196:
5195:
5190:
5185:
5183:Kathleen Whyte
5180:
5175:
5170:
5165:
5160:
5158:Mahtab Norouzi
5155:
5153:Jessie Newbery
5150:
5145:
5140:
5135:
5130:
5125:
5120:
5115:
5110:
5105:
5099:
5097:
5093:
5092:
5090:
5089:
5082:
5077:
5072:
5067:
5062:
5057:
5052:
5047:
5040:
5035:
5030:
5029:
5028:
5018:
5013:
5008:
5002:
5000:
4996:
4995:
4993:
4992:
4987:
4982:
4977:
4972:
4967:
4962:
4961:
4960:
4955:
4950:
4945:
4935:
4930:
4925:
4920:
4915:
4910:
4905:
4900:
4891:
4890:
4889:
4871:
4866:
4861:
4856:
4851:
4850:
4849:
4844:
4839:
4834:
4824:
4819:
4814:
4809:
4804:
4799:
4797:Art needlework
4793:
4791:
4787:
4786:
4784:
4783:
4778:
4773:
4768:
4766:Plastic canvas
4763:
4758:
4753:
4748:
4743:
4738:
4732:
4730:
4726:
4725:
4723:
4722:
4717:
4712:
4707:
4702:
4697:
4692:
4687:
4682:
4677:
4672:
4670:Cross stitches
4667:
4662:
4657:
4652:
4647:
4642:
4636:
4634:
4630:
4629:
4606:
4604:
4602:
4601:
4596:
4591:
4586:
4581:
4576:
4571:
4566:
4561:
4556:
4551:
4546:
4541:
4536:
4531:
4526:
4521:
4519:Counted-thread
4516:
4511:
4509:Broderie perse
4506:
4501:
4496:
4491:
4486:
4480:
4478:
4474:
4473:
4466:
4465:
4458:
4451:
4443:
4437:
4436:
4435:With 16 images
4419:
4413:
4407:
4401:
4400:
4399:
4388:
4375:
4374:
4358:
4357:External links
4355:
4353:
4352:
4345:
4338:
4331:
4305:(1): 102–107.
4294:
4275:
4272:
4269:
4254:
4240:
4234:
4218:
4208:
4205:978-1783271245
4193:
4184:
4174:(2): 127–145.
4163:
4156:
4152:
4134:(2): 327–350.
4123:
4114:
4108:
4091:
4077:
4063:
4053:
4041:
4035:
4010:
4008:
4005:
4002:
4001:
3975:
3952:
3929:
3899:
3880:(2): 327–350.
3864:
3833:
3811:
3804:
3783:
3763:
3755:McCloud 1993.
3748:
3739:
3721:
3714:
3696:
3675:(discussed in
3665:on 8 July 2011
3640:
3615:
3581:
3563:Hansson, Mia.
3555:
3548:
3530:
3515:
3489:
3467:
3440:
3415:
3389:
3375:
3353:
3331:
3318:Reading Museum
3305:
3294:. 3 April 2017
3292:Reading Museum
3279:
3253:
3231:
3201:
3164:
3149:
3123:
3089:
3055:
3042:
3035:
3017:
3010:
2992:
2967:
2951:
2942:Stenton, Frank
2932:
2912:
2877:
2872:www.york.ac.uk
2859:
2847:
2834:
2808:
2801:
2723:
2714:
2705:
2696:
2687:
2678:Stenton, Frank
2653:
2646:
2575:
2552:
2528:
2506:
2493:
2466:
2459:
2447:Dodwell, C. R.
2438:
2419:
2397:
2390:
2364:
2357:
2330:
2312:
2300:
2287:
2274:
2245:
2238:
2218:
2193:
2186:
2163:
2122:
2121:
2119:
2116:
2113:
2112:
2103:
2094:
2081:
2072:
2063:
2054:
2041:
2028:
2027:
2025:
2022:
1871:
1870:
1859:
1837:
1836:
1817:
1802:
1730:
1727:
1702:
1701:
1694:Rolling Stones
1686:
1679:Cambridgeshire
1663:
1656:
1636:
1635:
1612:
1601:
1590:
1579:Reading Museum
1559:William Morris
1547:Reading Museum
1538:
1535:
1469:
1466:
1458:Baldric of Dol
1439:Cnut the Great
1431:Sweyn Knutsson
1336:
1333:
1315:Main article:
1312:
1309:
1307:
1306:
1301:
1296:
1291:
1286:
1281:
1276:
1271:
1266:
1260:
1258:
1257:
1252:
1249:
1244:
1239:
1234:
1229:
1224:
1219:
1212:
1207:
1204:
1162:Halley's Comet
1155:Halley's Comet
1140:excommunicated
1071:
1068:
1066:
1063:
1031:Baldric of Dol
1022:Liber Eliensis
984:
981:
968:Earl of Wessex
872:
869:
867:
864:
852:
851:
844:
843:
842:
830:Halley's Comet
693:and laid work.
691:stem stitching
682:
679:
674:British Museum
637:Robert Southey
615:
612:
600:Bletchley Park
522:Musée Napoléon
503:Andrew Ducarel
451:
448:
366:
365:
362:
359:
325:wife, and her
296:
293:
291:
288:
284:Romanesque art
37:rallying Duke
9:
6:
4:
3:
2:
6370:
6359:
6356:
6354:
6351:
6349:
6346:
6344:
6341:
6339:
6336:
6334:
6331:
6329:
6326:
6324:
6321:
6319:
6316:
6314:
6311:
6309:
6306:
6304:
6301:
6300:
6298:
6280:
6277:
6275:
6272:
6269:
6268:
6263:
6261:
6260:Domesday Book
6258:
6256:
6253:
6252:
6250:
6248:Miscellaneous
6246:
6240:
6237:
6235:
6232:
6230:
6227:
6225:
6222:
6220:
6217:
6215:
6212:
6210:
6207:
6205:
6202:
6200:
6197:
6196:
6194:
6190:
6184:
6181:
6179:
6176:
6174:
6171:
6169:
6166:
6165:
6163:
6159:
6153:
6150:
6148:
6145:
6143:
6140:
6138:
6135:
6133:
6130:
6128:
6125:
6123:
6120:
6119:
6117:
6113:
6107:
6104:
6102:
6099:
6097:
6096:Ralph de Gael
6094:
6092:
6089:
6087:
6084:
6082:
6079:
6077:
6074:
6072:
6069:
6067:
6064:
6062:
6059:
6057:
6054:
6052:
6049:
6047:
6046:Odo of Bayeux
6044:
6042:
6039:
6038:
6036:
6032:
6026:
6023:
6021:
6018:
6016:
6013:
6011:
6008:
6006:
6003:
6002:
6000:
5996:
5990:
5987:
5985:
5982:
5980:
5977:
5975:
5972:
5971:
5969:
5965:
5961:
5954:
5949:
5947:
5942:
5940:
5935:
5934:
5931:
5919:
5916:
5914:
5911:
5909:
5906:
5904:
5901:
5899:
5896:
5894:
5891:
5889:
5886:
5884:
5881:
5880:
5878:
5874:
5868:
5865:
5863:
5860:
5858:
5855:
5853:
5850:
5848:
5845:
5843:
5840:
5838:
5835:
5833:
5830:
5828:
5825:
5823:
5820:
5816:
5813:
5811:
5810:
5806:
5804:
5803:
5799:
5798:
5797:
5794:
5792:
5789:
5787:
5784:
5782:
5781:Michiel Coxie
5779:
5777:
5774:
5772:
5771:Francis Cleyn
5769:
5767:
5764:
5762:
5759:
5757:
5754:
5753:
5751:
5747:
5741:
5738:
5736:
5733:
5731:
5728:
5726:
5723:
5721:
5718:
5716:
5715:Ida Kerkovius
5713:
5711:
5708:
5706:
5703:
5701:
5700:Francis Crane
5698:
5696:
5693:
5691:
5688:
5687:
5685:
5683:and designers
5679:
5673:
5670:
5668:
5665:
5663:
5660:
5658:
5655:
5653:
5650:
5648:
5645:
5643:
5640:
5638:
5635:
5633:
5630:
5628:
5625:
5624:
5622:
5618:
5612:
5609:
5607:
5604:
5602:
5599:
5598:
5596:
5592:
5587:
5577:
5576:
5572:
5570:
5567:
5565:
5562:
5560:
5559:
5555:
5553:
5552:
5548:
5546:
5545:Skog tapestry
5543:
5541:
5538:
5536:
5533:
5531:
5528:
5526:
5523:
5521:
5518:
5516:
5513:
5511:
5508:
5506:
5503:
5501:
5500:
5496:
5494:
5491:
5489:
5486:
5484:
5481:
5479:
5478:
5474:
5472:
5471:
5467:
5465:
5462:
5460:
5459:
5455:
5453:
5452:
5448:
5446:
5443:
5441:
5440:
5436:
5434:
5431:
5429:
5426:
5424:
5421:
5417:
5414:
5413:
5412:
5409:
5407:
5404:
5402:
5399:
5397:
5396:
5392:
5389:
5387:
5386:
5382:
5380:
5379:
5375:
5371:
5368:
5367:
5366:
5363:
5361:
5358:
5356:
5353:
5351:
5350:
5346:
5344:
5343:
5339:
5338:
5336:
5332:
5328:
5321:
5316:
5314:
5309:
5307:
5302:
5301:
5298:
5286:
5283:
5281:
5278:
5276:
5273:
5271:
5268:
5266:
5263:
5261:
5258:
5257:
5255:
5251:
5245:
5242:
5240:
5237:
5235:
5232:
5230:
5227:
5225:
5222:
5220:
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5207:
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5200:
5194:
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5149:
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5141:
5139:
5136:
5134:
5131:
5129:
5126:
5124:
5121:
5119:
5118:Kaffe Fassett
5116:
5114:
5111:
5109:
5106:
5104:
5101:
5100:
5098:
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5019:
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5014:
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5009:
5007:
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5003:
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4997:
4991:
4988:
4986:
4983:
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4963:
4959:
4956:
4954:
4951:
4949:
4946:
4944:
4941:
4940:
4939:
4936:
4934:
4933:Nakshi kantha
4931:
4929:
4926:
4924:
4921:
4919:
4916:
4914:
4911:
4909:
4906:
4904:
4901:
4898:
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4892:
4887:
4886:
4881:
4880:
4878:
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4865:
4862:
4860:
4857:
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4800:
4798:
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4779:
4777:
4774:
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4759:
4757:
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4752:
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4713:
4711:
4708:
4706:
4703:
4701:
4698:
4696:
4693:
4691:
4688:
4686:
4683:
4681:
4680:Featherstitch
4678:
4676:
4673:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
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4651:
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4527:
4525:
4522:
4520:
4517:
4515:
4514:Candlewicking
4512:
4510:
4507:
4505:
4502:
4500:
4497:
4495:
4492:
4490:
4487:
4485:
4482:
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4459:
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4450:
4445:
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4432:
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4425:
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4411:
4408:
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4398:
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4389:
4386:
4381:
4377:
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4372:
4361:
4350:
4346:
4343:
4339:
4336:
4332:
4328:
4324:
4320:
4316:
4312:
4308:
4304:
4300:
4295:
4292:
4291:0-394-54793-4
4288:
4284:
4280:
4276:
4273:
4270:
4267:
4263:
4259:
4255:
4253:
4249:
4245:
4241:
4237:
4231:
4227:
4223:
4222:Hicks, Carola
4219:
4216:
4212:
4209:
4206:
4202:
4198:
4194:
4192:
4190:
4185:
4181:
4177:
4173:
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4141:
4137:
4133:
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4119:
4115:
4111:
4105:
4100:
4099:
4092:
4090:
4086:
4082:
4078:
4076:
4072:
4069:Random House
4068:
4064:
4062:
4061:0-297-78928-7
4058:
4054:
4050:
4046:
4042:
4038:
4036:0-7141-0532-5
4032:
4028:
4024:
4020:
4019:Turner, D. H.
4016:
4012:
4011:
3990:
3986:
3979:
3971:
3970:
3964:
3960:Elmes, John.
3956:
3948:
3943:
3936:
3934:
3926:
3913:
3909:
3903:
3895:
3891:
3887:
3883:
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3875:
3868:
3852:
3848:
3844:
3837:
3821:
3815:
3807:
3801:
3797:
3793:
3792:Hassall, John
3787:
3780:
3778:
3773:
3767:
3760:
3759:
3752:
3743:
3735:
3731:
3725:
3717:
3711:
3707:
3700:
3683:
3679:
3661:
3657:
3656:Castle Panels
3650:
3644:
3629:
3625:
3619:
3604:
3600:
3596:
3592:
3585:
3570:
3566:
3559:
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3526:
3519:
3504:
3503:Dereham Times
3500:
3493:
3477:
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3444:
3429:
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2881:
2873:
2869:
2863:
2856:
2851:
2844:
2838:
2822:
2818:
2812:
2804:
2802:0-7011-7463-3
2798:
2794:
2790:
2789:Hicks, Carola
2784:
2782:
2780:
2778:
2776:
2774:
2772:
2770:
2768:
2766:
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2679:
2672:
2670:
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2660:
2658:
2649:
2647:1-84383-163-5
2643:
2639:
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2630:
2628:
2626:
2624:
2622:
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2598:
2596:
2594:
2592:
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2584:
2582:
2580:
2573:
2572:1-84115-040-1
2569:
2565:
2559:
2557:
2550:
2549:1-84383-203-8
2546:
2542:
2538:
2532:
2516:
2510:
2503:
2497:
2491:
2490:0-7011-7463-3
2487:
2483:
2479:
2475:
2470:
2462:
2460:0-7190-0926-X
2456:
2452:
2448:
2442:
2434:
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2423:
2407:
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2309:
2304:
2297:
2291:
2284:
2278:
2271:
2267:
2263:
2262:0-7524-2969-8
2259:
2255:
2249:
2241:
2235:
2231:
2230:
2222:
2207:
2206:Bayeux Museum
2203:
2197:
2189:
2183:
2179:
2175:
2167:
2160:
2156:
2148:
2144:
2136:
2135:
2127:
2123:
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2098:
2091:
2085:
2076:
2067:
2058:
2051:
2045:
2036:
2034:
2029:
2021:
2019:
2018:
2013:
2012:
2007:
2002:
2000:
1996:
1992:
1988:
1984:
1980:
1976:
1971:
1969:
1968:
1963:
1958:
1956:
1952:
1947:
1945:
1944:
1939:
1938:
1933:
1932:
1927:
1926:
1921:
1920:
1915:
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1909:
1904:
1902:
1898:
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1831:
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1806:
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1800:
1796:
1793:
1792:
1791:
1790:, including:
1789:
1785:
1780:
1778:
1774:
1770:
1766:
1765:
1760:
1759:Scott McCloud
1754:
1750:
1748:
1744:
1735:
1726:
1724:
1720:
1716:
1712:
1708:
1699:
1698:Charlie Watts
1695:
1691:
1687:
1684:
1680:
1676:
1672:
1668:
1664:
1661:
1657:
1654:
1650:
1646:
1645:
1640:
1633:
1629:
1625:
1621:
1617:
1613:
1610:
1609:Børglum Abbey
1606:
1605:Lindholm Høje
1602:
1599:
1595:
1592:Ray Dugan of
1591:
1588:
1584:
1580:
1576:
1572:
1568:
1564:
1563:Thomas Wardle
1560:
1556:
1555:
1554:
1548:
1543:
1534:
1532:
1527:
1525:
1524:coats of arms
1519:
1517:
1513:
1505:
1501:
1497:
1493:
1491:
1487:
1483:
1479:
1475:
1465:
1463:
1459:
1454:
1452:
1448:
1444:
1440:
1436:
1432:
1428:
1424:
1423:Domesday Book
1420:
1415:
1412:
1408:
1404:
1400:
1395:
1392:
1388:
1384:
1380:
1375:
1370:
1365:
1361:
1353:
1346:
1341:
1332:
1330:
1325:
1324:
1318:
1305:
1302:
1300:
1297:
1295:
1292:
1290:
1287:
1285:
1282:
1280:
1277:
1275:
1272:
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1267:
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1253:
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1225:
1223:
1220:
1217:
1214:
1213:
1211:
1203:
1201:
1197:
1193:
1189:
1185:
1178:
1173:
1169:
1167:
1163:
1156:
1151:
1147:
1145:
1141:
1137:
1133:
1127:
1125:
1122:
1118:
1114:
1110:
1106:
1102:
1098:
1094:
1085:
1081:
1076:
1062:
1060:
1056:
1052:
1048:
1044:
1040:
1035:
1032:
1028:
1024:
1023:
1018:
1013:
1011:
1007:
998:
994:
989:
980:
978:
973:
969:
965:
961:
959:
955:
954:primogeniture
951:
947:
943:
938:
936:
935:Odo of Bayeux
932:
928:
924:
920:
916:
911:
909:
905:
901:
898:English, and
897:
893:
889:
881:
877:
859:
854:
848:
841:
837:
835:
831:
827:
823:
818:
813:
811:
807:
801:
797:
794:
790:
786:
780:
778:
773:
769:
765:
760:
758:
754:
750:
745:
741:
737:
734:
730:
727:
723:
718:
716:
712:
708:
704:
700:
692:
687:
678:
675:
671:
668:
663:
661:
656:
654:
650:
646:
642:
638:
633:
631:
627:
626:
621:
611:
609:
605:
601:
597:
593:
589:
585:
581:
577:
573:
569:
564:
562:
558:
554:
550:
542:
538:
534:
530:
527:
523:
519:
515:
510:
508:
504:
500:
496:
492:
487:
485:
480:
472:
468:
464:
461:
457:
447:
444:
439:
435:
431:
426:
424:
420:
415:
411:
407:
403:
399:
395:
391:
387:
383:
379:
375:
371:
363:
360:
357:
356:Domesday Book
353:
352:
351:
348:
346:
342:
338:
337:Odo of Bayeux
333:
328:
324:
320:
319:Queen Matilda
315:
313:
305:
301:
287:
285:
281:
278:
274:
269:
264:
233:
229:
225:
221:
220:Odo of Bayeux
217:
216:
209:
207:
201:
199:
194:
192:
188:
185:challenging
184:
180:
176:
172:
168:
163:
157:
153:
149:
145:
144:
135:
99:
91:
58:
52:
44:
40:
36:
31:
27:
19:
6254:
6168:Battle Abbey
5837:Hans Knieper
5807:
5800:
5766:Marc Chagall
5735:Gunta Stölzl
5573:
5556:
5549:
5497:
5475:
5468:
5456:
5449:
5437:
5393:
5383:
5376:
5364:
5347:
5340:
5188:Erica Wilson
5084:
5042:
5010:
4999:Embroideries
4975:Sewed muslin
4928:Mountmellick
4896:Bunka shishu
4812:Bunka shishu
4700:Satin stitch
4660:Chain stitch
4529:Cross-stitch
4428:
4348:
4341:
4334:
4302:
4298:
4278:
4257:
4243:
4225:
4214:
4196:
4188:
4171:
4167:
4159:
4131:
4127:
4097:
4080:
4066:
4048:
4045:Bates, David
4026:
3992:. Retrieved
3988:
3978:
3967:
3955:
3946:
3923:
3916:. Retrieved
3911:
3902:
3877:
3873:
3867:
3855:. Retrieved
3851:the original
3847:The Scotsman
3846:
3836:
3824:. Retrieved
3814:
3795:
3786:
3777:The Guardian
3775:
3772:Bryan Talbot
3766:
3756:
3751:
3742:
3733:
3724:
3705:
3699:
3686:. Retrieved
3682:the original
3667:. Retrieved
3660:the original
3655:
3643:
3631:. Retrieved
3627:
3618:
3606:. Retrieved
3595:The Guardian
3594:
3584:
3572:. Retrieved
3568:
3558:
3539:
3533:
3524:
3518:
3506:. Retrieved
3502:
3492:
3480:. Retrieved
3470:
3458:. Retrieved
3443:
3431:. Retrieved
3427:
3418:
3406:. Retrieved
3392:
3378:
3366:. Retrieved
3356:
3344:. Retrieved
3334:
3322:. Retrieved
3317:
3308:
3296:. Retrieved
3291:
3282:
3270:. Retrieved
3266:the original
3256:
3248:the original
3243:
3234:
3222:. Retrieved
3218:the original
3214:www.acls.org
3213:
3204:
3180:
3167:
3158:
3152:
3137:
3126:
3111:
3097:
3092:
3068:
3058:
3050:
3045:
3026:
3020:
3001:
2995:
2983:. Retrieved
2979:
2970:
2954:
2945:
2935:
2920:
2915:
2893:(1): 52–89.
2890:
2886:
2880:
2871:
2862:
2850:
2837:
2825:. Retrieved
2820:
2811:
2792:
2717:
2708:
2699:
2690:
2681:
2637:
2563:
2540:
2536:
2531:
2519:. Retrieved
2509:
2501:
2496:
2482:Carola Hicks
2477:
2469:
2450:
2441:
2432:
2428:
2422:
2410:. Retrieved
2400:
2373:
2367:
2348:
2325:
2303:
2295:
2290:
2282:
2277:
2253:
2248:
2228:
2221:
2209:. Retrieved
2205:
2196:
2177:
2173:
2166:
2158:
2154:
2146:
2142:
2133:
2126:
2106:
2097:
2084:
2075:
2066:
2057:
2044:
2015:
2009:
2003:
1974:
1972:
1965:
1962:Tony Kushner
1959:
1954:
1948:
1941:
1935:
1929:
1923:
1917:
1911:
1905:
1894:
1889:(2013), the
1877:(1966), the
1872:
1838:
1827:
1808:
1798:
1795:John Hassall
1781:
1773:Bryan Talbot
1762:
1756:
1752:
1740:
1710:
1703:
1682:
1660:North Creake
1611:in May 2015.
1552:
1528:
1520:
1508:
1485:
1481:
1477:
1471:
1455:
1402:
1396:
1382:
1371:
1368:
1363:
1344:
1321:
1320:
1209:
1181:
1159:
1128:
1091:prisoner by
1089:
1036:
1020:
1014:
1002:
962:
939:
915:illegitimate
912:
885:
838:
816:
814:
810:burial scene
802:
798:
781:
767:
761:
752:
719:
696:
664:
657:
640:
634:
629:
623:
617:
565:
561:James Basire
547:In 1816 the
546:
511:
506:
494:
488:
483:
476:
459:
453:
430:Carola Hicks
427:
367:
349:
347:of England.
341:Earl of Kent
316:
309:
270:
213:
211:
203:
197:
195:
50:
48:
26:
6303:1070s works
6274:Norman yoke
5913:Needlepoint
5847:Jean Lurçat
5809:The Parasol
5776:John Coburn
5695:Anni Albers
5428:Gunthertuch
5143:Ann Macbeth
5108:Leon Conrad
5103:Emilie Bach
4885:Kogin-zashi
4720:Tent stitch
4569:Needlepoint
4494:Berlin work
4299:Medium Ævum
3688:11 February
3145: 1140
3105: 1071
3065:"William I"
2928: 1071
2006:Ryan Condal
1943:The Vikings
1903:(2017–19).
1893:(2014–15),
1820:George Gale
1743:comic strip
1707:Berkhamsted
1675:Isle of Ely
1587:bowdlerised
1549:, Berkshire
1387:iconography
1192:shield wall
958:Witenagemot
952:was not by
896:Anglo-Saxon
806:death scene
757:final scene
733:tabby-woven
649:John Ruskin
625:Le Moniteur
574:during the
512:During the
436:, widow of
390:scriptorium
273:embroidered
258: /
175:embroidered
6343:Tapestries
6323:Embroidery
6297:Categories
6034:Combatants
5888:Embroidery
5786:Éva Farkas
5611:Millefleur
5334:Tapestries
5280:Needlework
5193:Lily Yeats
5148:May Morris
4990:Vyshyvanka
4985:Vietnamese
4923:Macedonian
4761:Plainweave
4736:Aida cloth
4655:Buttonhole
4640:Backstitch
4470:Embroidery
4327:1293416903
4128:Exemplaria
3918:30 October
3912:SparkNotes
3874:Exemplaria
3857:3 November
3826:30 October
3669:9 February
3633:9 February
3608:29 January
3574:6 February
3482:7 February
3140:completed
3053:1978 p.30
3036:1852853891
2985:5 December
2827:19 January
2435:: 253–264.
2412:30 October
2264:, but see
2118:References
1857:Portsmouth
1810:New Yorker
1786:and other
1747:storyboard
1624:Carrollton
1500:Coronation
1311:Latin text
1153:Detail of
1132:coronation
1080:messengers
866:Background
711:embroidery
689:Detail of
471:Montfaucon
386:Canterbury
304:Bishop Odo
243:49°16′28″N
206:Romanesque
35:Bishop Odo
6161:Locations
4980:Ukrainian
4832:Cantonese
4807:Brazilian
4751:Evenweave
4599:Whitework
4584:Stumpwork
4574:Quillwork
4554:Hardanger
4499:Blackwork
4148:161901758
3969:Broadcast
3894:161901758
3794:(2014) .
3761:pp. 11–14
3603:0261-3077
3527:(49): 20.
3460:17 August
3402:Politiken
3272:17 August
3198:required)
3086:required)
2907:213198476
2821:The Times
1829:The Times
1805:Rea Irvin
1784:political
1745:or movie
1690:Victorian
1632:Dahlonega
1567:Elizabeth
1419:genitalia
1399:clergyman
1117:knighting
1027:Byrhtnoth
592:Wehrmacht
572:Ahnenerbe
557:facsimile
493:, in his
456:Huguenots
423:Ely Abbey
419:Byrhtnoth
306:of Bayeux
246:0°42′01″W
234:, France
6178:Pevensey
6076:Waltheof
5657:Mortlake
5642:Gobelins
5637:Brussels
5632:Beauvais
5627:Aubusson
5327:Tapestry
5285:Quilting
5270:Knitting
5260:Appliqué
4869:Jacobean
4690:Parisian
4633:Stitches
4579:Smocking
4549:Goldwork
4489:Bargello
4323:ProQuest
4319:43632127
4224:(2006).
4213:(1973).
3734:BBC News
3569:Facebook
3525:The Fens
3454:Archived
3368:30 April
3346:30 April
3324:31 March
3298:31 March
3175:(2004).
2791:(2006).
2521:4 August
2484:(2006).
2449:(1982).
2270:curtains
2149:: 28–29.
2014:prequel
1979:BBC Four
1964:'s play
1851:and the
1788:cartoons
1715:Alderney
1711:Beorcham
1696:drummer
1490:apologia
1411:grapheme
1391:perjurer
1284:Scolland
1196:Leofwine
1008:and the
834:scene 32
826:scene 10
749:scene 14
715:curtains
703:tapestry
665:In 2018
578:and the
537:Stothard
526:Napoleon
406:Lanfranc
378:Scolland
277:tapestry
232:Normandy
173:) is an
6142:Ealdred
6127:Stigand
5998:Battles
5967:Leaders
5918:Weaving
5876:Related
5681:Weavers
5620:Studios
5265:Crochet
5253:Related
4970:Rushnyk
4958:Zardozi
4938:Persian
4876:Sashiko
4864:Islamic
4854:English
4837:Sichuan
4827:Chinese
4817:Burmese
4802:Balochi
4771:Sampler
4705:Sashiko
4695:Running
4685:Holbein
4645:Blanket
4589:Surface
4564:Machine
4539:Darning
4534:Cutwork
3994:18 June
3989:Inverse
3508:15 June
3433:24 July
2944:(ed.).
2680:(ed.).
2211:17 July
1869:in 1745
1717:in the
1671:Wisbech
1598:Ontario
1516:Ealdred
1512:Stigand
1504:Stigand
1427:Ælfgifu
1407:Ælfgifu
1389:that a
1216:Ælfgifu
1142:by the
1136:Stigand
1121:saintly
1065:Content
927:Herleva
917:son of
787:of the
785:arcades
768:titulus
731:) on a
596:Himmler
584:Gestapo
524:. When
295:Origins
290:History
45:in 1066
39:William
6313:Bayeux
6192:Events
6071:Tostig
6066:Morcar
5601:Kalaga
5594:Styles
4953:Sistan
4948:Sermeh
4918:Korean
4913:Kasuti
4908:Kantha
4903:Kaitag
4859:Indian
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4822:Chikan
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4594:Suzani
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3408:5 June
3224:17 May
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1919:El Cid
1908:Disney
1833:'s
1771:; and
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1294:Wadard
1289:Turold
1144:papacy
1124:relics
1109:Rennes
1049:, and
1019:, the
997:Girona
977:Eadmer
931:tanner
925:, and
904:Norman
822:harrow
817:tituli
772:Musset
753:tituli
722:crewel
588:Louvre
541:Basire
402:Wadard
345:regent
228:Bayeux
215:tituli
148:French
6061:Edwin
5903:Kilim
5520:Ryijy
4943:Rasht
4847:Xiang
4315:JSTOR
4144:S2CID
3890:S2CID
3779:Guide
3663:(PDF)
3652:(PDF)
2903:S2CID
2480:, by
2176:[
2024:Notes
1815:D-Day
1304:Vital
1251:Hakon
1200:Gyrth
1113:Dinan
1082:with
940:King
736:linen
707:woven
280:weave
167:Latin
141:B(A)Y
5606:Kesi
5275:Lace
4781:Yarn
4776:Slip
4283:ISBN
4262:ISBN
4248:ISBN
4230:ISBN
4201:ISBN
4104:ISBN
4085:ISBN
4071:ISBN
4057:ISBN
4031:ISBN
3996:2024
3920:2014
3859:2014
3828:2014
3800:ISBN
3710:ISBN
3690:2014
3671:2013
3635:2013
3610:2024
3599:ISSN
3576:2019
3544:ISBN
3510:2020
3484:2014
3462:2011
3435:2020
3410:2017
3370:2012
3348:2012
3326:2021
3300:2021
3274:2011
3226:2019
3031:ISBN
3006:ISBN
2987:2018
2829:2018
2797:ISBN
2642:ISBN
2568:ISBN
2545:ISBN
2523:2013
2486:ISBN
2455:ISBN
2414:2013
2386:ISBN
2353:ISBN
2258:ISBN
2234:ISBN
2213:2022
2182:ISBN
1997:and
1995:weld
1861:The
1843:The
1445:and
1433:and
1198:and
1182:The
1175:The
1078:The
991:The
815:The
793:bays
789:nave
775:The
762:The
729:yarn
726:wool
374:Kent
143:-yoo
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4650:Box
4307:doi
4176:doi
4136:doi
3947:BBC
3882:doi
3185:doi
3073:doi
2895:doi
2891:172
2855:OED
2433:144
2378:doi
2266:OED
1910:'s
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1761:in
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