Bayeux Tapestry - Knowledge

1191:, Harold's brothers, but both armies are shown fighting bravely. Bishop Odo brandishes his baton or mace and rallies the Norman troops in battle. To reassure his knights that he is still alive and well, William raises his helmet to show his face. The battle becomes very bloody with troops being slaughtered and dismembered corpses littering the ground. King Harold is killed. This scene can be interpreted in different ways, as the name "Harold" appears above a number of knights, making it difficult to identify which character is Harold, since one character appears with an arrow shot in his head under the name "Harold" while another character is slain by a sword underneath the words "was slain" . The final remaining scene shows unarmoured English troops fleeing the battlefield. The last part of the tapestry is missing; however, it is thought that the story contained only one additional scene. 3914:

his own comparative lack of devotion. But as critic Allen J. Frantzen has pointed out, this popular story about Mathilde and the tapestry is wrong—it was actually created in England decades after the conquest. Louis, then, is holding himself to a mythological standard of loyalty, and he curses himself based on a positively unreal example. This is part of a larger pattern of excessive guilt and harshness toward himself, which, paradoxically, prevents him from judging his own weaknesses accurately and trying to correct them. Because no one could possibly live up to Mathilde's example, Louis initially justifies his moral failure. Later, in Perestroika, he will arrive at a more genuine remorse and an honest understanding of what he has done.

1153:, then appears. At this point, the lower border of the tapestry shows a fleet of ghost-like ships thus hinting at a future invasion. The news of Harold's coronation is taken to Normandy, whereupon we are told that William is ordering a fleet of ships to be built although it is Bishop Odo shown issuing the instructions. The invaders reach England, and land unopposed. William orders his men to find food, and a meal is cooked. A house is burnt by two soldiers, which may indicate some ravaging of the local countryside on the part of the invaders, and underneath, on a smaller scale than the arsonists, a woman holds her boy's hand as she asks for humanity. News is brought to William. The Normans build a 977: 1628: 1485: 1531: 4605: 1341: 1329: 1723: 675: 4354: 522: 865: 5575: 4598: 1139: 611:; this was still the case in 1728, although by that time the purpose was merely to air the hanging, which was otherwise stored in a chest. Clearly, the work was being well cared for. In the eighteenth century, the artistry was regarded as crude or even barbarous—red and yellow multi-coloured horses upset some critics. It was thought to be unfinished because the linen was not covered with embroidery. However, its exhibition in the Louvre in 1797 caused a sensation, with 1064: 19: 456: 4369: 1161: 1349: 836: 740:) the borders do not line up properly but the technique was improved so that the later joins are practically invisible. The design involved a broad central zone with narrow decorative borders top and bottom. By inspecting the woollen threads behind the linen it is apparent all these aspects were embroidered together at a session and the awkward placing of the 1370:'s engravings of the tapestry as it was in 1730, show a spear or lance in place of the arrow and no arrow fletchings. Further, needle holes in the linen suggest that something has been removed, or shortened, and fletchings added to form an arrow. A figure is slain with a sword in the subsequent plate, and the phrase above the figure refers to Harold's death ( 275:. Tapestries adorned both churches and wealthy houses in Medieval Western Europe, though at 0.5 by 68.38 m (1 ft 8 in by 224 ft 4 in), the Bayeux Tapestry is exceptionally large. Only the figures and decoration are embroidered, on a background left plain, which shows the subject very clearly and was necessary to cover large areas. 4612: 1640:. It was made up of 1.5 million 7 mm pieces of spring steel—off-cuts from patterning disks of knitting machines—and was created by Michael Linton over a period of twenty years from 1979. The work was in 32 sections, and included a hypothetical reconstruction of the missing final section leading up to William the Conqueror's coronation at 365:); the Latin text contains hints of Anglo-Saxon; other embroideries originate from England at this time; and the vegetable dyes can be found in cloth traditionally woven there. Howard B. Clarke has proposed that the designer of the tapestry (i.e. the individual responsible for its overall narrative and political argument) was 1018:, killed in 991. Wall-hangings were common by the tenth century with English and Norman texts particularly commending the skill of Anglo-Saxon seamstresses. Mural paintings imitating draperies still exist in France and Italy and there are twelfth-century mentions of other wall-hangings in Normandy and France. A poem by 1477:("king"). The fact that the narrative extensively covers Harold's activities in Normandy (in 1064) indicates that the intention was to show a strong relationship between that expedition and the Norman Conquest starting two years later. It is for this reason that the tapestry is generally seen by modern scholars as an 621:. It was because the tapestry was regarded as an antiquity rather than a work of art that in 1804 it was returned to Bayeux, wherein 1823 one commentator, A. L. Léchaudé d'Anisy, reported that "there is a sort of purity in its primitive forms, especially considering the state of the arts in the eleventh century". 1693:

Other modern artists have attempted to complete the work by creating panels depicting subsequent events up to William's coronation, though the actual content of the missing panels is unknown. In 1997, the embroidery artist Jan Messent completed a reconstruction showing William accepting the surrender

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speculates the hanging was originally about 1.5 metres longer. At the last section still remaining the embroidery has been almost completely restored but this seems to have been done with at least some regard to the original stitching. The stylised tree is quite unlike any other tree in the tapestry.

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Harold leaves for home and meets again with the old king Edward, who appears to be remonstrating with him. Harold is in a somewhat submissive posture and seems to be in disgrace. However, possibly deliberately, the king's intentions are not made clear. The scene then shifts by about one year to when

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The tapestry begins with a panel of Edward the Confessor sending Harold to Normandy. Later Norman sources say that the mission was for Harold to pledge loyalty to William but the tapestry does not suggest any specific purpose. By mischance, Harold arrives at the wrong location in France and is taken

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abandoned his planned invasion of Britain the tapestry's propaganda value was lost and it was returned to Bayeux where the council displayed it on a winding apparatus of two cylinders. Despite scholars' concern that the tapestry was becoming damaged the council refused to return it to the cathedral.

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are normally in the central zone but occasionally use the top border. The borders are otherwise mostly purely decorative and only sometimes does the decoration complement the action in the central zone. The decoration consists of birds, beasts, fish and scenes from fables, agriculture, and hunting.

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Louis's problem is exacerbated by his tendency towards abstraction and his unreasonably high standards for himself. In Scene Three, he tells Emily about La Reine Mathilde, who supposedly created the Bayeux Tapestry. Louis describes La Reine's unceasing devotion to William the Conqueror and laments

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are included in many scenes to point out names of people and places or to explain briefly the event being depicted. The text is in Latin but at times the style of words and spelling shows an English influence. A dark blue wool, almost black, is mostly used but towards the end of the tapestry other

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Although political propaganda or personal emphasis may have somewhat distorted the historical accuracy of the story, the Bayeux Tapestry constitutes a visual record of medieval arms, apparel, and other objects unlike any other artifact surviving from this period. There is no attempt at continuity

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Norton has reviewed the various measurements of the length of the tapestry itself and of its nine individual linen panels. He has also attempted to estimate the size and architectural design of the 11th-century Bayeux Cathedral. He considers the tapestry would have fitted well if it had been hung

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The main yarn colours are terracotta or russet, blue-green, dull gold, olive green, and blue, with small amounts of dark blue or black and sage green. Later repairs are worked in light yellow, orange, and light greens. Laid yarns are couched in place with yarn of the same or contrasting colour.

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in London in 2022, but strong objections were raised on conservation grounds. It would be the first time in 950 years that the tapesty had left France, although evidence suggests that the tapestry was made in Canterbury. As of April 2024, however, a date for the loan had not yet been finalised.

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and sister of Harold. Wolfgang Grape has challenged the consensus that the embroidery is Anglo-Saxon, distinguishing between Anglo-Saxon and other Northern European techniques; Medieval material authority Elizabeth Coatsworth contradicted this: "The attempt to distinguish Anglo-Saxon from other

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in a way that would have been dramatically satisfying. He agrees with earlier speculation that a final panel is missing—one that shows William's coronation and which he thinks was some three metres long. Norton concludes that the tapestry was definitely designed to be hung in Bayeux Cathedral

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The tapestry's narration seems to place stress on Harold's oath to William, although its rationale is not made clear. Norman sources claim that the English succession was being pledged to William, but English sources give varied accounts. Today it is thought that the Norman sources are to be

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in the vignette depicting his death is disputed. Some recent historians disagree with the traditional view that Harold is the figure struck in the eye with an arrow, and that the arrow is a later 18th/19th century modification following a period of repair. Benoît's engraving of 1729, and

289: 1515:—the beginnings of modern heraldic structure were in place, but would not become standard until the middle of the 12th century. It has been noted that the warriors are depicted fighting with bare hands, while other sources indicate the general use of gloves in battle and hunt. 1410:(a scene that was frequently censored in historical reproductions). However, similar naked figures appear elsewhere in the lower border where there seems to be no connection at all with the main action. Harold had a younger sister named Ælfgifu (her name is spelt Alveva in the 505:, in 1792, the tapestry was confiscated as public property to be used for covering military wagons. It was rescued from a wagon by a local lawyer who stored it in his house until the troubles were over, whereupon he sent it to the city administrators for safekeeping. After the 182:. It is thought to date to the 11th century, within a few years of the battle. Now widely accepted to have been made in England, perhaps as a gift for William, it tells the story from the point of view of the conquering Normans and for centuries has been preserved in Normandy. 197: .... Its survival almost intact over nine centuries is little short of miraculous ... Its exceptional length, the harmony and freshness of its colours, its exquisite workmanship, and the genius of its guiding spirit combine to make it endlessly fascinating. 271:, so it does not meet narrower definitions of a tapestry. Nevertheless, it has always been referred to as a tapestry until recent years when the name "Bayeux Embroidery" has gained ground among certain art historians. It can be seen as a rare example of secular 434:

in the Loire Valley and says the detailed depiction of the Breton campaign argues for additional sources in France. Andrew Bridgeford has suggested that the tapestry was actually of English design and encoded with secret messages meant to undermine Norman rule.

797:). Events take place in a long series of scenes which are generally separated by highly stylised trees. However, the trees are not placed consistently and the greatest scene shift, between Harold's audience with Edward after his return to England and Edward's 1127:, whose position as Archbishop of Canterbury was controversial. Stigand is performing a liturgical function, possibly not the crowning itself. The tapestry labels the celebrant as "Stigant Archieps" (Stigand the archbishop) although by that time he had been 963:

reported that Edward had previously determined that William would succeed him on the throne, and Harold had sworn to honour this, and yet later that Harold had claimed Edward, on his deathbed, had made him heir over William. However, other sources, such as

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made more successful investigations and found that the sketch was of a small portion of a tapestry preserved at Bayeux Cathedral. In 1729 and 1730 he published drawings and a detailed description of the complete work in the first two volumes of his

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was to die with a weapon through the eye. Therefore, the tapestry might be said to emphasize William's rightful claim to the throne by depicting Harold as an oath breaker. Whether he actually died in this way remains a mystery and is much debated.

1522:, in a study of the tapestry, has "cautioned against reading it as an English or Norman story, showing how the animal fables visible in the borders may instead offer a commentary on the dangers of conflict and the futility of pursuing power". 405:

was famous across Europe. It was perhaps commissioned for display in the hall of Odo's palace in Bayeux, and then bequeathed to the cathedral he had built, following the precedent of the documented but lost hanging of the Anglo-Saxon warrior

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specifically; that it was designed to appeal to a Norman audience; and that it was probably designed for Bishop Odo so as to be displayed at the dedication of the cathedral in 1077 in the presence of William, Matilda, their sons, and Odo.

1970:. It was written by Jonas Rosales, directed by Alexis de Favitski and produced by Antoine Bamas. The documentary covered investigations carried out on the tapestry by the Laboratoire d'Archéologie Moléculaire et Structurale (LAMS) at the 3228: 1670:, started a reproduction on 13 July 2016. As of May 2023 she had completed 40 metres, saying that she expected to finish in some 4 years. Hansson takes part of her replica out for talk and display events. In September 2020 she published 1507:, archbishop of York, and favoured by the papacy, making Harold's position as legitimate king more secure. Contemporary scholarship has not decided the matter, although it is generally thought that Ealdred performed the coronation. 451:

concerning a sketch he had received about a work concerning William the Conqueror. He had no idea where or what the original was, although he suggested it could have been a tapestry. Despite further enquiries he discovered no more.

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In 1724 a linen backing cloth was sewn on comparatively crudely and, in around the year 1800, large ink numerals were written on the backing which broadly enumerate each scene and which are still commonly used for reference.

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Burt, Richard (2009). "Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema in Robin Hood, Prince of Thieves and El Cid." In Medieval Film. Ed. Anke Bernau and Bettina Bildhauer (Manchester: Manchester UP),

1651:, Norfolk, England, created a replica of the tapestry between 2011 and 2014 in carved and painted wooden relief on 25 five-foot planks. He undertook the project to help cope with the grief of losing his 18-year-old son. 735:

for filling in figures. Nine linen panels, between fourteen and three metres in length, were sewn together after each was embroidered and the joins were disguised with subsequent embroidery. At the first join (start of

1738:, is widely recognised, and is so distinctive in its artistic style, the Bayeux Tapestry has frequently been used or reimagined in a variety of different popular culture contexts. George Wingfield Digby wrote in 1957: 1022:

might even describe the Bayeux Tapestry itself. The Bayeux Tapestry was therefore not unique at the time it was created: rather it is remarkable for being the sole surviving example of medieval narrative needlework.

702:, although it meets the traditional broader definition of "tapestry" as: "A textile fabric decorated with designs of ornament or pictorial subjects, painted, embroidered, or woven in colours, used for wall hangings, 1405:

shows familiarity with English spelling. There are two naked male figures in the border below this figure; the one directly below the figure is in a pose mirroring that of the cleric, squatting and displaying his

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The tapestry's central zone contains most of the action, which sometimes overflows into the borders either for dramatic effect or because depictions would otherwise be very cramped (for example at Edward's

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Tapestry fragments have been found in Scandinavia dating from the ninth century and it is thought that Norman and Anglo-Saxon embroidery developed from this sort of work. Examples are to be found in the

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At least two panels of the tapestry are missing, perhaps even another 6.4 m (7.0 yd) in total. This missing area may have depicted William's coronation as King of England. A poem by

1959:. The apocryphal account of Queen Matilda's creation of the tapestry is used, perhaps in order to demonstrate that Louis, one of the main characters, holds himself to mythological standards. 2028:

The exact number of scenes is not clearly defined; the Musée de la Tapisserie de Bayeux states 58 scenes, although some interpretations regard the tapestry as being divided into 70 scenes.

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Clerics were not supposed to shed blood, hence Odo has no sword. Rather than just praying for the Norman knights, however, which ought to have been his role, Odo seems militarily active.

1574:, England. The naked figure in the original tapestry (in the border below the Ælfgyva figure) is depicted wearing a brief garment because the drawing which was worked from was similarly 430:

Northern European embroideries before 1100 on the grounds of technique cannot be upheld on the basis of present knowledge." George Beech suggests the tapestry was executed at the

599:, on 25 August, the tapestry was again put on public display in the Louvre, and in 1945 it was returned to Bayeux, where it is exhibited at the Musée de la Tapisserie de Bayeux. 211:, William's maternal half-brother, and made for him in England in the 1070s. In 1729, the hanging was rediscovered by scholars at a time when it was being displayed annually in 1742:

It was designed to tell a story to a largely illiterate public; it is like a strip cartoon, racy, emphatic, colourful, with a good deal of blood and thunder and some ribaldry.

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By 1842 the tapestry was displayed in a special-purpose room in the Bibliothèque Publique. It required special storage in 1870 with the threatened invasion of Normandy in the

1689:'s estate auction, purchased for £16,000. The replica, one of three known surviving Victorian copies, was originally created as a panoramic photograph in the 19th century. 1503:, the excommunicated archbishop of Canterbury, as the man who crowned Harold, possibly to discredit Harold's kingship; one English source suggests that he was crowned by 353:

it may have been commissioned at the same time as the cathedral's construction in the 1070s, possibly completed by 1077 in time for display on the cathedral's dedication.

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Rud, Mogens (1992). "The Bayeux Tapestry and the Battle of Hastings 1066", Christian Eilers Publishers, Copenhagen; contains full colour photographs and explanatory text

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A comet was believed to be a bad omen at this time and Halley's comet would have first appeared in 1066 around 24 April, nearly four months after Harold's coronation.

1430:. It has been speculated that this scene, occurring after the meeting of Harold and William, is to remind the contemporary viewers of a scandal that occurred between 1316:

colours are used, sometimes for each word and other times for each letter. The complete text and English translation are displayed beside images of each scene at

1596:, began making a replica of the Bayeux Tapestry using the original sewing techniques. The replica was completed in June 2014 and went on permanent exhibition at 1043: 401:

1070–1089. The actual physical work of stitching was most probably undertaken by female needleworkers. Anglo-Saxon needlework of the more detailed type known as

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The first reference to the tapestry is from 1476 when it was listed in an inventory of the treasures of Bayeux Cathedral. It survived the sack of Bayeux by the

6306: 1589:, Canada, completed a stitched replica in 1996. Since its completion, it has been displayed in various museums and galleries in Canada and the United States. 759:"Et fuga verterunt Angli" ("and the English left fleeing") is said to be "entirely spurious", added shortly before 1814 at a time of anti-English sentiment. 324:("The Tapestry of Queen Matilda"). However, scholarly analysis in the 20th century concluded it was probably commissioned by William's half-brother, Bishop 228: 6336: 2257:"Tapestry": "A textile fabric decorated with designs of ornament or pictorial subjects, painted, embroidered, or woven in colours, used for wall hangings, 1955: 3386: 1084:. After exchanges of messages borne by mounted messengers, Harold is released to William, who then invites Harold to accompany him on a campaign against 552:

jr. and published by the Society in 1819–23. Stothard's images are still of value as a record of the tapestry as it was before 19th-century restoration.

748:) has been reworked. The tapestry may well have maintained much of its original appearance—it now compares closely with a careful drawing made in 1730. 2503: 1465:

and essentially depicts a Norman viewpoint. However, Harold is shown as brave, and his soldiers are not belittled. Throughout, William is described as

490:, who was living in Paris in 1732–3, and was acquainted with Lancelot and de Montfaucon: it was not published, however, until 1767, as an appendix to 3579: 933:, king of England and about sixty years old at the time the tapestry starts its narration, had no children or any clear successor. Edward's mother, 922:'s daughter. William became Duke of Normandy at the age of seven and was in control of Normandy by the age of nineteen. His half-brother was Bishop 6341: 6197: 744:

is not due to them being added later. Later generations have patched the hanging in numerous places and some of the embroidery (especially in the

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Burt, Richard (July 2007). "Re-embroidering the Bayeux Tapestry in Film and Media: The Flip Side of History in Opening and End Title Sequences".

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Burt, Richard (July 2007). "Re-embroidering the Bayeux Tapestry in Film and Media: The Flip Side of History in Opening and End Title Sequences".

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Edward has become mortally ill and the tapestry strongly suggests that, on his deathbed, he bequeaths the crown to Harold. What is probably the

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at Hastings to defend their position. Messengers are sent between the two armies, and William makes a speech to prepare his army for battle.

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There are frequent oblique bands separating the vignettes. There are nude figures, some of corpses from battle, others of a ribald nature. A

2169:] (annotated edition). Translated by Rex, Richard (First ed.). Woodbridge, United Kingdom: Boydell & Brewer Ltd. p. 272. 3831: 2805: 4418: 4105:

Burt, Richard (2007). "Loose Threads: Weaving Around Women in the Bayeux Tapestry and Cinema", in Medieval Film, ed. Anke Bernau and

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In a series of pictures supported by a written commentary, the tapestry tells the story of the events of 1064–1066 culminating in the

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and Vital, two individuals identified in the tapestry. Alternatively, Christine Grainge has argued that the designer may have been

509:, the Fine Arts Commission, set up to safeguard national treasures in 1803, required it to be removed to Paris for display at the 6089: 5038: 2951: 5635: 5446: 4263:

Werckmeister, Otto Karl (1976). "The Political Ideology of the Bayeux Tapestry." Studi Medievali, 3rd Series 17, no. 2: 535–95.

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of 1086) who was possibly promised to William by Harold or even betrothed to him, but she died c. 1066, prior to the invasion.

1374:, "he is slain"). This would appear to be more consistent with the labeling used elsewhere in the work. It was common medieval 3637: 3412: 661:

announced that the Bayeux Tapestry would be loaned to Britain for public display. It had been expected to be exhibited at the

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Wissolik, Richard David (March 1979). "The Monk Eadmer as Historian of the Norman Succession: Korner and Freeman Examined."

3229:"Prufrock: The Meaning of the Bayeux Tapestry, When Israeli Prisoners Translated 'The Hobbit,' and the French 'Anti-Keynes'" 1607:, commissioned a hand-painted, full-size replica of the Bayeux Tapestry completed by Margaret ReVille and donated it to the 5458: 4449: 4338:

The Bayeux Tapestry. A Critical Annotated Bibliography with Cross References and Summary Outlines of Scholarship, 1729–1988

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between scenes, either in individuals' appearance or clothing. The knights carry shields, but show no system of hereditary

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Wissolik, Richard David (1982). "Duke William's Messengers: An 'Insoluble, Reverse-Order' Scene of the Bayeux Tapestry".

1115:. Although the writing on the tapestry explicitly states an oath is taken there is no clue as to what is being promised. 896: 842: 1453:, which is very similar to the Bayeux depiction. He describes the closing scene as the coronation of William in London. 5523: 5306: 5227: 4193: 608: 5574: 1558:, who was an accomplished seamstress, embarked on creating a reproduction in 1885. She organised some 37 women in her 607:

The inventory listing of 1476 shows that the tapestry was being hung annually in Bayeux Cathedral for the week of the

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cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall that depicts the events leading up to the

127: 3488:"Photo gallery: Norfolk man creates a 135ft wooden version of the Bayeux Tapestry to help cope with his son's death" 727:

ground 68.38 metres long and 0.5 metres wide (224.3 ft × 1.6 ft) and using two methods of stitching:

617:, which normally dealt with foreign affairs, reporting on it on its first two pages. It inspired a popular musical, 6207: 5557: 5330: 4373: 3372: 1390:

touching or possibly striking a woman's face. No one knows the significance of this scene or the caption above it:

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A Needle in the Right Hand of God: The Norman Conquest of 1066 and the Making and Meaning of the Bayeux Tapestry.

3276: 5232: 5156: 4011: 3250: 3023: 4392: 4233:"The Yorkshire Preface to the Bayeux Tapestry" The Events of September 1066 – Depicted In a Community Tapestry 976: 6069: 6064: 5932: 5389: 5212: 1925: 1551: 1230: 1092:, the army becomes mired in quicksand and Harold saves two Norman soldiers. William's army chases Conan from 595:

attempted to take possession of the tapestry, by which time the Louvre was again in French hands. After the

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A number of films have used sections of the tapestry in their opening credits or closing titles, including

1765: 5779: 591:) ordering it to be taken to "a place of safety", thought to be Berlin. It was only on 22 August that the 6255: 6187: 5850: 5790: 5222: 5032: 4109: 2009:(2024) were redesigned with an animated sequence in embroidery that was inspired by the Bayeux Tapestry. 1884: 1812: 1616: 3302: 636:, a visit was included on "Recommended Route 26 (Caen to Cherbourg via Bayeux)", and this guidebook led 5660: 5518: 5476: 5427: 5399: 5217: 5068: 5009: 4359: 3780: 1879: 1875: 1783: 1608: 1215: 1085: 3442: 3439:"The Medieval Mosaic The Recreation of the Bayeux Tapestry, as a 34 metre Medieval Mosaic Masterpiece" 2947: 6222: 5998: 5166: 5116: 4507: 3974:"House of the Dragon's Epic New Opening Credits Are Inspired by Real-Life History - A stitch in time" 2078: 1919: 1287: 1176: 5835: 4412: 1431: 1415: 640:

to go there; he would describe the tapestry as "the most interesting thing in its way conceivable".

207:, embroidered on linen with coloured woollen yarns. It is likely that it was commissioned by Bishop 6296: 6079: 5925: 5881: 5465: 5394: 4442: 2435: 1901: 1889: 1808: 1267: 1081: 1072: 398: 5481: 1627: 1484: 998: 822: 814: 798: 794: 752: 745: 737: 6326: 6227: 6135: 5744: 5645: 5487: 5452: 5439: 4916: 4379: 4033: 1563: 1559: 765: 541: 525: 370: 5845: 5820: 1439: 6013: 5840: 5655: 5383: 5358: 5299: 5197: 5121: 3839: 2462: 1637: 1582: 1317: 1305: 1243: 1235: 907: 846: 357:

Assuming Odo commissioned the tapestry, it was probably designed and constructed in England by

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coveted the work, regarding it as "important for our glorious and cultured Germanic history".

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Campbell, Miles Warren (1984). "Aelfgyva : The Mysterious Lady of the Bayeux Tapestry".

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An approximately half-scale mosaic version of the Bayeux Tapestry was formerly on display at

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The depiction of events on the tapestry has raised several questions which remain unsettled.

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For example, illustrations in the Bayeux Tapestry can be shown to have been copied from the

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in 1562; and the next certain reference is from 1724. Antoine Lancelot sent a report to the

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and the most powerful noble in England, was Edward's brother-in-law. The Norman chronicler

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to collaborate working from a full-scale water-colour facsimile drawing provided by the

1340: 690:, this piece is conventionally referred to as a "tapestry", although it is not a "true" 6039: 6003: 5528: 5471: 5043: 4994: 4926: 4852: 4842: 4825: 4815: 4790: 4577: 4552: 4303: 4132: 4085: 3878: 3053: 2891: 2532:, Volume 2, Woodbridge, Suffolk, UK, and Rochester, New York, the Boydell Press, 2006, 2038: 1931: 1913: 1867: 1837: 1682: 1620: 1571: 1328: 1262: 1252: 1184: 1172: 1165: 1046:, in Germany, is the largest of a group of fragments from hangings based on decorative 994: 876: 781: 532:

engravings: scenes showing the Norman troops crossing the Channel and landing in Sussex

487: 386: 179: 31: 5126: 2856: 1722: 6044: 5993: 5693: 5625: 5615: 5552: 5348: 5292: 5151: 4941: 4936: 4906: 4830: 4764: 4734: 4693: 4663: 4643: 4547: 4532: 4512: 4492: 4472: 4271: 4250: 4236: 4218: 4199: 4189: 4136: 4106: 4092: 4073: 4059: 4045: 4044:

Bernstein, David J. (1986). "The Mystery of Bayeux Tapestry" Weidenfeld and Nicolson

4019: 3882: 3788: 3698: 3587: 3532: 3123: 3019: 2994: 2895: 2785: 2630: 2556: 2533: 2474: 2443: 2374: 2341: 2246: 2222: 2170: 1803: 1772: 1641: 1462: 1450: 1150: 1143: 1089: 818: 687: 568: 502: 382: 6125: 5708: 3553: 3375:[The Vikings Are Coming!] (in Danish). Kristeligt Dagblad. 30 November 2005. 2874:

Norton, Christopher (23 October 2019). "Viewing the Bayeux Tapestry, Now and Then".

2846:, "Tapestry", which goes on to mention "especially" those woven in a tapestry weave. 1394:("where a certain cleric and Ælfgyva"), where Ælfgyva is the Latinised spelling of 674: 6059: 5967: 5855: 5830: 5498: 5053: 4931: 4835: 4744: 4582: 4482: 4295: 4164: 4124: 3870: 3648: 3350: 3173: 3161: 3061: 2883: 2366: 1555: 1519: 1504: 1435: 1362: 1179:

but the tapestry does not provide this context. The English fight on foot behind a

1154: 1031: 952: 934: 911: 880: 648: 584: 479: 475:. The drawings were by Antoine Benoît, one of the ablest draughtsmen of that time. 300: 212: 175: 92: 86: 51: 3670: 3184: 3072: 2887: 2834:, formerly held in Canterbury, and Canterbury was Bishop Odo's English power-base. 2416:

Grainge, Christine (2023). "The identity of the designer of the Bayeux Tapestry".

1597: 1593: 1030:, or Girona Tapestry, is a large Romanesque panel of needlework, in the Museum of 6301: 6171: 6074: 6029: 5972: 5948: 5640: 5594: 5513: 5421: 5063: 5026: 5004: 4953: 4891: 4729: 4703: 4678: 4315: 4151:(New York and London: Palgrave Macmillan), xiv; 279 pp. Paperback edition, 2010. 4003: 3097: 2361:

Clarke, Howard B. (2013). "The Identity of the Designer of the Bayeux Tapestry".

1999: 1939: 1871: 1711: 1707: 1542:

A number of replicas of the Bayeux Tapestry have been created, in various media.

1423: 1292: 1220: 1188: 1128: 1101: 1093: 1039: 1035: 988:

Tapestry (actually needlework), 11th-century, 3.65 m × 4.70 m (12.0 ft × 15.4 ft)

658: 641: 633: 521: 506: 422: 402: 358: 315: 167: 144: 136: 45: 5723: 2504:"Oxford Bibliographies Online – Author (Contributor: Elizabeth Coatsworth)" 864: 6120: 5896: 5871: 5784: 5728: 5713: 5698: 5171: 5146: 5141: 4785: 4754: 4683: 4673: 4658: 4633: 4497: 3580:"Bayeux Museum lands 1872 reproduction of tapestry from Rolling Stone's estate" 3177: 3065: 2964: 1983: 1938:

The design and embroidery of the tapestry form one of the narrative strands of

1798: 1757: 1710:

finished a continuation including William's coronation and the building of the

1667: 1567: 1547: 1535: 1446: 1427: 1419: 1047: 1019: 1010: 956: 662: 625: 491: 272: 194: 155: 3612: 3389:[The "Bayeux tapestry" displayed in a horse stable in North Jutland]. 3165: 2370: 780:

and that the scenes it depicts can be correlated with positions of the arcade

185:

According to Sylvette Lemagnen, conservator of the tapestry, in her 2005 book

6285: 6248: 6084: 6034: 5769: 5759: 5703: 5688: 5533: 5106: 4921: 4668: 4597: 4502: 4329:

Wissolik, Richard David. "The Saxon Statement: Code in the Bayeux Tapestry."

4184:

Foys, Martin K., Overbey, Karen Eileen Overbey and Terkla, Dan (eds.) (2009)

4128: 3874: 3591: 2930: 2666: 1907: 1747: 1686: 1678: 1512: 1411: 1257: 942: 923: 810: 760: 411: 344: 325: 303:, but its origins have been the subject of much speculation and controversy. 292: 243: 230: 208: 23: 5774: 4168: 3930: 3146:

Gibbs-Smith, Charles (1965). "Notes on the Plates". In Frank Stenton (ed.).

2037:

Professor Christopher Norton is emeritus professor of History of Art at the

1888:(2014–15), and (in this case a woven tapestry with embroidered details) the 1398:, a popular Anglo-Saxon woman's name (literally "elf-gift"). The use of the 299:

The earliest known written reference to the tapestry is a 1476 inventory of

6156: 5825: 5754: 5176: 4963: 4884: 4800: 4688: 4648: 4517: 4411: 4210: 4007: 3765: 3760: 2991:

Pulling the Arrow Out: The Legend of Harold's Death and the Bayeux Tapestry

2777: 2526:

Was the Bayeux Tapestry Made in France?: The Case for St. Florent of Saumur

2470: 1950: 1761: 1648: 1138: 903: 884: 549: 529: 418: 329: 215:. The tapestry is now exhibited at the Musée de la Tapisserie de Bayeux in 3464: 1828:

The tapestry has inspired modern embroideries, most notably and directly:

1199:

The following is a list of known persons depicted on the Bayeux Tapestry:

6262: 5901: 5797: 5683: 5650: 5416: 5131: 5096: 5091: 4873: 4708: 4557: 1994: 1731: 1695: 1663: 1575: 1375: 1180: 1063: 946: 721: 637: 378: 5248: 4307: 1811:'s pastiche chronicling the saga leading up to Britain's entry into the 1050:, including animals, that are probably the earliest European survivals. 945:

but was decided jointly by the king and by an assembly of nobility, the

5876: 5599: 5268: 5181: 5136: 4978: 4749: 4739: 4724: 4638: 4628: 4458: 4245:

Pastan, Elizabeth Carson, and Stephen White, with Kate Gilbert (2014).

1845: 1735: 1488: 1120: 728: 699: 679: 374: 261: 163: 1702:), Hertfordshire, and his coronation. In early 2013, 416 residents of 1395: 1204: 455: 306:

French legend maintained the tapestry was commissioned and created by

18: 4572: 4562: 4487: 4299: 3390: 3199:"ACLS American Council of Learned Societies - www.acls.org - Results" 2121: 1817: 1793: 1566:. The full-size replica was finished in 1886 and is now exhibited in 1407: 1034:, Catalonia, Spain. The hanging depicts a series of figures from the 1015: 1014:, mentions a woven narrative wall-hanging commemorating the deeds of 580: 560: 545: 444: 407: 193:

The Bayeux tapestry is one of the supreme achievements of the Norman

3254: 2334:"Stitches in Time: Establishing a History of Anglo-Saxon Embroidery" 1655: 1183:, whilst the Normans are on horses. Two fallen knights are named as 421:

has suggested the tapestry could possibly have been commissioned by

66: 6166: 5315: 5273: 5258: 4653: 4567: 3328: 2258: 1967: 1703: 1478: 1399: 1379: 1272: 845:

The entire Bayeux Tapestry. Individual images of each scene are at

703: 691: 514: 394: 366: 265: 220: 5917: 6115: 5906: 5253: 4958: 4946: 4864: 4527: 4522: 2130:

Koslin, Desirée (1990). "Turning Time in the Bayeux Embroidery".

1776: 1659: 1586: 1500: 1492: 1210: 1160: 1124: 1068: 915: 892: 695: 572: 268: 1449:

describes a tapestry on the walls of the personal apartments of

288: 6054: 5589: 4901: 4896: 4805: 4368: 2929:

Wingfield Digby, George (1965). "Technique and Production". In

1896: 1631:

Sections of the 1066 Medieval Mosaic re-creation in New Zealand

1387: 1311: 1282: 1277: 1132: 1105: 1097: 985: 965: 710: 576: 390: 333: 216: 203: 1764:, a British comic book artist, has called it "the first known 1578:. The replica was digitised and made available online in 2020. 1175:

was fought on 14 October 1066 less than three weeks after the

628:

complaining of the need to queue to see the work. In the 1843

5891: 5508: 4427: 2857:"Christopher Norton - History of Art, The University of York" 2299:, in English and French. Word document. Published 9 May 2006. 1979: 1841: 1112: 1109: 724: 107: 2665:

Bertrand, Simone (1965) . "The History of the Tapestry". In

2148:

et combien pauvre alors ce nom de broderie nous apparaît-il!

548:

of the tapestry. His drawings were subsequently engraved by

5284: 5263: 4769: 2163:

La Tapisserie de Bayeux: œuvre d'art et document historique

1862:

Other embroideries more loosely inspired by it include the

1348: 817:) and this is the earliest known depiction. The picture of 777: 717: 714: 478:

The tapestry was first briefly noted in English in 1746 by

362: 119: 101: 75: 57: 2937:(2nd ed.). Phaidon Press. pp. 37–55 (37, 45–48). 2673:(revised ed.). London: Phaidon Press. pp. 88–97. 1402: 4611: 3438: 2843: 2254: 1026:

Very few hangings from the 11th century survive, but the

104: 63: 6279:

Embroidery depicting the 1066 Norman invasion of England

1075:, with a portrayal of medieval agriculture in the border 3387:"Nu hænger Bayeux-tapetet i en hestestald i Vendsyssel" 2993:. Woodbridge, UK: Boydell and Brewer. pp. 158–75. 2123:

Reframing Medieval Art: Difference, Margins, Boundaries

698:

into the cloth in tapestry weave; it is technically an

592: 486:. The first detailed account in English was written by 4882: 4871: 4862: 4422:. Vol. 3 (11th ed.). 1911. pp. 555–556. 4180:. Individual licence ed; CD-ROM. On-line version, 2013 4002: 1426:, past kings of Denmark and England respectively, via 4070:

1066 : the hidden history in the Bayeux Tapestry

2336:. In Netherton, Robin; Owen-Crocker, Gale R. (eds.). 1499:

preferred. Both the tapestry and Norman sources name

1461:

The Bayeux Tapestry was probably commissioned by the

669: 624:

The tapestry was becoming a tourist attraction, with

128: 4349: 4247:

The Bayeux Tapestry and its Contexts: A Reassessment

4215:

The Bayeux Tapestry: The Life Story of a Masterpiece

3251:"Britain's Bayeux Tapestry at the Museum of Reading" 2782:

The Bayeux Tapestry. The Life Story of a Masterpiece

2467:

The Bayeux Tapestry: The Life Story of a Masterpiece

2272:

The Bayeux Tapestry – A History and Description

1854:(2010), which chronicles the events surrounding the 859: 768:

has also been restored but to a much lesser extent.

755:

has been missing from time immemorial and the final

544:, to visit Bayeux to make an accurate hand-coloured 116: 98: 72: 54: 4268:

The Bayeux Tapestry: the Complete Tapestry in Color

4032: 3735:

Wingfield Digby, "Technique and Production", p. 37.

3512:Monger, Garry (2022). "Fenland's Bayeux Tapestry". 3413:"History center to display Bayeux Tapestry replica" 1681:replica of the Bayeux tapestry as part of the late 1603:Dr. E. D. Wheeler, former judge and former dean at 339:The reasons for the Odo commission theory include: 113: 95: 60: 4084: 3950: 3929: 3087:Gesta Willelmi ducis Normannorum et regis Anglorum 2910:Gesta Willelmi ducis Normannorum et regis Anglorum 1997:, the opening credits of the second season of the 1615:in 1994. In 2014, the replica was acquired by the 449:Académie Royale des Inscriptions et Belles-Lettres 377:, because of his previous position as head of the 4407:– collection of videos, articles and bibliography 3160: 2876:Journal of the British Archaeological Association 2491:The Bayeux Tapestry: Monument to a Norman Triumph 1104:. William gives Harold arms and armour (possibly 686:In common with other embroidered hangings of the 343:three of the bishop's followers mentioned in the 318:. Indeed, in France, it is occasionally known as 201:The cloth consists of 58 scenes, many with Latin 6283: 6198:Coronations of William the Conqueror and Matilda 3889: 2218:The Middle Ages: A History From Beginning to End 883:, recently crowned King of England, leading the 4393:High quality panoramic image of Bayeux Tapestry 2928: 2553:1066: The Hidden History in the Bayeux Tapestry 731:for lettering and the outlines of figures, and 602: 350:it was found in Bayeux Cathedral, built by Odo; 3016:The House of Godwine: the history of a dynasty 2442:. Manchester: Manchester UP. pp. 134–36. 2081:, although the Tapestry does not specify this. 2024: 2022: 1972:French National Centre for Scientific Research 1726:Street art in Bayeux referring to the Tapestry 1677:In January 2024, the Bayeux Museum acquired a 1592:In 2000, a Danish association, Vikingegruppen 1149:A star with a streaming tail, now known to be 5933: 5300: 5075:Fragments of a Cope with the Seven Sacraments 4443: 4087:The Bayeux Tapestry: History and Bibliography 3931:"BBC Four - Mysteries of the Bayeux Tapestry" 3605: 2948:Victoria and Albert Museum, "Tapestry Border" 2547: 2545: 2327: 2325: 2323: 1525: 1473:up to his coronation, is subsequently called 825:), is the first known picture of this comet. 385:(famed for its illumination), his travels to 6307:Cultural depictions of William the Conqueror 3711: 3638:"Invasion of England, Submission to William" 3630: 3051: 2806:"Bayeux Tapestry to be displayed in Britain" 2395:"Designer of the Bayeux Tapestry identified" 2146:. La Pierre-qui-Vire: Zodiaque. p. 23. 1088:. On the way, just outside the monastery of 462:/ Benoît drawing showing King Harold's death 319: 149: 6337:Works about battles and military operations 6253: 4016:The Golden Age of Anglo-Saxon Art, 966–1066 3145: 2285:The Bayeux Tapestry. A comprehensive survey 2019: 1674:, with hand-drawn images from the tapestry. 1386:There is a panel with what appears to be a 813:, a newly invented implement, is depicted ( 22:A scene from the Bayeux Tapestry depicting 5940: 5926: 5405:Great Tapestry of Scotland: People's Panel 5307: 5293: 5015:Great Tapestry of Scotland: People's Panel 4450: 4436: 2660: 2658: 2656: 2654: 2652: 2650: 2648: 2646: 2620: 2618: 2616: 2614: 2612: 2610: 2608: 2606: 2604: 2602: 2600: 2598: 2596: 2594: 2592: 2590: 2588: 2542: 2331: 2320: 2317:, Thames and Hudson, 1985, pp. 201–27 332:and, when William was absent in Normandy, 4270:, Rev. ed. New York: Thames & Hudson 3801: 3719:"Bayeux Tapestry ending made in Alderney" 3353:. Newsrelease.uwaterloo.ca. 15 March 2001 2772: 2770: 2768: 2766: 2764: 2762: 2760: 2758: 2756: 2754: 2752: 2750: 2748: 2746: 2744: 2742: 2740: 2738: 2736: 2586: 2584: 2582: 2580: 2578: 2576: 2574: 2572: 2570: 2568: 2309: 2307: 2305: 1135:who considered his appointment unlawful. 937:, was William's great aunt. At that time 540:commissioned its historical draughtsman, 5208:Embroidery Software Protection Coalition 4285: 4186:The Bayeux Tapestry: New Interpretations 4154: 4149:Medieval and Early Modern Film and Media 3971: 3697:. Thirsk: Madeira Threads. p. 112. 3577: 3079: 2734: 2732: 2730: 2728: 2726: 2724: 2722: 2720: 2718: 2716: 2664: 2463:"New Contender for The Bayeux Tapestry?" 2141: 2119: 1721: 1626: 1534:Start of the Bayeux Tapestry replica in 1529: 1483: 1347: 1339: 1327: 1159: 1137: 1062: 975: 863: 673: 579:and on 18 August, three days before the 520: 454: 361:(Odo's main power base being by then in 287: 17: 6342:Cultural depictions of Harold Godwinson 4018:. London: British Museum Publications. 3952:"BBC4 to reversion Bayeux Tapestry doc" 3924: 3922: 3779: 3692: 3526: 3485: 3243: 3170:Oxford Dictionary of National Biography 3154: 3058:Oxford Dictionary of National Biography 2643: 2434: 2415: 2340:. Boydell & Brewer. pp. 1–27. 2214: 2077:Possibly about Harold's victory in the 473:Les Monuments de la Monarchie française 328:, who, after the Conquest, also became 260:The designs on the Bayeux Tapestry are 6284: 5447:Hunting of Birds with a Hawk and a Bow 3830:Steven, Alasdair (24 September 2003). 3829: 3511: 3430: 2873: 2624: 2565: 2360: 2302: 2160: 2129: 1469:("duke"), whereas Harold, also called 1456: 1323: 709:The Bayeux tapestry is embroidered in 5921: 5288: 4431: 4266:Wilson, David McKenzie (ed.) (2004). 4235:, Writers Print Shop, first edition. 4209: 4082: 3465:"A Medieval Mosaic (Medieval Mosaic)" 3445:from the original on 16 February 2016 3139: 3045: 3013: 2922: 2776: 2713: 2297:UNESCO World Heritage nomination form 1824:"Europa" supplement on 1 January 1973 1717: 821:, which appears in the upper border ( 143: 5459:The Justice of Trajan and Herkinbald 4114: 3919: 3860: 3647:. Berkhamsted Castle. Archived from 3529:Mia's Bayeux Tapestry Colouring Book 2988: 2191:"Explore the Bayeux Tapestry online" 2090:This reflected the military reality. 1672:Mia's Bayeux Tapestry Colouring Book 6095:Companions of William the Conqueror 5947: 5228:Chung Young Yang Embroidery Museum 4386:Digital exploration of the tapestry 3695:Bayeux Tapestry Embroiderers' Story 3551: 3351:"Bayeux Tapestry, topic of seminar" 2965:"People identified on the tapestry" 2397:. Medievalists.net. 30 October 2013 2287:London: Phaidon, 1957 revised 1965. 2274:, London: G. Bell & Sons, 1913. 2161:Musset, Lucien (1 November 2005) . 2041:in the Centre for Medieval Studies. 1993:At the behest of series showrunner 1491:of Harold, seemingly by Archbishop 1418:was also the name of the mother of 971: 897:companions of William the Conqueror 801:, is not marked in any way at all. 438: 13: 5524:Scottish royal tapestry collection 4610: 4603: 4596: 4206:London; New York, Phaidon; Praeger 4040:. Paris: Citadelles & Mazenod. 3995: 3759:The History of the British Comic, 3436: 2952:Photo of the Cloth of Saint Gereon 2440:Anglo-Saxon Art, a New Perspective 2245:. Stroud, UK: Tempus. pp. 32–33. 2159:Sylvette Lemagnen, Preface, p. 9; 1194: 1100:, and Conan finally surrenders at 1058: 670:Construction, design and technique 630:Hand-book for Travellers in France 619:La Tapisserie de la Reine Mathilde 321:La Tapisserie de la Reine Mathilde 14: 6358: 5374:Christ in Glory in the Tetramorph 4345: 4036:; Barral i Altet, Xavier (2019). 3948: 3617:Berkhamsted Local History Society 3578:Willsher, Kim (29 January 2024). 3486:Lazzari, Adam (14 January 2014). 3235:. 25 January 2018. Archived from 1802:magazine of 15 July 1944 marking 1108:him) and Harold takes an oath on 860:Background of the events depicted 772:along the south, west, and north 5573: 5558:Walsall Silver Thread Tapestries 4367: 4352: 4336:Wissolik, Richard David (1989). 3897:"SparkNote on Angels in America" 3018:. London: Hambledon and London. 2493:, Prestel Publishing, 3791313657 2241:Saul, Nigel. "Bayeux Tapestry". 2215:Freeman, Henry (21 March 2016). 2126:. Medford, MA: Tufts University. 1964:Mysteries of the Bayeux Tapestry 1815:, published across six pages in 939:succession to the English throne 879:. The two main protagonists are 834: 538:Society of Antiquaries of London 432:Abbey of Saint-Florent de Saumur 91: 50: 5636:Moravská Gobelínová Manufaktura 5564:The World Trade Center Tapestry 5112:Juanita Growing Thunder Fogarty 4217:. London: Chatto & Windus. 4178:Bayeux Tapestry Digital Edition 3972:Johnston, Dais (17 June 2024). 3965: 3942: 3854: 3823: 3773: 3753: 3738: 3729: 3686: 3571: 3545: 3520: 3505: 3479: 3457: 3405: 3379: 3365: 3343: 3321: 3295: 3269: 3221: 3191: 3113: 3032: 3007: 2982: 2957: 2941: 2902: 2867: 2849: 2837: 2824: 2798: 2704: 2695: 2686: 2677: 2518: 2496: 2483: 2456: 2428: 2409: 2387: 2354: 2283:Sir Frank Stenton (ed) et al., 2243:A Companion to Medieval England 2093: 2084: 2071: 2062: 2053: 2044: 2031: 1962:In 2022 the French documentary 1949:The tapestry is referred to in 1647:Jason Welch, a woodcarver from 1207:, a woman of uncertain identity 995:grave goods of the Oseberg ship 587:sent a message (intercepted by 5233:Han Sang Soo Embroidery Museum 5203:Embroiderers' Guild of America 5157:Charles Germain de Saint Aubin 4457: 4399:A Guide to the Bayeux Tapestry 2555:, Walker & Company, 2005. 2530:Medieval Clothing and Textiles 2338:Medieval Clothing and Textiles 2332:Coatsworth, Elizabeth (2005). 2290: 2277: 2264: 2235: 2208: 2183: 2153: 2120:Caviness, Madeline H. (2001). 2113: 1730:Because it resembles a modern 1332:Harold's death. Legend above: 559:and again in 1939–1944 by the 1: 5390:Devonshire Hunting Tapestries 5344:Amnesty-Sís-Pinton Tapestries 5213:Needlework Development Scheme 4333:. 19 (September 1979), 69–97. 3554:"Mia's Bayeux Tapestry Story" 3329:"Ray Dugan's Bayeux Tapestry" 3130: 3104: 3090: 2913: 2888:10.1080/00681288.2019.1642012 2465:, from the BBC, 22 May 2006. 2106: 1926:Robin Hood: Prince of Thieves 1560:Leek School of Art Embroidery 1546:Through the collaboration of 1299: 854: 410:, bequeathed by his widow to 6347:Works subject to expurgation 6317:Memory of the World Register 5314: 5102:Shahin Ebrahimzadeh-Pezeshki 4413:"Bayeux Tapestry, The" 3787:. Oxford: Bodleian Library. 3185:UK public library membership 3073:UK public library membership 1771:It has inspired many modern 1392:ubi unus clericus et Ælfgyva 1353:Ubi unus clericus et Ælfgyva 647:During the Second World War 609:Feast of St John the Baptist 603:Later reputation and history 7: 6256:Carmen de Hastingae Proelio 6188:Northumbrian Revolt of 1065 5661:William Baumgarten & Co 5223:Wemyss School of Needlework 5033:Magna Carta (An Embroidery) 4883: 4872: 4863: 4401:– Latin-English translation 4340:, Greensburg: Eadmer Press. 4324:American Benedictine Review 4110:Manchester University Press 4083:Brown, Shirley Ann (1988). 4068:Bridgeford, Andrew (2005). 3417:University of North Georgia 3303:"Britain's Bayeux Tapestry" 3172:. Oxford University Press. 3060:. Oxford University Press. 1885:Magna Carta (An Embroidery) 1813:European Economic Community 1617:University of North Georgia 895:army, sometimes called the 565:German occupation of France 10: 6363: 6322:Norman conquest of England 5856:Raffaello Sanzio (Raphael) 5519:Scottish Diaspora Tapestry 5477:Oseberg tapestry fragments 5428:The History of Constantine 5400:Great Tapestry of Scotland 5218:Royal School of Needlework 5069:Scottish Diaspora Tapestry 5010:Great Tapestry of Scotland 4360:Anglo-Saxon England portal 3811:. Condé Nast. 15 July 1944 3331:. Dugansbayeuxtapestry.com 1929:, and Richard Fleischer's 1880:Scottish Diaspora Tapestry 1876:Great Tapestry of Scotland 1609:University of West Georgia 1550:with textile manufacturer 1526:Replicas and continuations 1334:Harold rex interfectus est 1303: 1231:Eustace, Count of Boulogne 1216:Conan II, Duke of Brittany 1086:Conan II, Duke of Brittany 1053: 283: 278: 176:Harold II, King of England 168:Norman Conquest of England 6236: 6180: 6149: 6103: 6022: 5999:Battle of Stamford Bridge 5986: 5955: 5864: 5804:list of tapestry cartoons 5737: 5669: 5608: 5582: 5571: 5322: 5241: 5190: 5167:Dimitri Vlachos - Castano 5085:Designersand embroiderers 5084: 4987: 4778: 4717: 4621: 4594: 4465: 3770:, 8 September 2007, p. 5. 2506:. Oxford University Press 2371:10.1017/9781782041085.009 2142:Bertrand, Simone (1966). 2079:Battle of Stamford Bridge 1481:for the Norman Conquest. 1336:, "King Harold is killed" 1288:William, Duke of Normandy 1177:Battle of Stamford Bridge 889:William, Duke of Normandy 849:. (Scroll left or right.) 706:, covers for seats, ..." 575:took the tapestry to the 389:, and his connections to 178:, and culminating in the 172:William, Duke of Normandy 5882:Franses Tapestry Archive 5395:Game of Thrones Tapestry 5198:Embroiderers' Guild (UK) 5191:Organizationsand museums 5039:Margaret Layton's jacket 4176:Foys, Martin K. (2003). 4129:10.1179/175330707X212895 3875:10.1179/175330707X212895 2012: 1902:Bedknobs and Broomsticks 1890:Game of Thrones Tapestry 1758:sequential-narrative art 1268:Robert, Count of Mortain 1123:ceremony is attended by 1073:Guy I, Count of Ponthieu 871:sends Harold to Normandy 496:Anglo-Norman Antiquities 484:Palaeographia Britannica 466:The Benedictine scholar 399:Archbishop of Canterbury 6228:Trial of Penenden Heath 6136:Malcolm III of Scotland 5745:Pieter Coecke van Aelst 5453:Jagiellonian tapestries 4419:Encyclopædia Britannica 4395:(Bibliotheca Augustana) 4169:10.3406/annor.1984.5553 4091:. Woodbridge: Boydell. 4038:La Tapisserie de Bayeux 3832:"George Gale: Obituary" 2625:Musset, Lucien (2005). 2363:Anglo-Norman Studies 35 2144:La tapisserie de Bayeux 1756:as an example of early 1644:on Christmas Day, 1066. 1564:South Kensington Museum 1518:The American historian 694:in which the design is 347:appear on the tapestry; 312:William the Conqueror's 187:La Tapisserie de Bayeux 145:[tapisʁidəbajø] 6254: 6014:Siege of Exeter (1068) 5841:Jean-Baptiste Monnoyer 5811:Muriel Nezhnie Helfman 5656:Royal Tapestry Factory 5384:The Death of Polydorus 5359:Bayeux Tapestry tituli 5122:Marilyn Leavitt-Imblum 4779:Regionaland historical 4654:Couching and laid work 4615: 4608: 4601: 4282:(1985 ed.). LC NK3049. 4147:Burt, Richard (2008). 4054:Bloch, Howard (2006). 3669:. 2014. Archived from 3531:. March: Eyrie Press. 3178:10.1093/ref:odnb/26523 3127:Chronicon ex Chronicis 3101:Historia Ecclesiastica 3066:10.1093/ref:odnb/29448 2969:bayeux-tapestry.org.uk 2701:Hicks 2006, pp. 82–84. 1944:The Invention of Truth 1911:, Franco Zeffirelli's 1836:(1974), commemorating 1786:'s satirical pastiche 1744: 1727: 1638:Geraldine, New Zealand 1632: 1583:University of Waterloo 1539: 1495: 1432:Ælfgifu of Northampton 1361:The identification of 1355: 1345: 1337: 1318:Bayeux Tapestry tituli 1306:Bayeux Tapestry tituli 1244:Harold, Earl of Wessex 1236:Guy, Count of Ponthieu 1168: 1146: 1082:Guy, Count of Ponthieu 1076: 989: 908:Robert the Magnificent 872: 847:Bayeux Tapestry tituli 729:outline or stem stitch 683: 571:. On 27 June 1944 the 533: 463: 417:Other theories exist. 320: 296: 199: 159: 150: 140: 35: 6213:Council of Winchester 6203:Harrying of the North 6193:Council of Lillebonne 5963:William the Conqueror 5482:Överhogdal tapestries 5434:Holy Grail tapestries 5331:Adoration of the Magi 5162:Mary Elizabeth Turner 4614: 4607: 4600: 4188:, Boydell and Brewer 4072:Walker & Company 3693:Messant, Jan (1999). 3527:Hansson, Mia (2020). 3120:Florence of Worcester 3085:William of Poitiers: 3052:Bates, David (2004). 2989:Foys, Martin (2009). 2908:William of Poitiers: 2832:Old English Hexateuch 2784:. Chatto and Windus. 2489:See Grape, Wolfgang, 2418:Archaeologia Cantiana 1856:Battle of Prestonpans 1746:It has been cited by 1740: 1725: 1694:of English nobles at 1630: 1605:Oglethorpe University 1533: 1487: 1368:Bernard de Montfaucon 1351: 1343: 1331: 1258:Odo, Bishop of Bayeux 1163: 1141: 1066: 1044:Cloth of Saint Gereon 1004:A monastic text from 999:Överhogdal tapestries 979: 867: 766:start of the tapestry 733:couching or laid work 688:early medieval period 677: 583:withdrew from Paris, 524: 468:Bernard de Montfaucon 458: 291: 191: 21: 6111:Edward the Confessor 6009:Burning of Southwark 5887:International Gothic 5780:Petronėlė Gerlikienė 5719:Margaretha Reichardt 5679:Pieter van Aelst III 5504:Ros Tapestry Project 5466:Lady and the Unicorn 5059:Prestonpans Tapestry 4376:at Wikimedia Commons 4231:Jones, Chas (2005). 4157:Annales de Normandie 3747:Understanding Comics 3613:"Berkhamsted Castle" 3373:"Vikingerne kommer!" 3014:Mason, Emma (2004). 2551:Bridgeford, Andrew, 2365:. pp. 119–140. 1976:hyperspectral camera 1920:La Chanson de Roland 1852:Prestonpans Tapestry 1753:Understanding Comics 1658:, Sweden, living in 1440:Æthelred the Unready 1363:Harold II of England 1226:Edward the Confessor 1028:Tapestry of Creation 982:Tapestry of Creation 968:dispute this claim. 931:Edward the Confessor 869:Edward the Confessor 427:Edward the Confessor 371:St Augustine's Abbey 151:La telle du conquest 141:Tapisserie de Bayeux 6268:William of Poitiers 6218:Revolt of the Earls 6162:Battle, East Sussex 6141:Matilda of Flanders 6070:Eustace of Boulogne 5978:Sweyn II of Denmark 5816:Else Marie Jakobsen 5547:The Triumph of Fame 5494:Pastrana Tapestries 5488:Pastoral Amusements 5440:Hunt of the Unicorn 5367:Hunts of Maximilian 5338:Apocalypse Tapestry 5049:Overlord Embroidery 5022:Hastings Embroidery 4718:Tools and materials 4405:The Bayeux Tapestry 4204:The Bayeux Tapestry 3785:Ye Berlyn Tapestrie 3673:on 19 February 2014 3239:on 5 December 2018. 3233:The Weekly Standard 3166:"Stigand (d. 1072)" 3148:The Bayeux Tapestry 3040:The Bayeux Tapestry 2935:The Bayeux Tapestry 2710:Brown 1988, p. 153. 2671:The Bayeux Tapestry 2627:The Bayeux Tapestry 2315:The Bayeux Tapestry 2270:Fowke, Frank Rede. 2167:The Bayeux Tapestry 2006:House of the Dragon 1917:, Frank Cassenti's 1864:Hastings Embroidery 1834:Overlord Embroidery 1788:Ye Berlyn Tapestrie 1766:British comic strip 1457:Historical accuracy 1324:Unsettled questions 1042:of the month. The 961:William of Poitiers 891:, leading a mainly 753:end of the tapestry 597:liberation of Paris 557:Franco-Prussian War 359:Anglo-Saxon artists 240: / 30:'s army during the 6040:Leofwine Godwinson 6004:Battle of Hastings 5651:Pannemaeker family 5529:Sheldon tapestries 5472:New World Tapestry 5379:Cloth of St Gereon 5044:New World Tapestry 4995:Butler-Bowden Cope 4616: 4609: 4602: 4200:Gibbs-Smith, C. H. 3842:on 3 November 2014 3725:. 9 February 2013. 3393:. 8 September 2016 2692:Brown 1988, p. 48. 2683:Brown 1988, p. 47. 2313:Wilson, David M.: 2221:. Hourly History. 2132:Textile & Text 2039:University of York 1923:, Kevin Reynolds' 1868:New World Tapestry 1838:Operation Overlord 1728: 1718:In popular culture 1654:Mia Hansson, from 1633: 1572:Reading, Berkshire 1540: 1496: 1356: 1346: 1338: 1263:Robert the Staller 1253:Leofwine Godwinson 1211:Archbishop Stigand 1173:Battle of Hastings 1169: 1166:Battle of Hastings 1147: 1077: 990: 877:Battle of Hastings 873: 684: 534: 488:Smart Lethieullier 464: 297: 244:49.2744°N 0.7003°W 180:Battle of Hastings 36: 32:Battle of Hastings 6276: 6275: 6223:Council of London 6104:Associated people 6090:Roger de Breteuil 6080:Robert of Mortain 6045:Hereward the Wake 5994:Battle of Fulford 5915: 5914: 5846:Bernard van Orley 5791:Blind Man's Bluff 5694:John Henry Dearle 5553:Valois Tapestries 5412:Grödinge tapestry 5349:Armada tapestries 5282: 5281: 5152:Tetiana Protcheva 4735:Embroidery thread 4664:Embroidery stitch 4533:Drawn thread work 4493:Broderie anglaise 4372:Media related to 4331:Annuale Mediævale 4326:, pp. 32–42. 4276:978-0-500-25122-5 4255:978-1-84383-941-5 4241:978-1-904623-37-3 4224:978-0-7011-7463-7 4107:Bettina Bildhauer 4098:978-0-85115-509-8 4078:978-0-8027-7742-3 4064:978-1-4000-6549-3 3794:978-1-85124-416-4 3704:978-0-9516348-5-1 3538:978-1-913149-11-6 3437:Linton, Michael. 3309:. 22 January 2021 3183:(subscription or 3162:Cowdrey, H. E. J. 3124:John of Worcester 3071:(subscription or 3038:Bertrand, Simone 3000:978-1-84383-470-0 2812:. 17 January 2018 2629:. Boydell Press. 2380:978-1-78204-108-5 2347:978-1-84383-123-5 2228:978-1-5303-7624-7 2176:978-1-84383-163-1 1966:was broadcast by 1956:Angels in America 1905:, Anthony Mann's 1870:(1980–2000), the 1842:Normandy landings 1796:'s cover for the 1642:Westminster Abbey 1463:House of Normandy 1451:Adela of Normandy 1090:Mont Saint-Michel 569:Normandy landings 503:French Revolution 383:Mont Saint-Michel 316:ladies-in-waiting 264:rather than in a 6354: 6259: 5968:Harold Godwinson 5942: 5935: 5928: 5919: 5918: 5851:François Quesnel 5831:Nancy Kozikowski 5750:François Boucher 5738:Tapestry artists 5641:Morris & Co. 5577: 5540:Story of Abraham 5499:Raphael Cartoons 5309: 5302: 5295: 5286: 5285: 5117:Constance Howard 5054:Oxburgh Hangings 4888: 4877: 4868: 4745:Perforated paper 4452: 4445: 4438: 4429: 4428: 4423: 4415: 4382:– Bayeux Museum 4371: 4362: 4357: 4356: 4355: 4319: 4300:10.2307/43632127 4249:. Boydell Press 4228: 4172: 4144:pp. 158–18. 4140: 4102: 4090: 4041: 4029: 4004:Backhouse, Janet 3989: 3988: 3986: 3984: 3969: 3963: 3962: 3954: 3946: 3940: 3939: 3933: 3926: 3917: 3916: 3910: 3908: 3903:. SparkNotes LLC 3893: 3887: 3886: 3858: 3852: 3851: 3849: 3847: 3838:. Archived from 3827: 3821: 3820: 3818: 3816: 3809:"The New Yorker" 3805: 3799: 3798: 3777: 3771: 3757: 3751: 3742: 3736: 3733: 3727: 3726: 3715: 3709: 3708: 3690: 3684: 3682: 3680: 3678: 3663: 3661: 3659: 3653: 3642: 3634: 3628: 3627: 3625: 3623: 3609: 3603: 3602: 3600: 3598: 3575: 3569: 3568: 3566: 3564: 3549: 3543: 3542: 3524: 3518: 3517: 3509: 3503: 3502: 3500: 3498: 3483: 3477: 3476: 3474: 3472: 3461: 3455: 3454: 3452: 3450: 3434: 3428: 3427: 3425: 3423: 3409: 3403: 3402: 3400: 3398: 3383: 3377: 3376: 3369: 3363: 3362: 3360: 3358: 3347: 3341: 3340: 3338: 3336: 3325: 3319: 3318: 3316: 3314: 3299: 3293: 3292: 3290: 3288: 3277:"Bayeux Gallery" 3273: 3267: 3266: 3264: 3262: 3253:. 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White 1436:Emma of Normandy 1155:motte and bailey 1040:personifications 1032:Girona Cathedral 972:Artistic context 953:Harold Godwinson 935:Emma of Normandy 918:(or Arlette), a 912:Duke of Normandy 902:William was the 881:Harold Godwinson 838: 656:French President 649:Heinrich Himmler 542:Charles Stothard 480:William Stukeley 439:Recorded history 323: 301:Bayeux Cathedral 257: 255: 254: 252: 251: 250: 249:49.2744; -0.7003 245: 241: 238: 237: 236: 233: 213:Bayeux Cathedral 170:in 1066, led by 160:Tapete Baiocense 153: 147: 131: 126: 125: 122: 121: 118: 115: 110: 109: 106: 103: 100: 97: 90: 82: 81: 78: 77: 74: 69: 68: 65: 62: 59: 56: 49: 6362: 6361: 6357: 6356: 6355: 6353: 6352: 6351: 6297:Anglo-Saxon art 6282: 6281: 6280: 6277: 6272: 6244:Bayeux Tapestry 6232: 6176: 6172:Tower of London 6145: 6099: 6075:Eadric the Wild 6030:Gyrth Godwinson 6018: 5982: 5973:Harald Hardrada 5951: 5949:Norman Conquest 5946: 5916: 5911: 5860: 5733: 5671: 5665: 5604: 5578: 5569: 5514:Sampul tapestry 5422:Hestia Tapestry 5354:Bayeux Tapestry 5318: 5313: 5283: 5278: 5237: 5186: 5127:François Lesage 5080: 5064:Quaker Tapestry 5027:Hestia tapestry 5005:Bradford carpet 5000:Bayeux Tapestry 4983: 4954:Opus Anglicanum 4774: 4730:Embroidery hoop 4713: 4704:Straight stitch 4617: 4592: 4461: 4456: 4410: 4380:Bayeux Tapestry 4374:Bayeux Tapestry 4358: 4353: 4351: 4348: 4343: 4225: 4099: 4026: 4014:, eds. (1984). 4012:Webster, Leslie 3998: 3996:Further reading 3993: 3992: 3982: 3980: 3970: 3966: 3947: 3943: 3928: 3927: 3920: 3906: 3904: 3895: 3894: 3890: 3859: 3855: 3845: 3843: 3828: 3824: 3814: 3812: 3807: 3806: 3802: 3795: 3778: 3774: 3758: 3754: 3743: 3739: 3734: 3730: 3717: 3716: 3712: 3705: 3691: 3687: 3676: 3674: 3667:"Castle Panels" 3665: 3657: 3655: 3651: 3640: 3636: 3635: 3631: 3621: 3619: 3611: 3610: 3606: 3596: 3594: 3576: 3572: 3562: 3560: 3550: 3546: 3539: 3525: 3521: 3510: 3506: 3496: 3494: 3484: 3480: 3470: 3468: 3463: 3462: 3458: 3448: 3446: 3435: 3431: 3421: 3419: 3411: 3410: 3406: 3396: 3394: 3385: 3384: 3380: 3371: 3370: 3366: 3356: 3354: 3349: 3348: 3344: 3334: 3332: 3327: 3326: 3322: 3312: 3310: 3301: 3300: 3296: 3286: 3284: 3275: 3274: 3270: 3260: 3258: 3257:on 19 July 2011 3249: 3248: 3244: 3227: 3226: 3222: 3212: 3210: 3209:on 31 July 2019 3197: 3196: 3192: 3182: 3159: 3155: 3144: 3140: 3133: 3118: 3114: 3107: 3098:Orderic Vitalis 3093: 3084: 3080: 3070: 3050: 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1372:interfectus est 1344:Detail of arrow 1326: 1308: 1302: 1297: 1248: 1221:Edith of Wessex 1197: 1195:People depicted 1094:Dol de Bretagne 1061: 1059:Events depicted 1056: 1048:Byzantine silks 1036:Book of Genesis 974: 862: 857: 852: 851: 850: 844: 839: 672: 659:Emmanuel Macron 642:Charles Dickens 634:John Murray III 605: 507:Reign of Terror 441: 423:Edith of Wessex 403:Opus Anglicanum 387:Trajan's Column 369:, the abbot of 286: 281: 248: 246: 242: 239: 234: 231: 229: 227: 226: 224: 129: 112: 94: 85: 84: 71: 53: 44: 43: 40:Bayeux Tapestry 12: 11: 5: 6360: 6350: 6349: 6344: 6339: 6334: 6329: 6327:Romanesque art 6324: 6319: 6314: 6309: 6304: 6299: 6294: 6278: 6274: 6273: 6271: 6270: 6265: 6260: 6251: 6246: 6240: 6238: 6234: 6233: 6231: 6230: 6225: 6220: 6215: 6210: 6208:Danish attacks 6205: 6200: 6195: 6190: 6184: 6182: 6178: 6177: 6175: 6174: 6169: 6164: 6159: 6153: 6151: 6147: 6146: 6144: 6143: 6138: 6133: 6128: 6126:Edgar Ætheling 6123: 6121:Edith the Fair 6118: 6113: 6107: 6105: 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needlework 4782: 4780: 4776: 4775: 4773: 4772: 4767: 4762: 4757: 4755:Plastic canvas 4752: 4747: 4742: 4737: 4732: 4727: 4721: 4719: 4715: 4714: 4712: 4711: 4706: 4701: 4696: 4691: 4686: 4681: 4676: 4671: 4666: 4661: 4659:Cross stitches 4656: 4651: 4646: 4641: 4636: 4631: 4625: 4623: 4619: 4618: 4595: 4593: 4591: 4590: 4585: 4580: 4575: 4570: 4565: 4560: 4555: 4550: 4545: 4540: 4535: 4530: 4525: 4520: 4515: 4510: 4508:Counted-thread 4505: 4500: 4498:Broderie perse 4495: 4490: 4485: 4480: 4475: 4469: 4467: 4463: 4462: 4455: 4454: 4447: 4440: 4432: 4426: 4425: 4424:With 16 images 4408: 4402: 4396: 4390: 4389: 4388: 4377: 4364: 4363: 4347: 4346:External links 4344: 4342: 4341: 4334: 4327: 4320: 4294:(1): 102–107. 4283: 4264: 4261: 4258: 4243: 4229: 4223: 4207: 4197: 4194:978-1783271245 4182: 4173: 4163:(2): 127–145. 4152: 4145: 4141: 4123:(2): 327–350. 4112: 4103: 4097: 4080: 4066: 4052: 4042: 4030: 4024: 3999: 3997: 3994: 3991: 3990: 3964: 3941: 3918: 3888: 3869:(2): 327–350. 3853: 3822: 3800: 3793: 3772: 3752: 3744:McCloud 1993. 3737: 3728: 3710: 3703: 3685: 3664:(discussed in 3654:on 8 July 2011 3629: 3604: 3570: 3552:Hansson, Mia. 3544: 3537: 3519: 3504: 3478: 3456: 3429: 3404: 3378: 3364: 3342: 3320: 3307:Reading Museum 3294: 3283:. 3 April 2017 3281:Reading Museum 3268: 3242: 3220: 3190: 3153: 3138: 3112: 3078: 3044: 3031: 3024: 3006: 2999: 2981: 2956: 2940: 2931:Stenton, Frank 2921: 2901: 2866: 2861:www.york.ac.uk 2848: 2836: 2823: 2797: 2790: 2712: 2703: 2694: 2685: 2676: 2667:Stenton, Frank 2642: 2635: 2564: 2541: 2517: 2495: 2482: 2455: 2448: 2436:Dodwell, C. R. 2427: 2408: 2386: 2379: 2353: 2346: 2319: 2301: 2289: 2276: 2263: 2234: 2227: 2207: 2182: 2175: 2152: 2111: 2110: 2108: 2105: 2102: 2101: 2092: 2083: 2070: 2061: 2052: 2043: 2030: 2017: 2016: 2014: 2011: 1860: 1859: 1848: 1826: 1825: 1806: 1791: 1719: 1716: 1691: 1690: 1683:Rolling Stones 1675: 1668:Cambridgeshire 1652: 1645: 1625: 1624: 1601: 1590: 1579: 1568:Reading Museum 1548:William Morris 1536:Reading Museum 1527: 1524: 1458: 1455: 1447:Baldric of Dol 1428:Cnut the Great 1420:Sweyn Knutsson 1325: 1322: 1304:Main article: 1301: 1298: 1296: 1295: 1290: 1285: 1280: 1275: 1270: 1265: 1260: 1255: 1249: 1247: 1246: 1241: 1238: 1233: 1228: 1223: 1218: 1213: 1208: 1201: 1196: 1193: 1151:Halley's Comet 1144:Halley's Comet 1129:excommunicated 1060: 1057: 1055: 1052: 1020:Baldric of Dol 1011:Liber Eliensis 973: 970: 957:Earl of Wessex 861: 858: 856: 853: 841: 840: 833: 832: 831: 819:Halley's Comet 682:and laid work. 680:stem stitching 671: 668: 663:British Museum 626:Robert Southey 604: 601: 589:Bletchley Park 511:Musée Napoléon 492:Andrew Ducarel 440: 437: 355: 354: 351: 348: 314:wife, and her 285: 282: 280: 277: 273:Romanesque art 26:rallying Duke 9: 6: 4: 3: 2: 6359: 6348: 6345: 6343: 6340: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6315: 6313: 6310: 6308: 6305: 6303: 6300: 6298: 6295: 6293: 6290: 6289: 6287: 6269: 6266: 6264: 6261: 6258: 6257: 6252: 6250: 6249:Domesday Book 6247: 6245: 6242: 6241: 6239: 6237:Miscellaneous 6235: 6229: 6226: 6224: 6221: 6219: 6216: 6214: 6211: 6209: 6206: 6204: 6201: 6199: 6196: 6194: 6191: 6189: 6186: 6185: 6183: 6179: 6173: 6170: 6168: 6165: 6163: 6160: 6158: 6155: 6154: 6152: 6148: 6142: 6139: 6137: 6134: 6132: 6129: 6127: 6124: 6122: 6119: 6117: 6114: 6112: 6109: 6108: 6106: 6102: 6096: 6093: 6091: 6088: 6086: 6085:Ralph de Gael 6083: 6081: 6078: 6076: 6073: 6071: 6068: 6066: 6063: 6061: 6058: 6056: 6053: 6051: 6048: 6046: 6043: 6041: 6038: 6036: 6035:Odo of Bayeux 6033: 6031: 6028: 6027: 6025: 6021: 6015: 6012: 6010: 6007: 6005: 6002: 6000: 5997: 5995: 5992: 5991: 5989: 5985: 5979: 5976: 5974: 5971: 5969: 5966: 5964: 5961: 5960: 5958: 5954: 5950: 5943: 5938: 5936: 5931: 5929: 5924: 5923: 5920: 5908: 5905: 5903: 5900: 5898: 5895: 5893: 5890: 5888: 5885: 5883: 5880: 5878: 5875: 5873: 5870: 5869: 5867: 5863: 5857: 5854: 5852: 5849: 5847: 5844: 5842: 5839: 5837: 5834: 5832: 5829: 5827: 5824: 5822: 5819: 5817: 5814: 5812: 5809: 5805: 5802: 5800: 5799: 5795: 5793: 5792: 5788: 5787: 5786: 5783: 5781: 5778: 5776: 5773: 5771: 5770:Michiel Coxie 5768: 5766: 5763: 5761: 5760:Francis Cleyn 5758: 5756: 5753: 5751: 5748: 5746: 5743: 5742: 5740: 5736: 5730: 5727: 5725: 5722: 5720: 5717: 5715: 5712: 5710: 5707: 5705: 5704:Ida Kerkovius 5702: 5700: 5697: 5695: 5692: 5690: 5689:Francis Crane 5687: 5685: 5682: 5680: 5677: 5676: 5674: 5672:and designers 5668: 5662: 5659: 5657: 5654: 5652: 5649: 5647: 5644: 5642: 5639: 5637: 5634: 5632: 5629: 5627: 5624: 5622: 5619: 5617: 5614: 5613: 5611: 5607: 5601: 5598: 5596: 5593: 5591: 5588: 5587: 5585: 5581: 5576: 5566: 5565: 5561: 5559: 5556: 5554: 5551: 5549: 5548: 5544: 5542: 5541: 5537: 5535: 5534:Skog tapestry 5532: 5530: 5527: 5525: 5522: 5520: 5517: 5515: 5512: 5510: 5507: 5505: 5502: 5500: 5497: 5495: 5492: 5490: 5489: 5485: 5483: 5480: 5478: 5475: 5473: 5470: 5468: 5467: 5463: 5461: 5460: 5456: 5454: 5451: 5449: 5448: 5444: 5442: 5441: 5437: 5435: 5432: 5430: 5429: 5425: 5423: 5420: 5418: 5415: 5413: 5410: 5406: 5403: 5402: 5401: 5398: 5396: 5393: 5391: 5388: 5386: 5385: 5381: 5378: 5376: 5375: 5371: 5369: 5368: 5364: 5360: 5357: 5356: 5355: 5352: 5350: 5347: 5345: 5342: 5340: 5339: 5335: 5333: 5332: 5328: 5327: 5325: 5321: 5317: 5310: 5305: 5303: 5298: 5296: 5291: 5290: 5287: 5275: 5272: 5270: 5267: 5265: 5262: 5260: 5257: 5255: 5252: 5250: 5247: 5246: 5244: 5240: 5234: 5231: 5229: 5226: 5224: 5221: 5219: 5216: 5214: 5211: 5209: 5206: 5204: 5201: 5199: 5196: 5195: 5193: 5189: 5183: 5180: 5178: 5175: 5173: 5170: 5168: 5165: 5163: 5160: 5158: 5155: 5153: 5150: 5148: 5145: 5143: 5140: 5138: 5135: 5133: 5130: 5128: 5125: 5123: 5120: 5118: 5115: 5113: 5110: 5108: 5107:Kaffe Fassett 5105: 5103: 5100: 5098: 5095: 5093: 5090: 5089: 5087: 5083: 5077: 5076: 5072: 5070: 5067: 5065: 5062: 5060: 5057: 5055: 5052: 5050: 5047: 5045: 5042: 5040: 5037: 5035: 5034: 5030: 5028: 5025: 5023: 5020: 5016: 5013: 5012: 5011: 5008: 5006: 5003: 5001: 4998: 4996: 4993: 4992: 4990: 4986: 4980: 4977: 4975: 4972: 4970: 4967: 4965: 4962: 4960: 4957: 4955: 4952: 4948: 4945: 4943: 4940: 4938: 4935: 4933: 4930: 4929: 4928: 4925: 4923: 4922:Nakshi kantha 4920: 4918: 4915: 4913: 4910: 4908: 4905: 4903: 4900: 4898: 4895: 4893: 4890: 4887: 4886: 4881: 4876: 4875: 4870: 4869: 4867: 4866: 4861: 4859: 4856: 4854: 4851: 4849: 4846: 4844: 4841: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4818: 4817: 4814: 4812: 4809: 4807: 4804: 4802: 4799: 4797: 4794: 4792: 4789: 4787: 4784: 4783: 4781: 4777: 4771: 4768: 4766: 4763: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4722: 4720: 4716: 4710: 4707: 4705: 4702: 4700: 4697: 4695: 4692: 4690: 4687: 4685: 4682: 4680: 4677: 4675: 4672: 4670: 4669:Featherstitch 4667: 4665: 4662: 4660: 4657: 4655: 4652: 4650: 4647: 4645: 4642: 4640: 4637: 4635: 4632: 4630: 4627: 4626: 4624: 4620: 4613: 4606: 4599: 4589: 4586: 4584: 4581: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4551: 4549: 4546: 4544: 4541: 4539: 4536: 4534: 4531: 4529: 4526: 4524: 4521: 4519: 4516: 4514: 4511: 4509: 4506: 4504: 4503:Candlewicking 4501: 4499: 4496: 4494: 4491: 4489: 4486: 4484: 4481: 4479: 4476: 4474: 4471: 4470: 4468: 4464: 4460: 4453: 4448: 4446: 4441: 4439: 4434: 4433: 4430: 4421: 4420: 4414: 4409: 4406: 4403: 4400: 4397: 4394: 4391: 4387: 4384: 4383: 4381: 4378: 4375: 4370: 4366: 4365: 4361: 4350: 4339: 4335: 4332: 4328: 4325: 4321: 4317: 4313: 4309: 4305: 4301: 4297: 4293: 4289: 4284: 4281: 4280:0-394-54793-4 4277: 4273: 4269: 4265: 4262: 4259: 4256: 4252: 4248: 4244: 4242: 4238: 4234: 4230: 4226: 4220: 4216: 4212: 4211:Hicks, Carola 4208: 4205: 4201: 4198: 4195: 4191: 4187: 4183: 4181: 4179: 4174: 4170: 4166: 4162: 4158: 4153: 4150: 4146: 4142: 4138: 4134: 4130: 4126: 4122: 4118: 4113: 4111: 4108: 4104: 4100: 4094: 4089: 4088: 4081: 4079: 4075: 4071: 4067: 4065: 4061: 4058:Random House 4057: 4053: 4051: 4050:0-297-78928-7 4047: 4043: 4039: 4035: 4031: 4027: 4025:0-7141-0532-5 4021: 4017: 4013: 4009: 4008:Turner, D. H. 4005: 4001: 4000: 3979: 3975: 3968: 3960: 3959: 3953: 3949:Elmes, John. 3945: 3937: 3932: 3925: 3923: 3915: 3902: 3898: 3892: 3884: 3880: 3876: 3872: 3868: 3864: 3857: 3841: 3837: 3833: 3826: 3810: 3804: 3796: 3790: 3786: 3782: 3781:Hassall, John 3776: 3769: 3767: 3762: 3756: 3749: 3748: 3741: 3732: 3724: 3720: 3714: 3706: 3700: 3696: 3689: 3672: 3668: 3650: 3646: 3645:Castle Panels 3639: 3633: 3618: 3614: 3608: 3593: 3589: 3585: 3581: 3574: 3559: 3555: 3548: 3540: 3534: 3530: 3523: 3515: 3508: 3493: 3492:Dereham Times 3489: 3482: 3466: 3460: 3444: 3440: 3433: 3418: 3414: 3408: 3392: 3388: 3382: 3374: 3368: 3352: 3346: 3330: 3324: 3308: 3304: 3298: 3282: 3278: 3272: 3256: 3252: 3246: 3238: 3234: 3230: 3224: 3208: 3204: 3200: 3194: 3186: 3179: 3175: 3171: 3167: 3163: 3157: 3149: 3142: 3128: 3125: 3121: 3116: 3102: 3099: 3088: 3082: 3074: 3067: 3063: 3059: 3055: 3048: 3041: 3035: 3027: 3021: 3017: 3010: 3002: 2996: 2992: 2985: 2970: 2966: 2960: 2953: 2949: 2944: 2936: 2932: 2925: 2911: 2905: 2897: 2893: 2889: 2885: 2881: 2877: 2870: 2862: 2858: 2852: 2845: 2840: 2833: 2827: 2811: 2807: 2801: 2793: 2791:0-7011-7463-3 2787: 2783: 2779: 2778:Hicks, Carola 2773: 2771: 2769: 2767: 2765: 2763: 2761: 2759: 2757: 2755: 2753: 2751: 2749: 2747: 2745: 2743: 2741: 2739: 2737: 2735: 2733: 2731: 2729: 2727: 2725: 2723: 2721: 2719: 2717: 2707: 2698: 2689: 2680: 2672: 2668: 2661: 2659: 2657: 2655: 2653: 2651: 2649: 2647: 2638: 2636:1-84383-163-5 2632: 2628: 2621: 2619: 2617: 2615: 2613: 2611: 2609: 2607: 2605: 2603: 2601: 2599: 2597: 2595: 2593: 2591: 2589: 2587: 2585: 2583: 2581: 2579: 2577: 2575: 2573: 2571: 2569: 2562: 2561:1-84115-040-1 2558: 2554: 2548: 2546: 2539: 2538:1-84383-203-8 2535: 2531: 2527: 2521: 2505: 2499: 2492: 2486: 2480: 2479:0-7011-7463-3 2476: 2472: 2468: 2464: 2459: 2451: 2449:0-7190-0926-X 2445: 2441: 2437: 2431: 2423: 2419: 2412: 2396: 2390: 2382: 2376: 2372: 2368: 2364: 2357: 2349: 2343: 2339: 2335: 2328: 2326: 2324: 2316: 2310: 2308: 2306: 2298: 2293: 2286: 2280: 2273: 2267: 2260: 2256: 2252: 2251:0-7524-2969-8 2248: 2244: 2238: 2230: 2224: 2220: 2219: 2211: 2196: 2195:Bayeux Museum 2192: 2186: 2178: 2172: 2168: 2164: 2156: 2149: 2145: 2137: 2133: 2125: 2124: 2116: 2112: 2096: 2087: 2080: 2074: 2065: 2056: 2047: 2040: 2034: 2025: 2023: 2018: 2010: 2008: 2007: 2002: 2001: 1996: 1991: 1989: 1985: 1981: 1977: 1973: 1969: 1965: 1960: 1958: 1957: 1952: 1947: 1945: 1941: 1936: 1934: 1933: 1928: 1927: 1922: 1921: 1916: 1915: 1910: 1909: 1904: 1903: 1898: 1893: 1891: 1887: 1886: 1881: 1877: 1873: 1869: 1865: 1857: 1853: 1849: 1847: 1843: 1839: 1835: 1831: 1830: 1829: 1820: 1819: 1814: 1810: 1807: 1805: 1801: 1800: 1795: 1792: 1789: 1785: 1782: 1781: 1780: 1779:, including: 1778: 1774: 1769: 1767: 1763: 1759: 1755: 1754: 1749: 1748:Scott McCloud 1743: 1739: 1737: 1733: 1724: 1715: 1713: 1709: 1705: 1701: 1697: 1688: 1687:Charlie Watts 1684: 1680: 1676: 1673: 1669: 1665: 1661: 1657: 1653: 1650: 1646: 1643: 1639: 1635: 1634: 1629: 1622: 1618: 1614: 1610: 1606: 1602: 1599: 1598:Børglum Abbey 1595: 1594:Lindholm Høje 1591: 1588: 1584: 1581:Ray Dugan of 1580: 1577: 1573: 1569: 1565: 1561: 1557: 1553: 1552:Thomas Wardle 1549: 1545: 1544: 1543: 1537: 1532: 1523: 1521: 1516: 1514: 1513:coats of arms 1508: 1506: 1502: 1494: 1490: 1486: 1482: 1480: 1476: 1472: 1468: 1464: 1454: 1452: 1448: 1443: 1441: 1437: 1433: 1429: 1425: 1421: 1417: 1413: 1412:Domesday Book 1409: 1404: 1401: 1397: 1393: 1389: 1384: 1381: 1377: 1373: 1369: 1364: 1359: 1354: 1350: 1342: 1335: 1330: 1321: 1319: 1314: 1313: 1307: 1294: 1291: 1289: 1286: 1284: 1281: 1279: 1276: 1274: 1271: 1269: 1266: 1264: 1261: 1259: 1256: 1254: 1251: 1250: 1245: 1242: 1239: 1237: 1234: 1232: 1229: 1227: 1224: 1222: 1219: 1217: 1214: 1212: 1209: 1206: 1203: 1202: 1200: 1192: 1190: 1186: 1182: 1178: 1174: 1167: 1162: 1158: 1156: 1152: 1145: 1140: 1136: 1134: 1130: 1126: 1122: 1116: 1114: 1111: 1107: 1103: 1099: 1095: 1091: 1087: 1083: 1074: 1070: 1065: 1051: 1049: 1045: 1041: 1037: 1033: 1029: 1024: 1021: 1017: 1013: 1012: 1007: 1002: 1000: 996: 987: 983: 978: 969: 967: 962: 958: 954: 950: 948: 944: 943:primogeniture 940: 936: 932: 927: 925: 924:Odo of Bayeux 921: 917: 913: 909: 905: 900: 898: 894: 890: 887:English, and 886: 882: 878: 870: 866: 848: 843: 837: 830: 826: 824: 820: 816: 812: 807: 802: 800: 796: 790: 786: 783: 779: 775: 769: 767: 762: 758: 754: 749: 747: 743: 739: 734: 730: 726: 723: 719: 716: 712: 707: 705: 701: 697: 693: 689: 681: 676: 667: 664: 660: 657: 652: 650: 645: 643: 639: 635: 631: 627: 622: 620: 616: 615: 610: 600: 598: 594: 590: 586: 582: 578: 574: 570: 566: 562: 558: 553: 551: 547: 543: 539: 531: 527: 523: 519: 516: 512: 508: 504: 499: 497: 493: 489: 485: 481: 476: 474: 469: 461: 457: 453: 450: 446: 436: 433: 428: 424: 420: 415: 413: 409: 404: 400: 396: 392: 388: 384: 380: 376: 372: 368: 364: 360: 352: 349: 346: 345:Domesday Book 342: 341: 340: 337: 335: 331: 327: 326:Odo of Bayeux 322: 317: 313: 309: 308:Queen Matilda 304: 302: 294: 290: 276: 274: 270: 267: 263: 258: 253: 222: 218: 214: 210: 209:Odo of Bayeux 206: 205: 198: 196: 190: 188: 183: 181: 177: 174:challenging 173: 169: 165: 161: 157: 152: 146: 142: 138: 134: 133: 124: 88: 80: 47: 41: 33: 29: 25: 20: 16: 6243: 6157:Battle Abbey 5826:Hans Knieper 5796: 5789: 5755:Marc Chagall 5724:Gunta Stölzl 5562: 5545: 5538: 5486: 5464: 5457: 5445: 5438: 5426: 5382: 5372: 5365: 5353: 5336: 5329: 5177:Erica Wilson 5073: 5031: 4999: 4988:Embroideries 4964:Sewed muslin 4917:Mountmellick 4885:Bunka shishu 4801:Bunka shishu 4689:Satin stitch 4649:Chain stitch 4518:Cross-stitch 4417: 4337: 4330: 4323: 4291: 4287: 4267: 4246: 4232: 4214: 4203: 4185: 4177: 4160: 4156: 4148: 4120: 4116: 4086: 4069: 4055: 4037: 4034:Bates, David 4015: 3981:. 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