168:'Travels Around the Dead Sea'). Salzmann, who was acquainted to Saulcy, had a spontaneous change of heart and modified his travel plans: "I have changed my travel destination in the belief of making a true service to science. I have researched all the monuments of Jerusalem and photographed mainly those whose origin has been under dispute." Salzmann stayed for four months in Jerusalem, gathering almost 200 images, until being forced by a fever to return to France.
175:, which includes a total of 174 photographs, are without doubt the depictions of architecture details and the excavation findings. These he brought back and presented as hard facts in the running dispute of the time. Salzmann managed to combine his skills as a painter with his scientific acumen as an archaeologist. The publication also contains views of Jerusalem, the
156:. When he departed on 12 December 1853, his actual target was not Rhodes anymore, but Jerusalem. In the meantime he had become interested in a scientific debate regarding, at its core, the age of the
195:. Less of a commercial success than Du Camp's book, it was mainly targeting an archaeologically interested public whose curiosity in such topics had substantially decreased lately.
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Salzmann, who was a painter of landscapes and religious scenes, also became one of the first to use photography as a means of archaeological study. He is, together with
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84:(1824–1872) was a French archaeologist, painter, and pioneer in the field of archaeological photography.
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A Photographer in
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Photographies de la Terre Sainte par
Auguste Salzmann
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