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I do not consider my work to be particularly theoretical, although my writings on photography, like those on art history or contemporary art, are informed by the theorists, past and present, who have shaped my thinking overall. Perhaps my essays are best characterized as a form of practical criticism
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insofar as they engage with specific bodies of work, historical contexts, social relations, and institutional structures, rather than with the more philosophical questions manifested in the new field of the philosophy of photography.
129:. In a 2004 essay she describes herself as among those who "intellectually came of age as postmodernists, poststructuralists, feminists, Marxists, antihumanists, or, for that matter, atheists." and later clarifies;
121:, and she offers a reassessment or revision of the ideas presented by the artistic "canon" and of some of her predecessors in the history of art, such as
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Solomon-Godeau, Abigail (2017), "The Family of Man: refurbishing humanism for a postmodern age", in
Parsons, Sarah (ed.),
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Solomon-Godeau has produced over 100 works in 236 publications in 4 languages. Her writing focuses on
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The Image of Desire; Femininity, Modernity, and the Birth of Mass
Culture in Nineteenth-Century France
26:) is an American art critic, exhibition curator, art historian, and Professor Emerita in art history,
295:(with David Levi Strauss, Yasmine El Rashidi, Allan Sekula, Susie Linfield) The Anxiety Of Images,
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60:, and is now a Professor Emeritus there in the Department of History of Art & Architecture.
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Modern style: dressing down (issues raised by Museum of Modern Art's "Fashioning
Fiction”),
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8:
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Photography At The Dock: Essays on
Photographic History, Institutions, and Practices,
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631:, by Solomon-Godeau, Abigail, Parsons (ed.), Durham Duke University Press, p. 6,
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608:
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Living with
Contradictions: Critical Practices in the Age of Supply-Side Aesthetics,
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Jean-Etienne
Liotard (1702-1789) in the collections of Musees d'Art et d'Histoire,
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Photography at the Dock. Essays on
Photographic History, Institution, and Practices
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118:
379:
The Other Side of Vertu: Alternative
Masculinities in the Crucible of Revolution,
152:
114:
372:
The
Exceptional Woman: Elisabeth Vigee-Lebrun and the Cultural Politics of Art,
140:
358:‘“Confessions of a Snow Queen" and Other Strategies of Self- Representation’.
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Abigail
Solomon-Godeau is an art critic and art historian who taught at the
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Reconstructing Documentary: Connie Hatch's Representational Resistance,
415:
180:, and many have been collected in anthologies in various languages.
453:
A Photographer in Jerusalem, 1855: Auguste Salzmann and His Times,
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Photography after photography : gender, genre, history
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Photography after photography : gender, genre, history
485:
Encyclopedia of Twentieth-Century Photography, 3-Volume Set
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Cannon fodder. Photography, speech, feminism , the textual,
482:
460:
Photophilia: A Conversation about the Photography Scene,
457:, Vol. 18, (Autumn, 1981), pp. 90–107. The MIT Press
355:, v.42, no.9, 2004 May, p. 192(5) (ISSN: 1086-7058)
323:
Torture à Abou Ghraib : les médias et leur dehors,
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75:
Among the exhibitions Solomon-Godeau has curated are;
254:
Photography after Photography. Gender, Genre, History
199:, University of Minnesota Press, Minneapolis 1991.
578:
448:Camera Obscura:Feminism Culture and Media Studies
649:
607:, Durham Duke University Press, pp. 43–60,
547:
337:Jean-Etienne Liotard: Facing the enlightenment,
138:Her essays have appeared in journals including
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256:, Duke University Press, Durham, London 2017.
481:Wheeler, Sarah B. Abigail Solomon-Godeau. In
529:
386:Signs of Age: Representing the Older Body,
276:"Mad or Bad? Magritte's Artistic Rebellion"
117:, photography, 19th-century French art and
86:Sexual Difference: Both Sides of the Camera
487:, Taylor and Francis, pp. 1461–1462,
393:Male Trouble: A Crisis in Representation,
365:Male Trouble: A Crisis in Representation,
559:John Simon Guggenheim Memorial Foundation
519:. University of California Santa Barbara.
211:Male Trouble. A Crisis in Representation
185:Genre, Gender and the Nude in French Art
581:Basic critical theory for photographers
367:Journal of Aesthetics and Art Criticism
58:University of California, Santa Barbara
28:University of California, Santa Barbara
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426:. The MIT Press: 65–108. Winter 1986.
344:Reflections - Susan Sontag 1933-2004,
627:Parsons, Sarah (2017), Introduction,
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483:Warren, Lynne; Warren, Lynn (2005),
213:, Thames & Hudson, London 1999.
341:; Nov 2006, Vol. 94 Issue 10, p148.
183:She is currently working on a book
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14:
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16:American art critic and historian
532:Fifty key writers on photography
534:, Routledge, pp. 208–213,
517:History of Art and Architecture
362:, 3(1), pp. 123–140. 2002.
309:Photographier la catastrophe .
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596:
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228:Hatje Cantz, Ostfildern 2009,
224:(with Gabriele Schor as Ed.):
104:(with Beatrice Farwell), 1998.
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658:American women art historians
583:, London Taylor and Frances,
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33:
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693:21st-century American women
268:
47:City University of New York
40:University of Massachusetts
10:
709:
579:la Grange, Ashley (2005),
416:"The Legs of the Countess"
288:The phantom photographer,
22:(born January 6, 1948, in
663:Historians of photography
63:Solomon-Godeau is a 2001
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555:"Abigail Solomon-Godeau"
513:"Abigail Solomon-Godeau"
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45:Ph.D., Graduate Center,
678:American women curators
668:American art historians
397:Vol. 16 No.2 June 1993
353:Artforum International
346:Artforum International
302:Mixed Use, Manhattan,
20:Abigail Solomon-Godeau
530:Durden, Mark (2012),
320:2008, Vol. 96, No. 1.
316:Thinking in images,
374:Woman's Art Journal
92:Mistaken Identities
80:The Way We Live Now
42:, magna cum laude
226:Birgit Jürgenssen.
96:Constance Lewallen
71:Exhibition curator
673:American curators
638:978-0-8223-6266-1
614:978-0-8223-6266-1
590:978-0-08-046838-9
541:978-0-415-54944-8
494:978-0-203-94338-0
262:978-0-8223-6266-1
248:978-2-84597-548-4
234:978-3-7757-2460-9
219:978-0-5002-8037-9
205:978-0-8166-1913-9
65:Guggenheim Fellow
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409:Social Text
395:Art History
381:Art Journal
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306:, Mar 2011.
652:Categories
469:References
464:, Sep 1982
450:, Mar 1985
411:, Jan 1989
404:, Dec 1992
390:, Jul 1998
383:, Oct 1998
376:, Nov 2000
348:, Mar 2005
327:, Jan 2007
325:Multitudes
299:, Sep 2011
292:, Nov 2011
159:Afterimage
440:0162-2870
34:Education
334:Nov 2006
313:Mar 2010
311:Terrain,
304:Aperture
297:Aperture
269:Articles
147:Artforum
564:8 April
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171:October
98:), 1994
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94:(with
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52:Career
38:B.A.,
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