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608: 138: 603: 488: 223: 108: 629: 757: 194: 198: 752: 472: 174: 659: 483: 386:, in 1952. Soon after, the society was renamed as the Society for Education in Film and Television and its journal changed its name to 133: 713: 166: 162: 558: 762: 737: 420: 742: 456: 767: 652: 61:
Tim Bergfelder, Alison Butler, Dimitris Eleftheriotis, Karen Lury, Alastair Phillips, Jackie Stacey, Sarah Street
31: 747: 732: 478: 706: 645: 112: 340: 500: 461: 360: 215: 211: 121: 117: 100: 332: 85: 245: 239: 772: 699: 633: 540: 368: 352: 348: 344: 328: 186: 96: 687: 623: 8: 430: 79: 544: 324: 40: 554: 269: 255: 232: 466: 336: 316: 295: 129: 55: 683: 619: 434: 415:. It published many articles that have become standards in the field—including 726: 426: 356: 416: 412: 364: 320: 36: 440:
that came to prominence in Britain in the early 1970s, took its name from
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Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media
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Laura Mulvey (1975). "Visual Pleasure and Narrative Cinema".
147: 615: 550: 541:"The Suture Scenario: Audiovisuality and PostScreen Theory" 423:" (1975). It is still highly regarded in academic circles. 351:), Karen Lury (University of Glasgow), Alastair Phillips ( 632:. Further suggestions might be found on the article's 630:
See tips for writing articles about academic journals
411:
was particularly influential in the nascent field of
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originated in the Society of Film Teachers' journal,
137: 724: 707: 653: 519: 473:FIAF International Index to Film Periodicals 400:in 1969, although a separate journal titled 447: 714: 700: 660: 646: 484:International Index to the Performing Arts 452:The journal is abstracted and indexed in: 758:Oxford University Press academic journals 538: 725: 753:Academic journals established in 1952 489:Studies on Women and Gender Abstracts 669: 597: 421:Visual Pleasure and Narrative Cinema 532: 301:Journal page at publisher's website 13: 457:Arts and Humanities Citation Index 14: 784: 578: 606: 601: 136: 513: 479:MLA International Bibliography 1: 506: 686:. You can help Knowledge by 622:. You can help Knowledge by 7: 763:Communication journal stubs 738:Television studies journals 494: 347:), Dimitris Eleftheriotis ( 10: 789: 668: 596: 539:Miklitsch, Robert (2006). 374: 743:English-language journals 341:University of Southampton 287: 282: 267: 253: 230: 158: 146: 92: 78: 70: 65: 54: 46: 30: 674:This article related to 501:List of film periodicals 462:British Humanities Index 448:Abstracting and indexing 361:University of Manchester 768:Film organization stubs 333:Oxford University Press 86:Oxford University Press 469:/Arts & Humanities 93:Standard abbreviations 748:University of Glasgow 733:Film studies journals 614:This article about a 369:University of Bristol 353:University of Warwick 349:University of Glasgow 345:University of Reading 329:University of Glasgow 404:was also published. 339:are Tim Bergfelder ( 66:Publication details 27: 419:'s seminal work, " 407:During the 1970s, 343:), Alison Butler ( 325:television studies 41:television studies 21: 695: 694: 641: 640: 560:978-0-7914-6733-6 331:and published by 308: 307: 780: 716: 709: 702: 670: 662: 655: 648: 610: 605: 598: 590: 589: 587:Official website 572: 571: 569: 567: 536: 530: 529: 517: 467:Current Contents 402:Screen Education 394:Screen Education 389:Screen Education 384:The Film Teacher 337:editors-in-chief 317:academic journal 291:Journal homepage 273: 258: 242: 235: 226: 142: 140: 139: 28: 25: 20: 18:Academic journal 788: 787: 783: 782: 781: 779: 778: 777: 723: 722: 721: 720: 667: 666: 594: 585: 584: 581: 576: 575: 565: 563: 561: 537: 533: 518: 514: 509: 497: 450: 396:was renamed to 377: 268: 254: 249: 244: 238: 231: 202: 161: 160: 116: 95: 94: 88: 23: 19: 12: 11: 5: 786: 776: 775: 770: 765: 760: 755: 750: 745: 740: 735: 719: 718: 711: 704: 696: 693: 692: 665: 664: 657: 650: 642: 639: 638: 611: 592: 591: 580: 579:External links 577: 574: 573: 559: 553:. p. 69. 531: 511: 510: 508: 505: 504: 503: 496: 493: 492: 491: 486: 481: 476: 470: 464: 459: 449: 446: 435:psychoanalytic 376: 373: 306: 305: 304: 303: 298: 293: 285: 284: 280: 279: 274: 265: 264: 259: 251: 250: 236: 228: 227: 156: 155: 150: 144: 143: 90: 89: 84: 82: 76: 75: 72: 68: 67: 63: 62: 59: 52: 51: 48: 44: 43: 34: 17: 9: 6: 4: 3: 2: 785: 774: 773:Glasgow stubs 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 730: 728: 717: 712: 710: 705: 703: 698: 697: 691: 689: 685: 681: 677: 672: 671: 663: 658: 656: 651: 649: 644: 643: 637: 635: 631: 627: 625: 621: 618:journal is a 617: 612: 609: 604: 600: 599: 595: 588: 583: 582: 562: 556: 552: 548: 547: 542: 535: 527: 523: 516: 512: 502: 499: 498: 490: 487: 485: 482: 480: 477: 474: 471: 468: 465: 463: 460: 458: 455: 454: 453: 445: 443: 439: 436: 432: 428: 427:Screen theory 424: 422: 418: 414: 410: 405: 403: 399: 395: 391: 390: 385: 381: 372: 370: 366: 362: 358: 357:Jackie Stacey 354: 350: 346: 342: 338: 334: 330: 327:based at the 326: 322: 318: 314: 313: 302: 299: 297: 296:Online access 294: 292: 289: 288: 286: 281: 278: 275: 271: 266: 263: 260: 257: 252: 247: 243: (print) 241: 237: 234: 229: 225: 221: 217: 213: 209: 205: 200: 196: 192: 188: 184: 180: 176: 172: 168: 164: 157: 154: 151: 149: 145: 135: 131: 127: 123: 119: 114: 110: 106: 102: 98: 91: 87: 83: 81: 77: 73: 69: 64: 60: 57: 53: 49: 45: 42: 38: 35: 33: 29: 26: 16: 688:expanding it 673: 628: 624:expanding it 613: 593: 564:. Retrieved 545: 534: 525: 521: 515: 451: 441: 425: 417:Laura Mulvey 413:film studies 408: 406: 401: 397: 393: 388: 387: 383: 379: 378: 365:Sarah Street 311: 310: 309: 219: 207: 190: 178: 170: 152: 125: 104: 74:1952–present 22: 15: 438:film theory 248: (web) 727:Categories 549:. Albany: 528:(3): 6–18. 507:References 130:MathSciNet 32:Discipline 634:talk page 392:in 1960. 272: no. 246:1460-2474 240:0036-9543 80:Publisher 680:Scotland 495:See also 277:59715510 262:91642840 159:Indexing 109:Bluebook 58: by 47:Language 682:, is a 676:Glasgow 431:Marxist 375:History 363:), and 218:)  189:)  177:)  124:)  103:)  71:History 50:English 566:16 May 557:  522:Screen 442:Screen 409:Screen 398:Screen 380:Screen 335:. The 315:is an 312:Screen 224:Scopus 220:· 208:· 206:  191:· 179:· 171:· 169:  153:Screen 126:· 105:· 56:Edited 24:Screen 283:Links 222: 210: 193: 183:JSTOR 181: 173: 163:CODEN 148:ISO 4 128: 107: 97:ISO 4 684:stub 620:stub 616:film 568:2017 555:ISBN 551:SUNY 475:Plus 429:, a 323:and 321:film 270:OCLC 256:LCCN 233:ISSN 204:MIAR 195:LCCN 175:alt2 39:and 37:Film 371:). 355:), 319:of 216:alt 212:NLM 199:alt 187:alt 167:alt 134:alt 122:alt 118:NLM 113:alt 101:alt 729:: 678:, 543:. 526:16 524:. 444:. 715:e 708:t 701:v 690:. 661:e 654:t 647:v 636:. 626:. 570:. 433:- 367:( 359:( 214:( 201:) 197:( 185:( 165:( 141:) 132:( 120:( 115:) 111:( 99:(

Index

Discipline
Film
television studies
Edited
Publisher
Oxford University Press
ISO 4
alt
Bluebook
alt
NLM
alt
MathSciNet
alt
ISO 4
CODEN
alt
alt2
JSTOR
alt
LCCN
alt
MIAR
NLM
alt
Scopus
ISSN
0036-9543
1460-2474
LCCN

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