Palace of Ajuda - Knowledge

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number of windows on the upper floor have veranda-like railings, surmounted by smaller square windows. The three-storey towers are also divided by Tuscan and Tuscan-Ionic columns: the first floor, have three windows and sills with angular cornices on the outside and rounded cornices on the interior; the intermediary floor has a comparable number of windows, while the third floor windows are surmounted by smaller windows (much like on the panels). The southern lateral façade has three storeys, with 19 windows in succession, comparable to the main entrance, although there are a series of niches at the base. The uncompleted western façade show signs of vestiges of various dependencies with a wall of open window sills/arches with Tuscan pillars and access to the central courtyard by three rounded arches. Embedded in the vast foyer with a vaulted edge supported by Tuscan columns, has twenty-two marble statues, some signed and dated.

3309: 2229:), was used for visiting ambassadors and members of the diplomatic corp, who waited in this room before being presented in the throne room. This room is full of classical motifs, presenting a ceiling with animals, figures and chariots, based on a Greek frieze, with painted walls and inlaid parquet floor. Three of the walls have tapestries with royal coats of arms and the last with a fireplace surmounted by mirror, with chairs assembled for the gathered visitors, all accented in red velvet and gold, and two large ornamental vases. Alongside is a small antechamber used so that visitors could wait as their name was presented to the monarchs, before appearing in the throne room. On the walls of this room are portraits of 2516: 1546: 2408: 2336: 2324: 1372: 47: 2456: 1569: 2420: 1558: 2492: 2468: 2384: 2444: 1731:), since it was used by King Luís and Queen Maria Pia to as a waiting room for formal guests. On the semi-vaulted ceiling there is an allegorical mural representing King John IV's departure for Brazil. In addition to various paintings and architectural elements, there are wooden cornices and a parquet floor, while over four doors there allegorical paintings interspersed by the eight large tapestries. The hall is occupied by a large desk with many gold-leaf wooden chairs covered in red velvet, with polished crests and chiselled bronze elements. 1256: 2360: 1966:), clad in green silk, with a white painted ceiling with golden elements, decorative paintings (including a large 1876 portrait of the royal family by Joseph Fortuné-Séraphin Layraud), green drapery and a parquet floors with geometric elements. A large fireplace/stove in white marble occupies one wall in rounded Rococo-style decoration, protected by the fire-guard in gold metal. This was a private room, used by the Queen to conduct official duties or receive visitors, but as well was the room where she gave birth to the royal heir 2480: 362:, very connected to regal authority, with the birth of the Neoclassic style from Italy. Further interruptions occurred, due to a lack of funds, political sanctions or disconnection between the workers and the authorities responsible for the project. The project was modified several times, but was generally authored by Manuel Caetano de Sousa (the last Baroque architect) and, later, Costa e Silva and Fabri, both of them Bolognese architects whose tastes crossed the architectural spectrum, but in which Neoclassicism predominated. 2504: 2312: 2081: 2100: 2089: 2432: 750:. With a new simplification of the plans, architect António Francisco Rosa continued the structural works. During this phase, painters Taborda, Sebastião José Alves, José Joaquim de Sousa, Bernardino de Sena Lemos da Rocha, Arcangelo Fuschini, Máximo Paulino dos Reis, Joaquim Gregório da Silva Rato, Piolti, João Pereira, José Pedro de Carvalho, and mason António Joaquim de Faria worked at the palace. In 1823, the staircase was decorated by painter Norberto José Ribeiro, and in 1825 2348: 1889:), which is not actually blue, is covered in white and gold silk walls and drapery, with matching chairs and cushioned sofa over a parquet floor. Between 1863 and 1865, it was remodelled by Possidónio da Silva in order to provide a Royal sitting room in the tastes of Queen Maria Pia. Avant-garde for its time it included visual effects that proportioned the space, including two grand mirrors on opposite walls (one over the fireplace and the other between two windows) and a 2071:, although the Queen was known to play with the King on occasion or with her piano teacher, Mrs. Cart. The room is an elaborate extension of the adjacent Dining Room, with a parquet floor, a wood fireplace, lateral wooden pilasters and dark wood grain-coloured walls, with a series of long bunk sofas against the walls. The large wood fireplace is composed of carved wood with cherubs and built-in mirror, while the central pool table occupies the majority of the space. 1383: 607: 2372: 2396: 2057:), a private dining room was never planned in the 1802 design of the Palace, but by 1880 there was a need for a communal space. The final room was decorated in red silk and rich wood grain trim from floor to ceiling, with a wood fireplace/stove on one wall (surmounted by a large mirror), while the opposite wall provides an entrance to adjacent Billiard Room. The floor is cover in inlaid parquet floor with a bronze lustre. 1865:. The walls are painted simply in white with gold trim, divided in square panels, while the floor is paved in parquet. An ornate bed, table and white-velvet chairs decorate the room, with a writer's desk along one wall, while statues stand in the window niches on the opposite wall from the bed. Paintings of many of the Portuguese monarchs are located on one of the walls, while over the desk the full-size painting of King 695:), the painters Vicente Paulo Rocha and João de Deus Moreira, painted the base boards, following the designs of Manuel Piolti (since José Francisco Ferreira quit the project). By May, Volkmar Machado proposed a new eastern façade, with a triangular apex and allegorical sculptures, alluding to the expulsion of the French during the Peninsular War, but the project was dropped. Between 1819 and 1920, sculptures of 2176:) totally decorated in natural silk, forming a tent-shaped ceiling, with chandeliers and small metal lamps, Chinese porcelain, and red doorways with gold trim, in Oriental motifs, completed by José Procópio Ribeira in 1865. From this place visitors to the monarchs residence, for galas or ceremonial events, were stratified into various rooms, depending on class structure, until the reaching the throne room. 1534: 412: 2255:, with a bronze crystal chandelier, walls draped in red silk and floor covered in parquet and Aubusson carpet. On a small two-step platform are the two thrones of Luís and Maria Pia under a red draped canopy. The passageways, covered in drapery are surmounted by ancillary windows that permit light to cascade into the space. Red velvet chairs and bunks are strategically located around the open space. 1522: 907: 594:(who created three sculptures), Carlo Amatucci (some), João José de Aguiar, and his assistant Gregório Viegas (executed ten statues), Joaquim José de Barros Laborão and Manuel Joaquim Laborão (completed six statues), while Faustino José Rodrigues and his son, Francisco Assis Rodrigues, were contracted to complete three sculptures. In 1803, Carlos Amatucci completed the sculpture of 420: 1803:(by Volkmar Machado and Taborda), while the mouldings feature military motifs. On side of the room is an Italian black marble fireplace/stove, comprising two ionic columns, supporting a frieze ornamented by flowers and cornice, with fire-guard in metal. The parquet floor is formed into a geometric pattern and the space decorated with several gold-velvet chairs, large vases, 2299:, months, seasons, and other allegorical figures, illuminated by three large bronze crystal chandeliers, and an upper gallery for musicians, who would play for visiting guests and diplomats. The opposite wing was altered by the adaption by actual activities in the space, and includes a staircase in the vestibule to connect the upper spaces and rooms. 2123:), which is preceded by a gallery with many of King Carlos' works of art. The room is lined with carvings in white, with a paneled ceiling, supported by equally spaced cornice and corbels, with windows framed by arches and canopies of false parapets, as well as a wooden staircase guarded by four foils leaked, the floor is parquet motif geometric. 350:. Lack of financial resources would also result in the scaling down of the project. The construction of the Ajuda Palace, which began in 1796 and lasted until the late 19th century, was a project plagued by various political, economic and artistic/architectural problems. It was invaded by Napoleon's troops in 1807, and discontinued by 765:, moved in. It was proposed to the architects that the project's scale be reduced, encompassing only one-third of the original design, making the eastern façade the main entrance and erecting a tower at the southern end. Its plan now reduced in half, it included one block, the construction of which was immediately interrupted by the 630:). Yet, Junot insisted that the building should continue. But in 1809, the French invasion of the Portuguese territory finally caused the suspension of the project. By 1812, Francisco Fabri returned to chef the project, since José da Costa e Silva had also joined the royal family in Brazil. Fabri's model was based on the 1014:) received new ceiling stucco with bas-relief ornamentation and gold-leaf. Renovations also proceeded in the palace chapel, Queen's washroom and dining room by Leandro Braga, who was also assisted by Atelier responsible for the King's painting studio and personal library. It was during this remodelling that the painting 1618:), named because it was occupied by the guard of honour (from 8:00 a.m. until 11:00 p.m.), is a hall illuminated by two windows and three rectangular doors, all with golden metal shields and covered in decorative paintings representing military victories. The vaulted hall ceiling is painted by 1318:

A new green-space was created to enhance the front (eastern) façade of the building in 1961, but in 1974 a fire destroyed a significant part of the north wing. Between 23 and 24 September the fire consumed King Luís' painting gallery and part of the north wing, which included 500 paintings, including

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In 1802 Manuel Caetano de Sousa died, and by 26 June, da Costa e Silva and Fabri were appointed official architects. Da Costa e Silva and Fabri respected what was already constructed, but introduced necessary alterations to change the royal palace into a more dignified, serious and majestic building.

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and crosses of the military orders, with the walls covered in pink silk and the floor in parquet. On one end is an enormous oak wood fireplace/stove, with several glass display cabinets with ornate friezes and cornices aligned on either side. The chimney and stove are adorned by golden phytomorphic

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elements and arms of Portugal and surrounded on several walls by paintings and . In the centre are musical instruments (although the King Luís was a baritone, he also accompanied with his cello, while the Queen was a pianist), which are surrounded by velvet-lined bunk seating and several paintings.

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The vestibule is the main access to the palace, the Library and Exhibition Gallery, which by is made through the vestibule, through a monumental staircase and rounded arches. The ample courtyard is paved in Portuguese calçada, and is surrounded by two four-storey tall wings (north and south): the

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to develop a plan to complete the building, which was deferred owing to the costs associated with the project. But the Republican government did inventory many of the furniture and artwork, and along with many of artefacts from other palaces, stored them in the Ajuda Palace. In 1938 the palace was

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Manuel Caetano da Silva Gaião joined the project in 1815 to assist the team. In 1817, Francisco Fabri died, and was replaced by his assistant, António Francisco Rosa, who was forced by the Royal Treasury to curb the scope of the project. Several individual projects were completed in 1818: Domingos

2273:), was used as the formal ballroom, and features an upper gallery (for the musicians) opposite the entrance, while two full-length portraits of Luís and Maria Pia flank the entrance. The walls are covered in red silk, with the ceiling divided into seven panels, the central showing the allegorical 1131:

By the end of the 19th century, new exterior restorations had begun, under the direction of Domingos Parente da Silva, while new additions continued within the interior: in 1875, a sculpture of Maria Pia was completed by Cesare Sighinolfi; in 1876, a painting in miniature of Luís and Maria Pia by

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Between the central body and towers are eight panels consisting of two-floors and a mezzanine, each panel divided by two orders of columns: on the first floor Tuscan and on the second floor Tuscan-Ionic columns. The first floor windows are moulded and trimmed sills with cornices, while a similar

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On 27 July 1820, a meeting was held by the royal palace inspector, da Costa e Silva, Volkmar Machado, de Magalhães, Rosa and da Silva Gayão to decide upon the first design for the eastern façade, or a new composition by Volkmar Machado. During these meetings the project for the vestibule was

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and/or Francisco Xavier Fabri (as long as it economized on the project costs). But, Manuel Caetano de Sousa designed an overcomplicated and intricate Baroque building (which was later criticized by da Costa e Silva and Fabri in 1801). But, with mounting confusion and difficulties between the

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to abandon the Palace of Necessidades. After being acclaimed king (22 December 1861), Luís moved temporarily with to the Palace of Paço de Arcos, while remodelling occurred at Ajuda to adapt the building to become the new royal residence. At the same time, a match was made between Luís and

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marble fountain, with tank and pinnacle structure. The fountain is surrounded by three bronze cranes, busts, two huge ornate bird cages, vases and cushioned chairs, typical of the outdoors. Potted and hanging plants also circle the room, which gives the impression of an enclosed outdoor

777:, but was mysteriously removed from the project to be replaced by Nicolau Pires. In 1830, António Joaquim de Faria, responsible for many of the stonework within the palace, also died. Similarly, three years later, Sebastião José Alves died, being succeeded by Joaquim José Ventura Alves. 2030:(changing room and toilette), and also continues the original carpeted space from the Queen's bedroom, with large three-pane standing mirror, fireplace, chest of drawers and commode. It is decorated in rich brown and gold trim, phytomorphic elements and paintings of the figures of 727:) was completed by da Cruz and Taborda. In 1820, a new project for the south and eastern façades was authorized, which included a system of ramps and staircases created by Rosa. Metalsmiths João Pereira and Manuel António, and carpenter José Joaquim de Sousa completed the project. 1006:, the walls were lined in pink velvet to house a collection from Saxony and the ceiling stucco was painted with representations of birds and views of Italy and Lisbon, by Giuseppe Cinatti and Achille Rambois, while the furniture was selected by Krieger, Suc. Racault of Paris. The 1501:, extending to two lateral towers. This façade is two floors high, the inferior level marked by three arches, surmounted by (and separated by) Tuscan-Ionian columns supporting the secondary floor/veranda. On the second floor of the main body, the space is protected by 2165:

for the monarchs King Luís and Queen Maria Pia, with a wide crown moulding, decorated with stars and military motifs on a very prominent cornice and meandering ornate frieze. The walls are covered with draperies of comparable fabric, while the floor is covered in

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in Lisbon, the King ordered the construction of a more permanent wooden building in the heights of Alto da Ajuda; the architects Petrónio Mazzoni and Veríssimo Jorge began building an elaborate structure from wood collected from the Vale de Figueira pinery. The

2111:. The enclosed staircase, is decorated with flourish carvings on the ceiling from the lower floor, which zigzags to the upper landing decorated with rounded stained glass with the royal coat of arms and painted ceiling. On the second floor of the palace lies: 1307:) branch examined the building to determine its condition (in 1956), which also predicted a large investment to completely restore the palace. After a period of restricted access (between 1940 and 1968), when only people who had an authorization card from the 2046:

over the doorways. The actual bathroom, more practical then decorative, nonetheless, includes decorated with painted mouldings and rich wood trim, and includes bathtub, double lavatory, double sink and bide, hygienic innovations that came from England around

2291:), the room is a long hall that includes two long tables for visitors and the main table (which intersects the other two) for the royal family. The ceiling is painted with an allegorical depiction as a tribute to John VI, depicting a sun chariot with 657:

Sequeira returned to direct the painting of the palace; the model for the south tower, authored by José Joaquim de Sousa was completed; on 26 September the vaulted ceiling was erected in the vestibule; and on 12 November, the decorative works in the

479:) was reconstructed from 1767 to 1786 by Giacomo Azzolini. The court remained at this site for nearly three decades, in a luxurious atmosphere of the golden age of enlightened despotism, until the King's death in 1777. Since his successor, Queen 739:), its access ramps and staircase; and the painting designs for the rooms by Piolti, which were executed by Anacleto José Narciso, Eugénio Joaquim Álvares, Eusébio de Oliveira, João de Deus, José António Narciso, José Tomás and Vicente Paulo. 567:

architects and contractors, on 21 January 1802, da Costa e Silva and Fabri were invited by the Crown to present a new project, in conjunction with António Francisco Rosa and Manuel Joaquim de Sousa, while excluding Manuel Caetano de Sousa.

1911:), an annex that served as a smoking-room, during a period when the men and women socialized independently. The space trimmed in oak, red-velvet drapery and chairs is decorated with paintings of King Luís's favourite ships, as well as oak 1992:), was lined with silk, the plaster ceiling is decorated with flowers, birds and butterflies; today its austere space is used to exhibit some toys and objects associated with the Infantes Carlos and Afonso. Located to the right of the 1622:

with the Portuguese Royal coat of arms, the windows and doors surmounted by paintings, and the floor, while paved in parquet, is covered partially in carpet. It is currently used as the principal entrance for visits to the Palace and

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main floor, with central arch and doorway is flanked by rectangular windows surmounted by smaller square windows; and the superior floors, are composed of veranda-windows with simple frames and cornices and balusters/guardrails.

2026:. The room is decorated in religious iconography, ornate wood furniture and highlighted by a large canopy bed (also in blue, gold and silver colors), while the floor is covered in carpet, with a polar bear hide. Alongside is the 1956:), a small room in pink silk, the room was specifically created to display the Queen's porcelain collection, with many figurines on display on sills on the walls, with the furniture painted in pink or cover in pink velvet. 1857:), covered in wood paneled wainscoting, painted white and gold remains as one of the few rooms in the Palace painted in its original un-restored wall colors. The painted ceiling, depicting an allegorical representation of 772:

In 1827, Piolti died, leaving behind the decorative painter António Inácio Vieira in charge of the interior design. Work on site began, and quickly ended in 1828, by the English mason John Johnston. He was responsible for

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framed by phytomorphic elements, with walls lined with red silk and a parquet flooring. The room is dominated by the full-length portrait of the 33-year-old Maria Pia in blue and white ball gown, opposite a portrait of

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One of the earliest neoclassical buildings in Lisbon, the palace is an irregular rectangular building, divided into four wings (with the western wing being incomplete) around a large quadrangle, paved with Portuguese

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Another attempt to renovate the palace was proposed in 1944, in a new project by Raul Lino, but never materialized, and in 1956, Arantes e Oliveira commissioned Raul Lino, once again to elaborate a new project. The

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With the start of Liberal and Absolutist factionalism, the country entered into a period of fragile stability, and the project, already moving slowly, stopped in 1833 with the entry of liberal forces in Lisbon.

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in geometric designs. Each wing is occupied by distinct entities: the eastern and southern wings are occupied by museum exhibitions of the Palace of Ajuda; the northern wing belongs to the installations of the

562:. The intervention of many architects resulted in a royal decree (9 December 1801) that stated that alterations to the project could only be made in agreement with Manuel Caetano de Sousa, Joaquim de Oliveira, 886:

attempted to complete the palace, under the revised plan of Joaquim Possidónio Narciso da Silva, but was unsuccessful. Yet, some projects continued inside the building: in 1836, the antechamber of the

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began to reside in the Palace of Necessidades, the palace (although residence of the Queen Mother) was reserved for official ceremonies, including banquets and receptions, such as those in honour of

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and João da Silva Moniz. When António Francisco Rosa took over the work in 1818, the project progressed at a slightly accelerated pace, on the assumption that the royal family would return. But, the

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During the second half of the 19th century, new works in the palace were specifically done to adapt the existing space to a permanent royal family residence: the windows in the antechamber of the

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by André Monteiro da Cruz was completed; in 1837, several paintings were repaired by Joaquim Rafael; in 1844, busts of the monarchs in wax were ordered, by Joaquim Rafael; and the sculpture of

1637:) was used to announce visitors, and consists of a false cupola to squares, formed by plain columns and Corinthian capitals that support triangular pediments. At the centre is an allegory of 742:

By 1821, when John VI of Portugal returned from Brazil, the palace had not yet been completed, and only permitted some state and ceremonial protocols (such as John's investiture in the

1982:) was used throughout its history for various purposes (washroom, oratory, workroom or writing room), and today displays various portraits, busts, chest of drawers and writing table. 1787:), another room with flattened vaulted ceiling, this space was used for state functions, and the King resolved official duties, typically on Thursdays. Its ceiling is painted with 934:

In order to become liveable, the King directed Possidónio da Silva and Costa Sequeira to renovate and remodel the building, primarily based on the tastes of the Queen. The old

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of France. Carlos made few changes to the palace, although he was responsible for ordering two large pots in Berlin from the Parisian factory of the Duke d'Angoulême, for the

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Over time, the project underwent several periods when the construction was stopped or slowed due to financial constraints or political conflicts. When the royal family had to

1418:(west). Although the palace occupies a block on the heights of Ajuda, its delineated space extends to several gardens and lands around the main building. This includes: the 711:

by Taborda (1766–1836) were completed, its doors first started by Piolti (1770–1823); the metal shields on the doors were provided by the Army arsenal; the ceiling of the

475:) was completed on 20 September 1761 (and the first baptism was held in its chapel), but, owing to risk of collapse, the theatre (which was considered a risk by architect 2010:

of 1861, which was popular in Europe at the time, and includes walls in blue silk with a silver pattern, surmounted by a ceiling painted with allegorical depictions of

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by Volkmar Machado, with perspectives by Piolti, figures by Joaquim Gregório da Silva Rato and ornamentation by André Monteiro da Cruz; skirting by bronzer and gilder

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Dias, Gabriel Palma (20–23 June 1994), "Os Primeiros Projectos Para o Palácio da Ajuda - O Desenho e a Realização de Manoel Caetano de Souza e Imediatos Seguidores",

649:(and his assistant Oliveira Góis), and Máximo Paulino dos Reis as painters, while decorator Manuel Piolti took over the interior layout. In 1814, Cyrillo painted the 3462: 2186:), with a wainscoting painted in pink, and walls covered in silk, the ceiling has ornate motifs, and meandering frieze, while the floor is covered in inlaid parquet. 2107:

During State functions or celebrations, invited guests would enter via the vestibule and ascend the main staircase to the second floor of the Palace by way of the

2143:), its walls painted are painted beige, with wainscoting and trim adorned with geometric elements and foliage, respectively, and focused on a panel representing 910:

Joaquim Possidónio Narciso da Silva, one of the many architects that were involved in the construction, remodelling and renovations at the Ajuda Palace over time

1879:), continues the wainscoting and painted friezes that adorn the main bedroom, and topped by coiled phytomorphic elements, that are repeated higher on the walls. 3917: 2578: 2277:, from which hang three crystal chandeliers. Along one wall is a large landscape depicting the return of John VI from Brazil, opposite windows and two mirrors. 571:

Consequently, the plan was simplified and reduced to a core structured around two courtyards, with the same level of ornamentation, but now much more refined.

1002:. Similarly, the as a reception room, and the workers tore up gold wallpaper and replaced the painted cornice with a real one. In the office adjacent to the 1271:

all work on the palace ceased and was closed, beginning a new phase of neglect that would later result in the flooding of the library by rainwater in 1925.

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refused to live under a residence of masonry, and took refuge in a wooden cabin next to the Palace of the Counts of Óbidos (packed with tapestries from the

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by Cirilo Volkmar Machado that includes figures, mythical figures and flowers in each corner, while the main ceiling is designed as a fanciful open-air

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of Italy, who were married in 1861; on 16 April 1862, the new King and his wife, moved into the palace transforming it into the formal royal residence.

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were executed by António Joaquim de Faria and the contractors Francisco de Paula, Severiano Henrique Pereira and Leandro Gomes. On 15 February, in the

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was destroyed by fire, although the fire-fighters were able to save the library and church. A more permanent dwelling was conceived by the architect

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On the main floor entrance hall, with a succession of the museum in lateral directions, there is a staircase beside two niches with the figures of

1153: 555: 4073: 4474: 4937: 4484: 3902: 3112: 3080: 3057: 2971: 2939: 2852: 2829: 2806: 2783: 2760: 2737: 4927: 590:, Fuschini and Calisto, while Italian decorators Manuel da Costa and Giuseppe Viale were hired to decorate the mansion. Similarly, sculptors 2287:), the grand dining hall for state dinners and ceremonial events (such as the acclamation of Miguel as King and the wedding of Carlos and 2133:), is a space covered in oak wood serving as library, including panels, doors, trim and the fireplace (flanked by two Atlantean warriors). 1355: 867:

in 1829, and the death of the architect Rosa, resulted in a slowing of the project, and the affected the north wing which fell into ruin.

4917: 4158: 1204: 4594: 3867: 3609: 3248: 2515: 673: 623: 339: 2147:. A parquet wood floor with various shades of embossed wood cover the floor, while a bronze crystal chandelier hangs from the ceiling. 2067:), which replaced an older room on the second floor, and occupied King Luís after dinner, as the Queen and guests would retire to the 4932: 446:, the royal family was in Belém, and escaped the destruction of Lisbon by the earthquake and tsunami. Perturbed by the events, King 4133: 3152: 373:, their architect, Possidónio da Silva, introduced many aesthetic changes and turned one of the lateral façades into the main one. 4741: 3912: 3802: 3344: 2335: 384: 4882: 3308: 4065: 3626: 3576: 2157:), a relatively small rectangular space, with a plane ceiling, it is adorned with an allegorical scene, depicting the initials 800:) was decorated with a new rug, produced by the English firm Thomas Bontor & Company, which also produced new rugs for the 4922: 4138: 3907: 3882: 17: 376:

Most of the palace interiors were designed during King Luís I's reign by his wife, Queen Maria Pia and Possidónio da Silva.

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protecting the three Roman arch-windows, surmounted by a frieze of garlands, and divided by six Tuscan-Ionic columns.

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and various plans, which envisioned the completion of the uncompleted wings and the extension of the gardens to the

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Diccionario Historico e Documental dos Architectos, Engenheiros e Construtores Portuguezes ou a serviço de Portugal

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The main Throne Room on the second floor of the Palace, with two thrones reserved for King Luís and Queen Maria Pia

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In 1814 and 1815 work progressed in the rooms and staircases that were completed, with Taborda, Fuschini, Calisto,

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and his disciples. On this floor, in a linear path, the visitor follows through the following chambers and halls:

1350:). The plan would also include the construction of two residential zones nearby that would cover 75% of the work. 399:

A depiction of how the palace was originally meant to look like once completed (detail of an 1802 portrait of the

3990: 3744: 3694: 3654: 3436: 3278: 2491: 2323: 1323:. It was partially transformed into a museum in 1968, and served as the headquarters of the Ministry of Culture ( 355: 522:

building, but the construction was interrupted shortly after. As of 19 May 1796 the project was supplied by the

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that reduced the power of the royal family. Artistically, it was a convergence of the Baroque styles from the

4776: 4641: 4519: 2443: 2206: 998:). These tapestries were a gift from Spain in 1785, in honour of the royal wedding of the Prince John VI and 4852: 2467: 1243:

remained in residence at the Palace of Necessidades following the death of the King and Crown Prince in the

1040:; an inlaid table was completed by Focentino Eugenio Azgnani (a wedding gift to Maria Pia, from the city of 882:'s age of majority, swearing allegiance to the Constitutional Charter in the throne room on 30 August 1834. 672:, still in Brazil, began to show interest in the project, and presented the designs to his local architects 346:

by French troops, the work proceeded very slowly with Fabri taking charge of the project, later followed by

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The interior is laid out with interconnecting halls, with a central corridor of staircases and elevators.

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Other additions to the palace followed in subsequent years: in 1863, a bust of Maria Pia was executed by

653:. In April 1815, the quarry of Lameiras was appointed to extract rock for the columns of the main floor. 615: 4827: 4544: 4168: 4108: 3847: 3822: 3218: 1093: 4912: 4907: 4877: 4796: 4701: 4564: 4509: 4183: 3942: 3787: 3769: 3253: 3243: 2219:), the ceiling in this space is painted blue, with phytomorphic elements and festive elements in white. 423:

An 1870 illustration of the Ajuda Palace, during its time as residence to the royal family of King Luís

351: 4391: 2570: 1048:(1809–1877); Maria Pia solicited Possidónio da Silva to substitute the painting in the ceiling of the 514:(with a secondary project under the supervision of German Xavier de Magalhães). It was conceived as a 4579: 4406: 4381: 3782: 3777: 3595: 3293: 3288: 2503: 2479: 1599: 1545: 1268: 591: 586:

were contracted to paint the property, accompanied by Joaquim Gregório da Silva Rato, Manuel Prieto,

332: 296: 91: 1493:

The building evolved to a two-three storey structure, on an inclined plot of land, with a façade of

4842: 4604: 4529: 4424: 4226: 4188: 3659: 527: 311:. Built on the site of a temporary wooden building constructed to house the royal family after the 4386: 3634: 3391: 3132: 2910:(in Portuguese), Lisbon, Portugal: Real Associação dos Architectos Civis e Archeologos Portugueses 1651:), as its name implies is the location of eight Spanish tapestries of various sizes, representing 1641:, with two medallions flanking it, representing John VI and Carlota Joaquina, over parquet floors. 1619: 1191:

After the death of her husband, Queen Maria Pia continued to live in the palace with her son, the

1057: 784:

were completed by Paul Sormani; new lace draperies from Switzerland were hung in the windows; the

587: 563: 507: 328: 4419: 3566: 1890: 1498: 1292: 1260: 958:). Possidónio da Silva also covered the ceiling murals with a painted ceiling covered in genies, 716: 511: 316: 4554: 4241: 4113: 3183: 1104:; a painting of the King was also completed by the painter António Rodrigues da Silva; in 1870, 4771: 4756: 4706: 4366: 4251: 3927: 3792: 3724: 3669: 3491: 3451: 3273: 3213: 3126: 2431: 1088:

was completed by Godefroy, a joiner in the Belgian Royal House; the execution of the sculpture

646: 443: 312: 4396: 4123: 4083: 2371: 4651: 4534: 4494: 4454: 4256: 4153: 4103: 3892: 3857: 3551: 3298: 3208: 1568: 1497:

limestone. The main symmetrical façade is oriented towards the east, with a central body and

1371: 1240: 1231:). Similarly, on the occasion of the King Edward VII's visit, he also ordered new chairs for 1192: 1045: 484: 365:

When the palace finally became a permanent residence of the royal family during the reign of

225: 46: 4559: 4261: 3644: 3137: 2347: 919: 366: 4761: 4574: 4569: 4539: 4449: 4266: 4231: 4196: 3872: 3754: 3679: 1557: 1403: 1360: 883: 879: 875: 762: 515: 52: 4801: 4696: 4296: 4236: 4098: 4040: 3664: 2247:), is a large space that occupies the southern tower of the Palace, with a ceiling of the 792:) was partitioned, with a lowered ceiling, and used as an office space with washroom; the 539: 439:; and the third reserved for a summer residence that never materialized during his reign. 8: 4791: 4781: 4716: 4661: 4376: 3980: 3975: 3749: 3541: 3531: 3486: 3416: 3401: 3198: 3169: 2395: 2230: 2088: 1975: 1762: 1324: 963: 951: 857: 743: 669: 543: 519: 499: 480: 436: 400: 291: 279: 4045: 3739: 3441: 4837: 4832: 4666: 4613: 4093: 4050: 3842: 3812: 3807: 3759: 3684: 3386: 3333: 3238: 2252: 2144: 1967: 1866: 1766: 1434:), in the north-eastern corner fronting the palace; the clock-tower, also known as the 1390:

The Ajuda National Palace is located on a hilltop of the central part of the parish of

1376: 1196: 1161: 1149: 1133: 1022: 943: 928: 924: 841: 619: 447: 428: 370: 4371: 3587: 3426: 1386:

The southwest corner of the courtyard, showing the wall of the incomplete western wing

1334:

In 1989, the president of the IPPC, invited civil engineer Garcia Lamas and architect

1255: 4726: 4429: 3719: 3714: 3699: 3618: 3526: 3521: 3496: 3446: 3338: 3188: 3106: 3074: 3051: 2965: 2933: 2846: 2823: 2800: 2777: 2754: 2731: 2288: 2039: 2031: 1843: 1758: 1101: 995: 891: 845: 631: 579: 575: 404: 4549: 2571:

IGESPAR - Instituto Gestão do Patrimonio Arquitectónico e Arqueológico, ed. (2011),

1077: 415:

A plan of the Ajuda Palace (1866), by the Association of Portuguese Civil Architects

4786: 4711: 4434: 4336: 4211: 4148: 4143: 4088: 4078: 4010: 3877: 3862: 3817: 3734: 3729: 3639: 3411: 3193: 2234: 2035: 2023: 2007: 1996:, at one time there were Portuguese medallions and paintings of Italian landscapes. 1912: 999: 635: 583: 488: 4326: 3832: 3421: 3381: 2080: 1335: 4867: 4686: 4444: 4361: 4346: 4331: 4306: 4221: 4206: 4020: 3970: 3960: 3689: 3396: 3376: 3283: 2099: 1375:

The interior façade from the palace courtyard looking towards the statue of King

1244: 1120:) by Joseph Godefroy; in 1874, paintings of the Princes Carlos and Afonso in the 747: 665:) were cleaned by contractors Severiano Henrique Pereira and Francisco de Paula. 359: 4356: 3955: 3371: 2863:

Plano de Pormenor de Salvaguarda da área envolvente do Palácio Nacional da Ajuda

432: 4766: 4746: 4656: 4646: 4316: 4055: 4030: 4025: 4005: 3674: 3431: 1842:, white and gold, with eight medallions representing the arms of Portugal, the 1275: 1216: 1165: 1109: 974:

stones (gifts from the Viceroy of Egypt) in addition to Portuguese marble. The

856:). Miguel also inhabited the palace for six months as the royal residence, the 751: 627: 455: 435:; on the second parcel an oratory, which was eventually expanded, becoming the 343: 3649: 1177: 4901: 4681: 4489: 4271: 4015: 3965: 3837: 3797: 3328: 3233: 3019:(in Portuguese), vol. 1, Lisbon, Portugal: Ministério das Obras Públicas 3010:(in Portuguese), vol. 1, Lisbon, Portugal: Ministério das Obras Públicas 3001:(in Portuguese), vol. 1, Lisbon, Portugal: Ministério das Obras Públicas 1839: 1359:, under Decree-Law 120/92. The palace's bibliothèque is the namesake for the 915: 864: 614:

By 1807, the painters, sculptors and decorators had been contracted, but the

535: 131: 118: 840:

These changes were primarily due to the increase use of the palace. In 1828

4479: 4351: 3516: 3268: 3263: 3258: 2906:

Freitas, Jordão de (1909), "A Capela Real e a Igreja Patriarcal na Ajuda",

1220: 1208: 766: 2908:

Boletim da Real Associação dos Architectos Civis e Archeologos Portugueses

990:) was decorated tapestries found in the space (which were produced by the 4751: 4636: 4459: 4321: 4216: 3406: 1399: 1382: 1259:

Modern facade of the western wing, completed in 2021, which contains the

1064:, was substituted by one commissioned by Felisberto António Botelho; the 1037: 639: 606: 2196:), a fairly wide room, with a ceiling painting feature the depiction of 2103:

Painting of Queen Carlota Joaquina in the antechamber of the Throne Room

914:

Following the tragic deaths of members of the royal family in 1861 from

4736: 4499: 3704: 1338:

to elaborate a project to finish the palace. The designers created two

1212: 1200: 971: 610:

The eastern façade (and main entrance) to the Palácio Nacional da Ajuda

523: 1941:

gifted to the royal family by the Portuguese Viceroy to Egypt, with a

1460: 1172:; in 1890, the portrait of Infante Carlos for the ante-chamber of the 1021:

In the meantime, on 28 September 1863, the Infante Carlos (later King

331:

and Francisco Xavier Fabri, who planned a magnificent building in the

4584: 4469: 4464: 4414: 3511: 1624: 1410:

on the eastern side of the property, but it is also transited by the

1320: 1279: 547: 1757:), which is a small room, with a ceiling painted with the figure of 642:, with four main towers at its angles: the works restarted in 1813. 638:. He envisioned an ample palace design, directed South, towards the 4817: 2095:

by Marciano Henrique da Silva, in the private Library of the Palace

1502: 1339: 1148:

by Mardel Magalhães was begun; a painting of a canvas representing

757:

The palace began to be used as a royal residence in 1826, when the

559: 308: 2892:(in Portuguese), Lisbon, Portugal: Fundação das Casas de Fronteira 1761:

and scenes from the hunt, while over the doors representations of

1480:

Institute for Architectural Management and Archaeological Heritage

526:

Francisco António and Joaquim Baptista, who brought in stone from

454:). As the royal family continued to fear for the viability of the 4311: 3092:(in Portuguese), vol. 3, Lisbon, Portugal: Imprensa Nacional 2043: 1942: 531: 320: 2992:(in Portuguese), Lisbon, Portugal: Ministério das Obras Públicas 2983:(in Portuguese), Lisbon, Portugal: Ministério das Obras Públicas 206: 4341: 4301: 3028:(in Portuguese), Lisbon, Portugal: Livraria Universal - Editora 2919:(in Portuguese), Lisbon, Portugal: Fundação Calouste Gulbenkian 2915:

Godinho, Isabel Silveira; Ferreira, Maria Teresa Gomes (1987),

2292: 1934: 1862: 1823: 1804: 1533: 1494: 1475:

Instituto de Gestão do Património Arquitectónico e Arqueológico

1395: 1188:) commission by António Moreira Rato & sons was installed; 1160:

by Simões de Almeida was executed; in 1886, the a sculpture of

1041: 959: 324: 304: 101: 81: 2897:

Ferreira, Rafael Laborde; Vieira, Victor Manuel Lopes (1985),

431:

acquired three estates in the parish of Belém: one became the

411: 4291: 3167: 2999:

Relatório da Actividade do Ministério nos anos de 1957 e 1958

2770:

Monumentos e Edifícios Notáveis do Distrito de Lisboa, Lisboa

2296: 1938: 1391: 1168:; in 1887, paintings over the doors of the Queen's vanity by 967: 383:, in 1862, until the republican revolution in 1910, when the 300: 1521: 1156:

was also installed in the same year; in 1881, the sculpture

2793:

Os Três Arquitectos da Ajuda. Do Rocaille ao Neoclassicismo

1490:), the Ajuda Library and a gallery for temporary exhibits. 906: 578:

to study the future paintings that would occupy its walls.

419: 2917:

Porcelana Europeia - reservas do Palácio Nacional da Ajuda

1315:), the palace was opened to the public on 20 August 1968. 2695: 2745:

Amacleto, Regina (1986), "Neoclassicismo e Romantismo",

1838:), which has a rectangular ceiling painting in tones of 3617: 746:

in 1823). Consequently, John VI decided to live in the

2649:

Francisco Santana and Eduardo Sucena (1994), pp.25-27

1018:, in the ballroom by the artist Fuschini disappeared. 498:

In November 1794, during the reign of Maria I and the

379:

Maria Pia lived in the palace from the day she became

1247:, during the tumultuous years before the revolution. 680:

were insecure about the expenses in completed Ajuda.

3017:

Relatório da Actividade do Ministério no Ano de 1962

3008:

Relatório da Actividade do Ministério no Ano de 1961

2990:

Relatório da Actividade do Ministério no ano de 1956

2981:

Relatório da Actividade do Ministério no ano de 1953

1450:), southwest and across the street from the palace. 3502:

United Kingdom of Portugal, Brazil and the Algarves

2956:Louro, Francisco; Godinho, Isabel Silveira (1987), 1529:

with visual effects that implied a greater grandeur

1442:), isolated in front of the palace; and the larger 719:(1751–1843); the ceiling of the antechamber of the 3537:List of titles and honours of the Portuguese Crown 2890:Encontro Dos Alvores do Barroco à Agonia do Rococó 1426:) fronting the northern façade of the Palace; the 703:were completed by de Aguiar; the ceilings of the 683:On 11 January 1819, ten new flourishments in the 4899: 3918:National Museum of Natural History & Science 3557:Duarte Pio, Duke of Braganza (current pretender) 3470:Project for the Royal Palace in Campo de Ourique 3463:Juvarra's Project for the Royal Palace in Lisbon 2772:(in Portuguese), vol. III, Lisbon, Portugal 1970:. A small antechamber to the left (known as the 3044:O Palácio Nacional da Ajuda (resenha histórica) 2914: 2749:(in Portuguese), vol. 10, Lisbon, Portugal 1080:(1817–1882); in 1867, the parquet floor in the 1072:) was lined in silk; in 1866, a marble statue, 946:. An interior vestibule was transformed into a 622:'s forces immediately stopped the build as the 4525:Banda Sinfónica da Guarda Nacional Republicana 4485:Queer Lisboa International Queer Film Festival 2949:Património. Balanço e Perspectivas (2000-2006) 2896: 2859: 2726:(in Portuguese) (1 ed.), Lisbon, Portugal 1488:General Secretariat of the Ministry of Culture 1356:Portuguese Institute of Architectural Heritage 1353:On 26 May 1992 the palace was assigned to the 1044:); in 1865, the execution of the sculpture by 3603: 3153: 3032: 4475:Olhares do Mediterrâneo - Cinema no Feminino 3033:Santana, Francisco; Sucena, Eduardo (1994), 2955: 2577:(in Portuguese), Lisbon, Portugal: IGESPAR, 1112:; in 1873, work on the parquet floor in the 55:in front of the main façade of Ajuda Palace. 1205:United Kingdom of Great Britain and Ireland 4595:Royal Patriarchal Music Seminary of Lisbon 3868:Museum of Art, Architecture and Technology 3610: 3596: 3160: 3146: 3111:: CS1 maint: location missing publisher ( 3079:: CS1 maint: location missing publisher ( 3056:: CS1 maint: location missing publisher ( 2970:: CS1 maint: location missing publisher ( 2938:: CS1 maint: location missing publisher ( 2851:: CS1 maint: location missing publisher ( 2828:: CS1 maint: location missing publisher ( 2805:: CS1 maint: location missing publisher ( 2782:: CS1 maint: location missing publisher ( 2759:: CS1 maint: location missing publisher ( 2736:: CS1 maint: location missing publisher ( 2645: 2643: 2641: 2639: 2637: 2635: 2633: 2631: 2629: 2627: 2625: 2623: 2621: 2619: 2617: 2615: 2566: 2564: 2562: 2560: 1893:arch opening that extends the gaze of the 898:by Benedetto Delisi was executed in 1860. 674:Auguste-Henri-Victor Grandjean de Montigny 574:On 2 July 1802, the monarch solicited the 3097:Zagallo, Manuel C. de A. Cayolla (1961), 2613: 2611: 2609: 2607: 2605: 2603: 2601: 2599: 2597: 2595: 2558: 2556: 2554: 2552: 2550: 2548: 2546: 2544: 2542: 2540: 1484:Secretaria-Geral do Ministério da Cultura 4134:Santa Teresa de Jesus de Carnide Convent 3064: 3041: 2836: 2813: 2790: 2744: 2724:Barbear, pentear (Jornal d'um vagabundo) 2098: 2087: 2079: 1567: 1556: 1544: 1532: 1520: 1381: 1370: 1254: 905: 605: 418: 410: 394: 3345:House of Braganza-Saxe-Coburg and Gotha 3096: 3087: 3023: 2905: 2721: 2696:Palácio Nacional da Ajuda, ed. (2010). 1828:), a small passage with inlaid parquet. 1553:, used by the Queen for official duties 1295:and silverware of the Royal Household. 992:Real Fábrica de Santa Bárbara de Madrid 982:) was constructed in carved wood. The 315:, it was originally begun by architect 14: 4900: 3127:Ajuda National Palace Official Website 2767: 2691: 2689: 2687: 2685: 2683: 2681: 2679: 2677: 2675: 2592: 2537: 1807:furniture and red-velvet topped table. 1572:Portrait of Victor Emmanuel II in the 1541:showing the interior pinnacle fountain 1180:; in 1891, a new marble floor for the 1136:; in 1879, a new parquet floor in the 918:, there were many who counselled King 761:, Regent on behalf of the young Queen 4938:National monuments in Lisbon District 3591: 3141: 2946: 2673: 2671: 2669: 2667: 2665: 2663: 2661: 2659: 2657: 2655: 1470:Institute of Museums and Conservation 1291:) was opened in order to exhibit the 938:, the audience hall, was renamed the 327:building. Later, it was entrusted to 290: 4928:Houses completed in the 19th century 4858:Festroia International Film Festival 4001:Palace of the Marquises of Fronteira 3878:Museum of the Resistance and Liberty 3224:Portuguese succession crisis of 1580 3026:Belém e arredores através dos tempos 2887: 1789:Aurora trazendo a Felicidade Pública 1561:Portrait of the royal family in the 1283:opened as a museum, and in 1954 the 1128:) were completed by Joseph Layraud. 1056:), the allegorical scene painted by 3903:National Museum of Contemporary Art 3793:Carmo Convent Archaeological Museum 3619:Attractions and landmarks in Lisbon 3577:His Most Faithful Majesty's Council 3065:Sequeira, Gustavo de Matos (1961), 3042:Sequeira, Gustavo de Matos (1961), 3014: 3005: 2996: 2987: 2978: 2923: 2747:AA VV, História da Arte em Portugal 1394:overlooking the historic centre of 1313:General Directorate of the Treasury 491:at the time of Joseph's death, the 442:On 1 November 1755, the day of the 24: 4918:Historic house museums in Portugal 4722:Lisbon & Estoril Film Festival 4440:Lisbon & Estoril Film Festival 3803:Casa-Museu Dr. Anastácio Gonçalves 3562:Family tree of Portuguese monarchs 3099:Palácio Nacional da Ajuda. Roteiro 2926:Os Mais Belos Palácios de Portugal 2652: 1715:). It was also referred to as the 901: 874:With the restored Liberal regime, 816:) was divided into two rooms: the 161:Portuguese Republic (1910-present) 25: 4949: 4672:Condes de Castro Guimarães Museum 3923:National Theatre and Dance Museum 3572:Style of the Portuguese sovereign 3547:Pantheon of the House of Braganza 3120: 3101:(in Portuguese), Lisbon, Portugal 3069:(in Portuguese), Lisbon, Portugal 3046:(in Portuguese), Lisbon, Portugal 2960:(in Portuguese), Lisbon, Portugal 2928:(in Portuguese), Lisbon, Portugal 2841:(in Portuguese), Lisbon, Portugal 2818:(in Portuguese), Lisbon, Portugal 2795:(in Portuguese), Lisbon, Portugal 2700:(in Portuguese). Lisbon, Portugal 2581:from the original on 16 July 2011 1466:Instituto de Museus e Conservação 1309:Direcção Geral da Fazenda Pública 1301:Serviços dos Monumentos Nacionais 601: 4933:Neoclassical palaces in Portugal 4164:Monastery of São Vicente de Fora 3986:Palace of the Counts of Azambuja 3828:Macau Science and Culture Centre 3307: 3249:Transfer of the Portuguese court 3229:War of the Portuguese Succession 3035:Dicionário da História de Lisboa 2514: 2502: 2490: 2478: 2466: 2454: 2442: 2430: 2418: 2406: 2394: 2382: 2370: 2358: 2346: 2334: 2322: 2310: 1877:Antechamber of the Royal Bedroom 1739:Antechamber of the Hall of Order 1406:. Its main access way is in the 731:approved; the decoration of the 299:monument in the civil parish of 45: 3991:Palace of the Counts of Redondo 3745:Torre do Tombo National Archive 3695:Lisbon Astronomical Observatory 3655:Biblioteca Nacional de Portugal 3279:Municipal Library Elevator Coup 2901:, Lisboa: Amigos do Livro, Lda. 2075: 1366: 863:The move of the Royal Court to 835: 4848:Centro de Apoio Social de Runa 4692:Fort of Santo António da Barra 3996:Palace of the Dukes of Palmela 3933:Rafael Bordalo Pinheiro Museum 3898:National Museum of Ancient Art 3888:National Museum of the Azulejo 3883:National Museum of Archaeology 2837:Carvalho, A. Ayres de (1993), 2814:Carvalho, A. Ayres de (1973), 2791:Carvalho, A. Ayres de (1966), 1735:Antecâmara da Sala do Despacho 1645:Sala das Tapeçarias Espanholas 1605: 966:, on which were later applied 940:Sala das Tapeçarias Espanholas 878:took over as Regent until his 13: 1: 4873:Monastery of Jesus of Setúbal 4777:Sintra Natural History Museum 4642:Cascais Citadel Palace Museum 4627:Casa das Histórias Paula Rego 3131:The Ajuda National Palace on 2526: 2207:Infante Afonso, Duke of Porto 4923:Royal residences in Portugal 4742:Palácio dos Condes da Guarda 4202:Afonso de Albuquerque Square 3913:National Museum of Ethnology 3324:Portuguese House of Burgundy 2860:CMIL Urbanismo, ed. (2011), 1747:Hall of Dom Carlos' Painting 1743:Sala do Retrato de D. Carlos 477:Giovanni Carlo Galli-Bibiena 226:Portuguese National Monument 159:Portuguese Crown (1795-1910) 7: 4590:National Ballet of Portugal 4036:Quinta dos Lagares d'El-Rei 3908:National Museum of Clothing 3710:Mercado de Campo de Ourique 3067:O Palácio Nacional da Ajuda 3024:Sanches, José Dias (1940), 2958:O Palácio Nacional da Ajuda 2722:Almeida, Fialho D' (1910), 1741:), also referred to as the 1516: 1453: 1250: 624:royal family fled to Brazil 313:1755 earthquake and tsunami 10: 4954: 4878:Palace of the High-Courier 4853:Ceramics Museum of Sacavém 4732:Museum of Portuguese Music 3788:Calouste Gulbenkian Museum 3254:Liberal Revolution of 1820 3244:Portuguese Restoration War 2303: 2251:, exalting the royalty of 2051:A Casa de Jantar da Rainha 1412:Calçada do Mirante à Ajuda 1305:National Monument Services 713:Hall of Spanish Tapestries 390: 4863:Fort of Santiago do Outão 4810: 4612: 4603: 4580:Lisbon University Stadium 4508: 4405: 4280: 4182: 4064: 3941: 3783:Berardo Collection Museum 3778:Berardo - Art Deco Museum 3768: 3625: 3479: 3357: 3316: 3305: 3294:Royalist attack on Chaves 3289:5 October 1910 revolution 3176: 3133:Google Arts & Culture 2574:Palácio Nacional da Ajuda 2223:Sala do Corpo Diplomático 2190:Sala do Retrato da Rainha 2117:Atelier de Pintura do Rei 2022:, as well as a figure of 1873:Antecâmara do Quarto Real 1600:Joaquim Machado de Castro 1269:5 October 1910 Revolution 1090:Mulher com bilha à cabeça 860:, underwent remodelling. 592:Joaquim Machado de Castro 342:(in 1807), following the 288:Portuguese pronunciation: 268: 264: 256: 248: 240: 232: 223: 219: 204: 199: 191: 183: 178: 170: 165: 155: 147: 108: 97: 92:neoclassical architecture 87: 77: 69: 64: 60: 44: 37: 32: 4828:Castle of Alcácer do Sal 4545:Cultural Centre of Belém 4520:Associação Gaita-de-fole 4227:Marquis of Pombal Square 4169:Monastery of the Mónicas 3848:Museu Nacional da Música 3823:José Saramago Foundation 3219:Battle of Alcácer Quibir 2768:Ataíde, M. Maia (1988), 2317:A detail of a sculpture. 2121:King's Painting Workshop 2006:), was decorated in the 1631:Sala do Porteiro da Cana 1146:Sala do Porteiro da Cana 1094:Célestin Anatole Calmels 528:Monsanto (Idanha-a-Nova) 132:38.7075944°N 9.1983278°W 4677:Convent of the Capuchos 4392:São Domingos de Benfica 3567:Portuguese Crown Jewels 3088:Viterbo, Sousa (1904), 2155:Initials L & M Room 2137:Sala de Trabalho do Rei 1293:Portuguese Crown Jewels 1261:Portuguese Crown Jewels 794:Sala de Trabalho do Rei 717:Pierre-Philippe Thomire 634:in Naples, designed by 512:Manuel Caetano de Sousa 387:was forced into exile. 356:constitutional monarchy 317:Manuel Caetano de Sousa 179:Design and construction 4843:Christ the King statue 4787:Queluz National Palace 4772:Sintra National Palace 4757:Santa Marta Lighthouse 4707:Horasis Global Meeting 4074:Conceição Velha Church 3853:Museu das Comunicações 3670:Campo Pequeno Bullring 3492:Kingdom of the Algarve 3452:Sintra National Palace 3274:31 January 1891 revolt 3214:Battle of Alfarrobeira 3168:Topics related to the 2341:King Luis I's bedroom. 2227:Diplomatic Corp's Room 2104: 2096: 2085: 1979: 1897:into the neighbouring 1826:/Chest of Drawers Room 1697:Departure for the Hunt 1576: 1565: 1554: 1542: 1530: 1387: 1379: 1328: 1264: 1074:Tangedoura do Pandeiro 955: 911: 647:Cirilo Volkmar Machado 611: 444:1755 Lisbon earthquake 424: 416: 408: 348:António Francisco Rosa 283: 137:38.7075944; -9.1983278 4868:Mafra National Palace 4652:Cascais Jazz Festival 4565:Estádio José Alvalade 4535:Cinemateca Portuguesa 4495:Super Bock Super Rock 4455:Lisbon Christmas tree 4154:Madre de Deus Convent 4104:Igreja do Menino Deus 3951:Ajuda National Palace 3893:National Coach Museum 3858:Museu de Arte Popular 3635:Águas Livres Aqueduct 3552:Most Faithful Majesty 3422:Rio de Janeiro Palace 3299:Monarchy of the North 3209:Battle of Aljubarrota 2839:Dar Futuro ao Passado 2194:Queen's Portrait Room 2102: 2091: 2083: 1851:Quarto do Rei D. Luís 1817:), also known as the 1649:Spanish Tapestry Hall 1620:José da Cunha Taborda 1571: 1560: 1548: 1536: 1524: 1385: 1374: 1329:Ministério da Cultura 1258: 1182:Sala dos Embaixadores 1058:José da Cunha Taborda 1046:Odoardo Fantacchiotti 1016:Chegada de D. João VI 909: 844:was acclaimed by the 754:became head painter. 709:Cane Concierge's Hall 659:Sala dos Embaixadores 609: 588:José da Cunha Taborda 564:José da Costa e Silva 508:José da Costa e Silva 422: 414: 398: 329:José da Costa e Silva 319:, who planned a late 18:Ajuda National Palace 4762:Sanctuary of Peninha 4752:Pena National Palace 4575:Hot Club of Portugal 4570:Gulbenkian Orchestra 4555:Estádio da Tapadinha 4540:Coliseu dos Recreios 4450:Lisbon Half Marathon 4267:Restauradores Square 4242:Praça de Entrecampos 4232:Monsanto Forest Park 4197:Avenida da Liberdade 4139:Santo Estêvão Church 4114:Santo António Church 3873:Museum of the Orient 3755:Vasco da Gama Bridge 3725:Rossio Train Station 3680:Casa Fernando Pessoa 3437:São Cristóvão Palace 3269:Portuguese Civil War 3184:Battle of São Mamede 2899:Estatuária de Lisboa 2521:Private Dining Room. 2461:Grand Dispatch Room. 2151:Sala das Incias L.M. 1905:Gabinete de Carvalho 1899:Gabinete de Carvalho 1755:Dom Sebastian's Hall 1751:Sala de D. Sebastião 1705:Return from the Hunt 1665:Walking in Andaluzia 1661:Passeio na Andaluzia 1549:The interior of the 1404:Monsanto Forest Park 1361:Cancioneiro da Ajuda 759:Infanta Isabel Maria 344:invasion of Portugal 73:Royal palace, museum 53:Carlos I of Portugal 27:Monument in Portugal 4792:Quinta da Regaleira 4782:Summer architecture 4662:Castle of the Moors 4632:Casa de Santa Maria 4174:St. George's Church 4119:São Domingos Church 4084:Jerónimos Monastery 4066:Religious buildings 3981:Necessidades Palace 3976:Monteiro-Mor Palace 3750:Vasco da Gama Tower 3542:Council of Portugal 3532:Portuguese nobility 3507:Portuguese Monarchs 3487:Kingdom of Portugal 3417:Quinta da Boa Vista 3402:Necessidades Palace 3199:Manifestis Probatum 3170:Portuguese monarchy 2947:IPPAR, ed. (2000), 2924:Gil, Júlio (1992), 2425:Grand Waiting Room. 2295:, encircled by the 2275:Concílio dos Deuses 2271:King John VI's Hall 2267:Sala de D. João VI 2231:John VI of Portugal 2055:Queen's Dining Room 1811:Sala dos Contadores 1693:Partida para a caça 1635:Cane Concierge Hall 1590:, which access the 1319:a self-portrait by 1106:Maria Pia mascarada 1086:Sala dos Contadores 927:, daughter of King 858:Necessidades Palace 808:); also, the older 744:Order of the Garter 481:Maria I of Portugal 437:Necessidades Palace 128: / 88:Architectural style 65:General information 4838:Castle of Almourol 4833:Castle of Alenquer 4797:Quinta da Ribafria 4667:Citadel of Cascais 4614:Portuguese Riviera 4560:Estádio do Restelo 4420:Festival da Canção 4262:Praça Martim Moniz 4129:Santa Luzia Church 4094:Igreja da Madalena 4051:Sotto Mayor Palace 3843:Museu da Marioneta 3813:Electricity Museum 3808:Cordoaria Nacional 3760:25 de Abril Bridge 3685:Cordoaria Nacional 3645:Ascensor da Glória 3457:Vila Viçosa Palace 3387:Citadel of Cascais 3239:Forty Conspirators 2816:O Palácio da Ajuda 2389:The Royal Thrones. 2377:State Dining Room. 2253:Miguel of Portugal 2237:on opposite walls. 2105: 2097: 2086: 1867:Carlos of Portugal 1612:Sala dos Archeiros 1592:Sala dos Archeiros 1577: 1566: 1555: 1543: 1531: 1388: 1380: 1377:Carlos of Portugal 1331:), IPPAR and IPM. 1265: 1197:Carlos of Portugal 1162:Victor Emmanuel II 1150:Umberto I of Italy 1134:Michele Gordigiani 1062:Arcangelo Fuschini 1025:) was born in the 1023:Carlos of Portugal 944:Maria Pia of Savoy 929:Victor Emmanuel II 925:Maria Pia of Savoy 912: 842:Miguel of Portugal 689:Sala dos Archeiros 620:Jean-Andoche Junot 612: 429:John V of Portugal 425: 417: 409: 371:Maria Pia of Savoy 333:neoclassical style 257:Reference no. 4913:Museums in Lisbon 4908:Palaces in Lisbon 4895: 4894: 4891: 4890: 4883:Setúbal Cathedral 4802:Quinta do Relógio 4727:Monserrate Palace 4697:Fountain of Armés 4605:Metropolitan area 4430:Lisboa Games Week 4382:Santa Maria Maior 4367:Parque das Nações 4252:Praça do Comércio 4237:Praça da Figueira 4159:Mártires Basilica 4109:National Pantheon 4099:Igreja da Memória 4041:São Bento Mansion 3720:Prazeres Cemetery 3715:Pillory of Lisbon 3700:Lisbon Oceanarium 3665:Café A Brasileira 3585: 3584: 3527:Portuguese Cortes 3522:Portuguese Empire 3497:Kingdom of Brazil 3447:Santa Cruz Estate 3350: 3339:House of Braganza 3334:House of Habsburg 3189:Battle of Ourique 3015:MOP, ed. (1963), 3006:MOP, ed. (1962), 2997:MOP, ed. (1959), 2988:MOP, ed. (1957), 2979:MOP, ed. (1954), 2497:Palace Vestibule. 2289:Amelia of Orleans 2213:Sala dos Gobelins 1933:), is covered in 1919:Jardim de Inverno 1844:House of Braganza 1725:Sala de Audiência 1186:Ambassador's Hall 1176:was completed by 1138:Sala do Archeiros 1102:Cesare Sighinolfi 1076:was completed by 996:Francisco de Goya 956:Jardim de Inverno 846:Portuguese Cortes 786:Quarto de D. Luís 775:English staircase 685:Ambassador's Hall 663:Ambassador's Hall 632:Palace of Caserta 580:Domingos Sequeira 576:Marquis of Alorna 405:Domingos Sequeira 381:queen of Portugal 272: 271: 244:National Monument 166:Technical details 16:(Redirected from 4945: 4717:Lawrence's Hotel 4610: 4609: 4435:Lisbon Book Fair 4337:Campo de Ourique 4257:Praça do Império 4247:Praça de Espanha 4212:Eduardo VII Park 4184:Squares, streets 4149:Lisbon Synagogue 4144:Lisbon Cathedral 4124:São Roque Church 4089:Igreja dos Anjos 4079:Estrela Basilica 4046:São Bento Palace 4011:Palacio Belmonte 3863:Museum of Lisbon 3818:Ephemeral Museum 3740:São Jorge Castle 3735:Santa Justa Lift 3730:Rua Augusta Arch 3660:British Cemetery 3640:Ascensor da Bica 3612: 3605: 3598: 3589: 3588: 3442:São Jorge Castle 3348: 3311: 3194:Treaty of Zamora 3162: 3155: 3148: 3139: 3138: 3116: 3110: 3102: 3093: 3084: 3078: 3070: 3061: 3055: 3047: 3038: 3029: 3020: 3011: 3002: 2993: 2984: 2975: 2969: 2961: 2952: 2943: 2937: 2929: 2920: 2911: 2902: 2893: 2884: 2883: 2881: 2875: 2868: 2856: 2850: 2842: 2833: 2827: 2819: 2810: 2804: 2796: 2787: 2781: 2773: 2764: 2758: 2750: 2741: 2735: 2727: 2710: 2709: 2707: 2705: 2693: 2650: 2647: 2590: 2589: 2588: 2586: 2568: 2518: 2506: 2494: 2482: 2470: 2458: 2446: 2434: 2422: 2410: 2398: 2386: 2374: 2365:Hall of John VI. 2362: 2350: 2338: 2326: 2314: 2235:Carlota Joaquina 2024:John the Baptist 2008:Napoleonic style 2000:Quarto da Rainha 1950:Sala Cor-de-Rosa 1913:chest of drawers 1855:King Luís's Room 1819:Sala das Cómodas 1815:Accountants Hall 1781:Sala do Despacho 1701:Regresso da Caça 1525:The avant-garde 1448:Botanical Garden 1420:Jardim das Damas 1344:Jardim das Damas 1195:. Although King 1174:Sala do Despacho 1170:Ernesto Condeixa 1082:Sala do Despacho 1000:Carlota Joaquina 994:with designs by 888:Sala do Despacho 782:Sala do Despacho 721:Sala do Despacho 636:Luigi Vanvitelli 584:Vieira Portuense 542:, tile from the 489:Palace of Queluz 294: 292:[ɐˈʒuðɐ] 289: 284:Palácio da Ajuda 215: 212: 210: 208: 187:Giacomo Azzolini 143: 142: 140: 139: 138: 133: 129: 126: 125: 124: 121: 49: 39:Palácio da Ajuda 30: 29: 21: 4953: 4952: 4948: 4947: 4946: 4944: 4943: 4942: 4898: 4897: 4896: 4887: 4806: 4702:Guia Lighthouse 4687:Fort of Guincho 4599: 4511: 4504: 4445:Lisbon Marathon 4401: 4372:Penha de França 4283: 4276: 4222:Gulbenkian Park 4207:Bela Vista Park 4186: 4178: 4060: 4021:Penafiel Palace 3971:Galveias Palace 3961:Bemposta Palace 3937: 3764: 3690:Gare do Oriente 3621: 3616: 3586: 3581: 3475: 3427:Ramalhão Palace 3377:Bemposta Palace 3359: 3353: 3312: 3303: 3284:Lisbon Regicide 3172: 3166: 3123: 3104: 3103: 3072: 3071: 3049: 3048: 2963: 2962: 2951:(in Portuguese) 2931: 2930: 2879: 2877: 2873: 2866: 2844: 2843: 2821: 2820: 2798: 2797: 2775: 2774: 2752: 2751: 2729: 2728: 2713: 2703: 2701: 2694: 2653: 2648: 2593: 2584: 2582: 2569: 2538: 2529: 2522: 2519: 2510: 2507: 2498: 2495: 2486: 2483: 2474: 2471: 2462: 2459: 2450: 2447: 2438: 2435: 2426: 2423: 2414: 2411: 2402: 2399: 2390: 2387: 2378: 2375: 2366: 2363: 2354: 2351: 2342: 2339: 2330: 2327: 2318: 2315: 2306: 2249:Virtude Heróica 2109:Escadaria Nobre 2078: 2004:Queen's Bedroom 1927:Sala de Mármore 1608: 1598:) completed by 1519: 1482:), part of the 1456: 1444:Jardim Botânico 1440:Rooster's Tower 1402:, south of the 1369: 1253: 1245:Lisbon Regicide 904: 902:Royal residence 890:with scenes of 838: 767:Liberal victory 748:Bemposta Palace 604: 558:, Vila Chã and 469:Paço de Madeira 452:Quinta de Baixo 393: 360:Palace of Mafra 303:in the city of 287: 276:Palace of Ajuda 228: 205: 195:Royal Residence 160: 136: 134: 130: 127: 122: 119: 117: 115: 114: 56: 40: 28: 23: 22: 15: 12: 11: 5: 4951: 4941: 4940: 4935: 4930: 4925: 4920: 4915: 4910: 4893: 4892: 4889: 4888: 4886: 4885: 4880: 4875: 4870: 4865: 4860: 4855: 4850: 4845: 4840: 4835: 4830: 4825: 4820: 4818:Comporta Coast 4814: 4812: 4808: 4807: 4805: 4804: 4799: 4794: 4789: 4784: 4779: 4774: 4769: 4767:Seteais Palace 4764: 4759: 4754: 4749: 4747:Palmela Palace 4744: 4739: 4734: 4729: 4724: 4719: 4714: 4709: 4704: 4699: 4694: 4689: 4684: 4679: 4674: 4669: 4664: 4659: 4657:Casino Estoril 4654: 4649: 4647:Cascais Marina 4644: 4639: 4634: 4629: 4624: 4622:Alapraia Caves 4618: 4616: 4607: 4601: 4600: 4598: 4597: 4592: 4587: 4582: 4577: 4572: 4567: 4562: 4557: 4552: 4550:Estádio da Luz 4547: 4542: 4537: 4532: 4527: 4522: 4516: 4514: 4506: 4505: 4503: 4502: 4497: 4492: 4487: 4482: 4477: 4472: 4467: 4462: 4457: 4452: 4447: 4442: 4437: 4432: 4427: 4425:Globos de Ouro 4422: 4417: 4411: 4409: 4403: 4402: 4400: 4399: 4394: 4389: 4384: 4379: 4374: 4369: 4364: 4359: 4354: 4349: 4344: 4339: 4334: 4329: 4324: 4319: 4317:Avenidas Novas 4314: 4309: 4304: 4299: 4294: 4288: 4286: 4278: 4277: 4275: 4274: 4269: 4264: 4259: 4254: 4249: 4244: 4239: 4234: 4229: 4224: 4219: 4214: 4209: 4204: 4199: 4193: 4191: 4180: 4179: 4177: 4176: 4171: 4166: 4161: 4156: 4151: 4146: 4141: 4136: 4131: 4126: 4121: 4116: 4111: 4106: 4101: 4096: 4091: 4086: 4081: 4076: 4070: 4068: 4062: 4061: 4059: 4058: 4056:Verride Palace 4053: 4048: 4043: 4038: 4033: 4031:Pimenta Palace 4028: 4026:Pestana Palace 4023: 4018: 4013: 4008: 4006:Palacete Mayer 4003: 3998: 3993: 3988: 3983: 3978: 3973: 3968: 3963: 3958: 3953: 3947: 3945: 3939: 3938: 3936: 3935: 3930: 3925: 3920: 3915: 3910: 3905: 3900: 3895: 3890: 3885: 3880: 3875: 3870: 3865: 3860: 3855: 3850: 3845: 3840: 3835: 3830: 3825: 3820: 3815: 3810: 3805: 3800: 3795: 3790: 3785: 3780: 3774: 3772: 3766: 3765: 3763: 3762: 3757: 3752: 3747: 3742: 3737: 3732: 3727: 3722: 3717: 3712: 3707: 3702: 3697: 3692: 3687: 3682: 3677: 3675:Casa dos Bicos 3672: 3667: 3662: 3657: 3652: 3647: 3642: 3637: 3631: 3629: 3623: 3622: 3615: 3614: 3607: 3600: 3592: 3583: 3582: 3580: 3579: 3574: 3569: 3564: 3559: 3554: 3549: 3544: 3539: 3534: 3529: 3524: 3519: 3514: 3509: 3504: 3499: 3494: 3489: 3483: 3481: 3477: 3476: 3474: 3473: 3466: 3459: 3454: 3449: 3444: 3439: 3434: 3432:Ribeira Palace 3429: 3424: 3419: 3414: 3409: 3404: 3399: 3394: 3389: 3384: 3379: 3374: 3369: 3363: 3361: 3355: 3354: 3352: 3351: 3341: 3336: 3331: 3326: 3320: 3318: 3314: 3313: 3306: 3304: 3302: 3301: 3296: 3291: 3286: 3281: 3276: 3271: 3266: 3261: 3256: 3251: 3246: 3241: 3236: 3231: 3226: 3221: 3216: 3211: 3206: 3204:1383–85 Crisis 3201: 3196: 3191: 3186: 3180: 3178: 3174: 3173: 3165: 3164: 3157: 3150: 3142: 3136: 3135: 3129: 3122: 3121:External links 3119: 3118: 3117: 3094: 3085: 3062: 3039: 3030: 3021: 3012: 3003: 2994: 2985: 2976: 2953: 2944: 2921: 2912: 2903: 2894: 2885: 2876:on 22 May 2011 2857: 2834: 2811: 2788: 2765: 2742: 2718: 2717: 2712: 2711: 2651: 2591: 2535: 2534: 2533: 2528: 2525: 2524: 2523: 2520: 2513: 2511: 2508: 2501: 2499: 2496: 2489: 2487: 2484: 2477: 2475: 2472: 2465: 2463: 2460: 2453: 2451: 2448: 2441: 2439: 2436: 2429: 2427: 2424: 2417: 2415: 2412: 2405: 2403: 2401:Painting Room. 2400: 2393: 2391: 2388: 2381: 2379: 2376: 2369: 2367: 2364: 2357: 2355: 2352: 2345: 2343: 2340: 2333: 2331: 2328: 2321: 2319: 2316: 2309: 2305: 2302: 2301: 2300: 2278: 2256: 2238: 2220: 2210: 2202:Justiça Divina 2187: 2184:Imperial Salon 2177: 2167: 2148: 2134: 2124: 2077: 2074: 2073: 2072: 2061:Sala de Bilhar 2058: 2048: 1997: 1983: 1980:Sala Encarnada 1957: 1947: 1916: 1902: 1880: 1870: 1848: 1832:Sala de Música 1829: 1808: 1778: 1732: 1717:Sala do Dossel 1669:Jogo de Cartas 1642: 1628: 1607: 1604: 1518: 1515: 1455: 1452: 1428:Sala da Física 1416:Rua dos Marcos 1408:Largo da Ajuda 1368: 1365: 1276:Duarte Pacheco 1252: 1249: 1219:and President 1217:German Emperor 1193:Infante Afonso 1166:Joaquim Santos 1154:A. Jangiovanni 1110:Joseph Layraud 1078:Giovanni Dupré 1050:Sala de Música 936:Sala do Dossel 903: 900: 837: 834: 810:Sala de Bilhar 752:Joaquim Rafael 651:Sala do Dossel 628:Rio de Janeiro 603: 602:Peninsular War 600: 550:provided from 456:Ribeira Palace 427:In 1726, King 392: 389: 369:and his wife, 354:who imposed a 352:Liberal forces 340:flee to Brazil 270: 269: 266: 265: 262: 261: 258: 254: 253: 250: 246: 245: 242: 238: 237: 234: 230: 229: 224: 221: 220: 217: 216: 202: 201: 197: 196: 193: 189: 188: 185: 181: 180: 176: 175: 172: 168: 167: 163: 162: 157: 153: 152: 149: 145: 144: 112: 106: 105: 99: 95: 94: 89: 85: 84: 79: 75: 74: 71: 67: 66: 62: 61: 58: 57: 51:A monument to 50: 42: 41: 38: 35: 34: 26: 9: 6: 4: 3: 2: 4950: 4939: 4936: 4934: 4931: 4929: 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4905: 4903: 4884: 4881: 4879: 4876: 4874: 4871: 4869: 4866: 4864: 4861: 4859: 4856: 4854: 4851: 4849: 4846: 4844: 4841: 4839: 4836: 4834: 4831: 4829: 4826: 4824: 4821: 4819: 4816: 4815: 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4421: 4418: 4416: 4413: 4412: 4410: 4408: 4404: 4398: 4395: 4393: 4390: 4388: 4387:Santo António 4385: 4383: 4380: 4378: 4375: 4373: 4370: 4368: 4365: 4363: 4360: 4358: 4355: 4353: 4350: 4348: 4345: 4343: 4340: 4338: 4335: 4333: 4330: 4328: 4325: 4323: 4320: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4298: 4295: 4293: 4290: 4289: 4287: 4285: 4284:neighborhoods 4282:Districts and 4279: 4273: 4272:Rossio Square 4270: 4268: 4265: 4263: 4260: 4258: 4255: 4253: 4250: 4248: 4245: 4243: 4240: 4238: 4235: 4233: 4230: 4228: 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4208: 4205: 4203: 4200: 4198: 4195: 4194: 4192: 4190: 4185: 4181: 4175: 4172: 4170: 4167: 4165: 4162: 4160: 4157: 4155: 4152: 4150: 4147: 4145: 4142: 4140: 4137: 4135: 4132: 4130: 4127: 4125: 4122: 4120: 4117: 4115: 4112: 4110: 4107: 4105: 4102: 4100: 4097: 4095: 4092: 4090: 4087: 4085: 4082: 4080: 4077: 4075: 4072: 4071: 4069: 4067: 4063: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4024: 4022: 4019: 4017: 4016:Panaca Palace 4014: 4012: 4009: 4007: 4004: 4002: 3999: 3997: 3994: 3992: 3989: 3987: 3984: 3982: 3979: 3977: 3974: 3972: 3969: 3967: 3966:Burnay Palace 3964: 3962: 3959: 3957: 3954: 3952: 3949: 3948: 3946: 3944: 3940: 3934: 3931: 3929: 3926: 3924: 3921: 3919: 3916: 3914: 3911: 3909: 3906: 3904: 3901: 3899: 3896: 3894: 3891: 3889: 3886: 3884: 3881: 3879: 3876: 3874: 3871: 3869: 3866: 3864: 3861: 3859: 3856: 3854: 3851: 3849: 3846: 3844: 3841: 3839: 3838:Museu Benfica 3836: 3834: 3833:Museu da Água 3831: 3829: 3826: 3824: 3821: 3819: 3816: 3814: 3811: 3809: 3806: 3804: 3801: 3799: 3798:Carris Museum 3796: 3794: 3791: 3789: 3786: 3784: 3781: 3779: 3776: 3775: 3773: 3771: 3767: 3761: 3758: 3756: 3753: 3751: 3748: 3746: 3743: 3741: 3738: 3736: 3733: 3731: 3728: 3726: 3723: 3721: 3718: 3716: 3713: 3711: 3708: 3706: 3703: 3701: 3698: 3696: 3693: 3691: 3688: 3686: 3683: 3681: 3678: 3676: 3673: 3671: 3668: 3666: 3663: 3661: 3658: 3656: 3653: 3651: 3648: 3646: 3643: 3641: 3638: 3636: 3633: 3632: 3630: 3628: 3624: 3620: 3613: 3608: 3606: 3601: 3599: 3594: 3593: 3590: 3578: 3575: 3573: 3570: 3568: 3565: 3563: 3560: 3558: 3555: 3553: 3550: 3548: 3545: 3543: 3540: 3538: 3535: 3533: 3530: 3528: 3525: 3523: 3520: 3518: 3515: 3513: 3510: 3508: 3505: 3503: 3500: 3498: 3495: 3493: 3490: 3488: 3485: 3484: 3482: 3480:Miscellaneous 3478: 3472: 3471: 3467: 3465: 3464: 3460: 3458: 3455: 3453: 3450: 3448: 3445: 3443: 3440: 3438: 3435: 3433: 3430: 3428: 3425: 3423: 3420: 3418: 3415: 3413: 3412:Queluz Palace 3410: 3408: 3405: 3403: 3400: 3398: 3395: 3393: 3390: 3388: 3385: 3383: 3382:Buçaco Palace 3380: 3378: 3375: 3373: 3370: 3368: 3365: 3364: 3362: 3356: 3347: 3346: 3342: 3340: 3337: 3335: 3332: 3330: 3329:House of Aviz 3327: 3325: 3322: 3321: 3319: 3315: 3310: 3300: 3297: 3295: 3292: 3290: 3287: 3285: 3282: 3280: 3277: 3275: 3272: 3270: 3267: 3265: 3262: 3260: 3257: 3255: 3252: 3250: 3247: 3245: 3242: 3240: 3237: 3235: 3234:Iberian Union 3232: 3230: 3227: 3225: 3222: 3220: 3217: 3215: 3212: 3210: 3207: 3205: 3202: 3200: 3197: 3195: 3192: 3190: 3187: 3185: 3182: 3181: 3179: 3175: 3171: 3163: 3158: 3156: 3151: 3149: 3144: 3143: 3140: 3134: 3130: 3128: 3125: 3124: 3114: 3108: 3100: 3095: 3091: 3086: 3082: 3076: 3068: 3063: 3059: 3053: 3045: 3040: 3036: 3031: 3027: 3022: 3018: 3013: 3009: 3004: 3000: 2995: 2991: 2986: 2982: 2977: 2973: 2967: 2959: 2954: 2950: 2945: 2941: 2935: 2927: 2922: 2918: 2913: 2909: 2904: 2900: 2895: 2891: 2886: 2872: 2865: 2864: 2858: 2854: 2848: 2840: 2835: 2831: 2825: 2817: 2812: 2808: 2802: 2794: 2789: 2785: 2779: 2771: 2766: 2762: 2756: 2748: 2743: 2739: 2733: 2725: 2720: 2719: 2715: 2714: 2699: 2692: 2690: 2688: 2686: 2684: 2682: 2680: 2678: 2676: 2674: 2672: 2670: 2668: 2666: 2664: 2662: 2660: 2658: 2656: 2646: 2644: 2642: 2640: 2638: 2636: 2634: 2632: 2630: 2628: 2626: 2624: 2622: 2620: 2618: 2616: 2614: 2612: 2610: 2608: 2606: 2604: 2602: 2600: 2598: 2596: 2580: 2576: 2575: 2567: 2565: 2563: 2561: 2559: 2557: 2555: 2553: 2551: 2549: 2547: 2545: 2543: 2541: 2536: 2531: 2530: 2517: 2512: 2505: 2500: 2493: 2488: 2481: 2476: 2469: 2464: 2457: 2452: 2449:Queen's Room. 2445: 2440: 2437:Grand Stairs. 2433: 2428: 2421: 2416: 2409: 2404: 2397: 2392: 2385: 2380: 2373: 2368: 2361: 2356: 2349: 2344: 2337: 2332: 2325: 2320: 2313: 2308: 2307: 2298: 2294: 2290: 2286: 2282: 2279: 2276: 2272: 2268: 2264: 2260: 2259:Sala de Baile 2257: 2254: 2250: 2246: 2242: 2241:Sala do Trono 2239: 2236: 2232: 2228: 2224: 2221: 2218: 2217:Gobelins Room 2214: 2211: 2208: 2203: 2199: 2195: 2191: 2188: 2185: 2181: 2178: 2175: 2171: 2168: 2164: 2160: 2156: 2152: 2149: 2146: 2142: 2141:King's Office 2138: 2135: 2132: 2128: 2125: 2122: 2118: 2114: 2113: 2112: 2110: 2101: 2094: 2090: 2082: 2070: 2066: 2065:Billiard Room 2062: 2059: 2056: 2052: 2049: 2045: 2041: 2037: 2033: 2029: 2025: 2021: 2017: 2013: 2009: 2005: 2001: 1998: 1995: 1991: 1987: 1984: 1981: 1977: 1973: 1969: 1968:Prince Carlos 1965: 1961: 1958: 1955: 1951: 1948: 1944: 1940: 1936: 1932: 1928: 1924: 1923:Winter Garden 1920: 1917: 1914: 1910: 1906: 1903: 1900: 1896: 1892: 1888: 1884: 1881: 1878: 1874: 1871: 1868: 1864: 1860: 1856: 1852: 1849: 1845: 1841: 1837: 1833: 1830: 1827: 1825: 1820: 1816: 1812: 1809: 1806: 1802: 1798: 1794: 1790: 1786: 1785:Hall of Order 1782: 1779: 1776: 1772: 1768: 1764: 1760: 1756: 1752: 1748: 1744: 1740: 1736: 1733: 1730: 1729:Audience Hall 1726: 1722: 1718: 1714: 1710: 1706: 1702: 1698: 1694: 1690: 1686: 1682: 1678: 1674: 1670: 1666: 1662: 1658: 1654: 1650: 1646: 1643: 1640: 1636: 1632: 1629: 1626: 1621: 1617: 1616:Archer's Hall 1613: 1610: 1609: 1603: 1601: 1597: 1593: 1589: 1585: 1580: 1575: 1570: 1564: 1559: 1552: 1547: 1540: 1539:Winter Garden 1535: 1528: 1523: 1514: 1510: 1506: 1504: 1500: 1496: 1491: 1489: 1485: 1481: 1477: 1476: 1471: 1467: 1462: 1451: 1449: 1445: 1441: 1437: 1436:Torre do Galo 1433: 1429: 1425: 1424:Lady's Garden 1421: 1417: 1413: 1409: 1405: 1401: 1397: 1393: 1384: 1378: 1373: 1364: 1362: 1358: 1357: 1351: 1349: 1348:Lady's Garden 1345: 1341: 1337: 1336:Gonçalo Byrne 1332: 1330: 1326: 1322: 1316: 1314: 1310: 1306: 1302: 1296: 1294: 1290: 1286: 1281: 1278:commissioned 1277: 1272: 1270: 1262: 1257: 1248: 1246: 1242: 1238: 1234: 1230: 1226: 1225:Sala do Trono 1222: 1218: 1214: 1210: 1206: 1202: 1198: 1194: 1189: 1187: 1183: 1179: 1175: 1171: 1167: 1163: 1159: 1158:O Saltimbanco 1155: 1151: 1147: 1143: 1142:Archer's Hall 1139: 1135: 1129: 1127: 1123: 1119: 1115: 1111: 1107: 1103: 1099: 1095: 1091: 1087: 1083: 1079: 1075: 1071: 1067: 1063: 1059: 1055: 1051: 1047: 1043: 1039: 1034: 1032: 1028: 1024: 1019: 1017: 1013: 1009: 1005: 1004:Winter Garden 1001: 997: 993: 989: 985: 981: 977: 973: 969: 965: 961: 957: 953: 949: 948:Winter Garden 945: 941: 937: 932: 930: 926: 921: 917: 916:typhoid fever 908: 899: 897: 893: 889: 885: 881: 877: 872: 868: 866: 865:Queluz Palace 861: 859: 855: 851: 847: 843: 833: 831: 830:Imperial Hall 827: 823: 819: 815: 814:Billiard Room 811: 807: 803: 799: 795: 791: 787: 783: 778: 776: 770: 768: 764: 760: 755: 753: 749: 745: 740: 738: 734: 733:Sala da Tocha 728: 726: 722: 718: 714: 710: 706: 705:Archer's Hall 702: 698: 694: 693:Archer's Hall 690: 686: 681: 679: 675: 671: 666: 664: 660: 654: 652: 648: 643: 641: 637: 633: 629: 625: 621: 617: 608: 599: 597: 593: 589: 585: 581: 577: 572: 568: 565: 561: 557: 553: 552:Pêro Pinheiro 549: 545: 541: 537: 536:calcium oxide 533: 529: 525: 521: 517: 513: 509: 505: 501: 500:Prince Regent 496: 495:was vacated. 494: 493:Royal Barraca 490: 486: 482: 478: 474: 473:Wooden Palace 470: 466: 462: 457: 453: 449: 445: 440: 438: 434: 430: 421: 413: 406: 402: 401:Prince Regent 397: 388: 386: 382: 377: 374: 372: 368: 363: 361: 357: 353: 349: 345: 341: 336: 334: 330: 326: 322: 318: 314: 310: 306: 302: 298: 293: 285: 281: 277: 267: 263: 259: 255: 251: 247: 243: 239: 235: 231: 227: 222: 218: 214: 203: 198: 194: 190: 186: 182: 177: 173: 169: 164: 158: 154: 150: 146: 141: 120:38°42′27.34″N 113: 111: 107: 103: 100: 96: 93: 90: 86: 83: 80: 76: 72: 68: 63: 59: 54: 48: 43: 36: 31: 19: 4480:Portugal Day 4357:Misericórdia 4352:Lisbon Baixa 3956:Belém Palace 3950: 3928:Naval Museum 3517:Sebastianism 3468: 3461: 3397:Mafra Palace 3392:Évora Palace 3372:Belém Palace 3367:Ajuda Palace 3366: 3343: 3317:Royal houses 3264:April Revolt 3259:Vilafrancada 3177:Major events 3098: 3089: 3066: 3043: 3034: 3025: 3016: 3007: 2998: 2989: 2980: 2957: 2948: 2925: 2916: 2907: 2898: 2889: 2878:, retrieved 2871:the original 2862: 2838: 2815: 2792: 2769: 2746: 2723: 2702:. Retrieved 2583:, retrieved 2573: 2509:Throne Room. 2473:Oak Offices. 2413:Marble Room. 2284: 2281:Sala da Ceia 2280: 2274: 2270: 2266: 2262: 2258: 2248: 2244: 2240: 2226: 2222: 2216: 2212: 2201: 2197: 2193: 2189: 2183: 2180:Sala Império 2179: 2174:Chinese Room 2173: 2170:Sala Chinesa 2169: 2162: 2158: 2154: 2150: 2140: 2136: 2130: 2126: 2120: 2116: 2108: 2106: 2092: 2076:Second floor 2068: 2064: 2060: 2054: 2050: 2027: 2019: 2015: 2011: 2003: 1999: 1993: 1989: 1986:Sala de Saxe 1985: 1971: 1963: 1959: 1953: 1949: 1946:environment. 1930: 1926: 1922: 1918: 1908: 1904: 1898: 1894: 1886: 1882: 1876: 1872: 1858: 1854: 1850: 1835: 1831: 1822: 1818: 1814: 1810: 1800: 1796: 1792: 1788: 1784: 1780: 1774: 1770: 1754: 1750: 1746: 1742: 1738: 1734: 1728: 1724: 1720: 1716: 1712: 1708: 1704: 1700: 1696: 1692: 1688: 1684: 1680: 1676: 1672: 1668: 1664: 1660: 1656: 1652: 1648: 1644: 1638: 1634: 1630: 1615: 1611: 1596:Archers Hall 1595: 1591: 1587: 1583: 1581: 1578: 1573: 1562: 1550: 1538: 1537:View of the 1526: 1511: 1507: 1492: 1487: 1483: 1479: 1473: 1469: 1465: 1457: 1447: 1443: 1439: 1435: 1432:Physics Hall 1431: 1427: 1423: 1419: 1415: 1414:(north) and 1411: 1407: 1389: 1367:Architecture 1354: 1352: 1347: 1343: 1333: 1317: 1312: 1308: 1304: 1300: 1297: 1288: 1284: 1273: 1266: 1236: 1233:Sala da Ceia 1232: 1228: 1224: 1221:Emile Loubet 1209:Alfonso XIII 1190: 1185: 1181: 1173: 1157: 1145: 1141: 1137: 1130: 1125: 1121: 1117: 1113: 1105: 1097: 1089: 1085: 1081: 1073: 1069: 1065: 1053: 1049: 1035: 1030: 1026: 1020: 1015: 1011: 1007: 1003: 991: 987: 983: 980:Smoking Room 979: 976:Sala do Fumo 975: 947: 939: 935: 933: 913: 895: 887: 873: 869: 862: 853: 849: 839: 836:Liberal Wars 829: 826:Sala Império 825: 822:Chinese Room 821: 818:Sala Chinesa 817: 813: 809: 806:Chinese Hall 805: 802:Sala Chinesa 801: 798:King's Study 797: 793: 790:D. Luís Room 789: 785: 781: 779: 774: 771: 756: 741: 736: 732: 729: 724: 720: 712: 708: 704: 700: 696: 692: 688: 684: 682: 677: 667: 662: 658: 655: 650: 644: 613: 595: 573: 569: 530:, sand from 503: 497: 492: 472: 468: 464: 461:Real Barraca 460: 451: 441: 433:Belém Palace 426: 385:royal family 378: 375: 364: 337: 297:neoclassical 275: 273: 260:IPA.00004722 252:16 June 1910 184:Architect(s) 151:17 July 1795 123:9°11′53.98″W 33:Ajuda Palace 4823:Bugio Tower 4637:Casa Sommer 4510:Culture and 4460:LPFP Awards 4397:São Vicente 4377:Santa Clara 4322:Bairro Alto 4217:Estufa Fria 3650:Belém Tower 3407:Pena Palace 2485:Music Room. 2285:Supper Room 2245:Throne Room 1931:Marble Hall 1909:Oak Cabinet 1721:Canopy Room 1606:First floor 1400:Tagus River 1237:Dining Room 1229:Throne Room 1178:José Malhoa 1038:Santo Varni 854:Dining Room 852:(today the 850:Cortes Hall 640:Tagus River 483:lived with 236:Non-movable 135: / 110:Coordinates 4902:Categories 4737:NewsMuseum 4500:Web Summit 3705:Lisbon Zoo 3360:residences 3349:(disputed) 2698:"História" 2527:References 2353:Pink Room. 2329:Blue Room. 2127:Biblioteca 1994:Green Room 1976:Portuguese 1964:Green Room 1960:Sala Verde 1891:Romanesque 1836:Music Room 1793:Abundância 1563:Green Room 1551:Green Room 1325:Portuguese 1285:Casa Forte 1213:Wilhelm II 1211:of Spain, 1201:Edward VII 1144:) and the 1054:Music Room 1031:Green Room 1027:Sala Verde 1012:Green Room 1008:Sala Verde 972:chalcedony 952:Portuguese 824:) and the 737:Torch Room 725:Order Room 538:cooked in 504:royal tent 465:Royal Tent 307:, central 280:Portuguese 249:Designated 104:, Portugal 4585:MEO Arena 4470:NOS Alive 4465:Ludopolis 4415:Doclisboa 4297:Alcântara 3627:Landmarks 3512:Miguelism 2069:Blue Room 2016:Esperança 1990:Saxe Room 1954:Pink Room 1895:Blue Room 1887:Blue Room 1883:Sala Azul 1709:Caçadores 1673:Card Game 1625:concierge 1588:Prudência 1527:Blue Room 1503:balusters 1340:maquettes 1321:Rembrandt 1280:Raul Lino 1274:In 1934, 1267:With the 1241:Manuel II 1126:Pink Room 1122:Sala Rosa 1118:Blue Room 1114:Sala Azul 1070:Blue Room 1066:Sala Azul 988:Blue Room 984:Sala Azul 896:Inocência 769:in 1833. 596:Liberdade 548:limestone 540:Alcântara 485:Peter III 192:Known for 3107:citation 3075:citation 3052:citation 2966:citation 2934:citation 2847:citation 2824:citation 2801:citation 2778:citation 2755:citation 2732:citation 2579:archived 2263:Ballroom 2198:Vingança 2166:parquet. 2028:toucador 2020:Caridade 1972:Red Room 1869:is hung. 1713:Huntsmen 1681:Fountain 1574:Red Room 1517:Interior 1499:tympanum 1454:Exterior 1251:Republic 964:chimeras 880:daughter 876:Peter IV 763:Maria II 701:Prudence 560:Monsanto 544:Alhandra 309:Portugal 241:Criteria 209:.pnajuda 171:Material 98:Location 4362:Olivais 4347:Estrela 4332:Benfica 4312:Arroios 4307:Areeiro 3943:Palaces 3770:Museums 2880:12 July 2716:Sources 2704:12 July 2585:12 July 2304:Gallery 2131:Library 2093:O Mouro 2044:Minerva 1943:Carrara 1801:Justiça 1797:Mentira 1771:Science 1763:Mercury 1685:Merenda 1639:Justiça 1584:Justiça 1472:), the 1461:calçada 1203:of the 848:in the 697:Justice 670:John VI 616:arrival 546:, with 532:Alfeite 516:Baroque 487:in the 391:History 321:Baroque 295:) is a 211:.imc-ip 200:Website 4407:Events 4342:Chiado 4302:Alfama 2293:Apollo 2145:Saturn 1935:marble 1901:annex. 1863:Cupola 1824:Lowboy 1805:lowboy 1767:Vulcan 1707:) and 1495:ashlar 1396:Lisbon 1042:Faenza 960:sphinx 678:Cortes 524:masons 520:Rococo 518:-late 502:, the 467:), or 448:Joseph 367:Luís I 325:Rococo 305:Lisbon 148:Opened 102:Lisbon 82:Palace 70:Status 4811:Other 4327:Belém 4292:Ajuda 4189:parks 3358:Royal 2874:(PDF) 2867:(PDF) 2532:Notes 2297:Horae 2265:) or 2047:1880. 2040:Venus 2032:Diana 1939:agate 1925:) or 1840:sepia 1775:Peace 1759:Diana 1749:) or 1723:) or 1689:Lunch 1677:Fonte 1657:Dance 1653:Dança 1392:Ajuda 1289:Vault 1164:, by 968:agate 892:Diana 884:Peter 668:King 556:Belas 403:, by 301:Ajuda 174:Brick 156:Owner 4187:and 3113:link 3081:link 3058:link 2972:link 2940:link 2882:2011 2853:link 2830:link 2807:link 2784:link 2761:link 2738:link 2706:2011 2587:2011 2233:and 2200:and 2161:and 2115:the 2042:and 2036:Juno 2018:and 1937:and 1799:and 1773:and 1586:and 1398:and 1098:Leda 1084:and 1060:and 970:and 962:and 920:Luís 707:and 699:and 582:and 274:The 233:Type 78:Type 1859:Paz 1699:), 1691:), 1683:), 1675:), 1667:), 1659:), 1239:). 1152:by 1108:by 1100:by 1092:by 1033:). 832:). 773:the 618:of 213:.pt 207:www 4904:: 3109:}} 3105:{{ 3077:}} 3073:{{ 3054:}} 3050:{{ 2968:}} 2964:{{ 2936:}} 2932:{{ 2849:}} 2845:{{ 2826:}} 2822:{{ 2803:}} 2799:{{ 2780:}} 2776:{{ 2757:}} 2753:{{ 2734:}} 2730:{{ 2654:^ 2594:^ 2539:^ 2038:, 2034:, 2014:, 2012:Fé 1978:: 1974:, 1795:, 1791:, 1769:, 1765:, 1363:. 1327:: 1215:, 1207:, 954:: 598:. 554:, 534:, 407:). 335:. 286:, 282:: 3611:e 3604:t 3597:v 3161:e 3154:t 3147:v 3115:) 3083:) 3060:) 2974:) 2942:) 2855:) 2832:) 2809:) 2786:) 2763:) 2740:) 2708:. 2283:( 2269:( 2261:( 2243:( 2225:( 2215:( 2209:. 2192:( 2182:( 2172:( 2163:M 2159:L 2153:( 2139:( 2129:( 2119:( 2063:( 2053:( 2002:( 1988:( 1962:( 1952:( 1929:( 1921:( 1915:. 1907:( 1885:( 1875:( 1853:( 1834:( 1821:( 1813:( 1783:( 1777:. 1753:( 1745:( 1737:( 1727:( 1719:( 1711:( 1703:( 1695:( 1687:( 1679:( 1671:( 1663:( 1655:( 1647:( 1633:( 1627:. 1614:( 1594:( 1486:( 1478:( 1468:( 1446:( 1438:( 1430:( 1422:( 1346:( 1311:( 1303:( 1287:( 1263:. 1235:( 1227:( 1184:( 1140:( 1124:( 1116:( 1068:( 1052:( 1029:( 1010:( 986:( 978:( 950:( 828:( 820:( 812:( 804:( 796:( 788:( 735:( 723:( 691:( 661:( 626:( 471:( 463:( 323:- 278:( 20:)

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Index