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Institute for Art
History. The work was outsourced to gold and silversmiths like T.G. Bentvelt, J.A. de Haas, A.H. Pape, D.W. Rethmeyer, H.P. La Ruelle and J.H. Stellingwerff. Prestigious assignments during this period included, for example, the ones commissioned by the City of Amsterdam to produce the so-called city keys. These keys to the City of Amsterdam were produced in 1806 to be offered to King
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to take over a well-known Dutch gold, silver and jewellery shop in 1802, the
Peirolet brothers’ business. Initially under the brothers Peirolet, Bennewitz & Bonebakker name and later as Bennewitz & Bonebakker. He remarried in 1818, this time with Wijnanda Lucretia Tijdeman (1770-1826). He
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Bennewitz was tasked with managing the workshop within the
Bennewitz and Bonebakker company. Bonebakker took responsibility for the business side of things. Although he was registered as a silversmith, Adrianus Bonebakker is not known to have produced any of his own work, according to the Dutch
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A portrait of the
Adrianus Bonebakker family during a visit from - in all probability - partner Diederik L. Bennewitz (seated, with the silver object). Bonebakker himself can be seen holding a document. Painting by
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in 1840. The maker of this crown, which to this day is still being used during coronation ceremonies, was
Theodorus Gerardus Bentvelt. The company still exists today, under the
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on 9th
October of that year. Both sets were made by Bennewitz. The second set wasn’t paid for by Amsterdam until four years later. The original keys now form part of the
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112:, where he completed his Master’s in silversmithing in 1792. That same year Bonebakker married Elisabeth du Pré (1760-1811). Seven daughters and a son,
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as he entered the city. Circumstances dictated this didn’t actually happen until 1808. The same set of keys were used in 1813 during King
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was baptised as the son of
Anthonij Bonebakker (1730-1797) and Maria Cornelia van Oosterhoudt (1734-1820) in
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De werkmeesters van
Bennewitz en Bonebakker, Amsterdams grootzilver uit de eerste helft van de 19de eeuw
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The partners decided to part company in 1821 for business reasons, after which
Bennewitz launched the
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on 31 May 1767. His father was the proprietor of the loan bank in Buren and Tiel. He moved to
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Wijnanda
Lucretia Tydeman (1770-1826), Adrianus Bonebakker’s second wife
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name. The company was commissioned by King Willem II to make the
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became a member of the Royal Academy of Visual Arts around 1820.
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Elisabeth du Pré (1760-1811), Adrianus Bonebakker’s first wife
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81:(Tiel, 27 May 1767 – Amsterdam, 31 March 1842) was a Dutch
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company and Bonebakker and his son continued under the
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334:The Netherlands Institute for Art History.
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374:: CS1 maint: location missing publisher (
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16:Dutch goldsmith, silversmith, and jeweller
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309:van Benthem, Barend J. (2005).
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35:Portrait by an unknown painter
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336:"As Bonebakker & Zoon"
286:"As Bonebakker & Zoon"
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114:Jacques Antoine Bonebakker
313:. Netherlands: Waanders.
284:Amsterdam City Archives.
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172:As Bonebakker & Zoon
162:As Bonebakker & Zoon
362:Bonebakker 1792 – 1967
260:"Adrianus Bonebakker"
168:Bennewitz & Zonen
360:Emeis, M.G. (1967).
79:Adrianus Bonebakker
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364:. Amsterdam.
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429:1842 deaths
424:1767 births
201:Rijksmuseum
176:royal crown
156:Rijksmuseum
87:silversmith
69:Nationality
44:27 May 1767
393:Categories
346:2020-05-02
342:(in Dutch)
295:2020-05-02
270:2020-05-02
266:(in Dutch)
245:References
203:Amsterdam.
180:Bonebakker
102:Bonebakker
370:cite book
110:Amsterdam
97:Biography
83:goldsmith
62:Amsterdam
199:(1809),
136:Willem I
91:jeweller
340:rkd.nl
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264:rkd.nl
182:name.
72:Dutch
376:link
315:ISBN
106:Tiel
89:and
55:Died
48:Tiel
41:Born
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