Knowledge

Aberrant decoding

Source 📝

20: 159:
Eco continues that in contemporary media, instead of being exceptions, aberrant decodings have become the norm. For example, TV broadcasters know beforehand that their messages will be interpreted in various ways. He speculated that because of this freedom of interpretation, the power of media over
90:
must be shared by both the sender and the receiver in order for the communication to succeed. For example, thoughts must be encoded into words, transmitted through air, and then be decoded back to thoughts. Often the sender has a certain meaning to convey with his message, hoping the receiver will
186:
claimed that the paintings are, in fact, depictions of dead animals. Thus, if we accept Abercrombie's claim, we can argue that our modern culture, where we value living animals and only rarely encounter dead ones, has led us to aberrant decoding of the paintings.
103:. Aberrant decodings can occur in a more widespread range of situations, as wrong interpretation of a media product or text whose incoming message is not the one intended by the creator of the product or text. 163:
This idea of examining the messages contained in the media and how the audience interprets them has since become one of the core concepts of academic media research. Eco's article influenced, among others,
182:, referring to visual messages. As an example, he explains how prehistoric cave paintings of animals are often seen as graceful and moving. However, in 1960, 221: 273: 408: 383: 340: 54:
about how messages can be interpreted differently from what was intended by their sender. The concept was proposed by
165: 175: 284:'s triadic sign theory). But in this case Fiske contrasts iconic signs with "verbal language" (p. 78). 241: 355:
Danesi, Marcel (2009), Dictionary of Media and Communications. M.E.Sharpe, Armonk, New York. p. 3
99:. When the interpretation of the message is different from what was intended, this can be called 435: 281: 201: 107: 226: 39: 183: 8: 401:
The Anatomy of Judgement: An Investigation into the Processes of Perception and Reasoning
206: 430: 372: 329: 216: 211: 83: 75: 404: 379: 336: 114:. He lists four classes of exceptions where aberrant decodings could have happened: 246: 196: 169: 79: 59: 24: 305:
Eco, Umberto (1972). "Towards a Semiotic Inquiry Into the Television Message".
231: 152: 424: 133: 71: 43: 23:
A living trotting boar, or a dead boar lying on its side? Cave painting from
179: 122: 55: 137: 121:
People trying to interpret the meanings of past cultures. For example,
51: 110:, when most communication occurred between people who shared the same 277: 148: 126: 47: 91:
interpret it correctly. This right interpretation can be called the
236: 141: 369: 111: 19: 272:
in semiotics and communication theory could also refer to a
160:
individuals might be much less influential than is thought.
147:
People who came from different cultures. For example, white
374:
Communication, Cultural and Media Studies: The key concepts
313:. trans. Paola Splendore. University of Birmingham: 103–21. 87: 86:
by the receiver to understand the contained messages. The
82:
by the sender. These signs must then be transmitted and
370:
Hartley, John; Rennie, Elinor; Brennan, Marc (2002).
178:
has argued that aberrant decoding occurs mainly with
371: 328: 106:According to Eco, aberrant decodings were rare in 422: 392: 365: 363: 361: 398: 322: 320: 118:People who did not share the same language. 358: 58:in an article published first in 1965 in 317: 222:Encoding/decoding model of communication 18: 16:Unintended misinterpretation of messages 74:act requires that the messages must be 423: 298: 331:Introduction to Communication Studies 326: 38:is a concept used in fields such as 378:(3rd ed.). London: Routledge. 335:(2nd ed.). London: Routledge. 304: 13: 307:Working Papers in Cultural Studies 132:People who did not share the same 14: 447: 399:Abercrombie, Margaret (1960). 349: 259: 1: 291: 7: 190: 10: 452: 65: 242:Reader-response criticism 252: 170:encoding/decoding theory 108:pre-industrial societies 62:and in 1972 in English. 403:. London: Hutchinson. 202:Context (language use) 28: 227:Objective correlative 22: 327:Fiske, John (1990). 184:Margaret Abercrombie 207:Death of the Author 217:Encode (semiotics) 212:Decode (semiotics) 125:people looking at 93:preferred decoding 29: 101:aberrant decoding 97:preferred reading 32:Aberrant decoding 443: 415: 414: 396: 390: 389: 377: 367: 356: 353: 347: 346: 334: 324: 315: 314: 302: 285: 263: 247:Reception theory 197:Authorial intent 36:aberrant reading 451: 450: 446: 445: 444: 442: 441: 440: 421: 420: 419: 418: 411: 397: 393: 386: 368: 359: 354: 350: 343: 325: 318: 303: 299: 294: 289: 288: 264: 260: 255: 193: 136:. For example, 68: 17: 12: 11: 5: 449: 439: 438: 433: 417: 416: 410:978-1299246812 409: 391: 385:978-0415268899 384: 357: 348: 342:978-0415046725 341: 316: 296: 295: 293: 290: 287: 286: 274:class of signs 257: 256: 254: 251: 250: 249: 244: 239: 234: 232:Opaque context 229: 224: 219: 214: 209: 204: 199: 192: 189: 157: 156: 153:Aboriginal art 145: 130: 119: 78:into a set of 67: 64: 15: 9: 6: 4: 3: 2: 448: 437: 436:Media studies 434: 432: 429: 428: 426: 412: 406: 402: 395: 387: 381: 376: 375: 366: 364: 362: 352: 344: 338: 333: 332: 323: 321: 312: 308: 301: 297: 283: 279: 275: 271: 267: 262: 258: 248: 245: 243: 240: 238: 235: 233: 230: 228: 225: 223: 220: 218: 215: 213: 210: 208: 205: 203: 200: 198: 195: 194: 188: 185: 181: 177: 173: 171: 167: 161: 154: 150: 146: 143: 139: 135: 134:belief system 131: 128: 124: 120: 117: 116: 115: 113: 109: 104: 102: 98: 94: 89: 85: 81: 77: 73: 72:communication 63: 61: 57: 53: 49: 45: 44:media studies 41: 40:communication 37: 33: 26: 21: 400: 394: 373: 351: 330: 310: 306: 300: 270:iconic signs 269: 266:Iconic codes 265: 261: 180:iconic codes 174: 162: 158: 105: 100: 96: 92: 69: 35: 31: 30: 276:defined by 166:Stuart Hall 151:looking at 140:looking at 88:code system 56:Umberto Eco 425:Categories 292:References 176:John Fiske 138:Christians 52:journalism 431:Semiotics 278:iconicity 149:Europeans 127:Roman art 48:semiotics 237:Polysemy 191:See also 123:Medieval 25:Altamira 280:(as in 112:culture 84:decoded 76:encoded 66:Concept 60:Italian 407:  382:  339:  282:Peirce 70:Every 50:, and 253:Notes 142:pagan 80:signs 405:ISBN 380:ISBN 337:ISBN 144:art. 42:and 268:or 168:'s 95:or 34:or 427:: 360:^ 319:^ 309:. 172:. 46:, 413:. 388:. 345:. 311:3 155:. 129:. 27:.

Index


Altamira
communication
media studies
semiotics
journalism
Umberto Eco
Italian
communication
encoded
signs
decoded
code system
pre-industrial societies
culture
Medieval
Roman art
belief system
Christians
pagan
Europeans
Aboriginal art
Stuart Hall
encoding/decoding theory
John Fiske
iconic codes
Margaret Abercrombie
Authorial intent
Context (language use)
Death of the Author

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.