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183:. Baranovskaia, who was 40 at the time of shooting, portrayed a much older woman who is devoted to her son and ultimately accepts the inevitability of class struggle. Pudovkin also cast Baranovskaia as the harsh worker’s wife who undergoes a transformation in
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193:(1928). In 1928 Baranovskaia left the USSR for Czechoslovakia, Germany, and later France, where she continued acting. Sometimes she played parts of proletarians, as in Mikhail Dubson’s
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In the year 1922 she founded the artistic-theatrical workshop ("Mastbar") in
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158:. In the 1920s she worked in
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209:(1935).
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