22:
791:
264:, an actor, producer, and former student of the Moscow Art Theatre Studios who wanted Russia to once again be a major contender in the theatre world, took over control of the theatre and began to reform it. By the time he arrived to save it, the company was made up of only 150 actors, many of whom were out of practice. Yefremov began to reinstate Stanislavski's traditions, including emphasizing the importance of the studio and of the system, as well as interviewing every single candidate with special emphasis and attention placed on work ethic.
42:
196:
completely quell the company's internal strife; Stanislavski appointed friends to the theatre's management without consulting
Nemirovich and opened studios attached to the theatre where he began to implement his acting system, cementing Nemirovich's fears that the theatre was becoming a mere extension of Stanislavski's own ideas and work. The tension between the two led Stanislavski to abandon his duties as a board member and to relinquish all his power over policy decisions.
978:
667:
287:
129:
as well as talented. He made them live together in common housing for months at a time to foster community and trust, which he believed would raise the quality of their performances. Stanislavski's system, in which he trained actors via the acting studios he founded as part of the theatre, became central to every production the theatre put on. The system played a huge influence in the development of
249:
counter-revolutionary and that they served the
Communist cause. As Russia began a period of rapid industrialization, so too was the MAT encouraged to increase production at the expense of quality, with more and more hastily produced plays going up each season. Plays had to be officially approved, and the Theatre's artistic integrity started to decline.
128:
Their differences proved to be complementary, and they agreed to initially divide power over the theatre, with
Nemirovich in charge of the literary decisions and Stanislavski in charge of all production decisions. Stanislavski interviewed all his actors, making sure they were hard working and devoted
120:
At the end of the 19th-century, Stanislavski and
Nemirovich-Danchenko both wanted to reform Russian theatre to high-quality art that was available to the general public. They set about creating a private theatre over which they had total control (as opposed to trying to reform the government-operated
195:
Now in dire straits, the theatre decided to accept invitations to go on an international tour in 1906, which started in Berlin and included
Dresden, Frankfurt, Prague, and Vienna. The tour was a huge success, gaining the theatre international acclaim. However, the sudden change in fortune did not
248:
in 1928 led to his almost complete withdrawal from the theatre, while the
Stalinist climate began to suppress artistic expression and controlled more and more what could be performed. A "red director" was appointed to the management by the government to ensure that the MAT's activities were not
252:
The theatre was officially renamed The Gorky Moscow Art
Theatre in 1932. Desperate not to lose support, Stanislavski tried to appease Stalin by accepting his political limitations on what could be performed while retaining his devotion to naturalistic theatre. As a result, the mid-20th century
136:
Stanislavski and
Danchenko's initial goal of having an “open theatre,” one that anyone could afford to attend, was quickly destroyed when they could neither obtain adequate funding from private investors, nor from the Moscow City Council.
235:. Many actors became nationally known and admired thanks to their film roles. However, the Civil War saw many of the theatre's actors being cut off from Moscow, and the support it received from the government diminished under Lenin's
125:, a move which would have given them far less artistic freedom). On 22 June 1897, the two men met for the first time at the Slavyanski Bazar for a lunch that started at 2 PM and did not end until 8 AM the next morning.
207:, with an extensive repertoire of leading Russian and Western playwrights. Although several revolutionary groups saw it as an irrelevant marker of pre-revolutionary culture, the theatre was initially granted support by
1533:
Victor
Manyukov, Vladimir Prokofyev, Angelina Stepanova, and Vasily Toporkov discuss the Moscow Art Theatre and working with Stanislavski at a 1964 Symposium in New York City
658:
1604:
239:. The subsidies it had come to rely on were withdrawn and the theatre was forced to survive on its own profits. By 1923, the MAT was in $ 25,000 debt.
1545:
1241:
168:
1614:
231:
was also performed there during the 1920s. A significant number of Moscow Art
Theatre's actors were awarded the prestigious title of
1250:
242:
The theatre experienced further blows through the end of the 1930s. Stanislavski's heart attack onstage during a production of
178:
After Chekhov's death in 1904, the theatre experienced a huge changeover; Chekhov had envisioned fellow playwright and friend
1475:
1460:
1589:
1084:
93:
that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing
1490:
1435:
1403:
1384:
1362:
1232:
Note: When more than one play is listed on the same line, it means that they were produced and performed together.
751:
688:
146:
747:
278:
In 2024 the Moscow Art Theater School is one of the leading Russian universities in the art of drama and more.
232:
1619:
1599:
1134:
1068:
871:
315:
97:, proved hugely influential in the acting world and in the development of modern American theatre and drama.
82:
182:
as his successor as the Theatre's leading dramatist, but Nemirovich and Stanislavski's reaction to his play
1521:
1222:
286:
1594:
1584:
1609:
1416:. Trans. Michael Glenny. London: Hodder and Stoughton, 1967. London: Collins-Harvill, 1986, 1991, 1996.
1340:Московский Художественный Театр, Государственное Издательство Изобразительного Искусства, Москва – 1955
1259:
1190:
967:
644:
25:
Interior of the "Old" MAT in Kamergersky Lane, originally Lianozov Theatre, as rebuilt in 1900-1903 by
1206:
728:
596:
542:
1046:
795:
94:
1532:
1448:
1180:
311:
295:
78:
1202:
1093:
917:
821:
812:
702:
684:
620:
566:
348:
331:
267:
In 1987, the theatre split into two troupes: the Chekhov Moscow Art Theatre (artistic director
151:
1164:
999:
892:
122:
21:
790:
1514:
1037:
1021:
926:
846:
671:
638:
506:
446:
244:
86:
8:
1122:
1088:
1041:
930:
830:
816:
760:
706:
452:
386:
236:
160:
1226:
1097:
942:
614:
578:
524:
500:
440:
200:
45:
The Chekhov Moscow Art Theatre today (Kamergersky Lane, exterior by Fyodor Schechtel).
1486:
1471:
1456:
1431:
1399:
1380:
1358:
1210:
1138:
1109:
1025:
865:
784:
769:
697:
608:
416:
404:
254:
41:
1409:
901:
765:
572:
554:
536:
458:
410:
340:
334:(since 1946 until 1949, then chief director until 1955 when the post was abolished)
321:
299:
272:
217:
212:
58:
26:
215:
wrote several plays for the MAT and satirised the organisation mercilessly in his
883:
693:
626:
530:
488:
482:
434:
392:
380:
374:
368:
303:
105:
1526:
518:
476:
208:
30:
1468:
The Stanislavsky System of Acting: Legacy and Influence in Modern Performance.
1578:
1560:
1547:
1391:
1184:
1142:
1072:
1050:
982:
955:
951:
946:
855:
850:
799:
778:
756:
715:
632:
602:
590:
494:
428:
398:
354:
344:
268:
261:
227:
189:
175:, with Stanislavski in the role of Trigorin, that the theatre achieved fame.
164:
130:
1151:
1009:
1005:
995:
921:
859:
834:
825:
742:
738:
584:
548:
512:
470:
464:
422:
325:
291:
204:
156:
1113:
1063:
977:
971:
905:
896:
887:
774:
711:
666:
560:
222:
179:
1379:. Revised edition. Original edition published in 1988. London: Methuen.
318:(executive director and later artistic director until his death in 1943)
184:
34:
1168:
1147:
733:
90:
77:. It was founded in 1898 by the seminal Russian theatre practitioner
253:
incarnation of the Moscow Art Theatre took a stylistic turn towards
203:
of 1917 and was one of the foremost state-supported theatres of the
1536:
1118:
74:
663:
What follows is a full chronological list of MAT productions
188:
was unenthusiastic, causing Gorki to leave. He took with him
324:(artistic director since 1943 until his death in 1945) and
1485:
Theatre Production Studies ser. London and NY: Routledge.
1504:
1455:
Trans. and ed. Jean Benedetti. London: Routledge, 2008.
1396:
The Director and the Stage: From Naturalism to Grotowski
1509:
659:
List of productions directed by Konstantin Stanislavski
337:
Artistic council of the theatre (since 1949 until 1955)
328:(executive director since 1943 until his death in 1946)
271:) and the Gorky Moscow Art Theatre (artistic director
63:Московский Художественный академический театр (МХАТ)
192:, one of the theatre's main investors at the time.
1505:Official website of the Chekhov Moscow Art Theatre
257:, which would affect its productions for decades.
1576:
1510:Official website of the Gorky Moscow Art Theatre
351:, and Vladimir Bogomolov (since 1955 until 1970)
211:, a frequent patron of the Art Theatre himself.
357:(since 1970 until the troupe was split in 1987)
145:The Theatre's first season included works by
104:in 1932. In 1987, the theatre split into two
67:Moskovskiy Hudojestvenny Akademicheskiy Teatr
81:, together with the playwright and director
670:Playwright Maurice Maeterlinck, whose play
199:The theatre continued to thrive after the
1605:1898 establishments in the Russian Empire
674:, made its worldwide debut at the theatre
1445:. Cambridge: Cambridge University Press.
976:
789:
665:
285:
40:
20:
1390:Braun, Edward. 1982. "Stanislavsky and
1357:Cambridge: Cambridge University Press.
1577:
652:
281:
260:It was not until autumn of 1970 that
167:'s four major works, beginning with
1453:An Actor’s Work: A Student’s Diary.
1209:and A Feast in Time of Plague, by
314:(artistic director until 1934) and
306:, Saveli Sorine, in the US in 1923.
13:
1615:Art Nouveau architecture in Moscow
1141:and It Tears Where It is Thin, by
1085:Enough Stupidity in Every Wise Man
112:and the Gorky Moscow Art Theatre.
85:. It was conceived as a venue for
14:
1631:
1529:, a 1917 article by N. Ostrovsky.
1527:"The Moscow Art Theatre: A Model"
1498:
425:(1938–1950, 1957–1985, 1994–2007)
361:
1443:The Russian Theatre After Stalin
1430:London and Boston: Faber, 1986.
163:, but it wasn't until it staged
1355:The Cambridge Guide to Theatre.
1062:At the Gate of the Kingdom, by
752:Aleksey Konstantinovich Tolstoy
689:Aleksey Konstantinovich Tolstoy
1377:Stanislavski: His Life and Art
1370:The Moscow Art Theatre Letters
1334:
1325:
1316:
1307:
1298:
1289:
1280:
1271:
748:The Death of Ivan the Terrible
100:It was officially renamed the
1:
1265:
872:Vladimir Nemirovich-Danchenko
316:Vladimir Nemirovich-Danchenko
115:
83:Vladimir Nemirovich-Danchenko
1414:Black Snow: Theatrical Novel
1223:The Village of Stepanchikovo
89:theatre, in contrast to the
7:
1590:Theatre companies in Russia
1441:Smeliansky, Anatoly. 1999.
1235:
233:People's Artist of the USSR
73:) was a theatre company in
10:
1636:
1516:Chekhov Moscow Art Theatre
1398:. London: Methuen. 59–76.
1353:Banham, Martin, ed. 1998.
1346:
1260:Studio Six Theater Company
1216:
1191:Mikhail Saltykov-Shchedrin
794:A Russian Stamp depicting
656:
140:
110:Chekhov Moscow Art Theatre
1470:Cambridge: Cambridge UP.
1426:Magarshack, David. 1950.
62:
1449:Stanislavski, Constantin
1419:Gauss, Rebecca B. 1999.
1163:The Forced Marriage and
1047:The Government Inspector
796:The Government Inspector
102:Gorky Moscow Art Theatre
1483:The Moscow Art Theatre.
1423:. New York: Peter Lang.
1375:Benedetti, Jean. 1999.
1368:Benedetti, Jean. 1991.
1322:Magarshack (1950, 383).
1196:
1181:The Mistress of the Inn
1174:
1157:
1128:
1103:
1078:
1056:
1031:
1015:
989:
961:
936:
911:
877:
840:
806:
721:
678:
312:Konstantin Stanislavski
296:Konstantin Stanislavski
79:Konstantin Stanislavski
1372:. New York: Routledge.
1094:The Brothers Karamazov
1069:A Month in the Country
986:
918:The Pillars of Society
822:An Enemy of the People
803:
703:The Merchant of Venice
685:Tsar Fyodor Ioannovich
675:
621:Anastasiya Vertinskaya
567:Innokenty Smoktunovsky
307:
152:Tsar Fyodor Ioannovich
46:
38:
1561:55.76000°N 37.61333°E
1481:Worrall, Nick. 1996.
1428:Stanislavsky: A Life.
1189:Pasukhin's Death, by
1165:The Imaginary Invalid
1000:Aleksander Griboyedov
980:
893:The Power of Darkness
802:, which played at MAT
793:
669:
289:
95:Stanislavski's system
44:
29:with contribution by
24:
1620:Art Nouveau theatres
1600:19th-century theatre
1466:Whyman, Rose. 2008.
1002:(reproduced in 1914)
639:Yevgeny Yevstigneyev
507:Irina Miroshnichenko
447:Konstantin Khabensky
290:From left to right:
1557: /
1123:William Shakespeare
1089:Alexander Ostrovsky
1042:Maurice Maeterlinck
968:Children of the Sun
931:William Shakespeare
864:Michael Kramer, by
831:When We Dead Awaken
817:Alexander Ostrovsky
761:William Shakespeare
707:William Shakespeare
653:List of productions
453:Yevgeniya Khanayeva
387:Richard Boleslawski
237:New Economic Policy
161:William Shakespeare
1595:Theatres in Moscow
1585:Moscow Art Theatre
1566:55.76000; 37.61333
1251:MAT production of
1242:MAT production of
1227:Fyodor Dostoyevsky
1207:Mozart and Salieri
1098:Fyodor Dostoyevsky
987:
985:The Cherry Orchard
943:The Cherry Orchard
804:
783:Lonely People, by
676:
615:Yevgeny Vakhtangov
579:Angelina Stepanova
525:Vyacheslav Nevinny
501:Vsevolod Meyerhold
441:Alexander Kalyagin
308:
282:Artistic directors
201:October Revolution
169:its production of
51:Moscow Art Theatre
47:
39:
1610:Tverskoy District
1537:The WNYC Archives
1476:978-0-521-88696-3
1461:978-0-415-42223-9
1410:Bulgakov, Mikhail
1331:Smeliansky (1999)
1211:Alexander Pushkin
1139:A Provincial Lady
1110:The Living Corpse
1026:Alexander Pushkin
870:In my Dreams, by
866:Gerhart Hauptmann
785:Gerhart Hauptmann
770:Gerhart Hauptmann
698:Gerhart Hauptmann
609:Natalya Tenyakova
597:Mikhail Tarkhanov
417:Sofya Giatsintova
405:Boris Dobronravov
255:Socialist Realism
1627:
1572:
1571:
1569:
1568:
1567:
1562:
1558:
1555:
1554:
1553:
1550:
1517:
1421:Lear's Daughters
1341:
1338:
1332:
1329:
1323:
1320:
1314:
1313:Benedetti (1991)
1311:
1305:
1304:Benedetti (1991)
1302:
1296:
1295:Benedetti (1991)
1293:
1287:
1284:
1278:
1277:Benedetti (1991)
1275:
902:The Lower Depths
766:Drayman Henschel
645:Anastasia Zuyeva
573:Viktor Stanitsyn
555:Vsevolod Sanayev
537:Alla Pokrovskaya
459:Nikolai Khmelyov
411:Tatiana Doronina
341:Viktor Stanitsyn
322:Nikolai Khmelyov
300:Feodor Chaliapin
273:Tatiana Doronina
218:Theatrical Novel
213:Mikhail Bulgakov
64:
27:Fyodor Schechtel
1635:
1634:
1630:
1629:
1628:
1626:
1625:
1624:
1575:
1574:
1565:
1563:
1559:
1556:
1551:
1548:
1546:
1544:
1543:
1515:
1501:
1496:
1349:
1344:
1339:
1335:
1330:
1326:
1321:
1317:
1312:
1308:
1303:
1299:
1294:
1290:
1285:
1281:
1276:
1272:
1268:
1238:
1219:
1203:The Stone Guest
1199:
1177:
1160:
1131:
1106:
1081:
1059:
1034:
1018:
992:
964:
939:
914:
884:The Philistines
880:
843:
813:The Snow Maiden
809:
724:
694:The Sunken Bell
681:
661:
655:
650:
627:Mikhail Yanshin
531:Boris Plotnikov
489:Leonid Leonidov
483:Tatyana Lavrova
435:Vasily Kachalov
393:Michael Chekhov
381:Yuri Bogatyryov
375:Serafima Birman
369:Aleksey Batalov
364:
304:Vasili Kachalov
284:
147:Aleksey Tolstoy
143:
118:
17:
16:Theatre company
12:
11:
5:
1633:
1623:
1622:
1617:
1612:
1607:
1602:
1597:
1592:
1587:
1541:
1540:
1530:
1524:
1512:
1507:
1500:
1499:External links
1497:
1495:
1494:
1479:
1464:
1446:
1439:
1424:
1417:
1407:
1388:
1373:
1366:
1350:
1348:
1345:
1343:
1342:
1333:
1324:
1315:
1306:
1297:
1288:
1279:
1269:
1267:
1264:
1263:
1262:
1257:
1248:
1237:
1234:
1230:
1229:
1218:
1215:
1214:
1213:
1198:
1195:
1194:
1193:
1187:
1176:
1173:
1172:
1171:
1159:
1156:
1155:
1154:
1145:
1135:Fortune's Fool
1130:
1127:
1126:
1125:
1116:
1105:
1102:
1101:
1100:
1091:
1080:
1077:
1076:
1075:
1066:
1058:
1055:
1054:
1053:
1044:
1033:
1030:
1029:
1028:
1017:
1014:
1013:
1012:
1003:
991:
988:
975:
974:
963:
960:
959:
958:
949:
938:
935:
934:
933:
924:
913:
910:
909:
908:
899:
890:
879:
876:
875:
874:
868:
862:
853:
842:
839:
838:
837:
828:
819:
808:
805:
788:
787:
781:
772:
763:
754:
745:
736:
723:
720:
719:
718:
709:
700:
691:
680:
677:
654:
651:
649:
648:
642:
636:
630:
624:
618:
612:
606:
600:
594:
588:
582:
576:
570:
564:
558:
552:
546:
540:
534:
528:
522:
519:Andrey Myagkov
516:
510:
504:
498:
492:
486:
480:
477:Anatoli Ktorov
474:
468:
462:
456:
450:
444:
438:
432:
426:
420:
414:
408:
402:
396:
390:
384:
378:
372:
365:
363:
362:Notable actors
360:
359:
358:
352:
349:Mikhail Kedrov
338:
335:
332:Mikhail Kedrov
329:
319:
283:
280:
209:Vladimir Lenin
142:
139:
117:
114:
31:Anna Golubkina
15:
9:
6:
4:
3:
2:
1632:
1621:
1618:
1616:
1613:
1611:
1608:
1606:
1603:
1601:
1598:
1596:
1593:
1591:
1588:
1586:
1583:
1582:
1580:
1573:
1570:
1538:
1534:
1531:
1528:
1525:
1523:
1519:
1513:
1511:
1508:
1506:
1503:
1502:
1492:
1491:0-415-05598-9
1488:
1484:
1480:
1477:
1473:
1469:
1465:
1462:
1458:
1454:
1450:
1447:
1444:
1440:
1437:
1436:0-571-13791-1
1433:
1429:
1425:
1422:
1418:
1415:
1411:
1408:
1405:
1404:0-413-46300-1
1401:
1397:
1393:
1389:
1386:
1385:0-413-52520-1
1382:
1378:
1374:
1371:
1367:
1364:
1363:0-521-43437-8
1360:
1356:
1352:
1351:
1337:
1328:
1319:
1310:
1301:
1292:
1283:
1274:
1270:
1261:
1258:
1256:
1254:
1249:
1247:
1245:
1240:
1239:
1233:
1228:
1224:
1221:
1220:
1212:
1208:
1204:
1201:
1200:
1192:
1188:
1186:
1185:Carlo Goldoni
1182:
1179:
1178:
1170:
1166:
1162:
1161:
1153:
1149:
1146:
1144:
1143:Ivan Turgenev
1140:
1136:
1133:
1132:
1124:
1120:
1117:
1115:
1111:
1108:
1107:
1099:
1095:
1092:
1090:
1086:
1083:
1082:
1074:
1073:Ivan Turgenev
1070:
1067:
1065:
1061:
1060:
1052:
1051:Nikolai Gogol
1048:
1045:
1043:
1039:
1038:The Blue Bird
1036:
1035:
1027:
1023:
1022:Boris Godunov
1020:
1019:
1011:
1007:
1004:
1001:
997:
994:
993:
984:
981:A scene from
979:
973:
969:
966:
965:
957:
956:Anton Chekhov
953:
950:
948:
947:Anton Chekhov
944:
941:
940:
932:
928:
927:Julius Caesar
925:
923:
919:
916:
915:
907:
903:
900:
898:
894:
891:
889:
885:
882:
881:
873:
869:
867:
863:
861:
857:
856:The Wild Duck
854:
852:
851:Anton Chekhov
848:
847:Three Sisters
845:
844:
836:
832:
829:
827:
823:
820:
818:
814:
811:
810:
801:
800:Nikolai Gogol
797:
792:
786:
782:
780:
779:Anton Chekhov
776:
773:
771:
767:
764:
762:
758:
757:Twelfth Night
755:
753:
749:
746:
744:
740:
737:
735:
731:
730:
726:
725:
717:
716:Anton Chekhov
713:
710:
708:
704:
701:
699:
695:
692:
690:
686:
683:
682:
673:
672:The Blue Bird
668:
664:
660:
646:
643:
640:
637:
634:
633:Oleg Yefremov
631:
628:
625:
622:
619:
616:
613:
610:
607:
604:
603:Akim Tamiroff
601:
598:
595:
592:
591:Alla Tarasova
589:
586:
583:
580:
577:
574:
571:
568:
565:
562:
559:
556:
553:
550:
547:
544:
541:
538:
535:
532:
529:
526:
523:
520:
517:
514:
511:
508:
505:
502:
499:
496:
495:Boris Livanov
493:
490:
487:
484:
481:
478:
475:
472:
469:
466:
463:
460:
457:
454:
451:
448:
445:
442:
439:
436:
433:
430:
429:Alexey Gribov
427:
424:
421:
418:
415:
412:
409:
406:
403:
400:
399:Aleksei Dikiy
397:
394:
391:
388:
385:
382:
379:
376:
373:
370:
367:
366:
356:
355:Oleg Yefremov
353:
350:
346:
345:Boris Livanov
342:
339:
336:
333:
330:
327:
323:
320:
317:
313:
310:
309:
305:
301:
297:
293:
288:
279:
276:
274:
270:
269:Oleg Yefremov
265:
263:
262:Oleg Yefremov
258:
256:
250:
247:
246:
245:Three Sisters
240:
238:
234:
230:
229:
224:
220:
219:
214:
210:
206:
202:
197:
193:
191:
190:Savva Morozov
187:
186:
181:
176:
174:
172:
166:
165:Anton Chekhov
162:
158:
154:
153:
148:
138:
134:
132:
131:method acting
126:
124:
113:
111:
107:
103:
98:
96:
92:
88:
84:
80:
76:
72:
68:
60:
56:
52:
43:
36:
32:
28:
23:
19:
1542:
1535:. Listen at
1482:
1467:
1452:
1442:
1427:
1420:
1413:
1395:
1376:
1369:
1354:
1336:
1327:
1318:
1309:
1300:
1291:
1286:Gauss (1999)
1282:
1273:
1252:
1243:
1231:
1152:Henrik Ibsen
1010:Henrik Ibsen
996:Woe from Wit
922:Henrik Ibsen
860:Henrik Ibsen
835:Henrik Ibsen
826:Henrik Ibsen
743:Henrik Ibsen
739:Hedda Gabler
727:
662:
611:(since 1988)
585:Oleg Tabakov
549:Mark Prudkin
543:Andrei Popov
513:Ivan Moskvin
509:(since 1965)
471:Alisa Koonen
465:Olga Knipper
449:(since 2003)
423:Kira Golovko
326:Ivan Moskvin
292:Ivan Moskvin
277:
266:
259:
251:
243:
241:
226:
216:
205:Soviet Union
198:
194:
183:
177:
170:
157:Henrik Ibsen
150:
144:
135:
127:
123:Maly Theatre
119:
109:
101:
99:
87:naturalistic
70:
66:
54:
50:
48:
18:
1564: /
1244:The Seagull
1114:Leo Tolstoy
1064:Knut Hamsun
972:Maxim Gorky
906:Maxim Gorky
897:Leo Tolstoy
888:Maxim Gorky
775:Uncle Vanya
712:The Seagull
647:(1924–1986)
641:(1971–1988)
635:(1970–2000)
629:(1924–1976)
623:(1980–1989)
617:(1911–1919)
599:(1922–1948)
593:(1924–1973)
587:(1983–2018)
581:(1924–1987)
575:(1924–1976)
569:(1976–1994)
563:(1977–2011)
561:Iya Savvina
557:(1937–1943)
551:(1924–1987)
545:(1973–1983)
539:(2004–2019)
533:(2002–2020)
527:(1959–2009)
521:(1977–2013)
515:(1898–1946)
503:(1898–1902)
497:(1924–1970)
491:(1903–1943)
485:(1959–2007)
479:(1933–1980)
473:(1906–1913)
467:(1898–1950)
461:(1924–1945)
455:(1947–1987)
443:(1971–1991)
437:(1900–1948)
431:(1924–1974)
419:(1901–1924)
413:(1972–1987)
407:(1918–1949)
401:(1910–1928)
395:(1912–1928)
389:(1908–1914)
383:(1977–1989)
377:(1911–1924)
371:(1953–1957)
223:Isaac Babel
180:Maxim Gorki
171:The Seagull
1579:Categories
1552:37°36′48″E
1549:55°45′36″N
1518:'s channel
1266:References
657:See also:
185:Summerfolk
116:Beginnings
91:melodramas
35:Ivan Fomin
1255:(1911–12)
1148:Peer Gynt
734:Sophocles
1451:. 1938.
1412:. 1996.
1236:See also
983:Chekhovs
729:Antigone
605:(?–1927)
1522:YouTube
1392:Chekhov
1347:Sources
1217:1916–17
1169:Molière
173:in 1898
141:History
106:troupes
59:Russian
1489:
1474:
1459:
1434:
1402:
1383:
1361:
1253:Hamlet
1246:(1898)
1119:Hamlet
952:Ivanov
228:Sunset
159:, and
108:, the
75:Moscow
1225:, by
1183:, by
1150:, by
1121:, by
1112:, by
1096:, by
1087:, by
1071:, by
1040:, by
1024:, by
1008:, by
1006:Brand
998:, by
954:, by
945:, by
929:, by
920:, by
904:, by
895:, by
886:, by
858:, by
849:, by
833:, by
824:, by
815:, by
798:, by
777:, by
768:, by
759:, by
750:, by
741:, by
732:, by
714:, by
705:, by
696:, by
687:, by
1487:ISBN
1472:ISBN
1457:ISBN
1432:ISBN
1400:ISBN
1381:ISBN
1359:ISBN
1197:1915
1175:1914
1158:1913
1129:1912
1104:1911
1079:1910
1057:1909
1032:1908
1016:1907
990:1906
962:1905
937:1904
912:1903
878:1902
841:1901
807:1900
722:1899
679:1898
71:МHАТ
53:(or
49:The
33:and
1520:on
1394:".
1167:by
275:).
225:'s
155:),
55:MAT
1581::
1205:,
1137:,
1049:,
970:,
347:,
343:,
302:,
298:,
294:,
221:.
133:.
65:,
61::
57:;
1539:.
1493:.
1478:.
1463:.
1438:.
1406:.
1387:.
1365:.
149:(
69:(
37:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
