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Tokenism

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500:, directed by Darren Stein, the film tells the journey of two closeted gay teens, Tanner and Brent, on their quest to popularity in high school. The film explores the theme of tokenism through demonstrating the desire of a homosexual male best friend by typically heterosexual women. The three most popular girls in school: Fawcett Brooks, Caprice Winters, and 'Shley Osgood believe that the key to winning the prom queen title is through acquiring a gay best friend. In media, gay best friends are displayed as sassy, effeminate, fashionable, and flamboyant, making them act as a stock character accessory to the main character. While Tanner and Brent plan to become popular through exposing their sexuality, the girls are disappointed to find out that Tanner contradicts the stereotypical gay men they have seen in television. The film shows how harmful it can be to associate gay stereotypes with gay characters. 283:, which has been the focus of societal and political debates. All-male boards typically recruit women to improve specialized skills and to bring different values to decision making. In particular, women introduce useful female leadership qualities and skills like risk averseness, less radical decision-making, and more sustainable investment strategies. However, the mandate of gender diversity may also harm women. Some critics of the mandate believe that it makes women seem like "space fillers," which undermines the qualifications that women can bring to their jobs. 275:
need to work harder and strive for perfection. Secondly, polarization implies that the dominant group are uncomfortable around tokens or feel threatened by them due to their differences. As a result, tokens may experience social isolation from the exclusion of the majority group. Finally, tokens will feel the need to assimilate to the stereotyped caricature of their roles. For instance, women will feel forced to perform the “suitable behaviour" of a woman in reinforcing the behaviour of stereotypes attached to which they are associated with.
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sidekick positions to their white counterparts. Research completed on token ethnic characters into the new millennium has found that the representation of males has grown in numbers, but has not improved in negative portrayal. Statistics on token ethnic characters still suggest toxic masculinity in African American males; threateningly powerful stereotypes of African American women; hyper-sexuality of African American and Asian women; and effeminate characteristics in Asian men and men of other racial minorities.
229:, the broader definition of tokenism is a situation in which a member of a distinctive category is treated differently from other people. The characteristics that make the person of interest a token can be perceived as either a handicap or an advantage, as supported by Václav Linkov. In a positive light, these distinct people can be seen as experts in their racial/cultural category, valued skills, or a different perspective on a project. In contrast, tokenism is most often seen as a handicap due to the 258:
of the group of token employees in a workplace, the individual identity of each token person is usually disrespected by the dominant group, who apply a stereotype role to them as a means of social control in the workplace. In order to avoid tokenism within the workplace, diversity and inclusion must be integrated to foster an environment where people feel connected and included. Employees must be hired on the basis of their capabilities rather than their gender, ethnicity, race, and sexuality.
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superhero the Black Panther, a.k.a. King T’Challa, learns to stand in solidarity with the oppressed, even those in whose oppression he has been unwittingly complicit, such as the children of the African diaspora. As a result, the film can function as catalyst for reflection on the part of viewers in terms of how they might perceive more clearly the complexity, variety, and ambiguity represented by blackness, whether others’ or their own, and how they, too, might identify with the Other.
1837: 462:) have been cited as two human characters of a racial minority that appear on screen. Lando was one of the first developed black characters in a science-fiction film at the time. Loyola Marymount University Professor of African American Studies, Adilifu Nama, has stated that this character is "a form of tokenism that placed one of the most optimistic faces on racial inclusion in a genre that had historically excluded Black representation." 25: 198:
world can see it. All this little tokenism that is dangled in front of the Negro and then he's told, 'See what we're doing for you, Tom.' Why the whole world can see that this is nothing but hypocrisy? All you do is make your image worse; you don't make it better." Malcolm X highlights that tokenism is used as a tool by America to improve its image but fails in its attempts. For instance, in 1954, the United States ruled
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as early as the 1970s suggests an early recognition and disapproval of tokenism and its effects on perceptions of minority groups—specifically, perceptions of African Americans. Tokenism seemed to be used as a quick fix for the complete void of major/recurring minority roles in television, but its skewed representation lacked room for thoroughly independent and positive roles. Throughout that decade, major
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students and this behavior was encouraged by the school's administration. Malcolm X's example of Little Rock exemplifies how tokenism can be intended to create the impression of social inclusiveness and diversity without bringing about any significant changes to the inclusion of underrepresented groups.
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held a collective 10:1 ratio of white characters to black characters, a much smaller margin of which had recurring African American characters. At that, the representation of African American women was much slimmer. The use of these token characters often portrayed African American people to stand in
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Professor Kanter found that being a token evoked three behaviour consequences of visibility, polarization, and assimilation. Firstly, tokens often felt that they were being watched all the time, leading to the feeling of more pressure to perform well. In attempts to perform well, tokens will feel the
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By definition, token employees in a workplace are known to be few; hence, their alleged high visibility among the staff subjects them to greater pressure to perform their work at higher production standards of quality and volume and to behave in the expected, stereotypical manner. Given the smallness
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Ethnic and racial representation in television has been proven as an educational basis to inform mass audiences. However, tokenism leads to a narrow representation of minority groups, and this trend often leads to minority characters being exposed in negative or stereotypical fashions. Research done
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There has been much debate surrounding the concept of tokenism behind women directors on corporate boards. Since men disproportionately occupy the majority of board seats globally, governments and corporations have attempted to address this inequitable distribution of seats through reform measures.
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Tokenism can also have an impact on mental health in the workplace. According to one study, racial minorities also experience heightened performance pressures related to their race and gender; however, many reported that racial problems were more common than gender problems. Being a token makes one
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portrays the heroes of the fictional African kingdom of Wakanda as godlike. They possess otherworldly sophistication by virtue of their blackness, in contrast to longstanding tendencies in mainstream film toward tokenism, stereotyping, and victimhood in depictions of people of African descent. The
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Black characters being the first characters to die was first identified in Hollywood horror movies of the 1930s, notes writer Renee Cozier. The Oscars ceremonies have received criticism over a lack of representation of people of color, as critics have pointed towards a lack of minorities nominated
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Tokenism appears in advertising as well as other subdivisions of major media. Tokenism is interpreted as reinforcing subtle representations of minorities in commercials. Studies have shown that, among other racial minorities, Asian Americans are targeted by advertising companies to fulfill casting
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puts forward candidates from under-represented groups, such as women or racial minorities, in races that the party has little or no chance of winning, while making limited or no effort to ensure that such candidates have similar opportunity to win the nomination in races where the party is safe or
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answered: "Tokenism is hypocrisy. One little student in the University of Mississippi, that's hypocrisy. A handful of students in Little Rock, Arkansas, is hypocrisy. A couple of students going to school in Georgia is hypocrisy. Integration in America is hypocrisy in the rawest form. And the whole
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was analyzed to determine how often and in what situations black people were being portrayed in the magazine's cartoon section. Over the 42 years of research, there was only one U.S. black main character in a cartoon where race was not the main theme, race was actually completely irrelevant. All
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field, where women also sometimes face more hostile working environments where discrimination and sexual harassment are more frequent. Women in STEM may experience greater performance pressure to work harder in a male-dominated field while also experiencing social isolation from the males within
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federalized the Arkansas National Guard and enforced federal troops to uphold the law. While this marked the day that ignited change within Arkansas' school system for African-American children, desegregation did not constitute equality. All nine of the students were brutally bullied by white
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of a selected sample of a minority group. Linkov also attributes drawbacks in psychology to Cultural and Numerical Tokenism, instances that have shifted where value of expertise is placed and its effect on proliferating information that is not representative of all the possible facts.
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In professor Kanter's work on tokenism and gender, she found that the problems experienced by women in typically male-dominated occupations were due solely to the skewed proportions of men and women in these occupations. For example, women are often underrepresented within the
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character in a predominantly male cast) or disability. Token characters are usually background characters, and, as such, are usually disposable and are eliminated from the narrative early in the story, in order to enhance the drama, while conserving the main characters.
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cartoons from the earliest times depicted black people in the U.S. in stereotypical roles. In the late 1960s and early 1970s, cartoons were mostly racially themed, and depicted black people in "token" roles where they are only there to create a sense of inclusion.
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appear more visible within the workplace, placing more scrutiny and pressure for them to represent an entire group. Anxiety, stress, exhaustion, guilt, shame and burnout can arise from overworking in efforts to become a good representative of their identity group.
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for awards, particularly in 2015 and 2016, when not a single actor of color was nominated. Around this time, minorities accounted for 12.9% of lead roles in 163 films surveyed in 2014, according to the 2016 Hollywood Diversity Report.
381:(1928–1960), in 1943. Regardless of whether a token character may be stereotypical or not, tokenism can initiate a whole biased perception that may conflict with how people see a specific race, culture, gender or ethnicity. From 374:
Tokenism, in a television setting, can be any act of putting a minority into the mix to create some sort of publicly viewed diversity. A racial divide in TV has been present since the first television show that hired minorities,
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states: “Tokenism is about inserting diverse characters because you feel you have to; true diversity means writing characters that aren't just defined by the color of their skin, and casting the right actor for the role".
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their workplace. The pressure to perform better can be influenced by the stereotype of women being less competent in mathematics and science. These non-inclusive measures contribute to the lack of women in STEM.
469:, was released in 2015, the conversation shifted. Where in the past two trilogies the main three characters were two white men and a white woman, in the new trilogy the main trio consists of a black man ( 329:
In fiction, token characters represent groups which vary from the norm (usually defined as a white, heterosexual male) and are otherwise excluded from the story. The token character can be based on
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within a workplace or educational context. The effort of including a token individual in work or school is usually intended to create the impression of social inclusiveness and
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as an example of tokenism. He wrote that the poll had become "a referendum on political correctness" which "prefers feminist, black, queer politics — not cinephilia.
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Hinton, James L.; Seggar, John F.; Northcott, Herbert C.; Fontes, Brian F. (1974). "Tokenism and improving imagery of blacks in TV drama and comedy: 1973".
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films and the later three prequels, there has been much discussion, on Twitter and Reddit especially, of this use of tokenism. The character of
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Link to external site, this link will open in a new window; Link to external site, this link will open in a new window (September 28, 2020).
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after the election — and thus little to no substantive progress toward greater inclusion of underrepresented groups has actually occurred.
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Just like television, tokenism in the media has changed over time to coincide with real-life events. During the years of 1946-87,
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Rada, James A. (December 1, 2000). "A New Piece to the Puzzle: Examining Effects of Television Portrayals of African Americans".
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Taylor, Charles R.; Stern, Barbara B. (1997). "Asian-Americans: Television Advertising and the "Model Minority" Stereotype".
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The Diversity Paradox: Political Parties, Legislatures, and the Organizational Foundations of Representation in America
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Thibodeau, Ruth (January 1, 1989). "From Racism to Tokenism: The Changing Face of Blacks in New Yorker Cartoons".
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Turner, Caroline Sotello Viernes (2002). "Women of Color in Academe: Living with Multiple Marginality".
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The end result of such an approach is that the party's slate of candidates maintains the appearance of
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diversity, but are the most likely ethnic minority to be placed in the backgrounds of advertisements.
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Pletzer, Jan Luca; Nikolova, Romina; Kedzior, Karina Karolina; Voelpel, Sven Constantin (2015).
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Williamson, Andy; DeSouza, Ruth (June 2006). "Representing Ethnic Communities in the Media".
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Linkov, Václav. "Tokenism In Psychology: Standing On The Shoulders Of Small Boys."
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that constitutes less than 15% of the total employee population of the workplace.
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discussed the subject of tokenism, and how it constitutes a minimal acceptance of
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The Galaxy Is Rated G: Essays on Children's Science Fiction Film and Television
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Making a perfunctory or symbolic effort towards including minority groups
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is the practice of making only a perfunctory or symbolic effort to be
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When the first film of the newest installment of the franchise,
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Editor, Carolina Moreno; Post, The Huffington (May 20, 2016).
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favoured. The "token" candidates are frequently submitted as
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of the United States in the late 1950s. In the face of
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Sex, Politics, and Religion in Star Wars: An Anthology
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In politics, allegations of tokenism may occur when a
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gender representation on corporate boards of directors
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Black Space: Imagining Race in Science Fiction Film
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(1997). 592:Oxford Dictionaries Online 318: 147: 2951: 2940: 2905: 2878: 2847: 2824: 2768: 2745: 2722: 2713: 2686: 2668: 2645: 2622: 2589: 2561: 2533: 2495: 2432: 2423: 2419: 2408: 2335: 2275: 2247: 2218: 2200: 2191: 2166: 2126: 2087: 2059: 2050: 2018: 1990: 1929: 1920: 1916: 1905: 1887: 1430:10.1080/08838157409363756 1155:– via ResearchGate. 614:Oxford English Dictionary 156:became understood in the 1463:Public Opinion Quarterly 877:Academic Search Complete 728:"The Plague of Tokenism" 574: 1418:Journal of Broadcasting 361:), gender (typically a 244:Harvard Business School 2487:Manic Pixie Dream Girl 1911:By ethics and morality 1498:Journal of Advertising 875:48.2 (2014): 143-160. 477:), and a white woman ( 176:Martin Luther King Jr. 3097:Ethnicity in politics 1800:Kanter, Rosabeth Moss 554:Performative activism 210:Little Rock, Arkansas 187:Civil Rights Movement 879:. Web. 10 Mar. 2016. 754:. 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Scarecrow Press. 1125:2015PLoSO..1030005P 1022:Pew Research Center 559:Color-blind casting 549:Smurfette principle 473:), a Hispanic man ( 384:The Huffington Post 3092:Affirmative action 2986:Identity formation 2776:American mappillai 2688:Damsel in distress 2470:Magical girlfriend 2375:(wealthy old men, 1723:10.3390/rel9100304 1372:has generic name ( 832:– via JSTOR. 598:on April 24, 2013. 539:Affirmative action 452:Billy Dee Williams 398:broadcast networks 162:racial segregation 3107:Politics and race 3102:Identity politics 3079: 3078: 3075: 3074: 2956:Adolescent clique 2936: 2935: 2932: 2931: 2928: 2927: 2709: 2708: 2445:Farmer's daughter 2414:By sex and gender 2404: 2403: 2400: 2399: 2396: 2395: 2187: 2186: 2046: 2045: 1967:Mythological king 1821:978-0-465-04454-2 1668:978-0-8108-8514-1 1641:978-0-292-77876-4 1611:978-0-7864-5875-2 849:UALR Public Radio 751:Why We Can't Wait 665:978-0-13-206931-1 651:Social Psychology 467:The Force Awakens 460:Samuel L. Jackson 167:Why We Can't Wait 119: 118: 111: 93: 3129: 3122:1950s neologisms 3112:Stock characters 3002:Little green men 2991:Imaginary friend 2942: 2941: 2898: 2720: 2719: 2660:Mammy stereotype 2614:Yamato nadeshiko 2430: 2429: 2421: 2420: 2410: 2409: 2285:Bug-eyed monster 2249:Social Darwinist 2198: 2197: 2174:Good cop/bad cop 2057: 2056: 1927: 1926: 1918: 1917: 1907: 1906: 1881:Stock characters 1874: 1867: 1860: 1851: 1850: 1839: 1825: 1809: 1787: 1786: 1771: 1762: 1761: 1759: 1757: 1742: 1736: 1735: 1725: 1701: 1695: 1694: 1682: 1673: 1672: 1652: 1646: 1645: 1625: 1616: 1615: 1595: 1589: 1588: 1586: 1584: 1569: 1563: 1562: 1552: 1550:10.3390/h9030067 1528: 1522: 1521: 1493: 1487: 1486: 1458: 1452: 1451: 1449: 1440: 1434: 1433: 1413: 1407: 1406: 1404: 1384: 1378: 1377: 1371: 1367: 1365: 1357: 1355: 1353: 1336: 1330: 1329: 1301: 1295: 1294: 1292: 1290: 1274: 1268: 1267: 1265: 1263: 1249: 1241: 1235: 1234: 1216: 1207: 1205: 1203: 1201: 1189: 1183: 1182: 1180: 1178: 1163: 1157: 1156: 1146: 1136: 1104: 1093: 1092: 1076: 1059: 1058: 1056: 1054: 1039: 1033: 1032: 1030: 1028: 1013: 1007: 1006: 1004: 1002: 987: 981: 980: 958: 952: 951: 949: 947: 932: 926: 920: 907: 906: 886: 880: 869: 860: 859: 857: 855: 840: 834: 833: 822:10.2307/27648479 801: 792: 791: 789: 787: 772: 766: 765: 745: 739: 738: 736: 734: 723: 717: 716: 676: 670: 669: 645: 639: 638: 625: 619: 618: 606: 600: 599: 594:. Archived from 584: 448:Lando Calrissian 298:paper candidates 238:In the workplace 225:In the field of 114: 107: 103: 100: 94: 92: 51: 27: 19: 3137: 3136: 3132: 3131: 3130: 3128: 3127: 3126: 3082: 3081: 3080: 3071: 2947: 2924: 2901: 2874: 2843: 2826:Prince Charming 2820: 2816:Superfluous man 2811:Nice Jewish boy 2764: 2741: 2705: 2682: 2664: 2647:Lady-in-waiting 2641: 2618: 2585: 2557: 2529: 2515:Fairy godmother 2491: 2415: 2392: 2331: 2271: 2243: 2214: 2183: 2162: 2141:Gentleman thief 2122: 2115: and  2083: 2042: 2014: 1986: 1912: 1901: 1883: 1878: 1832: 1822: 1795: 1790: 1780:National Review 1772: 1765: 1755: 1753: 1743: 1739: 1702: 1698: 1683: 1676: 1669: 1653: 1649: 1642: 1626: 1619: 1612: 1596: 1592: 1582: 1580: 1570: 1566: 1529: 1525: 1494: 1490: 1459: 1455: 1447: 1441: 1437: 1414: 1410: 1402:10.1.1.515.6283 1385: 1381: 1369: 1368: 1359: 1358: 1351: 1349: 1337: 1333: 1302: 1298: 1288: 1286: 1275: 1271: 1261: 1259: 1252:The Independent 1242: 1238: 1231: 1217: 1210: 1199: 1197: 1190: 1186: 1176: 1174: 1164: 1160: 1105: 1096: 1077: 1062: 1052: 1050: 1040: 1036: 1026: 1024: 1014: 1010: 1000: 998: 988: 984: 959: 955: 945: 943: 933: 929: 921: 910: 903: 895:. Basic Books. 887: 883: 870: 863: 853: 851: 841: 837: 802: 795: 785: 783: 773: 769: 762: 746: 742: 732: 730: 724: 720: 697:10.2307/3512083 677: 673: 666: 646: 642: 627: 626: 622: 608: 607: 603: 586: 585: 581: 577: 572: 520: 510:Sight and Sound 438: 415: 389:America Ferrera 372: 327: 317: 293:political party 289: 240: 223: 158:popular culture 150: 138:gender equality 130:minority groups 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 3135: 3125: 3124: 3119: 3114: 3109: 3104: 3099: 3094: 3077: 3076: 3073: 3072: 3070: 3069: 3064: 3059: 3054: 3052:Tragic mulatto 3049: 3044: 3039: 3034: 3029: 3027:Shoulder angel 3024: 3019: 3014: 3009: 3004: 2999: 2998:("The Lovers") 2993: 2988: 2983: 2978: 2973: 2968: 2963: 2958: 2952: 2949: 2948: 2938: 2937: 2934: 2933: 2930: 2929: 2926: 2925: 2923: 2922: 2917: 2911: 2909: 2903: 2902: 2900: 2899: 2890: 2884: 2882: 2876: 2875: 2873: 2872: 2867: 2862: 2857: 2851: 2849: 2845: 2844: 2842: 2841: 2836: 2830: 2828: 2822: 2821: 2819: 2818: 2813: 2808: 2803: 2798: 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New York: 1805: 1793:Bibliography 1783: 1779: 1756:November 21, 1754:. Retrieved 1751:The Guardian 1750: 1740: 1713: 1709: 1699: 1690: 1657: 1650: 1630: 1600: 1593: 1583:November 26, 1581:. Retrieved 1577: 1567: 1540: 1536: 1526: 1504:(2): 47–61. 1501: 1497: 1491: 1466: 1462: 1456: 1438: 1421: 1417: 1411: 1395:(1): 20–23. 1392: 1388: 1382: 1370:|last1= 1350:. Retrieved 1344: 1334: 1309: 1305: 1299: 1287:. Retrieved 1283:The Guardian 1282: 1272: 1260:. Retrieved 1251: 1239: 1220: 1198:. Retrieved 1196:. p. B3 1187: 1177:December 10, 1175:. Retrieved 1171: 1161: 1116: 1112: 1088: 1084: 1053:November 20, 1051:. Retrieved 1047: 1037: 1027:November 20, 1025:. Retrieved 1021: 1011: 1001:November 20, 999:. Retrieved 995: 985: 971:(1): 74–93. 968: 962: 956: 946:November 20, 944:. Retrieved 940: 930: 891: 884: 876: 872: 854:December 10, 852:. Retrieved 848: 838: 813: 809: 786:December 10, 784:. Retrieved 780: 770: 750: 743: 731:. 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London 1256:Archived 1200:July 16, 1153:26086454 1113:PLOS ONE 830:27648479 544:Quotaism 518:See also 347:religion 339:Hispanic 170:(1964), 154:tokenism 122:Tokenism 2915:Pachuco 2907:Bad boy 2865:Caveman 2732:Pierrot 2637:Laotong 2632:Class S 2475:Catgirl 2460:IngĂ©nue 2440:BishĹŤjo 2373:Vecchio 2320:Zombies 2136:Bad boy 2117:Pierrot 2111:,  2109:Scapino 2107:,  2103:,  1972:Paladin 1518:4189033 1144:4473005 1121:Bibcode 977:1558448 713:3512083 148:History 83:scholar 2946:Others 2581:Virago 2343:Alazon 2146:Pirate 2128:Outlaw 2052:Rogues 1922:Heroes 1818:  1730:  1665:  1638:  1608:  1557:  1516:  1481:  1399:  1324:  1227:  1151:  1141:  996:Health 975:  899:  828:  758:  711:  703:  662:  497:G.B.F. 454:) and 363:female 355:Muslim 351:Jewish 349:(e.g. 333:(e.g. 309:caucus 134:racial 85:  78:  71:  64:  56:  2976:Donor 2966:Clown 2781:Himbo 2769:Young 2510:Crone 2368:Miser 2336:Other 2167:Other 2097:Zanni 2019:Other 1514:JSTOR 1448:(PDF) 1322:S2CID 973:JSTOR 826:JSTOR 709:JSTOR 575:Notes 343:Asian 335:black 90:JSTOR 76:books 2981:Fool 2880:LGBT 2796:Jock 2791:Jack 2624:LGBT 2379:and 2358:Igor 2221:mole 2219:The 2179:Rake 2074:Jack 1892:List 1816:ISBN 1758:2021 1663:ISBN 1636:ISBN 1606:ISBN 1585:2018 1479:ISSN 1374:help 1354:2017 1291:2010 1264:2010 1225:ISBN 1202:2018 1179:2021 1149:PMID 1055:2021 1029:2021 1003:2021 948:2021 897:ISBN 856:2021 788:2021 756:ISBN 735:2017 701:ISSN 660:ISBN 404:and 323:and 268:STEM 62:news 2497:Hag 1718:doi 1545:doi 1506:doi 1471:doi 1426:doi 1314:doi 1172:NPR 1139:PMC 1129:doi 941:SHL 818:doi 693:doi 494:In 481:). 406:ABC 402:NBC 359:gay 345:), 136:or 45:by 3088:: 1814:. 1782:. 1778:. 1766:^ 1749:. 1726:. 1712:. 1708:. 1689:. 1677:^ 1620:^ 1576:. 1553:. 1539:. 1535:. 1512:. 1502:26 1500:. 1477:. 1467:53 1465:. 1422:18 1420:. 1391:. 1366:: 1364:}} 1360:{{ 1343:. 1320:. 1310:44 1308:. 1281:. 1250:. 1211:^ 1170:. 1147:. 1137:. 1127:. 1117:10 1115:. 1111:. 1097:^ 1089:16 1087:. 1083:. 1063:^ 1046:. 1020:. 994:. 969:73 967:. 939:. 911:^ 864:^ 847:. 824:. 814:70 812:. 808:. 796:^ 779:. 707:. 699:. 689:38 687:. 683:. 631:. 590:. 387:, 353:, 341:, 337:, 242:A 2383:) 2119:) 1873:e 1866:t 1859:v 1824:. 1760:. 1734:. 1720:: 1714:9 1671:. 1644:. 1614:. 1587:. 1561:. 1547:: 1541:9 1520:. 1508:: 1485:. 1473:: 1450:. 1432:. 1428:: 1405:. 1393:1 1376:) 1356:. 1328:. 1316:: 1293:. 1266:. 1233:. 1206:. 1204:. 1181:. 1131:: 1123:: 1057:. 1031:. 1005:. 979:. 950:. 925:. 905:. 858:. 820:: 790:. 764:. 737:. 715:. 695:: 668:. 637:. 617:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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