1953:
3308:
95:
2055:, wrote that readers should "take no account of the standard interpretation", "reject in no uncertain terms the distinction drawn between songs evicting a good state of morals and songs attesting to perverted morality", and " all symbolic interpretations, and likewise any interpretation that supposes a refined technique on the part of the poets". These traditional allegories of politics and morality are no longer seriously followed by any modern readers in China or elsewhere.
3294:
1531:
3322:
1981:, though frequently on simple, rustic subjects, have traditionally been saddled with extensive, elaborate allegorical meanings that assigned moral or political meaning to the smallest details of each line. The popular songs were seen as good keys to understanding the troubles of the common people, and were often read as allegories, and complaints against lovers were seen as complaints against faithless rulers. Confucius taught that the
3280:
1182:
or syntactically matched lines within a specific poem share the same, identical words (or characters) to a large degree, as opposed to confining the parallelism between lines to using grammatical category matching of the words in one line with the other word in the same position in the corresponding line; but, not by using the same, identical word(s). Disallowing verbal repetition within a poem would by the time of
1053:"Court Hymns" contains "Lesser Court Hymns" and "Major Court Hymns". Most of the poems were used by the aristocrats to pray for good harvests each year, worship gods, and venerate their ancestors. The authors of "Major Court Hymns" are nobles who were dissatisfied with the political reality. Therefore, they wrote poems not only related to the feast, worship, and epic but also to reflect the public feelings.
34:
1653:. After the officials returned from their missions, the king was said to have observed them himself in an effort to understand the current condition of the common people. The well-being of the people was of special concern to the Zhou because of their ideological position that the right to rule was based on the benignity of the rulers to the people in accordance with the will of
1167:
All but six of the "Eulogies" consist of a single stanza, and the "Court Hymns" exhibit wide variation in the number of stanzas and their lengths. Almost all of the "Airs", however, consist of three stanzas, with four-line stanzas being most common. Although a few rhyming couplets occur, the standard
2006:
can be a source of inspiration and a basis for evaluation; they can help you to come together with others, as well as to properly express complaints. In the home, they teach you about how to serve your father, and in public life they teach you about how to serve your lord. They also broadly acquaint
1542:
poems involved the appointment of officials, whose duties included documenting verses current from the various states which constituted the empire. Out of these many collected pieces, also according to tradition, Confucius made a final editorial round of decisions for elimination or inclusion in the
1181:
is that they tend to possess "elements of repetition and variation". This results in an "alteration of similarities and differences in the formal structure: in successive stanzas, some lines and phrases are repeated verbatim, while others vary from stanza to stanza". Characteristically, the parallel
881:
The "Airs of the States" are shorter lyrics in simple language that are generally ancient folk songs which record the voice of the common people. They often speak of love and courtship, longing for an absent lover, soldiers on campaign, farming and housework, and political satire and protest. The
2097:
As the idea of allegorical expression grew, when kingdoms or feudal leaders wished to express or validate their own positions, they would sometimes couch the message within a poem, or by allusion. This practice became common among educated
Chinese in their personal correspondences and spread to
1661:
would be withdrawn upon the failure of the ruling dynasty to ensure the prosperity of their subjects. The people's folksongs were deemed to be the best gauge of their feelings and conditions, and thus indicative of whether the nobility was ruling according to the mandate of Heaven or not.
1502:. Many of the songs appear to be folk songs and other compositions used in the court ceremonies of the aristocracy. Furthermore, many of the songs, based on internal evidence, appear to be written either by women, or from the perspective of a female
1135:
poems were folk songs or not, they "all seem to have passed through the hands of men of letters at the royal Zhou court". In other words, they show an overall literary polish together with some general stylistic consistency. About 95% of
1744:
told the story: "The Master once stood by himself, and I hurried to seek teaching from him. He asked me, 'You've studied the Odes?' I answered, 'Not yet.' He replied, 'If you have not studied the Odes, then I have nothing to say.'"
1718:
in some way or another to
Confucius, who by the 1st century BCE had become the model of sages and was believed to have maintained a cultural connection to the early Zhou dynasty. This view is now generally discredited, as the
1765:, and the songs had to be reconstructed largely from memory in the subsequent Han period. However the discovery of pre-Qin copies showing the same variation as Han texts, as well as evidence of Qin patronage of the
2037:' focus upon such a seemingly simple and ordinary collection of verses. These elaborate, far-fetched interpretations seem to have gone completely unquestioned until the 12th century, when scholar Zheng Qiao (
1485:
does not specify the names of authors in association with the contained works, both traditional commentaries and modern scholarship have put forth hypotheses on authorship. The "Golden Coffer" chapter of the
1662:
Accordingly, the songs were collected from the various regions, converted from their diverse regional dialects into standard literary language, and presented accompanied with music at the royal courts.
1168:
pattern in such four-line stanzas required a rhyme between the second and fourth lines. Often the first or third lines would rhyme with these, or with each other. This style later became known as the "
1050:
and dynastic hymns which praise the founders of the Zhou dynasty. They also include hymns used in sacrificial rites and songs used by the aristocracy in their sacrificial ceremonies or at banquets.
1413:, with the rhyme words even having the same tone, but the first stanza does not rhyme in Middle Chinese or any modern variety. Such cases were attributed to lax rhyming practice until the late-
1205:
qualities, which relates to the musical accompaniment with which they were in their early days performed. The songs from the "Hymns" and "Eulogies", which are the oldest material in the
1220:
are rhyming, with end rhyme, as well as frequent internal rhyming. While some of these verses still rhyme in modern varieties of
Chinese, others had ceased to rhyme by the
1209:, were performed to slow, heavy accompaniment from bells, drums, and stone chimes. However, these and the later actual musical scores or choreography which accompanied the
1625:
The
Confucian school eventually came to consider the verses of the "Airs of the States" to have been collected in the course of activities of officers dispatched by the
5019:
5374:
2086:, prior to their final triumph over the neighboring states: the suppression of Confucian and other thought and literature after the Qin victories and the start of
1046:
On the other hand, songs in the two "Hymns" sections and the "Eulogies" section tend to be longer ritual or sacrificial songs, usually in the forms of courtly
2078:
became a foundational text which informed and validated literature, education, and political affairs. The
Legalists, on their side, attempted to suppress the
1977:
has been a revered
Confucian classic since the Han dynasty, and has been studied and memorized by centuries of scholars in China. The individual songs of the
5026:
1714:
from a larger 3,000-piece collection to its traditional 305-piece form. This claim is believed to reflect an early
Chinese tendency to relate all of the
3099:
1551:
has been annotated and commented on continuously throughout history, as well as in this case providing a model to inspire future poetic works.
2066:
became an important and controversial force, influencing political, social and educational phenomena. During the struggle between
Confucian,
5002:
1252:
4465:, Berkeley: Society for the Study of Early China; Institute of East Asian Studies, University of California Berkeley, pp. 415–423,
3149:
1629:
court, whose duties included the field collection of the songs local to the territorial states of Zhou. This territory was roughly the
1554:
Various traditions concern the gathering of the compiled songs and the editorial selection from these make up the classic text of the
5392:
5076:
624:(four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the
1877:
said that its text was descended from the first generation of
Confucius' students, and as such should be the authoritative version.
618:, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of
353:
4772:
2087:
1758:
893:), is a well-known example of the category. Confucius commented on it, and it was traditionally given special interpretive weight.
3005:
1590:" that Confucius personally selected the "300" which he felt best conformed to traditional ritual propriety, thus producing the
1233:) has a tightly constrained structure implying rhymes between the penultimate words (here shown in bold) of each pair of lines:
5533:
4633:
4492:
4470:
4447:
4421:
4402:
4347:
4324:
4302:
4246:
4224:
4168:
4125:
4102:
4080:
674:
later became a generic term for poetry. In
English, lacking an exact equivalent for the Chinese, the translation of the word
336:
5523:
5508:
5498:
5139:
4686:
1646:
1473:
tend to have certain typical patterns in both rhyme and rhythm, to make much use of imagery, often derived from nature.
3116:
5098:
4732:
1952:
5367:
4579:
4560:
4541:
4518:
3126:
5528:
5454:
4887:
4261:
1605:(at least part of it). The manuscript has been published in the first volume of this collection of manuscripts,
5488:
5417:
3138:
2822:
2320:
2190:
1702:
1598:
1582:
455:
239:
118:
4358:
5069:
2812:
2177:
2067:
1706:
was the first work to directly attribute the work to Confucius. Subsequent Confucian tradition held that the
134:
4811:
4765:
1675:
678:
in this regard is generally as "poem", "song", or "ode". Before its elevation as a canonical classic, the
361:
344:
5518:
5503:
4412:
Kern, Martin (2010), "Early Chinese Literature, Beginnings Through Western Han", in Owen, Stephen (ed.),
3037:
5538:
5483:
5312:
218:
4502:
4286:
3434:, with corresponding substitutions for the fourth character of each line within the body of the poem.
1036:
5493:
5217:
5176:
5062:
4908:
4795:
3340:
741:
531:
20:
1865:) who lived during the 2nd or 3rd centuries BCE, was not officially recognized until the reign of
5339:
5323:
5305:
5298:
5273:
4758:
3345:
2973:
Note: alternative divisions may be topical or chronological (Legge): Song, Daya, Xiaoya, Guofeng
878:
can be divided into two main sections: the "Airs of the States", and the "Eulogies" and "Hymns".
1597:
In 2015 the Anhui University purchased a group of looted manuscripts, among which is one of the
1160:, with occasional parallelism, and longer poems are generally divided into similarly structured
4997:
4701:
4383:
4339:
4717:
4800:
4570:
Shi, Zhongwen; Hu, Xiaowen (2011), "The History of Literature in the Warring States Period",
2030:
1936:
1903:. Zheng Xuan's edition of the Mao text was itself the basis of the "Right Meaning of the Mao
1836:
1630:
1518:
period canonical status. Despite the impersonality of the poetic voice characteristic of the
1430:
629:
2047:
ignored these traditional interpretations in their analysis of the original meanings of the
1985:
were a valuable focus for knowledge and self-cultivation, as recorded in an anecdote in the
5513:
5431:
5346:
5114:
4946:
4829:
4156:
2043:, 1104–1162) first wrote his scepticism of them. European sinologists like Giles and
1823:(156–87 BCE). Until the later years of the Eastern Han period, the dominant version of the
3063:
2155:), seeing it as part of a greater narrative discourse in China that extols the virtues of
1510:
was made much of in the process of attempting to give the poems of the women poets of the
1465:
1447:
1440:
identified three major literary devices employed in the songs: straightforward narrative (
8:
4901:
3049:
2419:
1866:
379:
3067:
2997:
2993:
1688:
and a recently excavated manuscript from 300 BCE entitled "Confucius' Discussion of the
5054:
4894:
4660:
4431:
4291:
4199:
3093:
3014:
1935:
in use today. Only isolated fragments of the Lu text survive, among the remains of the
1522:, many of the poems are written from the perspective of various generic personalities.
726:, but is generally considered quite late in date. According to the Eastern Han scholar
275:
267:
1927:
By the 5th-century, the Lu, Qi, and Han traditions had died out, leaving only the Mao
294:
5438:
5203:
5187:
5155:
4824:
4747:
at Chinese Notes; Chinese and English parallel text with matching dictionary entries.
4629:
4622:
4575:
4556:
4537:
4514:
4507:
4488:
4466:
4443:
4417:
4398:
4343:
4320:
4298:
4242:
4220:
4213:
4164:
4121:
4098:
4090:
4076:
3145:
3134:
3122:
1820:
1819:) were officially recognized with chairs at the Imperial Academy during the reign of
1658:
1488:
706:
contains the oldest chronologically authenticated Chinese poems. The majority of the
202:
194:
3026:
5424:
5085:
5043:
4652:
4603:
4191:
4135:
3335:
3181:
3164:
2531:
2127:
1586:, where it says from originally some 3,000 songs and poems in a previously extant "
1410:
1068:
659:
610:, comprising 305 works dating from the 11th to 7th centuries BC. It is one of the "
159:
43:
718:
area. A final section of 5 "Eulogies of Shang" purports to be ritual songs of the
4736:
4532:
Poetry and Didacticism in Ancient Chinese Literature". In Mair, Victor H. (ed.).
2142:
1191:
4690:
from the Chinese Text Initiative, University of Virginia: Chinese text based on
4234:
2138:
are also quite different from the Old Chinese language represented in the Odes.
513:
423:
402:
141:
125:
5332:
5280:
5245:
5128:
5107:
4781:
4113:
3327:
1221:
1187:
1145:
607:
315:
308:
180:
94:
4608:
2130:. Although preserving more Old Chinese syllable endings than Mandarin, Modern
1736:
in such a way as to indicate that he holds it in great esteem. A story in the
1456:
714:
period (1046–771 BCE), and were drawn from around provinces and cities in the
5477:
5252:
5224:
5210:
5162:
4711:
4480:
4270:
4256:
3285:
3081:
2359:
2146:
2044:
2026:
1932:
1883:
1762:
1715:
1137:
723:
719:
611:
4195:
1729:
already existed in a definitive form when Confucius was just a young child.
386:
5461:
5447:
5089:
4966:
4915:
4726:
4312:
4142:, vol. 1, Montreal: Center for East Asian Research, McGill University.
3313:
3299:
3247:
3112:
3069:
Cheu-king; Texte chinois avec une double traduction en français et en Latin
2461:
2244:
1679:
1626:
1515:
1511:
1499:
1422:
1414:
1170:
711:
667:
646:
625:
395:
284:
166:
4440:
Ancient and Early Medieval Chinese Literature: A Reference Guide, Part Two
5410:
4973:
4959:
4952:
4854:
4849:
4844:
4839:
4834:
4695:
4617:
3404:
3400:
3362:
2984:
2500:
2440:
2119:
2083:
1777:
1566:
1442:
1183:
663:
329:
104:
55:
1887:, written in the 2nd-century CE, quotes almost exclusively from the Mao
492:
5353:
4929:
4819:
4742:
4203:
4178:
Dobson, W. A. C. H. (1964), "Linguistic Evidence and the Dating of the
3293:
3199:
2380:
1892:
1832:
1530:
727:
211:
107:(top), Traditional (middle), and Simplified (bottom) Chinese characters
4664:
4416:, vol. 1, Cambridge: Cambridge University Press, pp. 1–115,
3031:. The Sacred Books of China. Vol. 3. Oxford, The Clarendon press.
2827:
2817:
2539:
2536:
2198:
2195:
2185:
2182:
2160:
5238:
3028:
The Shû king. The religious portions of the Shih king. The Hsiâo king
2151:
2131:
2034:
1840:
1721:
1711:
1697:
1571:
1047:
715:
615:
506:
232:
1920:) which became the imperially authorized text and commentary on the
5259:
5121:
4922:
4656:
4590:
Smith, Adam; Poli, Maddalena (2021), "Establishing the text of the
3074:
Shijing; Chinese Text With a Double Translation in French and Latin
1987:
1684:
1634:
478:
253:
4679:
3321:
3133:
Rpt. New York: Grove Press, 1996, with a Preface by Joseph Allen.
2149:
in the "Major Court Hymns" as the "Weniad" (a name that parallels
5231:
5169:
4750:
3357:
3351:
2135:
2118:
often focuses on doing linguistic reconstruction and research in
1878:
1869:(1 BCE to 6 CE). However, during the Eastern Han period, the Mao
1772:
During the Han period there were three different versions of the
1741:
1650:
1503:
1425:. Since Chen, scholars have analyzed the rhyming patterns of the
1418:
1161:
1157:
1149:
620:
320:
291:
3279:
1538:
According to tradition, the method of collection of the various
4880:
4691:
2845:
40 total praises, hymns, or eulogies sung at spirit sacrifices
2832:
2544:
2203:
2082:
by violence, after the Legalist philosophy was endorsed by the
1245:
1202:
1153:
1152:
between the second and third syllables. Lines tend to occur in
416:
3204:
The Confucian Odes: The Classic Anthology Defined by Confucius
2090:
era, starting in 213 BCE, extended to attempt to prohibit the
1506:. The repeated emphasis on female authorship of poetry in the
1023:
883:
4980:
4397:, Seattle: University of Washington Press, pp. 149–193,
4293:
The Songs of the South: An Ancient Chinese Anthology of Poems
4073:
The Shape of the Turtle: Myth, Art, and Cosmos in Early China
2103:
2099:
1642:
1638:
628:, its rhyme patterns have also been analysed in the study of
432:
299:
4361:
Investigations of the Ancient Pronunciations of the Mao Odes
3746:
3744:
1873:
gradually became the primary version. Proponents of the Mao
5360:
5266:
3611:
3609:
3607:
1654:
670:
as the guiding principle of Chinese society. The same word
33:
5020:
Sunflower Splendor: Three Thousand Years of Chinese Poetry
4643:
Wang, C. H. (1975), "Towards Defining a Chinese Heroism",
4138:(2001), "Gender and Canonicity", in Fong, Grace S. (ed.),
3662:
1899:
as the basis for his annotated 2nd-century edition of the
1835:, and founded by Shen Pei, a student of a disciple of the
5375:
Questions and Replies between Tang Taizong and Li Weigong
3941:
3939:
3756:
3741:
3717:
3683:
3681:
3679:
3677:
3628:
3626:
3624:
2021:
The extensive allegorical traditions associated with the
1547:. As with all great literary works of ancient China, the
358:
341:
272:
258:
244:
5084:
4536:. New York: Columbia University Press. pp. 97–109.
3792:
3729:
3604:
3545:
3474:
3472:
3470:
3468:
2172:
Summary of groupings of poems from the Classic of Poetry
2070:, and other schools of thought, the Confucians used the
2051:. Granet, in his list of rules for properly reading the
2007:
you with the names of birds, beasts, plants, and trees.
1732:
In works attributed to him, Confucius comments upon the
223:
4014:
4012:
4010:
3981:
3979:
3926:
3924:
3855:
2074:
to bolster their viewpoint. On the Confucian side, the
4624:
Chinese Poetry: An Anthology of Major Modes and Genres
4596:
Bulletin of the School of Oriental and African Studies
4509:
An Anthology of Chinese Literature: Beginnings to 1911
4036:
3936:
3828:
3705:
3674:
3621:
536:
4048:
4024:
3911:
3909:
3907:
3905:
3903:
3901:
3899:
3897:
3884:
3882:
3845:
3843:
3804:
3693:
3592:
3465:
3051:
The Shi King: The Old "Poetry Classic" of the Chinese
2163:"literature, culture") over more military interests.
1606:
1421:
argued that the original rhymes had been obscured by
199:
185:
171:
4730:
and collated commentaries (Harrison Huang's website)
4438:詩經". In Knechtges, David R.; Chang, Taiping (eds.).
4007:
3976:
3951:
3921:
3570:
3568:
3566:
3564:
3562:
3560:
3533:
3496:
3275:
3000:. rpt. Hong Kong: Hong Kong University Press (1960).
1859:), attributed to an obscure scholar named Máo Hēng (
1063:
Reverent and concordant the illustrious assistants.
882:
first song of the "Airs of the States", "Fishhawk" (
740:) in the "Odes of Chen", dated to the middle of the
460:
5027:
The Columbia Anthology of Modern Chinese Literature
3816:
3484:
1409:The second and third stanzas still rhyme in modern
4621:
4506:
4290:
4212:
3894:
3879:
3840:
3768:
3650:
3580:
3508:
2126:, which show vast differences when read in modern
1769:, have led modern scholars to doubt this account.
3780:
3638:
3557:
3399:) appellation would not have been used until the
3186:Bulletin of the Museum of Far Eastern Antiquities
3169:Bulletin of the Museum of Far Eastern Antiquities
3104:Translated into English by E. D. Edwards (1932),
5475:
400:
384:
4241:, New Haven and London: Yale University Press,
3157:. Stockholm: Museum of Far Eastern Antiquities.
1177:One of the characteristics of the poems in the
640:Early references refer to the anthology as the
1429:as crucial evidence for the reconstruction of
614:" traditionally said to have been compiled by
511:
497:
483:
19:"Shijing" redirects here. For other uses, see
5070:
4766:
4430:
3429:
3423:
3417:
3394:
3382:
3380:
3378:
3206:. Cambridge, Mass.: Harvard University Press.
2957:
2939:
2921:
2903:
2885:
2867:
2794:
2776:
2758:
2731:
2721:
2703:
2685:
2667:
2649:
2631:
2613:
2595:
2577:
2513:
2492:
2474:
2453:
2432:
2411:
2393:
2372:
2351:
2333:
2312:
2294:
2276:
2258:
2236:
2038:
1996:
1961:
1914:
1908:
1860:
1851:
1811:
1798:
1785:
1612:
1580:) refers to Confucius and his mention in the
1575:
1559:
1493:
1225:
1111:
1028:
1005:
992:
979:
966:
953:
888:
855:
837:
819:
801:
783:
765:
735:
597:
139:
123:
4680:Bilingual Chinese-English searchable edition
4628:, Durham and London: Duke University Press,
4463:Early Chinese Texts: A Bibliographical Guide
4111:
2989:The She-king, or the Lessons from the States
1891:. Finally, the renowned Eastern Han scholar
1065:Dignified, dignified are the many officers,
437:
421:
4594:: The Anhui University Bamboo Manuscript",
4414:The Cambridge History of Chinese Literature
4155:
3615:
3007:The She king, or The Book of Ancient Poetry
1692:", mention Confucius' involvement with the
1073:Responding in praise to the one in Heaven,
722:as handed down by their descendants in the
5077:
5063:
4773:
4759:
4534:The Columbia History of Chinese Literature
3375:
3098:: CS1 maint: location missing publisher (
1682:. Some pre-Qin dynasty texts, such as the
1498:) in the "Odes of Bin" was written by the
93:
5393:The Nine Chapters on the Mathematical Art
4607:
4589:
4338:, Ann Arbor: Center for Chinese Studies,
4333:
3861:
3798:
2016:, chapter 17 (Edward Slingerland, trans.)
4645:Journal of the American Oriental Society
4513:. New York: W. W. Norton & Company.
4442:. Leiden: E.J. Brill. pp. 904–915.
4367:) and Textual Research in the Late Ming"
4319:, New York: Farrar, Straus, and Giroux,
3165:"The Book of Odes: Kuo Feng and Siao Ya"
2088:Burning of Books and Burying of Scholars
1951:
1534:Map of states during Western Zhou period
1529:
606:), is the oldest existing collection of
4698:, with Chinese names updated to pinyin.
4574:, China: China Books Publishing House,
4555:, Stanford: Stanford University Press,
4275:Fêtes et chansons anciennes de la Chine
4233:
3834:
3735:
3687:
3668:
3232:. Shanghai: Shanghai Guji Chubanshe and
3086:Fêtes et chansons anciennes de la Chine
2977:
1757:and other classics were targets of the
1558:: "Royal Officials' Collecting Songs" (
1186:be one of the rules to distinguish the
5476:
4550:
4527:
4317:Classical Chinese Poetry: An Anthology
4311:
4285:
4269:
4239:The Flowering Plum and the Palace Lady
4177:
4161:Sources of Chinese Tradition: Volume I
4089:
4042:
4001:
3997:
3985:
3970:
3822:
3810:
3762:
3750:
3723:
3699:
3551:
3539:
3502:
3490:
3264:Il Libro delle Odi: edizione integrale
2122:by analyzing the rhyme schemes in the
2058:
1678:, the canonical works associated with
1674:historically has a major place in the
1224:period. For example, the eighth song (
274:
201:
5058:
4754:
4694:'s edition; English translation from
4569:
4479:
4456:
4356:
4255:
4210:
4146:
4134:
4070:
4030:
4018:
3957:
3945:
3930:
3774:
3711:
3644:
3632:
3514:
3478:
3039:Confucii Chi-King sive Liber Carminum
2109:
1998:詩可以興，可以觀，可以群，可以怨。邇之事父，遠之事君。多識於鳥獸草木之名。
1947:
1174:" style for much of Chinese history.
1077:Greatly illustrious, greatly honored,
1075:They hurry swiftly within the temple.
946:With bells and drums do her delight.
4722:at the Internet Sacred Text Archive.
4710:. Chinese text with James Legge and
4642:
4501:
4411:
4381:
4334:Idema, Wilt L.; Haft, Lloyd (1997),
4279:Ancient Festivals and Songs of China
4054:
3915:
3888:
3849:
3656:
3598:
3586:
3574:
3106:Festivals and Songs of Ancient China
2991:. The Chinese Classics. Vol. 4.
2214:"Airs of the States", poems 001–160
1055:
895:
16:Collection of ancient Chinese poetry
4616:
4147:Davis, Albert Richard, ed. (1970),
4120:. Oxford: Oxford University Press.
4095:A Handbook of Old Chinese Phonology
3786:
3076:]. Hokkien: Mission Catholique.
2728:"Major Court Hymns" poems 235–265;
2555:"Lesser Court Hymns" poems 161–234
2141:C.H. Wang refers to the account of
928:He tossed from one side to another.
13:
4780:
4553:The Problem of a Chinese Aesthetic
4215:Chinese Civilization: A Sourcebook
3422:may sometimes be used in place of
3182:"The Book of Odes: Ta Ya and Sung"
1525:
924:Waking, sleeping, thought of her,
922:Wanting, sought her, had her not,
14:
5550:
5368:Three Strategies of Huang Shigong
4673:
4149:The Penguin Book of Chinese Verse
4140:Hsiang Lectures on Chinese Poetry
4118:Old Chinese: A New Reconstruction
3013:. London: Trübner. Archived from
1776:which each belonged to different
940:Watercress grows here and there,
931:Watercress grows here and there,
734:was the song "Tree-Stump Grove" (
5455:The Twenty-four Filial Exemplars
4219:(2nd ed.), The Free Press,
3320:
3306:
3292:
3278:
3056:; rpt. New York: Paragon (1969).
2166:
1753:According to Han tradition, the
1608:Anhui daxue cang Zhanguo zhujian
1061:Ah! Solemn is the clear temple,
937:With harps we bring her company.
913:Watercress grows here and there,
32:
4888:New Songs from the Jade Terrace
4262:A History of Chinese Literature
3991:
3963:
3867:
3437:
3410:
3266:. Milano, Italy: Luni Editrice.
3218:(in Japanese). Tokyo: Shūeisha.
1436:Traditional scholarship of the
1216:Nearly all of the songs in the
1144:are written in a four-syllable
942:Right and left we pick it out.
750:
359:
342:
321:
300:
273:
259:
245:
224:
65:Ancient Chinese poetry and song
5418:Biographies of Exemplary Women
4461:詩經", in Loewe, Michael (ed.),
4395:Text and Ritual in Early China
4063:
3520:
2837:
2826:
2816:
2736:) for solemn court ceremonies
2549:
2208:
2194:
2181:
1966:), an early discussion of the
1748:
1703:Records of the Grand Historian
1620:
1583:Records of the Grand Historian
1464:
1446:
1398:tshoj tshoj bju yi, bak ngjon
1375:tshoj tshoj bju yi, bak ngjon
1347:tshoj tshoj bju yi, bak ngjon
1324:tshoj tshoj bju yi, bak ngjon
1296:tshoj tshoj bju yi, bak ngjon
1273:tshoj tshoj bju yi, bak ngjon
1067:Holding fast to the virtue of
944:Gentle maiden, pure and fair,
935:Gentle maiden, pure and fair,
658:, or a "classic book", in the
572:, translated variously as the
537:
461:
401:
200:
186:
172:
140:
124:
1:
4998:Chinese poems (category list)
4485:The Five "Confucian" Classics
4434:; Shih, Hsiang-ling (2014). "
4336:A Guide to Chinese Literature
4265:, New York: Appleton-Century.
4163:, Columbia University Press,
4097:, Berlin: Mouton de Gruyter,
3454:
3428:, in which case the title is
3121:. London: Allen & Unwin.
2730:31 total major festal songs (
1740:recounts that Confucius' son
1476:
1079:May never be weary of men.
917:Gentle maiden, pure and fair,
908:Gentle maiden, pure and fair,
745:
730:, the latest material in the
5534:Four Books and Five Classics
3526:Zheng Xuan 鄭玄 (AD 127–200),
3459:
3254:Mekada, Makoto 目加田誠 (1991).
3211:Takada, Shinji 高田真治 (1966).
1676:Four Books and Five Classics
1665:
1024:
926:On and on he thought of her,
915:Right and left we gather it.
884:
46:, with accompanying painting
7:
5448:School Sayings of Confucius
4151:, Baltimore: Penguin Books.
3271:
3180:Karlgren, Bernhard (1945).
3163:Karlgren, Bernhard (1944).
1915:
1649:region. Perhaps during the
1607:
1460:) and implied comparisons (
10:
5555:
5524:11th-century BC literature
5509:Chinese poetry anthologies
5499:Chinese poetry collections
5313:Thousand Character Classic
4572:The Whole History of China
4159:; Chan, Wing-Tsit (1960),
3262:Vincenzo, Cannata (2021).
3246:Zhonghua Publishing House.
3238:Cheng Junying 程俊英 (1991).
3225:Cheng Junying 程俊英 (1985).
3048:Jennings, William (1891).
2843:"Eulogies" poems 266–305;
2114:Modern scholarship on the
1881:'s influential dictionary
1696:but Han dynasty historian
1492:says that the poem "Owl" (
1118:translated by Martin Kern
933:Right and left we pull it.
906:On sandbars of the stream.
697:
18:
5402:
5384:
5322:
5290:
5186:
5138:
5097:
5036:
5011:
4990:
4939:
4863:
4809:
4788:
4718:Legge translation of the
4609:10.1017/S0041977X22000015
4528:Riegel, Jeffrey (2001). "
4487:, Yale University Press,
4393:, in Kern, Martin (ed.),
4388:in Excavated Manuscripts"
4297:, London: Penguin Books,
4157:de Bary, William Theodore
3616:de Bary & Chan (1960)
3430:
3424:
3418:
3395:
2964:Sacrificial Odes of Shang
2958:
2940:
2928:Decade of Min You Xiao Zi
2922:
2904:
2886:
2868:
2858:
2852:
2849:
2795:
2777:
2759:
2749:
2743:
2740:
2732:
2722:
2704:
2686:
2668:
2650:
2632:
2614:
2596:
2578:
2568:
2562:
2559:
2535:
2514:
2493:
2475:
2454:
2433:
2412:
2394:
2373:
2352:
2334:
2313:
2295:
2277:
2259:
2237:
2227:
2221:
2218:
2039:
1997:
1962:
1942:
1909:
1861:
1852:
1846:The Mao Tradition of the
1812:
1799:
1786:
1710:collection was edited by
1613:
1576:
1560:
1494:
1455:
1451:), explicit comparisons (
1226:
1112:
1029:
1006:
993:
980:
967:
954:
889:
856:
838:
820:
802:
784:
766:
736:
598:
584:, or simply known as the
548:
530:
525:
521:
512:
505:
498:
491:
484:
477:
472:
454:
449:
445:
438:
431:
422:
415:
410:
394:
378:
373:
352:
335:
328:
314:
307:
290:
283:
266:
252:
238:
231:
217:
210:
193:
179:
165:
158:
153:
149:
133:
117:
112:
92:
88:
81:
69:
61:
51:
31:
5218:Etiquette and Ceremonial
5177:Spring and Autumn Annals
4909:Three Hundred Tang Poems
4796:Classical Chinese poetry
4457:Loewe, Michael (1993), "
4211:Ebrey, Patricia (1993),
3368:
3341:Classical Chinese poetry
3108:, New York: E.P. Dutton.
3042:. Sumptibus J.G. Cottae.
2874:Sacrificial Odes of Zhou
2265:Odes of Shao & South
1543:received version of the
1244:Mandarin pronunciation (
1126:
919:Wanted waking and sleep.
832:11th & 10th century
775:160 "Airs of the States"
742:Spring and Autumn period
666:'s official adoption of
654:first became known as a
119:Traditional Chinese
21:Shijing (disambiguation)
5529:1st-millennium BC books
5340:The Methods of the Sima
5324:Seven Military Classics
5306:Hundred Family Surnames
5299:Three Character Classic
5274:Classic of Filial Piety
5003:List of poems (article)
4714:(partial) translations.
4682:at Chinese Text Project
4196:10.1163/156853264x00028
3862:Idema & Haft (1997)
3799:Smith & Poli (2021)
3346:Geese in Chinese poetry
3261:
3210:
3198:
3179:
3162:
3144:
3111:
3062:
3047:
3035:
3025:—— (1879).
3024:
3004:—— (1876).
3003:
2983:
2033:as a justification for
1931:, which has become the
1389:Cǎi cǎi fú yǐ, báo yán
1366:Cǎi cǎi fú yǐ, báo yán
1338:Cǎi cǎi fú yǐ, báo yán
1315:Cǎi cǎi fú yǐ, báo yán
1287:Cǎi cǎi fú yǐ, báo yán
1264:Cǎi cǎi fú yǐ, báo yán
814:10th & 9th century
793:74 "Lesser Court Hymns"
635:
135:Simplified Chinese
5246:Commentary of Gongyang
4340:University of Michigan
3416:The variant character
2019:
1970:
1601:scribal copies of the
1535:
1251:Early Middle Chinese (
1213:poems have been lost.
1084:
1059:
951:
910:Fit pair for a prince.
899:
811:31 "Major Court Hymns"
796:9th & 8th century
778:8th & 7th century
662:sense, as part of the
385:
38:The first song in the
5489:Chinese classic texts
5253:Commentary of Guliang
4991:Individual poems list
4801:Modern Chinese poetry
4551:Saussy, Haun (1993),
4382:Kern, Martin (2005),
4357:Jenco, Leigh (2023).
4281:], Paris: Leroux.
4071:Allan, Sarah (1991),
3236:(in Mandarin Chinese)
3223:(in Mandarin Chinese)
3060:(in French and Latin)
3036:Lacharme, P. (1830).
2031:Warring States period
2029:to have begun in the
1993:
1955:
1937:Xiping Stone Classics
1837:Warring States period
1564:) is recorded in the
1533:
1431:Old Chinese phonology
865:5 "Eulogies of Shang"
829:31 "Eulogies of Zhou"
630:Old Chinese phonology
42:, handwritten by the
5432:Four Books for Women
5347:Six Secret Teachings
5115:Doctrine of the Mean
4947:Antithetical couplet
4830:Six Dynasties poetry
4112:Baxter, William H.;
3258:詩経. Tokyo: Kōbansha.
2978:Notable translations
2710:Decade of Du Ren Shi
2145:'s victory over the
1469:). The poems of the
1192:new, regulated style
1131:Whether the various
456:Revised Romanization
354:Baxter–Sagart (2014)
5012:Modern compilations
4902:Complete Tang Poems
4432:Knechtges, David R.
3765:, pp. 150–155.
3753:, pp. 150–151.
3726:, pp. 107–108.
3645:Shi & Hu (2011)
3554:, pp. 355–356.
3088:(in French). Paris.
2910:Decade of Chen Gong
2892:Decade of Qing Miao
2846:
2823:traditional Chinese
2783:Decade of Sheng Min
2737:
2620:Decade of Tong Gong
2556:
2215:
2191:traditional Chinese
2059:Political influence
1780:traditions. The Lu
1241:Chinese characters
1237:
901:The fishhawks sing
874:The content of the
757:Number and meaning
688:Three Hundred Songs
686:) was known as the
28:
5519:Zhou dynasty texts
5504:Chinese folk songs
4895:Nineteen Old Poems
4735:2020-01-16 at the
4091:Baxter, William H.
3671:, p. 215–216.
3146:Karlgren, Bernhard
3064:Couvreur, Séraphin
3044:Latin translation.
2813:simplified Chinese
2810:
2765:Decade of Wen Wang
2719:
2674:Decade of Bei Shan
2656:Decade of Xiao Min
2529:
2178:simplified Chinese
2175:
2110:Modern scholarship
2025:were theorized by
1971:
1948:Confucian allegory
1831:, named after the
1631:Yellow River Plain
1536:
1236:
847:4 "Eulogies of Lu"
27:Classic of Poetry
26:
5539:Thirteen Classics
5484:Classic of Poetry
5471:
5470:
5439:Lessons for Women
5239:Commentary of Zuo
5204:Book of Documents
5197:Classic of Poetry
5188:Thirteen Classics
5156:Book of Documents
5149:Classic of Poetry
5052:
5051:
4874:Classic of Poetry
4744:The Book of Songs
4635:978-0-8223-1946-7
4494:978-0-300-08185-5
4472:978-1-55729-043-4
4449:978-90-04-19240-9
4423:978-0-521-85558-7
4404:978-0-295-98562-6
4365:Mao Shi guyin kao
4349:978-0-892-64123-9
4326:978-0-374-10536-5
4304:978-0-14-044375-2
4248:978-0-300-02242-1
4226:978-0-02-908752-7
4170:978-0-231-10939-0
4136:Chang, Kang-i Sun
4127:978-0-19-994537-5
4104:978-3-11-012324-1
4082:978-0-7914-0460-7
4057:, pp. 26–29.
3948:, pp. 12–14.
3714:, pp. 73–74.
3635:, pp. 11–13.
3601:, pp. 30–31.
3403:, after the core
3118:The Book of Songs
2971:
2970:
2946:Praise Odes of Lu
2808:
2807:
2717:
2716:
2692:Decade of Sang Hu
2584:Decade of Lu Ming
2527:
2526:
2116:Classic of Poetry
1968:Classic of Poetry
1821:Emperor Wu of Han
1761:in 213 BCE under
1734:Classic of Poetry
1727:Classic of Poetry
1725:records that the
1694:Classic of Poetry
1672:Classic of Poetry
1603:Classic of Poetry
1592:Classic of Poetry
1489:Book of Documents
1471:Classic of Poetry
1407:
1406:
1199:Classic of Poetry
1197:The works in the
1179:Classic of Poetry
1124:
1123:
1107:—"Clear Temple" (
1044:
1043:
872:
871:
704:Classic of Poetry
680:Classic of Poetry
557:Classic of Poetry
552:
551:
544:
543:
468:
467:
369:
368:
240:Yale Romanization
160:Standard Mandarin
101:Classic of Poetry
83:Classic of Poetry
77:
76:
70:Publication place
40:Classic of Poetry
5546:
5425:Classic of Music
5086:Chinese classics
5079:
5072:
5065:
5056:
5055:
5044:Cantonese poetry
4775:
4768:
4761:
4752:
4751:
4703:The Book of Odes
4668:
4639:
4627:
4613:
4611:
4585:
4566:
4547:
4524:
4512:
4498:
4476:
4453:
4427:
4408:
4392:
4378:
4353:
4330:
4308:
4296:
4282:
4266:
4252:
4235:Frankel, Hans H.
4230:
4218:
4207:
4190:(4–5): 322–334,
4174:
4152:
4143:
4131:
4108:
4086:
4058:
4052:
4046:
4045:, pp. 1–12.
4040:
4034:
4028:
4022:
4016:
4005:
3995:
3989:
3983:
3974:
3967:
3961:
3955:
3949:
3943:
3934:
3928:
3919:
3913:
3892:
3886:
3877:
3871:
3865:
3859:
3853:
3847:
3838:
3832:
3826:
3820:
3814:
3808:
3802:
3796:
3790:
3784:
3778:
3772:
3766:
3760:
3754:
3748:
3739:
3738:, p. 51–52.
3733:
3727:
3721:
3715:
3709:
3703:
3697:
3691:
3685:
3672:
3666:
3660:
3654:
3648:
3642:
3636:
3630:
3619:
3613:
3602:
3596:
3590:
3584:
3578:
3572:
3555:
3549:
3543:
3537:
3531:
3524:
3518:
3512:
3506:
3500:
3494:
3488:
3482:
3481:, p. xliii.
3476:
3448:
3441:
3435:
3433:
3432:
3427:
3426:
3421:
3420:
3414:
3408:
3398:
3397:
3384:
3336:Chinese classics
3330:
3325:
3324:
3316:
3311:
3310:
3309:
3302:
3297:
3296:
3288:
3283:
3282:
3267:
3253:
3237:
3224:
3219:
3207:
3193:
3176:
3158:
3156:
3151:The Book of Odes
3132:
3103:
3097:
3089:
3077:
3061:
3055:
3043:
3032:
3021:
3019:
3012:
2992:
2961:
2960:
2943:
2942:
2925:
2924:
2907:
2906:
2889:
2888:
2871:
2870:
2847:
2839:
2830:
2820:
2809:
2798:
2797:
2780:
2779:
2762:
2761:
2738:
2735:
2734:
2725:
2724:
2718:
2707:
2706:
2689:
2688:
2671:
2670:
2653:
2652:
2635:
2634:
2617:
2616:
2602:Decade of Baihua
2599:
2598:
2581:
2580:
2557:
2551:
2542:
2528:
2517:
2516:
2496:
2495:
2478:
2477:
2457:
2456:
2436:
2435:
2415:
2414:
2397:
2396:
2376:
2375:
2355:
2354:
2337:
2336:
2316:
2315:
2298:
2297:
2280:
2279:
2262:
2261:
2240:
2239:
2216:
2210:
2201:
2188:
2174:
2128:Mandarin Chinese
2042:
2041:
2017:
2000:
1999:
1965:
1964:
1918:
1912:
1911:
1864:
1863:
1855:
1854:
1815:
1814:
1802:
1801:
1789:
1788:
1759:burning of books
1659:Heavenly Mandate
1657:, and that this
1616:
1615:
1610:
1579:
1578:
1574:Deletes Songs" (
1563:
1562:
1497:
1496:
1468:
1459:
1450:
1411:Standard Chinese
1238:
1235:
1229:
1228:
1190:poetry from the
1148:, with a slight
1115:
1114:
1056:
1032:
1031:
1027:
1015:
1014:
1002:
1001:
989:
988:
976:
975:
963:
962:
896:
892:
891:
887:
859:
858:
841:
840:
823:
822:
805:
804:
787:
786:
769:
768:
751:
747:
739:
738:
601:
600:
540:
539:
523:
522:
517:
516:
501:
500:
487:
486:
464:
463:
447:
446:
441:
440:
427:
426:
406:
405:
390:
365:
364:
363:
348:
347:
346:
324:
323:
303:
302:
279:
278:
277:
262:
261:
248:
247:
227:
226:
206:
205:
204:
189:
188:
175:
174:
151:
150:
145:
144:
129:
128:
97:
79:
78:
44:Qianlong Emperor
36:
29:
25:
5554:
5553:
5549:
5548:
5547:
5545:
5544:
5543:
5494:Confucian texts
5474:
5473:
5472:
5467:
5398:
5380:
5318:
5286:
5182:
5134:
5093:
5083:
5053:
5048:
5037:Regional styles
5032:
5007:
4986:
4935:
4866:and collections
4865:
4859:
4805:
4784:
4779:
4737:Wayback Machine
4676:
4671:
4636:
4582:
4563:
4544:
4521:
4495:
4473:
4450:
4424:
4405:
4390:
4377:(5/6): 668–704.
4350:
4327:
4305:
4289:, ed. (2011) ,
4249:
4227:
4171:
4128:
4114:Sagart, Laurent
4105:
4083:
4066:
4061:
4053:
4049:
4041:
4037:
4033:, p. xliv.
4029:
4025:
4017:
4008:
3996:
3992:
3984:
3977:
3968:
3964:
3956:
3952:
3944:
3937:
3929:
3922:
3914:
3895:
3887:
3880:
3872:
3868:
3860:
3856:
3848:
3841:
3833:
3829:
3821:
3817:
3813:, pp. 7–8.
3809:
3805:
3797:
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3785:
3781:
3773:
3769:
3761:
3757:
3749:
3742:
3734:
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3605:
3597:
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3581:
3573:
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3521:
3513:
3509:
3501:
3497:
3489:
3485:
3477:
3466:
3462:
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3452:
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3442:
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3415:
3411:
3385:
3376:
3371:
3326:
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3307:
3305:
3298:
3291:
3284:
3277:
3274:
3251:
3235:
3222:
3154:
3129:
3091:
3090:
3080:
3059:
3017:
3010:
2980:
2975:
2844:
2842:
2729:
2727:
2638:Decade of Qi Fu
2554:
2213:
2169:
2112:
2061:
2018:
2012:
2009:
2001:
1950:
1945:
1916:Máo shī zhèngyì
1751:
1668:
1637:, southwestern
1623:
1528:
1526:Textual history
1479:
1129:
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374:Vietnamese name
108:
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24:
17:
12:
11:
5:
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5388:
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5333:The Art of War
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5159:
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5118:
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5108:Great Learning
5103:
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4825:Jian'an poetry
4822:
4816:
4814:
4807:
4806:
4804:
4803:
4798:
4792:
4790:
4786:
4785:
4782:Chinese poetry
4778:
4777:
4770:
4763:
4755:
4749:
4748:
4740:
4739:(Chinese text)
4724:
4715:
4699:
4683:
4675:
4674:External links
4672:
4670:
4669:
4657:10.2307/599155
4640:
4634:
4614:
4602:(3): 515–557,
4587:
4580:
4567:
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4548:
4542:
4525:
4519:
4499:
4493:
4481:Nylan, Michael
4477:
4471:
4454:
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4428:
4422:
4409:
4403:
4379:
4354:
4348:
4331:
4325:
4309:
4303:
4283:
4271:Granet, Marcel
4267:
4257:Giles, Herbert
4253:
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4225:
4208:
4175:
4169:
4153:
4144:
4132:
4126:
4109:
4103:
4087:
4081:
4075:, SUNY Press,
4067:
4065:
4062:
4060:
4059:
4047:
4035:
4023:
4021:, p. xlv.
4006:
3990:
3975:
3962:
3960:, p. 671.
3950:
3935:
3933:, p. 416.
3920:
3893:
3878:
3866:
3854:
3839:
3837:, p. 215.
3835:Frankel (1978)
3827:
3815:
3803:
3801:, p. 516.
3791:
3779:
3767:
3755:
3740:
3736:Frankel (1978)
3728:
3716:
3704:
3702:, p. 107.
3692:
3690:, p. 216.
3688:Frankel (1978)
3673:
3669:Frankel (1978)
3661:
3649:
3637:
3620:
3603:
3591:
3579:
3556:
3544:
3542:, p. 323.
3532:
3519:
3507:
3505:, p. 356.
3495:
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3328:Society portal
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3259:
3249:
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3208:
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3195:
3194:
3177:
3142:
3127:
3109:
3082:Granet, Marcel
3078:
3057:
3045:
3033:
3022:
3020:on 2014-04-12.
3001:
2979:
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2854:
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2806:
2805:
2802:
2801:Decade of Dang
2799:
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2229:
2226:
2223:
2220:
2170:
2168:
2165:
2111:
2108:
2060:
2057:
2010:
1994:
1949:
1946:
1944:
1941:
1806:) and the Han
1750:
1747:
1667:
1664:
1622:
1619:
1570:, and "Master
1527:
1524:
1478:
1475:
1405:
1404:
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1386:
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1381:
1372:
1363:
1359:
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1321:
1312:
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1303:
1302:
1293:
1284:
1280:
1279:
1270:
1261:
1257:
1256:
1249:
1242:
1222:Middle Chinese
1201:vary in their
1128:
1125:
1122:
1121:
1119:
1104:
1103:
1082:
1042:
1041:
1039:
1035:translated by
1019:
1018:
949:
870:
869:
866:
863:
852:
851:
848:
845:
834:
833:
830:
827:
816:
815:
812:
809:
798:
797:
794:
791:
780:
779:
776:
773:
762:
761:
758:
755:
699:
696:
637:
634:
608:Chinese poetry
550:
549:
546:
545:
542:
541:
534:
528:
527:
526:Transcriptions
519:
518:
509:
503:
502:
495:
489:
488:
481:
475:
474:
470:
469:
466:
465:
458:
452:
451:
450:Transcriptions
443:
442:
435:
429:
428:
419:
413:
412:
408:
407:
398:
392:
391:
382:
376:
375:
371:
370:
367:
366:
356:
350:
349:
339:
333:
332:
326:
325:
318:
316:Middle Chinese
312:
311:
309:Middle Chinese
305:
304:
297:
288:
287:
281:
280:
270:
264:
263:
256:
250:
249:
242:
236:
235:
233:Yue: Cantonese
229:
228:
221:
215:
214:
208:
207:
197:
191:
190:
183:
177:
176:
169:
163:
162:
156:
155:
154:Transcriptions
147:
146:
137:
131:
130:
121:
115:
114:
110:
109:
98:
90:
89:
86:
85:
75:
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71:
67:
66:
63:
59:
58:
53:
49:
48:
37:
15:
9:
6:
4:
3:
2:
5551:
5540:
5537:
5535:
5532:
5530:
5527:
5525:
5522:
5520:
5517:
5515:
5512:
5510:
5507:
5505:
5502:
5500:
5497:
5495:
5492:
5490:
5487:
5485:
5482:
5481:
5479:
5464:
5463:
5459:
5457:
5456:
5452:
5450:
5449:
5445:
5441:
5440:
5436:
5435:
5434:
5433:
5429:
5427:
5426:
5422:
5420:
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5415:
5413:
5412:
5408:
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5405:
5401:
5395:
5394:
5390:
5389:
5387:
5383:
5377:
5376:
5372:
5370:
5369:
5365:
5363:
5362:
5358:
5356:
5355:
5351:
5349:
5348:
5344:
5342:
5341:
5337:
5335:
5334:
5330:
5329:
5327:
5325:
5321:
5315:
5314:
5310:
5308:
5307:
5303:
5301:
5300:
5296:
5295:
5293:
5289:
5283:
5282:
5278:
5276:
5275:
5271:
5269:
5268:
5264:
5262:
5261:
5257:
5255:
5254:
5250:
5248:
5247:
5243:
5241:
5240:
5236:
5234:
5233:
5229:
5227:
5226:
5225:Book of Rites
5222:
5220:
5219:
5215:
5213:
5212:
5211:Rites of Zhou
5208:
5206:
5205:
5201:
5199:
5198:
5194:
5193:
5191:
5189:
5185:
5179:
5178:
5174:
5172:
5171:
5167:
5165:
5164:
5163:Book of Rites
5160:
5158:
5157:
5153:
5151:
5150:
5146:
5145:
5143:
5141:
5140:Five Classics
5137:
5131:
5130:
5126:
5124:
5123:
5119:
5117:
5116:
5112:
5110:
5109:
5105:
5104:
5102:
5100:
5096:
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5087:
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5066:
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5041:
5039:
5035:
5029:
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5021:
5017:
5016:
5014:
5010:
5004:
5001:
4999:
4996:
4995:
4993:
4989:
4983:
4982:
4978:
4976:
4975:
4971:
4969:
4968:
4964:
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4961:
4957:
4955:
4954:
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4948:
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4931:
4927:
4925:
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4913:
4911:
4910:
4906:
4904:
4903:
4899:
4897:
4896:
4892:
4890:
4889:
4885:
4883:
4882:
4878:
4876:
4875:
4871:
4870:
4868:
4862:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
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4836:
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4808:
4802:
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4797:
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4771:
4769:
4764:
4762:
4757:
4756:
4753:
4746:
4745:
4741:
4738:
4734:
4731:
4729:
4725:
4723:
4721:
4716:
4713:
4712:Marcel Granet
4709:
4705:
4704:
4700:
4697:
4693:
4689:
4688:
4684:
4681:
4678:
4677:
4666:
4662:
4658:
4654:
4650:
4646:
4641:
4637:
4631:
4626:
4625:
4619:
4615:
4610:
4605:
4601:
4597:
4593:
4588:
4583:
4581:9787506823623
4577:
4573:
4568:
4564:
4562:0-8047-2593-4
4558:
4554:
4549:
4545:
4543:0-231-10984-9
4539:
4535:
4531:
4526:
4522:
4520:0-393-03823-8
4516:
4511:
4510:
4504:
4503:Owen, Stephen
4500:
4496:
4490:
4486:
4482:
4478:
4474:
4468:
4464:
4460:
4455:
4451:
4445:
4441:
4437:
4433:
4429:
4425:
4419:
4415:
4410:
4406:
4400:
4396:
4389:
4387:
4380:
4376:
4372:
4368:
4366:
4362:
4355:
4351:
4345:
4341:
4337:
4332:
4328:
4322:
4318:
4314:
4313:Hinton, David
4310:
4306:
4300:
4295:
4294:
4288:
4287:Hawkes, David
4284:
4280:
4276:
4272:
4268:
4264:
4263:
4258:
4254:
4250:
4244:
4240:
4236:
4232:
4228:
4222:
4217:
4216:
4209:
4205:
4201:
4197:
4193:
4189:
4185:
4181:
4180:Book of Songs
4176:
4172:
4166:
4162:
4158:
4154:
4150:
4145:
4141:
4137:
4133:
4129:
4123:
4119:
4115:
4110:
4106:
4100:
4096:
4092:
4088:
4084:
4078:
4074:
4069:
4068:
4056:
4051:
4044:
4043:Baxter (1992)
4039:
4032:
4027:
4020:
4015:
4013:
4011:
4003:
4002:Saussy (1993)
3999:
3998:Granet (1929)
3994:
3988:, p. 20.
3987:
3986:Saussy (1993)
3982:
3980:
3972:
3971:Saussy (1993)
3966:
3959:
3954:
3947:
3942:
3940:
3932:
3927:
3925:
3918:, p. 21.
3917:
3912:
3910:
3908:
3906:
3904:
3902:
3900:
3898:
3891:, p. 22.
3890:
3885:
3883:
3875:
3870:
3864:, p. 94.
3863:
3858:
3852:, p. 19.
3851:
3846:
3844:
3836:
3831:
3824:
3823:Hinton (2008)
3819:
3812:
3811:Hinton (2008)
3807:
3800:
3795:
3789:, p. 54.
3788:
3783:
3776:
3771:
3764:
3763:Baxter (1992)
3759:
3752:
3751:Baxter (1992)
3747:
3745:
3737:
3732:
3725:
3724:Riegel (2001)
3720:
3713:
3708:
3701:
3700:Riegel (2001)
3696:
3689:
3684:
3682:
3680:
3678:
3670:
3665:
3659:, p. 23.
3658:
3653:
3646:
3641:
3634:
3629:
3627:
3625:
3617:
3612:
3610:
3608:
3600:
3595:
3589:, p. 31.
3588:
3583:
3577:, p. 20.
3576:
3571:
3569:
3567:
3565:
3563:
3561:
3553:
3552:Baxter (1992)
3548:
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3540:Dobson (1964)
3536:
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3517:, p. 39.
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3252:(in Japanese)
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2045:Marcel Granet
2036:
2032:
2028:
2027:Herbert Giles
2024:
2015:
2008:
2005:
1992:
1990:
1989:
1984:
1980:
1976:
1969:
1959:
1958:Kǒngzǐ Shīlùn
1954:
1940:
1938:
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1933:received text
1930:
1925:
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1895:used the Mao
1894:
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1886:
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1884:Shuowen Jiezi
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1857:Máo shī zhuàn
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1763:Qin Shi Huang
1760:
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1716:Five Classics
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1599:oldest extant
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1022:—"Fishhawk" (
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612:Five Classics
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575:Book of Songs
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337:Baxter (1992)
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4916:Wangchuan ji
4914:
4907:
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4873:
4872:
4864:Poetry works
4743:
4727:
4720:Book of Odes
4719:
4708:Wengu zhixin
4707:
4702:
4687:Shi Ji Zhuan
4685:
4651:(1): 25–35,
4648:
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4618:Yip, Wai-lim
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4031:Davis (1970)
4026:
4019:Davis (1970)
3993:
3965:
3958:Jenco (2023)
3953:
3946:Giles (1901)
3931:Loewe (1993)
3873:
3869:
3857:
3830:
3825:, p. 8.
3818:
3806:
3794:
3782:
3777:, p. 2.
3775:Chang (2001)
3770:
3758:
3731:
3719:
3712:Nylan (2001)
3707:
3695:
3664:
3652:
3640:
3633:Ebrey (1993)
3618:, p. 3.
3594:
3582:
3547:
3535:
3527:
3522:
3515:Allan (1991)
3510:
3498:
3486:
3479:Davis (1970)
3444:
3439:
3412:
3391:
3388:*k-lˤeng
3387:
3314:China portal
3300:Books portal
3263:
3255:
3243:
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3203:
3189:
3185:
3172:
3168:
3150:
3117:
3105:
3085:
3073:
3068:
3050:
3038:
3027:
3015:the original
3006:
2988:
2985:Legge, James
2972:
2836:
2548:
2481:Odes of Kuai
2340:Odes of Wang
2301:Odes of Yong
2207:
2171:
2156:
2150:
2140:
2123:
2115:
2113:
2096:
2091:
2079:
2075:
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2063:
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2052:
2048:
2022:
2020:
2013:
2003:
1995:
1986:
1982:
1978:
1975:Book of Odes
1974:
1972:
1967:
1957:
1956:Part of the
1928:
1926:
1921:
1913:
1904:
1900:
1896:
1888:
1882:
1874:
1870:
1867:Emperor Ping
1856:
1847:
1845:
1839:philosopher
1828:
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1816:
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1720:
1707:
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1680:Confucianism
1671:
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1627:Zhou dynasty
1624:
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1500:Duke of Zhou
1487:
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1423:sound change
1415:Ming dynasty
1408:
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1052:
1045:
1037:Stephen Owen
952:
902:
900:
880:
875:
873:
868:7th century
860:
850:7th century
842:
824:
806:
788:
770:
731:
712:Western Zhou
710:date to the
707:
703:
701:
691:
687:
683:
679:
675:
671:
668:Confucianism
655:
651:
645:
641:
639:
626:Qing dynasty
619:
603:
592:
591:
586:
585:
581:Book of Odes
580:
579:
574:
573:
568:
567:
562:
561:
556:
555:
553:
532:Romanization
285:Southern Min
219:Romanization
167:Hanyu Pinyin
113:Chinese name
100:
82:
39:
5514:Old Chinese
5411:Bai Hu Tong
5385:Mathematics
4940:Major forms
4855:Qing poetry
4850:Ming poetry
4845:Yuan poetry
4840:Song poetry
4835:Tang poetry
4696:James Legge
4586:10 volumes.
4359:"Chen Di's
4064:Works cited
4055:Wang (1975)
4000:, cited in
3916:Kern (2010)
3889:Kern (2010)
3850:Kern (2010)
3657:Kern (2010)
3599:Owen (1996)
3587:Owen (1996)
3575:Kern (2010)
3445:Shi Huo Zhi
3405:Old Chinese
3401:Han dynasty
3363:Chinese art
3200:Pound, Ezra
3159:Reprint of
2520:Odes of Bin
2400:Odes of Wei
2283:Odes of Bei
2247:& South
2120:Old Chinese
2084:Qin dynasty
1924:in 653 CE.
1833:state of Lu
1827:was the Lu
1778:hermeneutic
1749:Han dynasty
1621:Compilation
1567:Book of Han
1385:采采芣苢、薄言襭之。
1362:采采芣苢、薄言袺之。
1334:采采芣苢、薄言捋之。
1311:采采芣苢、薄言掇之。
1283:采采芣苢、薄言有之。
1260:采采芣苢、薄言采之。
1184:Tang poetry
760:Date (BCE)
664:Han dynasty
411:Korean name
330:Old Chinese
105:seal script
56:Old Chinese
5478:Categories
5354:Wei Liaozi
5099:Four Books
4930:Zhuying ji
4820:Han poetry
4810:Poetry by
4789:Major eras
4530:Shih-ching
4459:Shih ching
4371:T'oung Pao
4184:T'oung Pao
3787:Yip (1997)
3455:References
3175:: 171–256.
3139:0802134777
2856:group name
2747:group name
2566:group name
2225:group name
1893:Zheng Xuan
1793:), the Qi
1645:, and the
1641:, eastern
1477:Authorship
1048:panegyrics
861:Shāng sòng
748:700 BCE).
728:Zheng Xuan
569:Shih-ching
380:Vietnamese
345:stjɨ(keng)
187:Shih-ching
181:Wade–Giles
5090:Confucian
3969:Cited in
3460:Citations
3094:cite book
2530:Xiao Ya (
2176:Guofeng (
2152:The Iliad
2132:Cantonese
2106:as well.
2035:Confucius
1722:Zuo zhuan
1712:Confucius
1698:Sima Qian
1666:Confucius
1647:Han River
1614:安徽大學藏戰國竹簡
1572:Confucius
1188:old style
1109:Qīng miào
903:gwan-gwan
825:Zhōu sòng
716:Zhongyuan
660:canonical
642:300 Poems
616:Confucius
507:Shinjitai
5260:Analects
5122:Analects
4923:Wen Xuan
4733:Archived
4620:(1997),
4505:(1996).
4483:(2001),
4315:(2008),
4273:(1929),
4259:(1901),
4237:(1978),
4116:(2014).
4093:(1992),
4004:, p. 20.
3973:, p. 19.
3874:Analects
3528:Shipu xu
3272:See also
3202:(1954).
3192:: 65–99.
3148:(1950).
3115:(1937).
3084:(1929).
3066:(1892).
2987:(1871).
2967:301–305
2949:297–300
2931:286–296
2913:276–285
2895:266–275
2877:266–296
2859:poem #s
2804:255–265
2786:245–254
2768:235–244
2750:poem #s
2713:225–234
2695:215–224
2677:205–214
2659:195–204
2641:185–194
2623:175–184
2605:170–174
2587:161–169
2569:poem #s
2523:154–160
2505:150–153
2499:Odes of
2484:146–149
2466:136–145
2460:Odes of
2445:126–135
2439:Odes of
2424:114–125
2418:Odes of
2403:107–113
2385:096–106
2379:Odes of
2364:075–095
2358:Odes of
2343:065–074
2325:055–064
2319:Odes of
2304:045–054
2286:026–044
2268:012–025
2250:001–011
2243:Odes of
2228:poem #s
2068:Legalist
2064:The Odes
2014:Analects
2011:—
1988:Analects
1738:Analects
1685:Analects
1635:Shandong
1417:scholar
1158:couplets
1156:related
1069:King Wen
771:Guó fēng
684:Shi jing
652:The Odes
493:Kyūjitai
479:Hiragana
462:Sigyeong
387:Kinh Thi
322:/ɕɨ keŋ/
254:Jyutping
52:Language
5281:Mencius
5232:I Ching
5170:I Ching
5129:Mencius
4812:dynasty
4728:Shijing
4436:Shijing
4204:4527607
3443:In the
3407:period.
3358:Chengyu
3352:Guan ju
3213:Shikyō
2720:Da Ya (
2532:Chinese
2209:Guófēng
2143:King Wu
2136:Min Nan
2092:Shijing
2080:Shijing
2076:Shijing
2072:Shijing
1879:Xu Shen
1817:Hán shī
1742:Kong Li
1708:Shijing
1651:harvest
1540:Shijing
1508:Shijing
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1483:Shijing
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1357:
1306:
1211:Shijing
1203:lyrical
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1150:caesura
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789:Xiǎo yǎ
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621:chengyu
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560:, also
396:Hán-Nôm
301:Si-keng
292:Hokkien
260:Si-ging
246:Sī-gīng
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173:Shījīng
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5403:Others
4881:Chu Ci
4692:Zhu Xi
4665:599155
4663:
4632:
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4101:
4079:
3876:16.13.
3256:Shikyō
3137:
3125:
2998:Part 2
2994:Part 1
2923:閔予小子之什
2835::
2833:pinyin
2825::
2815::
2811:Song (
2705:都人士 之什
2550:Xiǎoyǎ
2547::
2545:pinyin
2534::
2206::
2204:pinyin
2193::
2180::
1943:Legacy
1929:Poetry
1922:Poetry
1905:Poetry
1901:Poetry
1897:Poetry
1889:Poetry
1875:Poetry
1871:Poetry
1848:Poetry
1829:Poetry
1825:Poetry
1808:Poetry
1804:Qí shī
1795:Poetry
1791:Lǔ shī
1782:Poetry
1774:Poetry
1767:Poetry
1755:Poetry
1655:Heaven
1549:Poetry
1545:Poetry
1438:Poetry
1427:Poetry
1253:Baxter
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1207:Poetry
1142:Poetry
1100:無射於人斯
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5462:Xunzi
5361:Wu Zi
5092:texts
4981:yuefu
4661:JSTOR
4391:(PDF)
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4277:[
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3369:Notes
3242:詩經注析
3229:诗经译注
3155:(PDF)
3072:[
3018:(PDF)
3011:(PDF)
2850:group
2741:group
2687:桑扈 之什
2669:北山 之什
2651:小旻 之什
2633:祈父 之什
2615:彤弓 之什
2597:白華 之什
2579:鹿鳴 之什
2560:group
2360:Zheng
2219:group
2104:Korea
2100:Japan
1841:Xunzi
1643:Gansu
1639:Hebei
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1379:tsyi.
1351:tsyi.
1328:tsyi.
1300:tsyi.
1277:tsyi.
1275:tshoj
1231:Fú Yǐ
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433:Hanja
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5267:Erya
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4557:ISBN
4538:ISBN
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4489:ISBN
4467:ISBN
4444:ISBN
4418:ISBN
4399:ISBN
4386:Odes
4344:ISBN
4321:ISBN
4299:ISBN
4243:ISBN
4221:ISBN
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4099:ISBN
4077:ISBN
3530:詩譜序.
3447:食貨志.
3392:jing
3386:The
3135:ISBN
3123:ISBN
3100:link
2905:臣工之什
2887:清廟之什
2853:char
2838:Sòng
2778:生民之什
2760:文王之什
2744:char
2563:char
2462:Chen
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2245:Zhou
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2102:and
2053:Odes
2049:Odes
2023:Odes
2004:Odes
2002:The
1983:Odes
1979:Odes
1973:The
1963:孔子詩論
1910:毛詩正義
1690:Odes
1670:The
1588:Odes
1577:孔子刪詩
1561:王官采詩
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1512:Ming
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1268:zhī.
1098:不顯不承
1094:對越在天
1092:秉文之德
1090:濟濟多士
1088:肅雝顯相
1086:於穆清廟
1013:鐘鼓樂之
1011:窈窕淑女
1009:左右芼之
1007:參差荇菜
1000:琴瑟友之
998:窈窕淑女
996:左右采之
994:參差荇菜
987:輾轉反側
985:悠哉悠哉
983:寤寐思服
981:求之不得
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972:窈窕淑女
970:左右流之
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