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allegorical murals dedicated to themes such as science, the arts, liberty, history, work and progress. The work devoted to the concept of progress subdivides into four themes of force, justice, wisdom and wealth. This hall became the preferred place for
President Porfirio Díaz to perform public declarations and receive dignitaries from abroad. Like the rest of the building the Patio of the Liones synthesizes a number of different architectural styles. The two primary styles seen here are Classic and Gothic with other styles introduced in the forms of sculptures, lighting and sculpted stonework. In the center is a large semicircular staircase to the upper floors.
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modernization. The Palace was constructed on the former site of the hospitals of San Andres and of
Gonzalez Echeverria. The architectural design is eclectic, mixing elements of past architectural styles, which is characteristic of that time period. This blending would later solidify into a movement called "modernismo" both because of the tendency to use newly devised construction techniques and the tendency to use metal in the decorative aspects, to symbolize progress in the
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219:, who designed the door knockers, the window frames, the leaded crystal, the stonework, the furniture, lamps and ironwork among many other elements. Over the years, much of the Palace deteriorated until around 2000, when Project MUNAL restored the palace to its original look, while also adding the latest technology for the preservation of artistic works.
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The museum was founded in 1982 as the Museo
Nacional de Arte, and re-inaugurated in 2000, after reopening its doors to the public as MUNAL after intense remodeling and technical upgrades to the facility. It currently focuses on the exhibition, study and diffusion of Mexican and international art from
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The museum's permanent collection is designed to give a panoramic view of the development of the fine arts in Mexico from the early colonial period to the mid-twentieth century. The artwork is subdivided into three distinct periods. The first covers the colonial period from 1550 to 1821. The second
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Two rooms that stand out are the decoration of the
Reception Hall and the sculptures in the Patio de los Leones. The Reception Hall is on the second floor and designed to imitate the splendor of similar halls in Europe. It is profusely decorated with precious metal and crystal ornaments as well as
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and as part of this organization is involved in projects concerning the conservation, exhibition, and study of the fine arts of Mexico. The museum also offers workshops, colloquiums, publication and other outreaches to the public. There are also volunteer opportunities such as the
Voluntariado and
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period, most paintings have themes such as
Mexican customs and landscapes with the purpose of defining a Mexican identity. The last time period is titled "Estrategías plásticas para un México moderno" (Strategies for the fine arts in modern Mexico) and house in Salons 27–33 on the first floor.
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MUNAL is located in the old Palace of
Communications. In the early part of the 20th century, the government hired Italian architect Silvio Contri to design and build this "palace" to house the Secretariat of Communications and Public Works, with the intention to show Mexico's commitment to
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The collection of art from the colonial period is entitled "Asimilación de occidente" (Assimilation of the West) and are contained within Salons 1–14 on the second floor. This collection shows how western-style painting transferred over and synthesized in Mexico, eventually leading to the
234:, who created the statue of Carlos IV there, also known as El Caballito. Today almost all of the building is used to house the permanent collection of MUNAL with the Reception Hall and the Patio de los Leones used for events such as concerts, book-signings and press conferences.
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Historically, this period is after the end of the
Mexican Revolution when questions of modernity and nationalism were foremost. It also coincides with the development of the Mexican muralist movement.
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but it was moved to several locations, not out of deference to the king but rather to conserve a piece of art, according to the plaque at the base. It arrived at its present location in 1979.
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the 16th century to the first half of the 20th century. Its permanent collection contains more than 3,000 pieces and has 5,500m2 of exhibition space. MUNAL is a subdivision of the
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Some of the salons are devoted to temporary exhibitions, such as the paintings of Pedro Gualdi from the 19th century, and more contemporary photography exhibitions by
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767:"Ciclo de Primavera en el Munal: Heroes y Valentones. (Living in Mexico).(photography exhibition, Museu Nacional de Arte, Mexico City)(Brief Article)".
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to the 1950s. Works created after that time period are on display at a number of museums, including the Museum of Modern Art in
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and Marina
Yampolsky. One of the latest exhibitions was called "The Practice of Everyday Life" which occurred in 2009.
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and from 1982 as the Museo Nacional de Arte. The plaza in front of the building is named after
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Tibol, Raquel (June 1997). "Pietro Gualdi. (Museo Nacional de Arte,México, D.F., México)".
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from the mid-sixteenth century to the mid 20th century. It is recognizable by
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Mural on the ceiling of the main stairway in the Museo Nacional de Arte.
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Monsalve, Federico (May 2009). "The Practice of Everyday Life".
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Gomez, Edgard M (February 2007). "Mexico City's Moment".
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Interior del Colegio de Infantes de la Catedral de México
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establishment of Mexico's own fine arts institution, the
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Cristobal Colon en la corte de los Reyes Catolicos by
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Later in the 20th century, the building served as the
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Museo de la Secretaría de Hacienda y Crédito Público
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Moctezuma II visitando las tumbas de sus antepasados
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534:. Oakland California: Lonely Planet. p. 115.
1296:House of the Count de la Torre Cosío y la Cortina
1113:Templo Expiatorio Nacional de San Felipe de Jesús
1002:Secretariat of Public Education Main Headquarters
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587:"Historia del Antiguo Palacio de Comunicaciones"
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1159:House of the First Print Shop in the Americas
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255:and the third covers the period after the
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1063:Historic Synagogue Justo Sierra 71
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903:Fountain to Bartolomé de las Casas
674:"El recorrido Historico Artistico"
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174:the Amigos de MUNAL associations.
171:Instituto Nacional de Bellas Artes
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987:Library of the Congress of Mexico
956:Antigua Escuela de Jurisprudencia
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399:Repartiendo Limosna al Pueblo by
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16:Art museum in Mexico City, Mexico
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1083:Nuestra Señora de Loreto Church
833:Museo Nacional de Arte (Mexico)
251:covers the first century after
1552:Historic center of Mexico City
1301:House of the Marquis of Uluapa
1209:Museo Nacional de las Culturas
870:Historic center of Mexico City
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144:'s large equestrian statue of
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1592:1982 establishments in Mexico
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1234:San Pedro y San Pablo College
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908:Monument to Pope John Paul II
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198:, built between 1796 and 1803
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1270:Palacio de Correos de México
1204:Museo Nacional de la Estampa
729:(in Spanish). Archived from
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915:Nacional Monte de Piedad
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1496:Edificio Miguel E. Abed
1275:Palacio de la Autonomía
1265:Palacio de Bellas Artes
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1098:Santa Teresa la Antigua
1068:Iglesia de San Bernardo
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77:19.43639°N 99.13944°W
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1043:Convent of La Merced
1038:Church of Santa Inés
992:Old Customs Building
980:Government buildings
939:Schools and colleges
835:at Wikimedia Commons
727:"El Las colecciones"
645:"El Patio de Leones"
593:on 19 September 2009
530:Noble, John (2000).
357:by Daniel del Valle.
1547:Arts in Mexico City
1511:Teatro de la Ciudad
1325:Traditional markets
1118:Valvanera Cathedral
1078:La Santísima Church
1073:La Enseñanza Church
1016:Religious buildings
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771:(in Spanish). 2001.
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188:Charles IV of Spain
146:Charles IV of Spain
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1260:Palace of Iturbide
1229:Palacio de Minería
1179:Museo de Charrería
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266:Art in the Museum.
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820:provided by
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340:José Jiménez
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321:Juan Cordero
282:
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253:Independence
249:
232:Manuel Tolsá
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196:Manuel Tolsá
192:El Caballito
167:
142:Manuel Tolsá
120:) (English:
117:
113:
111:
1572:Mexican art
1250:Borda House
467:Un Pescador
370:Malgré Tout
277:Romanticism
138:Mexican art
134:Mexico City
80: /
55:Coordinates
1536:Categories
1414:Tlaxcoaque
790:(5): 125.
517:References
186:Statue of
65:19°26′11″N
796:0004-3273
737:10 August
713:0195-8208
684:10 August
655:10 August
626:10 August
597:10 August
566:10 August
190:of Spain
124:) is the
68:99°8′22″W
217:Florence
44:Location
1356:Streets
1243:Palaces
1127:Museums
784:ARTnews
754:Proceso
556:"MUNAL"
342:, 1857.
291:Gallery
126:Mexican
93:Website
878:Zócalo
794:
711:
538:
150:Zocalo
104:/munal
100:.munal
1479:Other
481:Dolor
118:MUNAL
792:ISSN
739:2009
709:ISSN
686:2009
657:2009
628:2009
599:2009
568:2009
536:ISBN
508:Pain
112:The
788:108
419:by
372:by
194:by
132:of
102:.mx
98:www
1538::
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