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came into office in 1978 that Zhou was able to achieve the freedom and support she needed to build a high quality opera program. Under Deng, Zhou's program slowly grew in size and strength. In 1988 she established the Zhou
Xiaoyan Young Opera Singers Trainee Center on the fourth floor of the Shanghai
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at a cultural conference on literature and art organized by the
Chinese government. The three men encouraged her to pursue work performing for and teaching her craft to the people of China. She spent the next ten years performing wherever the Chinese government sent her; whether it be for everyday
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I was made to realize that I knew very little about my country. It was when I learned what it is to be
Chinese—before I had been so cosmopolitan ... It was not so brutal. Zhou Enlai couldn't directly help me, but somehow I think he protected my family, who were mostly in Beijing. Red Guards never
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In 1936, at the age of 18, Zhou began her professional musical training at the
Shanghai Conservatory of Music. While a student at the conservatory she was a member in a performance art troupe. She rose to fame in her native country shortly after the outbreak of the
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After eight years of studying, she embarked on a career as a concert soprano, beginning with a performance in
Luxembourg in 1946. While she had considered pursuing work as an operatic soprano, she pursued the concert repertoire of composers like
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people at factories and shipyards, or on official tours overseas to the countries of India, Poland, North Korea, and the Soviet Union. She also joined the faculty of the
Shanghai Conservatory in 1949. She married Chinese film director
316:, Zhou's father, Zhou Cangbai (also known as Chou Tsang-po), was a wealthy banker. She was educated at a Roman Catholic school in Shanghai which exposed her to studies in Western music. She was also influenced in her youth by the
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in the
Chinese language in 1989 at the Shanghai Music Festival with her students as the cast. Several more Chinese language productions followed until a newly forged partnership between the
405:. Concerts in other major European cities followed from 1946 to 1947, including performances in London, Paris, and cities in the Czech Republic, Italy, Germany, and Switzerland.
389:; a performance which earned her the nickname the "Chinese nightingale". While at the festival she became acquainted with many luminary musicians of the 20th century, including
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in 1949. She remained an instructor at the
Shanghai Conservatory for more than 65 years. Many of her students went on to highly successful international opera careers.
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As a vocalist, she performed in theaters and concert halls across Europe in 1946–1947; earning the nickname the "Chinese
Nightingale". Under the directive of Premier
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and the
Shanghai Conservatory enabled productions in other languages to be mounted by the school—beginning with a French language production of Gounod's
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At the bequest of her father, Zhou abandoned her European concert tour and returned home to Shanghai in 1947. In 1949 she became acquainted with Premier
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In 1938 Zhou left China for studies in France after her voice teacher in Singapore told her that her voice was "too throaty". She pursued studies at the
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activities in 1965. This led to her being exiled on a farm with her husband in the Chinese provinces for five years. Speaking of her experience with
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She and her program flourished with many of her students working successfully on the international stage. Among her pupils were opera singers
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Conservatory. With the financial backing of the Nanjing government she coordinated a fully staged production of Verdi's
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as "China's First Lady of Opera", she was considered to be the first important instructor of Western opera in China.
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which were highly regarded and inspired financial aid and the conscription of soldiers for the war effort.
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In 1970 Zhou returned to Shanghai and her post at the conservatory. However, it was not until
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283:; August 17, 1917 – March 4, 2016) was a Chinese vocal pedagogue and classical
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instead given that, according to Zhou, "China had no opera at that time".
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Chou Tsang-po (director general of the Central China Chemical Factory)
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in 1937. Wishing to raise the morale of the Chinese people facing the
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and Jewish musicians who were prevalent in 1930s Shanghai.
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553:(in Chinese). World Chinese Musicians Association
385:In 1946 Zhou was a featured soloist at the first
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360:Conservatoire russe de Paris Serge Rachmaninoff
124:Conservatoire russe de Paris Serge Rachmaninoff
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16:Chinese vocal pedagogue and classical soprano
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52:Zhou Xiaoyan performing in 1947 in Shanghai
387:Prague Spring International Music Festival
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754:École Normale de Musique de Paris alumni
682:. 1950-03-22. p. 18. Archived from
673:"Directory of CCP Government Personnel"
655:"Zhou Xiaoyan: Singing for the Country"
409:Performing and teaching career in China
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166: 1952; died 1996)
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133:Vocal pedagogue, Classical soprano
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749:Conservatoire Rachmaninoff alumni
653:Zhao Liangfeng (April 28, 2013).
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615:Robert Turnbull (March 4, 2010).
356:École Normale de Musique de Paris
120:École Normale de Musique de Paris
530:On March 4, 2016, Zhou died at
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814:21st-century Chinese educators
809:20th-century Chinese educators
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332:, she sang the patriotic song
302:Shanghai Conservatory of Music
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110:Shanghai Conservatory of Music
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794:Chinese women music educators
617:"China's First Lady of Opera"
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680:Central Intelligence Agency
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188:Traditional Chinese
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202:Simplified Chinese
534:in Shanghai, aged 98.
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711:"周小燕去世 ć›ľĺ”±ă€Šé•żĺźŽč°Łă€‹ć‰“ĺŠ¨ć— ć•°ĺż—ĺŁ«"
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444:counter revolutionary
438:With the rise of the
334:The Great Wall Ballad
784:Educators from Hubei
779:Musicians from Wuhan
689:on January 20, 2017
479:San Francisco Opera
440:Cultural Revolution
403:Dmitri Shostakovich
308:Early life in China
774:Singers from Hubei
622:The New York Times
462:Return to Shanghai
449:The New York Times
399:Sviatoslav Richter
368:Nikolai Tcherepnin
290:The New York Times
484:Roméo et Juliette
391:Leonard Bernstein
358:and later at the
330:invasion by Japan
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225:Standard Mandarin
138:Years active
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717:. March 4, 2016.
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659:womenofchina.cn
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90:March 4, 2016
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691:. Retrieved
684:the original
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555:. Retrieved
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520:Jianyi Zhang
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417:and writers
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287:. Dubbed by
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259:Zhou Xiaoyan
258:
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238:ZhĹŤu XiÇŽoyĂ n
232:Hanyu Pinyin
182:Chinese name
92:(2016-03-04)
40:Zhou Xiaoyan
28:
21:Chinese name
739:2016 deaths
734:1917 births
25:family name
728:Categories
693:2019-06-25
557:4 December
538:References
516:Guanqun Yu
500:Ying Huang
415:Zhou Enlai
298:Zhou Enlai
271:Wade–Giles
64:1917-08-17
496:Ying Fang
487:in 1996.
474:Rigoletto
423:Ding Ling
344:Singapore
141:1937–2016
106:Education
508:Wei Song
504:Shenyang
312:Born in
98:Shanghai
19:In this
285:soprano
263:Chinese
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100:, China
518:, and
512:Gu Xin
419:Ba Jin
401:, and
273::
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146:Spouse
23:, the
687:(PDF)
676:(PDF)
551:"周小燕"
526:Death
434:Exile
314:Wuhan
162:(
158:
80:China
76:Hubei
72:Wuhan
715:Sina
559:2015
421:and
378:and
87:Died
58:Born
30:Zhou
339:长城谣
267:周小燕
208:周小燕
194:周小燕
27:is
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164:m.
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62:(
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