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resurrection"). Newspapers sprung up in the modernization drive, and
Yoshitoshi was recruited to produce "news nishikie". These were woodblock prints designed as full-page illustrations to accompany articles, usually on lurid and sensationalized subjects such as "true crime" stories. Yoshitoshi's financial condition was still precarious, however, and in 1876, his mistress Okoto, in a gesture of devotion, sold herself to a
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turmoil, which was to continue sporadically until his death. He lived in appalling conditions with his devoted mistress, Okoto, who sold off her clothes and possessions to support him. At one point they were reduced to burning the floor-boards from the house for warmth. It is said that in 1872 he suffered a complete mental breakdown after being shocked by the lack of popularity of his recent designs.
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However, starting in the 1970s, interest in him resumed, and reappraisal of his work has shown the quality, originality and genius of the best of it, and the degree to which he succeeded in keeping the best of the old
Japanese woodblock print, while pushing the field forward by incorporating both new
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artists in Edo. With the country at war, Yoshitoshi's images allowed those who were not directly involved in the fighting to experience it vicariously through his designs. The public was attracted to
Yoshitoshi's work not only for his superior composition and draftsmanship, but also his passion and
361:, one of the great masters of the Japanese woodblock print. Kuniyoshi gave his apprentice the new artist's name "Yoshitoshi", denoting lineage in the Utagawa School. Although he was not seen as Kuniyoshi's successor during his lifetime, he is now recognized as the most important pupil of Kuniyoshi.
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In his last years, his mental problems started to recur. In early 1891 he invited friends to a gathering of artists that did not actually exist, but rather turned out to be a delusion. His physical condition also deteriorated, and his misfortune was compounded when all of his money was stolen in a
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Many of
Yoshitoshi's prints of the 1860s are depictions of graphic violence and death. These themes were partly inspired by the death of Yoshitoshi's father in 1863 and by the lawlessness and violence of the Japan surrounding him, which was simultaneously experiencing the breakdown of the feudal
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Yoshitoshi's first print appeared in 1853, but nothing else appeared for many years, perhaps as a result of the illness of his master
Kuniyoshi during his last years. Although his life was hard after Kuniyoshi's death in 1861, he did manage to produce some work, 44 prints of his being known from
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status. At the age of three years, Yoshitoshi left home to live with his uncle, a pharmacist with no son, who was very fond of his nephew. At the age of five, he became interested in art and started to take lessons from his uncle. In 1850, when he was 11 years old, Yoshitoshi was apprenticed to
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During his training, Yoshitoshi concentrated on refining his draftsmanship skills and copying his mentor's sketches. Kuniyoshi emphasized drawing from real life, which was unusual in
Japanese training because the artist's goal was to communicate the essence of the subject matter rather than to
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While demand for his prints continued for a few years, eventually interest in him waned, both in Japan, and around the world. The canonical view in this period was that the generation of
Hiroshige was really the last of the great woodblock artists, and more traditional collectors stopped even
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By 1869, Yoshitoshi was regarded as one of the best woodblock artists in Japan. However, shortly thereafter, he ceased to receive commissions, perhaps because the public were tired of scenes of violence. By 1871, Yoshitoshi became severely depressed, and his personal life became one of great
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of 1877, in which the old feudal order made one last attempt to stop the new Japan, newspaper circulation soared, and woodblock artists were in demand, with
Yoshitoshi earning much attention. In late 1877, he took up with a new mistress, the geisha Oraku; like Okoto, she sold her clothes and
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In the following year his fortunes turned, when his mood improved, and he started to produce more prints. Prior to 1873, he had signed most of his prints as "Ikkaisai
Yoshitoshi". However, as a form of self-affirmation, he at this time changed his artist name to "Taiso" (meaning "great
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with two children, Sakamaki Taiko. They were married in 1884, and while he continued to philander, her gentle and patient temperament seems to have helped stabilize his behavior. One of Taiko's children, adopted as a son, became
Yoshitoshi's student, and was thence known as
405:, as well as the effect of contact with Westerners. In late 1863, Yoshitoshi began making violent sketches, eventually incorporated into battle prints designed in a bloody and extravagant style. The public enjoyed these prints and Yoshitoshi began to move up in the ranks of
607:", which were compiled between the 12th and 13th centuries, and depicts a bandit, Hakamadare, trying to attack Fujiwara no Yasumasa, who is playing the flute, but being unable to move because of Yasumasa's silent pressure. This work is regarded as one of Yoshitoshi's best.
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As he gained notoriety, Yoshitoshi was able to have ninety-five more of his designs published in 1865, mostly on military and historical subjects. Among these, two series would reveal Yoshitoshi's creativity, originality, and imagination. The first series,
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282:. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.
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458:("Twenty-eight famous murders with verse"). These prints show killings in very graphic detail, such as decapitations of women with bloody handprints on their robes. Other examples can be found in the strange figures of the 1866 series
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possessions to support him, and when they separated after a year, she too hired herself out to a brothel. Yoshitoshi's works gave him more public recognition, and the money was a help, but it was not until 1882 that he was secure.
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intense involvement with his subject matter. Besides the demands of woodblock print publishers and consumers, Yoshitoshi was also trying to exorcise the demons of horror that he and his fellow countrymen were experiencing.
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He died three weeks later in a rented room, on June 9, 1892, from a cerebral hemorrhage. He was 53 years old. A stone memorial monument to Yoshitoshi was built in Mukojima Hyakkaen garden, Tokyo, in 1898.
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By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like
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furnish a literal representation of it. Yoshitoshi also learned the elements of western drawing techniques and perspective through studying Kuniyoshi's collection of foreign prints and engravings.
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in which he portrays contemporary soldiers as historical figures in a semi-western style, using close-up and unusual angles, often shown in the heat of battle with desperate expressions.
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His reputation has only continued to grow, both in the West, and among younger Japanese, and he is now almost universally recognized as the greatest Japanese artist of his era.
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consists of one hundred woodblocks, published in his later years, between 1885 -1892. Although some prints do not depict the moon, it is a unifying motif for the whole series.
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robbery of his home. After more symptoms, he was admitted to a mental hospital. He eventually left, in May 1892, but did not return home, instead renting rooms.
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Yoshitoshi insisted on high standards of production and helped save it temporarily from degeneracy. He became a master teacher and had notable pupils such as
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caused political trouble for Yoshitoshi because it depicted seven female attendants to the Imperial court and identified them by name. It may be that the
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During his life he produced many series of prints, and a large number of triptychs, many of great merit. Two of his three best-known series, the
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587:) an ukiyo-e, based on an original drawing which was exhibited at the previous year's exhibition of Japanese paintings. This work is based on
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Yoshitoshi's courage, vision and force of character gave ukiyo-e another generation of life, and illuminated it with one last burst of glory.
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and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of
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489:. Although Yoshitoshi made a name for himself in this manner, the "bloody" prints represent only a small portion of his work.
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By this point, the woodblock industry was in severe straits. All the great woodblock artists of the early part of the century—
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462:, ("Biographies of Modern Men"), which depicted the power struggle between two gambling rings, and the 1867 series
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352:, in 1839. His original name was Owariya Yonejiro. His father was a wealthy merchant who had bought his way into
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1354:: Omori Hikoshichi carrying a woman across a river; as he does so, he sees that she has horns in her reflection.
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693:" ranked Yoshitoshi as the number-one ukiyo-e artist, ahead of his Meiji contemporaries such as
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and his retainers releasing cranes to mourn for the war dead in the Mutsu and Dewa Conquest.
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1554:(Shogun Gallery, Washington, 1981) contains small illustrations of many of his lesser works
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672:. This macabre work is iconic in its own right and influential in the history of modern
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herself was displeased with this fact and with the style of her portrait in the series.
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It is said that Yoshitoshi's work of the "bloody" period has influenced writers such as
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consists of fifty-one woodblocks, published in his middle years, between 1877 -1882.
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630:(The Lonely House on Adachi Moor) appeared in 1885. This work depicts the legend of
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437:("One Hundred Stories of China and Japan"), illustrates traditional ghost stories.
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Between 1866 and 1868 Yoshitoshi created disturbing images, notably in the series
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371:, "Maisaka", early Yoshitoshi seascape design from a collaborative series (1863).
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1862. In the next two years he had sixty-three of his designs, mostly
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Yoshitoshi has widely been recognized as the last great master of the
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His last years were among his most productive, with his great series
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with his emblematic long bow and an accompanying three-legged crow.
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leads a small group assaulting the castle on Inaba Mountain (1885).
1547:(Kodansha, Tokyo, 1985) is an excellent, but rare, overview of him
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Twenty-Four Hours with the Courtesans of Shimbashi and Yanagibashi
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During this period he also cooperated with his friend, the actor
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series by Utagawa School artists organized under the auspices of
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Design from Yoshitoshi's well-known series of beautiful women
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564:, from 1877 to 1882, and he further increased his reputation.
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259:; 30 April 1839 – 9 June 1892) was a Japanese
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Beauty and Violence: Japanese Prints by Yoshitoshi 1839–1892
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prints, published. He also contributed designs to the 1863
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Japan, and the first years of modern Japan following the
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Yoshitoshi's Women: The Print Series 'Fuzoku Sanjuniso'
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ideas from the West, as well as his own innovations.
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was fascinated by Yoshitoshi's accurate depiction of
556:", a series of 51 works that depicted great men from
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The "Bloody Prints": capturing the public imagination
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Yoshitoshi was born in the Shimbashi district of old
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to a new level, before it effectively died with him.
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earlier, at the generation of Utamaro and Toyokuni.
757:(1889–1892), as well as some masterful triptychs of
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Divine Dementia: The Woodblock Prints of Yoshitoshi
1126:Kamitsuke no Yatsunada attacking Saohime's castle.
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1540:. Chiang Mai: Cognoscenti Books. ASIN: B00AGHJVOS
1533:. Chiang Mai: Cognoscenti Books. ASIN: B00ADQGLB8
1468:Nagoya Japanese Sword Museum Nagoya Touken World.
1452:Nagoya Japanese Sword Museum Nagoya Touken World.
1436:. Chiang Mai: Cognoscenti Books. ASIN: B00AGHJVOS
30:"Yoshitoshi" redirects here. For other uses, see
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812:(36 Ghosts), "Priest Raigo of Mii Temple" (1891)
1662:
689:An 1885 issue of the art and fashion magazine "
652:", which was compiled in the 11th century, and
1561:(San Francisco Graphic Society, Redmond, 1992)
1531:Forty-Seven Ronin: Tsukioka Yoshitoshi Edition
1408:
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433:"), is about a Chinese folk-hero. The second,
420:(Twenty-eight famous murders with verse, 1867)
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1628:Biography of Tsukioka Yoshitoshi, Ukiyo-e.com
1494:. San Francisco Graphic Society. p. 49.
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493:The middle years: hard times and resurrection
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1559:Yoshitoshi's One Hundred Aspects of the Moon
1536:Forbes, Andrew ; Henley, David (2012).
1529:Forbes, Andrew ; Henley, David (2012).
1492:Yoshitoshi's One Hundred Aspects of the Moon
824:, contain numerous masterpieces. The third,
501:From Yoshitoshi's series of beautiful women
340:No. 7, "Inaba Mountain Moon" The young
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1339:) Threatens a Demon in the Palace at Night.
444:"Seiriki Tamigorō committing suicide" from
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1655:
1641:
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27:Japanese artist and printmaker (1839–1892)
1489:
1172:Instructing Toyohara no Tokiaki in Music.
967:Thirty-Two Aspects of Customs and Manners
838:New Selection of Eastern Brocade Pictures
826:Thirty-Two Aspects of Customs and Manners
481:(1886–1965) as well as artists including
102:Learn how and when to remove this message
1526:, Amsterdam) is the standard work on him
1448:Mirror of Famous Generals of Great Japan
1096:Mirror of Famous Generals of Great Japan
1089:Mirror of Famous Generals of Great Japan
919:Mirror of Famous Generals of Great Japan
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803:
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626:Yoshitoshi's notorious, yet compelling,
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567:In 1880, he met another woman, a former
554:Mirror of Famous Generals of Great Japan
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439:
412:
363:
332:
65:This article includes a list of general
1624:– Contains images of many of his prints
1600:– Online catalogue raisonne of his work
894:Twenty-Eight Famous Murders with Verses
14:
2860:
1432:Forbes, Andrew; Henley, David (2012).
881:One Hundred Stories of Japan and China
620:Fujiwara no Yasumasa Playing the Flute
585:Fujiwara no Yasumasa Playing the Flute
533:The Lonely House on Adachi Moor (1885)
1636:
1604:Ukiyo-e Prints by Tsukioka Yoshitoshi
907:Biographies of Drunken Valiant Tigers
1464:Fujiwara no Yasumasa Gekka Roteki zu
1138:Roku Son'ō Tsunemoto (also known as
616:Fujiwara no Yasumasa Gekka Roteki zu
581:Fujiwara no Yasumasa Gekka Roteki zu
51:
1582:(Amsterdam. Hotei Publishing 2005).
969:(1888) "Fuzoku sanjuniso – Aitasou"
913:Mirror of Beauties Past and Present
743:("One hundred aspects of the moon")
731:Later years: the eclipse of ukiyo-e
628:"Oshu adachigahara hitotsuya no zu"
24:
1512:
1257:
1199:Saimyō-ji Tokiyori (also known as
71:it lacks sufficient corresponding
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1545:Yoshitoshi: The Splendid Decadent
1518:Eric van den Ing, Robert Schaap,
867::The fight between Ushiwakamaru (
1385:Night in paintings (Eastern art)
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808:Design from Yoshitoshi's series
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2357:Not associated with any school
1611:– The complete online reference
1390:One Hundred Aspects of the Moon
1306:Warriors Trembling with Courage
989:One Hundred Aspects of the Moon
981:One Hundred Aspects of the Moon
955:One Hundred Aspects of the Moon
943:Warriors Trembling with Courage
865:Warriors Trembling with Courage
855:
818:One Hundred Aspects of the Moon
750:One Hundred Aspects of the Moon
579:In 1883, Yoshitoshi published "
317:One Hundred Aspects of the Moon
218:
2878:19th-century Japanese painters
2351:List of Utagawa school members
1615:
1573:Yoshitoshi's Thirty-Six Ghosts
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1471:
1455:
1439:
1426:
1367:New Forms of Thirty-Six Ghosts
1352:New Forms of Thirty-Six Ghosts
1333:New Forms of Thirty-Six Ghosts
973:New Forms of Thirty-Six Ghosts
783:with its increasing brilliance
755:New Forms of Thirty-Six Ghosts
13:
1:
2898:Artists from Tokyo Metropolis
1522:(Havilland, Eindhoven, 1992;
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961:Personalities of Recent Times
470:, Yoshitoshi made the series
131:
2807:influenced non-Japanese art
1575:(Weatherill, New York, 1983)
1318:Revenge of the Soga Brothers
464:Azuma no nishiki ukiyo kōdan
7:
1681:Japanese woodblock printing
1663:Ukiyo-e schools and artists
1378:
761:theatre actors and scenes.
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632:
601:
32:Yoshitoshi (disambiguation)
10:
2914:
1580:Yoshitoshi’s Strange Tales
800:Retrospective observations
686:(upside down suspension).
541:designed in 1878 entitled
329:Biography: The early years
300:His life was summed up by
36:
29:
2722:
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2118:Shunkōsai Fukushū school
1839:Ishikawa Toyonobu school
1829:Ippitsusai Bunchō school
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1692:
1668:
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1524:Society for Japanese Arts
1369:: Ii no Hayata killing a
887:Biographies of Modern Men
466:. In 1868, following the
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229:
200:
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164:
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116:
1490:Stevenson, John (1992).
1413:Nussbaum, Louis Frédéric
830:Famous Generals of Japan
2818:Japonaiserie (Van Gogh)
1373:at the imperial palace.
1110:Depiction of a bearded
931:Eight Elements of Honor
925:A Collection of Desires
871:) and the bandit chief
834:A Collection of Desires
338:100 Aspects of the Moon
86:more precise citations.
1749:Harukawa Eizan school
1170:Minamoto no Yoshimitsu
876:
842:Lives of Modern People
813:
797:
781:holding back the night
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552:Yoshitoshi published "
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449:
435:Wakan hyaku monogatari
421:
401:system imposed by the
372:
369:Tokaido Meisho no Uchi
345:
323:
2440:artists and movements
2331:Utagawa Hiroshige III
1686:List of ukiyo-e terms
1609:100 Views of the Moon
1140:Minamoto no Tsunemoto
869:Minamoto no Yoshitune
863:
807:
778:
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691:Tokyo Hayari Hosomiki
656:is also performed in
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596:Konjaku Monogatarishū
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2828:Anglo-Japanese style
2326:Utagawa Hiroshige II
2246:Utagawa Kunisada III
2112:Yanagawa Shigenobu I
1923:Keisai Eisen school
1708:of 17–19th centuries
1337:Fujiwara no Tadahira
1185:Minamoto no Yoritomo
1094:Yoshitoshi's series
986:Yoshitoshi's series
901:One Hundred Warriors
810:Shinkei Sanjurokuten
593:stories written in "
503:Shinryu nijushi toki
2396:Kobayashi Kiyochika
2261:Utagawa Toyokuni II
2241:Utagawa Kunisada II
1997:Nishimura Shigenaga
1705:Schools and artists
1622:Tsukioka Yoshitoshi
1568:(Avery Press, 1986)
1421:Japan Encyclopedia,
1155:Minamoto no Yoshiie
603:Uji Shūi Monogatari
479:Jun'ichirō Tanizaki
431:Journey to the West
240:Tsukioka Yoshitoshi
118:Tsukioka Yoshitoshi
2888:People from Minato
2883:Artists from Tokyo
2833:Post-Impressionism
2657:Shōzaburō Watanabe
2316:Utagawa Kuniteru I
2301:Utagawa Yoshitoshi
2281:Utagawa Yoshitsuya
2256:Utagawa Kunimasu I
2226:Utagawa Toyokuni I
2199:Toyohara Kunichika
2122:Shunshosai Hokucho
1987:Nishikawa Sukenobu
1917:Kawamata Tsunemasa
1912:Kawamata Tsuneyuki
1902:Katsukawa Shunkō I
1813:Yanagawa Shigenobu
1803:Katsushika Hokusai
1793:Hishikawa Moronobu
1246:Toyotomi hideyoshi
1216:Kusunoki Masashige
877:
814:
745:
739:From Yoshitoshi's
699:Toyohara Kunichika
624:
558:Japanese mythology
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507:
472:Kaidai hyaku sensō
455:Eimei nijūhasshūku
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418:Eimei nijūhasshūku
403:Tokugawa shogunate
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346:
342:Toyotomi Hideyoshi
272:woodblock printing
2855:
2854:
2730:Japanese painting
2632:Sekino Jun'ichirō
2612:Gihachiro Okuyama
2572:Sakuichi Fukazawa
2552:Un'ichi Hiratsuka
2466:Kiyokata Kaburagi
2321:Utagawa Hiroshige
2311:Utagawa Yoshifusa
2306:Utagawa Yoshifuji
2286:Utagawa Yoshitora
2271:Utagawa Kuniyoshi
2169:Torii Kiyomitsu I
2164:Torii Kiyomasu II
2154:Torii Kiyonobu II
2132:Shunbaisai Hokuei
2108:Shigenobu school
2102:Urakusai Nagahide
2077:Yanagawa Nobusada
2067:Shunbaisai Hokuei
2042:Shunkōsai Hokushū
2002:Ishikawa Toyonobu
1993:Nishimura school
1983:Nishikawa school
1897:Katsukawa Shunchō
1892:Katsukawa Shunsen
1887:Katsukawa Shun'ei
1882:Katsukawa Shunshō
1870:Matsuno Chikanobu
1850:Kaigetsudō school
1843:Ishikawa Toyonobu
1833:Ippitsusai Bunchō
1818:Yanagawa Nobusada
1789:Hishikawa school
1743:Furuyama Moromasa
1538:28 Famous Murders
1434:28 Famous Murders
1335:: Lord Sadanobu (
1310:Gosho no Gorōmaru
822:Thirty-Six Ghosts
753:(1885–1892), and
543:Bijin shichi yoka
523:Satsuma Rebellion
280:Meiji Restoration
237:
236:
112:
111:
104:
16:(Redirected from
2905:
2789:Mochizuki school
2707:Tadashi Nakayama
2567:Yasuhide Kobashi
2506:Takahashi Shōtei
2391:Kobayashi Eitaku
2341:Utagawa Sadafusa
2336:Utagawa Hirokage
2296:Utagawa Yoshiiku
2276:Ryusai Shigeharu
2266:Utagawa Kuniyasu
2251:Utagawa Sadahide
2236:Utagawa Kunisada
2231:Utagawa Kunimasa
2221:Utagawa Toyohiro
2216:Utagawa Toyoharu
2195:Toyohara school
2159:Torii Kiyomasu I
2149:Torii Kiyonobu I
2093:Ryūkōsai school
2017:Okumura Masanobu
1977:Miyagawa Shunsui
1967:Miyagawa Chōshun
1963:Miyagawa school
1937:Kitagawa Utamaro
1933:Kitagawa school
1908:Kawamata school
1877:Katsukawa school
1860:Kaigetsudō Anchi
1779:Hasegawa school
1759:Harunobu school
1739:Furuyama school
1698:
1657:
1650:
1643:
1634:
1633:
1578:John Stevenson,
1571:John Stevenson,
1564:John Stevenson,
1557:John Stevenson,
1506:
1505:
1487:
1481:
1475:
1469:
1459:
1453:
1443:
1437:
1430:
1424:
1410:
1363:
1348:
1329:
1302:
1291:Fuzoku Sanjuniso
1286:
1268:
1242:
1227:
1212:
1196:
1181:
1166:
1151:
1135:
1123:
1107:
1082:
1073:
1064:
1055:
1046:
1037:
1028:
1019:
1010:
1001:
949:Yoshitoshi Manga
875:Chohan in 1174.
795:
785:the summer moon
766:Ichikawa Danjūrō
725:Toshihide Migita
721:Toshikata Mizuno
695:Utagawa Yoshiiku
651:
637:
606:
321:
313:John Stevenson,
258:
257:
252:Taiso Yoshitoshi
249:
222:
220:
171:
149:
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107:
100:
96:
93:
87:
82:this article by
73:inline citations
60:
59:
52:
21:
2913:
2912:
2908:
2907:
2906:
2904:
2903:
2902:
2893:Ukiyo-e artists
2858:
2857:
2856:
2851:
2755:Hasegawa school
2718:
2692:Chosei Kawakami
2677:Fujimori Shizuo
2642:Hiroyuki Tajima
2597:Yoshitoshi Mori
2592:Matsubara Naoko
2547:Eiichi Kotozuka
2526:Yoshida Hiroshi
2516:Tsuchiya Koitsu
2501:Shiro Kasamatsu
2476:Elizabeth Keith
2456:Hashiguchi Goyō
2439:
2433:
2407:
2376:Toriyama Sekien
2291:Kawanabe Kyōsai
2204:Yōshū Chikanobu
2174:Torii Kiyotsune
2127:Gatōken Shunshi
2013:Okumura school
2007:Suzuki Harunobu
1957:Kitao Shigemasa
1865:Hasegawa Eishun
1855:Kaigetsudō Ando
1799:Hokusai school
1783:Hasegawa Settan
1763:Suzuki Harunobu
1728:Chōbunsai Eishi
1718:Gigadō Ashiyuki
1714:Asayama school
1707:
1699:
1690:
1664:
1661:
1618:
1594:
1589:
1550:T. Liberthson,
1543:Shinichi Segi,
1515:
1513:Further reading
1510:
1509:
1502:
1488:
1484:
1476:
1472:
1460:
1456:
1444:
1440:
1431:
1427:
1417:"Tsukoka Kōgyō"
1411:
1404:
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1381:
1374:
1364:
1355:
1349:
1340:
1330:
1321:
1303:
1294:
1287:
1278:
1269:
1260:
1258:Notable artwork
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1243:
1234:
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1213:
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1158:
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1047:
1038:
1029:
1020:
1011:
1002:
984:
858:
802:
796:
790:
787:
784:
782:
733:
495:
460:Kinsei kyōgiden
446:Kinsei kyōgiden
427:Tsūzoku saiyūki
398:
331:
322:
312:
295:woodblock print
225:
224:
221: 1884)
216:
212:
186:
173:
169:
160:
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135:
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108:
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78:Please help to
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22:
15:
12:
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5:
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2737:
2726:
2724:
2720:
2719:
2717:
2716:
2715:
2714:
2709:
2704:
2702:Kohno Michisei
2696:
2695:
2694:
2689:
2684:
2679:
2674:
2669:
2664:
2662:Hodaka Yoshida
2659:
2654:
2652:Kanae Yamamoto
2649:
2647:Sadao Watanabe
2644:
2639:
2634:
2629:
2624:
2622:Kiichi Okamoto
2619:
2614:
2609:
2604:
2602:Shikō Munakata
2599:
2594:
2589:
2584:
2582:Senpan Maekawa
2579:
2574:
2569:
2564:
2559:
2554:
2549:
2544:
2542:Azechi Umetarō
2530:
2529:
2528:
2523:
2521:Yamakawa Shūhō
2518:
2513:
2508:
2503:
2498:
2493:
2488:
2486:Natori Shunsen
2483:
2481:Kojima Gyokuhō
2478:
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2426:
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2413:
2409:
2408:
2406:
2405:
2404:
2403:
2401:Kikukawa Eizan
2398:
2393:
2388:
2386:Sugimura Jihei
2383:
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2228:
2223:
2218:
2211:Utagawa school
2208:
2207:
2206:
2201:
2193:
2192:
2191:
2186:
2184:Torii Kiyonaga
2181:
2179:Torii Kiyohiro
2176:
2171:
2166:
2161:
2156:
2151:
2146:
2144:Torii Kiyomoto
2136:
2135:
2134:
2129:
2124:
2116:
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2114:
2106:
2105:
2104:
2099:
2097:Ryūkōsai Jokei
2091:
2090:
2089:
2084:
2079:
2074:
2069:
2064:
2059:
2054:
2052:Yoshida Hanbei
2049:
2044:
2039:
2037:Ryūkōsai Jokei
2031:
2030:
2029:
2021:
2020:
2019:
2011:
2010:
2009:
2004:
1999:
1991:
1990:
1989:
1981:
1980:
1979:
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1972:Miyagawa Isshō
1969:
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1947:Eishōsai Chōki
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1797:
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1785:
1777:
1776:
1775:
1770:
1768:Isoda Koryūsai
1765:
1757:
1756:
1755:
1753:Harukawa Eizan
1747:
1746:
1745:
1737:
1736:
1735:
1733:Chōkōsai Eishō
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1606:
1601:
1598:Yoshitoshi.net
1593:
1590:
1588:
1587:External links
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741:Tsuki hyakushi
732:
729:
727:, and others.
574:Tsukioka Kōgyo
494:
491:
487:Masami Teraoka
483:Tadanori Yokoo
468:Battle of Ueno
397:
394:
330:
327:
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302:John Stevenson
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211:Sakamaki Taiko
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191:Known for
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172:(aged 53)
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2765:Nanpin school
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2712:Fujio Yoshida
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2690:
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2687:Tadashige Ono
2685:
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2672:Suwa Kanenori
2670:
2668:
2667:Tōshi Yoshida
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2630:
2628:
2627:Saitō Kiyoshi
2625:
2623:
2620:
2618:
2617:Kōshirō Onchi
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2562:Kitaoka Fumio
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2517:
2514:
2512:
2511:Torii Kotondo
2509:
2507:
2504:
2502:
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2496:Ota Masamitsu
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2361:Kanbun Master
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2189:Torii Kotondo
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2033:Osaka school
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2027:Ōoka Shunboku
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1828:
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1823:Totoya Hokkei
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1808:Katsushika Ōi
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1231:Mori Motonari
1226:
1221:
1217:
1211:
1206:
1202:
1201:Hōjō Tokiyori
1195:
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1112:Emperor Jimmu
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547:Empress Meiji
544:
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531:
527:
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519:
518:to help him.
517:
511:
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309:
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250:; also named
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54:
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48:
44:
40:
39:Japanese name
33:
19:
2844:Ligne claire
2842:
2810:
2804:
2793:
2784:Shijō school
2776:
2769:
2760:Kyoto school
2735:Rinpa school
2637:Toko Shinoda
2607:Tetsuya Noda
2535:Sosaku-hanga
2533:
2532:
2471:Hasui Kawase
2447:
2446:
2438:20th century
2346:Adachi Ginkō
2139:Torii school
2023:Ōoka school
1927:Keisai Eisen
1579:
1572:
1565:
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1491:
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856:Print series
850:
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837:
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748:
746:
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703:
690:
688:
683:
673:
663:
657:
653:
648:Shūi Wakashū
644:written in "
639:
627:
625:
619:
615:
594:
588:
584:
580:
578:
566:
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537:A series of
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170:(1892-06-09)
168:June 9, 1892
98:
89:
70:
46:
2873:1892 deaths
2868:1839 births
2838:Art Nouveau
2750:Hara school
2745:Akita ranga
2740:Kanō school
2682:Reika Iwami
2577:Masao Maeda
2557:Itow Takumi
2491:Ohara Koson
2461:Itō Shinsui
2381:Ogata Gekkō
2371:Sawa Sekkyō
2062:Hirosada II
1773:Shiba Kōkan
1616:Biographies
975:(1889–1892)
963:(1886–1888)
957:(1885–1892)
951:(1885–1887)
945:(1883–1886)
921:(1876–1882)
903:(1868–1869)
897:(1866–1869)
889:(1865–1866)
883:(1865–1866)
684:sakasa zuri
429:("A Modern
291:lithography
287:photography
84:introducing
2862:Categories
2449:Shin-hanga
2429:Yokohama-e
2424:Nagasaki-e
2419:Kamigata-e
2057:Hirosada I
1415:. (2005).
1397:References
793:death poem
678:, in that
562:Edo period
276:Edo period
261:printmaker
146:1839-04-30
92:March 2014
67:references
18:Yoshitoshi
2812:Japonisme
2587:Maki Haku
2412:By region
2087:Yoshitaki
1942:Tsukimaro
1480:Kotobank.
1478:Kurozuka.
1312:captures
714:Kuniyoshi
706:Hiroshige
680:Itoh Seiu
521:With the
359:Kuniyoshi
270:genre of
130:Tsukioka
2072:Kunimasu
2047:Ashiyuki
1423:p. 1000.
1379:See also
1308: :
873:Kumasaka
789:—
710:Kunisada
654:Kurozuka
641:Kurozuka
622:) (1883)
539:bijin-ga
390:Kunisada
311:—
244:Japanese
230:Children
47:Tsukioka
37:In this
2805:Ukiyo-e
2778:Nihonga
2723:Related
2698:Others
2366:Sharaku
2082:Shunshi
1676:Ukiyo-e
1669:General
1316:. From
1293:(1888).
675:kinbaku
599:" and "
590:setsuwa
560:to the
516:brothel
505:(1880).
407:ukiyo-e
386:Tokaido
354:samurai
268:ukiyo-e
223:
215:
195:Ukiyo-e
176:Ryōgoku
80:improve
43:surname
1592:Prints
1498:
939:(1880)
933:(1878)
927:(1877)
915:(1876)
909:(1874)
840:, and
759:kabuki
712:, and
670:jōruri
665:kabuki
569:geisha
382:kabuki
320:, 1992
201:Spouse
69:, but
41:, the
2771:Nanga
256:大蘇 芳年
248:月岡 芳年
217:(
213:
184:Japan
180:Tokyo
158:Japan
2795:Yōga
1496:ISBN
1248:and
820:and
697:and
668:and
634:kijo
485:and
289:and
165:Died
140:Born
134:1882
1419:in
1371:Nue
659:noh
638:in
618:" (
583:" (
350:Edo
154:Edo
45:is
2864::
1466:".
1450:".
1405:^
1203:).
1142:).
844:.
836:,
832:,
723:,
708:,
662:,
576:.
392:.
304::
263:.
246::
219:m.
182:,
178:,
156:,
132:c.
1656:e
1649:t
1642:v
1504:.
1462:"
1446:"
1320:.
1277:"
1271:"
1252:.
1233:.
1218:.
1157:.
614:"
242:(
233:2
148:)
144:(
105:)
99:(
94:)
90:(
76:.
49:.
34:.
20:)
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