794:
477:
806:
177:
356:
723:, was the first to produce abstract engravings, of a style however distinctly oriental for its chromaticism of soft tones and for its lyricism and imagination. Hiratsuka was more traditional in technique and choice of subjects, with a preference for black and white monochrome, in themes ranging from Buddhism to landscapes and popular scenes, in which he combined traditional methods with modern effects. Munakata was noted for his original, personal and expressive work, with an unmistakable stamp. He also focused on Buddhist themes, generally also monochrome, but with a free, carefree style, with a careless appearance but of great vitality.
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20:
628:" that existed at this time. Publishers or individuals could buy woodblocks from one another, and thus take over the production of certain texts, but beyond the ownership of a given set of blocks (and thus a very particular representation of a given subject), there was no legal conception of the ownership of ideas. Plays were adopted by competing theaters, and either reproduced wholesale, or individual plot elements or characters might be adapted; this activity was considered legitimate and routine at the time.
595:
403:, and people lent woodblock-printed illustrated books of various genres. While the Saga Books were printed on expensive paper, and used various embellishments, being printed specifically for a small circle of literary connoisseurs, other printers in Edo quickly adapted the conventional woodblock printing to producing cheaper books in large numbers, for more general consumption. The content of these books varied widely, including travel guides, gardening books, cookbooks,
1201:, are considered independent artists, free of school associations, and presumably, without the resulting associated benefits from publishers, who might be less inclined to produce prints by an unaffiliated artist. However, many of the surviving examples speak to the contrary. The earliest examples by these artists are among the most desirable, valuable, and rarest of all ukiyo-e. Additionally, many examples exhibit very fine printing, using expensive mica (
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859:
print. This coil is contained in a disk called an "ategawa" made from layers of very thin paper which is glued together and wrapped in a dampened bamboo leaf, the ends of which are then tied to create a handle. Modern printmakers have adapted this tool, and today barens made of aluminum with ball bearings to apply the pressure are used, as well as less expensive plastic versions.
1053:
852:, then glued face-down onto a plank of close-grained wood, usually a block of smooth cherry. Oil could be used to make the lines of the image more visible. An incision is made along both sides of each line or area. Wood is then chiseled away, based on the drawing outlines. The block is inked using a brush and then a flat hand-held tool called a
879:). The development of two registration marks carved into the blocks called "kento" was especially helpful with the introduction of multiple colors that had to be applied with precision over previous ink layers. The sheet of paper to be printed is placed in the kento, then lowered onto the woodblock.
838:
The technique for printing texts and images was generally similar. The obvious differences were the volume produced when working with texts (many pages for a single work), and the complexity of multiple colors in some images. Images in books were almost always in monochrome (black ink only), and for
342:
Despite the appeal of moveable type, however, craftsmen soon decided that the semi-cursive and cursive script style of
Japanese writings was better reproduced using woodblocks. By 1640 woodblocks were once again used for nearly all purposes. After the 1640s, movable type printing declined, and books
858:
is used to press the paper against the woodblock to apply the ink to the paper. The traditional baren is made in three parts: it consists of an inner core made from bamboo leaves twisted into a rope of varying thicknesses, the nodules thus created being what ultimately applies the pressure to the
266:
in Kyoto and started publishing books using a domestic wooden movable type printing press instead of metal from 1599. Ieyasu supervised the production of 100,000 types, which were used to print many political and historical books. In 1605, books using a domestic copper movable type printing press
707:, author of landscapes influenced by nineteenth-century English watercolor. In 1918 the Nippon Sōsaku Hanga Kyōkai (Japan Printmaking Artists' Association) was founded, a group of artists who synthesized traditional Japanese painting with the new Western aesthetic. Notable among its members were
93:
in some regards, but was widely used for text as well as images. The
Japanese mokuhanga technique differs in that it uses water-based inks—as opposed to Western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors,
703:, who already shows a clear Western influence in the realism and plastic treatment of his images. With the entry into the 20th century, the artists who practiced engraving evolved to a style more in line with modern Japanese taste. One of its first exponents was
148:, and other Buddhist texts and images. For centuries, printing was mainly restricted to the Buddhist sphere, as it was too expensive for mass production, and did not have a receptive, literate public as a market. However, an important set of fans of the late
1033:—a method of using multiple blocks for separate portions of the image, using a number of colors to achieve complex and detailed images. A separate block was carved to apply only the part of the image designated for a single color. Registration marks called
1215:
Following are common
Tokugawa-period print sizes. Sizes varied depending on the period, and those given are approximate; they are based on the pre-printing paper sizes, and paper was often trimmed after printing.
666:
gained international popularity. Institutes such as the "Adachi
Institute of Woodblock Prints" and "Takezasado" continue to produce ukiyo-e prints with the same materials and methods as used in the past.
640:
and introduction of modern printing technologies, woodblock printing continued as a method for printing texts as well as for producing art, both within traditional modes such as
2096:
274:
and
Suminokura Soan. At their studio in Saga, Kyoto, the pair created a number of woodblock versions of the Japanese classics, both text and images, essentially converting
2483:
Paine, Robert Treat, in: Paine, R. T. & Soper A, "The Art and
Architecture of Japan", Pelican History of Art, 3rd ed 1981, Penguin (now Yale History of Art),
324:), in which several characters are written in succession with smooth brush strokes. As a result, a single typeface was sometimes created by combining two to four
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The great pioneers in applying the movable type printing press to the creation of artistic books, and in preceding mass production for general consumption, were
2025:
2081:
1072:
Japanese printmaking, as with many other features of
Japanese art, tended to organize itself into schools and movements. The most notable schools (see also
1688:
2450:
1008:—a method that thickened the ink with glue, emboldening the image. Printers often used gold, mica, and other substances to enhance the image further.
1894:
1198:
1139:
1109:
2459:
Friese, Gordon (2007). "Hori-shi. 249 facsimiles of different seals from 96 Japanese engravers." Unna, Nordrhein-Westfalen: Verlag im bücherzentrun.
1737:
2054:
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was due to the high literacy rate of
Japanese people in those days. The literacy rate of the Japanese in the Edo period was almost 100% for the
2783:
624:. A publisher's ownership of the physical woodblocks used to print a given text or image constituted the closest equivalent to a concept of "
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1976:
1816:
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1964:
1709:
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1990:
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to printed books, and reproducing them for wider consumption. These books, now known as Kōetsu Books, Suminokura Books, or Saga Books
2843:
2808:
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2738:
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brought with it demand for ever increasing numbers of colors and complexity of techniques. The stages of this development follow:
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Many publishing houses arose and grew, publishing both books and single-sheet prints. One of the most famous and successful was
1945:
296:, are considered the first and finest printed reproductions of many of these classic tales; the Saga Book of the Tales of Ise (
160:
from the 12th century to the 13th century, many books were printed and published by woodblock printing at
Buddhist temples in
2443:
2396:
2342:
2348:
2206:
77:
artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the
1898:
115:, and eventually migrated to Japan in the late 700s, where it was first used to reproduce foreign literature. In 764 the
476:
2525:(1). Maney Publishing on behalf of the International Institute for Conservation of Historic and Artistic Works: 29–40.
2121:
2011:
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commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a
Buddhist text (
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2474:
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780:
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176:
805:
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2022:
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355:
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801:, 1857. A fantasy version, wholly staffed by well-dressed "beauties". In fact few women worked in printmaking.
3057:
1684:
465:
2137:
1902:
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While, again, text was nearly always monochrome, as were images in books, the growth of the popularity of
3090:
943:—red ink details or highlights added by hand after the printing process; green was sometimes used as well
24:
2517:
Whitmore, Paul M.; Cass, Glen R. (February 1988). "The Ozone Fading of Traditional Japanese Colorants".
2162:
2060:
243:'s forces in 1593 was also in use at the same time as the printing press from Europe. An edition of the
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2965:
1073:
329:
95:
50:
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master, and his cruel depictions and fantastic expressions influenced later Japanese literature and
455:
4287:
3050:
2435:
2238:
The Prints of Japan, Frank A. Turk, October House Inc ,1966, Lib Congress catalog Card no. 66-25524
745:
1871:
152:(12th century), containing painted images and Buddhist sutras, reveal from loss of paint that the
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depicting secular subjects became very popular among the common people and were mass-produced.
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wrestlers, beautiful women, landscapes of sightseeing spots, historical tales, and so on, and
125:). These were distributed to temples around the country as thanks for the suppression of the
4277:
3740:
3095:
2658:
2628:
2247:
Fresh Impressions, Kendall Brown, Publisher: University of Washington Press, September 2013,
1813:
1628:
1611:
The Japanese terms for vertical (portrait) and horizontal (landscape) formats for images are
854:
621:
339:
characters. In one book, 2,100 characters were created, but 16% of them were used only once.
236:
3311:
991:, and other styles in which a single color was used in addition to, or instead of, black ink
267:
began to be published, but copper type did not become mainstream after Ieyasu died in 1616.
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With the entry into modernity, in Japan there was a renewal of woodblock printmaking, the
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in 1591. However, the use of the western printing press was discontinued after the ban on
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121:
8:
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of 764. These are the earliest examples of woodblock printing known, or documented, from
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2007:
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228:
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3558:
3426:
3386:
3346:
3286:
2978:
2621:
2574:
2526:
2407:
Ukiyo-e Studies and Pleasures, A Collection of Essays on the Art of Japanese Prints
1926:
1790:
Bonds of Civility: Aesthetic Networks and the Political Origins of Japanese Culture
1096:
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820:
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500:
232:
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was printed in 1598, using a Korean moveable type printing press, at the order of
116:
19:
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4001:
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3935:
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3416:
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3274:
3192:
3172:
2504:
Rikardson, Anders (1978). "Japanese Woodblock Prints" Malmö: Antik & Auktion.
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2100:
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a time art prints were likewise monochrome or done in only two or three colors.
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2059:(in Japanese). Nagoya Japanese Sword Museum Nagoya Touken World. Archived from
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470:
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299:
224:
4149:
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1895:"About the Japanese and Composition, the reconstruction of history and future"
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and in a variety of more radical or Western forms that might be construed as
556:
450:
126:
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2330:
Masterpieces of Japanese Prints: Ukiyo-e from the Victoria and Albert Museum
4253:
4144:
4046:
4016:
3944:
3880:
3548:
3336:
3016:
2983:
1179:
1084:
1043:) were used to ensure correspondence between the application of each block.
659:
609:
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221:
153:
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112:
78:
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with the techniques of Western paintings became popular, and the works of
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435:
4247:
4154:
4091:
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3900:
3471:
3031:
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875:
343:
were mass-produced by conventional woodblock printing during most of the
90:
2868:
2478:
423:
405:
3858:
3838:
3833:
3828:
3466:
3021:
2945:
2925:
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2894:
2889:
2884:
2538:
1175:
930:
869:
650:
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613:
560:
376:
344:
304:), printed in 1608, is especially renowned. For aesthetic reasons, the
216:
is one of the earliest works produced on a movable type press in Japan.
82:
2813:
2733:
4221:
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2753:
2723:
1376:
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1020:
625:
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361:
244:
2728:
385:
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411:
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305:
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165:
137:
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and greatly developed Japanese woodblock printing culture such as
537:
established the technique of multicolor woodblock printing called
445:(puppet) theatre, etc. The best-selling books of this period were
4187:
3775:
3491:
3212:
3085:
2828:
2798:
2793:
2758:
2743:
2713:
2708:
2673:
2644:
2562:
2551:"A new vision: modern Japanese prints from the Heriot collection"
2278:
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2268:
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1190:
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819:) and increased use of printed colour were among the innovations
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481:
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263:
145:
86:
73:
46:
4204:
2133:
2838:
2693:
2555:
Tuhinga: Records of the Museum of New Zealand Te Papa Tongarewa
2497:(1961). "A History of Japan: 1334–1615." Stanford, California:
1740:
Izumi Munemura. (2010). The Surface Finishing Society of Japan.
912:
699:
practically disappeared. Its last manifestations correspond to
518:
486:
2257:
2023:
Yoshitoshi: The Splendid Decadent/the Last Master of Ukiyo-E .
1016:
instead of paint. Lacquer was rarely, if ever, used on prints.
3011:
2950:
2858:
2688:
2158:
844:
815:
568:
332:
275:
161:
141:
130:
81:, woodblock printing was widely adopted in Japan during the
3105:
580:
522:
2613:
314:, like that of traditional handwritten books, adopted the
1052:
400:
197:
2301:
2299:
1766:. Old Saybrook, CT: Konecky & Konecky. p. 33.
2234:
2232:
2230:
2228:
2226:
2224:
2044:
The Nagoya Japanese Sword Museum "Nagoya Touken World"
365:(colored woodblock print) series depicting a class at
315:
309:
211:
201:
2607:
2187:(in Spanish). Madrid: Espasa Calpe. pp. 512–513.
2042:
One Hundred Aspects of the Moon, Tsukioka Yoshitoshi.
1841:(in Japanese). Printing Museum, Tokyo. Archived from
2296:
1655:"Art of the Pleasure Quarters and the Ukiyo-e Style"
393:(farmer) class due to the spread of private schools
2467:
Images from the Floating World, The Japanese Print.
2221:
862:
111:Woodblock printing was invented in China under the
2362:Forrer, Matthi, Willem R. van Gulik, Jack Hillier
2084:Satoshi Kobayashi. (2007) Hitotsubashi University.
1932:. Stanford, California: Stanford University Press.
1925:
1738:The Past, Present and Future of Printing in Japan.
533:are the most famous artists. In the 18th century,
156:for the paintings was printed from blocks. In the
2430:Nussbaum, Louis Frédéric and Käthe Roth. (2005).
882:
239:in 1614. The printing press seized from Korea by
4269:
2322:
2290:
1981:. Konosuke Hashiguchi. (2013) Seikei University.
1207:), premium inks and the highest quality papers.
399:. There were more than 600 rental bookstores in
16:Ancient technique for reproducing images or text
3072:
2602:Creating a Woodblock Print From Start to Finish
1870:(in Japanese). Letterpress Labo. Archived from
1574:
1548:
1522:
1489:
1463:
1437:
1404:
1388:
1360:
1334:
1308:
1282:
1239:
910:
375:The mass production of woodblock prints in the
289:
180:
71:) is a technique best known for its use in the
36:
1583:
1555:
1529:
1496:
1470:
1444:
1411:
1395:
1367:
1341:
1315:
1289:
1246:
1038:
1026:
1001:
984:
971:
958:—orange highlights using a red pigment called
951:
936:
919:
900:
447:Kōshoku Ichidai Otoko (Life of an Amorous Man)
297:
281:
187:
60:
30:
3058:
2629:
473:, and these books were reprinted many times.
439:, art books, play scripts for the kabuki and
2516:
1952:The Japan Federation of Printing Industries.
1178:"New Prints" movement, from 1915, including
695:. After the death of Hiroshige in 1858, the
231:in 1590, and was first used for printing in
1960:
1958:
873:), with additional colors applied by hand (
842:The text or image is first drawn onto thin
507:From the 17th century to the 19th century,
140:temples in Japan produced printed books of
3104:
3065:
3051:
2636:
2622:
2548:
1892:
1099:, from about 1720s, including the artists
926:—monochrome prints usually printed in pink
2182:
2094:Shin hanga bringing ukiyo-e back to life.
1733:
1731:
1729:
1727:
1725:
1723:
1721:
1719:
1142:, from about 1794, including the artists
1125:, from about 1786, including the artists
1112:, from about 1725, including the artists
907:—monochrome printing using only black ink
826:Taking the Evening Cool by Ryōgoku Bridge
781:Learn how and when to remove this message
106:
1955:
1051:
1047:
867:The first prints were simply one-color (
804:
792:
744:This section includes a list of general
669:
593:
475:
354:
175:
18:
1786:
1172:, "Creative Prints" movement, from 1904
4270:
2610:Japanese Woodblock print search engine
2384:Ukiyo-e: The Art of the Japanese Print
2380:
2305:
2191:
1923:
1863:
1716:
1708:: CS1 maint: archived copy as title (
3046:
2617:
2593:Encyclopedia of Woodblock Printmaking
2427:University of California Press, 1989.
1965:Edo Picture Books and the Edo Period.
1652:
1573:
1488:
1387:
2425:The Male Journey in Japanese Prints.
2411:Society for Japanese Arts and Crafts
2368:Society for Japanese Arts and Crafts
1758:
1665:from the original on 19 October 2023
1327:45.7 × 34.5 (18.0 × 13.6)
730:
2209:from the original on 19 August 2021
2082:北斎・広重－浮世絵木版画出版から探る－ 江戸時代における知的財産戦略.
1899:Japan Science and Technology Agency
1752:
1601:12 × 9 (4.7 × 3.5) –
1159:, from 1842, including the artists
350:
171:
13:
2509:
2185:Summa Artis XXI. El arte del Japón
1508:38 × 25.5 (15.0 × 10.0)
1012:can also refer to paintings using
750:it lacks sufficient corresponding
14:
4304:
2586:
2469:Oxford: Oxford University Press.
1456:76.5 × 23 (30.1 × 9.1)
1423:33 × 14.5 (13.0 × 5.7)
1301:34 × 22.5 (13.4 × 8.9)
262:established a printing school at
2672:
1275:19.5 × 13 (7.7 × 5.1)
863:Evolution of printing techniques
797:The woodblock printing process,
735:
631:
587:was several hundred yen to 1000
583:was 16 mon, so the price of one
3767:Not associated with any school
2351:from the original on 2023-10-19
2241:
2183:Gutiérrez, Fernando G. (1967).
2176:
2165:from the original on 2014-02-26
2151:
2140:from the original on 2023-10-19
2126:
2106:
2087:
2075:
2047:
2035:
2016:
1996:
1984:
1970:
1936:
1917:
1886:
1691:from the original on 2023-07-23
1594:35 × 20 (13.8 × 7.9)
1567:38 × 13 (15.0 × 5.1)
1541:38 × 17 (15.0 × 6.7)
1482:50 × 20 (19.7 × 7.9)
1430:39 × 17 (15.4 × 6.7)
1381:73 × 12 (28.7 × 4.7)
1353:26 × 19 (10.2 × 7.5)
3761:List of Utagawa school members
2994:List of Utagawa school members
1857:
1829:
1807:
1793:. Cambridge University Press.
1780:
1743:
1677:
1661:. Metropolitan Museum of Art.
1646:
1603:19 × 13 (7.5 × 5.1)
1210:
883:Advancements in color printing
648:. In the early 20th century,
85:(1603–1868). It is similar to
1:
2315:
1928:A History of Japan: 1334–1615
941:, "crimson printed pictures")
829:
579:, and the price of a bowl of
383:class and 50% to 60% for the
4217:influenced non-Japanese art
2291:Faulkner & Robinson 1999
1787:Ikegami, Eiko (2005-02-28).
1764:Images of the Floating World
1515:58 × 32 (23 × 13)
1064:, 1741–1751. An example of
976:, "indigo printed pictures")
726:
654:that fused the tradition of
371:(private educational school)
227:was brought to Japan by the
7:
3091:Japanese woodblock printing
3073:Ukiyo-e schools and artists
2664:Woodblock printing in Japan
2643:
1622:
1575:
1549:
1523:
1490:
1464:
1438:
1405:
1389:
1361:
1335:
1309:
1283:
1240:
1076:) and, later, movements of
911:
719:. The first, influenced by
493:in the popular kabuki play
316:
310:
298:
290:
212:
202:
181:
57:Woodblock printing in Japan
37:
25:The Great Wave off Kanagawa
10:
4309:
2381:Harris, Frederick (2011).
2364:A Sheaf of Japanese Papers
2002:Keizaburo Seimaru. (2017)
1659:Metropolitan Museum of Art
1653:Asian Art, Department of.
1074:schools of ukiyo-e artists
575:at that time was about 20
563:was called the last great
415:(books on urban culture),
101:
51:Metropolitan Museum of Art
4132:
3847:
3821:
3528:Shunkōsai Fukushū school
3249:Ishikawa Toyonobu school
3239:Ippitsusai Bunchō school
3113:
3102:
3078:
3004:
2964:
2903:
2877:
2681:
2670:
2651:
2499:Stanford University Press
1591:
1584:
1556:
1547:
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1471:
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1227:
1224:
1039:
1027:
1002:
985:
972:
952:
937:
920:
905:, "ink printed pictures")
901:
848:(Japanese paper), called
282:
188:
136:By the eleventh century,
61:
31:
2531:10.1179/sic.1988.33.1.29
2436:Harvard University Press
2112:Junko Nishiyama. (2018)
2055:
1866:
1837:
1639:
677:, 1926. From the series
4228:Japonaiserie (Van Gogh)
2519:Studies in Conservation
2405:Kaempfer, H. M. (ed.),
2325:Robinson, Basil William
1924:Sansom, George (1961).
1189:Other artists, such as
1068:format, 69.2 x 10.1 cm.
765:more precise citations.
489:actors became popular.
3159:Harukawa Eizan school
2878:Region specific themes
2335:Kodansha International
2116:. p18. Tokyo Bijutsu.
1967:National Diet Library.
1634:List of art techniques
1069:
835:
802:
688:
617:
504:
456:Nansō Satomi Hakkenden
372:
217:
107:Early, to 13th century
53:
3850:artists and movements
3741:Utagawa Hiroshige III
3096:List of ukiyo-e terms
2659:List of ukiyo-e terms
1629:List of ukiyo-e terms
1055:
1048:Schools and movements
1031:, "brocade pictures")
811:graphical perspective
808:
796:
673:
636:After the decline of
606:Twenty Views of Tōkyō
597:
591:in today's currency.
479:
466:Tōkaidōchū Hizakurige
358:
179:
39:Kanagawa-oki nami-ura
22:
4238:Anglo-Japanese style
3736:Utagawa Hiroshige II
3656:Utagawa Kunisada III
3522:Yanagawa Shigenobu I
3333:Keisai Eisen school
3118:of 17–19th centuries
2199:"JAANUS / beni-e 紅絵"
2063:on February 23, 2022
1943:History of printing.
1845:on 29 September 2022
1814:Kotobank Saga Books.
1619:(横絵), respectively.
989:, "purple pictures")
551:influenced European
409:(satirical novels),
98:, and transparency.
3806:Kobayashi Kiyochika
3671:Utagawa Toyokuni II
3651:Utagawa Kunisada II
3407:Nishimura Shigenaga
3115:Schools and artists
2549:David Bell (2020).
2432:Japan Encyclopedia.
1221:
1093:, from 1700 to 1714
571:. The price of one
276:emaki (handscrolls)
196:: libretto for the
4243:Post-Impressionism
4067:Shōzaburō Watanabe
3726:Utagawa Kuniteru I
3711:Utagawa Yoshitoshi
3691:Utagawa Yoshitsuya
3666:Utagawa Kunimasu I
3636:Utagawa Toyokuni I
3609:Toyohara Kunichika
3532:Shunshosai Hokucho
3397:Nishikawa Sukenobu
3327:Kawamata Tsunemasa
3322:Kawamata Tsuneyuki
3312:Katsukawa Shunkō I
3223:Yanagawa Shigenobu
3213:Katsushika Hokusai
3203:Hishikawa Moronobu
3005:Related traditions
2323:Faulkner, Rupert;
2159:"木版印刷・伝統木版画工房 竹笹堂"
2134:"浮世絵・木版画のアダチ版画研究所"
2114:新版画作品集 ―なつかしい風景への旅
2099:2021-05-02 at the
2028:2022-02-10 at the
1978:第6回 和本の楽しみ方4 江戸の草紙
1948:2021-12-08 at the
1874:on 30 January 2023
1819:2021-02-25 at the
1219:
1070:
836:
803:
689:
618:
505:
491:Ichikawa Danjūrō V
373:
241:Toyotomi Hideyoshi
218:
54:
4265:
4264:
4140:Japanese painting
4042:Sekino Jun'ichirō
4022:Gihachiro Okuyama
3982:Sakuichi Fukazawa
3962:Un'ichi Hiratsuka
3876:Kiyokata Kaburagi
3731:Utagawa Hiroshige
3721:Utagawa Yoshifusa
3716:Utagawa Yoshifuji
3696:Utagawa Yoshitora
3681:Utagawa Kuniyoshi
3579:Torii Kiyomitsu I
3574:Torii Kiyomasu II
3564:Torii Kiyonobu II
3542:Shunbaisai Hokuei
3518:Shigenobu school
3512:Urakusai Nagahide
3487:Yanagawa Nobusada
3477:Shunbaisai Hokuei
3452:Shunkōsai Hokushū
3412:Ishikawa Toyonobu
3403:Nishimura school
3393:Nishikawa school
3307:Katsukawa Shunchō
3302:Katsukawa Shunsen
3297:Katsukawa Shun'ei
3292:Katsukawa Shunshō
3280:Matsuno Chikanobu
3260:Kaigetsudō school
3253:Ishikawa Toyonobu
3243:Ippitsusai Bunchō
3228:Yanagawa Nobusada
3199:Hishikawa school
3153:Furuyama Moromasa
3040:
3039:
2974:Kaigetsudō school
2444:978-0-674-01753-5
2398:978-4-8053-1098-4
2389:Tuttle Publishing
2344:978-4-7700-2387-2
1824:The Asahi Shimbun
1609:
1608:
1564:medium poem card
1272:
1091:Kaigetsudō school
791:
790:
783:
713:Un'ichi Hiratsuka
427:(romance novel),
421:(comical books),
122:Hyakumantō Darani
4300:
4199:Mochizuki school
4117:Tadashi Nakayama
3977:Yasuhide Kobashi
3916:Takahashi Shōtei
3801:Kobayashi Eitaku
3751:Utagawa Sadafusa
3746:Utagawa Hirokage
3706:Utagawa Yoshiiku
3686:Ryusai Shigeharu
3676:Utagawa Kuniyasu
3661:Utagawa Sadahide
3646:Utagawa Kunisada
3641:Utagawa Kunimasa
3631:Utagawa Toyohiro
3626:Utagawa Toyoharu
3605:Toyohara school
3569:Torii Kiyomasu I
3559:Torii Kiyonobu I
3503:Ryūkōsai school
3427:Okumura Masanobu
3387:Miyagawa Shunsui
3377:Miyagawa Chōshun
3373:Miyagawa school
3347:Kitagawa Utamaro
3343:Kitagawa school
3318:Kawamata school
3287:Katsukawa school
3270:Kaigetsudō Anchi
3189:Hasegawa school
3169:Harunobu school
3149:Furuyama school
3108:
3067:
3060:
3053:
3044:
3043:
2979:Katsukawa school
2676:
2638:
2631:
2624:
2615:
2614:
2582:
2542:
2423:Keyes, Roger S.
2402:
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2104:
2103:The Japan Times.
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1968:
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1953:
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1933:
1931:
1921:
1915:
1914:
1912:
1910:
1901:. Archived from
1893:Noriyuki Kasai.
1890:
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1538:large poem card
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1218:
1197:, Sugakudo, and
1097:Katsukawa school
1062:Okumura Masanobu
1042:
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821:Okumura Masanobu
786:
779:
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772:
766:
761:this section by
752:inline citations
739:
738:
731:
721:Vasili Kandinsky
501:Utagawa Kunimasa
351:Later Edo period
319:
313:
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254:Emperor Go-Yōzei
233:Kazusa, Nagasaki
220:A Western-style
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172:Early Edo period
64:
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44:
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4288:Relief printing
4268:
4267:
4266:
4261:
4165:Hasegawa school
4128:
4102:Chosei Kawakami
4087:Fujimori Shizuo
4052:Hiroyuki Tajima
4007:Yoshitoshi Mori
4002:Matsubara Naoko
3957:Eiichi Kotozuka
3936:Yoshida Hiroshi
3926:Tsuchiya Koitsu
3911:Shiro Kasamatsu
3886:Elizabeth Keith
3866:Hashiguchi Goyō
3849:
3843:
3817:
3786:Toriyama Sekien
3701:Kawanabe Kyōsai
3614:Yōshū Chikanobu
3584:Torii Kiyotsune
3537:Gatōken Shunshi
3423:Okumura school
3417:Suzuki Harunobu
3367:Kitao Shigemasa
3275:Hasegawa Eishun
3265:Kaigetsudō Ando
3209:Hokusai school
3193:Hasegawa Settan
3173:Suzuki Harunobu
3138:Chōbunsai Eishi
3128:Gigadō Ashiyuki
3124:Asayama school
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2604:Video (42 mins)
2589:
2545:
2512:
2510:Further reading
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2101:Wayback Machine
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1950:Wayback Machine
1941:
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1905:on 23 July 2022
1897:(in Japanese).
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1453:hanging scroll
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1244:
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1199:Shibata Zesshin
1184:Hiroshi Yoshida
1140:Kitagawa school
1114:Suzuki Harunobu
1110:Kawamata school
1050:
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757:Please help to
756:
740:
736:
729:
705:Hiroshi Yoshida
701:Goyō Hashiguchi
685:Hiroshi Yoshida
680:Seto Inland Sea
664:Hiroshi Yoshida
634:
535:Suzuki Harunobu
353:
279:
260:Tokugawa Ieyasu
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158:Kamakura period
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4112:Kohno Michisei
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4084:
4079:
4074:
4072:Hodaka Yoshida
4069:
4064:
4062:Kanae Yamamoto
4059:
4057:Sadao Watanabe
4054:
4049:
4044:
4039:
4034:
4032:Kiichi Okamoto
4029:
4024:
4019:
4014:
4012:Shikō Munakata
4009:
4004:
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3994:
3992:Senpan Maekawa
3989:
3984:
3979:
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3969:
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3959:
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3952:Azechi Umetarō
3940:
3939:
3938:
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3931:Yamakawa Shūhō
3928:
3923:
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3903:
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3896:Natori Shunsen
3893:
3891:Kojima Gyokuhō
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3811:Kikukawa Eizan
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3796:Sugimura Jihei
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3621:Utagawa school
3618:
3617:
3616:
3611:
3603:
3602:
3601:
3596:
3594:Torii Kiyonaga
3591:
3589:Torii Kiyohiro
3586:
3581:
3576:
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3566:
3561:
3556:
3554:Torii Kiyomoto
3546:
3545:
3544:
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3526:
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3524:
3516:
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3509:
3507:Ryūkōsai Jokei
3501:
3500:
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3484:
3479:
3474:
3469:
3464:
3462:Yoshida Hanbei
3459:
3454:
3449:
3447:Ryūkōsai Jokei
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3382:Miyagawa Isshō
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3357:Eishōsai Chōki
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3163:Harukawa Eizan
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2587:External links
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2502:
2495:Sansom, George
2492:
2481:
2460:
2457:
2453:2012-12-04 at
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2203:www.aisf.or.jp
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2125:
2122:978-4808711016
2105:
2086:
2074:
2046:
2034:
2032:Shinichi Segi.
2015:
2012:978-4800312556
1995:
1993:Mitsui Fdosan.
1983:
1969:
1954:
1935:
1916:
1885:
1856:
1828:
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1607:
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1296:
1279:
1278:
1276:
1273:
1253:
1236:
1235:
1232:
1229:
1226:
1212:
1209:
1195:Kabukidō Enkyō
1187:
1186:
1173:
1167:
1157:Utagawa school
1154:
1137:
1123:Hokusai school
1120:
1107:
1094:
1088:
1049:
1046:
1045:
1044:
1017:
992:
962:
944:
927:
908:
884:
881:
864:
861:
809:Western-style
789:
788:
743:
741:
734:
728:
725:
717:Shikō Munakata
675:Glittering Sea
633:
630:
604:. From series
471:Jippensha Ikku
461:Takizawa Bakin
352:
349:
300:Ise monogatari
229:Tenshō embassy
225:printing-press
208:Hon'ami Kōetsu
173:
170:
108:
105:
103:
100:
15:
9:
6:
4:
3:
2:
4305:
4294:
4291:
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4286:
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4281:
4279:
4276:
4275:
4273:
4256:
4255:
4251:
4249:
4246:
4244:
4241:
4239:
4236:
4234:
4233:Impressionism
4231:
4229:
4226:
4224:
4223:
4219:
4218:
4216:
4213:
4212:
4207:
4206:
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4200:
4197:
4195:
4192:
4190:
4189:
4185:
4183:
4182:
4178:
4176:
4175:Nanpin school
4173:
4171:
4168:
4166:
4163:
4161:
4158:
4156:
4153:
4151:
4148:
4146:
4143:
4142:
4141:
4138:
4137:
4135:
4131:
4123:
4122:Fujio Yoshida
4120:
4118:
4115:
4113:
4110:
4109:
4107:
4103:
4100:
4098:
4097:Tadashige Ono
4095:
4093:
4090:
4088:
4085:
4083:
4082:Suwa Kanenori
4080:
4078:
4077:Tōshi Yoshida
4075:
4073:
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4050:
4048:
4045:
4043:
4040:
4038:
4037:Saitō Kiyoshi
4035:
4033:
4030:
4028:
4027:Kōshirō Onchi
4025:
4023:
4020:
4018:
4015:
4013:
4010:
4008:
4005:
4003:
4000:
3998:
3995:
3993:
3990:
3988:
3985:
3983:
3980:
3978:
3975:
3973:
3972:Kitaoka Fumio
3970:
3968:
3965:
3963:
3960:
3958:
3955:
3953:
3950:
3949:
3948:
3947:
3946:
3941:
3937:
3934:
3932:
3929:
3927:
3924:
3922:
3921:Torii Kotondo
3919:
3917:
3914:
3912:
3909:
3907:
3906:Ota Masamitsu
3904:
3902:
3899:
3897:
3894:
3892:
3889:
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3884:
3882:
3879:
3877:
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3797:
3794:
3792:
3789:
3787:
3784:
3782:
3779:
3777:
3774:
3772:
3771:Kanbun Master
3769:
3768:
3766:
3762:
3759:
3757:
3754:
3752:
3749:
3747:
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3624:
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3619:
3615:
3612:
3610:
3607:
3606:
3604:
3600:
3599:Torii Kotondo
3597:
3595:
3592:
3590:
3587:
3585:
3582:
3580:
3577:
3575:
3572:
3570:
3567:
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3470:
3468:
3465:
3463:
3460:
3458:
3455:
3453:
3450:
3448:
3445:
3444:
3443:Osaka school
3442:
3438:
3437:Ōoka Shunboku
3435:
3434:
3432:
3428:
3425:
3424:
3422:
3418:
3415:
3413:
3410:
3408:
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3388:
3385:
3383:
3380:
3378:
3375:
3374:
3372:
3368:
3365:
3364:
3363:Kitao school
3362:
3358:
3355:
3353:
3350:
3348:
3345:
3344:
3342:
3338:
3335:
3334:
3332:
3328:
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3323:
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3263:
3262:
3261:
3258:
3254:
3251:
3250:
3248:
3244:
3241:
3240:
3238:
3234:
3233:Totoya Hokkei
3231:
3229:
3226:
3224:
3221:
3219:
3218:Katsushika Ōi
3216:
3214:
3211:
3210:
3208:
3204:
3201:
3200:
3198:
3194:
3191:
3190:
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3176:
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3161:
3160:
3158:
3154:
3151:
3150:
3148:
3144:
3141:
3139:
3136:
3135:
3134:Eishi school
3133:
3129:
3126:
3125:
3123:
3122:
3120:
3116:
3112:
3107:
3097:
3094:
3092:
3089:
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3068:
3063:
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3054:
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3018:
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2830:
2827:
2825:
2822:
2820:
2817:
2815:
2812:
2810:
2807:
2805:
2802:
2800:
2797:
2795:
2792:
2790:
2789:Monozukushi-e
2787:
2785:
2782:
2780:
2777:
2775:
2772:
2770:
2767:
2765:
2762:
2760:
2757:
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2646:
2639:
2634:
2632:
2627:
2625:
2620:
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2606:
2603:
2600:
2598:
2594:
2591:
2590:
2580:
2576:
2572:
2568:
2564:
2560:
2556:
2552:
2547:
2546:
2540:
2536:
2532:
2528:
2524:
2520:
2515:
2514:
2503:
2500:
2496:
2493:
2490:
2486:
2482:
2480:
2476:
2475:9780192114471
2472:
2468:
2464:
2463:Lane, Richard
2461:
2458:
2456:
2455:archive.today
2452:
2449:
2448:OCLC 48943301
2445:
2441:
2437:
2433:
2429:
2426:
2422:
2420:
2419:90-70216-01-9
2416:
2412:
2409:, The Hague,
2408:
2404:
2400:
2394:
2390:
2386:
2385:
2379:
2377:
2376:90-70265-71-0
2373:
2369:
2366:, The Hague,
2365:
2361:
2350:
2346:
2340:
2336:
2332:
2331:
2326:
2321:
2320:
2308:, p. 31.
2307:
2302:
2300:
2293:, p. 40.
2292:
2287:
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2283:
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2277:
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2269:
2267:
2265:
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2261:
2254:
2250:
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2208:
2204:
2200:
2194:
2186:
2179:
2164:
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2154:
2139:
2135:
2129:
2123:
2119:
2115:
2109:
2102:
2098:
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2090:
2083:
2078:
2062:
2058:
2050:
2043:
2038:
2031:
2027:
2024:
2019:
2013:
2009:
2005:
1999:
1992:
1987:
1980:
1979:
1973:
1966:
1961:
1959:
1951:
1947:
1944:
1939:
1930:
1929:
1920:
1904:
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1896:
1889:
1873:
1869:
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1825:
1822:
1818:
1815:
1810:
1802:
1800:9780521601153
1796:
1792:
1791:
1783:
1775:
1773:1-56852-481-1
1769:
1765:
1761:
1760:Lane, Richard
1755:
1746:
1739:
1734:
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1730:
1728:
1726:
1724:
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1432:
1429:
1428:
1425:
1422:
1407:
1391:
1386:
1383:
1380:
1378:
1375:
1363:
1358:
1355:
1352:
1349:
1337:
1332:
1329:
1326:
1324:intermediate
1323:
1311:
1306:
1303:
1300:
1298:intermediate
1297:
1285:
1280:
1277:
1274:
1271:
1254:
1242:
1237:
1223:
1217:
1208:
1206:
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1200:
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1174:
1171:
1168:
1166:
1162:
1158:
1155:
1153:
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1141:
1138:
1136:
1132:
1128:
1124:
1121:
1119:
1115:
1111:
1108:
1106:
1102:
1098:
1095:
1092:
1089:
1086:
1083:
1082:
1081:
1079:
1075:
1067:
1063:
1059:
1054:
1036:
1023:
1022:
1018:
1015:
1011:
998:
997:
993:
981:
968:
967:
963:
961:
948:
945:
933:
932:
928:
915:
914:
909:
897:
894:
893:
892:
890:
880:
878:
877:
872:
871:
860:
857:
856:
851:
847:
846:
840:
827:
822:
818:
817:
812:
807:
800:
795:
785:
782:
774:
764:
760:
754:
753:
747:
742:
733:
732:
724:
722:
718:
714:
710:
709:Kōshirō Onchi
706:
702:
698:
694:
686:
682:
681:
676:
672:
668:
665:
661:
657:
653:
652:
647:
643:
639:
632:From Meiji on
629:
627:
623:
615:
611:
607:
603:
601:
596:
592:
590:
586:
582:
578:
574:
570:
566:
562:
558:
557:Impressionism
554:
550:
546:
542:
541:
536:
532:
528:
524:
520:
516:
512:
511:
502:
498:
497:
492:
488:
484:
483:
478:
474:
472:
468:
467:
462:
458:
457:
452:
451:Ihara Saikaku
448:
444:
443:
438:
437:
432:
431:
426:
425:
420:
419:
414:
413:
408:
407:
402:
398:
397:
392:
388:
387:
382:
378:
370:
369:
364:
363:
357:
348:
346:
340:
338:
334:
331:
327:
323:
318:
312:
307:
302:
301:
292:
285:
277:
273:
272:Honami Kōetsu
268:
265:
261:
257:
255:
251:
250:
246:
242:
238:
234:
230:
226:
223:
214:
209:
204:
199:
194:, Saga Books)
191:
183:
178:
169:
167:
163:
159:
155:
151:
147:
143:
139:
134:
132:
128:
127:Emi Rebellion
124:
123:
118:
117:Empress Kōken
114:
99:
97:
92:
88:
84:
80:
76:
75:
70:
69:
58:
52:
48:
41:
40:
27:
26:
21:
4278:Japanese art
4254:Ligne claire
4252:
4220:
4214:
4203:
4194:Shijō school
4186:
4179:
4170:Kyoto school
4145:Rinpa school
4047:Toko Shinoda
4017:Tetsuya Noda
3945:Sosaku-hanga
3943:
3942:
3881:Hasui Kawase
3857:
3856:
3848:20th century
3756:Adachi Ginkō
3549:Torii school
3433:Ōoka school
3337:Keisai Eisen
3027:Sōsaku-hanga
3017:Nikuhitsu-ga
2984:Torii school
2784:Monogatari-e
2663:
2558:
2554:
2522:
2518:
2479:OCLC 5246796
2466:
2431:
2424:
2406:
2383:
2363:
2353:. Retrieved
2329:
2243:
2211:. Retrieved
2202:
2193:
2184:
2178:
2167:. Retrieved
2153:
2142:. Retrieved
2128:
2113:
2108:
2089:
2077:
2067:February 23,
2065:. Retrieved
2061:the original
2049:
2037:
2018:
2006:. Yosensha.
2003:
1998:
1986:
1977:
1972:
1938:
1927:
1919:
1907:. Retrieved
1903:the original
1888:
1876:. Retrieved
1872:the original
1864:Kazuo Mori.
1859:
1847:. Retrieved
1843:the original
1831:
1809:
1789:
1782:
1763:
1754:
1745:
1693:. Retrieved
1679:
1669:14 September
1667:. Retrieved
1658:
1648:
1616:
1612:
1610:
1377:pillar print
1269:
1268:the size of
1220:Print sizes
1214:
1202:
1188:
1180:Hasui Kawase
1170:Sōsaku-hanga
1085:Torii school
1077:
1071:
1066:pillar print
1056:"Shōki zu" (
1034:
1019:
1009:
994:
979:
964:
959:
946:
929:
895:
888:
886:
874:
868:
866:
853:
849:
843:
841:
837:
825:
814:
777:
768:
749:
696:
692:
690:
678:
674:
660:Hasui Kawase
655:
649:
641:
637:
635:
619:
610:Hasui Kawase
605:
598:
584:
581:soba noodles
572:
564:
548:
544:
538:
517:is based on
514:
508:
506:
494:
480:
464:
454:
446:
440:
434:
428:
422:
416:
410:
404:
394:
390:
384:
374:
366:
360:
359:A two piece
341:
326:semi-cursive
269:
258:
247:
237:Christianity
222:movable type
219:
154:underdrawing
150:Heian period
135:
120:
113:Tang dynasty
110:
79:Tang dynasty
72:
67:
66:
56:
55:
38:
23:
4293:Printmaking
4248:Art Nouveau
4160:Hara school
4155:Akita ranga
4150:Kanō school
4092:Reika Iwami
3987:Masao Maeda
3967:Itow Takumi
3901:Ohara Koson
3871:Itō Shinsui
3791:Ogata Gekkō
3781:Sawa Sekkyō
3472:Hirosada II
3183:Shiba Kōkan
2931:Kappazuri-e
2608:Ukiyo-e.org
2465:. (1978).
2434:Cambridge:
2306:Harris 2011
2213:25 November
1991:Nihonbashi.
1550:chū-tanzaku
1211:Print sizes
1087:, from 1700
876:kappazuri-e
833: 1745
763:introducing
91:printmaking
89:in Western
4272:Categories
3859:Shin-hanga
3839:Yokohama-e
3834:Nagasaki-e
3829:Kamigata-e
3467:Hirosada I
3022:Shin-hanga
2946:Sumizuri-e
2936:Kirazuri-e
2926:Ishizuri-e
2916:Benizuri-e
2904:Techniques
2895:Yokohama-e
2890:Nagasaki-e
2885:Kamigata-e
2719:Hanshita-e
2597:David Bull
2579:Q106839641
2565:: 91–112.
2489:0140561080
2355:2015-10-18
2316:References
2253:0935172513
2169:2014-11-07
2144:2014-02-21
1749:Paine, 136
1695:2023-07-23
1615:(立て絵) and
1439:kakemono-e
1176:Shin-hanga
1148:Kikumaro I
1078:moku-hanga
980:Murasaki-e
931:Benizuri-e
896:Sumizuri-e
870:sumizuri-e
771:April 2023
746:references
651:shin-hanga
646:modern art
614:shin-hanga
561:Yoshitoshi
377:Edo period
345:Edo period
317:renmen-tai
83:Edo period
4222:Japonisme
3997:Maki Haku
3822:By region
3497:Yoshitaki
3352:Tsukimaro
2941:Nishiki-e
2864:Yakusha-e
2754:Komochi-e
2724:Hashira-e
2571:1173-4337
2056:浮世絵の購入・売却
2004:江戸のベストセラー
1867:嵯峨本と角倉素庵。
1838:嵯峨本『伊勢物語』
1524:ō-tanzaku
1362:hashira-e
1165:Hiroshige
1144:Utamaro I
1058:Zhong Kui
1021:Nishiki-e
727:Technique
626:copyright
553:Japonisme
540:nishiki-e
531:Hiroshige
496:Shibaraku
485:based on
436:kusazōshi
418:kokkeibon
362:nishiki-e
245:Confucian
203:Katsuragi
68:mokuhanga
45:print by
3482:Kunimasu
3457:Ashiyuki
2956:Urushi-e
2911:Aizuri-e
2869:Yūrei-zu
2854:Uchiwa-e
2849:Surimono
2819:Omocha-e
2804:Namazu-e
2774:Mitate-e
2769:Meisho-e
2764:Megane-e
2749:Kodomo-e
2699:Bijin-ga
2575:Wikidata
2451:Archived
2413:, 1978.
2370:, 1979.
2349:Archived
2327:(1999).
2207:Archived
2163:Archived
2138:Archived
2097:Archived
2026:Archived
1946:Archived
1817:Archived
1762:(1978).
1704:cite web
1689:Archived
1663:Archived
1623:See also
1577:surimono
1310:bai-ōban
1231:cm (in)
1204:kirazuri
1161:Kunisada
1118:Koryusai
1010:Urushi-e
996:Urushi-e
966:Aizuri-e
823:claimed.
799:Kunisada
622:Tsuta-ya
602:in Shiba
521:actors,
424:ninjōbon
412:sharebon
406:kibyōshi
396:terakoya
368:terakoya
337:hiragana
311:Saga-bon
306:typeface
291:Saga-bon
249:Analects
213:Saga-bon
182:Saga-bon
166:Kamakura
146:mandalas
138:Buddhist
4283:Ukiyo-e
4215:Ukiyo-e
4188:Nihonga
4133:Related
4108:Others
3776:Sharaku
3492:Shunshi
3086:Ukiyo-e
3079:General
3032:Tosa-ha
2966:Schools
2921:Bokashi
2834:Shita-e
2829:Shini-e
2824:Senso-e
2814:Ōkubi-e
2799:Muzan-e
2794:Musha-e
2759:Kuchi-e
2744:Kaika-e
2734:Kachō-e
2714:Fushiga
2709:Egoyomi
2704:Boshi-e
2652:General
2645:Ukiyo-e
2563:Te Papa
2539:1506238
1465:nagaban
1420:narrow
1390:hosoban
1350:medium
1263:⁄
1228:trans.
1191:Sharaku
1135:Gakutei
1127:Hokusai
1105:Shuntei
1101:Shunsho
1014:lacquer
889:ukiyo-e
759:improve
697:ukiyo-e
656:ukiyo-e
642:ukiyo-e
638:ukiyo-e
616:artist.
600:Zōjō-ji
585:ukiyo-e
573:ukiyo-e
565:ukiyo-e
549:Ukiyo-e
545:ukiyo-e
527:Hokusai
515:ukiyo-e
510:ukiyo-e
482:Ukiyo-e
430:yomihon
381:samurai
330:cursive
308:of the
264:Enko-ji
102:History
87:woodcut
74:ukiyo-e
47:Hokusai
2844:Sumo-e
2839:Shunga
2809:Ogao-e
2779:Moji-e
2739:Kage-e
2729:Jōge-e
2694:Beni-e
2682:Themes
2577:
2569:
2537:
2487:
2473:
2442:
2417:
2395:
2374:
2341:
2251:
2120:
2010:
1797:
1770:
1617:yoko-e
1613:tate-e
1505:large
1406:hoso-e
1336:chūban
1258:about
1131:Hokuei
1080:were:
1060:), by
913:Beni-e
748:, but
519:kabuki
503:, 1796
487:kabuki
463:, and
442:jōruri
386:chōnin
210:. The
142:sutras
96:glazes
32:神奈川沖浪裏
4181:Nanga
3012:E-hon
2951:Tan-e
2859:Uki-e
2689:Aka-e
2535:JSTOR
1909:8 May
1878:8 May
1849:8 May
1640:Notes
1479:long
1284:aiban
1255:small
1241:koban
1225:name
1035:kentō
947:Tan-e
855:baren
850:gampi
845:washi
816:uki-e
693:hanga
569:anime
499:, by
391:nōmin
333:kanji
200:play
162:Kyoto
131:Japan
4205:Yōga
2567:ISSN
2485:ISBN
2471:ISBN
2440:ISBN
2415:ISBN
2393:ISBN
2372:ISBN
2339:ISBN
2249:ISBN
2215:2021
2118:ISBN
2069:2022
2008:ISBN
1911:2023
1880:2023
1851:2023
1795:ISBN
1768:ISBN
1710:link
1671:2023
1557:中短冊判
1531:大短冊判
1491:ōban
1270:ōban
1234:ref
1182:and
1163:and
1150:and
1133:and
1116:and
1103:and
973:藍摺り絵
938:紅摺り絵
902:墨摺り絵
715:and
662:and
612:, a
555:and
529:and
523:sumo
389:and
328:and
164:and
2595:by
2527:doi
1446:掛物絵
1403:or
1317:倍大判
960:tan
683:by
608:by
589:yen
577:mon
469:by
459:by
449:by
401:Edo
335:or
284:嵯峨本
206:by
198:Noh
190:嵯峨本
62:木版画
4274::
2573:.
2561:.
2559:31
2557:.
2553:.
2533:.
2523:33
2521:.
2477:;
2446:;
2438:.
2391:.
2387:.
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2337:.
2333:.
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2259:^
2223:^
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1957:^
1718:^
1706:}}
1702:{{
1687:.
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1585:刷物
1498:大判
1472:長判
1413:細絵
1397:細判
1369:柱絵
1343:中判
1291:合判
1248:小判
1193:,
1152:II
1146:,
1129:,
1040:見当
1028:錦絵
1003:漆絵
986:紫絵
978:,
953:丹絵
921:紅絵
830:c.
828:,
711:,
559:.
547:.
453:,
433:,
347:.
322:ja
288:,
256:.
168:.
144:,
133:.
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35:,
3066:e
3059:t
3052:v
2637:e
2630:t
2623:v
2581:.
2541:.
2529::
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