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Xalam

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389: 34: 442: 346: 927: 453:, or praise singers who are born into the profession. It most often acts as a solo or duo instrument to accompany praise songs and historical recitations, and in some areas it may form part of a larger group including kora, drums, and calabashes. It is traditionally heard at weddings, infant naming ceremonies, and (always with amplification) is now a common member of folklore ensembles, popular 150:(Tanged or Semi-spike lute: Chordophone, the plane of strings runs parallel with the sound table, the string bearer is a plain handle and passes "diametrically" through the resonator, the resonator consists of a natural or carved out bowl, in which the handle extends into but does not pass completely through the resonator) 384:
strips and to its wooden bridge by cotton strings. By moving these strips, the instrument's tune can be adjusted. The xalam usually has two main melody strings that are fingered by the left hand (like the strings of a guitar or banjo) and two to three supplementary strings of fixed pitch. Most xalam
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One category of lute has a V- or fan-shaped bridge that slips onto the end of the neck (which is exposed by a hole in the soundtable). It is played exclusively by...griots...The other category of lute... has a cylindrical bridge that sits on top of the soundtable... Figure 1b. Hausa molo: non-griot
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or high) uses the same string intervals but the fundamental is placed a minor second above the higher melody string, meaning that the open main strings now play the role of 3 and 6, with the supplementary strings acting as 3´ and 4#, the highest supplementary string usually being ignored. In the
409:), the fundamental is a minor third above the lowest main string and the main strings are tuned 6 and 2, with supplementary strings tuned to 5 and 1´. The third supplementary string is either ignored or is tuned to 6 or 2´. If playing in an ensemble, the 400:
or low), the main strings are tuned 1 and 4 ( 1 being the fundamental of a major scale), with three supplementary strings being tuned an octave higher to 1´, 2´, and 3´. The second tuning (
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In most Wolof-speaking parts of Senegal, the xalam has three principal tunings, all of which involve tuning the two main strings a perfect fourth apart. In the first tuning (
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chordophone with one to five strings. The wooden body (soundbox) membranophone of the instrument is oval-shaped and covered with the hide of
41:, African lute, in the collection of the Smithsonian. The biggest visible difference between the molo and a griot lute like the xalam is the 954: 385:
players construct their own xalams, although they usually call on woodworkers (lawbe) to carve the body, neck, and bridge for them.
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fishing line; these strings are fixed to the instrument's wooden neck by long and narrow
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xalam's lowest note were C, the ardins lowest note would be a low A and the
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xalam to ensure that the fundamentals of each xalam coincide. (Thus, if the
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Senegalese khalamkat holding a khalam (xalam, hoddu, molo). Circa 1890-1905.
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Back of a molo (lute, showing how the skin soundboard is held on)
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lute, wooden trough resonator, cylinder-shaped bridge...
360:(a Hausa variant of the xalam with a spherical body) in 594: 413:
xalam's main strings are tuned a minor third below the
514:"Plucked Lutes in West Africa: an Historical Overview" 214:
with 1 to 5 strings. The xalam is commonly played in
538: 321:, thus meaning "one who xalams"). In Mande, this is 313:In Wolof, a person who plays the xalam is called a 584:Cosaan: Senegalese Culture—Xalam and Virtual Xalam 941: 610: 368:The xalam, in its standard form, is a simple 589:Video of Cheick Hamala Diabate performances 617: 603: 449:In most areas the xalam is played by male 340: 591:from Kennedy Center Millennium Stage site 440: 387: 344: 421:xalam is tuned a major third above the 942: 511: 598: 926: 553: 532: 13: 14: 1001: 577: 433:xalam's lowest note would be E.) 955:West African musical instruments 925: 32: 142:Hornbostel–Sachs classification 980:Senegalese musical instruments 547: 505: 1: 539:J. H. Kwabena Nketia (1974). 498: 16:Traditional West African lute 990:Nigerian musical instruments 985:Nigerien musical instruments 7: 975:Sahrawi musical instruments 965:Gambian musical instruments 524:. The Galpin Society: 4–6. 512:Charry, Eric (March 1996). 466: 19:For the musical group, see 10: 1006: 970:Malian musical instruments 950:Arabic musical instruments 518:The Galpin Society Journal 436: 18: 923: 897: 851: 786: 660: 639: 632: 161: 154: 140: 57: 50: 31: 624: 341:Construction and tuning 446: 393: 365: 478:Cheick Hamala Diabate 444: 391: 348: 329:. In Hausa, this is 852:Related instruments 556:"What is a Kologo?" 541:The Music of Africa 206:) is a traditional 156:Related instruments 28: 493:Rubab (instrument) 488:Ngoni (instrument) 447: 394: 366: 278:), koni, konting ( 26: 937: 936: 847: 846: 483:Kora (instrument) 189: 188: 52:String instrument 997: 929: 928: 884:Guitarra morisca 637: 636: 619: 612: 605: 596: 595: 571: 570: 568: 567: 558:. Archived from 551: 545: 544: 536: 530: 529: 509: 302:), and tidinit ( 36: 29: 25: 1005: 1004: 1000: 999: 998: 996: 995: 994: 940: 939: 938: 933: 919: 893: 879:Guitarra latina 843: 782: 656: 633:Types by region 628: 623: 580: 575: 574: 565: 563: 554:Guttman, Yoav. 552: 548: 537: 533: 510: 506: 501: 469: 463:variety shows. 439: 417:xalam, and the 343: 202:, and Mɔɣlo in 185: 149: 46: 24: 17: 12: 11: 5: 1003: 993: 992: 987: 982: 977: 972: 967: 962: 960:Drumhead lutes 957: 952: 935: 934: 924: 921: 920: 918: 917: 912: 907: 901: 899: 895: 894: 892: 891: 886: 881: 876: 871: 869:English guitar 866: 861: 855: 853: 849: 848: 845: 844: 842: 841: 836: 831: 826: 821: 816: 811: 806: 801: 796: 790: 788: 784: 783: 781: 780: 775: 770: 765: 760: 755: 750: 745: 740: 735: 730: 725: 720: 715: 710: 705: 700: 695: 690: 685: 680: 675: 670: 664: 662: 658: 657: 655: 654: 649: 643: 641: 634: 630: 629: 622: 621: 614: 607: 599: 593: 592: 586: 579: 578:External links 576: 573: 572: 546: 531: 503: 502: 500: 497: 496: 495: 490: 485: 480: 475: 468: 465: 438: 435: 405:third tuning ( 342: 339: 248:Western Sahara 187: 186: 184: 183: 178: 173: 168: 162: 159: 158: 152: 151: 144: 138: 137: 59: 55: 54: 48: 47: 37: 15: 9: 6: 4: 3: 2: 1002: 991: 988: 986: 983: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 947: 945: 932: 922: 916: 913: 911: 910:Manufacturers 908: 906: 903: 902: 900: 896: 890: 887: 885: 882: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 856: 854: 850: 840: 837: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 795: 792: 791: 789: 785: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 714: 711: 709: 706: 704: 701: 699: 696: 694: 691: 689: 686: 684: 681: 679: 676: 674: 671: 669: 666: 665: 663: 659: 653: 650: 648: 645: 644: 642: 638: 635: 631: 627: 620: 615: 613: 608: 606: 601: 600: 597: 590: 587: 585: 582: 581: 562:on 2016-03-04 561: 557: 550: 542: 535: 528: 523: 519: 515: 508: 504: 494: 491: 489: 486: 484: 481: 479: 476: 474: 471: 470: 464: 462: 458: 457: 452: 443: 434: 432: 428: 424: 420: 416: 412: 408: 403: 399: 390: 386: 383: 379: 375: 371: 363: 359: 355: 352: 347: 338: 336: 332: 328: 324: 320: 316: 311: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 265: 261: 257: 253: 249: 245: 241: 237: 233: 229: 225: 221: 217: 213: 209: 205: 201: 197: 193: 182: 179: 177: 176:gumbri/sintir 174: 172: 169: 167: 164: 163: 160: 157: 153: 148: 145: 143: 139: 136: 133: 130: 127: 123: 119: 118: 113: 109: 108: 103: 99: 95: 91: 87: 83: 79: 78: 73: 72: 67: 63: 60: 56: 53: 49: 44: 40: 35: 30: 22: 898:Other topics 824:Swedish lute 651: 564:. Retrieved 560:the original 549: 540: 534: 525: 521: 517: 507: 460: 459:groups, and 454: 448: 430: 426: 422: 418: 414: 410: 406: 401: 397: 395: 367: 356:playing the 334: 330: 327:konting fola 326: 322: 318: 314: 312: 240:Burkina Faso 198:, khalam in 191: 190: 135: 131: 125: 124:, 'ngonifola 121: 115: 111: 105: 101: 97: 93: 89: 85: 81: 75: 69: 65: 61: 21:Xalam (band) 335:mai kontigi 258:), kologo ( 254:), koliko ( 234:, Northern 230:, Northern 212:West Africa 58:Other names 944:Categories 566:2012-06-17 499:References 304:Hassaniyya 294:), ndere, 262:), komsa, 244:Mauritania 905:Composers 794:Angélique 331:mai gurmi 323:ngonifola 799:Archlute 753:Shamisen 703:Kutiyapi 473:Akonting 467:See also 364:, Niger. 315:xalamkat 280:Mandinka 204:Dagbanli 166:akonting 66:diassare 931:Commons 915:Players 874:Gittern 864:Cittern 839:Vihuela 834:Theorbo 819:Mandora 814:Mandore 738:Sanxian 733:Sanshin 693:Dramyin 437:Players 427:ci suuf 423:ci suuf 415:cu suuf 398:ci suuf 382:leather 300:Bambara 288:Songhay 264:kontigi 256:Gurunsi 232:Nigeria 224:Senegal 134:tidinit 112:konting 107:kontigi 859:Citole 829:Torban 787:Europe 778:Yueqin 763:Tanbur 723:Qinqin 718:Qanbūs 683:Dombra 668:Barbat 640:Africa 456:mbalax 451:griots 431:ci kow 419:ci kow 402:ci kow 374:cattle 308:Berber 272:garaya 260:Frafra 252:Pulaar 246:, and 220:Gambia 171:garaya 147:321.33 90:Khalam 86:kologu 43:bridge 809:Kobza 804:Cobza 773:Veena 758:Sitar 748:Setar 743:Sapeh 728:Rubab 698:Komuz 688:Dutar 652:Xalam 461:ndaga 411:ardin 407:ardin 378:nylon 362:Diffa 358:gurmi 354:Griot 351:Hausa 296:ngoni 292:Zarma 276:Hausa 268:gurmi 236:Ghana 228:Niger 210:from 200:Wolof 196:Serer 192:Xalam 181:ngoni 129:ngoni 122:ndere 98:komsa 94:Xalam 82:hoddu 77:gurmi 71:gúlúm 62:bappe 27:Xalam 889:Laúd 713:Pipa 678:Biwa 673:Bipa 661:Asia 647:Goje 626:Lute 370:lute 319:-kat 306:and 284:molo 216:Mali 208:lute 194:(in 117:molo 102:koni 39:Molo 768:Tar 708:Oud 333:or 325:or 310:). 282:), 946:: 522:49 520:. 516:. 349:A 337:. 270:, 266:, 242:, 238:, 226:, 222:, 218:, 132:, 126:, 120:, 114:, 110:, 104:, 100:, 96:, 88:, 84:/ 80:, 74:, 68:, 64:, 618:e 611:t 604:v 569:. 298:( 290:/ 286:( 274:( 92:/ 23:.

Index

Xalam (band)
Molo, African lute, in the collection of the Smithsonian
Molo
bridge
String instrument
gĂşlĂşm
gurmi
kontigi
molo
ngoni
Hornbostel–Sachs classification
321.33
Related instruments
akonting
garaya
gumbri/sintir
ngoni
Serer
Wolof
Dagbanli
lute
West Africa
Mali
Gambia
Senegal
Niger
Nigeria
Ghana
Burkina Faso
Mauritania

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