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241:. His photographs were often overtly theatrical, as he commonly photographed industrial machinery at night, isolating details with artificial light and posing workers for heightened effect. This can be seen in 'Gears for Mining Industry' (1967), perhaps his most well known single image. Despite the contrived nature of many of these images, this approach was extraordinarily influential in Australian post-war commercial photography.
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from 1935 to 1936. In 1938, he was retained as a teacher at the
Contempora, but decided to emigrate to Australia following rumours of the school's imminent closure by the authorities. He had arranged for his photographic equipment to be transported, but was briefly questioned by the
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Sievers was active in
Australia, Germany and Austria with research into the emigration of war criminals to Australia from 1990 to 1998. In 2007, he donated several hundred photographs from his archive, worth up to A$ 1 million, to raise money for justice and civil liberties causes.
72:. His father was Professor Johannes Sievers, an art and architectural historian with the German Foreign Office until his dismissal by the government in 1933, and author of the first four volumes of a monograph on the neo-classical architect
87:, strongly emphasized the unity of all applied arts. Sievers took architectural photographs for his father's books on Berlin's historical buildings, particularly the work of Karl Schinkel. He also spent a year working in
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staged a retrospective of his work, an exhibition which travelled around the country, often accompanied by
Sievers' lectures. In 2000, he was the subject of a major retrospective exhibition held in
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at the "Arquivo
Fotografico Municipal de Lisboa". For his services to photography, he was appointed an Officer of the Order of Australia (AO) in 2002.
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112:, where my brother lived already, and he took me to the pub and I got drunk on cloudy Kentish cider for the first time in my life. It was wonderful!
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124:. After war was declared, he volunteered for the Australian Army and served from 1942 to 1946. Following demobilisation, he established a studio at
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From 1936 to 1938, he studied at the
Contempora Lehrateliers für neue Werkkunst in Berlin, a progressive private art school created by architect
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76:. His mother was Herma Schiffer, a writer and educator of Jewish background who was Director of the Institute for Educational Films.
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in fashionable
Collins Street, initially drawing many of his commissions from fellow European immigrants including the architect
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In the evening I took the train to
Holland. The next day I was in Holland, the day after that I was in England, in
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The
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has an archive of more than 50,000 of
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Wolfgang
Sievers died at the age of 93, a month short of his 94th birthday.
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he had learned in Berlin, combined with a socialist belief in the inherent
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Foreign Influences in Australian Photography 1930-80 by Robert Deane
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184:. He also received commissions from architectural firms including
325:"Gears for mining industry at Vickers Ruwolt, Burnley, Melbourne"
300:"Melbourne post-war photography, Corporate and commercial images"
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Helen Ennis, 'Blue hydrangeas: Four émigré photographers' in
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who specialised in architectural and industrial photography.
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The Europeans: Émigré Artists in Australia 1930-1960
100:. He fled the country immediately, going first to
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390:"Photographer championed human rights to the end"
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364:"Titan's lens and moral compass enlightened all"
229:Sievers' work after the war was imbued with the
212:with a brief to change Australia's image from a
524:Jewish emigrants from Nazi Germany to Australia
519:Australian military personnel of World War II
466:held at the National Library of Australia in
362:Zuker, David; Jones, Barry (20 August 2007).
346:Andrew Stephens, "Witness to a lost time",
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116:In Australia, Sievers opened a studio in
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152:Significant corporate clients included
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514:20th-century Australian photographers
419:The Life and Work of Wolfgang Sievers
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480:State Library of Victoria, Australia
473:Celebrated photographer Sievers dies
218:industrial and manufacturing nation
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534:Officers of the Order of Australia
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208:, Sievers was engaged by the then
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140:and his Australian actress wife
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478:Melbourne post-war photography
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158:Australian Paper Manufacturers
81:Fritz August Breuhaus de Groot
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261:National Library of Australia
539:Photographers from Melbourne
352:. Retrieved 27 November 2015
233:ethos and philosophy of the
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186:Bates, Smart and McCutcheon
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368:The Sydney Morning Herald
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190:Hassall & McConnell
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455:The Eye of Photography
388:Coslovich, Gabriella.
304:State Library Victoria
214:land of sheep and wool
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46:Wolfgang Georg Sievers
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396:. No. 2007–08–09
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60:Early life and career
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194:Leith & Bartlett
64:Sievers was born in
31:Brunswick, Victoria
170:John Holland Group
126:Grosvenor Chambers
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499:2007 deaths
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309:13 December
142:June Browne
118:South Yarra
488:Categories
400:4 December
373:4 December
331:4 December
274:References
223:Walkabout
204:. In the
122:Melbourne
104:in June.
98:Luftwaffe
468:Canberra
254:Portugal
89:Portugal
394:The Age
348:The Age
231:Bauhaus
162:Comalco
102:England
94:Gestapo
85:Bauhaus
70:Germany
33:in 2005
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250:Lisbon
134:Vienna
66:Berlin
206:1950s
178:Shell
154:Alcoa
437:ISBN
402:2015
375:2015
333:2015
311:2019
259:The
200:and
180:and
148:Work
110:Kent
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