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was assigned as "the voice" of the combined German newsreel production. Despite his signature rat-a-tat narration that gives the proceedings a documentary-like tone, liberties were taken in retelling the facts in this Nazi propaganda tool. Comedic public service announcements were delivered by the
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was also exported to occupied territories that had been annexed to the Reich, like
Austria and the Grand Duchy of Luxemburg. For other occupied regions, or for neutral nations (like Sweden), another newsreel was made: Ufa's
82:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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and can now enforce its copyrights, even against parties who rightfully used their films before the URAA became effective. Nevertheless, the URAA also prevents films previously under the administration of the
462:, Goebbels ordered an increase of efforts to manipulate the war reporting in order to keep up the perseverance of the German people. However, these plans foundered on countless eyewitness reports by
343:. These newsreels were merged into a single wartime newsreel, but kept their respective opening titles until June 1940. After that, the merger was made public by use of a single new opening title:
739:
Vande Winkel, Roel (2004). "Nazi newsreels in Europe, 1939–1945: the many faces of Ufa's foreign weekly newsreel (Auslandstonwoche) versus the German weekly newsreel (Deutsche
Wochenschau)".
339:
in
September 1939, marking the outbreak of the Second World War, the Nazi authorities consolidated the four separate newsreel production efforts into one, led by the Universum Film AG in
68:
708:
Singer, Hans-Jürgen (1986). "Tran und Helle. Aspekte unterhaltender Aufklärung im
Dritten Reich" [Tran and Helle. Aspects of entertaining education in the Third Reich].
349:. This was the sole series of German newsreels until production was discontinued in March 1945, when most cinemas in Germany were closed and transport links had collapsed.
92:
645:
Bucher, Peter (1986). "Goebbels und die
Deutsche Wochenschau. Nationalsozialistische Filmpropaganda im Zweiten Weltkrieg 1939–1945" [Goebbels and the
219:, with the final edition issued on 22 March 1945. The co-ordinated newsreel production was set up as a vital instrument for the mass distribution of
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Die
Wochenschau im Dritten Reich: Entwicklung und Funktion eines Massenmediums unter besonderer Berücksichtigung völkisch-nationaler Inhalte
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ScienceOpen. Cf. Protokoll
Konstituierende Sitzung vom 23.12.1949, Film- und Fernsehmuseum Hamburg (FFMH). Retrieved on 4 December 2022.
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Vande Winkel, Roel (2003). "The
Auxiliary Cruiser Thor's Death and Transfiguration: a case study in Nazi wartime newsreel propaganda".
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Content in this edit is translated from the existing German
Knowledge article at ]; see its history for attribution.
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in
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Newsreels typically preceded the main feature film, introduced by an opening sequence derived from the
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Friedl first composer Neue Deutsche Wochenschau and composed intro music. Still basics Tagesschau.
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Among the many notable scenes preserved by the newsreel are the Nazi point of view during the
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in the early 1930s, the newsreel market concentrated on four dominating production companies:
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803:, Frankfurt am Main – Berlin – Bern – Bruxelles – New York – Oxford – Wien, Peter Lang, 2004
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Geschichte des dokumentarischen Films in Deutschland. Band 3: Drittes Reich (1933–1945)
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from being renewed, making it difficult to enforce these copyrights in the U.S.
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806:"Nazi newsreels in German-occupied Europe, 1939–1945". Special issue of the
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The War That Hitler Won: The Most Infamous Propaganda Campaign in History
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to the source of your translation. A model attribution edit summary is
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592:, color newsreel released during the last months of the Third Reich.
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649:: Nazi Film Propaganda in the Second World War 1939–1945].
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Newsreels had been regularly released since the early days of
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on those published after 1922. The Transit Film company then
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in 1941 it was accompanied by the fanfare motif from Liszt's
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to this template: there are already 1,877 articles in the
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filed so-called "notices of intent to enforce" (NIEs)
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or while home on leave, the widespread listening to
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432:Die Deutsche Wochenschau
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346:Die Deutsche Wochenschau
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478:strategic bombing
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266:sound films
262:silent film
254:World War I
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164:Harry Giese
159:Wochenschau
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825:Categories
608:References
512:Iron Cross
353:Production
162:announcer
846:Newsreels
561:with the
537:Copyright
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386:Hans Ertl
374:Wehrmacht
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109:provide
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308:Tobis
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555:URAA
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