752:
183:"Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts: dargestellt an Virelais, Balladen und Rondeaux von Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und direkten Nachfolger". PhD Diss. Hamburg: University of Hamburg, 1957. 286 pages. University document: Hamburg, defended in the Faculty of Philosophy on 7 December 1957 (not available for circulation).
138:. While she continued to teach in Brussels, in 1977 was appointed professor at the University of Göttingen and finally gave up her post at the CNRS. The new University Act of the State of Lower Saxony enabled her to be director of Musicology in Göttingen for some time. In 1977, she held summer courses on Verdi research at
120:
After obtaining her habilitation in Göttingen in 1972 with an edition of motets of the fourteenth century (published in 1965 by A. Carapetayan in CMM 39), she taught one semester as a lecturer in Göttingen before returning to Paris to resume her work as "chargé de recherche". In the summer of 1973
385:, Edizione integrale delle varie versioni in cinque e in quattro atti (comprendente gli inediti verdiani). Riduzione per canto e pianoforte con testo francese e italiano. Revisione secondo le fonti a cura di Usula Günther e Luciano Petazzoni
58:. After studying piano with D. Kraus and H. E. Riebensahm and music theory with H. Stahmer in Hamburg, she graduated with a music teacher's degree in 1947. From 1948 she studied music with Heinrich Husmann at the
125:
and was subsequently invited to give lectures by numerous
American universities such as Princeton, Harvard, Brandeis, Philadelphia, Maryland, Bloomington, UC Davis, and Los Angeles. She was later appointed as
162:
which classified the music of the late fourteenth century to describe the subtle rhythm reflected in the music of the time. Another field of research was the work of
Giuseppe Verdi. She published his opera
169:
in an issue with the five-act French original version and also with the four-act
Italian version. She published widely, becoming one of the most influential musicologists of the twentieth century.
62:
along with other subjects such as art history, German and
Romance Literature, philosophy, psychology, and phonetics. In 1957 at Hamburg she wrote a thesis under the tutelage of
801:
190:. Schriftenreihe des Musikwissenschaftlichen Instituts der Universität Hamburg 2. Hamburg: Musikwissenschaftliches Institut der Universität Hamburg, 1959.
418:
Nuove prospettive nella ricerca verdiana. Atti del convegno internazionale in occasione della prima del „Rigoletto“‘in edizione critica, Vienna 1983
648:
586:
264:, by Ludwig Finscher and Societa italiana di musicologia and Ursula Gunther and Associazione piemontese per la ricerca delle fonti musicali. :
755:
333:
Ursula Günther: "La genèse de Don Carlos, opéra en cinq actes de
Giuseppe Verdi, représenté pour la première fois à Paris le 11 mars 1867".
604:
262:
The
Cypriot-French Repertory of the Manuscript Torino J.II.9: Report of the International Musicological Congress, Paphos, 20–25 March 1992
643:
791:
559:
816:
213:
The Motets of the
Manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca Estense, α M. 5,24 (olim lat. 568)
796:
130:(lecturer) by the Free University in Brussels to teach the history of music notation. In 1973, she turned down an offer from
821:
786:
66:
on the change in style of the French song in the second half of the fourteenth century which built onto the research of
579:
146:. In 1992, she retired and lived in Ahrensburg near Hamburg, where she died either on 20 November or 21 November 2006.
542:
292:
273:
248:
281:
Modality in the Music of the
Fourteenth and Fifteenth Centuries: Modalität in der Musik des 14. und 15. Jahrhunderts
284:
265:
216:
356:
L'edizione integrale del Don Carlos di
Giuseppe Verdi: Die vollständige Ausgabe des Don Carlos von Giuseppe Verdi
67:
204:
731:
572:
319:
Ursula Günther: "Composers at the Court of the
Antipopes in Avignon: Research in the Vatican Archives". In
535:
Musikwissenschaft und Musikpflege an der Georg-August-Universität Göttingen: Beiträge zu ihrer Geschichte
494:
323:, Archives et Bibliothèques de Belgique 46, edited by Barbara Haggh et al., pp. 328–37. Brussels, 1994.
82:
135:
806:
97:
and Nanie Bridgeman, she joined in 1969 the Centre National de la Recherche Scientifique in Paris as
347:
Ursula Günther: "Schwierigkeiten mit einer Oper. Zu den verschiedenen Fassungen des Don Carlos". In
298:
Ursula Günther: "Polymetric Rondeaux from Machaut to Dufay: Some Style-Analytical Observations". In
482:
811:
340:
Ursula Günther: "Documents inconnus concernant les relations de Verdi avec l'Opéra de Paris". In
139:
668:
59:
781:
776:
723:
713:
626:
595:
8:
658:
455:
226:(eds.): "Aspects of Music in Church, Court, and Town from the 13th to the 15th Century".
131:
122:
110:
195:
143:
701:
538:
288:
269:
244:
63:
737:
619:
530:
106:
78:
223:
305:
Ursula Günther: "Bemerkungen zur Motette des frühen und mittleren Trecento". In
233:
Ursula Günther und Ludwig Fischer (eds.): "1380-1420: An International Style?".
673:
74:
27:
26:
specializing in the fourteenth and early fifteenth centuries and the music of
770:
490:
157:
94:
33:
405:( = L'Avant Scène Opéra 90/91), 36–43. Paris: 1986. German version as: "Der
707:
696:
443:
Musikwissenschaft und Musikpflege an der Georg-August-Universität Göttingen
90:
23:
663:
390:
Ursula Günther: "La genèse du Don Carlos de Verdi: Nouveaux documents".
202:
Ursula Günther: "Zur Biographie einiger Komponisten der Ars Subtilior".
564:
165:
86:
555:
506:
Hans Heinrich Eggebrecht , "Günther, Ursula" (updated 15 July 2008),
416:
Ursula Günther: "Don Carlos: Edizione integrale—Critical edition". In
93:
which had been rejected by some German professors. Encouraged also by
690:
41:
241:
Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts
718:
55:
409:
von 1883; ebenfalls ein französisches Werk". In Giuseppe Verdi:
114:
38:, to categorize the rhythmically complex music that followed
73:
With financial support from her husband, encouragement from
413:( = Der Opernführer 1/2), pp. 28–39. Taufkirchen:, 1988,.
401:
de 1883. œuvre française également". In Giuseppe Verdi:
113:
from 1969 to 1971 to prepare her "Doctorat d' état" on
279:
Ludwig Finscher, Ursula Günther, and Jeffrey J. Dean.
302:(Festschrift Jan La Rue), pp. 75–108. Madison: 1990.
22:(15 June 1927 – 20 or 21 November 2006) was a German
441:
Ursula Günther: "Friedrich Ludwig in Göttingen". In
363:
The Complete Edition of Don Carlos by Giuseppe Verdi
768:
510:, edited by Deane Root (accessed 19 March 2014).
337:58 (1972), pp. 16-64, and 60 (1974), pp. 87–158.
537:. Göttingen: Vandenhoeck & Ruprecht, 1987.
431:, edited by , pp. 269–314. Florence, 1988.
109:in 1965, where she taught as a lecturer at the
445:, edited by, pp. 152–75. Göttingen, 1987.
802:Academic staff of the University of Göttingen
580:
379:Ursula Günther and Luciano Petazzoni (eds.):
487:New Grove Dictionary of Music and Musicians,
312:Ursula Günther: "La fine dell‘Ars nova". In
283:. Musicological Studies and Documents 49. :
134:and in 1975 took a job as a lecturer at the
177:
155:
39:
31:
587:
573:
500:
239:Ursula Günther and Ludwig Fischer (eds.):
188:Zehn datierbare Kompositionen der Ars nova
193:Ursula Günther: "Das Ende der Ars Nova".
594:
387:. Milan: Ricordi, 1980 (copyright 1974).
256:Hamburger Jahrbuch für Musikwissenschaft
85:, she took the position as a teacher in
54:Ursula Günther was born Ursula Rösse in
560:Digital Image Archive of Medieval Music
342:Il Teatro e la musica di Giuseppe Verdi
769:
556:List of publications by Ursula Günther
522:(5 December 2006), Feuilleton section.
568:
497:(London: Macmillan Publishers, 2001).
349:Jahrbuch der Hamburgischen Staatsoper
344:, edited by, pp. 564–83. Parma, 1974.
254:Ursula Günther: "Die Ars subtilior".
215:. Corpus Mensurabilis Musicae 39. :
477:
475:
473:
471:
300:Studies in Musical Sources and Style
435:
420:, edited by pp.29–48. Milan, 1987.
13:
368:Ursula Günther: "Zur Revision des
14:
833:
792:20th-century German musicologists
549:
468:
327:
101:(researcher) and was promoted as
81:, and, from 1962, funds from the
751:
750:
321:Musicology and Archival Research
285:American Institute of Musicology
266:American Institute of Musicology
217:American Institute of Musicology
121:she was a visiting professor at
154:Ursula Günther coined the term
16:German musicologist (1927–2006)
520:Frankfurter Allgemeine Zeitung
513:
1:
817:Scholars of Renaissance music
732:Art of Love: Music of Machaut
461:
243:. Kassel: Bärenreiter, 1984.
797:20th-century women musicians
485:, "Günther, Ursula". In The
429:L'opera tra Venezia e Parigi
372:. Postscriptum zu Teil II".
235:Musica Disciplina 41 (1987)
205:Archiv für Musikwissenschaft
199:16 (1963), pp. 105–120.
149:
7:
449:
172:
10:
838:
822:Scholars of Medieval music
787:German women musicologists
489:second edition, edited by
316:, pp. 71–87. Como: 1992.
314:Il canto delle pietre 1992
208:21 (1964), p. 172–99.
83:German Research Foundation
746:
682:
636:
611:
602:
287:, Hänssler-Verlag, 1996.
483:Hans Heinrich Eggebrecht
351:6 (1977/78), pp. 136–52.
178:Fourteenth-century music
358:. Milan: Ricordi, 1977.
309:pp. 29–39. Mainz: 1992.
258:11 (1991), pp. 277–288.
140:Northwestern University
136:University of Göttingen
105:(research fellow) with
89:in order to finish her
49:
669:Daniel Leech-Wilkinson
394:72 (1986), pp. 104–17.
376:19 (1979), pp. 373–77.
211:Ursula Günther (ed.):
186:Ursula Günther (ed.):
156:
40:
32:
30:. She coined the term
374:Analecta Musicologica
60:University of Hamburg
627:Messe de Nostre Dame
605:List of compositions
596:Guillaume de Machaut
397:Ursula Günther: "Le
392:Revue de Musicologie
335:Revue de Musicologie
99:attaché de recherche
659:Elizabeth Eva Leach
456:Women in musicology
222:Ursula Günther und
132:Brandeis University
123:New York University
103:chargé de recherche
508:Grove Music Online
196:Die Musikforschung
144:Evanston, Illinois
764:
763:
423:Ursula Günther: "
228:Musica Disciplina
117:'s French years.
64:Heinrich Besseler
829:
807:Machaut scholars
754:
753:
738:Machaut (crater)
620:Douce Dame Jolie
589:
582:
575:
566:
565:
531:Martin Staehelin
523:
517:
511:
504:
498:
479:
436:Friedrich Ludwig
381:Giuseppe Verdi:
361:Ursula Günther:
354:Ursula Günther:
161:
107:Jacques Chailley
79:Armen Carapetyan
68:Friedrich Ludwig
45:
37:
837:
836:
832:
831:
830:
828:
827:
826:
767:
766:
765:
760:
742:
678:
632:
607:
598:
593:
552:
527:
526:
518:
514:
505:
501:
480:
469:
464:
452:
438:
330:
224:Ludwig Finscher
180:
175:
152:
128:chargé de cours
52:
17:
12:
11:
5:
835:
825:
824:
819:
814:
812:Verdi scholars
809:
804:
799:
794:
789:
784:
779:
762:
761:
759:
758:
747:
744:
743:
741:
740:
735:
728:
727:
726:
721:
716:
704:
699:
694:
686:
684:
680:
679:
677:
676:
674:Gilbert Reaney
671:
666:
661:
656:
654:Ursula Günther
651:
646:
640:
638:
634:
633:
631:
630:
623:
615:
613:
609:
608:
603:
600:
599:
592:
591:
584:
577:
569:
563:
562:
551:
550:External links
548:
547:
546:
525:
524:
512:
499:
466:
465:
463:
460:
459:
458:
451:
448:
447:
446:
437:
434:
433:
432:
421:
414:
395:
388:
377:
366:
359:
352:
345:
338:
329:
328:Giuseppe Verdi
326:
325:
324:
317:
310:
303:
296:
277:
259:
252:
237:
231:
220:
209:
200:
191:
184:
179:
176:
174:
171:
151:
148:
75:Gilbert Reaney
51:
48:
28:Giuseppe Verdi
20:Ursula Günther
15:
9:
6:
4:
3:
2:
834:
823:
820:
818:
815:
813:
810:
808:
805:
803:
800:
798:
795:
793:
790:
788:
785:
783:
780:
778:
775:
774:
772:
757:
749:
748:
745:
739:
736:
734:
733:
729:
725:
722:
720:
717:
715:
712:
711:
710:
709:
705:
703:
700:
698:
695:
693:
692:
688:
687:
685:
681:
675:
672:
670:
667:
665:
662:
660:
657:
655:
652:
650:
649:Lawrence Earp
647:
645:
642:
641:
639:
635:
629:
628:
624:
621:
617:
616:
614:
610:
606:
601:
597:
590:
585:
583:
578:
576:
571:
570:
567:
561:
557:
554:
553:
544:
543:3-525-35832-6
540:
536:
532:
529:
528:
521:
516:
509:
503:
496:
492:
491:Stanley Sadie
488:
484:
478:
476:
474:
472:
467:
457:
454:
453:
444:
440:
439:
430:
427:à Paris". In
426:
422:
419:
415:
412:
408:
404:
400:
396:
393:
389:
386:
382:
378:
375:
371:
367:
364:
360:
357:
353:
350:
346:
343:
339:
336:
332:
331:
322:
318:
315:
311:
308:
304:
301:
297:
294:
293:3-7751-2423-3
290:
286:
282:
278:
275:
274:3-7751-2501-9
271:
267:
263:
260:
257:
253:
250:
249:3-7618-0744-9
246:
242:
238:
236:
232:
229:
225:
221:
218:
214:
210:
207:
206:
201:
198:
197:
192:
189:
185:
182:
181:
170:
168:
167:
160:
159:
158:ars subtilior
147:
145:
141:
137:
133:
129:
124:
118:
116:
112:
108:
104:
100:
96:
95:Oliver Strunk
92:
88:
84:
80:
76:
71:
69:
65:
61:
57:
47:
44:
43:
36:
35:
34:ars subtilior
29:
25:
21:
730:
708:Formes fixes
706:
697:Intabulation
689:
653:
625:
612:Compositions
545:. 200 pages.
534:
519:
515:
507:
502:
495:John Tyrrell
486:
442:
428:
424:
417:
410:
406:
402:
398:
391:
384:
380:
373:
369:
362:
355:
348:
341:
334:
320:
313:
306:
299:
280:
261:
255:
240:
234:
227:
212:
203:
194:
187:
164:
153:
127:
119:
102:
98:
91:habilitation
72:
53:
24:musicologist
19:
18:
782:2006 deaths
777:1927 births
664:Leo Schrade
307:Die Motette
230:38 (1984) .
771:Categories
462:References
411:Don Carlos
407:Don Carlos
403:Don Carlos
399:Don Carlos
383:Don Carlos
370:Don Carlos
166:Don Carlos
87:Ahrensburg
644:Wulf Arlt
425:Rigoletto
365:. , 1978.
150:Influence
756:Category
691:Ars nova
637:Scholars
450:See also
173:Writings
111:Sorbonne
42:ars nova
724:Ballade
719:Virelai
714:Rondeau
683:Related
558:at the
219:, 1965.
56:Hamburg
541:
291:
272:
247:
115:Verdi
539:ISBN
493:and
289:ISBN
270:ISBN
245:ISBN
50:Life
702:Lai
142:at
773::
533::
470:^
268:,
77:,
70:.
46:.
622:"
618:"
588:e
581:t
574:v
481:*
295:.
276:.
251:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.