Knowledge

American Institute of Musicology

Source đź“ť

1956: 1906: 616: 1932: 1944: 330:
among many others; by 1949, however, Carapetyan assumed solo leadership until his death in 1992. As part of Carapetyan's original plan to include musical performances in the AIM, an early music choir was created in 1947, but soon disbanded. Also part of the original plan, the AIM held advanced course
792:
Carapetyan was the chief editor of the journal until his death in 1992. Reaney and D'Accone then became co-editors, until Reaney's death in 2008 where D'Accone became the sole general editor until his death in 2022. The current editor is Inga Mai Groote of the
36: 473: 1554: 362:. Since 1946, the AIM has produced over 650 publications on a variety of topics. These include the complete works of two of the most significant early European composers, 1981: 701: 586: 1986: 332: 299:. The organization became truly active the following year, and in 1946 it was renamed as the American Institute of Musicology (AIM) with a new headquarters in 462:, consists of modern evaluations, commentaries and studies on early music. The series often includes topics which do not fall under the scope of CMM or CSM. 676: 149:. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. 652: 1357: 1147: 1036: 1976: 1991: 1131: 672: 1121: 1707: 2001: 1558: 611: 318:
For its first few years, the AIM maintained an advisory board of noted musicologists from around the world. Such scholars included
1850: 936:(1987). "A Contemporary Perception of Early Fifteenth-Century Style; Bologna Q15 as a Document of Scribal Editorial Initiative". 1702: 640: 1585: 1384: 1174: 1063: 1755: 644: 1891: 295:. To address such a discrepancy, Carapetyan founded the Institute of Renaissance and Baroque Music in 1944, based in 1722: 1652: 1675: 1637: 1610: 1750: 1632: 1407: 519: 1642: 1883: 1727: 20: 693: 599: 283:. At the time, there was substantial research devoted to the literature, architecture and visual arts of the 436:. The series serves as a vehicle for the publishing of the all surviving compositions by specific composers. 1822: 1692: 1680: 816: 495: 212: 1844: 1760: 420: 211:
of early music scholarly work. Musicologists who have been particularly associated with the AIM include
154: 1922: 1620: 561: 252: 590: 574: 182:, among many others. The CSM, which focuses on music theory, has published the treatises of important 2006: 1615: 1578: 2011: 1687: 689: 595: 578: 337: 331:
on early music in the summers. The first was near the headquarters in Rome, with the second at the
296: 264: 198: 1368: 1158: 1047: 399: 1627: 960:(2013). "Master and Disciple: Teaching the Composition of Polyphony in the Thirteenth Century". 794: 717: 303:, Italy. The earlier offices in Cambridge remained, however, and the AIM established offices in 1936: 1657: 757: 468:, created by Carapetyan for materials not appropriate to other series, notably reproducing the 383: 1376: 1166: 1055: 1870: 1808: 1712: 1697: 664: 1960: 1909: 1571: 411: 363: 272: 191: 175: 1393: 1183: 1072: 8: 1996: 1875: 35: 1647: 1516: 1495: 1471: 1411: 1363: 1153: 1042: 969: 945: 921: 900: 876: 852: 828: 727: 395: 280: 268: 498:, covers keyboard music until the 17th-century and reproduces them in modern notation. 308: 1815: 1667: 1380: 1170: 1059: 741: 710: 433: 425: 216: 138: 73: 1352: 1267: 1265: 1263: 1261: 1245: 1243: 1212: 1210: 1208: 391: 1459: 1372: 1225: 1162: 1126: 1051: 770: 387: 375: 367: 244: 208: 179: 130: 1717: 1483: 1258: 1240: 1205: 1190: 607: 537: 447:, publishes extant musical theory treatises in their original languages, usually 407: 379: 187: 1602: 778: 459: 444: 429: 232: 220: 134: 69: 1970: 933: 888: 864: 840: 774: 323: 260: 142: 77: 1948: 1515:. American Institute of Musicology Verlag Corpusmusicae, GmbH: 3–10. 1955. 957: 484: 359: 354:
The chief purpose of the AIM is to produce high-quality modern editions of
327: 224: 183: 146: 748: 733: 660: 1594: 1543: 355: 292: 288: 284: 228: 126: 65: 1520: 1499: 1475: 1470:. American Institute of Musicology Verlag Corpusmusicae, GmbH: 301–363. 1093: 973: 949: 925: 904: 880: 856: 832: 166:(CEKM). In CMM specifically, the AIM has published the entire surviving 1312: 1287: 781:
relating to early music. Founded in 1946, the journal was known as the
319: 276: 122: 1433: 1494:. American Institute of Musicology Verlag Corpusmusicae, GmbH: 9–27. 777:. Articles in the journal include analysis, studies and inventory of 469: 312: 133:, the AIM's chief objective is the publication of modern editions of 756:"Musica Disciplina" redirects here. For the ninth-century work, see 681: 125:
organization that researches, promotes and produces publications on
403: 343: 171: 248: 1536: 1507:"Ten Years of the American Institute of Musicology, 1945-1955". 1462:(1996). "Publications of the American Institute of Musicology". 100: 304: 1563: 1549: 1098: 1094:"American Institute of Musicology Verlag Corpusmusicae, GmbH" 625: 448: 256: 300: 88: 912:
Berger, Carol (1981). "The Hand and the Art of Memory".
843:(1955). "Marchettus de Padua and the Italian Ars Nova". 1330: 773:
for scholarly work on medieval, Renaissance and early
487:, contains complete catalogues of early music sources. 1920: 1313:"AIM: Musicological Studies and Documents (MSD) Home" 1555:
Publications of the American Institute of Musicology
1120:Slonimsky, Nicolas; Kuhn, Laura; McIntire, Dennis. 819:(1951). "The Musical Notation of Guido of Arezzo". 1356: 1146: 1035: 615: 1982:Academic organizations based in the United States 1506: 1271: 1249: 1231: 1216: 1196: 1119: 414:. The primary series that the AIM maintains are: 1968: 1987:Music organizations based in the United States 1579: 1288:"AIM: Corpus Scriptorum de Musica (CSM) Home" 1132:Baker’s Biographical Dictionary of Musicians 451:. English introduction are provided in each. 1586: 1572: 1458: 807: 197:The AIM is based in Rome, with offices in 34: 16:American early music research organization 1559:International Music Score Library Project 1408:"In Memoriam: Frank D'Accone (1931-2022)" 1347: 1345: 891:(1972). "Musica Recta and Musica Ficta". 370:. Other composers whose entire surviving 1977:1944 establishments in the United States 1482: 1336: 1029: 1027: 1025: 1023: 1021: 1019: 1017: 800: 783:Journal of Renaissance and Baroque Music 1992:Music-related professional associations 1851:Digital Image Archive of Medieval Music 1800: 1377:10.1093/gmo/9781561592630.article.22998 1351: 1167:10.1093/gmo/9781561592630.article.04899 1088: 1086: 1084: 1082: 1056:10.1093/gmo/9781561592630.article.00780 1015: 1013: 1011: 1009: 1007: 1005: 1003: 1001: 999: 997: 1969: 1486:(1983). "Homage to Armen Carapetyan". 1342: 1144: 1033: 203: 1743: 1567: 291:periods, but comparatively little on 174:, most notably the complete works of 152:Among the series it produces are the 1756:Plainsong and Medieval Music Society 1079: 994: 867:(1959). "Faburden and Fauxbourdon". 502: 402:; modern editions of famous musical 307:, whose publications transferred to 201:. Since 1946, the AIM has published 785:for its first year of publication. 456:Musicological Studies and Documents 374:have been published by AIM include 13: 1436:. American Institute of Musicology 1037:"American Institute of Musicology" 267:. Carapetyan then received both a 14: 2023: 2002:Organizations established in 1944 1892:Historically informed performance 1528: 243:Armen Carapetyan (1908–1992), an 1954: 1942: 1930: 1905: 1904: 1781:American Institute of Musicology 614: 115:American Institute of Musicology 29:American Institute of Musicology 1751:National Centre for Early Music 1593: 1426: 1400: 1305: 1280: 443:(CSM), general editor formerly 424:(CMM), general editor formerly 349: 1138: 1113: 492:Corpus of Early Keyboard Music 481:Renaissance Manuscript Studies 164:Corpus of Early Keyboard Music 21:American Musicological Society 1: 982: 474:Rameau's theoretical treatise 64:Research and publications on 1823:Plainsong and Medieval Music 1394:UK public library membership 1184:UK public library membership 1073:UK public library membership 987: 789:does not engage in reviews. 170:of a considerable amount of 7: 1845:Corpus mensurabilis musicae 1761:Schola Cantorum Basiliensis 441:Corpus Scriptorum de Musica 421:Corpus mensurabilis musicae 160:Corpus Scriptorum de Musica 155:Corpus mensurabilis musicae 48:; 80 years ago 10: 2028: 1452: 755: 483:, general editor formerly 458:, general editor formerly 358:compositions and works of 253:American College of Tehran 238: 145:compositions and works of 18: 1900: 1863: 1836: 1793: 1773: 1736: 1666: 1601: 817:van Waesberghe, Jos Smits 739: 725: 708: 636: 624: 570: 560: 552: 547: 536: 528: 518: 95: 84: 60: 42: 33: 1434:"Musica Disciplina (MD)" 297:Cambridge, Massachusetts 293:music of the same period 265:Gian Francesco Malipiero 199:Cambridge, Massachusetts 19:Not to be confused with 1369:Oxford University Press 1159:Oxford University Press 1048:Oxford University Press 956: 932: 911: 887: 863: 839: 815: 806:For a longer list, see 494:(CEKM), general editor 255:in 1927 and studied in 1145:Morgan, Paula (2001). 1034:Morgan, Paula (2001). 571:Standard abbreviations 384:Jacob Clemens non Papa 1884:Early music ensembles 1871:Early music festivals 801:Selected publications 333:Torre di Bellosguardo 263:, at one point under 251:, graduated from the 129:. Founded in 1944 by 795:University of ZĂĽrich 412:Jean Philippe Rameau 364:Guillaume de Machaut 192:Jean Philippe Rameau 176:Guillaume de Machaut 1876:Early music revival 1484:Lowinsky, Edward E. 1414:Department of Music 1367:. Oxford, England: 1148:"Carapetyan, Armen" 1122:"Carapetyan, Armen" 548:Publication details 515: 30: 1412:Harvard University 1364:Grove Music Online 1154:Grove Music Online 1043:Grove Music Online 763:The AIM publishes 509: 396:Thomas Crecquillon 281:Harvard University 28: 1918: 1917: 1859: 1858: 1832: 1831: 1816:Musica Disciplina 1789: 1788: 1769: 1768: 1545:Musica Disciplina 1509:Musica Disciplina 1488:Musica Disciplina 1464:Musica Disciplina 1460:Carapetyan, Armen 1392:(subscription or 1386:978-1-56159-263-0 1358:"Reaney, Gilbert" 1317:corpusmusicae.com 1292:corpusmusicae.com 1273:Musica Disciplina 1251:Musica Disciplina 1233:Musica Disciplina 1218:Musica Disciplina 1198:Musica Disciplina 1182:(subscription or 1176:978-1-56159-263-0 1071:(subscription or 1065:978-1-56159-263-0 962:Musica Disciplina 938:Musica Disciplina 914:Musica Disciplina 893:Musica Disciplina 869:Musica Disciplina 845:Musica Disciplina 821:Musica Disciplina 766:Musica Disciplina 758:Aurelian of RĂ©Ă´me 754: 753: 512:Musica Disciplina 504:Musica Disciplina 434:Renaissance music 406:include those by 204:Musica Disciplina 111: 110: 2019: 2007:Machaut scholars 1959: 1958: 1957: 1947: 1946: 1945: 1935: 1934: 1933: 1926: 1908: 1907: 1888: 1882: 1834: 1833: 1798: 1797: 1771: 1770: 1741: 1740: 1588: 1581: 1574: 1565: 1564: 1557:: Scores at the 1540: 1539: 1537:Official website 1524: 1503: 1479: 1446: 1445: 1443: 1441: 1430: 1424: 1423: 1421: 1419: 1404: 1398: 1397: 1390: 1360: 1349: 1340: 1334: 1328: 1327: 1325: 1323: 1309: 1303: 1302: 1300: 1298: 1284: 1278: 1269: 1256: 1247: 1238: 1229: 1223: 1214: 1203: 1194: 1188: 1187: 1180: 1150: 1142: 1136: 1135: 1127:encyclopedia.com 1117: 1111: 1110: 1108: 1106: 1090: 1077: 1076: 1069: 1039: 1031: 977: 953: 929: 908: 884: 860: 836: 771:academic journal 769:(MD), an annual 745: 730: 720: 713: 704: 620: 618: 617: 516: 513: 508: 388:Cipriano de Rore 376:Pierre de la Rue 368:Guillaume Du Fay 341: 245:Iranian-Armenian 209:academic journal 180:Guillaume Du Fay 131:Armen Carapetyan 107: 104: 102: 56: 54: 49: 38: 31: 27: 2027: 2026: 2022: 2021: 2020: 2018: 2017: 2016: 2012:Du Fay scholars 1967: 1966: 1965: 1955: 1953: 1943: 1941: 1937:Classical music 1931: 1929: 1921: 1919: 1914: 1896: 1886: 1880: 1855: 1828: 1785: 1765: 1732: 1662: 1597: 1592: 1535: 1534: 1531: 1455: 1450: 1449: 1439: 1437: 1432: 1431: 1427: 1417: 1415: 1406: 1405: 1401: 1391: 1387: 1353:GĂĽnther, Ursula 1350: 1343: 1335: 1331: 1321: 1319: 1311: 1310: 1306: 1296: 1294: 1286: 1285: 1281: 1270: 1259: 1248: 1241: 1237:, pp. 4–5. 1230: 1226: 1215: 1206: 1195: 1191: 1181: 1177: 1143: 1139: 1118: 1114: 1104: 1102: 1092: 1091: 1080: 1070: 1066: 1032: 995: 990: 985: 980: 808:Carapetyan 1996 803: 779:primary sources 761: 740: 726: 721: 716: 709: 680: 639: 638: 594: 573: 572: 543:Inga Mai Groote 511: 507: 408:Guido of Arezzo 380:Adrian Willaert 352: 335: 309:Hänssler-Verlag 269:Master's degree 241: 188:Guido of Arezzo 99: 52: 50: 47: 24: 17: 12: 11: 5: 2025: 2015: 2014: 2009: 2004: 1999: 1994: 1989: 1984: 1979: 1964: 1963: 1951: 1939: 1916: 1915: 1913: 1912: 1901: 1898: 1897: 1895: 1894: 1889: 1878: 1873: 1867: 1865: 1861: 1860: 1857: 1856: 1854: 1853: 1848: 1840: 1838: 1830: 1829: 1827: 1826: 1819: 1812: 1804: 1802: 1795: 1791: 1790: 1787: 1786: 1784: 1783: 1777: 1775: 1767: 1766: 1764: 1763: 1758: 1753: 1747: 1745: 1738: 1734: 1733: 1731: 1730: 1725: 1720: 1715: 1710: 1705: 1700: 1695: 1690: 1685: 1684: 1683: 1672: 1670: 1664: 1663: 1661: 1660: 1655: 1650: 1645: 1640: 1635: 1630: 1625: 1624: 1623: 1618: 1607: 1605: 1599: 1598: 1591: 1590: 1583: 1576: 1568: 1562: 1561: 1552: 1541: 1530: 1529:External links 1527: 1526: 1525: 1504: 1480: 1454: 1451: 1448: 1447: 1425: 1399: 1385: 1341: 1329: 1304: 1279: 1257: 1239: 1224: 1204: 1189: 1175: 1137: 1112: 1078: 1064: 992: 991: 989: 986: 984: 981: 979: 978: 954: 934:Bent, Margaret 930: 909: 889:Bent, Margaret 885: 865:Trowell, Brian 861: 841:Pirrotta, Nino 837: 812: 802: 799: 752: 751: 746: 737: 736: 731: 723: 722: 714: 706: 705: 634: 633: 631:Musica Discip. 628: 622: 621: 568: 567: 564: 558: 557: 554: 550: 549: 545: 544: 541: 534: 533: 530: 526: 525: 522: 506: 501: 500: 499: 488: 477: 463: 460:Ursula Gunther 452: 445:Gilbert Reaney 437: 428:, encompasses 426:Frank D'Accone 392:Loyset Compère 351: 348: 240: 237: 233:Gilbert Reaney 221:Ursula Gunther 217:Frank D'Accone 109: 108: 103:.corpusmusicae 97: 93: 92: 86: 82: 81: 62: 58: 57: 44: 40: 39: 15: 9: 6: 4: 3: 2: 2024: 2013: 2010: 2008: 2005: 2003: 2000: 1998: 1995: 1993: 1990: 1988: 1985: 1983: 1980: 1978: 1975: 1974: 1972: 1962: 1961:United States 1952: 1950: 1940: 1938: 1928: 1927: 1924: 1911: 1903: 1902: 1899: 1893: 1890: 1885: 1879: 1877: 1874: 1872: 1869: 1868: 1866: 1862: 1852: 1849: 1847: 1846: 1842: 1841: 1839: 1835: 1825: 1824: 1820: 1818: 1817: 1813: 1811: 1810: 1806: 1805: 1803: 1799: 1796: 1792: 1782: 1779: 1778: 1776: 1772: 1762: 1759: 1757: 1754: 1752: 1749: 1748: 1746: 1742: 1739: 1735: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1704: 1701: 1699: 1696: 1694: 1691: 1689: 1686: 1682: 1679: 1678: 1677: 1674: 1673: 1671: 1669: 1665: 1659: 1656: 1654: 1651: 1649: 1646: 1644: 1641: 1639: 1636: 1634: 1631: 1629: 1626: 1622: 1619: 1617: 1614: 1613: 1612: 1611:British Isles 1609: 1608: 1606: 1604: 1600: 1596: 1589: 1584: 1582: 1577: 1575: 1570: 1569: 1566: 1560: 1556: 1553: 1551: 1547: 1546: 1542: 1538: 1533: 1532: 1522: 1518: 1514: 1510: 1505: 1501: 1497: 1493: 1489: 1485: 1481: 1477: 1473: 1469: 1465: 1461: 1457: 1456: 1435: 1429: 1413: 1409: 1403: 1395: 1388: 1382: 1378: 1374: 1370: 1366: 1365: 1359: 1354: 1348: 1346: 1339:, p. 13. 1338: 1337:Lowinsky 1983 1333: 1318: 1314: 1308: 1293: 1289: 1283: 1276: 1274: 1268: 1266: 1264: 1262: 1254: 1252: 1246: 1244: 1236: 1234: 1228: 1221: 1219: 1213: 1211: 1209: 1201: 1199: 1193: 1185: 1178: 1172: 1168: 1164: 1160: 1156: 1155: 1149: 1141: 1133: 1129: 1128: 1123: 1116: 1101: 1100: 1095: 1089: 1087: 1085: 1083: 1074: 1067: 1061: 1057: 1053: 1049: 1045: 1044: 1038: 1030: 1028: 1026: 1024: 1022: 1020: 1018: 1016: 1014: 1012: 1010: 1008: 1006: 1004: 1002: 1000: 998: 993: 975: 971: 967: 963: 959: 958:Everist, Mark 955: 951: 947: 943: 939: 935: 931: 927: 923: 919: 915: 910: 906: 902: 898: 894: 890: 886: 882: 878: 874: 870: 866: 862: 858: 854: 850: 846: 842: 838: 834: 830: 826: 822: 818: 814: 813: 811: 810: 809: 798: 796: 790: 788: 784: 780: 776: 775:Baroque music 772: 768: 767: 759: 750: 747: 743: 738: 735: 732: 729: 724: 719: 715: 712: 707: 703: 699: 695: 691: 687: 683: 678: 674: 670: 666: 662: 658: 654: 650: 646: 642: 635: 632: 629: 627: 623: 613: 609: 605: 601: 597: 592: 588: 584: 580: 576: 569: 565: 563: 559: 555: 551: 546: 542: 539: 535: 531: 527: 523: 521: 517: 514: 505: 497: 496:John Caldwell 493: 489: 486: 482: 478: 475: 471: 467: 464: 461: 457: 453: 450: 446: 442: 438: 435: 431: 427: 423: 422: 417: 416: 415: 413: 409: 405: 401: 397: 393: 389: 385: 381: 377: 373: 369: 365: 361: 357: 347: 345: 339: 334: 329: 325: 324:Gustave Reese 321: 316: 314: 310: 306: 302: 298: 294: 290: 286: 282: 278: 274: 270: 266: 262: 258: 254: 250: 246: 236: 234: 230: 226: 222: 218: 214: 213:John Caldwell 210: 206: 205: 200: 195: 193: 189: 185: 181: 177: 173: 169: 165: 161: 157: 156: 150: 148: 144: 140: 136: 132: 128: 124: 123:musicological 120: 116: 106: 98: 94: 90: 87: 83: 79: 75: 71: 67: 63: 59: 45: 41: 37: 32: 26: 22: 1887:}} 1881:{{ 1843: 1821: 1814: 1807: 1794:Publications 1780: 1737:Institutions 1544: 1512: 1508: 1491: 1487: 1467: 1463: 1438:. Retrieved 1428: 1416:. Retrieved 1402: 1362: 1332: 1322:19 September 1320:. Retrieved 1316: 1307: 1297:19 September 1295:. Retrieved 1291: 1282: 1277:, p. 6. 1272: 1255:, p. 5. 1250: 1232: 1227: 1222:, p. 4. 1217: 1202:, p. 3. 1197: 1192: 1152: 1140: 1125: 1115: 1103:. Retrieved 1097: 1041: 965: 961: 941: 937: 917: 913: 896: 892: 872: 868: 848: 844: 824: 820: 805: 804: 791: 786: 782: 765: 764: 762: 697: 685: 668: 656: 648: 630: 603: 582: 556:1946-present 510: 503: 491: 485:Charles Hamm 480: 465: 455: 440: 419: 371: 360:music theory 353: 350:Publications 328:Egon Wellesz 317: 242: 225:Charles Hamm 207:, an annual 202: 196: 167: 163: 159: 153: 151: 147:music theory 118: 114: 112: 85:Headquarters 25: 1809:Early Music 1713:Netherlands 1693:Elizabethan 1681:Elizabethan 1668:Renaissance 1603:Middle Ages 1595:Early music 1105:1 September 944:: 183–201. 466:Miscellanea 356:early music 336: [ 289:Renaissance 229:Albert Seay 139:Renaissance 127:early music 74:Renaissance 66:early music 1997:Musicology 1971:Categories 1157:. Oxford: 1046:. Oxford: 983:References 920:: 87–120. 899:: 73–100. 608:MathSciNet 520:Discipline 320:Willi Apel 277:musicology 162:(CSM) and 141:and early 76:and early 1648:Lithuania 1396:required) 1186:required) 1075:required) 988:Citations 968:: 51–71. 875:: 43–78. 851:: 57–71. 827:: 15–53. 749:782070210 744: no. 718:0077-2461 562:Frequency 470:facsimile 404:treatises 315:by 1974. 313:Stuttgart 184:theorists 172:composers 43:Formation 1910:Category 1801:Journals 1723:Portugal 1653:Portugal 1621:Scotland 1521:20531884 1500:20532255 1476:20532410 1440:10 March 1355:(2001). 974:24429413 950:20532309 926:20532236 905:20532145 881:20531911 857:20531887 833:20531824 734:musidisc 637:Indexing 587:Bluebook 566:Annually 540: by 529:Language 430:medieval 344:Florence 285:medieval 261:New York 247:born in 186:such as 135:medieval 70:medieval 1923:Portals 1864:Related 1774:America 1703:Germany 1676:British 1638:Germany 1616:England 1453:Sources 1418:9 March 696:)  667:)  655:)  602:)  581:)  553:History 532:English 372:oeuvres 249:Isfahan 239:History 168:oeuvres 158:(CMM), 143:Baroque 121:) is a 96:Website 91:, Italy 78:Baroque 61:Purpose 51: ( 1744:Europe 1718:Poland 1698:France 1688:Cyprus 1633:France 1628:Cyprus 1519:  1498:  1474:  1383:  1173:  1062:  972:  948:  924:  903:  879:  855:  831:  702:Scopus 698:· 686:· 684:  669:· 657:· 649:· 647:  604:· 583:· 538:Edited 400:Romero 305:Dallas 1949:Music 1837:Other 1728:Spain 1708:Italy 1658:Spain 1643:Italy 1550:JSTOR 1517:JSTOR 1496:JSTOR 1472:JSTOR 1099:JSTOR 970:JSTOR 946:JSTOR 922:JSTOR 901:JSTOR 877:JSTOR 853:JSTOR 829:JSTOR 728:JSTOR 700: 688: 671: 661:JSTOR 659: 651: 641:CODEN 626:ISO 4 606: 585: 575:ISO 4 524:Music 449:Latin 340:] 279:from 257:Paris 1442:2024 1420:2024 1381:ISBN 1324:2021 1299:2021 1275:1955 1253:1955 1235:1955 1220:1955 1200:1955 1171:ISBN 1107:2021 1060:ISBN 742:OCLC 711:ISSN 682:MIAR 673:LCCN 653:alt2 490:The 479:The 454:The 439:The 432:and 418:The 410:and 398:and 366:and 326:and 301:Rome 287:and 271:and 259:and 231:and 190:and 178:and 113:The 105:.com 89:Rome 53:1944 46:1944 1548:on 1373:doi 1163:doi 1052:doi 694:alt 690:NLM 677:alt 665:alt 645:alt 612:alt 600:alt 596:NLM 591:alt 579:alt 472:of 342:in 275:in 273:PhD 235:. 119:AIM 101:www 1973:: 1511:. 1492:37 1490:. 1468:50 1466:. 1410:. 1379:. 1371:. 1361:. 1344:^ 1315:. 1290:. 1260:^ 1242:^ 1207:^ 1169:. 1161:. 1151:. 1130:. 1124:. 1096:. 1081:^ 1058:. 1050:. 1040:. 996:^ 966:58 964:. 942:41 940:. 918:35 916:. 897:26 895:. 873:13 871:. 847:. 823:. 797:. 787:MD 394:, 390:, 386:, 382:, 378:, 346:. 338:it 322:, 311:, 227:, 223:, 219:, 215:, 194:. 137:, 72:, 1925:: 1587:e 1580:t 1573:v 1523:. 1513:9 1502:. 1478:. 1444:. 1422:. 1389:. 1375:: 1326:. 1301:. 1179:. 1165:: 1134:. 1109:. 1068:. 1054:: 976:. 952:. 928:. 907:. 883:. 859:. 849:9 835:. 825:5 760:. 692:( 679:) 675:( 663:( 643:( 619:) 610:( 598:( 593:) 589:( 577:( 476:. 117:( 80:) 68:( 55:) 23:.

Index

American Musicological Society

early music
medieval
Renaissance
Baroque
Rome
www.corpusmusicae.com
musicological
early music
Armen Carapetyan
medieval
Renaissance
Baroque
music theory
Corpus mensurabilis musicae
composers
Guillaume de Machaut
Guillaume Du Fay
theorists
Guido of Arezzo
Jean Philippe Rameau
Cambridge, Massachusetts
Musica Disciplina
academic journal
John Caldwell
Frank D'Accone
Ursula Gunther
Charles Hamm
Albert Seay

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑