1421:
1409:
358:
That a list was used for the exclusion of Jewish students from the
Conservatory was challenged by contemporary Jewish witnesses during the symposium where Gribenski first presented the results of his research in 1999. The controversy reappeared in 2011, after the Sorbonne decided to give Chailley's
345:
The eviction of Jewish pupils takes place in two stages. The first stage starts at the beginning of
October 1940. The management of the conservatory (Rabaud? Chailley, of his own initiative?) carries out a meticulous survey among the pupils between 4 and 10 October. His results are recorded in a
378:
Following remarks of the German authorities, astonished at the non-application of anti-Semitic measures to the pupils, he sent an internal note to the 60 teachers present on 4 October in the school, asking them to have their students complete a statement about their racial origins. No nominal
289:
in musical education and choral singing. He thus facilitated the recognition of musicology at the university as an autonomous discipline and enabled many musicians to find a more stable professional situation. He was also
Inspector General of Music at the
1250:
German
Ordinance of 27 September 1940, which stipulates that Jews, defined either by their religious affiliation or by having more than two Jewish grandparents, must declare themselves as such in the sub-prefecture and identify their businesses as
301:
His erudition and eclecticism, but also his distinct character and marked opinions, made him one of the principal figures in the post-war French musical life. Always remained in the post-Debussy French tradition with a modal language close to
383:
It is to this inquiry that Jean
Gribenski's article seems to refer. Alten further writes that Jewish students of the Conservatoire were excluded from participating in the final examinations in 1942, under pressure from the Vichy Government.
350:
Jean
Gribenski further specifies that the list drawn up by Rabaud and Chailley was not communicated to the Germans, and that the exclusion of Jewish students took place only two years later, under duress, while the Conservatoire was led by
163:
It was from this period that his intense musicological production began with works devoted to
Medieval music and musical theory and to the evolution of musical languages, to musical notation, as well as to several composers, including
199:, created in May 1941, during the Second World War, after the invasion of the USSR by the German armies. It was a specific resistance organization for music professionals, created by
1165:, No. 2-3, dated 1997-1998, but published in 1999. These refutations were published before the article by Jean Gribenski, who does not however mention them in his book of 2001.
346:
voluminous file, almost entirely by
Jacques Chailley's hand, which includes, in particular, the individual declarations of the pupils and the carefully established lists of names.
330:
Jacques
Chailley was Secretary-General (1937), then Assistant Director (1941) of the Conservatoire de Paris. His role during the war has been subject of controverse.
1304:
188:. At the same time, he did not neglect the teaching and popularization works (music history, method of piano reading, guide for young pianists, etc.).
1451:
374:
Michèle Alten has since published an article based on an in-depth study of the archives, which sheds light on the events of 1940. She writes:
1441:
643:
253:, Jacques Chailley took over the Institute of Musicology of the University of Paris, which he transformed in 1969-1970 in the UER (
1209:
291:
445:, as well as an important history of multi-volume music and popular works. He also studied musicians of the Middle Ages such as
1446:
1175:
1016:
Bartoli, Jean-Pierre (2012). "Jacques
Chailley (1910-1999), musicologue et théoricien : Introduction à un premier bilan".
333:
Jean Gribenski, who taught at the Sorbonne under the orders of Jacques Chailley, mentions in a chapter of the collective book
105:, with whom he presented his first musicological work in 1935 (DES, "Diplôme d'Études Supérieures"). He also took classes of
379:
synthesis was then performed. Only one booklet, signed by each teacher, attests that the declarations have been fulfilled.
38:
Marcel Chailley (1881–1936). Adolescent, he was a boarder at the Fontgombault Abbey (Indre) where he learned to play the
1300:
La Vie musicale sous Vichy (collectif Institut d'histoire du temps présent-Centre national de la recherche scientifique)
121:
in Amsterdam, while resident in the Descartes House (1935-1936). There, he also studied musicology with Albert Smijers.
1192:
870:
Cours d'histoire de la musique, préparation aux professorats d'enseignement musical et aux instituts de musicologie...
1312:
1284:
976:
906:
1366:
785:
265:>. He directed this UER until 1973. He directed the doctoral theses of many recognized musicologists (including
230:
From 1946 to 1961, he directed the choir "L'Alauda". In 1969, he was also appointed the second president of the
777:
Jacques Chailley's musicological work comprises 53 books and 429 diverse articles. Among his main works are:
196:
1461:
1237:
1399:
149:
148:). In this university, he completed his two theses on music, within the framework of the curriculum of
883:
262:
1354:
361:
322:"avant-gardes" (very much in vogue in the post-war years). He leaves a work of 129 opus numbers.
169:
392:
Jacques Chailley has published many outstanding works, both on Greek and medieval music, on the
1413:
1210:
https://web.archive.org/web/20120311133649/http://www.leducation-musicale.com/conservatoire.pdf
800:
with Henri Challan, foreword by Claude Delvincourt. Paris: Alphonse Leduc. AL20631, 1951, 78 p.
794:
with Henri Challan, foreword by Claude Delvincourt. Paris: Alphonse Leduc. AL20444, 1947, 95 p.
192:
82:
1385:
1391:
1373:
367:
270:
204:
165:
993:
1466:
1456:
1348:
455:
450:
132:
in order to revive it. In the same way, he founded at the Sorbonne under the direction of
8:
806:
with Henri Challan, foreword by Claude Delvincourt. Paris: Alphonse Leduc. AL20551, 1948.
412:
246:
1213:
1086:
418:
352:
224:
66:
1123:
282:
128:
for which he devoted much of his musicological activity, he founded in 1934 the choir
1318:
1308:
1280:
1224:
1078:
972:
902:
887:
460:
250:
216:
114:
90:
34:
Chailley’s mother was the pianist Céliny Chailley-Richez (1884–1973), his father the
441:
He was also the author of several books on harmony and its history, the question of
1337:
1021:
853:
446:
406:
86:
422:
by Wagner. Worth noting is his interest in the exegesis of the Masonic aspects of
1298:
1104:
695:
424:
393:
311:
295:
220:
181:
54:
341:
in 1940, he drew up a list of the Jewish students of the Conservatory of Paris:
94:
1277:
De la musique à la musicologie, étude analytique de l'œuvre de Jacques Chailley
1196:
969:
De la Musique à la musicologie, étude analytique de l'œuvre de Jacques Chailley
857:
627:
307:
266:
185:
177:
173:
145:
125:
110:
98:
78:
74:
1379:
1297:
Gribenski, Jean (2001). "L'exclusion des juifs du conservatoire (1940-1942)".
1261:
866:. Paris: Presses universitaires de France, 1963. 4°, 455 p. 2nd éd. 1984.
102:
42:
and learned about choir directing. At the age of 14, he composed a four-voice
1435:
1425:
1322:
1082:
942:
303:
278:
212:
200:
133:
1360:
286:
1025:
891:
442:
338:
285:...). Between 1973 and 1975, he obtained the creation of the CAPES and the
235:
191:
Jacques Chailley was a member of a resistance movement gathered around the
118:
58:
23:
812:. Paris: Presses Universitaires de France, 1950. 2nd edition: 1969, 336 p.
877:
430:
208:
1042:, édité sous la direction de Myriam Chimènes et Karine Le Bail, Paris:
401:
359:
name to an amphitheater (polemic triggered by an article in the weekly
274:
106:
70:
49:
He received a classical and musical training of high quality, studying
39:
1090:
1040:
Un compositeur aux commandes de la Radio : Essai autobiographique
945:, "Jacques Chailley, musicologue-praticien et infatigable chercheur",
319:
315:
704:
Les Grandes Heures de Reims (1938; narrator, singing and orchester)
435:
947:
Consociatio internationalis musicæ sacræ, Musicæ sacræ ministerium
154:
L'École musicale de Saint-Martial de Limoges jusqu'à la fin du XIe
397:
50:
35:
836:. Paris: Alphonse Leduc, 1951, reissued in 1977 under the title
1043:
1046:/ Bibliothèque nationale de France, 2010, p. 356, note 1.
524:
Double cantabile for violin, viola and organ (or piano) (1935)
1069:
Jean-Pierre Bartoli (1999). "Jacques Chailley (1910-1999) ".
62:
1128:. Editions Complexe – via halshs.archives-ouvertes.fr.
140:. Finally, he was actively involved in the founding of the
453:
of whom he prepared the first published transcript of the
1032:
238:. Jacques Chailley remained in this position until 1974.
971:(in French). Tours: Van de Velde. 1980. pp. 18–23.
534:
Deux sonneries en fanfare dans le style du XIIIe siecle
846:. Paris: Alphonse Leduc, . 4°, 92 p. Reissued in 1977.
1397:
1289:
Jean-Pierre Bartoli, "Jacques Chailley (1910-1999)",
1059:, Anno XXXIV - XXXVI (1997 - 1999), Rome 1999, p. 31.
675:
Demeure le secret (1962, M. Pol-Fouchet; Doublechoir)
564:
Suite sur des airs Scouts, for small orchestra (1929)
492:
numerous pieces for children (for two and four-hands)
949:, Anno XXXIV-XXXVI (1997 - 1999), Rome, p. 146 - 147
1357:'s biography, works and writings on musicologie.org
1068:
872:
Paris: Alphonse Leduc, 1967. 8°. Numerous reissues.
281:, Michel Hugo, Jean-Rémy Julien, Annie Labussière,
1380:Jacques Chailley (1910-1999): Symphonie n°1 (1945)
101:). At the Sorbonne, he studied music history with
782:Petite histoire de la chanson populaire française
211:(all three close to the French Communist Party),
1433:
875:
521:Minuetto scherzando, for violin and piano (1932)
249:in the chair of History of music left vacant by
1303:(in French). Myriam Chimènes (Dir.). Brussels:
707:Jeanne devant Reims (1941; Choir and orchester)
22:(24 March 1910 – 21 January 1999) was a French
710:Le Cimetière marin (1980; Choir and orchester)
994:"Le Groupe de théâtre antique de la Sorbonne"
991:
241:In 1952, following the defense of his PhD on
243:L’école musicale de Saint Martial de Limoges
16:French musicologist and composer (1910–1999)
1330:Jacques Chailley, musicologue et théoricien
582:Mors est Rolanz for wind instruments (1975)
1055:Consociatio internationalis musicæ sacræ,
688:
571:Danses et Conduits - Suite du XIIIe siecle
1296:
1150:
1138:
798:Théorie complète de la musique 2ème Cycle
1176:"[En baisse] Sorbonne 1940-1944"
1121:
882:. Au-delà des notes (in French). Paris:
792:Théorie complète de la musique 1er Cycle
658:Aux Morts pour la patrie (1953, V. Hugo)
232:Consociatio internationalis musicæ sacræ
142:Groupe de Théâtre antique de la Sorbonne
1452:20th-century French non-fiction writers
1015:
701:7 Fantaisies for equal voices and piano
678:Fables de mon jardin (1961, G. Duhamel)
640:L'Arbre de paradis (1933, L. Chancerel)
618:Le Menuisier du Roi (1945, M. Fombeure)
545:Suite Enfantine for wind quintet (1976)
1434:
838:Traité historique d'analyse harmonique
89:'s class of music history and studied
901:. Paris : Alphonse Leduc, 1985.
681:numerous Motets, partially with organ
261:) of music and musicology of the new
245:and his election as professor at the
144:(In particular with Jacques Veil and
1011:
1009:
1007:
963:
961:
959:
957:
955:
938:
936:
934:
932:
930:
928:
926:
924:
922:
834:Traité historique d’analyse musicale
589:
542:Sonata for viola and piano (1939–41)
466:
255:Unité d'enseignement et de recherche
998:Les Cahiers de la Comédie Française
824:. Paris: Éditions du Coudrier, 1951
753:
634:
527:Albenga for violin and piano (1935)
277:, Amnon Shiloah, Mireille Helffer,
13:
804:Abrégé de la Théorie de la Musique
554:, for flute and harpsichord (1996)
298:in Paris from 1962 until c. 1982.
259:Unité de formation et de recherche
215:(himself a Jew, former student of
14:
1478:
1442:20th-century French musicologists
1342:
1122:Chimènes, Myriam (28 July 2001).
1004:
952:
919:
816:Les notations musicales nouvelles
684:zahlreiche Volksliedbearbeitungen
511:Paraphrases liturgiques (1984–87)
1419:
1407:
1260:Played by Carson Coomans on his
786:Presses Universitaires de France
736:Le Jeu de Robin et Marion (1950)
615:numerous solo songs, including:
530:Aria, for viola and piano (1936)
515:
1293:, 85 /1, 1999, p. 173-176.
1270:
1254:
1244:
1201:
1186:
1168:
1156:
1144:
1132:
899:Éléments de philologie musicale
387:
1115:
1097:
1062:
1049:
985:
856:, , 326 p. Reissued in Paris:
818:. Paris: Alphonse Leduc, 1950.
810:Histoire musicale du Moyen Âge
610:Le Chien à la mandoline (1987)
585:Solmisation for strings (1977)
536:, for brass instruments (1936)
483:Suite Le Jardin nuptial (1947)
325:
292:Ministry of National Education
1:
1447:20th-century French composers
1279:, Tours, Van de Velde, 1980.
912:
879:Le voyage d'hiver de Schubert
644:La Tentation de saint Antoine
598:Le pèlerin d'Assise (1932–42)
567:Symphony in G minor (1942–47)
548:Sonata for solo violin (1987)
337:, that in collaboration with
158:Chansons de Gautier du Coinci
1368:À propos de Jacques Chailley
1000:(in French). pp. 48–53.
714:
579:Cantabile for strings (1971)
558:
197:Front National des Musiciens
29:
7:
1351:on Encyclopedia Universalis
1105:"Jean Gribenski — Symétrie"
772:
649:Chant de la fidélité (1946)
630:, also for Orchester; 1934)
626:Cantique du soleil (with 4
480:Le Chant de l'Alauda (1932)
365:and furthered in a note in
10:
1483:
1125:La vie musicale sous Vichy
723:Eloge de la Sagesse (1992)
720:Casa Dei (1991, Y. Hucher)
694:Exercices de style (1965,
335:La vie musicale sous Vichy
150:Medieval French literature
77:who gave him insight into
876:Jacques Chailley (1975).
864:Les Passions de J.S. Bach
749:La Dame la licorne (1953)
743:
739:Thyl de Flandre (1949–54)
727:
646:(1936; Instr. ad libitum)
607:7 Chansons légères (1983)
604:Poèmes sur la mort (1982)
489:Ballade romantique (1989)
477:Suite en si majeur (1923)
263:Paris-Sorbonne University
1388:on Encyclopédie Larousse
1163:Cahiers Boëllmann-Gigout
1057:Musicæ sacræ ministerium
505:L'Annonciation (1984–87)
496:
471:
136:, the theater group the
768:La Belle au bois (1951)
733:Pan et la Syrinx (1946)
689:Singing and instruments
508:Prélude-Dédicace (1985)
314:and firmly opposed the
97:(himself a disciple of
1026:10.3917/musur.121.0003
992:Sylvie Patron (1997).
652:Kyrie des gueux (1946)
381:
348:
193:French Communist Party
83:Conservatoire de Paris
1374:La Lettre du musicien
844:L'Imbroglio des modes
828:Précis de musicologie
655:Missa Solemnis (1947)
539:String quartet (1939)
376:
368:Le Nouvel Observateur
343:
234:, created in 1963 by
166:Johann Sebastian Bach
44:Domine non sum dignus
1291:Revue de musicologie
1071:Revue de Musicologie
850:40000 ans de musique
822:La musique médiévale
601:A ma femme (1949–54)
576:2nd Symphonie (1984)
456:Messe de Nostre Dame
451:Guillaume de Machaut
294:and director of the
1336:, XIX/1-2-3, 2012.
502:Triptyque (1984–87)
486:Sonata breve (1965)
410:by J. S. Bach, the
130:Psalette Notre-Dame
1462:Writers from Paris
830:, PUF, 1958, 1984.
788:, 1942. 16°, 64 p.
552:Suite a l'ancienne
362:Le Canard enchaîné
353:Claude Delvincourt
225:Claude Delvincourt
67:Claude Delvincourt
1305:Éditions Complexe
1232:Missing or empty
1219:on 11 March 2012.
759:Les Perses (1936)
621:Plainte de Rachel
590:Singing and piano
467:Works (selection)
461:Gautier de Coincy
251:Paul-Marie Masson
124:Passionate about
115:Willem Mengelberg
91:music composition
1474:
1424:
1423:
1422:
1412:
1411:
1410:
1403:
1392:Jacques Chailley
1386:Jacques Chailley
1361:Jacques Chailley
1355:Jacques Chailley
1349:Jacques Chailley
1326:
1264:
1258:
1252:
1248:
1242:
1241:
1235:
1230:
1228:
1220:
1218:
1212:. Archived from
1208:. 11 March 2012
1205:
1199:
1190:
1184:
1183:
1172:
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1148:
1142:
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1066:
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1053:
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1036:
1030:
1029:
1013:
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1001:
989:
983:
982:
965:
950:
940:
895:
765:Agamemnon (1947)
762:Antigone (1939),
754:Incidental music
635:Choir a cappella
447:Adam de la Halle
434:by Schubert and
407:The Art of Fugue
205:Roger Désormière
87:Maurice Emmanuel
20:Jacques Chailley
1482:
1481:
1477:
1476:
1475:
1473:
1472:
1471:
1432:
1431:
1430:
1420:
1418:
1414:classical music
1408:
1406:
1398:
1345:
1315:
1307:. p. 420.
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1187:
1182:. 4 April 2011.
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1038:Henry Barraud,
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696:Raymond Queneau
691:
637:
592:
561:
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499:
474:
469:
428:by Mozart, the
425:The Magic Flute
390:
328:
296:Schola Cantorum
283:Danièle Pistone
221:Schola Cantorum
55:Nadia Boulanger
32:
17:
12:
11:
5:
1480:
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1343:External links
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1193:Michelle Alten
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1155:
1153:, p. 148.
1151:Gribenski 2001
1143:
1139:Gribenski 2001
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1114:
1096:
1077:(1): 173–176.
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886:. p. 53.
884:Alphonse Leduc
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267:Barry S. Brook
217:Vincent d'Indy
146:Roland Barthes
126:Medieval music
111:Pierre Monteux
99:Charles Gounod
85:, he followed
79:medieval music
75:Yvonne Rokseth
31:
28:
26:and composer.
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1467:1999 deaths
1457:1910 births
1197:L'Harmattan
858:L'Harmattan
438:by Wagner.
431:Winterreise
326:Controversy
209:Louis Durey
156:as well as
103:André Pirro
1436:Categories
1394:on Diskogs
1382:on YouTube
1363:on Musimen
913:References
663:de angelis
287:Agrégation
275:Simha Arom
107:conducting
71:musicology
1323:407379367
1083:0035-1601
852:. Paris:
784:. Paris:
715:Oratorium
559:Orchestra
320:serialism
316:atonality
81:. At the
30:Biography
1334:Musurgia
1225:cite web
1180:Bibliobs
1018:Musurgia
773:Writings
443:modality
436:Parsifal
413:Carnaval
398:chorales
394:Passions
312:Honegger
247:Sorbonne
182:Schumann
174:Schubert
1400:Portals
1251:Jewish,
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892:1913297
419:Tristan
308:Roussel
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178:Berlioz
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672:(1959)
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396:, the
195:: the
186:Wagner
170:Mozart
1217:(PDF)
1087:JSTOR
497:Organ
472:Piano
402:organ
304:Ravel
109:with
93:with
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65:with
63:fugue
53:with
40:organ
1319:OCLC
1309:ISBN
1281:ISBN
1238:help
1079:ISSN
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903:ISBN
888:OCLC
854:Plon
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