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Franz Schubert

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509: 610: 1864: 1081: 398: 44: 803: 6101: 679:, intending to gain admission as an accompanist, but also so that his music, especially the songs, could be performed in the evening concerts. He was rejected on the basis that he was "no amateur", although he had been employed as a schoolteacher at the time and there were professional musicians already among the society's membership. However, he began to gain more notice in the press, and the first public performance of a secular work, an overture performed in February 1818, received praise from the press in Vienna and abroad. 902: 113: 2082: 1515: 646: 1283: 489:, was written a year later. Schubert was occasionally permitted to lead the Stadtkonvikt's orchestra, the first orchestra he wrote for. He devoted much of the rest of his time at the Stadtkonvikt to composing chamber music, several songs, piano pieces and, more ambitiously, liturgical choral works in the form of a "Salve Regina" (D 27), a "Kyrie" (D 31), in addition to the unfinished "Octet for Winds" (D 72, said to commemorate the 1812 death of his mother), the 1460:. Krenek pointed to the piano sonatas as giving "ample evidence that was much more than an easy-going tune-smith who did not know, and did not care, about the craft of composition." Each sonata then in print, according to Krenek, exhibited "a great wealth of technical finesse" and revealed Schubert as "far from satisfied with pouring his charming ideas into conventional moulds; on the contrary he was a thinking artist with a keen appetite for experimentation." 12560: 10112: 9038: 6696: 1270: 10122: 9048: 12592: 12702: 5127: 1651: 634:, a prominent baritone twenty years Schubert's senior. Vogl, for whom Schubert went on to write a great many songs, became one of Schubert's main proponents in Viennese musical circles. Schubert also met Joseph HĂŒttenbrenner (brother of Anselm), who also played a role in promoting his music. These, and an increasing circle of friends and musicians, became responsible for promoting, collecting, and, after his death, preserving his work. 12685: 2069:, who said: " is the composer for whom I am really most sorry that he died so young. ... Just before he died, when he wrote his beautiful two-cello String Quintet in C, he said very modestly that he was trying to learn a little more about counterpoint, and he was perfectly right. We'll never know in what direction he was going or would have gone." However, others have expressed disagreement with this early view. For instance, 1767: 6706: 2221: 1294: 879:, had a sizeable influence on the affairs of the society, and as a result of that and of Schubert's growing reputation, his works were included in three major concerts of the Gesellschaft in 1821. In April, one of his male-voice quartets was performed, and in November, his Overture in E minor (D. 648) received its first public performance; at a different concert on the same day as the premiere of the Overture, his song 12668: 12640: 1786:), but the manuscripts of many of the longer works, whose existence was not widely known, remained hidden in cabinets and file boxes of Schubert's family, friends, and publishers. Even some of Schubert's friends were unaware of the full scope of what he wrote, and for many years he was primarily recognized as the "prince of song", although there was recognition of some of his larger-scale efforts. In 1838 530:. In 1814, he entered his father's school as the teacher of the youngest pupils. For over two years, young Schubert endured severe drudgery. However, he found compensatory interests during this time. For example, Schubert continued to take private lessons in composition from Salieri, who provided him with more technical training than any of his other teachers, until they parted ways in 1817. 12616: 12628: 12604: 1330:. Although there are accounts by his friends that indirectly imply that he had contracted syphilis earlier, the symptoms of his final illness do not correspond with tertiary syphilis. Six weeks before his death, he walked 42 miles in three days, ruling out musculoskeletal syphilis. In the month of his death, he composed his last work, " 1246:
performance in 1828. The orchestra of the Gesellschaft reportedly read through the symphony at a rehearsal, but never scheduled a public performance of it. The reasons continue to be unknown, although the difficulty of the symphony is a possible explanation. In the last weeks of his life, he began to sketch three movements for a new
454:, then Vienna's leading musical authority, in 1804, when his vocal talent was recognized. In November 1808, he became a pupil at the Stadtkonvikt (Imperial Seminary) through a choir scholarship. At the Stadtkonvikt, he was introduced to the overtures and symphonies of Mozart, the symphonies of Joseph Haydn and his younger brother 285:, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of 1575: 724:, was put on trial, imprisoned for over a year, and then permanently forbidden to enter Vienna. The other four, including Schubert, were "severely reprimanded", in part for "inveighing against with insulting and opprobrious language". While Schubert never saw Senn again, he did set some of his poems, 1455:
discussed Schubert's style, abashedly admitting that he had at first "shared the wide-spread opinion that Schubert was a lucky inventor of pleasing tunes ... lacking the dramatic power and searching intelligence which distinguished such 'real' masters as J. S. Bach or Beethoven". Krenek wrote that he
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D 537, 568, 575, 664, 784, 845, 850, 894, 958, 959, 960 incontrovertibly complete; D 157, 279, 459, 557, 566 as further sonatas whose completeness has been debated; D 571, 613, 625, 655, 769A, 840 as further unfinished sonatas; and many other possible sonata fragments and isolated movements possibly
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said that: "Schubert lived a very short life, but it was a very concentrated life. In 31 years, he lived more than other people would live in 100 years, and it is needless to speculate what could he have written had he lived another 50 years. It's irrelevant, just like with Mozart: these are the two
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Despite his operatic failures, Schubert's reputation was growing steadily on other fronts. In 1821, the Gesellschaft der Musikfreunde finally accepted him as a performing member, and the number of performances of his music grew remarkably. These performances helped Schubert's reputation grow rapidly
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wrote in 1894 that Schubert, whom he considered one of the truly great composers, was clearly influential on shorter works, especially Lieder and shorter piano works: "The tendency of the romantic school has been toward short forms, and although Weber helped to show the way, to Schubert belongs the
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In the midst of this creative activity, his health deteriorated. By the late 1820s, Schubert's health was failing and he confided to some friends that he feared that he was near death. In the late summer of 1828, he saw the physician Ernst Rinna, who may have confirmed Schubert's suspicions that he
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The works of his last two years reveal a composer entering a new professional and compositional stage. Although parts of Schubert's personality were influenced by his friends, he nurtured an intensely personal dimension in solitude; it was out of this dimension that he wrote his greatest music. The
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unlikely. And meningovascular syphilis is unlikely because it presents a progressive stroke-like picture, and Schubert had no neurological manifestation until his final delirium, which started only two days before his death. Lastly, his final illness was characterized by gastrointestinal symptoms
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has said that he was "chasing women". The theory of Schubert's sexuality or "Schubert as Other" has continued to influence current scholarship. Biographer Lorraine Byrne Bodley is sceptical "...of Solomon’s "outing" of Schubert, saying this misunderstands the passionate "homosocial" friendships of
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Throughout 1815, Schubert lived at home with his father. He continued to teach at the school and give private musical instruction, earning enough money for his basic needs, including clothing, manuscript paper, pens, and ink, but with little to no money left over for luxuries. Spaun was well aware
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lessons when he was eight years old, training him to the point where he could play easy duets proficiently. Soon after, Schubert was given his first lessons outside the family by Michael Holzer, organist and choirmaster of the local parish church in Lichtental. Holzer would often assure Schubert's
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At the age of five, Schubert began to receive regular lessons from his father, and a year later he was enrolled at his father's school. Although it is not known exactly when he received his first musical instruction, he was given piano lessons by his brother Ignaz, but they lasted for a very short
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A feeling of regret for the loss of potential masterpieces caused by Schubert's early death at age 31 was expressed in the epitaph on his large tombstone written by Grillparzer: "Here music has buried a treasure, but even fairer hopes." Some prominent musicians share a similar view, including the
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or indeed typhoid fever. Rold also pointed out that when Schubert was in his final illness, his close friend Schober avoided visiting him "out of fear of contagion". Yet Schober had known of his earlier possible syphilis and had never avoided Schubert in the past. Eva M. Cybulska goes further and
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symphony is dated 1828, but Schubert scholars believe that this symphony was largely written in 1825–1826 (being referred to while he was on holiday at Gastein in 1825—that work, once considered lost, is now generally seen as an early stage of his C major symphony) and was revised for prospective
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works for violin and orchestra. Schubert wrote a large body of music for solo piano, including eleven incontrovertibly completed sonatas and at least eleven more in varying states of completion, numerous miscellaneous works and many short dances, in addition to producing a large set of works for
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on 21 August. Hitherto, his larger compositions (apart from his masses) had been restricted to the amateur orchestra at the Gundelhof (BrandstÀtte 5, Vienna), a society which grew out of the quartet-parties at his home. Now he began to assume a more prominent position, addressing a wider public.
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at Laibach, and he had also decided not to resume teaching duties at his father's school. By the end of the year, he became a guest in Schober's lodgings. For a time, he attempted to increase the household resources by giving music lessons, but they were soon abandoned, and he devoted himself to
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The production of the two operas turned Schubert's attention more firmly than ever in the direction of the stage, where, for a variety of reasons, he was almost completely unsuccessful. All in all, he embarked on twenty stage projects, each of them failures that were quickly forgotten. In 1822,
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Schubert, who was only a little more than five feet tall, was nicknamed "Schwammerl" by his friends, which Gibbs describes as translating to "Tubby" or "Little Mushroom". "Schwamm" is "mushroom" in the Austrian and Bavarian dialects of German; the ending "-erl" makes it a diminutive. Gibbs also
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but little came of it in either case; however, Beethoven is said to have acknowledged the younger man's gifts on a few occasions. On his deathbed, Beethoven is said to have looked into some of the younger man's works and exclaimed: "Truly, the spark of divine genius resides in this Schubert!"
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I was amazed when Franz told me, a few months after we began, that he had no need of any further instruction from me, and that for the future he would make his own way. And in truth his progress in a short period was so great that I was forced to acknowledge in him a master who had completely
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was then a common treatment for syphilis, again suggesting that Schubert suffered from it). At the beginning of November, he again fell ill, experiencing headaches, fever, swollen joints, and vomiting. He was generally unable to retain solid food and his condition worsened. Five days before
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composition. "I compose every morning, and when one piece is done, I begin another." During this year, he focused on orchestral and choral works, although he also continued to write Lieder. Much of this work was unpublished, but manuscripts and copies circulated among friends and admirers.
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was present at both exhumations, and he reached into both coffins and held the revered skulls in his hands. The cemetery in WĂ€hring was converted into a park in 1925, called the Schubert Park, and his former grave site was marked by a bust. His epitaph, written by his friend, the poet
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suburb; one of the first things he did after he settled into the new home was to invite Schubert to spend a few days with him. This was probably Schubert's first visit away from home or school. Schubert's unhappiness during his years as a schoolteacher possibly showed early signs of
427:. According to Holzer, however, he did not give him any real instruction as Schubert would already know anything that he tried to teach him; rather, he looked upon Schubert with "astonishment and silence". The boy seemed to gain more from an acquaintance with a friendly apprentice 788:
hesitantly agreeing to print some of his works on commission. The first seven opus numbers, all songs, appeared on these terms; then the commission ceased, and he began to receive parsimonious royalties. The situation improved somewhat in March 1821 when Vogl performed the song
1681:" (D. 328) are particularly striking for their dramatic content, forward-looking uses of harmony, and use of eloquent pictorial keyboard figurations, such as the depiction of the spinning wheel and treadle in the piano in "Gretchen" and the furious and ceaseless gallop in " 2241:
transcribed and arranged several of Schubert's works, particularly the songs. Liszt, who was a significant force in spreading Schubert's work after his death, said Schubert was "the most poetic musician who ever lived." Schubert's symphonies were of particular interest to
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as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to
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of Beethoven, Haydn and Mozart, his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his
1533: 1443:. He also wrote over fifty chamber works, including some fragmentary works. Schubert's sacred output includes seven masses, one oratorio and one requiem, among other mass movements and numerous smaller compositions. He completed only eleven of his twenty stage works. 545:(D. 105) in September 1814. Schubert wanted to marry her, but was hindered by the harsh marriage-consent law of 1815 requiring an aspiring bridegroom to show he had the means to support a family. In November 1816, after failing to gain a musical post in Laibach (now 362:, on 31 January 1797, and baptized in the Catholic Church the following day. He was the twelfth child of Franz Theodor Florian Schubert (1763–1830) and Maria Elisabeth Katharina Vietz (1756–1812). Schubert's immediate ancestors came originally from the province of 893:
Beethoven also reportedly predicted that Schubert "would make a great sensation in the world," and regretted that he had not been more familiar with him earlier; he wished to see his operas and works for piano, but his severe illness prevented him from doing so.
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Significant changes occurred in Schubert's life in 1816 when Schober, a student from an affluent family, invited him to lodge at his mother's house. The proposal was particularly opportune, for Schubert had just made the unsuccessful application for the post of
1254:'s use of folksong-like harmonics and bare soundscapes. Schubert expressed the wish, were he to survive his final illness, to further develop his knowledge of harmony and counterpoint, and had actually made appointments for lessons with the counterpoint master 712:'s large apartment in the Gundelhof (BrandstÀtte 5, Vienna). The tight circle of friends with which Schubert surrounded himself was dealt a blow in early 1820. Schubert and four of his friends were arrested by the Austrian police who, in the aftermath of the 2258:
Symphony. Robert Schumann, after seeing the manuscript of the symphony in Vienna in 1838, brought it to the attention of Mendelssohn. Mendelssohn then conducted the first performance of the symphony, albeit in a heavily abridged version, in Leipzig in 1839.
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Symphony (D. 759). The reason he left it unfinished – after writing two movements and sketches some way into a third – continues to be discussed and written about, and it is also remarkable that he did not mention it to any of his friends, even though, as
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father, with tears in his eyes, that he had never had such a pupil as Schubert, and the lessons may have largely consisted of conversations and expressions of admiration. Holzer gave the young Schubert instruction in piano and organ as well as in
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that Schubert was discontented with his life at the schoolhouse, and was concerned for Schubert's development intellectually and musically. In May 1816, Spaun moved from his apartment in Landskrongasse (in the inner city) to a new home in the
474:, Schubert's friend. Schubert's friendship with Spaun began at the Stadtkonvikt and lasted throughout his short life. In those early days, the financially well-off Spaun furnished the impoverished Schubert with much of his manuscript paper. 462:, a composer for whom he developed admiration. His exposure to these and other works, combined with occasional visits to the opera, laid the foundation for a broader musical education. One important musical influence came from the songs by 2318:
In 1928, Schubert Week was held in Europe and the United States to mark the centenary of the composer's death. Works by Schubert were performed in churches, in concert halls, and on radio stations. A competition, with top prize money of
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The setbacks of previous years were compensated by the prosperity and happiness of 1825. Publication had been moving more rapidly, the stress of poverty was for a time lightened, and in the summer he had a pleasant holiday in
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chief credit of originating the short models of piano forte pieces which the romantic school has preferably cultivated.... Schubert created a new epoch with the Lied.... All other songwriters have followed in his footsteps."
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On 26 March 1828, the anniversary of Beethoven's death, Schubert gave, for the only time in his career, a public concert of his own works. The concert was a success popularly and financially, although it was overshadowed by
3697: 1847:(D. 326), and several other unnamed works. With these discoveries, Grove and Sullivan were able to inform the public of the existence of these works; in addition, they were able to copy the fourth and sixth symphonies, the 1325:
Schubert died in Vienna, aged 31, on 19 November 1828, at the apartment of his brother Ferdinand. The cause of his death was officially diagnosed as typhoid fever, though other theories have been proposed, including the
1566: 1531: 1364:— were absent. She argues that the syphilis diagnosis originated with Schubert's biographer Otto Deutsch in 1907, based on the aforementioned indirect references by his friends, and uncritically repeated ever since. 2099:
was taking place. The Schubertbund quickly became a rallying point for schoolteachers and other members of the Viennese middle class who felt increasingly embattled during the GrĂŒnderzeit and the aftermath of the
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championed or paid homage to Schubert in some of their works. Britten, an accomplished pianist, accompanied many of Schubert's Lieder and performed many piano solo and duet works. German electronic music group
1946: 1552: 1532: 1057:" ("Hymn to the Virgin") (D. 839, Op. 52, No. 6); the lyrics of Adam Storck's German translation of the Scott poem are now frequently replaced by the full text of the traditional Roman Catholic prayer 1065:
in Latin), but for which the Schubert melody is not an original setting. The original only opens with the greeting "Ave Maria", which also recurs only in the refrain. In 1825, Schubert also wrote the
297:. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with 2189:
You have to love the guy, who died at 31, ill, impoverished and neglected except by a circle of friends who were in awe of his genius. For his hundreds of songs alone – including the haunting cycle
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published, mainly songs, chamber music and smaller piano compositions. Publication of smaller pieces continued (including opus numbers up to 173 in the 1860s, 50 instalments with songs published by
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Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death.
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In 1897, the 100th anniversary of Schubert's birth was marked in the musical world by festivals and performances dedicated to his music. In Vienna, there were ten days of concerts, and Emperor
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remarks that "in his more than six hundred Lieder he explored and expanded the potentialities of the genre, as no composer before him." Prior to Schubert's influence, Lieder tended toward a
8261: 7805: 1553: 793:" (D. 328) at a concert that was extremely well received. That month, Schubert composed a Variation on a Waltz by Diabelli (D 718), being one of the fifty composers who contributed to the 736:
claims he may have occasionally drunk to excess, noting that references to Schubert's heavy drinking "... come not only in later accounts, but also in documents dating from his lifetime."
1434:, choruses and cantatas. He completed eight orchestral overtures and seven complete symphonies, in addition to fragments of six others. While he composed no concertos, he did write three 1426:
Schubert was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throughout his life. The largest number of his compositions are
7801: 7491: 3962:, p. 313: "That Schubert in no way considered the songs as a cycle is confirmed by his letter to Probst of 2 October mentioning that he had recently written 'several songs by Heine'." 2195:, which will never release its tenacious hold on singers and audiences – Schubert is central to our concert life... Schubert's first few symphonies may be works in progress. But the 1727:, which helped to establish the genre and its potential for musical, poetic, and almost operatic dramatic narrative. His last collection of songs, published in 1828 after his death, 7832: 556:
One of Schubert's most prolific years was 1815. He composed over 20,000 bars of music, more than half of which were for orchestra, including nine church works (although he was an
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and had been a housemaid for a Viennese family before marriage. Of Franz Theodor and Elisabeth's fourteen children (one of them illegitimate, born in 1783), nine died in infancy.
6303: 4452: 1339:(namely vomiting). These issues all led Robert L. Rold to argue that (although he believed Schubert had syphilis), the fatal final illness was a gastrointestinal one such as 8210: 6075: 6253: 2659: 2029: 1963: 8103: 6243: 917:, (D. 678) in 1822, and later that year embarked suddenly on a work which, more decisively than almost any other in those years, showed his maturing personal vision, the 6263: 2073:
said: "It is pointless to guess at what more might have achieved. He did enough; and let them be honoured who have striven and accomplished as he did", and the pianist
1524: 6248: 1153:" (D. 891) were allegedly written on the same day, the former at a tavern where he broke his afternoon's walk, the latter on his return to his lodging in the evening. 1007: 8200: 2412:. "Great Performances," "Now Hear This: The Schubert Generation Series," hosted by Scott Yoo, explored commentary and performances by contemporary musician admirers. 12246: 7711: 2956:, p. 166: "The unctuous style we hear every Christmas is found in church music by Schubert and the Chevalier Neukomm, both known in private letters to be agnostic." 8238: 675:, not far from Lichtental. Schubert rejoined his father and reluctantly took up teaching duties there. In early 1818, he applied for membership in the prestigious 5142: 7530: 6709: 1119: 482: 386:) had numerous students in attendance. He came to Vienna from Zukmantel in 1784 and was appointed schoolmaster two years later. His mother was the daughter of a 3131:. Paris-Tours: Minerve, pp. 465–495; Steblin, Rita (2008), "Schubert's Pepi: His Love Affair with the Chambermaid Josepha Pöcklhofer and Her Surprising Fate". 7792: 6293: 8406: 2327:, was held for "original symphonic works presented as an apotheosis of the lyrical genius of Schubert, and dedicated to his memory". The winning entry was 913:
Despite his preoccupation with the stage and subsequent official duties, Schubert wrote a significant amount of music during these years. He completed the
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and other 19th-century composers discovered and championed his works. Today, Schubert is considered one of the greatest composers in the history of
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says that Schubert's syphilis is a conjecture. His multi-system signs and symptoms, she says, could point at a number of different illness such as
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death of Beethoven affected Schubert deeply, and may have motivated Schubert to reach new artistic peaks. In 1827, Schubert wrote the song cycle
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During the early 1820s, Schubert was part of a close-knit circle of artists and students who had social gatherings together that became known as
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That "appetite for experimentation" manifests itself repeatedly in Schubert's output in a wide variety of forms and genres, including opera,
1469: 4201: 12802: 12772: 3263:"'Erinnerungen aus dessen Leben und Wirken : Nach eigenhĂ€ndigen Aufzeichnungen und mĂŒndlichen Mittheilungen' - Digitalisat | MDZ" 4506: 5151: 2056:. He appreciated the potential these early nineteenth-century instruments possessed for both intimate and extrovert, virtuosic playing. 744:
Schubert's compositions of 1819 and 1820 show a marked advance in development and maturity of style. He began the ultimately unfinished
720:, were on their guard against revolutionary activities and suspicious of any gathering of youth or students. One of Schubert's friends, 10909: 8297: 8016: 7525: 1938:(1883–1967) is known for compiling the first comprehensive catalogue of Schubert's works. This was first published in English in 1951 ( 1128: 1066: 596:
suggested that Schubert was erotically attracted to men, a thesis that has been heatedly debated. The musicologist and Schubert expert
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assigned, and even in those cases, the sequence of the numbers does not give a good indication of the order of composition. Austrian
3127:; Steblin, Rita (2001): "Schubert's Problematic Relationship with Johann Mayrhofer: New Documentary Evidence". Barbara Haggh (ed.): 12757: 12742: 9155: 8399: 8157: 7136: 6435: 6209: 4460: 1918: 1456:
reached a completely different assessment after a close study of Schubert's pieces at the urging of his friend and fellow composer
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Schubert was buried, at his own request, near the grave of Beethoven, whom he had admired all his life, in the village cemetery of
6106: 8076: 8068: 7535: 6139: 553:), Schubert sent Ms. Grob's brother Heinrich a collection of songs, which was retained by the family into the twentieth century. 11080: 12832: 12797: 8556: 8367: 7751: 7441: 7126: 6226: 1922: 1421: 142: 99: 6803: 6131: 950:(D. 911, also setting texts of MĂŒller in 1827) is widely considered one of the pinnacles of Lieder. He also composed the song 752: 12505: 10158: 10019: 5979: 5945: 5926: 5890: 5863: 5786: 5767: 5746: 5720: 5699: 5678: 5652: 5631: 5598: 5576: 5553: 5530: 5507: 5484: 5461: 5439: 5420: 5396: 5370: 5339: 5318: 5299: 5034: 5005: 4975: 4956: 4821: 3124: 3106: 732:(D 744), to music. The incident may have played a role in a falling-out with Mayrhofer, with whom he was living at the time. 6178: 12787: 12767: 12176: 10194: 7778: 7475: 983:
and piano (D. 821) at the time when there was a minor craze over that instrument. In the spring of that year, he wrote the
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made in October 1867. The travellers unearthed the manuscripts of six of the symphonies, parts of the incidental music to
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In the meantime, Schubert's talent began to show in his compositions; Salieri decided to start training him privately in
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Steblin, Rita (1998). "In Defense of Scholarship and Archival Research: Why Schubert's Brothers Were Allowed to Marry".
2893: 1504:(D. 667) for piano, violin, viola, cello, and double bass, whereas conventional piano quintets are scored for piano and 12837: 12807: 12018: 8280: 7520: 6121: 2549: 508: 871:
among the members of the Gesellschaft and established his name. Some of the members of the Gesellschaft, most notably
12847: 12777: 10387: 10229: 10095: 9041: 8549: 7286: 6011: 5248: 4255: 3328: 3290: 1319: 10983: 4878: 1969: 1959: 690:, Slovakia). The pay was relatively good, and his duties teaching piano and singing to the two daughters, Marie and 7695: 7686: 7677: 7663: 7654: 2515: 2498: 2148: 2140: 2139:
ranked third. Furthermore, eight more of his chamber works were among the 100 ranked pieces: both piano trios, the
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An important step towards the recovery of the neglected works was the journey to Vienna which the music historian
1733:, is also an innovative contribution to German Lieder literature, as it features poems by different poets, namely 863: 609: 12520: 10684: 8581: 8148: 7649: 7644: 7631: 7626: 7621: 7616: 7611: 7606: 7601: 7468: 6764: 6596: 6591: 6278: 6027: 4898: 2472: 1704: 1622: 756: 11039: 10689: 10463: 1010:
for piano duet (D. 940). This dedication, however, can only be found in the first edition and not in Schubert's
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At the end of 1813, Schubert left the Stadtkonvikt and returned home for teacher training at the St Anna Normal-
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The following sources illustrate the confusion around the numbering of Schubert's late symphonies. The B minor
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Gramit, David (1997). "Music, cultivation, and identity in Schubert's circle". In Gibbs, Christopher H. (ed.).
5103: 2160: 234: 12043: 9574: 7000: 6809: 2664: 1113:, was written during the winter of 1825–1826, and first played on 25 January 1826. Later in the year came the 12544: 12528: 12445: 11963: 11075: 11029: 8415: 8165: 7163: 6748: 6492: 6288: 5568: 5545: 5522: 5476: 5362: 5291: 2381: 2341: 2104:. In 1872, the dedication of the Schubert Denkmal, a gift to the city from Vienna's leading male chorus, the 1477: 1376: 676: 302: 9998: 8884: 2105: 1804: 1430:(roughly 630). Schubert also composed a considerable number of secular works for two or more voices, namely 1318:
and his string quartet visited to play for him. The last musical work he had wished to hear was Beethoven's
765:
in C major for piano (D. 760), and additional smaller works. In 1820, two of Schubert's operas were staged:
12812: 12068: 11438: 10219: 9854: 9148: 8709: 8337: 7716: 7558: 7279: 6911: 6202: 6172: 4099: 3067: 2520: 2289: 2164: 12822: 10515: 9244: 6046: 2041: 1927:
Since relatively few of Schubert's works were published in his lifetime, only a small number of them have
930:
notes, he must have felt thrilled by what he was achieving. In 1823, Schubert wrote his first large-scale
12762: 12316: 12131: 11973: 10285: 10234: 10057: 8794: 7578: 7573: 7407: 7084: 6430: 6135: 4135: 3280: 2510: 2464: 2363:(1941)—whose plot is based on a fictional episode of him fleeing Vienna to Hungary to avoid conscription— 1940: 1914: 1172: 1168: 1109: 1049: 12251: 10580: 2305:
gave a speech recognising Schubert as the creator of the art song, and one of Austria's favourite sons.
1863: 541:(including a "Salve Regina" and a "Tantum Ergo") for her; she was also a soloist in the premiere of his 12582: 11953: 11182: 10694: 10102: 9344: 9299: 9173: 8839: 7427: 7402: 6516: 6096: 4867: 2447: 2359: 2021: 1353: 1247: 1204: 230: 12261: 10927: 10704: 6917: 6158: 5613:
Franz Schubert – Piano Sonata no. 15 in C major (Unfinished); Allegretto in C minor – Ray Lev, Pianist
3099:
Babette und Therese Kunz: neue Forschungen zum Freundeskreis um Franz Schubert und Leopold Kupelwieser
1322:; Holz commented: "The King of Harmony has sent the King of Song a friendly bidding to the crossing". 1163:(D. 911), the Fantasy in C major for violin and piano (D. 934, first published as op. post. 159), the 12500: 11900: 11851: 10151: 9921: 9239: 8719: 8669: 8442: 7737: 7417: 7412: 7397: 7376: 7366: 7355: 7345: 7340: 7329: 7324: 7246: 7039: 6440: 6282: 5203: 2537: 2302: 2132: 2120: 2085: 2011: 2001: 1994: 1890: 1876: 1843: 1791: 1626: 1604: 1487: 1380: 1196: 1096: 1070: 1039:
where he was welcomed with enthusiasm. It was during this tour that he produced the seven-song cycle
918: 497: 222: 206: 198: 24: 12181: 11338: 11060: 8774: 8724: 8434: 5471:
Gibbs, Christopher H. (1997). "Introduction: the elusive Schubert". In Gibbs, Christopher H. (ed.).
1837: 772: 751:(D. 689) in February 1820. This was later followed by the hymn "Der 23. Psalm" (D. 706), the octet " 12708: 12399: 12221: 12111: 12101: 12038: 11804: 11489: 10550: 10280: 9829: 9654: 8869: 8572: 7770: 7583: 7302: 7156: 7044: 7020: 6959: 6741: 6586: 6581: 6524: 6257: 6168: 2481: 2364: 2049: 1751:
at the time, commented that it was a work that "none can sing or hear without being deeply moved".
1717: 936: 876: 401: 258: 134: 129: 11978: 11268: 4790: 3262: 1886: 12727: 12171: 12028: 11933: 11789: 11218: 10834: 10224: 10115: 9724: 9141: 9109: 9028: 8739: 8610: 7563: 7111: 6699: 6500: 6195: 6066: 4648: 3352: 3148: 3062: 2891:
Benedikt, Erich. "Notizen zu Schuberts Messen. Mit neuem UrauffĂŒhrungsdatum der Messe in F-Dur",
2493: 2347: 1331: 290: 11044: 10744: 9434: 7100: 6611: 5997: 3094: 2477: 561: 12620: 12510: 12465: 12460: 12156: 12048: 11948: 11459: 11233: 11172: 10789: 10560: 10125: 10067: 10042: 9874: 9449: 9194: 9051: 9021: 8978: 6641: 6626: 6532: 4622: 2108:, took place; the chorus performed at the event. The Denkmal was designed by Austrian sculptor 1080: 1011: 872: 709: 463: 43: 11835: 11708: 11494: 11418: 11303: 10729: 9905: 9744: 9619: 9609: 9374: 8450: 6891: 5710: 5052: 2243: 1754: 1678: 790: 767: 179: 12515: 12480: 12470: 12404: 12231: 12206: 12166: 12116: 12013: 11866: 11713: 11525: 11382: 11323: 11157: 11152: 11106: 11034: 10973: 10859: 10618: 10265: 10214: 10191: 9664: 9544: 9499: 9479: 9394: 9093: 8941: 8874: 8744: 8674: 8595: 8490: 7235: 7224: 7219: 7208: 7203: 7198: 6938: 6884: 6835: 6616: 6548: 6540: 6479: 5207: 2369: 2225: 1898: 1880: 1824: 1743: 1674: 1315: 1200: 1188: 1164: 1084: 1015: 914: 807: 542: 226: 183: 11070: 10545: 10530: 9439: 6898: 6471: 4456: 4430:, pp. 250–251, describing the size and scope of the 1897 Schubert centennial commemorations. 2375: 1643:, syllabic treatment of text, evoking the folksong qualities engendered by the stirrings of 1003: 691: 12737: 12732: 12563: 12136: 11698: 11585: 11510: 11223: 11187: 10889: 10869: 10623: 10310: 10250: 10144: 10079: 10025: 9864: 9319: 9229: 9114: 8988: 8600: 8466: 6987: 6952: 6945: 6508: 6445: 5563:
Griffel, L. Michael (1997). "Schubert's orchestral music". In Gibbs, Christopher H. (ed.).
2430: 2425: 2353: 1738: 1644: 1435: 1230: 1054: 844: 839:
for the court theatres, largely lost interest in new German opera due to the popularity of
817: 802: 359: 294: 187: 12236: 12053: 11288: 11065: 10922: 10643: 10608: 9824: 4202:
Tom Service, "Sex, death and dissonance: the strange, obsessive world of Anton Bruckner",
1700: 635: 133:; 31 January 1797 – 19 November 1828) was an Austrian composer of the late 20: 8: 12674: 12495: 12354: 12058: 11943: 11784: 11167: 11162: 10998: 10739: 10674: 10290: 10074: 9992: 9694: 9529: 8998: 8900: 8749: 8714: 8664: 8647: 8632: 7568: 6966: 6681: 5730: 5138: 3706: 2442: 2136: 2092: 1136: 1018:
penned the following verse, which appears to reference Schubert's unrequited sentiments:
952: 780: 672: 664: 660: 639: 631: 351: 278: 12146: 11662: 11479: 11019: 10957: 10804: 10633: 9669: 9469: 9459: 9304: 8804: 8789: 8754: 7013: 6980: 4995: 3161:
Hewett, Ivan. "Forget the angelic Schubert myth – this biography tells the real story",
2040:
Among pianos Schubert had access to were a Benignus Seidner piano (now displayed at the
1263: 1091:
From 1826 to 1828, Schubert resided continuously in Vienna, except for a brief visit to
694:, were relatively light, allowing him to compose happily. Schubert may have written his 682:
Schubert spent the summer of 1818 as a music teacher to the family of Count Johann Karl
12551: 12271: 12033: 12023: 11908: 11799: 11693: 11535: 11484: 11397: 11293: 11263: 11253: 11101: 10899: 10588: 10480: 10421: 10199: 9987: 9834: 9769: 9674: 9604: 9589: 9569: 9424: 9274: 8799: 8779: 8528: 8482: 6661: 6571: 5735: 5689: 5667: 5380: 5329: 4944: 4157: 4140: 3394: 3085: 3049: 3034: 2311: 2174: 1935: 1002:(D. 804). It has been said that he held a hopeless passion for his pupil, the Countess 827: 440: 397: 243: 11433: 11313: 10510: 9779: 6100: 5286:(1997). "Contexts: musical, political, and cultural". In Gibbs, Christopher H. (ed.). 1408:("The art of music has here interred a precious treasure, but yet far fairer hopes"). 470:. The precocious young student "wanted to modernize" Zumsteeg's songs, as reported by 12485: 12455: 12419: 12364: 12286: 12216: 12141: 12078: 11983: 11968: 11938: 11779: 11754: 11728: 11667: 11657: 11555: 11550: 11545: 11540: 11208: 11177: 11121: 11116: 10932: 10917: 10839: 10724: 10669: 10593: 10505: 10458: 10361: 10351: 10315: 10181: 10121: 10004: 9884: 9869: 9809: 9789: 9749: 9734: 9714: 9649: 9639: 9634: 9629: 9614: 9599: 9594: 9369: 9364: 9269: 9047: 9003: 8759: 8729: 8694: 8474: 8458: 8320: 7542: 7078: 6973: 6656: 6182: 6041: 6007: 5975: 5951: 5941: 5922: 5886: 5859: 5833: 5782: 5763: 5742: 5716: 5695: 5674: 5648: 5627: 5594: 5572: 5549: 5526: 5503: 5480: 5457: 5435: 5416: 5410: 5392: 5366: 5345: 5335: 5314: 5295: 5262: 5253: 5238: 5225: 5191: 5113: 5087: 5068: 5040: 5030: 5011: 5001: 4971: 4952: 4817: 4644: 4533:, 'The Piano in Schubertâ€Čs Lied Texts.' In: Matthew Gardner/Christine Martin (eds.), 4161: 4116: 3826: 3386: 3334: 3324: 3296: 3286: 3133: 3120: 3111: 3102: 3090: 3029: 2532: 2528: 2393: 2182: 2152: 2113: 1989:
The order usually followed for these late symphonies by English-language sources is:
1799: 1495: 1401: 1392: 1384: 1310: 1306: 1184: 976: 861:, D 787) was prohibited by the censor, apparently because of its title, and the play 822: 713: 614: 582: 565: 481:
and composition. According to Ferdinand, the boy's first composition for piano was a
318: 12691: 11825: 11820: 11703: 10540: 10490: 9339: 8957: 6863: 6636: 3320:
Schuberts literarische Heimat: Dichtung und Literatur-Rezeption der Schubert-Freunde
1712: 941: 12608: 12091: 11988: 11913: 11830: 11794: 11672: 11647: 11642: 11343: 11333: 11328: 11318: 11308: 11283: 11213: 11136: 11111: 10679: 10628: 10525: 10366: 10356: 10339: 10300: 10295: 10270: 10009: 9961: 9849: 9804: 9799: 9739: 9554: 9509: 9354: 9324: 9294: 9234: 8834: 8769: 8684: 8627: 8119: 7732: 6671: 6631: 6621: 6566: 5586: 5496: 4530: 4149: 4108: 4003: 2324: 2271: 2156: 1979:, was assigned the numbers 7, 8, 9 and 10, depending on publication. Similarly the 1964:
Sonatas, duos and fantasies by Franz Schubert § Numbering of the Piano Sonatas
1688: 1483: 1440: 984: 901: 832: 761: 569: 471: 367: 238: 171: 12266: 12256: 11474: 11248: 11085: 10749: 10427: 9684: 9389: 7460: 6870: 5166:. Vol. 1. Translated by Coleridge, Arthur Duke. Longmans, Green, and Company. 3282:
Die Unsinnsgesellschaft: Franz Schubert, Leopold Kupelwieser und ihr Freundeskreis
3117:
Die Unsinnsgesellschaft: Franz Schubert, Leopold Kupelwieser und ihr Freundeskreis
2401: 2081: 2074: 1305:
was ill beyond cure and likely to die soon. Some of his symptoms matched those of
496:
for male voices and orchestra (D 110, for his father's birthday in 1813), and his
12490: 12475: 12450: 12374: 12306: 12301: 12296: 12211: 12196: 12151: 12086: 11958: 11928: 11774: 11769: 11652: 11575: 11565: 11515: 11423: 11298: 11192: 11131: 11126: 10993: 10937: 10854: 10844: 10664: 10648: 10603: 10570: 10443: 10393: 10331: 10320: 10062: 9956: 9951: 9931: 9926: 9900: 9814: 9764: 9689: 9659: 9624: 9584: 9314: 9309: 9279: 9219: 8962: 8936: 8864: 8844: 8829: 8689: 8622: 7090: 6651: 6125: 6092: 5757: 5642: 5621: 5219: 5211: 5185: 5173: 5161: 5107: 5081: 5056: 5024: 4785: 4426:, p. 324, where Grove describes current (1860s) interest in Schubert's work, and 3375:"Schubert and the Draisine: An Odd Couple in the Archiv des Menschlichen Unsinns" 3025: 2454: 2263: 2070: 1897:, editor of the first series containing eight symphonies. The publication of the 1894: 1868: 1814: 1787: 1734: 1610: 1406:
Die Tonkunst begrub hier einen reichen Besitz, aber noch viel schönere Hoffnungen
1388: 1226: 1103:) to the Gesellschaft der Musikfreunde and received an honorarium in return. The 906: 717: 593: 451: 334: 330: 322: 298: 11871: 10809: 10204: 9524: 9409: 8642: 8384: 6576: 5819:
Symphony is variously published as No. 7 and No. 8, in both German and English.
1282: 12596: 12414: 12384: 12349: 12339: 12321: 12226: 12186: 12121: 11993: 11923: 11764: 11749: 11677: 11621: 11611: 11580: 11560: 11469: 11372: 11357: 11278: 11238: 10942: 10894: 10824: 10719: 10699: 10638: 10535: 10399: 10325: 10052: 9966: 9859: 9844: 9819: 9759: 9719: 9579: 9559: 9549: 9504: 9484: 9464: 9444: 9429: 9419: 9404: 9384: 9289: 9249: 9214: 9204: 9164: 8905: 8879: 8849: 8819: 8784: 8699: 8657: 7271: 7060: 6877: 6842: 6646: 6056: 5993: 5967: 5662: 5406: 4112: 2505: 2437: 2328: 2251: 2247: 2204: 2124: 1783: 1729: 1696: 1636: 1505: 1457: 1396: 1222: 1213: 927: 785: 270: 138: 12429: 11998: 11024: 10988: 10799: 9349: 6994: 6003: 5989: 5388: 5385:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge
5357:
Denny, Thomas A. (1997). "Schubert's operas". In Gibbs, Christopher H. (ed.).
4861: 2127:
radio station in 2008, Schubert's chamber works dominated the field, with the
2096: 1947:
Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge
1902: 435:
warehouse where Schubert could practise on better instruments. He also played
12721: 12424: 12389: 12379: 12359: 12291: 12241: 12106: 12096: 11881: 11856: 11744: 11718: 11606: 11387: 11258: 10864: 10794: 10769: 10759: 10714: 10414: 9839: 9774: 9709: 9564: 9519: 9264: 9259: 9254: 9199: 8993: 8854: 8764: 8734: 7724: 7105: 6849: 5449: 5283: 5178:. Vol. 2. Translated by Coleridge, Arthur Duke. Longmans, Green, and Co. 5155:. Vol. 24 (11th ed.). Cambridge University Press. pp. 383–386. 5146: 5133: 4559:
Montparker, Carol (May–June 1981). "Radu Lupu: Acclaim in Spite of Himself".
4094: 3693: 3390: 2554: 2405: 2208: 2109: 2101: 1640: 1500: 1494:
of F minor. It also appears in unusual choices of instrumentation, as in the
1335: 1255: 1036: 623: 560:), a symphony, and about 140 Lieder. In that year, he was also introduced to 455: 307: 191: 175: 149: 11616: 6720: 5837: 5091: 4837: 3338: 3300: 2095:, one of Vienna's leading choral societies, was founded in 1863, whilst the 1525:
Arpeggione Sonata, D. 821 (version for cello and piano), I. Allegro moderato
1327: 687: 577: 363: 12644: 12632: 12394: 12369: 12344: 12311: 12281: 12201: 12161: 12063: 12008: 11918: 11886: 11876: 11861: 11601: 11464: 11454: 11428: 11273: 11228: 10952: 10884: 10874: 10814: 10764: 10709: 10520: 10438: 10409: 10260: 9784: 9704: 9699: 9679: 9644: 9494: 9489: 9474: 9454: 9414: 9399: 9379: 9209: 9189: 9104: 8921: 8814: 8809: 8652: 8605: 7179: 7148: 6924: 6905: 6676: 6606: 6601: 6465: 6118: 5963: 5349: 5266: 5215: 5195: 5099: 5072: 5044: 5015: 4899:"From 'Bald Mountain' to 'Ave Maria': The hell-to-heaven 'Fantasia' climax" 4153: 4120: 3080: 2654: 2459: 2275: 2267: 2230: 2045: 1950:– Franz Schubert: Thematic Catalogue of his Works in Chronological Order). 1932: 1810: 1452: 1372: 1044: 881: 651: 597: 534: 478: 424: 375: 286: 163: 112: 11759: 9329: 6733: 5955: 5229: 5117: 987:(D. 803), a sketch for a "Grand Symphony," and in the summer went back to 683: 12409: 12276: 12126: 11723: 11626: 11570: 11377: 11243: 10947: 10879: 10613: 10474: 10433: 10382: 10255: 10167: 10047: 9794: 9729: 9534: 9514: 9359: 9334: 8859: 8824: 8704: 8679: 7052: 6931: 6828: 6789: 6666: 6085: 4863:
Schiff András filmje SchubertrƑl [András Schiff tells about Schubert]
3318: 2544: 2488: 2420: 2279: 2238: 2191: 2053: 2052:). Schubert was also familiar with instruments by Viennese piano builder 1928: 1775: 1723: 1599: 1491: 1159: 946: 821:
was rejected, partly owing to its libretto, written by Schubert's friend
721: 703: 655: 645: 638:
wrote in his memoirs that Schubert was an active member of the 1817–1818
586: 527: 409:
time as Schubert excelled him within a few months. Ignaz later recalled:
326: 264: 254: 19:"Schubert" redirects here. For another composer with a similar name, see 9062: 6107:
Digital reproductions of score manuscripts and letters by Franz Schubert
5966:(1998). "Schubert's Relationship with Women: An Historical Account". In 4814:
Destination Hollywood: The Influence of Europeans on American Filmmaking
3398: 3374: 11530: 10849: 10829: 10819: 10468: 10305: 9936: 9539: 8983: 8926: 8637: 8311: 7031: 6856: 6796: 5691:
Romantic Music: A History of Musical Style in Nineteenth-Century Europe
1893:, a critical edition including a contribution made – among others – by 1708: 1590: 1361: 1340: 980: 931: 836: 520: 432: 383: 379: 355: 301:
and still composed prolifically. In 1821, Schubert was admitted to the
159: 1567:
Symphony No. 8 in B minor, D. 759 ("Unfinished") – I. Allegro moderato
1368: 1298: 1269: 12191: 11520: 11402: 10734: 10453: 9879: 9284: 9224: 8931: 8509: 7095: 7006: 6780: 5918: 3723:
is the greatest, and the most bleakly melancholy, of all song cycles.
2306: 2284: 2066: 1819: 1431: 1345: 1148: 1058: 991:. There he became attracted to Hungarian musical idiom and wrote the 889: 849: 671:
In late 1817, Schubert's father gained a new position at a school in
546: 459: 391: 387: 249: 7800: 2185:, who ranked Schubert as the fourth greatest composer, wrote of him: 1650: 1387:. In 1888, both Schubert's and Beethoven's graves were moved to the 12331: 9971: 8541: 4841: 3109:; Steblin, Rita (1997): "Schubert's 'Nina' and the True Peacocks". 1779: 1692: 1687:". He composed music using the poems of myriad poets, with Goethe, 1463: 961: 745: 557: 550: 311: 5777:
Smith, Jane Stuart; Carlson, Betty; Schaeffer, Francis A. (1995).
5132:
This article incorporates text from a publication now in the
1855:. This led to more widespread public interest in Schubert's work. 1766: 1221:, D. 957). (This collection – which includes settings of words by 537:, daughter of a local silk manufacturer, and wrote several of his 12003: 10754: 10345: 9946: 9133: 6187: 6060: 5623:
An Artist's Journey: Lettres D'un Bachelier ùs Musique, 1835–1841
5608: 4838:"Franz Peter Schubert: The Greatest Love and the Greatest Sorrow" 3083:(1993): "The Peacock's Tale: Schubert's Sexuality Reconsidered." 2220: 1795: 1659: 1490:(D. 956), which is in E major, features a central section in the 1357: 1349: 1293: 1287: 1087:: Oil painting, 1875, after Rieder's watercolor painting of 1825. 967:
In 1824, he wrote the Variations in E minor for flute and piano;
840: 538: 490: 447:. Schubert wrote his earliest string quartets for this ensemble. 414:
distanced and outstripped me, and whom I despaired of overtaking.
371: 6152: 2339:
Schubert has featured as a character in several films including
1944:) and subsequently revised for a new edition in German in 1978 ( 10448: 5626:. Translated by Suttoni, Charles. University of Chicago Press. 2390:
Franz Peter Schubert: The Greatest Love and the Greatest Sorrow
1983: 1976: 1670: 1251: 428: 419: 282: 64: 10136: 6705: 4589: 12650: 6081: 5999:
Schubert. SpÀte Klaviermusik: Spuren ihrer inneren Geschichte
4912: 444: 436: 167: 12639: 3097:, ZDB-ID 4395712, T 17., 1, pp. 5–33; Steblin, Rita (1996), 2415:
Schubert's music has also been featured in numerous films:
10404: 9941: 6819: 5935: 4401:, pp. 297–332, in which Grove recounts his visit to Vienna. 2320: 2203:
Symphony are astonishing. The latter one paves the way for
1632: 1427: 1092: 960:, D. 776) during this year. Also in that year, symptoms of 467: 443:
and Ignaz on first and second violin and his father on the
154: 5615:(78 RPM). United States: Concert Hall Society. Release B3. 4537:
Cambridge University Press, Cambridge, UK 2024, pp. 50–69.
1790:, on a visit to Vienna, found the dusty manuscript of the 1598:
Although Schubert was clearly influenced by the Classical
1006:, but the only work that bears a dedication to her is his 888:
In 1822, Schubert made the acquaintance of both Weber and
642:(Nonsenses Society), and various scholars agree with this. 585:, and it is virtually certain that Schubert suffered from 4883: 2514:(1994) features and takes its name from the music of the 2409: 1770:
Interior of museum at Schubert's birthplace, Vienna, 1914
1498:
and piano (D. 821), or the unconventional scoring of the
1360:, mucous plaques, rash on the thorax, pupil abnormality, 568:, who would become his lifelong friends. Another friend, 6070: 4025: 4023: 2287:
has a track titled "Franz Schubert" on their 1977 album
2048:& Sohn piano (today in the collection of the Vienna 2032:, with numbering systems ranging from 15 to 23 sonatas. 613:
Caricature of Johann Michael Vogl and Franz Schubert by
5180:
The first full-length biography of Schubert (volume 2).
5168:
The first full-length biography of Schubert (volume 1).
3558: 3556: 3554: 3552: 3550: 3548: 3546: 3185: 3183: 3129:
Essays on Music and Culture in Honor of Herbert Kellman
2119:
Schubert's chamber music continues to be popular. In a
1546:
Piano Sonata in B-flat major, D. 960, I. Molto moderato
5779:
The Gift of Music: Great Composers and Their Influence
4758: 4136:"The Myth of Schubert's Syphilis: A Critical Approach" 3285:(in German). Erich Benedikt. Wien: Böhlau. p. 1. 12580: 4020: 3965: 3597: 1117:
in G major, (D 887, first published as op. 161), the
141:
eras. Despite his short life, Schubert left behind a
6155:
about 250 of Schubert's Songs (Schubertline edition)
5224:. Vol. 3. New York: The Beethoven Association. 4220:, p. 143, discussing in particular his chamber music 3543: 3180: 2704: 2702: 2700: 663:’s Caricature of himself and Franz Schubert for the 7490: 6487:
1928 International Columbia Graphophone Competition
3089:. Berkeley, California: Univ. of California Press, 3028:(Spring 1989): "Franz Schubert and the Peacocks of 2673: 1375:. A year earlier he had served as a torchbearer at 1077:, D. 944), which was completed the following year. 843:and the Italian operatic style, and the failure of 6128:– Free recordings of many Lieder by Schubert (mp3) 5734: 5666: 5495: 5067:(3). Cairns Collection of American Women Writers. 1069:(D 845, first published as op. 42), and began the 8414: 6067:Texts and translations of vocal music by Schubert 4394: 4392: 3998:, p. 385, and comments in the liner notes to the 2697: 2584:associated with some of the above-listed sonatas. 1986:has been indicated with the numbers 7, 8, and 9. 1474:List of solo piano compositions by Franz Schubert 1207:(D. 958, D. 959, and D. 960), and the collection 975:; and several string quartets. He also wrote the 503: 12719: 7301: 2657:(2001). "Franz Schubert – das dreizehnte Kind", 1905:started in the second half of the 20th century. 1539:Hans Goldstein (cello) and Clinton Adams (piano) 1464:Instrumental music, stage works and church music 439:in the family string quartet, with his brothers 337:and his music continues to be widely performed. 7132:List of compositions by Franz Schubert by genre 5878:Schubert, Franz; Reichenberger, Teresa (1986). 4887:, 25 September 2020. Retrieved 16 January 2022. 4683: 4681: 3845: 2626: 2624: 2465:Piano Trio No. 2 in E-Flat Major, Op. 100/D.929 2388:Schubert's life was covered in the documentary 1418:List of compositions by Franz Schubert by genre 1320:String Quartet No. 14 in C-sharp minor, Op. 131 1209:13 Lieder nach Gedichten von Rellstab und Heine 1175:in E-flat major, (D. 929); in 1828 the cantata 5940:. Translated by Savile, Venetia. A. A. Knopf. 4389: 4052: 4050: 3881: 3825:. MĂŒnchen: G. Henle Verlag. pp. Preface. 3752: 3692: 3587: 3585: 3583: 2758: 2756: 2636: 2215: 1356:, and that many tell-tale signs of syphilis — 1266:'s first appearances in Vienna shortly after. 1029:And fain would avoid such affectionate pother 630:In early 1817, Schober introduced Schubert to 512:Possible portrait of the young Franz Schubert 450:Young Schubert first came to the attention of 10152: 9149: 9078: 8557: 8400: 8363:Sonatas, duos and fantasies by Franz Schubert 7786: 7476: 7287: 7164: 6749: 6725: 6203: 5936:Schubert, Franz; Deutsch, Otto Erich (1928). 5187:Deutsche Rundschau, volume 102 (Jan–Mar 1900) 4731: 4714:"Kraftwerk: their 30 greatest songs, ranked!" 4416: 4253:McKay, Elizabeth (1997). Franz Schubert. In: 3568: 3531: 3422: 3420: 2819: 2463:(1975) features the second movement from the 1960:Schubert's symphonies § Numbering issues 1669:Among Schubert's treatments of the poetry of 1581:Fulda Symphonic Orchestra and Simon Schindler 1470:Sonatas, duos and fantasies by Franz Schubert 1027:Young Schubert surrenders himself to another, 944:. This series, together with the later cycle 896: 7178: 4775: 4773: 4678: 4494: 4404: 4335: 4173: 4171: 4008: 2900: 2741: 2621: 1682: 1635:that Schubert made his most indelible mark. 1146: 1140: 1107:in D minor (D. 810), with the variations on 1099:(D. 944, that later came to be known as the 784:Publishers, however, remained distant, with 533:In 1814, Schubert met a young soprano named 6763: 5988: 5938:Franz Schubert's Letters and Other Writings 5858:. Eulenburg Audio+Score Series. Eulenburg. 4359: 4347: 4275: 4211: 4047: 3977: 3941: 3929: 3857: 3821:Schubert, Franz (1976). Kahl, Willi (ed.). 3776: 3740: 3674: 3628: 3626: 3624: 3580: 3521: 3519: 3468: 3456: 3444: 3432: 3219: 2911: 2875: 2873: 2807: 2753: 2536:(1995) features the second movement of the 1391:where they are next to the later graves of 1314:Schubert's death, his friend the violinist 995:in G minor for piano duet (D. 818) and the 345: 12783:Austrian people of Moravian-German descent 10159: 10145: 9156: 9142: 9085: 9071: 8564: 8550: 8407: 8393: 7793: 7779: 7483: 7469: 7294: 7280: 7171: 7157: 6756: 6742: 6210: 6196: 6099: 5184:Rodenberg, Julius; Pechel, Rudolf (1900). 4584: 4582: 4558: 4487: 4287: 3417: 3231: 3207: 2959: 2923: 2836: 2834: 2797: 2795: 1972:. Schubert's last completed symphony, the 1761: 1277: 1135:, op. 78). He also produced in 1826 three 1095:, Austria, in 1827. In 1826, he dedicated 1023:In love with a Countess of youthful grace, 572:, was introduced to him by Spaun in 1815. 42: 9092: 8112:Variation No. 38 on a waltz by Diabelli, 6163:International Music Score Library Project 6076:Franz Schubert Museum in Hohenems/Austria 5755: 5172:Kreissle von Hellborn, Heinrich (1869) . 5160:Kreissle von Hellborn, Heinrich (1869) . 5109:Grove's Dictionary of Music and Musicians 4918: 4770: 4743: 4643: 4540: 4299: 4183: 4168: 3323:. Wien: Böhlau. pp. 79–91, 235–245. 3316: 2719: 2717: 2334: 2262:In the 20th century, composers including 2028:An even broader confusion arose over the 1695:the most frequent, and others, including 1199:(D. 956), the second "Benedictus" to the 178:. His major works include the art songs " 7712:Rondo for violin and strings, D 438 7137:Schubert opus/Deutsch number concordance 5334:. New York: W. W. Norton & Company. 4987:19th- and early 20th-century scholarship 4816:. Jefferson, NC: McFarland. p. 81. 4666: 4649:"The Greatest Composers – A Top 10 List" 4637: 4235: 4133: 4062: 3833: 3820: 3728: 3702:examines the composer's melancholy work" 3621: 3609: 3516: 3243: 3195: 2870: 2858: 2645:, p. 2: "the school was much frequented" 2219: 2161:Fantasie in F minor for piano four-hands 2080: 1919:Schubert opus/Deutsch number concordance 1862: 1765: 1649: 1292: 1281: 1268: 1079: 900: 801: 644: 608: 507: 396: 310:, but believed by some historians to be 6140:University of California, Santa Barbara 5962: 5912: 5877: 5849: 5516: 5247: 4879:Now Hear This "The Schubert Generation" 4764: 4749: 4711: 4623:"The Classical Music Chamber Music 100" 4579: 4573: 4427: 4041: 3899: 3405: 3372: 3278: 3047:"Schubert: Music, Sexuality, Culture." 2831: 2792: 2780: 2768: 2448:Piano Sonata No. 20 in A Major (D. 959) 2137:Notturno in E-flat major for piano trio 1970:numbering of Schubert's late symphonies 1616: 1250:(D 936A); In this work, he anticipates 604: 12793:Burials at the Vienna Central Cemetery 12720: 8368:List of compositions by Franz Schubert 7584:"The Shepherd on the Rock", D 965 7127:List of compositions by Franz Schubert 5824: 5591:Church Music in the Nineteenth Century 4507:"Jeffrey Dane – The Composers' Pianos" 3115:138, pp. 13–19; Steblin, Rita (1998): 2846: 2714: 2685: 2309:saw the first production of his opera 1923:List of compositions by Franz Schubert 1851:incidental music, and the overture to 1422:List of compositions by Franz Schubert 1286:Memorial at the Kalvarienberg Church, 458:, and the overtures and symphonies of 100:List of compositions by Franz Schubert 12506:Romanticism and the French Revolution 10140: 9137: 9066: 8545: 8388: 7774: 7564:String Trios D 111A, 471 and 581 7559:Sonatensatz for piano trio, D 28 7464: 7275: 7152: 6737: 6724: 6191: 6179:Free digital scores by Franz Schubert 5137: 3638: 3562: 3312: 3310: 3274: 3272: 3189: 2679: 1968:Confusion arose quite early over the 1774:When Schubert died he had around 100 1297:The site of Schubert's first tomb at 1120:Rondo in B minor for violin and piano 1025:—A pupil of Galt's; in desperate case 128: 12818:Deaths from typhoid fever in Austria 12748:19th-century Austrian male musicians 12657: 8571: 5897:English-language publication of the 5870:English-language publication of the 5061:Century Illustrated Monthly Magazine 4263: 4092: 3794: 1908: 1858: 1167:for piano, and the two piano trios ( 402:The house in which Schubert was born 12803:Classical composers of church music 12773:Austrian Classical-period composers 10015:Tchaikovsky and the Belyayev circle 7569:Notturno for piano trio, D 897 7521:Sonat(in)as D 384, 385 and 408 6804:Gesang der Geister ĂŒber den Wassern 5842:German-language publication of the 5593:. London: Oxford University Press. 5565:The Cambridge Companion to Schubert 5542:The Cambridge Companion to Schubert 5519:The Cambridge Companion to Schubert 5517:Gibbs, Christopher H., ed. (1997). 5473:The Cambridge Companion to Schubert 5359:The Cambridge Companion to Schubert 5288:The Cambridge Companion to Schubert 5240:Franz Schubert: A Musical Biography 4811: 1953: 1451:In July 1947 the Austrian composer 1211:for voice and piano, also known as 753:Gesang der Geister ĂŒber den Wassern 739: 247:; the incidental music to the play 13: 9163: 6217: 5906: 5880:Symphony No. 8 in B minor, D. 759 5673:. University of California Press. 5328:Brown, Maurice John Edwin (1983). 5051: 4896: 4365: 3307: 3269: 2555:Piano Quintet in A major, D. 667 ( 2550:Sherlock Holmes: A Game of Shadows 2538:String Quintet in C major (D. 956) 2254:acknowledged the influence of the 2237:From the 1830s through the 1870s, 1613:as running to "heavenly lengths". 1589:Problems playing these files? See 1513: 340: 14: 12859: 8298:Sonata in A major "(Grand) Duo", 6021: 5915:Schubert: A Documentary Biography 5776: 5759:Our Schubert: His Enduring Legacy 4789:. 3 December 1928. Archived from 4256:The New Grove Dictionary of Opera 3887: 2482:Auf dem Wasser zu singen (D. 774) 2296: 1782:and dozens of first publications 1707:. Of particular note are his two 806:Watercolour of Franz Schubert by 374:peasant, was a well-known parish 350:Franz Peter Schubert was born in 12828:Austrian male classical pianists 12753:19th-century classical composers 12700: 12683: 12666: 12638: 12626: 12614: 12602: 12590: 12559: 12558: 10120: 10111: 10110: 9046: 9037: 9036: 8321:Sonata in A minor "Arpeggione", 6704: 6695: 6694: 5852:Symphony No. 7 in B minor D 759 5827:Symphony, No 7, D 759, B minor, 5737:The Lives of the Great Composers 5641:McKay, Elizabeth Norman (1996). 5379: 5236: 5221:The Life of Ludwig van Beethoven 5125: 4968:Schubert: Memoirs by His Friends 4890: 4872: 4855: 4830: 4805: 4705: 4693: 4615: 4603: 4567: 4552: 4524: 4499: 4475: 4445: 4433: 4380: 4371: 4323: 4311: 4247: 4223: 4195: 4127: 4086: 3574: 3537: 2894:Österreichische Musikzeitschrift 2747: 2642: 2577: 2516:String Quartet No. 14 in D minor 1867:Lithograph of Franz Schubert by 1571: 1550: 1529: 1496:Sonata in A minor for arpeggione 1233:– is not a true song cycle like 686:at their chĂąteau in ZselĂ­z (now 215:String Quartet No. 14 in D minor 174:, and a large body of piano and 111: 12758:19th-century classical pianists 12743:19th-century Austrian musicians 10166: 8582:List of Classical-era composers 8239:Sonata in C major "Grand Duo", 6436:opus/Deutsch number concordance 5715:. Manchester University Press. 5669:Schubert: The Music and the Man 5470: 5412:Researching the Song: A Lexicon 5409:; Lewis, Wilbur Watkin (2006). 5243:. London: W. H. Allen & Co. 5104:Fuller-Maitland, John Alexander 4949:The Schubert Thematic Catalogue 4229: 4074: 4035: 3989: 3953: 3917: 3905: 3893: 3869: 3814: 3788: 3764: 3686: 3662: 3650: 3504: 3492: 3480: 3366: 3345: 3255: 3168: 3155: 3140: 3074: 3056: 3041: 3019: 3007: 2995: 2983: 2971: 2947: 2935: 2885: 2729: 2473:The Adventures of Milo and Otis 2396:(1994), and in the documentary 1705:Joseph Freiherr von Eichendorff 1623:List of songs by Franz Schubert 431:who took him to a neighbouring 8184:3 Impromptus "KlavierstĂŒcke", 7536:Fantasy in C major, D 934 6146: 5795: 5729: 5687: 5585: 5571:. Cambridge University Press. 5548:. Cambridge University Press. 5525:. Cambridge University Press. 5502:. Cambridge University Press. 5494:Gibbs, Christopher H. (2000). 5493: 5479:. Cambridge University Press. 5415:. Oxford University Press US. 5365:. Cambridge University Press. 5294:. Cambridge University Press. 5190:(in German). GebrĂŒder Paetel. 5183: 5171: 5159: 5098: 5080:Frost, Henry Frederic (1915). 4994:Austin, George Lowell (1873). 4951:. Courier Dover Publications. 4947:; Wakeling, Donald R. (1995). 4737: 4423: 4410: 4398: 4329: 4317: 4260:London and New York: Macmillan 4189: 4068: 4014: 3615: 3510: 3498: 3474: 3462: 3438: 3225: 2953: 2917: 2906: 2825: 2813: 2762: 2708: 2648: 2630: 2609: 2597: 2408:(1997), both produced for the 2323:10,000 and sponsorship by the 2059: 2035: 2030:numbering of the piano sonatas 1428:songs for solo voice and piano 1195:(D. 962) in the same key, the 1171:in B-flat major (D. 898), and 796:VaterlĂ€ndischer KĂŒnstlerverein 504:Teacher at his father's school 418:His father gave him his first 1: 12833:Austrian male opera composers 12798:Catholic liturgical composers 12529:Wanderer above the Sea of Fog 7543:Arpeggione Sonata, D 821 6441:19th century complete edition 6169:Free scores by Franz Schubert 6159:Free scores by Franz Schubert 6112: 5974:. Ashgate. pp. 159–182. 5709:Reed, John (15 August 1997). 5661: 5640: 5569:Cambridge Companions to Music 5546:Cambridge Companions to Music 5523:Cambridge Companions to Music 5477:Cambridge Companions to Music 5363:Cambridge Companions to Music 5292:Cambridge Companions to Music 5282: 5023:Duncan, Edmondstoune (1905). 4966:Deutsch, Otto Erich (1998) . 4687: 4609: 4341: 4056: 4029: 3995: 3983: 3959: 3947: 3935: 3923: 3911: 3875: 3863: 3782: 3770: 3758: 3746: 3698:"Ian Bostridge's 'Schubert's 3680: 3668: 3656: 3632: 3591: 3486: 3450: 3426: 3411: 3237: 3213: 3174: 3013: 3001: 2989: 2965: 2941: 2929: 2774: 2691: 2615: 2565: 1794:(D. 944) and took it back to 1478:Stage works by Franz Schubert 1205:the three final piano sonatas 1131:, (D 894, first published as 993:Divertissement Ă  la hongroise 864:Rosamunde, FĂŒrstin von Zypern 677:Gesellschaft der Musikfreunde 513: 303:Gesellschaft der Musikfreunde 130:[fʁantsˈpeːtɐˈʃuːbɐt] 16:Austrian composer (1797–1828) 7718:Adagio and Rondo Concertante 7579:Piano Trio No. 2, D 929 7574:Piano Trio No. 1, D 898 7531:Rondo in B minor, D 895 6173:Choral Public Domain Library 6132:Schubert cylinder recordings 6047:Resources in other libraries 5913:Deutsch, Otto Erich (1977). 5619: 5562: 5448: 5327: 5313:. Indiana University Press. 5237:Wilberforce, Edward (1866). 4965: 4712:Simpson, Dave (7 May 2020). 4699: 4672: 4625:. Australian Broadcasting Co 4353: 4293: 4281: 4217: 4134:Cybulska, Eva Maria (2019). 4100:Journal of Medical Biography 4080: 3971: 3101:, Wien: Vom Pasqualatihaus. 3068:The New York Review of Books 2735: 2591: 2497:(1989) prominently features 2166:Adagio and Rondo Concertante 2078:natural geniuses of music." 1381:a memorial to Franz Schubert 696:Marches Militaire in D major 7: 12788:Austrian Romantic composers 12768:Austrian classical pianists 10058:Gothic Revival architecture 7085:Nur wer die Sehnsucht kennt 6274:Sonatas, duos and fantasies 6136:UCSB Cylinder Audio Archive 5712:The Schubert Song Companion 5647:. Oxford University Press. 5644:Franz Schubert: A Biography 5539: 5405: 5202: 5022: 4993: 4970:. Oxford University Press. 4935:Works by Otto Erich Deutsch 4546: 4511:www.collectionscanada.gc.ca 4177: 3851: 3839: 3644: 3525: 3249: 3201: 2977: 2879: 2864: 2840: 2801: 2786: 2723: 2603: 2325:Columbia Phonograph Company 2216:Tributes by other musicians 2112:and is located in Vienna's 1941:Schubert Thematic Catalogue 1915:Schubert Thematic Catalogue 1631:It was in the genre of the 940:(D. 795), setting poems by 708:Many of them took place in 466:, an important composer of 404:, today Nußdorfer Straße 54 370:. His father, the son of a 10: 12864: 12446:Coleridge's theory of life 9999:Neue Zeitschrift fĂŒr Musik 9174:List of Romantic composers 7738:String Quintet, D 956 7526:Duo in A major, D 574 6493:Schubert's Dream of Spring 6097:Internet Broadway Database 5832:(in German). BĂ€renreiter. 5356: 5308: 5261:. Novello. February 1897. 5204:Thayer, Alexander Wheelock 5175:The Life of Franz Schubert 5163:The Life of Franz Schubert 5112:. Vol. 4. Macmillan. 5079: 4997:The Life of Franz Schubert 4927: 4305: 4208:. Retrieved 11 August 2020 4113:10.1177/096777209500300409 3888:Smith & Carlson (1995) 3603: 3152:. Routledge, pages xi–xvii 2852: 2499:String Quartet No. 15 in G 2342:Schubert's Dream of Spring 2106:Wiener MĂ€nnergesang-Verein 1957: 1912: 1874: 1798:where it was performed by 1620: 1467: 1415: 1328:tertiary stage of syphilis 897:Last years and masterworks 592:In 1989, the musicologist 148:, including more than 600 18: 12838:Pupils of Antonio Salieri 12808:Child classical musicians 12538: 12501:Romanticism and economics 12438: 12330: 12077: 11899: 11844: 11813: 11737: 11686: 11635: 11594: 11503: 11447: 11411: 11365: 11356: 11201: 11145: 11094: 11053: 11012: 10966: 10908: 10778: 10657: 10579: 10516:Manuel AntĂŽnio de Almeida 10498: 10489: 10375: 10243: 10174: 10090: 10035: 9980: 9914: 9893: 9180: 9171: 9100: 9016: 8971: 8950: 8914: 8893: 8588: 8579: 8520: 8501: 8443:Die Freunde von Salamanka 8426: 8357: 8332: 8310: 8271: 8260: 8199: 8131:34 Valses Sentimentales, 8102: 7831: 7820: 7746: 7704: 7592: 7551: 7506: 7436: 7390: 7317: 7194: 7121: 7071: 7030: 7016:", D 957 No. 13 6818: 6779: 6731: 6726:Links to related articles 6690: 6559: 6458: 6423: 6312: 6234: 6225: 6042:Resources in your library 5756:Schroeder, David (2009). 5708: 5434:. Vancouver: Read Books. 5429: 4590:"Schubert - The Wanderer" 4386:Deutsch 1978, pp. 668–669 4241: 3734: 3317:DĂŒrhammer, Ilija (1999). 2133:String Quintet in C major 1853:Die Freunde von Salamanka 1844:Die Freunde von Salamanka 1827:(D. 105), and the operas 1197:String Quintet in C major 997:String Quartet in A minor 779:(D. 644) appeared at the 771:(D. 647) appeared at the 759:in C minor (D. 703), the 223:String Quintet in C major 207:Symphony No. 9 in C major 199:Symphony No. 8 in B minor 110: 105: 95: 87: 71: 50: 41: 34: 25:Schubert (disambiguation) 12848:String quartet composers 12778:Austrian opera composers 10281:German historical school 10020:Tchaikovsky and The Five 6960:Auf dem Wasser zu singen 6912:"Wiegenlied", D 498 6587:Dietrich Fischer-Dieskau 5901:Symphony score as No. 8. 5874:Symphony score as No. 7. 5850:Schubert, Franz (2008). 5846:Symphony score as No. 7. 5825:Schubert, Franz (1996). 5781:. Good News Publishers. 5688:Plantinga, Leon (1984). 5607: 5311:The Symphonic Repertoire 5309:Brown, A. Peter (2002). 4943: 4495:#Numbering of symphonies 4482: 4439: 4269: 4093:Rold, Robert L. (1995). 3829: 979-0-2018-0180-3. 2660:Wiener GeschichtsblĂ€tter 2570: 2382:Mit meinen heißen TrĂ€nen 2050:Kunsthistorisches Museum 1560:Randolph Hokanson, piano 1446: 1411: 1383:was erected in Vienna's 971:, a song from the cycle 885:(D. 489) was performed. 877:Leopold von Sonnleithner 346:Early life and education 231:last three piano sonatas 10928:JĂłzef Ignacy Kraszewski 9110:Wolfgang Amadeus Mozart 8158:Allegretto in C minor, 7696:No. 15, D 887 7664:No. 11, D 353 7021:Der Hirt auf dem Felsen 7001:"StĂ€ndchen", D 889 6946:Willkommen und Abschied 6918:Der Tod und das MĂ€dchen 6810:"StĂ€ndchen", D 920 6501:Gently My Songs Entreat 6183:OpenScore Lieder Corpus 6124:2 December 2019 at the 5811:Numbering of symphonies 5152:EncyclopĂŠdia Britannica 4812:Langman, Larry (2000). 4453:"Neue Schubert-Ausgabe" 4095:"Schubert and Syphilis" 3146:Horton, Julian (2015). 3038:, vol. 12, pp. 193–206. 2494:Crimes and Misdemeanors 2470:The English version of 2398:Schubert – The Wanderer 2348:Gently My Songs Entreat 2141:String Quartet No. 14 ( 2135:ranked second, and the 1829:Des Teufels Lustschloss 1762:Publication – catalogue 1354:Hashimoto's thyroiditis 1332:Der Hirt auf dem Felsen 1278:Final illness and death 1129:Piano Sonata in G major 1067:Piano Sonata in A minor 335:Western classical music 291:Wolfgang Amadeus Mozart 12511:Romanticism in science 12466:Middle Ages in history 12461:List of Romantic poets 11173:Josiah Gilbert Holland 10043:Common practice period 8979:Common practice period 8435:Der vierjĂ€hrige Posten 7650:No. 9, D 173 7645:No. 8, D 112 7040:Schubert's song cycles 6642:Johann Philipp Neumann 6627:Elizabeth Norman McKay 6082:"Discovering Schubert" 5432:Composers of Yesterday 5383:; et al. (1978). 5331:The New Grove Schubert 4599:– via vimeo.com. 4154:10.47513/mmd.v11i1.647 3373:FrĂŒhauf, Tina (2005). 3279:Steblin, Rita (1998). 2335:In film and television 2234: 2213: 2088: 1891:Franz Schubert's Works 1887:Breitkopf & HĂ€rtel 1877:Franz Schubert's Works 1872: 1838:Der vierjĂ€hrige Posten 1802:and celebrated in the 1771: 1683: 1666: 1627:Schubert's song cycles 1606:Great C Major Symphony 1518: 1301: 1290: 1274: 1183:, D 942) on a text by 1181:Victory Song of Miriam 1147: 1141: 1088: 1032: 958:You are rest and peace 910: 873:Ignaz von Sonnleithner 831:(D 796) was rejected: 811: 773:Theater am KĂ€rntnertor 710:Ignaz von Sonnleithner 668: 618: 601:19th-century Europe." 523: 483:Fantasy for four hands 464:Johann Rudolf Zumsteeg 416: 405: 23:. For other uses, see 12843:Composers from Vienna 12481:Romantic epistemology 12471:Opium and Romanticism 11040:Stojadinović-Srpkinja 10266:Counter-Enlightenment 9094:First Viennese School 8942:Turkish music (style) 8596:First Viennese School 8491:Der Graf von Gleichen 8248:Fantasia in F minor, 8051:D major "Gasteiner", 7632:No. 7, D 94 7627:No. 6, D 74 7622:No. 5, D 68 7617:No. 4, D 46 7612:No. 3, D 36 7607:No. 2, D 32 7602:No. 1, D 18 7391:Incomplete/unfinished 6885:Hermann und Thusnelda 6836:Gretchen am Spinnrade 6617:Eusebius Mandyczewski 6549:Angeli senza paradiso 6480:Schubert at the Piano 6304:Doubtful and spurious 6071:The LiederNet Archive 5620:Liszt, Franz (1989). 5143:Schubert, Franz Peter 2226:Schubert at the Piano 2223: 2187: 2149:String Quartet No. 15 2084: 1899:Neue Schubert-Ausgabe 1881:Neue Schubert-Ausgabe 1866: 1825:Mass No. 1 in F major 1769: 1744:Wiener Theaterzeitung 1675:Gretchen am Spinnrade 1653: 1517: 1395:and Johannes Brahms. 1296: 1285: 1272: 1115:String Quartet No. 15 1105:String Quartet No. 14 1085:Wilhelm August Rieder 1083: 1020: 1016:Eduard von Bauernfeld 904: 808:Wilhelm August Rieder 805: 648: 612: 589:throughout his life. 511: 487:Klagegesang der Hagar 411: 400: 184:Gretchen am Spinnrade 12545:Age of Enlightenment 10187:England (literature) 10080:Romantic nationalism 10026:War of the Romantics 9124:(sometimes included) 9115:Ludwig van Beethoven 8989:Age of Enlightenment 8467:Alfonso und Estrella 8149:6 Moments musicaux, 8034:C major "Reliquie", 7752:List of compositions 7689:Death and the Maiden 7516:For violin and piano 7442:List of compositions 7318:Completed symphonies 7256:List of compositions 6612:Anselm HĂŒttenbrenner 6597:Johann Nepomuk Fuchs 6446:New Schubert Edition 6279:Songs and part-songs 5731:Schonberg, Harold C. 5498:The Life of Schubert 5430:Ewen, David (2007). 5139:Hadow, William Henry 5000:. Shepard and Gill. 4377:Deutsch 1978, p. 668 3063:"Schubert Ă  la Mode" 2553:(2011) features the 2521:Death and the Maiden 2511:Death and the Maiden 2446:(1966) features the 2290:Trans-Europe Express 2143:Death and the Maiden 2086:The Schubert Denkmal 2042:Schubert Geburtshaus 1739:Johann Gabriel Seidl 1645:Romantic nationalism 1617:Lieder and art songs 1231:Johann Gabriel Seidl 1189:Mass in E-flat major 1177:Mirjams Siegesgesang 1110:Death and the Maiden 1050:The Lady of the Lake 915:Mass in A-flat major 845:Carl Maria von Weber 818:Alfonso und Estrella 605:Support from friends 562:Anselm HĂŒttenbrenner 378:, and his school in 360:Archduchy of Austria 295:Ludwig van Beethoven 229:for solo piano; the 219:Death and the Maiden 152:vocal works (mainly 122:Franz Peter Schubert 12813:Composers for piano 12496:Romantic psychology 10291:Hudson River School 10235:Sweden (literature) 10220:Russia (literature) 10075:Musical nationalism 9993:Musical nationalism 8901:Classical orchestra 8451:Die ZwillingsbrĂŒder 8060:G major "Fantasy", 7045:Die schöne MĂŒllerin 6682:Johann Michael Vogl 6517:The Great Awakening 5762:. Scarecrow Press. 5456:. London: Methuen. 5381:Deutsch, Otto Erich 4945:Deutsch, Otto Erich 4921:, pp. 272–274. 4647:(21 January 2011). 3707:The Washington Post 3696:(4 February 2015). 2897:52, 1–2/1997, p. 64 2443:Au hasard Balthazar 2360:The Great Awakening 2331:'s sixth symphony. 2199:and especially the 2181:chief music critic 2093:Wiener Schubertbund 1885:From 1884 to 1897, 1718:Die schöne MĂŒllerin 1673:, his settings of " 1377:Beethoven's funeral 1371:on the edge of the 1248:Symphony in D major 1235:Die schöne MĂŒllerin 1071:Symphony in C major 1008:Fantasia in F minor 973:Die schöne MĂŒllerin 937:Die schöne MĂŒllerin 919:Symphony in B minor 781:Theater an der Wien 768:Die ZwillingsbrĂŒder 665:Unsinnsgesellschaft 661:Leopold Kupelwieser 640:Unsinnsgesellschaft 632:Johann Michael Vogl 259:Die schöne MĂŒllerin 235:Fantasia in F minor 12763:Austrian agnostics 10481:White Mountain art 10422:Historical fiction 10230:Spain (literature) 9988:Indianist movement 9906:Romantic orchestra 8228:Marches Militaires 8140:12 Valses Nobles, 7802:Piano compositions 7112:Wandrers Nachtlied 6899:Der König in Thule 6662:Ferdinand Schubert 6572:Otto Erich Deutsch 6472:Das DreimĂ€derlhaus 6153:Schubertline.co.uk 5798:Current Musicology 5276:Modern scholarship 5208:Krehbiel, Henry E. 4781:"Schubert Ecstasy" 4653:The New York Times 4645:Tommasini, Anthony 4457:BĂ€renreiter Verlag 4141:Music and Medicine 3801:schubert-online.at 3575:Wilberforce (1866) 3538:Wilberforce (1866) 3086:19th-Century Music 3050:19th-Century Music 3035:19th-Century Music 2748:Wilberforce (1866) 2643:Wilberforce (1866) 2431:Ave Maria (D. 839) 2376:Das DreimĂ€derlhaus 2235: 2175:The New York Times 2131:ranked first, the 2089: 2044:in Vienna) and an 1936:Otto Erich Deutsch 1873: 1772: 1667: 1519: 1302: 1291: 1275: 1273:Schubert's glasses 1089: 1004:Caroline EsterhĂĄzy 911: 905:Franz Schubert by 812: 669: 619: 524: 485:; his first song, 406: 158:), seven complete 12578: 12577: 12572: 12571: 12486:Romantic medicine 12456:List of romantics 11895: 11894: 11546:Felix Mendelssohn 11541:Fanny Mendelssohn 11352: 11351: 11066:RosalĂ­a de Castro 11004:Soares dos Passos 10352:Transcendentalism 10316:Nazarene movement 10276:DĂŒsseldorf School 10134: 10133: 10005:New German School 9600:Felix Mendelssohn 9595:Fanny Mendelssohn 9131: 9130: 9060: 9059: 8539: 8538: 8475:Die Verschworenen 8382: 8381: 8353: 8352: 8195: 8194: 7850:C major/A minor, 7841:E major/B major, 7768: 7767: 7733:Octet, D 803 7458: 7457: 7428:No. 10 in D major 7408:D 708A in D major 7269: 7268: 7263: 7146: 7145: 6974:Lachen und Weinen 6718: 6717: 6657:Franz von Schober 6533:La Belle MeuniĂšre 6454: 6453: 6431:Deutsch catalogue 6028:Library resources 5981:978-1-85928-253-3 5947:978-0-8369-5242-1 5928:978-0-306-77420-1 5921:. Da Capo Press. 5892:978-3-7957-6278-0 5865:978-3-7957-6529-3 5788:978-0-89107-869-2 5769:978-0-8108-6927-1 5748:978-0-393-03857-6 5722:978-1-901341-00-3 5701:978-0-393-95196-7 5680:978-0-520-21957-1 5654:978-0-19-816681-8 5633:978-0-226-48510-2 5600:978-0-8371-9695-4 5587:Hutchings, Arthur 5578:978-0-521-48424-4 5555:978-0-521-48424-4 5532:978-0-521-48424-4 5509:978-0-521-59512-4 5486:978-0-521-48424-4 5463:978-0-413-46990-8 5441:978-1-4067-5987-7 5422:978-0-19-515202-9 5398:978-3-7618-0571-8 5372:978-0-521-48424-4 5341:978-0-393-01683-3 5320:978-0-253-33487-9 5301:978-0-521-48424-4 5254:The Musical Times 5036:978-1-4437-8279-1 5007:978-0-404-12856-2 4977:978-0-19-816436-4 4958:978-0-486-28685-3 4823:978-0-7864-0681-4 4751:The Musical Times 4535:Schubertâ€Čs Piano. 3797:"Fantasie f-Moll" 3795:Schubert, Franz. 3719:Franz Schubert's 3360:wienbibliothek.at 3134:The Musical Times 3125:978-3-205-98820-5 3112:The Musical Times 3107:978-3-901254-16-1 3071:, 20 October 1994 3053:, 1993, 17:3–101. 3030:Benvenuto Cellini 2529:biographical film 2394:Christopher Nupen 2183:Anthony Tommasini 2168:for piano quartet 2153:Arpeggione Sonata 2123:conducted by the 1909:Deutsch catalogue 1859:Complete editions 1813:and the composer 1800:Felix Mendelssohn 1701:Friedrich RĂŒckert 1609:was described by 1576: 1555: 1534: 1402:Franz Grillparzer 1393:Johann Strauss II 1307:mercury poisoning 1185:Franz Grillparzer 1139:songs, of which " 1055:Ellens Gesang III 1053:, and including " 977:Sonata in A minor 855:Die Verschworenen 823:Franz von Schober 714:French Revolution 636:Heinrich AnschĂŒtz 615:Franz von Schober 566:Franz von Schober 519:, attributed to 319:Felix Mendelssohn 119: 118: 21:François Schubert 12855: 12823:EsterhĂĄzy family 12713: 12705: 12704: 12703: 12696: 12688: 12687: 12686: 12679: 12671: 12670: 12669: 12659: 12643: 12642: 12631: 12630: 12629: 12619: 12618: 12617: 12607: 12606: 12605: 12595: 12594: 12593: 12586: 12562: 12561: 12521:Evolution theory 11363: 11362: 10496: 10495: 10357:Ukrainian school 10161: 10154: 10147: 10138: 10137: 10124: 10114: 10113: 10010:Post-romanticism 9875:Vaughan Williams 9158: 9151: 9144: 9135: 9134: 9087: 9080: 9073: 9064: 9063: 9050: 9040: 9039: 8573:Classical period 8566: 8559: 8552: 8543: 8542: 8502:Incidental music 8409: 8402: 8395: 8386: 8385: 8343: 8342: 8338:Sonatensatz in B 8273:violin and piano 8269: 8268: 8216: 8215: 8121:Wanderer Fantasy 8090: 8089: 7999: 7998: 7984: 7983: 7951: 7950: 7936: 7935: 7921: 7920: 7906: 7905: 7892: 7891: 7886: 7885: 7829: 7828: 7815: 7814: 7795: 7788: 7781: 7772: 7771: 7501: 7500: 7485: 7478: 7471: 7462: 7461: 7418:No. 8 in B minor 7413:No. 7 in E major 7403:D 615 in D major 7377:No. 9 in C major 7367:No. 6 in C major 7361: 7360: 7346:No. 4 in C minor 7341:No. 3 in D major 7335: 7334: 7325:No. 1 in D major 7312: 7311: 7296: 7289: 7282: 7273: 7272: 7254: 7241: 7240: 7230: 7229: 7220:No. 4 in C major 7214: 7213: 7204:No. 2 in G major 7199:No. 1 in F major 7189: 7188: 7173: 7166: 7159: 7150: 7149: 7014:Der DoppelgĂ€nger 6981:Nacht und TrĂ€ume 6967:Du bist die Ruh' 6774: 6773: 6758: 6751: 6744: 6735: 6734: 6722: 6721: 6708: 6698: 6697: 6672:Joseph von Spaun 6632:Gustav Nottebohm 6622:Johann Mayrhofer 6592:Max Friedlaender 6567:Eva Badura-Skoda 6254:Orchestral works 6232: 6231: 6212: 6205: 6198: 6189: 6188: 6103: 6089: 6017: 5985: 5972:Schubert Studies 5959: 5932: 5917:. Translated by 5896: 5869: 5841: 5805: 5792: 5773: 5752: 5741:. W. W. Norton. 5740: 5726: 5705: 5684: 5672: 5658: 5637: 5616: 5604: 5582: 5559: 5536: 5513: 5501: 5490: 5467: 5445: 5426: 5402: 5376: 5353: 5324: 5305: 5270: 5244: 5233: 5212:Deiters, Hermann 5199: 5179: 5167: 5156: 5131: 5129: 5128: 5121: 5095: 5076: 5057:"Franz Schubert" 5048: 5019: 4981: 4962: 4937: 4936: 4922: 4919:Schroeder (2009) 4916: 4910: 4909: 4907: 4905: 4894: 4888: 4876: 4870: 4864: 4859: 4853: 4852: 4850: 4848: 4834: 4828: 4827: 4809: 4803: 4802: 4800: 4798: 4777: 4768: 4762: 4756: 4747: 4741: 4738:Rodenberg (1900) 4735: 4729: 4728: 4726: 4724: 4709: 4703: 4697: 4691: 4685: 4676: 4670: 4664: 4663: 4661: 4659: 4641: 4635: 4634: 4632: 4630: 4619: 4613: 4607: 4601: 4600: 4598: 4596: 4586: 4577: 4571: 4565: 4564: 4556: 4550: 4544: 4538: 4531:Andreas Dorschel 4528: 4522: 4521: 4519: 4517: 4503: 4497: 4491: 4485: 4479: 4473: 4472: 4470: 4468: 4459:. Archived from 4449: 4443: 4437: 4431: 4420: 4414: 4408: 4402: 4396: 4387: 4384: 4378: 4375: 4369: 4363: 4357: 4351: 4345: 4339: 4333: 4327: 4321: 4318:Plantinga (1984) 4315: 4309: 4303: 4297: 4291: 4285: 4279: 4273: 4267: 4261: 4251: 4245: 4239: 4233: 4227: 4221: 4215: 4209: 4199: 4193: 4187: 4181: 4175: 4166: 4165: 4131: 4125: 4124: 4090: 4084: 4078: 4072: 4066: 4060: 4054: 4045: 4039: 4033: 4027: 4018: 4015:Schonberg (1997) 4012: 4006: 4004:Hyperion Records 3993: 3987: 3981: 3975: 3969: 3963: 3957: 3951: 3945: 3939: 3933: 3927: 3921: 3915: 3909: 3903: 3897: 3891: 3885: 3879: 3873: 3867: 3861: 3855: 3849: 3843: 3837: 3831: 3830: 3818: 3812: 3811: 3809: 3807: 3792: 3786: 3780: 3774: 3768: 3762: 3756: 3750: 3744: 3738: 3732: 3726: 3725: 3716: 3714: 3690: 3684: 3678: 3672: 3666: 3660: 3654: 3648: 3642: 3636: 3630: 3619: 3613: 3607: 3601: 3595: 3589: 3578: 3572: 3566: 3560: 3541: 3535: 3529: 3523: 3514: 3508: 3502: 3496: 3490: 3484: 3478: 3472: 3466: 3460: 3454: 3448: 3442: 3436: 3430: 3424: 3415: 3409: 3403: 3402: 3385:(1/2): 117–119. 3370: 3364: 3363: 3357: 3353:"Vienna Library" 3349: 3343: 3342: 3314: 3305: 3304: 3276: 3267: 3266: 3259: 3253: 3247: 3241: 3235: 3229: 3223: 3217: 3211: 3205: 3199: 3193: 3187: 3178: 3172: 3166: 3159: 3153: 3144: 3138: 3078: 3072: 3060: 3054: 3045: 3039: 3023: 3017: 3011: 3005: 2999: 2993: 2987: 2981: 2975: 2969: 2963: 2957: 2954:Hutchings (1967) 2951: 2945: 2939: 2933: 2927: 2921: 2915: 2909: 2904: 2898: 2889: 2883: 2877: 2868: 2862: 2856: 2850: 2844: 2838: 2829: 2823: 2817: 2811: 2805: 2799: 2790: 2784: 2778: 2772: 2766: 2760: 2751: 2745: 2739: 2733: 2727: 2721: 2712: 2706: 2695: 2689: 2683: 2677: 2671: 2668: 2652: 2646: 2640: 2634: 2628: 2619: 2613: 2607: 2601: 2585: 2581: 2476:(1989) features 2429:(1940) features 2272:Benjamin Britten 2180: 1954:Numbering issues 1805:Neue Zeitschrift 1792:C major Symphony 1747:, writing about 1711:on the poems of 1686: 1677:" (D. 118) and " 1578: 1577: 1557: 1556: 1536: 1535: 1516: 1484:liturgical music 1441:piano four hands 1264:NiccolĂČ Paganini 1152: 1145:" (D. 889) and " 1144: 1125:Rondeau brillant 985:Octet in F major 964:first appeared. 953:Du bist die Ruh' 859:The Conspirators 833:Domenico Barbaia 775:on 14 June, and 762:Wanderer Fantasy 755:" (D. 714), the 740:Musical maturity 570:Johann Mayrhofer 539:liturgical works 518: 515: 472:Joseph von Spaun 368:Austrian Silesia 352:Himmelpfortgrund 279:Himmelpfortgrund 239:piano four hands 172:incidental music 132: 127: 115: 78: 75:19 November 1828 60: 58: 46: 32: 31: 12863: 12862: 12858: 12857: 12856: 12854: 12853: 12852: 12718: 12717: 12716: 12712:from Wikisource 12706: 12701: 12699: 12689: 12684: 12682: 12672: 12667: 12665: 12662: 12658:sister projects 12655:at Knowledge's 12649: 12637: 12627: 12625: 12621:Classical music 12615: 12613: 12603: 12601: 12591: 12589: 12581: 12579: 12574: 12573: 12568: 12567: 12556: 12548: 12534: 12491:Romantic poetry 12476:Romantic ballet 12451:German idealism 12434: 12400:Lacoue-Labarthe 12326: 12073: 11891: 11840: 11809: 11790:Rimsky-Korsakov 11733: 11682: 11631: 11590: 11499: 11443: 11407: 11348: 11197: 11141: 11090: 11049: 11008: 10962: 10904: 10845:Maria Edgeworth 10781: 10774: 10653: 10575: 10485: 10464:Romantic genius 10394:Gesamtkunstwerk 10371: 10332:Sturm und Drang 10239: 10170: 10165: 10135: 10130: 10107: 10103:Modernist music 10099: 10096:Classical music 10086: 10031: 9976: 9957:Romantic ballet 9952:Orchestral song 9932:Chorale prelude 9927:Character piece 9910: 9901:Romantic guitar 9894:Instrumentation 9889: 9725:Rimsky-Korsakov 9345:Ferdinand David 9182: 9176: 9167: 9162: 9132: 9127: 9096: 9091: 9061: 9056: 9033: 9025: 9012: 8967: 8963:Galant Schemata 8946: 8937:Sensitive style 8910: 8894:Instrumentation 8889: 8623:Mannheim school 8584: 8575: 8570: 8540: 8535: 8516: 8497: 8422: 8413: 8383: 8378: 8377: 8349: 8340: 8339: 8328: 8306: 8263: 8256: 8213: 8212: 8202: 8191: 8098: 8087: 8086: 7996: 7995: 7981: 7980: 7948: 7947: 7933: 7932: 7918: 7917: 7907:major/E major, 7903: 7902: 7889: 7888: 7883: 7882: 7823: 7816: 7810: 7809: 7799: 7769: 7764: 7763: 7742: 7700: 7594: 7588: 7547: 7502: 7496: 7495: 7489: 7459: 7454: 7453: 7432: 7398:D 2B in D major 7386: 7358: 7357: 7332: 7331: 7313: 7307: 7306: 7300: 7270: 7265: 7238: 7237: 7227: 7226: 7211: 7210: 7190: 7184: 7183: 7177: 7147: 7142: 7141: 7117: 7067: 7026: 6814: 6775: 6769: 6768: 6762: 6727: 6719: 6714: 6686: 6652:Antonio Salieri 6555: 6483:(1899 painting) 6475:(1916 operetta) 6450: 6419: 6308: 6221: 6216: 6149: 6126:Wayback Machine 6119:Schubertlied.de 6115: 6080: 6053: 6052: 6051: 6036: 6035: 6031: 6024: 6014: 5994:Wieland, Renate 5982: 5968:Newbould, Brian 5948: 5929: 5909: 5907:Further reading 5904: 5893: 5866: 5808: 5789: 5770: 5749: 5723: 5702: 5681: 5663:Newbould, Brian 5655: 5634: 5601: 5579: 5556: 5533: 5510: 5487: 5464: 5442: 5423: 5407:Emmons, Shirlee 5399: 5373: 5342: 5321: 5302: 5273: 5126: 5124: 5053:Dvoƙák, AntonĂ­n 5037: 5008: 4984: 4978: 4959: 4934: 4933: 4930: 4925: 4917: 4913: 4903: 4901: 4895: 4891: 4877: 4873: 4862: 4860: 4856: 4846: 4844: 4836: 4835: 4831: 4824: 4810: 4806: 4796: 4794: 4779: 4778: 4771: 4763: 4759: 4753:, February 1897 4748: 4744: 4736: 4732: 4722: 4720: 4710: 4706: 4698: 4694: 4688:Newbould (1999) 4686: 4679: 4671: 4667: 4657: 4655: 4642: 4638: 4628: 4626: 4621: 4620: 4616: 4610:Botstein (1997) 4608: 4604: 4594: 4592: 4588: 4587: 4580: 4572: 4568: 4557: 4553: 4545: 4541: 4529: 4525: 4515: 4513: 4505: 4504: 4500: 4492: 4488: 4480: 4476: 4466: 4464: 4463:on 20 July 2018 4451: 4450: 4446: 4438: 4434: 4424:Kreissle (1869) 4421: 4417: 4409: 4405: 4399:Kreissle (1869) 4397: 4390: 4385: 4381: 4376: 4372: 4364: 4360: 4352: 4348: 4342:Swafford (1992) 4340: 4336: 4328: 4324: 4316: 4312: 4304: 4300: 4292: 4288: 4280: 4276: 4268: 4264: 4252: 4248: 4240: 4236: 4228: 4224: 4216: 4212: 4200: 4196: 4188: 4184: 4176: 4169: 4132: 4128: 4091: 4087: 4081:Deutsche (1998) 4079: 4075: 4067: 4063: 4057:Newbould (1999) 4055: 4048: 4040: 4036: 4030:Newbould (1999) 4028: 4021: 4013: 4009: 3994: 3990: 3984:Newbould (1999) 3982: 3978: 3970: 3966: 3958: 3954: 3948:Newbould (1999) 3946: 3942: 3936:Newbould (1999) 3934: 3930: 3922: 3918: 3910: 3906: 3898: 3894: 3886: 3882: 3876:Newbould (1999) 3874: 3870: 3864:Newbould (1999) 3862: 3858: 3850: 3846: 3838: 3834: 3823:Fantasie f-Moll 3819: 3815: 3805: 3803: 3793: 3789: 3783:Newbould (1999) 3781: 3777: 3771:Newbould (1999) 3769: 3765: 3759:Newbould (1999) 3757: 3753: 3747:Newbould (1999) 3745: 3741: 3733: 3729: 3712: 3710: 3691: 3687: 3681:Newbould (1999) 3679: 3675: 3669:Newbould (1999) 3667: 3663: 3657:Newbould (1999) 3655: 3651: 3643: 3639: 3631: 3622: 3614: 3610: 3602: 3598: 3592:Newbould (1999) 3590: 3581: 3573: 3569: 3561: 3544: 3536: 3532: 3524: 3517: 3509: 3505: 3497: 3493: 3485: 3481: 3473: 3469: 3461: 3457: 3451:Newbould (1999) 3449: 3445: 3437: 3433: 3427:Newbould (1999) 3425: 3418: 3410: 3406: 3371: 3367: 3355: 3351: 3350: 3346: 3331: 3315: 3308: 3293: 3277: 3270: 3261: 3260: 3256: 3248: 3244: 3238:Newbould (1999) 3236: 3232: 3224: 3220: 3212: 3208: 3200: 3196: 3188: 3181: 3173: 3169: 3160: 3156: 3145: 3141: 3079: 3075: 3061: 3057: 3046: 3042: 3024: 3020: 3012: 3008: 3000: 2996: 2988: 2984: 2976: 2972: 2966:Newbould (1999) 2964: 2960: 2952: 2948: 2940: 2936: 2930:Newbould (1999) 2928: 2924: 2916: 2912: 2905: 2901: 2890: 2886: 2878: 2871: 2863: 2859: 2851: 2847: 2839: 2832: 2826:Kreissle (1869) 2824: 2820: 2812: 2808: 2800: 2793: 2785: 2781: 2773: 2769: 2761: 2754: 2746: 2742: 2734: 2730: 2722: 2715: 2709:Kreissle (1869) 2707: 2698: 2690: 2686: 2678: 2674: 2662: 2653: 2649: 2641: 2637: 2631:Kreissle (1869) 2629: 2622: 2614: 2610: 2602: 2598: 2594: 2589: 2588: 2582: 2578: 2573: 2568: 2455:Stanley Kubrick 2337: 2299: 2264:Richard Strauss 2218: 2207:and prefigures 2178: 2071:Robert Schumann 2062: 2038: 1966: 1956: 1925: 1911: 1895:Johannes Brahms 1883: 1869:Josef Kriehuber 1861: 1815:Arthur Sullivan 1788:Robert Schumann 1764: 1735:Ludwig Rellstab 1656:Die Nebensonnen 1629: 1619: 1611:Robert Schumann 1596: 1595: 1587: 1585: 1584: 1583: 1582: 1579: 1572: 1569: 1563: 1562: 1561: 1558: 1551: 1548: 1542: 1541: 1540: 1537: 1530: 1527: 1520: 1514: 1480: 1466: 1449: 1424: 1414: 1389:Zentralfriedhof 1280: 1227:Ludwig Rellstab 1201:Mass in C major 1041:FrĂ€ulein am See 1031: 1028: 1026: 1024: 921:, known as the 907:Josef Kriehuber 899: 777:Die Zauberharfe 742: 718:Napoleonic Wars 667:(16 July 1818). 607: 594:Maynard Solomon 516: 506: 452:Antonio Salieri 354:(now a part of 348: 343: 341:Life and career 331:Johannes Brahms 323:Robert Schumann 299:Antonio Salieri 125: 83: 80: 76: 67: 62: 61:31 January 1797 56: 54: 37: 28: 17: 12: 11: 5: 12861: 12851: 12850: 12845: 12840: 12835: 12830: 12825: 12820: 12815: 12810: 12805: 12800: 12795: 12790: 12785: 12780: 12775: 12770: 12765: 12760: 12755: 12750: 12745: 12740: 12735: 12730: 12728:Franz Schubert 12715: 12714: 12697: 12695:from Wikiquote 12680: 12653:Franz Schubert 12651: 12648: 12647: 12635: 12623: 12611: 12599: 12576: 12575: 12570: 12569: 12549: 12541: 12540: 12539: 12536: 12535: 12533: 12532: 12525: 12524: 12523: 12518: 12508: 12503: 12498: 12493: 12488: 12483: 12478: 12473: 12468: 12463: 12458: 12453: 12448: 12442: 12440: 12439:Related topics 12436: 12435: 12433: 12432: 12427: 12422: 12417: 12412: 12407: 12402: 12397: 12392: 12387: 12382: 12377: 12372: 12367: 12362: 12357: 12352: 12347: 12342: 12336: 12334: 12328: 12327: 12325: 12324: 12319: 12314: 12309: 12304: 12299: 12294: 12289: 12284: 12279: 12274: 12269: 12264: 12259: 12254: 12249: 12244: 12239: 12234: 12229: 12224: 12219: 12214: 12209: 12204: 12199: 12194: 12189: 12184: 12179: 12174: 12169: 12167:Gallen-Kallela 12164: 12159: 12154: 12149: 12144: 12142:David d'Angers 12139: 12134: 12129: 12124: 12119: 12114: 12109: 12104: 12099: 12094: 12089: 12083: 12081: 12079:Visual artists 12075: 12074: 12072: 12071: 12066: 12061: 12056: 12051: 12046: 12041: 12039:Schleiermacher 12036: 12031: 12026: 12021: 12016: 12011: 12006: 12001: 11996: 11991: 11986: 11981: 11976: 11971: 11966: 11961: 11956: 11951: 11946: 11941: 11936: 11931: 11926: 11921: 11916: 11911: 11905: 11903: 11897: 11896: 11893: 11892: 11890: 11889: 11884: 11879: 11874: 11869: 11864: 11859: 11854: 11848: 11846: 11842: 11841: 11839: 11838: 11833: 11828: 11823: 11817: 11815: 11811: 11810: 11808: 11807: 11802: 11797: 11792: 11787: 11782: 11777: 11772: 11767: 11762: 11757: 11752: 11747: 11741: 11739: 11735: 11734: 11732: 11731: 11726: 11721: 11716: 11711: 11706: 11701: 11696: 11690: 11688: 11684: 11683: 11681: 11680: 11675: 11670: 11665: 11660: 11655: 11650: 11645: 11639: 11637: 11633: 11632: 11630: 11629: 11624: 11619: 11614: 11609: 11604: 11598: 11596: 11592: 11591: 11589: 11588: 11583: 11578: 11573: 11568: 11563: 11558: 11553: 11548: 11543: 11538: 11533: 11528: 11523: 11518: 11513: 11507: 11505: 11501: 11500: 11498: 11497: 11492: 11487: 11482: 11477: 11472: 11467: 11462: 11457: 11451: 11449: 11445: 11444: 11442: 11441: 11436: 11431: 11426: 11421: 11415: 11413: 11409: 11408: 11406: 11405: 11400: 11395: 11390: 11385: 11380: 11375: 11369: 11367: 11360: 11354: 11353: 11350: 11349: 11347: 11346: 11341: 11336: 11331: 11326: 11321: 11316: 11311: 11306: 11304:OehlenschlĂ€ger 11301: 11296: 11291: 11286: 11281: 11276: 11271: 11266: 11261: 11256: 11251: 11246: 11241: 11236: 11231: 11226: 11221: 11216: 11211: 11205: 11203: 11199: 11198: 11196: 11195: 11190: 11185: 11180: 11175: 11170: 11165: 11160: 11155: 11149: 11147: 11143: 11142: 11140: 11139: 11134: 11129: 11124: 11119: 11114: 11109: 11104: 11098: 11096: 11092: 11091: 11089: 11088: 11083: 11078: 11073: 11068: 11063: 11057: 11055: 11051: 11050: 11048: 11047: 11042: 11037: 11032: 11027: 11022: 11016: 11014: 11010: 11009: 11007: 11006: 11001: 10996: 10991: 10986: 10981: 10976: 10974:Castelo Branco 10970: 10968: 10964: 10963: 10961: 10960: 10955: 10950: 10945: 10940: 10935: 10930: 10925: 10920: 10914: 10912: 10906: 10905: 10903: 10902: 10897: 10892: 10887: 10882: 10877: 10872: 10867: 10862: 10857: 10852: 10847: 10842: 10837: 10832: 10827: 10822: 10817: 10812: 10807: 10802: 10797: 10792: 10786: 10784: 10776: 10775: 10773: 10772: 10767: 10762: 10757: 10752: 10747: 10742: 10737: 10732: 10727: 10722: 10717: 10712: 10707: 10702: 10700:Brothers Grimm 10697: 10692: 10687: 10682: 10677: 10672: 10667: 10661: 10659: 10655: 10654: 10652: 10651: 10646: 10641: 10636: 10631: 10626: 10621: 10616: 10611: 10606: 10601: 10596: 10591: 10585: 10583: 10577: 10576: 10574: 10573: 10568: 10563: 10558: 10553: 10548: 10543: 10538: 10533: 10528: 10523: 10518: 10513: 10508: 10502: 10500: 10493: 10487: 10486: 10484: 10483: 10478: 10471: 10466: 10461: 10456: 10451: 10446: 10441: 10436: 10431: 10424: 10419: 10418: 10417: 10412: 10402: 10400:Gothic fiction 10397: 10390: 10388:British Marine 10385: 10379: 10377: 10373: 10372: 10370: 10369: 10364: 10359: 10354: 10349: 10342: 10337: 10336: 10335: 10323: 10318: 10313: 10308: 10303: 10298: 10293: 10288: 10286:Gothic revival 10283: 10278: 10273: 10268: 10263: 10258: 10253: 10247: 10245: 10241: 10240: 10238: 10237: 10232: 10227: 10222: 10217: 10212: 10207: 10202: 10197: 10189: 10184: 10178: 10176: 10172: 10171: 10164: 10163: 10156: 10149: 10141: 10132: 10131: 10129: 10128: 10118: 10100: 10092: 10091: 10088: 10087: 10085: 10084: 10083: 10082: 10072: 10071: 10070: 10065: 10060: 10055: 10045: 10039: 10037: 10033: 10032: 10030: 10029: 10022: 10017: 10012: 10007: 10002: 9995: 9990: 9984: 9982: 9978: 9977: 9975: 9974: 9969: 9967:Symphonic poem 9964: 9962:Romantic opera 9959: 9954: 9949: 9944: 9939: 9934: 9929: 9924: 9918: 9916: 9912: 9911: 9909: 9908: 9903: 9897: 9895: 9891: 9890: 9888: 9887: 9882: 9877: 9872: 9867: 9862: 9857: 9852: 9847: 9842: 9837: 9832: 9827: 9822: 9817: 9812: 9807: 9802: 9797: 9792: 9787: 9782: 9777: 9772: 9767: 9762: 9757: 9752: 9747: 9742: 9737: 9732: 9727: 9722: 9717: 9712: 9707: 9702: 9697: 9692: 9687: 9682: 9677: 9672: 9667: 9662: 9657: 9652: 9647: 9642: 9637: 9632: 9627: 9622: 9617: 9612: 9607: 9602: 9597: 9592: 9587: 9582: 9577: 9572: 9567: 9562: 9557: 9552: 9547: 9542: 9537: 9532: 9527: 9522: 9517: 9512: 9507: 9502: 9497: 9492: 9487: 9482: 9477: 9472: 9467: 9462: 9457: 9452: 9447: 9442: 9437: 9432: 9427: 9422: 9417: 9412: 9407: 9402: 9397: 9392: 9387: 9382: 9377: 9372: 9367: 9362: 9357: 9352: 9347: 9342: 9340:FĂ©licien David 9337: 9332: 9327: 9322: 9317: 9312: 9307: 9302: 9297: 9292: 9287: 9282: 9277: 9272: 9267: 9262: 9257: 9252: 9247: 9242: 9237: 9232: 9227: 9222: 9217: 9212: 9207: 9202: 9197: 9192: 9186: 9184: 9178: 9177: 9172: 9169: 9168: 9165:Romantic music 9161: 9160: 9153: 9146: 9138: 9129: 9128: 9126: 9125: 9122:Franz Schubert 9118: 9117: 9112: 9107: 9101: 9098: 9097: 9090: 9089: 9082: 9075: 9067: 9058: 9057: 9055: 9054: 9044: 9029:Romantic music 9026: 9018: 9017: 9014: 9013: 9011: 9010: 9009: 9008: 9007: 9006: 9001: 8996: 8981: 8975: 8973: 8969: 8968: 8966: 8965: 8960: 8958:Notes inĂ©gales 8954: 8952: 8948: 8947: 8945: 8944: 8939: 8934: 8929: 8924: 8918: 8916: 8912: 8911: 8909: 8908: 8906:String quartet 8903: 8897: 8895: 8891: 8890: 8888: 8887: 8882: 8877: 8872: 8867: 8862: 8857: 8852: 8847: 8842: 8837: 8832: 8827: 8822: 8817: 8812: 8807: 8802: 8797: 8792: 8787: 8782: 8777: 8775:MartĂ­n y Soler 8772: 8767: 8762: 8757: 8752: 8747: 8742: 8737: 8732: 8727: 8722: 8717: 8712: 8707: 8702: 8697: 8692: 8687: 8682: 8677: 8672: 8667: 8662: 8661: 8660: 8655: 8650: 8645: 8640: 8635: 8630: 8620: 8619: 8618: 8613: 8608: 8603: 8592: 8590: 8586: 8585: 8580: 8577: 8576: 8569: 8568: 8561: 8554: 8546: 8537: 8536: 8534: 8533: 8524: 8522: 8518: 8517: 8515: 8514: 8505: 8503: 8499: 8498: 8496: 8495: 8487: 8479: 8471: 8463: 8455: 8447: 8439: 8430: 8428: 8424: 8423: 8420:Franz Schubert 8412: 8411: 8404: 8397: 8389: 8380: 8379: 8376: 8375: 8365: 8359: 8358: 8355: 8354: 8351: 8350: 8336: 8334: 8330: 8329: 8327: 8326: 8317: 8315: 8308: 8307: 8305: 8304: 8295: 8277: 8275: 8266: 8258: 8257: 8255: 8254: 8245: 8236: 8223: 8207: 8205: 8197: 8196: 8193: 8192: 8190: 8189: 8181: 8175:4 Impromptus, 8172: 8166:4 Impromptus, 8163: 8155: 8146: 8137: 8128: 8117: 8108: 8106: 8100: 8099: 8097: 8096: 8082: 8074: 8066: 8057: 8048: 8039: 8031: 8022: 8014: 8005: 7991: 7976: 7967: 7958: 7943: 7928: 7913: 7898: 7878: 7869: 7856: 7854:/277A/309A/346 7847: 7837: 7835: 7826: 7818: 7817: 7812:Franz Schubert 7798: 7797: 7790: 7783: 7775: 7766: 7765: 7762: 7761: 7760: 7759: 7748: 7747: 7744: 7743: 7741: 7740: 7735: 7730: 7722: 7714: 7708: 7706: 7702: 7701: 7699: 7698: 7693: 7684: 7675: 7666: 7661: 7652: 7647: 7642: 7634: 7629: 7624: 7619: 7614: 7609: 7604: 7598: 7596: 7590: 7589: 7587: 7586: 7581: 7576: 7571: 7566: 7561: 7555: 7553: 7549: 7548: 7546: 7545: 7540: 7539: 7538: 7533: 7528: 7523: 7512: 7510: 7504: 7503: 7498:Franz Schubert 7488: 7487: 7480: 7473: 7465: 7456: 7455: 7452: 7451: 7450: 7449: 7438: 7437: 7434: 7433: 7431: 7430: 7425: 7415: 7410: 7405: 7400: 7394: 7392: 7388: 7387: 7385: 7384: 7374: 7364: 7353: 7343: 7338: 7327: 7321: 7319: 7315: 7314: 7309:Franz Schubert 7299: 7298: 7291: 7284: 7276: 7267: 7266: 7252: 7251: 7248:Deutsche Messe 7244: 7233: 7222: 7217: 7206: 7201: 7195: 7192: 7191: 7186:Franz Schubert 7176: 7175: 7168: 7161: 7153: 7144: 7143: 7140: 7139: 7134: 7129: 7123: 7122: 7119: 7118: 7116: 7115: 7108: 7103: 7098: 7093: 7088: 7081: 7075: 7073: 7069: 7068: 7066: 7065: 7061:Schwanengesang 7057: 7049: 7036: 7034: 7028: 7027: 7025: 7024: 7017: 7010: 7003: 6998: 6991: 6984: 6977: 6970: 6963: 6956: 6949: 6942: 6935: 6928: 6921: 6914: 6909: 6902: 6895: 6888: 6881: 6878:Vaterlandslied 6874: 6867: 6864:Die BĂŒrgschaft 6860: 6853: 6846: 6843:Rastlose Liebe 6839: 6832: 6824: 6822: 6816: 6815: 6813: 6812: 6807: 6800: 6793: 6785: 6783: 6777: 6776: 6771:Franz Schubert 6761: 6760: 6753: 6746: 6738: 6732: 6729: 6728: 6716: 6715: 6713: 6712: 6702: 6691: 6688: 6687: 6685: 6684: 6679: 6674: 6669: 6664: 6659: 6654: 6649: 6647:Brian Newbould 6644: 6639: 6637:Wilhelm MĂŒller 6634: 6629: 6624: 6619: 6614: 6609: 6604: 6599: 6594: 6589: 6584: 6582:Julius Epstein 6579: 6574: 6569: 6563: 6561: 6557: 6556: 6554: 6553: 6545: 6541:Franz Schubert 6537: 6529: 6525:It's Only Love 6521: 6513: 6505: 6497: 6489: 6484: 6476: 6468: 6462: 6460: 6456: 6455: 6452: 6451: 6449: 6448: 6443: 6438: 6433: 6427: 6425: 6421: 6420: 6418: 6417: 6412: 6407: 6402: 6397: 6392: 6387: 6382: 6377: 6372: 6367: 6362: 6357: 6352: 6347: 6342: 6337: 6332: 6327: 6322: 6316: 6314: 6310: 6309: 6307: 6306: 6301: 6296: 6291: 6286: 6276: 6271: 6261: 6251: 6246: 6240: 6238: 6229: 6223: 6222: 6219:Franz Schubert 6215: 6214: 6207: 6200: 6192: 6186: 6185: 6176: 6166: 6156: 6148: 6145: 6144: 6143: 6129: 6114: 6111: 6110: 6109: 6104: 6093:Franz Schubert 6090: 6078: 6073: 6064: 6057:Franz Schubert 6050: 6049: 6044: 6038: 6037: 6033:Franz Schubert 6026: 6025: 6023: 6022:External links 6020: 6019: 6018: 6012: 5986: 5980: 5960: 5946: 5933: 5927: 5908: 5905: 5903: 5902: 5891: 5875: 5864: 5847: 5821: 5807: 5806: 5793: 5787: 5774: 5768: 5753: 5747: 5727: 5721: 5706: 5700: 5685: 5679: 5659: 5653: 5638: 5632: 5617: 5605: 5599: 5583: 5577: 5560: 5554: 5537: 5531: 5514: 5508: 5491: 5485: 5468: 5462: 5450:Gammond, Peter 5446: 5440: 5427: 5421: 5403: 5397: 5377: 5371: 5354: 5340: 5325: 5319: 5306: 5300: 5284:Botstein, Leon 5279: 5272: 5271: 5245: 5234: 5200: 5181: 5169: 5157: 5147:Chisholm, Hugh 5122: 5096: 5077: 5049: 5035: 5020: 5006: 4990: 4983: 4982: 4976: 4963: 4957: 4940: 4929: 4926: 4924: 4923: 4911: 4889: 4871: 4854: 4829: 4822: 4804: 4769: 4757: 4742: 4730: 4704: 4692: 4677: 4665: 4636: 4614: 4602: 4578: 4566: 4551: 4539: 4523: 4498: 4486: 4483:Deutsch (1995) 4474: 4444: 4440:Deutsch (1995) 4432: 4415: 4403: 4388: 4379: 4370: 4358: 4354:Gammond (1982) 4346: 4334: 4322: 4310: 4298: 4294:Gammond (1982) 4286: 4282:Gammond (1982) 4274: 4262: 4246: 4234: 4222: 4218:Gammond (1982) 4210: 4206:, 1 April 2014 4194: 4182: 4167: 4126: 4107:(4): 232–235. 4085: 4073: 4061: 4046: 4034: 4019: 4007: 3988: 3976: 3972:Griffel (1997) 3964: 3952: 3940: 3928: 3916: 3904: 3892: 3880: 3868: 3856: 3844: 3832: 3813: 3787: 3775: 3763: 3751: 3739: 3727: 3700:Winter Journey 3694:Dirda, Michael 3685: 3673: 3661: 3649: 3637: 3620: 3608: 3596: 3579: 3567: 3565:, p. 385. 3542: 3530: 3515: 3503: 3491: 3479: 3467: 3455: 3443: 3431: 3416: 3404: 3365: 3344: 3329: 3306: 3291: 3268: 3254: 3242: 3230: 3218: 3206: 3194: 3192:, p. 384. 3179: 3167: 3154: 3139: 3073: 3055: 3040: 3018: 3006: 2994: 2982: 2970: 2958: 2946: 2934: 2922: 2910: 2907:Steblin (1998) 2899: 2884: 2869: 2857: 2845: 2830: 2818: 2806: 2791: 2779: 2767: 2752: 2740: 2728: 2713: 2696: 2684: 2682:, p. 383. 2672: 2647: 2635: 2620: 2608: 2595: 2593: 2590: 2587: 2586: 2575: 2574: 2572: 2569: 2567: 2564: 2563: 2562: 2541: 2525: 2506:Roman Polanksi 2502: 2485: 2468: 2451: 2438:Robert Bresson 2434: 2370:Franz Schubert 2365:It's Only Love 2336: 2333: 2329:Kurt Atterberg 2298: 2297:Commemorations 2295: 2252:Anton Bruckner 2248:Hector Berlioz 2244:AntonĂ­n Dvoƙák 2217: 2214: 2125:ABC Classic FM 2061: 2058: 2037: 2034: 2026: 2025: 2018: 2008: 1998: 1955: 1952: 1910: 1907: 1860: 1857: 1841:(D. 190), and 1763: 1760: 1755:AntonĂ­n Dvoƙák 1730:Schwanengesang 1713:Wilhelm MĂŒller 1697:Heinrich Heine 1637:Leon Plantinga 1618: 1615: 1586: 1580: 1570: 1565: 1564: 1559: 1549: 1544: 1543: 1538: 1528: 1523: 1522: 1521: 1512: 1511: 1510: 1506:string quartet 1488:String Quintet 1465: 1462: 1458:Eduard Erdmann 1448: 1445: 1413: 1410: 1397:Anton Bruckner 1279: 1276: 1223:Heinrich Heine 1214:Schwanengesang 1191:(D. 950), the 1021: 969:Trockne Blumen 942:Wilhelm MĂŒller 928:Brian Newbould 898: 895: 786:Anton Diabelli 741: 738: 730:Schwanengesang 606: 603: 505: 502: 498:first symphony 384:ninth district 347: 344: 342: 339: 271:Schwanengesang 117: 116: 108: 107: 103: 102: 97: 93: 92: 89: 85: 84: 81: 79:(aged 31) 73: 69: 68: 63: 52: 48: 47: 39: 38: 36:Franz Schubert 35: 15: 9: 6: 4: 3: 2: 12860: 12849: 12846: 12844: 12841: 12839: 12836: 12834: 12831: 12829: 12826: 12824: 12821: 12819: 12816: 12814: 12811: 12809: 12806: 12804: 12801: 12799: 12796: 12794: 12791: 12789: 12786: 12784: 12781: 12779: 12776: 12774: 12771: 12769: 12766: 12764: 12761: 12759: 12756: 12754: 12751: 12749: 12746: 12744: 12741: 12739: 12736: 12734: 12731: 12729: 12726: 12725: 12723: 12711: 12710: 12698: 12694: 12693: 12681: 12677: 12676: 12664: 12663: 12660: 12654: 12646: 12641: 12636: 12634: 12624: 12622: 12612: 12610: 12600: 12598: 12588: 12587: 12584: 12566: 12565: 12554: 12553: 12547: 12546: 12537: 12531: 12530: 12526: 12522: 12519: 12517: 12514: 12513: 12512: 12509: 12507: 12504: 12502: 12499: 12497: 12494: 12492: 12489: 12487: 12484: 12482: 12479: 12477: 12474: 12472: 12469: 12467: 12464: 12462: 12459: 12457: 12454: 12452: 12449: 12447: 12444: 12443: 12441: 12437: 12431: 12428: 12426: 12423: 12421: 12418: 12416: 12413: 12411: 12408: 12406: 12403: 12401: 12398: 12396: 12393: 12391: 12388: 12386: 12383: 12381: 12378: 12376: 12373: 12371: 12368: 12366: 12363: 12361: 12358: 12356: 12353: 12351: 12348: 12346: 12343: 12341: 12338: 12337: 12335: 12333: 12329: 12323: 12320: 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11572: 11569: 11567: 11564: 11562: 11559: 11557: 11554: 11552: 11549: 11547: 11544: 11542: 11539: 11537: 11534: 11532: 11529: 11527: 11524: 11522: 11519: 11517: 11514: 11512: 11509: 11508: 11506: 11502: 11496: 11493: 11491: 11488: 11486: 11483: 11481: 11478: 11476: 11473: 11471: 11468: 11466: 11463: 11461: 11458: 11456: 11453: 11452: 11450: 11446: 11440: 11437: 11435: 11432: 11430: 11427: 11425: 11422: 11420: 11417: 11416: 11414: 11410: 11404: 11401: 11399: 11396: 11394: 11391: 11389: 11386: 11384: 11381: 11379: 11376: 11374: 11371: 11370: 11368: 11364: 11361: 11359: 11355: 11345: 11342: 11340: 11337: 11335: 11332: 11330: 11327: 11325: 11322: 11320: 11317: 11315: 11312: 11310: 11307: 11305: 11302: 11300: 11297: 11295: 11292: 11290: 11287: 11285: 11282: 11280: 11277: 11275: 11272: 11270: 11267: 11265: 11262: 11260: 11259:Nikolai Gogol 11257: 11255: 11252: 11250: 11247: 11245: 11242: 11240: 11237: 11235: 11232: 11230: 11227: 11225: 11222: 11220: 11217: 11215: 11212: 11210: 11207: 11206: 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B. Shelley 10888: 10886: 10883: 10881: 10878: 10876: 10873: 10871: 10870:Mary Robinson 10868: 10866: 10863: 10861: 10858: 10856: 10853: 10851: 10848: 10846: 10843: 10841: 10838: 10836: 10833: 10831: 10828: 10826: 10823: 10821: 10818: 10816: 10813: 10811: 10808: 10806: 10803: 10801: 10798: 10796: 10793: 10791: 10788: 10787: 10785: 10783: 10777: 10771: 10768: 10766: 10763: 10761: 10758: 10756: 10753: 10751: 10748: 10746: 10743: 10741: 10738: 10736: 10733: 10731: 10728: 10726: 10723: 10721: 10718: 10716: 10713: 10711: 10708: 10706: 10703: 10701: 10698: 10696: 10693: 10691: 10688: 10686: 10683: 10681: 10678: 10676: 10673: 10671: 10668: 10666: 10663: 10662: 10660: 10656: 10650: 10647: 10645: 10642: 10640: 10637: 10635: 10632: 10630: 10627: 10625: 10622: 10620: 10617: 10615: 10612: 10610: 10607: 10605: 10602: 10600: 10599:Chateaubriand 10597: 10595: 10592: 10590: 10587: 10586: 10584: 10582: 10578: 10572: 10569: 10567: 10564: 10562: 10559: 10557: 10554: 10552: 10549: 10547: 10544: 10542: 10539: 10537: 10534: 10532: 10529: 10527: 10524: 10522: 10519: 10517: 10514: 10512: 10509: 10507: 10504: 10503: 10501: 10497: 10494: 10492: 10488: 10482: 10479: 10477: 10476: 10472: 10470: 10467: 10465: 10462: 10460: 10457: 10455: 10452: 10450: 10447: 10445: 10442: 10440: 10437: 10435: 10432: 10430: 10429: 10428:Mal du siĂšcle 10425: 10423: 10420: 10416: 10413: 10411: 10408: 10407: 10406: 10403: 10401: 10398: 10396: 10395: 10391: 10389: 10386: 10384: 10381: 10380: 10378: 10374: 10368: 10365: 10363: 10360: 10358: 10355: 10353: 10350: 10348: 10347: 10343: 10341: 10338: 10334: 10333: 10329: 10328: 10327: 10324: 10322: 10319: 10317: 10314: 10312: 10309: 10307: 10304: 10302: 10299: 10297: 10294: 10292: 10289: 10287: 10284: 10282: 10279: 10277: 10274: 10272: 10269: 10267: 10264: 10262: 10259: 10257: 10254: 10252: 10249: 10248: 10246: 10242: 10236: 10233: 10231: 10228: 10226: 10223: 10221: 10218: 10216: 10213: 10211: 10208: 10206: 10203: 10201: 10198: 10196: 10193: 10190: 10188: 10185: 10183: 10180: 10179: 10177: 10173: 10169: 10162: 10157: 10155: 10150: 10148: 10143: 10142: 10139: 10127: 10123: 10119: 10117: 10109: 10108: 10105: 10104: 10098: 10097: 10089: 10081: 10078: 10077: 10076: 10073: 10069: 10066: 10064: 10061: 10059: 10056: 10054: 10051: 10050: 10049: 10046: 10044: 10041: 10040: 10038: 10034: 10027: 10023: 10021: 10018: 10016: 10013: 10011: 10008: 10006: 10003: 10001: 10000: 9996: 9994: 9991: 9989: 9986: 9985: 9983: 9979: 9973: 9970: 9968: 9965: 9963: 9960: 9958: 9955: 9953: 9950: 9948: 9945: 9943: 9940: 9938: 9935: 9933: 9930: 9928: 9925: 9923: 9920: 9919: 9917: 9913: 9907: 9904: 9902: 9899: 9898: 9896: 9892: 9886: 9883: 9881: 9878: 9876: 9873: 9871: 9868: 9866: 9863: 9861: 9858: 9856: 9853: 9851: 9848: 9846: 9843: 9841: 9838: 9836: 9833: 9831: 9828: 9826: 9823: 9821: 9818: 9816: 9813: 9811: 9810:J. Strauss II 9808: 9806: 9803: 9801: 9798: 9796: 9793: 9791: 9788: 9786: 9783: 9781: 9778: 9776: 9773: 9771: 9768: 9766: 9763: 9761: 9758: 9756: 9753: 9751: 9748: 9746: 9743: 9741: 9738: 9736: 9733: 9731: 9728: 9726: 9723: 9721: 9718: 9716: 9713: 9711: 9708: 9706: 9703: 9701: 9698: 9696: 9693: 9691: 9688: 9686: 9683: 9681: 9678: 9676: 9673: 9671: 9668: 9666: 9663: 9661: 9658: 9656: 9653: 9651: 9648: 9646: 9643: 9641: 9638: 9636: 9633: 9631: 9628: 9626: 9623: 9621: 9618: 9616: 9613: 9611: 9608: 9606: 9603: 9601: 9598: 9596: 9593: 9591: 9588: 9586: 9583: 9581: 9578: 9576: 9573: 9571: 9568: 9566: 9563: 9561: 9558: 9556: 9553: 9551: 9548: 9546: 9543: 9541: 9538: 9536: 9533: 9531: 9528: 9526: 9523: 9521: 9518: 9516: 9513: 9511: 9508: 9506: 9503: 9501: 9498: 9496: 9493: 9491: 9488: 9486: 9483: 9481: 9478: 9476: 9473: 9471: 9468: 9466: 9463: 9461: 9458: 9456: 9453: 9451: 9448: 9446: 9443: 9441: 9438: 9436: 9433: 9431: 9428: 9426: 9423: 9421: 9418: 9416: 9413: 9411: 9408: 9406: 9403: 9401: 9398: 9396: 9393: 9391: 9388: 9386: 9383: 9381: 9378: 9376: 9373: 9371: 9368: 9366: 9363: 9361: 9358: 9356: 9353: 9351: 9348: 9346: 9343: 9341: 9338: 9336: 9333: 9331: 9328: 9326: 9323: 9321: 9318: 9316: 9313: 9311: 9308: 9306: 9303: 9301: 9298: 9296: 9293: 9291: 9288: 9286: 9283: 9281: 9278: 9276: 9273: 9271: 9268: 9266: 9263: 9261: 9258: 9256: 9253: 9251: 9248: 9246: 9243: 9241: 9238: 9236: 9233: 9231: 9228: 9226: 9223: 9221: 9218: 9216: 9213: 9211: 9208: 9206: 9203: 9201: 9198: 9196: 9193: 9191: 9188: 9187: 9185: 9181:Composers and 9179: 9175: 9170: 9166: 9159: 9154: 9152: 9147: 9145: 9140: 9139: 9136: 9123: 9120: 9119: 9116: 9113: 9111: 9108: 9106: 9103: 9102: 9099: 9095: 9088: 9083: 9081: 9076: 9074: 9069: 9068: 9065: 9053: 9049: 9045: 9043: 9035: 9034: 9031: 9030: 9024: 9023: 9022:Baroque music 9015: 9005: 9002: 9000: 8997: 8995: 8992: 8991: 8990: 8987: 8986: 8985: 8982: 8980: 8977: 8976: 8974: 8970: 8964: 8961: 8959: 8956: 8955: 8953: 8949: 8943: 8940: 8938: 8935: 8933: 8930: 8928: 8925: 8923: 8920: 8919: 8917: 8913: 8907: 8904: 8902: 8899: 8898: 8896: 8892: 8886: 8883: 8881: 8878: 8876: 8873: 8871: 8868: 8866: 8863: 8861: 8858: 8856: 8853: 8851: 8848: 8846: 8843: 8841: 8840:Saint-Georges 8838: 8836: 8833: 8831: 8828: 8826: 8823: 8821: 8818: 8816: 8813: 8811: 8808: 8806: 8803: 8801: 8798: 8796: 8793: 8791: 8788: 8786: 8783: 8781: 8778: 8776: 8773: 8771: 8768: 8766: 8763: 8761: 8758: 8756: 8753: 8751: 8748: 8746: 8743: 8741: 8738: 8736: 8733: 8731: 8728: 8726: 8723: 8721: 8718: 8716: 8713: 8711: 8708: 8706: 8703: 8701: 8698: 8696: 8693: 8691: 8688: 8686: 8683: 8681: 8678: 8676: 8673: 8671: 8670:C. P. E. Bach 8668: 8666: 8663: 8659: 8656: 8654: 8651: 8649: 8646: 8644: 8641: 8639: 8636: 8634: 8631: 8629: 8626: 8625: 8624: 8621: 8617: 8614: 8612: 8609: 8607: 8604: 8602: 8599: 8598: 8597: 8594: 8593: 8591: 8587: 8583: 8578: 8574: 8567: 8562: 8560: 8555: 8553: 8548: 8547: 8544: 8531: 8530: 8526: 8525: 8523: 8519: 8512: 8511: 8507: 8506: 8504: 8500: 8493: 8492: 8488: 8485: 8484: 8480: 8477: 8476: 8472: 8469: 8468: 8464: 8461: 8460: 8456: 8453: 8452: 8448: 8445: 8444: 8440: 8437: 8436: 8432: 8431: 8429: 8425: 8421: 8417: 8410: 8405: 8403: 8398: 8396: 8391: 8390: 8387: 8373: 8369: 8366: 8364: 8361: 8360: 8356: 8348: 8347: 8335: 8331: 8325: 8324: 8319: 8318: 8316: 8313: 8309: 8303: 8301: 8296: 8294: 8292: 8288: 8284: 8279: 8278: 8276: 8274: 8270: 8267: 8265: 8259: 8253: 8251: 8246: 8244: 8242: 8237: 8235: 8233: 8229: 8224: 8222: 8220: 8209: 8208: 8206: 8204: 8198: 8188: 8187: 8182: 8180: 8178: 8173: 8171: 8169: 8164: 8162: 8161: 8156: 8154: 8152: 8147: 8145: 8143: 8138: 8136: 8134: 8129: 8127: 8126: 8122: 8118: 8116: 8115: 8110: 8109: 8107: 8105: 8101: 8095: 8094: 8083: 8081: 8080: 8075: 8073: 8072: 8067: 8065: 8063: 8058: 8056: 8054: 8049: 8047: 8045: 8040: 8038: 8037: 8032: 8030: 8028: 8023: 8021: 8020: 8015: 8013: 8011: 8006: 8004: 8003: 7992: 7990: 7988: 7977: 7975: 7973: 7968: 7966: 7964: 7959: 7957: 7955: 7944: 7942: 7940: 7929: 7927: 7925: 7914: 7912: 7910: 7899: 7897: 7896: 7879: 7877: 7875: 7870: 7868: 7866: 7862: 7861:KlavierstĂŒcke 7857: 7855: 7853: 7848: 7846: 7844: 7839: 7838: 7836: 7834: 7830: 7827: 7825: 7819: 7813: 7807: 7803: 7796: 7791: 7789: 7784: 7782: 7777: 7776: 7773: 7758: 7755: 7754: 7753: 7750: 7749: 7745: 7739: 7736: 7734: 7731: 7729: 7727: 7726:Trout Quintet 7723: 7721: 7719: 7715: 7713: 7710: 7709: 7707: 7703: 7697: 7694: 7692: 7691:), D 810 7690: 7687:No. 14 ( 7685: 7683: 7682:), D 804 7681: 7678:No. 13 ( 7676: 7674: 7673:), D 703 7672: 7669:No. 12 ( 7667: 7665: 7662: 7660: 7658: 7655:No. 10 ( 7653: 7651: 7648: 7646: 7643: 7641: 7639: 7635: 7633: 7630: 7628: 7625: 7623: 7620: 7618: 7615: 7613: 7610: 7608: 7605: 7603: 7600: 7599: 7597: 7591: 7585: 7582: 7580: 7577: 7575: 7572: 7570: 7567: 7565: 7562: 7560: 7557: 7556: 7554: 7550: 7544: 7541: 7537: 7534: 7532: 7529: 7527: 7524: 7522: 7519: 7518: 7517: 7514: 7513: 7511: 7509: 7505: 7499: 7493: 7492:Chamber music 7486: 7481: 7479: 7474: 7472: 7467: 7466: 7463: 7448: 7445: 7444: 7443: 7440: 7439: 7435: 7429: 7426: 7423: 7419: 7416: 7414: 7411: 7409: 7406: 7404: 7401: 7399: 7396: 7395: 7393: 7389: 7382: 7378: 7375: 7372: 7368: 7365: 7363: 7354: 7351: 7347: 7344: 7342: 7339: 7337: 7328: 7326: 7323: 7322: 7320: 7316: 7310: 7304: 7297: 7292: 7290: 7285: 7283: 7278: 7277: 7274: 7264: 7261: 7257: 7250: 7249: 7245: 7243: 7234: 7232: 7223: 7221: 7218: 7216: 7207: 7205: 7202: 7200: 7197: 7196: 7193: 7187: 7181: 7174: 7169: 7167: 7162: 7160: 7155: 7154: 7151: 7138: 7135: 7133: 7130: 7128: 7125: 7124: 7120: 7113: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7086: 7082: 7080: 7077: 7076: 7074: 7070: 7063: 7062: 7058: 7055: 7054: 7050: 7047: 7046: 7042:, including: 7041: 7038: 7037: 7035: 7033: 7029: 7023:", D 965 7022: 7018: 7015: 7011: 7009:", D 891 7008: 7004: 7002: 6999: 6997:", D 882 6996: 6992: 6990:", D 839 6989: 6985: 6983:", D 827 6982: 6978: 6976:", D 777 6975: 6971: 6968: 6964: 6962:", D 774 6961: 6957: 6955:", D 771 6954: 6950: 6948:", D 767 6947: 6943: 6941:", D 674 6940: 6936: 6934:", D 550 6933: 6929: 6927:", D 547 6926: 6922: 6920:", D 531 6919: 6915: 6913: 6910: 6908:", D 489 6907: 6903: 6901:", D 367 6900: 6896: 6894:", D 328 6893: 6889: 6887:", D 322 6886: 6882: 6880:", D 287 6879: 6875: 6873:", D 257 6872: 6871:Heidenröslein 6868: 6866:", D 246 6865: 6861: 6859:", D 166 6858: 6854: 6852:", D 141 6851: 6850:Der Mondabend 6847: 6845:", D 130 6844: 6840: 6838:", D 118 6837: 6833: 6830: 6826: 6825: 6823: 6821: 6817: 6811: 6808: 6806:", D 714 6805: 6801: 6799:", D 189 6798: 6797:An die Freude 6794: 6792:", D 170 6791: 6787: 6786: 6784: 6782: 6778: 6772: 6766: 6759: 6754: 6752: 6747: 6745: 6740: 6739: 6736: 6730: 6723: 6711: 6707: 6703: 6701: 6693: 6692: 6689: 6683: 6680: 6678: 6675: 6673: 6670: 6668: 6665: 6663: 6660: 6658: 6655: 6653: 6650: 6648: 6645: 6643: 6640: 6638: 6635: 6633: 6630: 6628: 6625: 6623: 6620: 6618: 6615: 6613: 6610: 6608: 6605: 6603: 6600: 6598: 6595: 6593: 6590: 6588: 6585: 6583: 6580: 6578: 6575: 6573: 6570: 6568: 6565: 6564: 6562: 6558: 6551: 6550: 6546: 6543: 6542: 6538: 6535: 6534: 6530: 6527: 6526: 6522: 6519: 6518: 6514: 6511: 6510: 6506: 6503: 6502: 6498: 6495: 6494: 6490: 6488: 6485: 6482: 6481: 6477: 6474: 6473: 6469: 6467: 6464: 6463: 6461: 6457: 6447: 6444: 6442: 6439: 6437: 6434: 6432: 6429: 6428: 6426: 6422: 6416: 6413: 6411: 6408: 6406: 6403: 6401: 6398: 6396: 6393: 6391: 6388: 6386: 6383: 6381: 6378: 6376: 6373: 6371: 6368: 6366: 6363: 6361: 6358: 6356: 6353: 6351: 6348: 6346: 6343: 6341: 6338: 6336: 6333: 6331: 6328: 6326: 6323: 6321: 6318: 6317: 6315: 6311: 6305: 6302: 6300: 6297: 6295: 6292: 6290: 6287: 6284: 6280: 6277: 6275: 6272: 6269: 6265: 6262: 6259: 6255: 6252: 6250: 6247: 6245: 6244:Chamber music 6242: 6241: 6239: 6237: 6233: 6230: 6228: 6224: 6220: 6213: 6208: 6206: 6201: 6199: 6194: 6193: 6190: 6184: 6180: 6177: 6174: 6170: 6167: 6164: 6160: 6157: 6154: 6151: 6150: 6141: 6137: 6133: 6130: 6127: 6123: 6120: 6117: 6116: 6108: 6105: 6102: 6098: 6094: 6091: 6087: 6083: 6079: 6077: 6074: 6072: 6068: 6065: 6062: 6058: 6055: 6054: 6048: 6045: 6043: 6040: 6039: 6034: 6029: 6015: 6013:9783761823330 6009: 6005: 6002:(in German). 6001: 6000: 5995: 5991: 5987: 5983: 5977: 5973: 5969: 5965: 5964:Steblin, Rita 5961: 5957: 5953: 5949: 5943: 5939: 5934: 5930: 5924: 5920: 5916: 5911: 5910: 5900: 5894: 5888: 5885:(Paperback). 5884: 5881: 5876: 5873: 5867: 5861: 5857: 5853: 5848: 5845: 5839: 5835: 5831: 5828: 5823: 5822: 5820: 5818: 5813: 5812: 5803: 5799: 5794: 5790: 5784: 5780: 5775: 5771: 5765: 5761: 5760: 5754: 5750: 5744: 5739: 5738: 5732: 5728: 5724: 5718: 5714: 5713: 5707: 5703: 5697: 5693: 5692: 5686: 5682: 5676: 5671: 5670: 5664: 5660: 5656: 5650: 5646: 5645: 5639: 5635: 5629: 5625: 5624: 5618: 5614: 5610: 5606: 5602: 5596: 5592: 5588: 5584: 5580: 5574: 5570: 5566: 5561: 5557: 5551: 5547: 5543: 5538: 5534: 5528: 5524: 5520: 5515: 5511: 5505: 5500: 5499: 5492: 5488: 5482: 5478: 5474: 5469: 5465: 5459: 5455: 5451: 5447: 5443: 5437: 5433: 5428: 5424: 5418: 5414: 5413: 5408: 5404: 5400: 5394: 5390: 5386: 5382: 5378: 5374: 5368: 5364: 5360: 5355: 5351: 5347: 5343: 5337: 5333: 5332: 5326: 5322: 5316: 5312: 5307: 5303: 5297: 5293: 5289: 5285: 5281: 5280: 5278: 5277: 5268: 5264: 5260: 5256: 5255: 5250: 5246: 5242: 5241: 5235: 5231: 5227: 5223: 5222: 5217: 5216:Riemann, Hugo 5213: 5209: 5205: 5201: 5197: 5193: 5189: 5188: 5182: 5177: 5176: 5170: 5165: 5164: 5158: 5154: 5153: 5148: 5144: 5140: 5135: 5134:public domain 5123: 5119: 5115: 5111: 5110: 5105: 5101: 5100:Grove, George 5097: 5093: 5089: 5085: 5084: 5078: 5074: 5070: 5066: 5062: 5058: 5055:(July 1894). 5054: 5050: 5046: 5042: 5038: 5032: 5029:. J.M. Dent. 5028: 5027: 5021: 5017: 5013: 5009: 5003: 4999: 4998: 4992: 4991: 4989: 4988: 4979: 4973: 4969: 4964: 4960: 4954: 4950: 4946: 4942: 4941: 4939: 4938: 4920: 4915: 4900: 4897:Gabler, Jay. 4893: 4886: 4885: 4880: 4875: 4869: 4865: 4858: 4843: 4839: 4833: 4825: 4819: 4815: 4808: 4793:on 5 May 2009 4792: 4788: 4787: 4782: 4776: 4774: 4766: 4761: 4754: 4752: 4746: 4739: 4734: 4719: 4715: 4708: 4701: 4696: 4690:, pp. 403–404 4689: 4684: 4682: 4674: 4669: 4654: 4650: 4646: 4640: 4624: 4618: 4611: 4606: 4591: 4585: 4583: 4575: 4570: 4563:. p. 13. 4562: 4555: 4548: 4547:Duncan (1905) 4543: 4536: 4532: 4527: 4512: 4508: 4502: 4496: 4490: 4484: 4478: 4462: 4458: 4454: 4448: 4441: 4436: 4429: 4425: 4419: 4412: 4407: 4400: 4395: 4393: 4383: 4374: 4368:, pp. 344–345 4367: 4366:Dvoƙák (1894) 4362: 4356:, pp. 153–156 4355: 4350: 4343: 4338: 4332:, pp. 107–117 4331: 4326: 4319: 4314: 4307: 4302: 4295: 4290: 4283: 4278: 4271: 4266: 4259: 4257: 4250: 4243: 4238: 4231: 4226: 4219: 4214: 4207: 4205: 4198: 4191: 4186: 4179: 4178:Duncan (1905) 4174: 4172: 4163: 4159: 4155: 4151: 4147: 4143: 4142: 4137: 4130: 4122: 4118: 4114: 4110: 4106: 4102: 4101: 4096: 4089: 4082: 4077: 4071:, pp. 168–169 4070: 4065: 4058: 4053: 4051: 4043: 4038: 4032:, pp. 265–266 4031: 4026: 4024: 4016: 4011: 4005: 4001: 3997: 3992: 3985: 3980: 3973: 3968: 3961: 3956: 3949: 3944: 3937: 3932: 3925: 3920: 3913: 3908: 3901: 3896: 3889: 3884: 3877: 3872: 3865: 3860: 3853: 3852:Emmons (2006) 3848: 3841: 3840:Duncan (1905) 3836: 3828: 3824: 3817: 3802: 3798: 3791: 3784: 3779: 3772: 3767: 3761:, pp. 221–225 3760: 3755: 3748: 3743: 3737:, pp. 208–209 3736: 3731: 3724: 3722: 3709: 3708: 3703: 3701: 3695: 3689: 3682: 3677: 3671:, pp. 182–183 3670: 3665: 3658: 3653: 3647:, pp. 299–300 3646: 3645:Thayer (1921) 3641: 3634: 3629: 3627: 3625: 3617: 3612: 3606:, pp. 245–246 3605: 3600: 3593: 3588: 3586: 3584: 3576: 3571: 3564: 3559: 3557: 3555: 3553: 3551: 3549: 3547: 3539: 3534: 3527: 3526:Austin (1873) 3522: 3520: 3512: 3507: 3500: 3495: 3488: 3483: 3476: 3471: 3464: 3459: 3452: 3447: 3440: 3435: 3428: 3423: 3421: 3413: 3408: 3400: 3396: 3392: 3388: 3384: 3380: 3376: 3369: 3361: 3354: 3348: 3340: 3336: 3332: 3330:3-205-99051-X 3326: 3322: 3321: 3313: 3311: 3302: 3298: 3294: 3292:3-205-98820-5 3288: 3284: 3283: 3275: 3273: 3264: 3258: 3251: 3250:Duncan (1905) 3246: 3239: 3234: 3227: 3222: 3215: 3210: 3203: 3202:Duncan (1905) 3198: 3191: 3186: 3184: 3176: 3171: 3165:, 2 July 2023 3164: 3163:The Telegraph 3158: 3151: 3150: 3143: 3136: 3135: 3130: 3126: 3122: 3118: 3114: 3113: 3108: 3104: 3100: 3096: 3092: 3088: 3087: 3082: 3081:Steblin, Rita 3077: 3070: 3069: 3064: 3059: 3052: 3051: 3044: 3037: 3036: 3031: 3027: 3022: 3015: 3010: 3003: 2998: 2991: 2986: 2979: 2978:Gramit (1997) 2974: 2967: 2962: 2955: 2950: 2943: 2938: 2931: 2926: 2919: 2914: 2908: 2903: 2896: 2895: 2888: 2881: 2880:Duncan (1905) 2876: 2874: 2866: 2865:Duncan (1905) 2861: 2854: 2849: 2842: 2841:Duncan (1905) 2837: 2835: 2827: 2822: 2815: 2810: 2803: 2802:Duncan (1905) 2798: 2796: 2788: 2787:Duncan (1905) 2783: 2776: 2771: 2764: 2759: 2757: 2749: 2744: 2737: 2732: 2725: 2724:Duncan (1905) 2720: 2718: 2710: 2705: 2703: 2701: 2693: 2688: 2681: 2676: 2669: 2666: 2661: 2656: 2655:Steblin, Rita 2651: 2644: 2639: 2632: 2627: 2625: 2617: 2612: 2605: 2604:Duncan (1905) 2600: 2596: 2580: 2576: 2560: 2558: 2557:Trout Quintet 2552: 2551: 2546: 2542: 2539: 2535: 2534: 2530: 2526: 2523: 2522: 2517: 2513: 2512: 2507: 2503: 2500: 2496: 2495: 2490: 2486: 2483: 2479: 2475: 2474: 2469: 2466: 2462: 2461: 2456: 2452: 2449: 2445: 2444: 2439: 2435: 2432: 2428: 2427: 2422: 2418: 2417: 2416: 2413: 2411: 2407: 2406:Mischa Scorer 2403: 2402:AndrĂĄs Schiff 2399: 2395: 2391: 2386: 2384: 2383: 2378: 2377: 2372: 2371: 2366: 2362: 2361: 2356: 2355: 2350: 2349: 2344: 2343: 2332: 2330: 2326: 2322: 2316: 2314: 2313: 2308: 2304: 2294: 2292: 2291: 2286: 2281: 2277: 2273: 2269: 2265: 2260: 2257: 2256:Great C Major 2253: 2249: 2245: 2240: 2232: 2228: 2227: 2222: 2212: 2210: 2206: 2202: 2201:Great C major 2198: 2194: 2193: 2186: 2184: 2177: 2176: 2171: 2169: 2167: 2162: 2158: 2154: 2150: 2146: 2144: 2138: 2134: 2130: 2129:Trout Quintet 2126: 2122: 2117: 2115: 2111: 2110:Carl Kundmann 2107: 2103: 2102:Panic of 1873 2098: 2094: 2087: 2083: 2079: 2076: 2075:AndrĂĄs Schiff 2072: 2068: 2057: 2055: 2051: 2047: 2043: 2033: 2031: 2023: 2019: 2017: 2016:Great C major 2013: 2009: 2007: 2003: 1999: 1996: 1992: 1991: 1990: 1987: 1985: 1982: 1978: 1975: 1974:Great C major 1971: 1965: 1961: 1951: 1949: 1948: 1943: 1942: 1937: 1934: 1930: 1924: 1920: 1916: 1906: 1904: 1900: 1896: 1892: 1888: 1882: 1878: 1870: 1865: 1856: 1854: 1850: 1846: 1845: 1840: 1839: 1834: 1830: 1826: 1822: 1821: 1816: 1812: 1808: 1806: 1801: 1797: 1793: 1789: 1785: 1781: 1777: 1768: 1759: 1756: 1752: 1750: 1746: 1745: 1740: 1737:, Heine, and 1736: 1732: 1731: 1726: 1725: 1720: 1719: 1714: 1710: 1706: 1702: 1698: 1694: 1690: 1685: 1680: 1676: 1672: 1665: 1661: 1657: 1654:Autograph of 1652: 1648: 1646: 1642: 1638: 1634: 1628: 1624: 1614: 1612: 1608: 1607: 1601: 1594: 1592: 1568: 1547: 1526: 1509: 1507: 1503: 1502: 1501:Trout Quintet 1497: 1493: 1489: 1485: 1479: 1475: 1471: 1461: 1459: 1454: 1444: 1442: 1437: 1433: 1429: 1423: 1419: 1409: 1407: 1403: 1398: 1394: 1390: 1386: 1382: 1378: 1374: 1370: 1365: 1363: 1359: 1355: 1351: 1347: 1342: 1337: 1336:neurosyphilis 1333: 1329: 1323: 1321: 1317: 1312: 1308: 1300: 1295: 1289: 1284: 1271: 1267: 1265: 1259: 1257: 1256:Simon Sechter 1253: 1249: 1244: 1243:Great C major 1240: 1236: 1232: 1228: 1224: 1220: 1216: 1215: 1210: 1206: 1202: 1198: 1194: 1190: 1186: 1182: 1178: 1174: 1170: 1166: 1162: 1161: 1154: 1151: 1150: 1143: 1138: 1137:Shakespearian 1134: 1133:Fantasie in G 1130: 1126: 1122: 1121: 1116: 1112: 1111: 1106: 1102: 1101:Great C major 1098: 1094: 1086: 1082: 1078: 1076: 1075:Great C major 1072: 1068: 1064: 1060: 1056: 1052: 1051: 1046: 1042: 1038: 1037:Upper Austria 1030: 1019: 1017: 1014:. His friend 1013: 1009: 1005: 1001: 998: 994: 990: 986: 982: 978: 974: 970: 965: 963: 959: 955: 954: 949: 948: 943: 939: 938: 933: 929: 924: 920: 916: 908: 903: 894: 891: 886: 884: 883: 878: 874: 868: 866: 865: 860: 856: 852: 851: 846: 842: 838: 834: 830: 829: 824: 820: 819: 809: 804: 800: 799:publication. 798: 797: 792: 787: 782: 778: 774: 770: 769: 764: 763: 758: 754: 750: 747: 737: 733: 731: 728:(D. 743) and 727: 723: 719: 715: 711: 707: 705: 699: 697: 693: 689: 685: 680: 678: 674: 666: 662: 658: 657: 653: 647: 643: 641: 637: 633: 628: 625: 624:Kapellmeister 616: 611: 602: 599: 595: 590: 588: 584: 579: 573: 571: 567: 563: 559: 554: 552: 548: 544: 540: 536: 531: 529: 522: 510: 501: 499: 495: 494:Wer ist groß? 492: 488: 484: 480: 475: 473: 469: 465: 461: 457: 456:Michael Haydn 453: 448: 446: 442: 438: 434: 430: 426: 421: 415: 410: 403: 399: 395: 393: 389: 385: 382:(in Vienna's 381: 377: 373: 369: 365: 361: 357: 353: 338: 336: 332: 328: 324: 320: 315: 313: 309: 308:typhoid fever 304: 300: 296: 292: 288: 284: 280: 275: 273: 272: 267: 266: 261: 260: 256: 252: 251: 246: 245: 240: 236: 232: 228: 224: 220: 216: 212: 208: 204: 200: 196: 194: 189: 185: 181: 177: 176:chamber music 173: 169: 165: 161: 157: 156: 151: 147: 146: 140: 136: 131: 123: 114: 109: 104: 101: 98: 94: 90: 86: 74: 70: 66: 53: 49: 45: 40: 33: 30: 26: 22: 12707: 12690: 12678:from Commons 12673: 12652: 12557: 12550: 12543: 12527: 12247:Porto-Alegre 11901:Philosophers 11785:Rachmaninoff 11392: 11234:Chavchavadze 11224:Baratashvili 10984:JoĂŁo de Deus 10953:Wincenty Pol 10745:KĂŒchelbecker 10473: 10439:Noble savage 10426: 10392: 10367:Wallenrodism 10344: 10330: 10261:Coppet group 10195:(literature) 10101: 10094: 9997: 9981:Other topics 9805:J. Strauss I 9754: 9695:Rachmaninoff 9450:Gretchaninov 9121: 9105:Joseph Haydn 9027: 9020: 8922:Galant music 8615: 8527: 8508: 8489: 8481: 8473: 8465: 8457: 8449: 8441: 8433: 8419: 8345: 8322: 8299: 8290: 8286: 8282: 8281:Sonat(in)as 8249: 8240: 8231: 8227: 8218: 8185: 8176: 8167: 8159: 8150: 8141: 8132: 8124: 8120: 8113: 8092: 8078: 8070: 8061: 8052: 8043: 8035: 8026: 8018: 8009: 8001: 7986: 7974:/600/610/612 7971: 7962: 7953: 7938: 7923: 7908: 7894: 7873: 7864: 7860: 7851: 7842: 7811: 7728:, D 667 7725: 7720:, D 487 7717: 7688: 7679: 7671:Quartettsatz 7670: 7659:), D 87 7656: 7640:, D 103 7638:Quartettsatz 7637: 7497: 7421: 7380: 7370: 7349: 7308: 7253: 7247: 7185: 7064:, D 957 7059: 7056:, D 911 7051: 7048:, D 795 7043: 6969:, D 776 6925:An die Musik 6906:Der Wanderer 6831:", D 77 6770: 6677:Rita Steblin 6607:Ernst Hilmar 6602:Therese Grob 6577:Walther DĂŒrr 6547: 6539: 6531: 6523: 6515: 6507: 6499: 6491: 6478: 6470: 6466:Schubertiade 6424:Publications 6294:Arrangements 6249:Church music 6227:Compositions 6218: 6175:(ChoralWiki) 6032: 5998: 5990:Uhde, JĂŒrgen 5971: 5937: 5914: 5898: 5883: 5879: 5871: 5855: 5851: 5843: 5830: 5826: 5816: 5814: 5810: 5809: 5801: 5797: 5778: 5758: 5736: 5711: 5690: 5668: 5643: 5622: 5612: 5590: 5564: 5541: 5518: 5497: 5472: 5453: 5431: 5411: 5384: 5358: 5330: 5310: 5287: 5275: 5274: 5258: 5252: 5239: 5220: 5186: 5174: 5162: 5150: 5108: 5086:. Scribner. 5082: 5064: 5060: 5025: 4996: 4986: 4985: 4967: 4948: 4932: 4931: 4914: 4902:. Retrieved 4892: 4882: 4874: 4857: 4845:. Retrieved 4832: 4813: 4807: 4795:. Retrieved 4791:the original 4784: 4765:Gibbs (1997) 4760: 4750: 4745: 4733: 4721:. Retrieved 4718:The Guardian 4717: 4707: 4700:Brown (1983) 4695: 4673:Liszt (1989) 4668: 4656:. Retrieved 4652: 4639: 4627:. Retrieved 4617: 4605: 4593:. Retrieved 4574:Gibbs (1997) 4569: 4560: 4554: 4542: 4534: 4526: 4514:. Retrieved 4510: 4501: 4489: 4477: 4465:. Retrieved 4461:the original 4447: 4435: 4428:Gibbs (1997) 4418: 4411:Gibbs (2000) 4406: 4382: 4373: 4361: 4349: 4337: 4325: 4313: 4306:Brown (2002) 4301: 4289: 4277: 4265: 4254: 4249: 4237: 4230:Gibbs (1997) 4225: 4213: 4204:The Guardian 4203: 4197: 4190:Gibbs (2000) 4185: 4148:(1): 44–47. 4145: 4139: 4129: 4104: 4098: 4088: 4076: 4069:Gibbs (2000) 4064: 4042:Gibbs (1997) 4037: 4010: 4000:CD recording 3991: 3979: 3967: 3960:McKay (1996) 3955: 3943: 3931: 3924:McKay (1996) 3919: 3912:McKay (1996) 3907: 3900:Gibbs (1999) 3895: 3883: 3871: 3859: 3847: 3835: 3822: 3816: 3804:. Retrieved 3800: 3790: 3778: 3766: 3754: 3742: 3730: 3720: 3718: 3711:. Retrieved 3705: 3699: 3688: 3676: 3664: 3652: 3640: 3633:McKay (1996) 3616:Gibbs (2000) 3611: 3604:Denny (1997) 3599: 3570: 3533: 3511:Gibbs (2000) 3506: 3499:Gibbs (2000) 3494: 3487:McKay (1996) 3482: 3475:Gibbs (2000) 3470: 3463:Gibbs (2000) 3458: 3446: 3439:Gibbs (2000) 3434: 3412:McKay (1996) 3407: 3382: 3379:Music in Art 3378: 3368: 3359: 3347: 3319: 3281: 3257: 3245: 3233: 3226:Gibbs (2000) 3221: 3214:McKay (1996) 3209: 3197: 3175:McKay (1996) 3170: 3162: 3157: 3147: 3142: 3137:, pp. 47–69. 3132: 3128: 3116: 3110: 3098: 3084: 3076: 3066: 3058: 3048: 3043: 3033: 3021: 3014:McKay (1996) 3009: 3002:McKay (1996) 2997: 2990:McKay (1996) 2985: 2973: 2961: 2949: 2942:McKay (1996) 2937: 2925: 2918:Gibbs (2000) 2913: 2902: 2892: 2887: 2860: 2853:Frost (1915) 2848: 2821: 2814:Gibbs (2000) 2809: 2782: 2775:McKay (1996) 2770: 2763:Gibbs (2000) 2743: 2736:Brown (1983) 2731: 2692:McKay (1996) 2687: 2675: 2658: 2650: 2638: 2616:McKay (1996) 2611: 2599: 2579: 2556: 2548: 2531: 2519: 2509: 2492: 2471: 2460:Barry Lyndon 2458: 2441: 2424: 2414: 2397: 2389: 2387: 2380: 2379:(1958), and 2374: 2368: 2358: 2352: 2346: 2340: 2338: 2317: 2310: 2303:Franz Joseph 2300: 2288: 2276:George Crumb 2268:Anton Webern 2261: 2255: 2236: 2231:Gustav Klimt 2224: 2200: 2196: 2190: 2188: 2173: 2172: 2165: 2142: 2128: 2118: 2090: 2063: 2046:Anton Walter 2039: 2027: 2015: 2005: 1988: 1980: 1973: 1967: 1945: 1939: 1933:musicologist 1929:opus numbers 1926: 1884: 1852: 1848: 1842: 1836: 1832: 1828: 1818: 1811:George Grove 1803: 1776:opus numbers 1773: 1753: 1748: 1742: 1728: 1722: 1716: 1679:Der Erlkönig 1668: 1663: 1655: 1630: 1605: 1600:sonata forms 1597: 1588: 1499: 1481: 1453:Ernst Krenek 1450: 1425: 1405: 1373:Vienna Woods 1366: 1324: 1303: 1260: 1242: 1238: 1234: 1218: 1212: 1208: 1192: 1180: 1176: 1158: 1155: 1132: 1124: 1118: 1108: 1100: 1090: 1074: 1062: 1048: 1045:Walter Scott 1040: 1033: 1022: 999: 992: 988: 972: 968: 966: 957: 951: 945: 935: 922: 912: 887: 882:Der Wanderer 880: 875:and his son 869: 862: 858: 854: 848: 826: 816: 813: 794: 776: 766: 760: 757:Quartettsatz 748: 743: 734: 729: 725: 704:Schubertiads 702: 700: 681: 670: 649: 629: 620: 598:Rita Steblin 591: 574: 555: 535:Therese Grob 532: 525: 493: 486: 479:music theory 476: 449: 425:figured bass 417: 412: 407: 376:schoolmaster 349: 316: 287:Joseph Haydn 277:Born in the 276: 269: 263: 257: 248: 242: 241:; the opera 218: 210: 202: 192: 164:sacred music 153: 144: 121: 120: 77:(1828-11-19) 29: 12738:1828 deaths 12733:1797 births 12237:MichaƂowski 12069:Wackenroder 12034:F. Schlegel 12029:A. Schlegel 11805:Tchaikovsky 11694:Bortkiewicz 11566:R. Schumann 11561:C. Schumann 11526:Kalkbrenner 11495:Saint-SaĂ«ns 10800:Anne BrontĂ« 10685:Eichendorff 10670:B. v. Arnim 10665:A. v. Arnim 10475:Weltschmerz 10434:Medievalism 10383:Blue flower 10311:Nationalist 10256:Bohemianism 10168:Romanticism 10048:Romanticism 9830:Tchaikovsky 9765:R. Schumann 9760:C. Schumann 9745:Saint-SaĂ«ns 9640:Niedermeyer 9530:Leoncavallo 9500:Kalkbrenner 9275:Bortkiewicz 8740:Hoffmeister 8710:Dittersdorf 8416:Stage works 8211:Sonata in B 8019:D 769A 7657:Haushaltung 7053:Winterreise 6995:Im FrĂŒhling 6932:Die Forelle 6829:Der Taucher 6790:Schwertlied 6667:Johann Senn 6552:(1970 film) 6544:(1953 film) 6536:(1949 film) 6528:(1947 film) 6520:(1941 film) 6512:(1940 film) 6504:(1933 film) 6496:(1931 film) 6289:Stage works 6283:song cycles 6264:Piano music 6147:Sheet music 6134:, from the 6086:BBC Radio 3 6004:BĂ€renreiter 5389:BĂ€renreiter 5249:"Volume 38" 4723:5 September 4413:, pp. 61–62 4296:, pp. 76–81 4242:Ewen (2007) 4180:, pp. 79–80 3950:pp. 270–274 3938:pp. 261–263 3806:27 February 3735:Reed (1997) 3721:Winterreise 3540:, pp. 90–92 3528:, pp. 46–47 3252:, pp. 90–93 3026:Solomon, M. 2882:, pp. 13–14 2663: [ 2545:Guy Ritchie 2489:Woody Allen 2421:Walt Disney 2280:Hans Zender 2239:Franz Liszt 2192:Winterreise 2097:GrĂŒnderzeit 2060:Recognition 2054:Conrad Graf 2036:Instruments 1903:BĂ€renreiter 1749:Winterreise 1724:Winterreise 1709:song cycles 1664:Winterreise 1492:distant key 1436:concertante 1379:. In 1872, 1239:Winterreise 1193:Tantum Ergo 1160:Winterreise 1043:, based on 947:Winterreise 825:. In 1823, 726:Selige Welt 722:Johann Senn 652:Kaleidoskop 587:cyclothymia 528:hauptschule 517: 1814 358:), Vienna, 327:Franz Liszt 265:Winterreise 255:song cycles 12722:Categories 12692:Quotations 12112:ChassĂ©riau 12087:Aivazovsky 11795:Rubinstein 11780:Mussorgsky 11729:Wieniawski 11714:Paderewski 11556:Moszkowski 11339:Vörösmarty 11329:Shevchenko 11183:Longfellow 11107:Batyushkov 11102:Baratynsky 11071:Espronceda 10938:Mickiewicz 10933:Malczewski 10900:Wordsworth 10885:M. Shelley 10840:de Quincey 10705:GĂŒnderrode 10589:Baudelaire 10469:Wanderlust 10306:Lake Poets 10036:Background 9937:Intermezzo 9870:Wieniawski 9850:Vieuxtemps 9815:R. Strauss 9740:Rubinstein 9665:Paderewski 9635:Mussorgsky 9630:Moszkowski 9605:Mercadante 8984:Classicism 8972:Background 8951:Techniques 8927:Intermezzo 8885:Zingarelli 8790:Mysliveček 8685:Boccherini 8675:J. C. Bach 8658:J. Stamitz 8653:C. Stamitz 8483:Fierrabras 8333:piano trio 8323:D 821 8312:arpeggione 8300:D 574 8283:D 384 8250:D 940 8241:D 812 8232:D 733 8219:D 617 8203:four hands 8186:D 946 8177:D 935 8168:D 899 8160:D 915 8151:D 780 8142:D 969 8133:D 779 8125:D 760 8114:D 718 8093:D 960 8079:D 959 8071:D 958 8062:D 894 8053:D 850 8044:D 845 8036:D 840 8027:D 784 8010:D 664 8002:D 655 7987:D 625 7972:D 613 7963:D 575 7954:D 571 7939:D 568 7924:D 567 7909:D 566 7895:D 557 7874:D 537 7865:D 459 7852:D 279 7843:D 157 7422:Unfinished 7356:No. 5 in B 7330:No. 2 in B 7303:Symphonies 7236:No. 6 in E 7225:No. 5 in A 7209:No. 3 in B 6939:Prometheus 6857:Amphiaraos 6781:Part songs 6268:piano solo 6258:Symphonies 6113:Recordings 5919:Blom, Eric 5899:Unfinished 5882:Unfinished 5872:Unfinished 5854:Unfinished 5844:Unfinished 5829:Unfinished 5817:Unfinished 5694:. Norton. 4516:5 February 4002:issued on 3713:8 February 3563:Hadow 1911 3190:Hadow 1911 3119:. Böhlau. 2680:Hadow 1911 2566:References 2533:Carrington 2312:Fierrabras 2197:Unfinished 2163:, and the 2006:Unfinished 1984:D 759 1981:Unfinished 1977:D 944 1958:See also: 1913:See also: 1889:published 1875:See also: 1835:(D. 220), 1621:See also: 1591:media help 1468:See also: 1432:part songs 1416:See also: 1362:dysgraphia 1341:salmonella 1334:", making 1203:(D. 961), 1173:the second 1165:Impromptus 1127:, and the 1123:(D. 895), 1097:a symphony 981:arpeggione 932:song cycle 923:Unfinished 837:impresario 828:Fierrabras 688:Ćœeliezovce 583:depression 578:Landstraße 543:Mass No. 1 521:Josef Abel 433:pianoforte 380:Lichtental 364:Zuckmantel 356:Alsergrund 281:suburb of 253:; and the 244:Fierrabras 227:Impromptus 203:Unfinished 160:symphonies 137:and early 88:Occupation 57:1797-01-31 12609:Biography 12552:Modernism 12212:Kiprensky 12172:GĂ©ricault 12157:Friedrich 12147:Delacroix 12122:Constable 12102:Bonington 12092:Bierstadt 12044:Senancour 12019:Schelling 11974:Lamennais 11969:Khomyakov 11934:Coleridge 11929:Chaadayev 11836:Stanković 11831:Mokranjac 11750:Balakirev 11709:Moniuszko 11658:Donizetti 11653:Cherubini 11551:Meyerbeer 11536:Marschner 11511:Beethoven 11424:Moscheles 11358:Musicians 11344:Wergeland 11309:Orbeliani 11264:Grundtvig 11168:Hawthorne 11137:Zhukovsky 11132:Vyazemsky 11117:Lermontov 11076:GutiĂ©rrez 11035:Radičević 10999:Herculano 10923:KrasiƄski 10865:Radcliffe 10835:Coleridge 10810:E. 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Index

François Schubert
Schubert (disambiguation)

Vienna
List of compositions by Franz Schubert
Signature of Franz Schubert
[fʁantsˈpeːtɐˈʃuːbɐt]
Classical
Romantic
vast oeuvre
secular
Lieder
symphonies
sacred music
operas
incidental music
chamber music
Erlkönig
Gretchen am Spinnrade
Ave Maria
Trout Quintet
Symphony No. 8 in B minor
Symphony No. 9 in C major
String Quartet No. 14 in D minor
String Quintet in C major
Impromptus
last three piano sonatas
Fantasia in F minor
piano four hands
Fierrabras

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