268:, Haydn wrote but one piece 'Ă quatre mains,' a divertissement, which was never published (two other sonatas published under his name, op. 81 and 86, are spurious). Beethoven left but one sonata, op. 6, three marches, op. 45, and two sets of variations, none of which are of any great importance. The work of Mozart in this field is more significant. Of the nine pianoforte duets by Mozart two, the Adagio and Allegro in F minor and the Fantasia in F minor were originally written for a mechanical organ or musical clock in a Vienna exhibition, and were afterwards arranged for piano by an unknown hand; among the others, the sonatas KV 497 and KV 521 from the Vienna years stand out.
250:
23:
100:
80:
194:
of such works more readily and faithfully than arrangements for piano solo. Sometimes, organ works and works for piano two hands with advanced difficulty have also been arranged for piano four hands, in order to make them accessible to amateurs. Such arrangements were especially popular before the development of recording technology, as the vast majority of the time there would be no other way to hear many of the best-known works of music.
246:, three for three, and one for four, all with accompaniment of stringed instruments. But the short compass of the keyboard, which in Bach's time and indeed until about 1770 never exceeded five octaves, was ill-adapted to the association of two performers on the same instrument, and it is doubtless on this account that the earlier composers have left so little music of the kind.
86:
85:
83:
82:
41:
193:
and other groups for stringed instruments. Indeed, scarcely any composition of importance for any combination of instruments exists which has not been arranged and published in this form, which on account of its comparative facility of performance is calculated to reproduce the characteristic effects
87:
202:
However, the increase of power and variety obtainable by two performers instead of one offers a legitimate inducement to composers to write original music in this form, and the opportunity has been by no means neglected, although cultivated to a less extent than might have been expected.
238:, too, wrote four-hand pieces for himself and his sister to play; K.381 in D Major dates from 1772. So far as is known these were the first compositions of their kind, although the idea of the employment of two performers (but not on one instrument) may have originated with
84:
155:
Music written for piano four hands is usually printed so that left-hand pages contain only the part for the pianist sitting on the left, while right-hand pages contain only the part for the pianist sitting on the right. The upper part (right) is called
310:(op. 138), which consist of ten pieces for four voices, being songs, duets, and a quartet, with piano four-hand accompaniment. An analogous idea was later carried out by Brahms, who wrote two sets of waltzes for four hands and four voices (
39:
40:
354:, who has written twenty-four pieces for two performers on the organ; but no increased effect appears to be obtainable from such an arrangement which can at all compensate for its practical inconvenience.
81:
306:, and the Variations in B-flat major for piano, op. 83, in this form. Besides writing a number of small pieces for two performers, Schumann made a very novel and successful experiment in his
32:
347:
284:
276:
287:. In addition to these he wrote fourteen marches, six polonaises, four sets of variations, three rondos, one sonata, one set of dances, and four separate pieces.
351:
146:
involving two players playing the same piano simultaneously. A duet with the players playing separate instruments is generally referred to as a
527:
363:
451:
321:
214:
printed four duets for four-hand piano, with a preface explaining this unusual practice. Another early exemplar followed in
312:
493:
637:
632:
627:
520:
302:
wrote only one original work of the kind, although he himself arranged some of his orchestral works and also his
62:
Fantasia in F minor, at historic
Greystone Mansion in Beverly Hills, California. (Live recording April 13, 2019)
410:
275:
made the fullest use of the original effects possible to music "Ă quatre mains." His compositions include the
513:
446:
776:
717:
426:
487:
249:
644:
343:
239:
220:
Drey
Sonaten fĂĽre Clavier als DoppelstĂĽcke fur zwey Personen mit vier Handen von C. H. MĂĽller
264:
appear to have had but little inclination for this description of composition. According to
498:
402:
395:
104:
47:
8:
303:
223:
722:
677:
406:
373:
206:
The earliest known printed works for the pianoforte Ă quatre mains were published in
907:
771:
742:
536:
135:
59:
342:
Organ music for four hands is very rare, although the experiment has been made by
331:
326:
664:
368:
291:
127:
119:
933:
928:
781:
732:
211:
190:
55:
505:
922:
851:
845:
832:
810:
766:
761:
727:
712:
622:
477:
486:
902:
892:
838:
805:
786:
737:
707:
613:
564:
545:
482:
51:
683:
598:
559:
299:
243:
186:
178:
99:
882:
673:
669:
659:
654:
588:
569:
148:
143:
71:
320:, Op 65). Among his instrumental four-hands pieces, the best-known is
897:
688:
649:
554:
261:
182:
234:
for two performers, which were published after his death. The young
177:
By far the greater proportion of music "Ă quatre mains" consists of
877:
860:
603:
272:
92:
265:
752:
698:
433:, Ed. Alison Latham, Oxford Music Online, accessed 31 March 2012
826:
796:
295:
235:
231:
227:
215:
207:
887:
476:
This article incorporates text from a publication now in the
257:
290:
Among the German
Romantic composers, the four-hand works of
579:
108:
324:. A well-known piece by a French Romantic composer is the
392:
447:"4 Sonatas for Keyboard 4-Hands (Burney, Charles)"
394:
920:
535:
285:Fantasia in F minor for piano four-hands, D 940
253:Wolfgang Amadeus and Maria Anna Mozart in 1780
521:
393:Kuhn, Laura Diane; Nicolas Slonimsky (2001).
277:Sonata in C major for piano four-hands, D 812
528:
514:
364:Category:Compositions for piano four-hands
452:International Music Score Library Project
401:. New York: Schirmer Reference. p.
248:
98:
78:
921:
160:while the lower part (left) is called
95:'s Variations Op. 149 No. 26
509:
481:
242:, who wrote three concertos for two
494:A Dictionary of Music and Musicians
337:
13:
419:
21:
14:
945:
230:in 1761, had written one or more
197:
271:Among the best-known composers,
70:Problems playing this file? See
37:
172:
111:National State Conference, 2021
439:
386:
1:
470:
431:The Oxford Companion to Music
281:Divertissement Ă la hongroise
167:
218:about 1782, under the title
7:
357:
10:
950:
298:are the most interesting.
226:, the musical director at
132:Zu vier Händen, Vierhändig
870:
819:
795:
751:
697:
612:
578:
544:
379:
222:. However, before this,
54:and Anna Latso) perform
435:(subscription required)
488:"A Quatre Mains"
308:Spanische Liebeslieder
254:
210:in January 1777, when
139:
131:
123:
112:
96:
26:
645:Flute, viola and harp
638:Clarinet–violin–piano
499:Macmillan and Company
252:
240:Johann Sebastian Bach
102:
90:
33:"Fantasia in F minor"
25:
633:Clarinet–viola–piano
628:Clarinet–cello–piano
350:, and especially by
189:compositions and of
103:Classical piano duo
48:The Latsos Piano Duo
16:Duet using one piano
777:Rock or pop quintet
718:Rock or pop quartet
313:Liebeslieder Walzer
425:Bellingham, Jane.
255:
224:Ernst Wilhelm Wolf
113:
97:
27:
916:
915:
678:heavy metal music
537:Musical ensembles
322:16 Waltzes, Op 39
318:Neue Liebeslieder
107:, performing for
88:
42:
941:
908:String orchestra
772:Pierrot ensemble
594:Piano four hands
530:
523:
516:
507:
506:
502:
490:
464:
463:
461:
459:
443:
437:
436:
423:
417:
416:
400:
397:Music since 1900
390:
338:Organ four hands
116:Piano four hands
89:
60:piano four-hands
44:
43:
24:
949:
948:
944:
943:
942:
940:
939:
938:
919:
918:
917:
912:
866:
815:
791:
747:
693:
665:Piano six hands
608:
574:
540:
534:
473:
468:
467:
457:
455:
445:
444:
440:
434:
424:
420:
413:
391:
387:
382:
374:Piano reduction
369:Piano six hands
360:
340:
200:
175:
170:
142:) is a type of
79:
77:
76:
68:
66:
65:
64:
63:
45:
38:
35:
28:
22:
17:
12:
11:
5:
947:
937:
936:
931:
914:
913:
911:
910:
905:
900:
895:
890:
885:
880:
874:
872:
868:
867:
865:
864:
858:
855:
849:
843:
842:
841:
830:
823:
821:
817:
816:
814:
813:
808:
802:
800:
793:
792:
790:
789:
784:
779:
774:
769:
764:
758:
756:
749:
748:
746:
745:
740:
735:
730:
725:
720:
715:
710:
704:
702:
695:
694:
692:
691:
686:
681:
667:
662:
657:
652:
647:
642:
641:
640:
635:
630:
619:
617:
610:
609:
607:
606:
601:
596:
591:
585:
583:
576:
575:
573:
572:
567:
562:
557:
551:
549:
542:
541:
533:
532:
525:
518:
510:
504:
503:
485:, ed. (1900).
472:
469:
466:
465:
438:
418:
411:
384:
383:
381:
378:
377:
376:
371:
366:
359:
356:
339:
336:
316:, Op. 52, and
212:Charles Burney
199:
198:Original works
196:
174:
171:
169:
166:
140:a quattro mani
124:Ă€ quatre mains
67:
56:Franz Schubert
46:
36:
31:
30:
29:
20:
19:
18:
15:
9:
6:
4:
3:
2:
946:
935:
932:
930:
927:
926:
924:
909:
906:
904:
901:
899:
896:
894:
891:
889:
886:
884:
881:
879:
876:
875:
873:
869:
862:
859:
856:
853:
850:
847:
844:
840:
837:
836:
834:
831:
828:
825:
824:
822:
818:
812:
809:
807:
804:
803:
801:
798:
794:
788:
785:
783:
780:
778:
775:
773:
770:
768:
765:
763:
760:
759:
757:
754:
750:
744:
741:
739:
736:
734:
731:
729:
726:
724:
721:
719:
716:
714:
711:
709:
706:
705:
703:
700:
696:
690:
687:
685:
682:
679:
675:
671:
668:
666:
663:
661:
658:
656:
653:
651:
648:
646:
643:
639:
636:
634:
631:
629:
626:
625:
624:
623:Clarinet trio
621:
620:
618:
615:
611:
605:
602:
600:
597:
595:
592:
590:
587:
586:
584:
581:
577:
571:
568:
566:
563:
561:
558:
556:
553:
552:
550:
547:
543:
538:
531:
526:
524:
519:
517:
512:
511:
508:
500:
496:
495:
489:
484:
483:Grove, George
479:
478:public domain
475:
474:
454:
453:
448:
442:
432:
428:
422:
414:
408:
404:
399:
398:
389:
385:
375:
372:
370:
367:
365:
362:
361:
355:
353:
349:
345:
335:
333:
329:
328:
323:
319:
315:
314:
309:
305:
301:
297:
293:
288:
286:
283:, D 818, and
282:
278:
274:
269:
267:
263:
259:
251:
247:
245:
241:
237:
233:
229:
225:
221:
217:
213:
209:
204:
195:
192:
188:
184:
180:
165:
163:
159:
153:
151:
150:
145:
141:
137:
133:
129:
125:
121:
117:
110:
106:
101:
94:
75:
73:
61:
57:
53:
49:
34:
903:Singakademie
893:Concert band
871:Large groups
708:Jazz quartet
593:
565:One-man band
492:
456:. Retrieved
450:
441:
430:
427:"piano duet"
421:
396:
388:
352:Julius André
341:
325:
317:
311:
307:
289:
280:
270:
256:
244:harpsichords
219:
205:
201:
179:arrangements
176:
173:Arrangements
161:
157:
154:
147:
115:
114:
69:
52:Giorgi Latso
857:Undecet: 11
599:Musical duo
560:Guitar solo
327:Dolly Suite
300:Mendelssohn
91:Allegro of
923:Categories
883:Brass band
674:rock music
670:Power trio
655:Organ trio
589:Piano duet
570:Piano solo
497:. London:
471:References
412:0028647874
183:orchestral
168:Repertoire
144:piano duet
105:The Latsos
72:media help
898:Orchestra
723:Saxophone
650:Jazz trio
555:Drum solo
539:by number
262:Beethoven
149:piano duo
878:Big band
861:Duodecet
743:Woodwind
604:Bicinium
358:See also
292:Schumann
273:Schubert
191:quartets
93:Diabelli
753:Quintet
699:Quartet
480::
458:May 30,
232:sonatas
162:secondo
136:Italian
839:String
827:Septet
811:String
797:Sextet
782:String
733:String
684:String
409:
348:Höpner
296:Brahms
279:, the
236:Mozart
228:Weimar
216:Dessau
208:London
128:German
120:French
934:Piano
929:Duets
888:Choir
852:Decet
846:Nonet
833:Octet
820:Other
806:Piano
767:Piano
762:Brass
728:Flute
713:Piano
660:Piano
380:Notes
344:Hesse
332:Fauré
304:Octet
266:FĂ©tis
258:Haydn
187:vocal
158:primo
863:: 12
854:: 10
835:: 8
787:Wind
738:Wind
689:Reed
676:and
672:(in
614:Trio
580:Duet
546:Solo
460:2023
407:ISBN
294:and
260:and
185:and
109:Utah
848:: 9
829:: 7
799:: 6
755:: 5
701:: 4
616:: 3
582:: 2
548:: 1
330:by
181:of
58:'s
925::
491:.
449:.
429:,
405:.
403:81
346:,
334:.
164:.
152:.
138::
134:,
130::
126:,
122::
680:)
529:e
522:t
515:v
501:.
462:.
415:.
118:(
74:.
50:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
