896:, who also never wanted to end, and for the best of reasons—in order to allow the reader to continue creating for himself... At first, we may feel a little uneasy because of the... charming variety of vital feeling... but in the end a delightful impression remains. We feel that the composer is the master of his tale, and that, in time, its connections will become clear... It would not give us or others any pleasure to analyze the separate movements; for to give an idea of the novelistic character that pervades the entire symphony, one would have to reproduce it whole." (From:
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Often considered
Schubert's finest piece for orchestra, this symphony is also one of the composer's most innovative pieces. Thematic development in the style of Beethoven is still present in the work, but Schubert puts far more emphasis on melody. The new style prompted Robert Schumann to pursue his
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with a dedication. In response, they gave him a small payment, arranged for the copying of the orchestral parts, and at some point in the latter half of 1827, gave the work an unofficial perfunctory run-through (the exact date and the conductor are unknown) – though it was set aside as too long and
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The symphony, however, was found to be very difficult for orchestras of the day because of its extremely lengthy woodwind and string parts. When
Mendelssohn took the symphony to Paris in 1842 and London in 1844, orchestras flatly refused to play it; in London, the violinists are reputed to have
326:
770:... The several points of the case may be summed up as follows: 1. That Schubert certainly contemplated writing a grand Symphony in 1824. 2. That he probably wrote such a work at Gastein in 1825... 5. That he probably revised the work in March, 1828, with a view to performance...
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Beethoven previously used trombones sparingly as an effect in his Fifth and Sixth
Symphonies, and in the case of his Ninth Symphony, the used trombones to double the alto, tenor, and bass parts of the chorus as was common in sacred music and opera at the time. However, in his
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183:. It is now known that sketches for the 'Great' were largely composed in the summer of 1825 and that it was indeed the work to which Schubert was referring in a letter of March, 1824 when he said he was preparing himself to write 'a grand symphony' (originally listed as
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There continues to be long-standing controversy regarding the numbering of this symphony, with some scholars (usually German) numbering it as
Symphony No. 7. The most recent version of the Deutsch catalogue (the standard catalogue of Schubert's works, compiled by
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visited Vienna and was shown the manuscript of the symphony at the
Gesellschaft der Musikfreunde by Ferdinand Schubert. He took a copy that Ferdinand had given him back to Leipzig, where the entire work was performed publicly for the first time by
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in Vienna. The evidence for this hypothesis is slender, however, and it contradicts contemporary sources which prove that
Schubert's Symphony No. 6 (also in C major) was performed at this instance. In 1836, Schubert's brother
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The finale is in an extended sonata form. There are no less than six unique thematic elements in the main themes alone. The development section focuses on the third and sixth thematic elements. There is an extensive use of
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For a long time, the symphony was believed to be a work of
Schubert's last year, 1828. It was true that, in the last months of his life, he did start drafting a symphony – but this was the work in
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lasts around one hour when all repeats indicated in the score are taken. The symphony was not professionally performed until a decade after
Schubert's death in 1828.
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151:, the subtitle is now usually taken as a reference to the symphony's majesty. Unusually long for a symphony of its time, a typical performance of
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447:. The opening theme is used in a modified form as secondary subject matter in the main section of the movement. The rest of the movement is in
197:). By the spring or summer of 1826, it was completely scored and in October, Schubert, who was unable to pay for a performance, sent it to the
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133:. It was first published by Breitkopf & Härtel in 1849 as "Symphonie / C Dur / für großes Orchester" and listed as Symphony No. 8 in the
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with two periods for each theme and several transition themes and extra material. The opening theme of the introduction is restated in the
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and the Ninth
Symphony, Schubert fully integrates the trombones into the orchestra, using them liberally and at times melodically.
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with an ecstatic article in which, in a phrase destined to become famous, he hailed the symphony for its 'heavenly length'.
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The second movement is in a modified sonata form without a development section characterised as P1 S1 P2 S2 (or A–B–A–B).
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in accompaniment of two of the thematic elements. Midway through this final movement
Schubert pays tribute to
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A recent hypothesis suggests that the symphony may have received its first performance on 12 March 1829 in a
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The third movement is a lengthy Scherzo and Trio which is structured in sonata form.
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The first movement begins with an extensive introduction with its own miniaturised
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performed, yet there is no evidence that a public performance ever took place.
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909:(October 1987). "Schumann and Late Eighteenth-Century Narrative Strategies".
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513:. The recapitulation is unusual in that it begins in E-flat, modulates to
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collapsed in laughter when rehearsing the second subject of the finale.
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866:"Vor 175 Jahren: UrauffĂĽhrung der GroĂźen Sinfonie von Franz Schubert"
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419:. Allegro vivace (238 bars), in C major; Trio (166 bars), in A major
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Following the standard symphonic form, there are four movements:
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Gesammelte Schriften ĂĽber Musik und Musiker: eine Auswahl
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Audio playback is not supported in your browser. You can
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difficult for the amateur orchestra of the conservatory.
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on 21 March 1839. Schumann celebrated the event in the
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Schubert's letter concerning the Symphony No. 9, D. 944
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Compositions by Franz Schubert published posthumously
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1033:"Franz Schubert: Symphony No. 9 in C Major ("Great")"
784:"Schubert: Symphony in C major, D. 944, The Great"
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655:Schubert's Great C Major: Biography of a Symphony
605:, 2 oboes, 2 clarinets in A and C, 2 bassoons, 2
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976:"Symphony guide: Schubert's Ninth ('the Great')"
407:ma non-troppo – Più moto (685 bars), in C major
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948:Schubert Symphony No. 9 in C major 'The Great
863:
432:I. Andante – Allegro ma non troppo – Più moto
267:Schubert's symphonies § Numbering issues
179:, which has been realized for performance by
1009:Schubert and the Symphony. A New Perspective
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560:. Unsourced material may be challenged and
234:In 1838, ten years after Schubert's death,
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898:Schumann, Robert. Schulze, Herbert (ed.).
832:
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609:in C, 2 trumpets in A and C, 3 trombones,
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1026:International Music Score Library Project
902:(in German). Wiesbaden. pp. 177–179.
710:"Program Notes: Schubert, Symphony No. 9"
580:Learn how and when to remove this message
317:II. Andante con moto (conclusion extract)
786:. San Francisco Symphony. Archived from
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864:Scharfenecker, Walter (26 March 2014).
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822:Musikblätter der Wiener Philharmoniker
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657:. Boydell and Brewer. pp. 1–12.
129:, is the final symphony completed by
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558:adding citations to reliable sources
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355:IV. Finale. Allegro vivace (extract)
653:DeVoto, Mark (2011). "Background".
13:
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509:by quoting from the finale of his
489:III. Scherzo. Allegro vivace; Trio
386:Problems playing these files? See
336:III. Trio and Scherzo da capo only
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782:Keller, James M. (October 2017).
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413:con moto (380 bars), in A minor
159:Composition and early reception
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750:Frost, H. F. (February 1884).
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601:The symphony is scored for 2
199:Gesellschaft der Musikfreunde
1261:Symphonies by Franz Schubert
961:, Angel Records 35946, 1961.
946:William Mann: Notes from LP
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227:attempted to have the final
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143:to distinguish it from his
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717:Chicago Symphony Orchestra
497:IV. Finale. Allegro vivace
455:(b. 570) before the final
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250:Neue Zeitschrift fĂĽr Musik
16:Symphony by Franz Schubert
1204:
1158:
1085:
850:, Kassel 2003 (BA 5554),
824:51 (Vienna, 1997) p. 290.
738:Schubert and the Symphony
593:own symphonic ambitions.
372:London Symphony Orchestra
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752:"Schubert and His Works"
708:Huscher, Philip (2012).
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193:symphony, D 849, in the
1276:Compositions in C major
1031:Gutmann, Peter (2016).
689:. Neue Schubert-Ausgabe
470:download the audio file
426:(1154 bars), in C major
279:
220:Palais Niederösterreich
959:Philharmonia Orchestra
291:
211:
168:
89:Breitkopf & Härtel
1159:Incomplete/unfinished
844:Neue Schubert-Ausgabe
687:"Sinfonie Nr. 8 in C"
635:Schubert's symphonies
290:
166:
1210:List of compositions
1086:Completed symphonies
846:, Serie V, Band 4a.
841:Sinfonie Nr. 8 in C.
839:(ed.): Preface. In:
673:10.7722/j.ctt1kt82rk
554:improve this section
481:II. Andante con moto
139:. Originally called
136:New Schubert Edition
123: 944, known as
623:Unfinished Symphony
1035:. Classical Notes.
912:19th-Century Music
292:
274:Otto Erich Deutsch
169:
1266:1826 compositions
1226:
1225:
1196:No. 10 in D major
1176:D 708A in D major
871:neue musikzeitung
808:Newbould, p. 214.
757:The Musical Times
664:978-1-57647-201-9
590:
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370:Performed by the
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241:Felix Mendelssohn
207:Concert Spirituel
195:Deutsch Catalogue
141:The Great C major
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1186:No. 8 in B minor
1181:No. 7 in E major
1171:D 615 in D major
1145:No. 9 in C major
1135:No. 6 in C major
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1114:No. 4 in C minor
1109:No. 3 in D major
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1093:No. 1 in D major
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1024:: Scores at the
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236:Robert Schumann
213:Landständischer
177:Symphony No. 10
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1011:(London, 1992)
1005:Brian Newbould
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955:Otto Klemperer
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145:Symphony No. 6
131:Franz Schubert
113:Symphony No. 9
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985:. Retrieved
981:The Guardian
979:
972:Service, Tom
966:
947:
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916:
910:
899:
888:
876:. Retrieved
874:. Regensburg
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792:. Retrieved
788:the original
777:
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720:. Retrieved
703:
691:. Retrieved
681:
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619:
600:
591:
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552:Please help
540:
394:
385:
376:Bruno Walter
270:
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848:Bärenreiter
794:11 December
449:sonata form
441:development
1255:Categories
1190:Unfinished
1124:No. 5 in B
1098:No. 2 in B
1071:Symphonies
999:References
987:1 November
878:4 February
722:6 February
693:3 February
437:exposition
388:media help
265:See also:
245:Gewandhaus
97:55 minutes
65:D 944
894:Jean Paul
818:Otto Biba
740:, p. 212.
570:July 2021
541:does not
507:Beethoven
261:Numbering
225:Ferdinand
153:The Great
126:The Great
102:Movements
86:Publisher
78:Published
73:1824-1826
62:Catalogue
27:The Great
1215:by genre
1127:♭
1101:♭
974:(2014).
629:See also
503:ostinato
457:cadences
422:Finale.
229:movement
94:Duration
70:Composed
766:3357382
615:strings
611:timpani
562:removed
547:sources
515:F major
417:Scherzo
411:Andante
405:Allegro
401:Andante
218:of the
209:at the
190:Gastein
186:Gmunden
173:D major
117:C major
56:C major
1231:Portal
1139:Little
1118:Tragic
933:746729
931:
764:
671:
661:
613:, and
603:flutes
378:(1938)
147:, the
1149:Great
1130:major
1104:major
950:'
929:JSTOR
762:JSTOR
713:(PDF)
669:JSTOR
641:Notes
607:horns
522:Music
989:2018
880:2019
852:ISMN
796:2018
724:2017
695:2019
659:ISBN
545:any
543:cite
453:coda
443:and
280:Form
215:Saal
111:The
81:1849
1073:by
921:doi
556:by
115:in
52:Key
32:by
1257::
1007:,
978:.
957:,
927:.
917:11
915:.
868:.
829:^
768:.
760:.
754:.
715:.
667:.
617:.
439:,
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